arth 2471 art since 1945 summary & terms

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  • 8/12/2019 ARTH 2471 Art Since 1945 Summary & Terms

    1/3

    Sherie Zhou

    11-13-2013

    Terms

    Abstract Expressionism

    Cubismo Colorblockingo Flatness

    Surrealismo Automatic drawingo No reason, no aestheticso Taps into subconscious thoughts

    Primitive people are thought to be closer to their subconscious Existentialism

    o Kierkegaard and Jean-Paul Sartreo Existence precedes essenceo One can exert existence through action

    Action is imperativeo Counter to Surrealism

    Sublimeo Emmanuel Kant and Edmund Burkeo Expression of beauty and terror simultaneouslyo Inconsequential nature of man and great power of nature

    Abstract Expressionismo Painterly Surrealismo Flattened surfaceo Autographic gestureso Universal themes

    Chromatic / Colorfield Painting Action Painting

    o Rothko o Pollocko Newman o Gorky

    o Colorfield Seeks to free color. Color is just color Red =/= tomato or fire engine

    Gestural/Action Paintingo Paintings as participatory activityo All-over painting

    In, on, with the painting Pollock

    o Mark Tobey, Jackson Pollock New Classicism

    o Nudes, contrapostto, natural landscapeBeat Generation

    Beato Beaten downo Beatific / beautitudeholiness of everything, spiritual aspecto 1stAmerican counterculture: rebellious, non-conformisto Immediacy, spontaneity, blurring lines between high/middle/low brow

  • 8/12/2019 ARTH 2471 Art Since 1945 Summary & Terms

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    Sherie Zhou

    11-13-2013

    o Jack Kerouac, Allen Ginsbergo Coded language

    Assemblage artists/workso Assembling found objects into 3D or 2Do Rauschenberg, Dubuffet, Duchamp, Connor

    Combine paintingRauschenberg specificallyArte Informale et Arte Brute

    Arte Informale / Arte Autreo Paralleled Abstract Expressionismo Form is less important than impulses of artist, non-rationalo Gestural, abstract, unformed, shapelesso Non-traditional materialso Signage

    Alberto Burri Decalcumania

    o Ernst, Europe After the Rain IIo Element of chance, things that the artist cannot control

    Arte Bruteo Primitive is authentico Logic and reasonwar, thus return to primitivism and subconsciouso Intentionally child-like naivet

    Dada Neo-DadaPost-Painterly Abstraction

    Two brancheso Pollock-iancontinue action paintingo Post-Painterly Abstraction

    Influenced by nature Large-scale abstraction Role of chance and actions that the artist cannot control

    Medium specificityo Clement Greenberg

    Painting should strive to be become just paintingo Painting becomes more flat (Helen Frankenthaler)

    Gestural painting, horizontal plane (Pollock-inspired)o Veil painting (Morris Louis)

    Hard edge paintingo Reinhardt, opposite of Frankenthalero Crisp sharp lines that the artist has full control over

    Deductive structureo Agnes Martin, Frank Stellao Re-inscribe the frame of the canvaso The canvas / medium dictates the art that result, artist has no control

    Washington Color School

  • 8/12/2019 ARTH 2471 Art Since 1945 Summary & Terms

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    Sherie Zhou

    11-13-2013

    o Kenneth Nolando Morris Louiso Gene Daviso Push-pull painting

    Opticalityo Flatness, elemental shapeso Kenneth Noland

    One-shot paintingo Understandable at the first glance, instantaneous receptiono Illusion of depth is created by ones eyeo Kenneth Noland, Virginia Site

    Fluxus Movement

    Fluxus Pop Art Silk screening Image transfer Ben Day dots Kitschmass-consumed products Conceptual Art

    o The artist can make it (or not make it)o The work can be prefabricated (or originally made)o The work can be built (or not built)

    Minimalismo Dematerialization of arto Deductive structurereinscribing

    Frank Stella, Astoria Earthworks

    o Strenuous departure from art processo Manipulating nature, artists are intervening in the landscapeo Creating works not likely to be commoditizedo Pushing outside the constraints of the gallery space

    Post-Minimalism Arte Povera

    o Italian movement, nationalistic bent, recalls Italys agrarian history Misinterpretation of American Minimalism as being pro-technology

    o Strong emphasis of return to nature and inspiration from natureo Use of lowly materials (i.e., concrete, wood) and organic materialso Promotes art that exists outside the commoditized world of the art gallery

    Thought that interest in commoditiescomplicit in US economy complicit in USpolitical actions as well Mami figure Phrenologypseudoscientific study of relationship between skull anatomy and behavioral and

    intellectual characteristics

    o Geometric Abstractionreclaiming womens crafts and tasks (i.e., sewing, quilting)