arthur arthur's theme - pop-sheet-music. · pdf filearthur (1981) arthur's theme...
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![Page 1: ARTHUR ARTHUR'S THEME - pop-sheet-music. · PDF fileARTHUR (1981) ARTHUR'S THEME (Best That You Can Do) Moderately Dm7 Words and Music by BURT BACHARACH, CAROLE BAYER SAGER, CHRISTOPHER](https://reader036.vdocuments.mx/reader036/viewer/2022081507/5a9d924f7f8b9a28388bc984/html5/thumbnails/1.jpg)
ARTHUR (1981)
ARTHUR'S THEME (Best That You Can Do)
Moderately
Dm7
Words and Music by BURT BACHARACH, CAROLE BAYER SAGER,
CHRISTOPHER CROSS and PETER ALLEN C
Once in your life, you'll find- Ar - thur, he does what he
Arthur's Theme - 4 - I O 1981 WB MUSIC CORP., NEW HIDDEN VALLEY MUSIC, BEGONIA MELODIES. INC. UNICHAPPELL MUSIC INC., BMG SONGS, INC., WOOLNOUGH MUSIC, INC. and IRVING MUSIC, INC.
All Rights Administered by WB MUSIC CORP. & WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved
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her, pleas - es.
some-one who turns- your heart a - round, and All of his life,- his mas - ter's toys, and
next thing you know, you're clos - in' down the town. deep in his heart, he's just, he's just a boy.
Wake up and she's- still with - you, Liv - in' his life - one d a y at a time, he's
e - ven though you left her way, a-cross town. You're won - der - in' to your - show - ing him - self a real - lygood time. He's laugh - in' a - bout the
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self. hey, what - 've I found? way they want him to be. I
( When you get caught be-tween the moon and New York Cit - y,
I 1 I know it's cra - zy, but it's true.-
I If you get caught be - tween the
Anhur's Theme - 4 - 3
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I moon and New York Cit Y, the
I best t h a t y o u can do, the best that you can d o
D. s.% and fade A/C#
I is fall- in love.-
Arthur's Theme - 4 - 4
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THE MAMBO KINGS (1992)
Lyrics by ARNE GLIMCHER
BEAUTIFUL MARIA OF MY SOUL ("Bella Maria De Mi Alma")
Moderately
Gm7 C9 Eb6
Music by ROBERT KRAFT
In the sun-l ight of your smile, Thoughwe'll a1 - ways be a - part,
in the sum-mer of our locked for - ev - er in a
storms a - ev - en
I-
I 3 1
I I I. I I I
I I I I 8 4 2 3
Beautiful Maria of My Soul - 6 - 1
O 1992 WARNER-TAMERLANE PUBLISHING CORP., OVERBOARD MUSIC, INC. and ISABUG MELODIES INC. All Rights Reserved
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scat - te red a - way. then. I hove no th - ing will change
Lov - ers dream-ing in the And the taste o f you re -
night, mains,
reach-ing for Par - a - dise. cling-ing to Par - a - dise.
Bu t as the But as the
I dark shad - o w s fade, love slips a - rvuy. 011 un e n l p - t ~ . s t re tch of
1 beacll, in the pat - t e r n of' rhs waves. Draw-ing pic- tnres with my
-
I 1 I I
A. I h I i -
a - si 4
Beautiful Maria of My Soul - 6 - 2
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Cm7 D p 7 E ~ m a j 7 F Eb D7
m ~ ~ ~ ~ - 7 3 7 H B ~ - 3 - 7 & l$iiztrnh 7 3 2
I I I I I , I I I u I - I r ~r I A I I . I
I I -- 1 I I r w
in the sand. I see your face. Skip-ping peb - bles on the
I sea, wish - ing for Par - a - dise. Sand cas - tIes
1 cruin - b!e- be - low. the rest -less tides ebb- and flow.- Listen - ing to a
hop - ing for your voice
- Beautiful Maria of My Soul - 6 - 3
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Beau - t i - fu l N a r - i
oh, oh, oh. (Trrtrnper Solo) 3
I 4 4 w
Beautiful Maria of My Soul - 6 - 4
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dis - tance from you grows. all that my heart ev
H u n - g e r for your kiss, nights,
long - ing for your haunt-ing all my
1 ~ O L I C ~
days. Beau - ti - ful Mar - i a Beau - t i - fill Mar - i 3
o f m !f soul. Fill - ing all my
Beautiful Maria of My Soul - 6 - 5
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I I
C'
soul.
- - KY Grn Eb D Grn
Si deseo sonreir Pienso solarnente en ti En la rnagia de tu arnor En tu piel, en tu sabor
En la isla del dolor Recuerdo tu calor Desearia rnorir Cerca de ti
Un ardiente corazon Colorea mi pasion Deseando compartir El sentir de este vivir
En las olas de este mar Sueno en la eternidad Con cada luna vendras Con la merea te iras
En un caracol Pienso oir tu voz La bella Maria de mi arnor
Aunque esternos separados En un sueno aiigelicar Si Ilego de nuevo arnar No hay razon, porque carnbiar
Terno yo perrnancer Sin ti en la eternidad Lejos nos puedon separar Jamas pudiera olvidar Tu risa celestial Tus besos, tu calor La bella Maria de mi arnor
Si no te vuelva a ver No dejaras de ser La bella Maria de mi amor
Beautiful Maria of My Soul - 6 - 6
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CHARIOTS OF FIRE (1981)
CHARIOTS OF FIRE
Composed by VANGELIS
Chariots of Fire - 2 - 1 O 1981 SPHERIC B.V. Rights Assigned to EM1 MUSIC PUBLISHING LTD.
All Rights for the U.S.A. and Canada Controlled and Administered by EM1 APRIL MUSIC INC. All Rights Reserved
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CLAUDIA'S THEME
Music by CLINT EASTWOOD
Moderately, with expression
I NO chord 7 3 7 , - - - - - - jT
Claudia's Theme - 3 - 1
O 1992 WE MUSIC CORP. All Rights Reserved
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Claudia's Theme - 3 - 2
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Claudia's Theme - 3 - 3
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248 CONTACT (199 7)
CONTACT (Main Title)
XIoderately slow J = 88
Written and Composed by ALAN SILVESTRI
iw i rh pedal)
Contact - 3 - l
O 1997 WARNER-TAMERLANE PUBLISHING CORP. (BMI) All Rights Reserved
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Contact - 3 - 2
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Contact - 3 - 3 %.
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VISIONQUEST (1 985)
CRAZY FOR YOU
Words and Music by JOHN B E R I S and JON LIND
Medium tempo
Sway - in' room as the Try - in' hard to con-
mus - ic starts.- trol my heart,-
Stran - gers mak - in' the ' most- of the dark. I walk o - ver to where- you are.
Crazy for You - 5 - 1 O 1984, 1985 WB MUSlC CORP. & WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
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Two by two their bod - ies be - come one.- Eye t o eye, we n e e d n o word- a t all.-
1 see y o u through the smok - y a u . - S l o w - l y now we be - gin t o move.-
Can't y o u feel the weight- of m y stare. Ev - 'ry breath I'm deep - er in - t o you.
You're so close, but still- Soon we two are stand-
- .- - m b r m a r I ) I I r l . ! I T TI I
- a world- a - way.- in' still- in time.-
What I'm d y - in' t o say: If you read my - mind, you'll see I'm
I Crazy for You - 5 - 2
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I cra - zy for- you. Touch- me once- and you'll know it's true.-
I I nev - er want - e d a n - y - one like this.- It's all brand- new.- You'll
I feel it in m y kiss.- I'm cra - zy for you,-
I cra - zy for you.
Crazy for You - 5 - 3
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4 - t * # * 4 + * EIB ~ # m 7 / ~ G# 7 Cgm7sus4 Cg m7
I cra - zy for- you.- Touch- me once- and you'll know it's true.-
I I nev - er want - e d an - y - one like this.- It's all brand- new.- You'll
feel it in my kiss.- I'm cra - zy for you,-
d $ d d 3 3 3 d U L Crazy for You - 5 - 4
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I cra - zy for- cra - zy for you,-
I
- (Spoken) era - zy for you.
I It's all brand new.- I'm cra - zy for you.-
)(2. D. s.'# (vocal ad lib) and fade
I - And y o u know it's t r u e . I'm cra - zy, cra - zy for you. -
Crazy for You - 5 - 5
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DOE EYES
Slowly and freely
Composed by LENNIE NIEHAUS and
CLINT EASTWOOD
N.C. 1
I I I I (with pedal)
Doe Eyes - 4 - 1
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F /C G /C C (add9) C Csu s C
Doe Eyes - 4 - 2
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Doe Eyes - 4 - 3
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G9sus N.C.
Doe Eyes - 4 - 4
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DRIVING MISS DAISY (1989)
DRIVING MISS DAISY
Music by H A N S Z I M M E R
Arranged by SHIRLEY WALKER
Moderatelv
r I
Driving Miss Daisy - 3 - 1
O 1989, 1991 DRIVING ME CRAZY MUSIC All Rights Reserved
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r i t . (
Driving Miss Daisy - 3 - 3
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120
ROBIN HOOD: PRINCE OF THIEVES (1991)
(EVERYTHING I DO) I DO IT FOR YOU
Written by BRYAN ADAMS, ROBERT JOHN LANCE
and MICHAEL KAMEN
Slowly Db
I I
1 I
Pedal rhroughour
Look in - t o m y eyes.- Look in - t o your heart,-
you will see- you will find- there's
what you mean t o me. noth - ing there t o - hide.
Search your heart,- So , take me as I a m ,
search your take my
I (Everything I Do) I Do It for You - 4 - 1
O 1991 ZACHARY CREEK MUSIC, INC./MIRACLE CREEK MUSIC, INC. ALMO MUSIC CORP./BADAMS MUSIC & ZOMBA PUBLISHING
All Rights Reserved
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soul, - life, -
and when you find me there you'll- search- no more. Don't I would give i t all, I would sac - ri - fice. Don't
Dbm Ebm DbIEb E7m D 5
tell me it's not worth fight - ing for. tell me it's not worth fight - ing for.
You can't tell me it's not worth dy -ing I can't help it, there's noth- ing I want
Ebm Db A h u s 4
for- I You know it's true. - ev- ' ry - th ing I do. I do it for- more.
I you. you. There's
(Everything I Do) l Do It for You - 4 - 2
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I no love like your love.- and/ no 0 th - er could give more- love. There's
I no- way.- un - less you're - there all the time, - all the way,- yeah.-
(Everything I Do) l Do It for You - 4 - 3
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Ebm Ab Absus4 Ab 123
I Oh, you can't tell m e it's no t worth try - ing for. I can't
Ebm
I lie- for you.- walk the mile for ~ O L I , - yeah,-I'd die for- yoi1.- YOLI know it's
1 true, e v - 'ry - thing I do, o h . oh. I do it for- YOLI.
rir. ilk, L I ' a I
7 h 0 TT I I I -d.
(Everything I Do) I Do It for You - 4 - 4 17)
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76 EMPIRE OF THE SUN (1 98 7)
EXSULTATE JUST1
Joyously
f
Words and Music by JOHN WILLIAMS
Lau - da mus te. Lau - da mus. Lau -
da mus te. Lau - da mus. Ex - sul -
Exsultate Justi - 12 - 1
O 1987, 1988 WARNER-TAMERLANE PUBLISHING CORP. (BMI) A11 Rights Reserved
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ta - te- ju - sti in- Do - m i - n o Ex - sul - ta - te in- Do - mi -
I f : r i i i i r i I I I I i i r i i i i r i I
no. - Ex - sul - ta - te - ju - sti in- D o - m i - n o . Rec - tos -
I I de - cet - la - da - ti - o. Al - le - lu - ia, Al - le - lu - la, ' -
Exsultate Justi - 12 - 2
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A1 - le - lu - ia, A1 - le - lu - ia - a. Sal - va - tor -
I I Do - mi-nus Sal - va - t o r mun - di. Qui to1 - lis Pec - ca - ta -
mu - n - di. Sal - va - tor- Do - mi - nus. Sal - va - tor-
Exsultate Justi - 12 - 3
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mun - di. Qui - to1 - lis Pec- ca - ta- mu - n - mun - n di.
Tutti
A1 - le - lu - ia, A1 - le - lu - ia - a.
Boys choir
I I Ex - sul - ta - te - Ju - sti in- Do - mi - no Rec - tos
A1 - le - lu - ia, A1 - le - lu - ia, a. Rec - tos
Exsultate Justi - 12 - 4
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To Coda A
I I Lau - da - mus te. Lau - da mus. Lau - da - mus te.
Exsultate Justi - 12 - 5
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I I Lau - d a mus. Lau - da mus te. Lau - da -
f I I I
I I I I I I , - - I l - l I I 1 N I I I I I . U
I I I >
I I mus, Lau - d a mus Lau - da mus.
I. Can ti - cum n o vum.
Can - I I - 1 I I I
I I s---"---'
I Can ta - te e I. Can -
Exsultate Justi - 12 - 6
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BATMAN RETURNS (1992)
FACE TO FACE Words and Music by
DANNY ELFMAN and SOUXSIE & THE BANSHEES
Moderately G/B C5
I - I
eJ
I t 1001 L\'AI<NI.'K-'f!\XlfiI<I.XNI; PLIUI.ISHINci C O R P . . 1,Il'Tl.t.: XIXL:STKO ML!SIC and I)KI::4hlllOllSI: R11~51( .All Kiglll, o11 hc l~;~ l t ( 1 1 I)Kl:AhlHOIJSF: h1IJSIC' A d ~ l l ~ ~ ~ i s ~ c r e ~ J hy W 4 K N t ' K - T A h l E K L A N t . I 'lIHI.IStllN(; ('OKI'
All Kigllli KCICI.VCL~
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Face to face, 0th - er life, One more kiss
my love-ly foe, an - 0th-er time be - fore we die.
mouth to mouth, we're Sia - mese twins,
face to face and
rain - ing heaven's blows. Hand on heart, writh-ing in - ter - twined. Face to face,
dream of fly - ing. Who are you?
-
p tic - tac - toe, no tell - ing lies,
Who am I?
un - the
n I I
I I I I I I I m 4 4 4 I u -
der the stars, flow. - B masks, they slide Wind in wings,
to re - veal a new dis - guise. YOU
two an - gels fall - ing. To
~t - ter - sweet, com -
I nev - er can wln, - it's the state I'm in, this die like this I with a last kiss,
I n it's
I I I I I I I I I I I I I I I I A I & I I i A - - - - m m - -
Face to Face - 5 - 2
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mit your crime, dan - ger thrills false - hood's flame
I
v in your dead - ly time. and my con - flict kills.
It's They say
it's a cry - ing shame.
too di - vine want to
I fol - low your heart, - fol - low it - through, - but Face to face, the pas - sion's breathe,
1 want this bliss, ah, but some - thing says I must re - sist. An - 1 how can you, - when it's
00.
I Face to Face - 5 - 3
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I And you'll nev - er know.
Dsus4/G E b maj7/G
d You'll nev - er know,
l U You'll nev - e r know.
D.S. % a1 Coda $
t Face to Face - 5 - 4
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Coda D7
then I hate to leave.
I , ,
Repeat andfade (vocal ad lib) I I I I I 1 I - I I I I I
I I - 1 0
And you'll nev - er know.
I And you'llnev - erknow.
Face to Face - 5 - 5
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U.S.MARSHALS (1998)
FREETO GO
Composed by
hloderately slow, freely ( J = 88 ) JERRY GOLDSMITH
A little slower
Free to Go - 3 - l
O 1998 WARNER-TAMERLANE PUBLISHING CORP. (BMI) All Rights Reserved
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A little faster
Free to Go - 3 - 2
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FREE WILLY (1 993)
FREE WILLY (Main Title Theme)
Music by BASIL POLEDOURIS
Moderately
Free Willy - 7 - 1
O 1993 WARNER-TAMERLANE PUBLISHING CORP. All Rights for the World excluding the U.S.A. and Canada
Controlled by NEW ENTERPRISES MUSIC and Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights ~ e s e r v e d
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- Free Willy - 7 - 2
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Free Willy - 7 - 3
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Free Willy - 7 - 5
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Free Willy - 7 - 6
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Free Willy - 7 - 7
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42 GREMLINS (1 984)
GIZMO BY
JERRY GOLDSMITH
Slowly, with a free feel
Cmaj 7
Gizmo - ? - 1
O 1984 WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved
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Gizmo - 2 - 2
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242 BATMANAND ROBIN (1997)
GOTHAM CITY Words and Music b
R. KELLY
A! m7 Bmaj 9 A1 n17 Bmai 9
1. L o o k - ing o - ver the sky - line of- ?. Sleep- ing a - wake be - cause- o f fear.
Gotham City - 5 - I
O 1997 ZOMBA SONGS 1NC.R. KELLY PUBLISHING, INC. (Administered by ZOMBA SONGS INC.)
A11 Rights Reserved
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Now qui - et nights- Chil - dren are drown -
in the midst of crime ing in their tears.
Next door to hap - pi - ness.- liws SOT - row. We need a place- where we__ can go.
Y ' v . and
a land where
sig - nals of- so - lu - tion i n the ev - ry o n e will have- a he ro. 1 A cit - y of jus -
tice. a cit - y of lobe.- A cit - y of peace- for ev - 'ry one of us.-
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I - Cit - y.- o h . yeah.__ - A cit - y of jus -
rice. a cit- y of love.- A cit- y of peace- for ev - ' ry one of us.-
i For we all need- i t . yeah,_ can't live with - out it.- Goth- am
Gotham City - 5 - 3
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Bridge: B
Cit- y.- yeah,- yeah.- Yet. in the mld - dle of storm- y
1 - weath - er. w e won't sturn- ble and- \i 2 won't
I - fall. I know a place- that of - fers she1 - ter.- C i t - ! of jus .
I - tice. a c i t - y of love.- A cit - y of peace- for e \ - 'ry o n e of us.-
Gotham City - 5 - 4
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W e all need- it. can't live with - o u t it. G o t h - a m
I - Cit - y.- o h . veah.- A cit - y of jus - G o t h - a m
~ Cit - y. e v - 'ry - bod - y needs Got l i - a m I
Rcpeclt ad lib. antif(1de
I Cit - y. Don't- y o u want t o g o ? G o t h - a m
Gotham City - 5 - 5
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BEST FRIENDS (1 982) 23
HOW DO YOU KEEP THE MUSIC PLAYING?
Words by ALAN and MARILYN BERGMAN
Music by MICHEL LEGRAND
How d o you keep the mu - s i c play - ing? How do you make it
How d o you keep the song from fad - ing h I
r How d o you lose your -self to some - one and nev - er lose your
How Do You Keep the Music Playing? - 4 - 1
O 1982 WB MUSIC CORP. All Rights Reserved
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I way? How d o you not run o u t of new things to say?
And since we know we're al- ways chang - ing. how can i t be the I -
I -
same? And tell me how. year af - .ter year, you're sure your heart will fall a -
- part - each time you hear { namen
How Do You Keep the Music Playing? - 4 - 2
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I I know the way I feel for you, it's now o r nev - er. The
I How d o you keep the mu - sic play - ing? How d o you make it
ll more' I love, the more that I'm a - fraid that
1 ' last? How d o you keep the song from
II in your eyes I may not see for - ev - er for - ev - er.
1 fad - ing, keep the song from fad-ing too fast?
How Do You Keep the Music Playing? - 4 - 3
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I If we can be the best of lov - ers, yet be the best of
with an - y luck, then
I I
I I I I I I I
-d u- -a 1 ends.
How Do You Keep the Music Playing? - 4 - 4 I
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232 SPACE JAM (1996)
I BELIEVE I CAN FLY
Words and Music by R. KELLY
Slowly J = 72
Verse:
used to think- that I c o u l d not- go on, I was o n t h e verge- of b reak- ing down.
and life was noth- ing but- an aw - ful Some - times si - lence- can seem- so
I I
I I L I I
- f. f ' b - 8 - 8
I Believe I Can Fly - 5 - I
O 1996 ZOMBA SONGS INC./R. KELLY PUBLISHING, INC. (Adm. by ZOMBA SONGS INC.) (BMI) All Righls Reserved
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I - song.- But now I know- the mean - ing o f true love. loud.- There are mir - a - cles- in life- I must- a - chieve,
I'm but
I lean- ing o n the ev - e r - last - ing arms. first I know- it starts- in - side- of me. ) If I can see it, then I can
~ r n 7 ( b ~ ) I ~ b CIG Drn7IG
I {""-}it. if I just be - lieve it, there's noth- ing to it. I be-lieve I can be -
Chorus: C
I be-lieve I can t - I think a-bout i t ev-ery night and day,- spread my wings and
I Believe 1 Can Fly - 5 - 2
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( fly a - way.- I be- lieve I can soar.- I see me run- ning through that o - pen d o o r . I be-lieve I can
I be-lieve I can fly, I be-lieve I can fly.-
I 2. Sze, fly. oh, I be- lieve I can fly.
I Believe I Can Fly - 5 - 3
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Bridge: Bbm7 ~ b m 7 ( ; 5 ) / ~ . . D L/A l
I - see it. then I can d o it, if I just be - lieve it. there's noth - ing
Chorus: E rm7/Al -. DL
x- BLm7 I h
to i t . - I be-lieve I can fly, I be-lieve I can tou I think a- bout it ev- ery
I I I I
night and day.- spread my wings and
soar,- I see me run - ning through that I be- lieve I can
h I L I
i ' I I ' I I - m I - rn I V 4
I Belleve I Can Fly - 5 - 4
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spread my wings. I can fly, I can fly.- I can
1 Believe I Can Fly - 5 - 5
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THE BODYGUARD (1 992)
I WILL ALWAYS LOVE YOU Words and Music by DOLLY PARTON
Slow Ballad (opt. -first verse a cappella)
I f I sweet hope
should - stay mem - o - ries,
life treats you kind
I would- that is-- and I-
on - ly be in your way. So I'll go a1 I I'm tak - ing with me. So good - bye,
hope you have all you've dreamed of. 1 wish you JOY
Y but 1
please don't and hap - p~ .
k n o w cry. ness.
I ' l l think of you ev - 'ry step of the way. We both- know I'm not what you, you need. 1 .4nd
But a - bove all this, I wish you
I Wi l l ;\I\!:I)\ I.O\,L. 1'0~1 - 3 - I
O 1973, 1993 VELVET APP1.E MUSIC (Rhl l ) All Kighl\ Kcscr\cd
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, I will a1 - ways- love- you. I
- w l l al - ways- love- you.
1 I - w l l al - ways- love- you.
I Bit - ter- you.
I love. And 1 will a1 - ways- love
I Will Always Love You - 3 - 2
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I you. I will al ways- love you. I will al ways- love
I you. I will a1 ways- love you. I will al -ways love
0 0 0 0 0
I , I will a1 - ways love you.
I Ill- a1 -ways, 1'11- a1 - w a 7 - love- you.
I Will Always Love You - 3 - 3
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WtTH HONORS (1994)
I'LL REMEMBER
Moderately slow
Words and Music by PATRICK LEONARD,
MADONNA CICCONE and RICHARD PAGE
Ud -4-4 f / j Mm. mm.
Say good - bye - to not know - ing when - the truth - and my - whole life - In - side - I was a child - that could - not mend - a bro -
I'll Remember - 4 - 1 O 1994 WB MUSIC CORP., WEB0 GIRL PUBLISHING, INC., NO TOMATO MUSIC, POLYGRAM INTERNATIONAL PUBLISHING. INC., GLOBAL COOLING MUSIC and ALI-AJA MUSIC
All Rights on behalf of WEBO GIRL PUBLISHING, INC. Administered by WB MUSIC CORP. Rights on behalf of GLOBAL COOLING MUSIC and ALI-AJA MUSIC Administered by POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved
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E rn7 A D A Brn
e - gan. -
\
And I'll re - rnern - ber- the
Brn A D G A Brn
strength that you gave - me love 1 now that I'm stand - ing on my - own, - I'll - re -
To Coda $ 1
I'll Remember - 4 - 2
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I learned -
1 to let go - of the 1 - I - sion that we can pos - ses. I learned -
1 to let go. - I tra- vel in still - ness. And I'll re- mern - ber -
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I hap- pi - ness.
A LL
u I'll re- mem - ber.
u* Mm.
D.S. % (2nd lyric) a1 Coda @ Brn A C D C D 7 C D Brn A
I I'll re- rnern - ber. Mrn. - And I'll re - -
' Repeat and fade C D
Coda
I I I I
I ! . I L I
u C D 7 C D
I Though I've nev- er been a-fraid to cry, now I fin-ally have a rea- son why. I ' l l re-rnern - ber. -
1'11 Remember - 4 - 4
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CADDYSHACK (1 980)
I'M ALRIGHT
Words and Music by KENNY LOGGINS
Medium beat
AmlD
I'm al r ight; n o - bod - y wor - ry 'bout
me. W h y you got t o grn -m? a tight? Can' t -
- you just let i t be?- I 'm al - right: tlon'r -
0 1980 MILK MONEY MUSIC All Rights Reservcd
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I - n o -bod - y wor - ry 'bout me. You - got t o girn - me a
I tight. Why don't - you just let me be. Do what you 1 Who d o you
d o - in' i t nat - 'ral - ly ,- but if it's too eas - Who you gon-na be t o - day? And who is it real -
they're g n - na dis - a - gree. mak- in' u p your mind?
It's your life- You wan -na lis - ten t o the
I I'm Alrighl - 7 - 2
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G x o o o -mTI
man? I - and is - n't it a mys - ter - y. - If it's no - bod - y's
Pay at - ten- tion t o the mag - is - trate.- And while I got you in the
I bus' - ness, it's ev - 'ry - bod -y's game.
A 0 0
"Got - ta catch you ;at - er." "NO, - no,
can - non -ball it right a - way." (Group:) "Some CJ~ - der -
I
I'm Alright - 7 - 3
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"Get it up and get you a job." - Dip dip dip dip dip dip dip dip.
mood, lis - ten to your own heart - beat - in', -
heart - beat - in', own heart- beat - in', -
heart - beat in'. Don't it
II , I 1 1
I I I
8
I I'm Alright - 7 - 4
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get you mov - in'. m - m - m - m a n . - It makesme feel good.
Then give it up and give it the job.- (Group:) Wow, Cin - der - el la kid.
, U ., r r r r r r r T - I'm,
r -f r Dip dip dip dip dip dip dip d p boom boom boom
A , I boom.
I
al right; no - bod - y w o r - ry 'bout
I'm Alright - 7 - 5
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I me. Why- you got to gim - m e a fight? Can't -
I - y o u j u s t let it be.- I 'm a1 right; don't-
- n o - bod - y wor - ry 'bout me. You - got to gim - me a
I fight. Why don't - you just let me be?
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I'm a1 - right; n o - bod - y wor - ry 'bout me.- Why-
I - y o u g o t t o g i m - m e a fight? Can't- you just let it be7-
Repeat and fade Am/D D Am/D D 0 0 0 0 0 0
' 1
I I I I
I'm a1 - right. I'm a1 - right.
Am1 D D AmlD D
a1 - right; just let me be.-
I'm Alright - 7 - 7
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LETHAL WEAPON 3 (1992)
IT'S PROBABLY ME
Moderately. with a steady rhythm
S 0 -
BY MICHAEL KAMEN, ERIC CLAPTON and STING
-- ma
-d 7
I t ' the night turn
cold and the stars look d o w n , and you'd hug your-self on the cold, cold e m p - ty and the bun-ger's so real. you're t o o proud to beg and too d u m b to
I ground. You wake- the morn- ing in a strati-gsr's coat. but no one would you steal. You search- the cit - y for your o n - ly friend. bu t no o n e w o ~ i l d you
It's Probably Me - 7 - I
0 1992 WARNER-TAMERLANE PUBLISHING CORP. MAGNETIC PUBLISHING LTD. and BLUE TURTLE MUSIC
All Rights Reserved
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see. 1 see. You ask- your-self, You ask- your- self,
who'd watch for who'll watch for
I me? me?
My o n - ly friend, who could ~t be'!- A sol - i - ta - ry voice. t o speak ou t - and set me free.-
It's hard- t o say i t , I hate- t o say it.
1 hat? t o say it. but it's pro - bab - ly I hat? t o say it, but it's pro - bab - ly
I I
- eJ me. When !our be1 - Iy's me.
It's Probably Me - 7 - 3
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You ' r eno t the eas - i - est per - son I've- ev - e r got t o know, though it's
1 hard fo r us b o t h that o u r feel - ings show. But some would say I should
1 let ~ O L I go your way.you o n - ly makc- m e cry.- But if there's one-
WY, J U S ~ on? g ~ l y who w o ~ l l d lay d o w n - his life for ~ O L I and I -
It's Probably Me - 7 - 2
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Csus'
1 die, I hate- t o say it, I hate to say it, but it's p r o - b a b - ly
1 me. Citirar solo
It's Probably Me - 7 - 4
I
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w --
RBI ! I 1
I 1 / I 1 I I I I I l r l I - ' rl I , 8 I I I i 1 - - -
d4dw= 4 3 $7
-
I When the world's gone
I cra - zy and i t makes no sense, there's o n - ly one voice- that comes- t o your- de - fense
It's Probably Me - 7 - 5
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I When the ju -ry's out and your eyes search the room. one friend - ly Cace is d l you need-
I - to see. And ~i there's one- $I>, just
I one g u y whowould lay down- his Ilt'e for ! ou LIIIL! die. I Iiate- to
It's Probably Me - 7 - 6
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I hate. to say it, I hate to say it,
i 1 Repeat as desired
A9
I me. I hate. to
A ii No Chord I I I - - - - I I I
Y V I I
A I : 8 ---= It's Probably Me - 7 - 7 U*
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204 JUST CAUSE (1995)
TUST CAUSE (MAIN TITLE)
Slowly J = 64 Composed by
JAMES NEWTON HOWARD
(with pedal)
simile
h h n F r F
Just Cause - 2 - 1
0 1995 WB MUSIC CORP. (ASCAP) All Rights Reserved
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Cbmai9 B bsus Bb Dm
Just Cause - 2 - 2
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2 12 A LITTLE PRINCESS (1 995)
KINDLE M Y HEART
Moderately Words and Music by PATRICK DOYLE
Dsus
\
As the
i
Kindle h1) Hear1 - 4 - I
O 1995 WB MUSIC CORP All Rights Reserved
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moon kin - dles the night. as the wintl- kin - dles the
fire, n
as the rain fills ev - 'ry o - cenn and the
l sun. the earth. vour heart \ \ i l l kin- dle my heart.
Kindle My Heart - 4 - 2
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n d y r U r I If. I r I
I I . I r I I
I y I
I hear t . A n d my h e a r t c a n - n o t be
Kindle M y Heart - 4 - 3
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kin - dled with - out you. With your heart,- kin - dle my-
Take my heart, rake my heart.
I with your heart . And my heart can- not be
Kindle My Heart - 4 - 4
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BATMAN FOREVER (1995)
KISS FROM A ROSE
Slowly J. = 44 Gm
Words and Music by SEAL
Ba ya ya ba da ba da da da ba ya ya. Ba ya ya ba da ba da da
I 1 I I I I I I i W I I I I I 1 I k - l *
m a 1 I I I - ITm. m a a D l - w - I I - ! ' - 7 - I - - 1 w - - -
I da
ba ya ya. Ba ya da ba ya ya. There- used to be a grey-ing tow - er a - lone on the
I sea.- Y o u be-came the light on the dark side of me.- But love- re-mains a
Kiss From a Rose - 6 - 1 0 1994 PERFECT SONGS LIMITED, 42 - 46 St. Luke's Mews, London W l 1
All Rights Reserved
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drug that's the high and not the snows, my
I
I,,
I eyes be-come large and the light that you shine can't be seen. Ba -
I com-pare you to a kiss from a rose- on the grey.- The more I get of you the
Fsus
stran - ger i t feels,- And now that your rose is in bloom,- a
I Kiss From a Rose - 6 - 2
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Vocal facet 2 time G Gm
I light hits the g l o o m on the- g r e y . Ba ya ya ba da ba da da da ba ya ya.
1 2. There- is so much a man can tell you, so much he can say.- Y o u re-main my
I pow - er, my plea-sure, my pain. Ba - b y , to me you're like a growing ad-dic-tion that I can't de -
Won't you tell me, is that health-y babe. But did you know that when it snows, my
Kiss From a Rose - 6 - 3
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I eyes be-come large and the light that you shine can't be seen. Ba -
Chorus: -
cl I by._ I com-pare you to a kiss from a rose- on the grey.- The more I get of you the
Fsus
I light hits the g l o o m on t h e grey.-
Kiss From a Rose - 6 - 4
i
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Bridge: c
I been kissed by a rose- on the grey.- I've been I've been
i l l
kissed by a rose.- I've been kissed by a rose- on the grey.-
kissed by a rose- on the grey.-
Verse 3: G
I - I've been kissed by a rose- There is so much a man can I I've- been kissed by a rose- on the grey.- .
KISS From a Rose - 6 - 5
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( tell you, so much he can say.- You r e - main my pow - er, my plea - sure my
1 pain. T o m e you're like a growing ad - dic - tion that I can't de -
G D.S. % ul Chorrcs and fade
1 eyes be-come large and the light that you shine can't be seen. Ba -
Kiss From a Rose - 6 - 6
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LEAN ON ME (1989)
LEAN ON ME Words and Music by
BILL WITHERS
Medium Gospel Ballad
I Some - times in our lives - we all have pain,- we all have
I SOT - row. - But, if we are wise- we know that
- Lean on Me - 7 - 1
O 1972, 1989 INTERIOR MUSIC (BMI) All Rights Reserved Used By Permission
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I there's- a1 - ways to- mor row.- Lean on me when you're not strong-
on. , Please, - swal- low your pride if I have
i Lean on Me - 7 - 2
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all of your needs t if you wan- na let them I - No one can fill. - Let,
show. Ad lib: You just )I call on me, brother, if you I feel you need a hand. 'Cause we all
I u - themshow. Call me.-
4- We all
( Lean on Me - 7 - 3
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D
I
N.C. I
I I
need somebo to lean on. I just might have a problem
I you understand. Both: We all need some - bod - y to lean - on.- Lean on me
BmlA
Solo: when you're I'll help you car-
Lean on Me - 7 - 4
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A Em7
ry on.- For I - know t i I'm gon- na need -
I some - bod- y, some- bod - y to lean on. - Solo: You can
Call me.- need some- bod - y to lean-
I
Lean on Me - 7 - 5 >-
j- I I I
call on me, sister, if you need a hand. We all need somebody to lean
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on. I just might have a problem that you can understand. We all
- on. 0 0 . Just call - me. We all
I I,
somebody to lean on.
need some - bod - y lean on. -
Lean on Me - 7 - 6
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, Solo: If there is a load - \ ~
you have to bear - that you can't
1 car just re- mem- ber I'm right up the road.-
-w D
- shar: your load - if you just call me.
Repent and fade D
me. Call me. - )
- Lean on Me - 7 - 7
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QUEST FOR CAMELOT (1998)
LOOKING THROUGH YOUR EYES Words and Music by
CAROLE BAYER SAGER and DAVID FOSTER
Verse:
B 7
I . L o o k at the sky.- tell me what d o you see.- Just close your eyes- and de - scribe-
- i t to me.- ~ h r heav- ens are spark - ling with star - light to - night.-
Looking Through Your Eyes - 5 - I
O 1998 WARNER-TAMERLANE PUBLISHING CORP. (BMI) All Rights Reserved
I
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A 9 EdG F s u s F B *
That 's what I see- th rough y o u r e y e s 2. I s e e t h e heav - e n s each Iook a t m v - s e l f a n d in -
I t ime that y o u smile.- I h e a r y o u r heart - b e a t just g o o n for miles.- and
v no.
I s t e a d I s e e us.- W h e r - e v - e r I am.- now. it f e e l s like e - nough.- A n d
s u d - d e n - Iy I k n o w w h y l i f e is wor th- while.- That 's w h a t I see- th rough your eyes.- I s e e a sirl- w h o is learn - ing to trust.- That 's w h o I see- th rough your eyes.-
0 />/--
Chonls:
F s u s F E>
-
H e r e in t h e night.- I see t h e sun.- - I Looking Through Your Eyes - 5 - 2
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226 MICHAEL COLLINS (1996)
LOVE THEME FROM "MICHAEL COLLINS" Slow waltz, rubato feeling Composed by
ELLIOT GOLDENTHAL C J. erprer
A - Tfl I -I
mp molto legato througho~rr & J F I
I
1 - (with pedal)
Love Theme From "Michael Collins" - 2 - 1
O 1996 WB MUSIC CORP. (ASCAP) & SAFESPACE MUSIC (ASCAP) All Rights on behalf of SAFESPACE MUSIC (ASCAP)
Administered by WB MUSIC CORP. (ASCAP) All Rights Reserved
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dim. I
B h F I 1 , U
I I I I I Y d
Love Theme From "Michael Collins" - 2 - 2
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TIN CUP (1996)
LOVE THEME FROM "TIN CUP" Music by
WILLIAM ROSS Slowly and freely J = 88
Fsus F 2
simile
Fsus F F 9 Bbsus Bb 3
B dim7 F /C C 7 Fsus F
j i I I t i L O 1996 WARNER-TAMERLANE PUBLISHING CORP. and NEW ENTERPRISES MUSIC ! All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
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166 M. BUTTERFLY (1993)
M. BUTTERFLY (Main Title Theme)
Music by HOWARD SHORE
Slowly
\
M. Butterfly - 2 - 1
O 1993, 1994 WB MUSIC CORP. and SAFE SPACE MUSIC All Rights on behalf of SAFE SPACE MUSIC Controlled and Administered by MCA MUSIC PUBLISHING, A Division of MCA INC.
All Rights Resewed
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I loco
M. Butterfly - 2 - 2
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THE FUGITIVE (1993)
MAIN TITLE FROM "THE FUGITIVE"
Music by JAMES NEWTON HOWARD
- - - - - - - -__---- _ _ H . -- - - ____- - ----- ---_--_--- __-- -- ------_-- - - -_ -____- - - with pedal
Main Title From "The Fugitive" - 3 - 1 (R.H. )
O 1993 WB MUSIC CORP. All Rights Reserved
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(R.H..) (R.H.)
(R.H.)
cresc. I f f -1
Main Title From "The Fugitive" - 3 - 2
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(R.H.)
i rit. Z P A
I I _ c.
I I
w 8 b e be*
Main Title From "The Fugitive" - 3 - 3
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186 THE CLIENT (1994)
MEET THE BOYS (Main Title from "The Client")
Slowly J = 80
n F
-3- B b/F
Music by HOWARD SHORE
Smoothly - I , . :
Meet the Boys - 2 - I
O 1994 WB MUSIC CORP. and NEW REGENCY MUSIC All Rights Administered by WB MUSIC CORP.
All Rights Resewed
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Meet the Boys - 2 - 2
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THE COLOR PURPLE (1985)
MISS CELIE'S BLUES (Sister) Words by Music by
QUINCY JONES, ROD TEMPERTON QUINCY JONES and ROD TEMPERTON and LIONEL RICHIE
Slow and bluesy, 'gut-bucket' style & _ @ A
I I I \ I I I - 0 1 1 I
i Miss Celie's Blues (Sister) - 4 - 1
O 1985, 1986 WB MUSlC CORP., RODSONGS and BROCKMAN MUSIC All Rights Administered by WB MUSIC CORP.
All Rights Reserved
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1 - (Sr~rzg:) Sis - t e r , you've been o n m y mind,- -
sis - te r , we're t w o o f a k i n d , - s o sis - ter . I'm
keep - in ' m y eye - o n you.- I be t - cha th ink I don ' t k n o w
no th - in ' b u t sing - in ' the bIues, - o h , s i s - ter , have
i Miss Celie's Blues (Sister) - 4 - 2
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I I got news for you; I'm some - thin'. 1 hope you think that you're some-thin' too.-
I II . I I U -
I II 1 1 I r -I I
-e 3 3 - - - 4 - - n n Scuf - flin , 1 been
I up that lone -some toad - and I seen a lot of suns go - in ' down, - oh , - but
I trust me, no- low life's gon-na run me a - round.
Miss Celie's Blues (Sister) - 4 - 3
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1 So let me tell yo~ lsome- th in ' ; sis - ter re - mem-ber your name,- n o
I twist-er g o n - na steal your s tuff a - way :- my sis - ter , we
I sho' ain't got a whole lot o f time. - SO shake your shim - m y , 3
Rubato
Miss Celie's Blues (Sister) - 4 - 4
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228 A TIME TO KILL (1996)
PAVANE FROM "A TIME TO KILL"
Slowly J = 58
Composed by ELLIOT GOLDENTHAL
A - V
am a s 5
(with pedal)
B d i d A A rn7 DmIA BIA
B d i d A A m7 D d A BIA
I I I I
Pavane From "A Time to Kill" - 2 - 1
O 1996 WB MUSIC CORP. and NEW REGENCY MUSIC All Rights Administered by WB MUSIC CORP.
All Rights Resewed
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A m D d A D d A BIA
B Bm F4m B Bm F 4m N.C.
Am2 B d i d A A m7 D d A BIA
I - I -
Pavane From "A Time to Kill" - 2 - 2
i
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5 0 POLICE ACADEMY (1984)
POLICE ACADEMY MARCH BY
ROBERT FOLK Moderately fast, March Tempo
No Chord
I
0 1984 WB MUSIC CORP. All Rights Reserved
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Police Academy March - 2 - 2
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THE SPECIALIST (1994)
REAL
Words and Music by JON SECADA and DIANE WARREN
Slowly 1 = 63
(with pedal)
Verse:
1 . Did I ev - er give you an - y doubts? 2. See additional lyrics
L
Have I giv -en you an - y rea - son-
for y o u not to feel the same- love I feel- for you, ba - by?
Real - 4 - I
0 1993 FOREIGN IMPORTED PRODUCTIONS & PUBLISHING, INC. (BMI)/REALSONGS (ASCAP) All Rights Reserved
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Won't you try to read my mind,- L
it's far more than words can tell you.-
ll-
'Cause it's- my heart- that's- cry-ing out, now is - n't that what love's all a - bout?- it's{$,-^} be
Chorus: E
I real.- 'Cause if it does-n't f e e l the way I feel with you, ba - by,-
w then I don't want it and I don't need it 'cause I don't want an-y-bod-y else but you, I don't need an-y-one else.
I ~ ' s { ~ o ~ gon-na "}be-
- 8
Real - 4 - 2
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I real. 'Cause if it does - n't f e e l the way I feel with you,-
L-
- ba - by.- I tell you I don't want it.- I don't want it.-
1 1.2.
(vocal ad lib.)
I for I just don't want it.
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I - 'Cause if it does- n't f e e l the way I feel with you,-
- ba - by,- 1 tell you I don't want it.-
Verse 2: So it'll take a little bit of faith. I know it'll take a lot of heart, boy. So here's a little faith and here's a lot of heart. So please trust me the way that I trust you baby. And I promise you I won't let you down. And I promise I'll always be there. I swear I'll stay right here. I swear that I'll be there. I swear that I'll be right there. (To Chorus:)
Real - 4 - 4
I
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PRESUMED INNOCENT (1990)
REMEMBERING CAROLYN Music by
JOHN WILLIAMS Rubato
Remembering Carolyn - 4 - I
0 1990 WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved
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poco rit. I f with more energy
Remembering Carolyn - 4 - 2
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Remembering Carolyn - 4 - 3
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C
L.H.
\
<A-
m Rubato (cantabile)
I Remembering Carolyn - 4 - 4
u UT (Pedal down)
b
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SWING SHIFT ( 1 984)
SOMEONE WAITS FOR YOU Words by Music by
,L JENNINGS With a 2 feel PETER ALLEN Dm11
Freely
Oh, my heart knows more with each
--
7 Pedul tllroughout n n G / F ~
I pas - sing day, and I know l'll change If you leave or stay. But
Cmaj7
ten A & 7 3 -
M 9
a I I I I I I K I 1 I
I I m. I I I I I 1- I C w
I IJ I r
1 - when our world turns where it's turn - ing to. vou'll see some hearts fade; while ten.
--- --
mine shines on through. I will still be
Sonleone Wails for You - 4 - 1 O 1984 WARNER-TAMERLANE PUBLISHING CORP., BLUE SKY RIDER SONGS.
WOOLNOUGH MUSIC INC. & JEMEVA MUSIC CORP. AII Rights on behalf of BLUE SKY RIDER SONGS
Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved
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ten. f\ S m . 9 - 6 r I I I - v I n i! 1
I I I I I I I - .,'
there some - day for you. , ten.1
You see some -
With a slow steady beat a
where some-one waits- for you, who hopes you will- come
I through. we'll wait un - til- you do. You'll see a.
1 light in some fa - mil - iar door. and when you reach- the
Someone Waits for You - 4 - 2
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- ., - ' f 1 shore
l
it won't h u r t an - y - more. Re - mem - her,-
1 night may trou - ble you- with end less dreams,- but
1 blur skies wait for you- be - yond the sun - rise.- I'm ~
I I r i t . I molt; r i t . 1
I I here so walk in - to- your fate, it
Someone Waits for You - 4 - 3
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F m l l
G nev - er 1s- too late.-
I t There's some - one smil - ing
1
1 through who'll d o all they- can do- for you. Re-mem - ber,
D.s.# a1 Coda $
I some - where some - one waits- for you.
Someone Wails for You - 4 - 4
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SOMETHING TO TALKABOUT (1995)
SOMETHING TO TALK ABOUT
Words and Music by SHIRLEY EIKHARD
Moderate beat
Something lo Talk About - 5 - 1
O 1985,1991 CANVEE MUSIC (SOCAN)/LYNN JACOBS PUBLISHING & ASSOCIATES (BMI) All Rights Reserved Used by Permission
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Peo - ple are talk - ing, 1 feel so fool - ish.
talk - ing 'bout peo - ple. 1 nev - er no - ticed.
* 2 3 3 3 I hear them whis - per.
You'd act so ner - vous, you won't be - lieve it.
could you be fall - ing for me?
w w w
They think we're lov - ers kept tln - d-r cov - ers. ru - mour to make me won - der.
I just ig - n o r e it. b t ~ t tl1t.y- k w p s+ - ing ... We Now l'nl con - vinced 1'111 go - ing 1111 d t r
Something to Talk About - 5 - 2
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laugh just a lit - tle too loud,- Think - ing 'bout you ev - er - y day.- -
s tand - just a lit - tle t o o close,- d r e a m - ing 'bout you ev - e r - y night,- -
- - we stare- just a lit - tle t o o longb/ h o p - ing- that you feel the same way.
\lay - bc tliey'rc see - ing Now that we know it
some - thing we don ' t . dar - lint. let's real - ly show it , dar - lin'. I
L.et's givc thcrn some- tliing to talk a - bout . Let's give them some-thing t o talk 1 A lit - tle m y s - tery to fig -
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l ire a - bOut . I o u t . Let's give them some - thin2 t o talk a - bou t . HON ;i - b o u t love'!-
u Something lo Talk About - 5 - 5
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No Chord
Let's give them some - thing to talk- a - b o u t , babe,-
a lit - tle mys - tery to fig - ure out. Let's give them some- thing to talk
l a - bout. How a -bout love?
Something to Talk About - 5 - 4
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LITTLE SHOP OF HORRORS (1 986)
SOMEWHERE THAT'S GREEN Words by
HOWARD ASHMAN
Moderately slow, in 2 G(add A)
Music by ALAN MENKEN
A match - box of our own,- rakes and trims the grass.- his De - cem- ber Bride.-
a fence of real chain He loves t o mow and
He's Fa - ther. he Knows
G x n n n
Em n n n n
r, I
link, weed. Best.
r I u r a grill out on the pa - ti - 0,- dis - I look like Bet - ty Crock - er and- I
Our kids watch How - dy Doo - dy as - the
CID D7 CID D7
pos - a1 in the sink,- look like Don - na Reed.- sun sets in the west.-
a wash - e r and a There's plas - t i c on the
A pic ture- out of
Somewhere That's Green - 3 - I 0 1982, 1983 WB MUSIC CORP. (ASCAP), GEFFEN MUSIC (ASCAP), TRUNKSONG MUSIC, LTD. (BMI) & MENKEN MUSIC (BMI)
All Rights on behalf of GEFFEN MUSIC Administered by WB MUSIC CORP. All Rights on behalf of TRUNKSONG MUSIC. LTD. & MENKEN MUSIC for the World excluding the U.S.A. and Canada
Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved
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FIG G7 FIC C ~ g r n ' l - F
I dry - er fur - ni - ture
I ~ e r - ter Homes
and an i - ron - ing- ma - chine- in a to keep it neat- and clean- in the
and Gar - dens mag - a - zinc.- U h d
tract house that we share- some - where that's green. Pine - Sol scent -ed air- some - where that's green.
1 ' . G xooo
CIG x 0 0
D7sus2 Il2.C, xooo
Eb
i@ Y - I EM I Ed' .i K . I I - I I @EJ%-wo, I I I \ II Po I \ I IJ iJ I
I r I r II T I Y I I
He Be - tween our fro - zen din -
I ner and our bed - t ime, nine fif - teen,- we
Somewhere That's Green - 3 - 2 I I
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I" snug - gle watch- in' Lu - cy on our big, e - nor - mous twelve - inch screen. I'm c'
I c#m7-5
Coda x o o o
i-F!,->e I I I .I f I I # I I 8l I I
I I r I I 1
Far from
Y m - p f Y 1 I I
I 1 I
I freely
G CIG DIG G $ 1 0 ,DdG x g o o
green. 8va - 7 A
Somewhere That's Green - 3 - 3 in
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28 NIGHT SHIFT (1982)
THAT'S WHAT FRIENDS ARE FOR
Slowly Ebmaj9
Words and Music by CAROLE BAYER SAGER and BURT BACHARACH
Ebmaj9/D A5 (add Bb)/C G m 7 Cm 7
Fm7 B i l l E ~ m a j 9 Gm7 Cm7
nev - er thought I'd feel- this way-
- Dm7(no 5 th )
o x -
and as far as I'm- con -cerned- I'm %lad I got- the chance- to say- we11 vou came and 0 - ~ e n e d me- and now there's s o much more- 1 see-
- that I d o be - Iieve- I love you. And if I should ev - er go- a - way- - and so, by the way, I thank YOU And then for the times when we're- a - part-
That's What Friends Are For - 3 - I 3 8
O 1982, 1985 WB MUSIC CORP.. NEW HIDDEN VALLEY MUSIC, WARNER-TAMERLANE PUBLISHING CORP. and CAROLE BAYER SAGER MUSIC All Rights on behalf of NEW HIDDEN VALLEY MUSIC Administered by WB MUSIC CORP.
All Rights on behalf of CAROLE BAYER SAGER MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved
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f 00-2 x o o o
1 - well, t hen close y o u r eyes- and try- t o feel the way- we do- t o - day,- E l - well, t hen close y o u r eyes- and know- thesewords are corn - ing from- m y hearq.
and then if y o u can- re - men1 - ber. -
Keep smil - ing. k z e p shin - ing. k n o w - lng you- can a1 - ways coun t o n
I me- f o r sure- that 's wha t f r i e n d s are for .
That's What Friends Are For - 3 - 2
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- For good - t imes and bad- t imes 1 I ' l l be 011- your side fo r - ru - er 1 in good - times. in bad- t imes
more . That 's what friends- are f o r
- J - 4 1 W 9
for .
-- r P I
for
I Vocal ad lib.
That's What Friends Are For - 3 - 3 d
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canfabile
!
I The Batman Theme - 5 - 2 -3- > 3
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tnolto legato I 1 I
fnon legato)
The Batman Theme - 5 - 4
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The Batman Theme - 5 - 5
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32 THE RIGHT STUFF (1983)
THE RIGHT STUFF Music by
BILL CONTI Majestically
Slightly slower Ab ~ b / ~ b
The Right Stuff - 2 - 1
O 1983 WB MUSIC CORP. All Rights Reserved
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rit. -= II
Tempo I
The Right Stuff - 2 - 2
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256 CITY OF ANGELS (1998)
THE UNFEELING KISS
BY GABRIEL YARED
Moderatel? fast (d = 80) "Central Market"
0 I998 WR hlUSlC CORP and NkW REGENCY hlUSIC Al l K ~ g h t \ A d r ~ ~ ~ n ~ \ t c r c d b) WR MUSIC CORP
All R~ght \ Kehe~ved
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The Unfeeling Kiss - 6 - 2
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The Unfeeling Kiss - 6 - 3
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Slowly (J = 80) ".An Angel Falls"
n 4 ,!I / \ a-
I& +#' % P- - I I I a --. -
r r r , - I. I I 1
\ C) -. I I
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I The Unfeeling Kiss - 6 - 5
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Slower ( J = 70) "The Unfeeling Kiss"
i l I t T I
1-r. ,--- I . I?' I
I sub. p
The Unfeeling Kiss - 6 - 6
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L. A. CONFIDENTIAL (1997)
Slowly J = 63
THE VICTOR
Composed by JERRY GOLDSMITH
smoothly - A.
0 c- I . A
F . I " r I I - -
Y
I The Victor - 3 - 1
O 1997 NEW ENTERPRISES MUSIC (BMI) Administered bv WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
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I I x I I ;- I T - I1 'd
$e V - 8 U
Piu rnosso
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The Victor - 3 - 3
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116
JFK (1 991)
THEME FROM "JFK"
Music by JOHN WILLIAMS
(Solo - Reflectively) /--
I
Theme From "JFK" - 3 - 1
O 1992 WARNER-TAMERLANE PUBLISHING CORP. All Rights for the World excluding the U.S.A. and Canada
Controlled by NEW ENTERPRISES MUSIC and Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights ~ e s e r v e d
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with a lilt -
Theme From "JFK" - 3 - 2
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a tempo
r r r I I I r r
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194 LOVE AFFAIR (1994)
THEME FROM "LOVE AFFAIR" Music by
ENNIO MORRICONE Gently, flowing
(with pedal)
Theme From "Love Affair" - 2 - I
63 1995 WB MUSIC CORP. (ASCAP) All Rights Reserved
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Theme From "Love Affair" - 2 - 2
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ONCE UPON A TIME IN AMERICA (1 984)
THEME FROM "ONCE UPON A TIME IN AMERICA"
BY ENNIO MORRICONE
Very slow, in 2
i with pedal throughout
E mai 7
- Theme From "Once Upon a Time in America" - 3 - I
O 1984 HAPAX INTEKNATIONAL B.V. Administered by WB MUSIC CORP.
All Rights Reserved
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Theme From "Once Upon a Time in America" - 3 - 2
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Amaj 7
8 - + - 8, 8 -& -- Theme From ''Once Upon a Time in America" - 3 - 3
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89 THE ACCIDENTAL TOURIST (1 988)
THEME FROM "THE ACCIDENTAL TOURIST"
Music by JOHN WILLIAMS
I I legatissirno e espressivo I I I I
O 1989 WARNLK TAMERIzANt PIIBLISHING COKP All Right\ Kocrvcd
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As gently as possible
i
Theme From "The Accidental Tourist" - 3 - 2
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238 TWISTER (1996)
TWISTER (Main Theme)
BY MARK MANCINA
Moderately fast 1 = 120
i
Twister - 3 - 1
O 1996 WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved
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Twister - 3 - 2
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Twister - 3 - 3
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MAD MAX: BEYOND THUNDERDOME (1985)
WE DON'T NEED ANOTHER HERO (Thunderdome)
Words and Music by Moderate Rock J = 100 GRAHAM LYLE and TERRY BRITTEN
ins, dren,
out from the wreck- age; the last gen - er - a - tion.
can't make the same We are the ones
We Don't Need Another Hero - 3 - 1 O 1985 GOOD SINGLE LIMITED & MYAXE MUSIC LTD.
All Rights on behalf of GOOD SINGLE LIMITED Administered by RONDOR MUSIC (London) LTD. Administered in the U.S. & Canada by IRVING MUSIC, INC.
All Rights on behalf of MYAXE MUSIC LTD. for the World Administered by WB MUSIC CORP. - All Rights Reserved
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noth - ing else re - I mains. I
way home.- I All we want is life be - 1 yond to Thun-der -
We Don't Need Another Hero - 3 - 2
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11. 112. TO next strain 1/39
1 1 4. Fine 1 Bridge 11:
1 o what do we do
- with our lives? I We leave on - ly a I vow. I Will our sto - ry I
shine like a light, I or end in the (dark? Is i t all or noth-ing? I We don't need an - 0th - er I
Verse 3: Looking for something we can rely on; There's got to be something better out there.
Verse 4 : Love and compassion; that day is coming. All else are castles built in the air.
We Don't Need Another Hero - 3 - 3 (To Bridge I)
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PURPLE RAIN(1984)
WHEN DOVES CRY
Words and Music by PRINCE
Medium tempo
Dig, if u w i l l , the pic - ture of
I u and I en - gaged in a kiss. The sweat of your bod - y cov -
When Doves Cry - 6 - 1
O 1984 CONTROVERSY MUSIC All Rights Reserved
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ers me. Can u, my dar - ling, can u pic - ture this?-
- Dream, if u can:- a court - yard,
- - - - an o - cean of vi ' - lets in bloom.-
I I
i - mals- strike cu - ri - G U ~ pos - es.
When Doves Cry - 6 - 2
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They feel the heat, the heat be - tween me and U.
How can u just- leave me stand-
ing a - lone in a world- that's s o cold?
May - be I'm just- 2 de - mand - ing. May - be I'm just - like my
When Doves Cry - 6 - 3
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fa - ther: 2 bold. May - be you're just- like my moth - er.
She's nev - er sat - is - Why do we scream- at each o t h -
er? This is what it sounds like when doves- CrY.
When Doves Cry - 6 - 4
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F - G nAm n x n n n
v Touch, if u ~111 . - my stom - ach.
I Feel how i t trem - bles in - side. You've got the but - t e r - flies-
When Doves Cry - 6 - 5
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311 tied LIP. Don' t make m e <hast: u. E - i c n doves- tiair' prtdc..-
How can LI just- leave m e stand - lng I - 3 -
When Doves Cry - 6 - 6
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CURLY SUE (1991)
YOU NEVER KNOW Words and Music by
JOHN BETTIS and STEVE DORFF
Moderate shuffle in "4"
C Life goes on , n o - one gets re - hears - al.
t Who knows why, an - y - thing can hap - pen? A
F Fsus4/G F /A Bb (add C) Dm7 Bb C/Bb Bb
Life goes o n through ev - 'ry - day re - ver - s a l . With ev - 'ry dawn, - ev - 'ry cloud - y day can sud - den - ly break o - pen.- Be - fore your eyes -there's the
day is- full of chan - ces t o find some-good be - fore it's smil - ing- face of sum - mer, chas - ing- all the rain a
You Never Know - 5 - I O 1991 WB MUSIC CORP.. WARNER-TAMERLANE PUBLISHING CORP., JOHN BETTIS MUSIC, STEVE DORFF MUSIC and NOCTURNAL ECLIPSE MUSIC
All Rights on behalf of JOHN BETTIS MUSIC Administered by WB MUSIC CORP. All Rights on behalf o f STEVE DORFF MUSIC Administered by NOCTURNAL ECLIPSE MUSIC
All Rights Reserved
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is _eon - na take- you,
I a1 - ways- some sur-prise that comes a - long- t o shake you.- A
sim - ple- rule of t h u m b that's of - t e n been ne - glect - ttd is
1 take life- as i t comes,- ex - pect t h e ' u n - e x - p e c t - ed.
You Never Know - 5 - 2
I
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( You nev-er see- ex - act - ly where- the road will lead you.- And when it comes- to love,- you
I I I I L I
1' 4. B5 (add C) Dm7 Am7 Ab13 Gm7 F 4'7
I - but then a - gain- you nev - er know
I I I I I h I I
A I 2- 4 I t I t. -0. +' - You Never Know - 5 - 3
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n n n n
Dm7 Fmai7!G Gm7 B I ' C C
take life- as it comes,- ex - pect the- un - ex - pect - ed.-
I never saw- ex-act - ly where- the road would lead me.- One day- I woke to
You Never Know - 5 - 4
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1 but then a - gain YOU nev er
Repeat utld fade (Itzstr~~r?zental)
Gb Bbm7
I know.
B bm7 E bm7 Cb(add Db) E bm7 B bm7 A1 3
You Never Know - 5 - 5