artaria editions overtures & theatre music catalogue

ARTARIA EDITIONSOvertures & Theatre Music Catalogue

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CONTENTS

About Artaria ........................................................................................................................ 3

New Publications ................................................................................................................. 4

Work in Progress ................................................................................................................... 6

Overtures ............................................................................................................................... 7

Theatre Music ...................................................................................................................... 12

Orders & Contacts .............................................................................................................. 15

b Double bass pr Principale (solo)

cemb Cembalo trbe Trumpet

cl Clarinet trbn Trombone

cor Horn va Viola

fg Bassoon vc Violoncello

fl Flute vc/b Celloandbass

ob Oboe vn Violin

pfte Pianoforte 2vn ViolinI,II(also2va, 2vc,2cor,etc.)

Artaria Editions Overtures & Theatre Music Catalogue

Abbreviations used in this Catalogue

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ABOuT ARTARIAArtaria Editions was founded in 1995 with the express purpose of exploring the music of major contemporaries of Haydn,Mozart and Beethoven. It was an ambitious undertaking, given theobscurityofmanyofthecomposerswechosetochampion,andseventeenyearsonitisintenselysatisfyingtoseetheextenttowhichoureffortshavebeenrecognized.Everyyearseesanincreasein the number of performances of our works worldwide as individuals and orchestras discover for themselves the richness and diversity of the unknown 18th century. Much of the stimulus for this isgeneratedbytheextraordinaryandcontinuingsuccessoftherecordingsmadebyouraffiliateNaxos. On three occasions Naxos has won the coveted “Best 18th-century Orchestral Recording” prizeattheCannesClassicalAwardsandin2002wasafinalistintwocategories.InJanuary2012Artaria Editions and Naxos were awarded the International Domenico Cimarosa Prize in theMusic Publishing and Recording categories at a special ceremony held in at the Teatro Domenico CimarosainAversa,Italy.Theseawardshighlighttheuniqueassociationofpublishinghouseandrecording label that isnotonly responsible for thecreationofan invaluablehistorical resource,but it is also broadening our understanding and appreciation of this critically important period in musical history.

Beingyoung,energeticandambitious,ArtariaEditionsisconstantlyseekingtoexpanditsmusicalhorizons. From concentrating at first on symphonies and concertos we now have a growingcatalogue of chamber works and sacred music. We have also begun to explore music of the early 19thcenturyandin2011wecompletedtherecordingofthecompleteworksforpianoandorchestrabyFerdinandRies,themostambitiousprojectwehaveundertakentodate.AnothermajormilestoneisthepublicationofoneofCimarosa’smostsuccessfuloperas,L’impresarioinangustie,editedbythe Italian Cimarosa scholar Simone Perugini. Dr Perugini’s editions of a new series of overtures by Cimarosaarealsoinpressandtheoperaisexpectedtobepublishedinthesecondquarterof2013.

IamconfidentthatyouwilldiscoverawealthofnewandbeautifulworksinourOverturesandTheatreWorkscatalogue.Joinusonourvoyageofdiscovery.

Klaus Heymann & Dr Allan Badley

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NEWPuBLICATION

OverturesCimarosa, Domenico (1749-1801)Overture to ‘L’Armida imaginara’ (AE269)Edited by Allan BadleyuS$42.00ISBN: 1-877369-26-8ISMN: M-67451-971-1RecordedonNaxos8.570279(Tr.1)

Cimarosa’s comedy L’Armida imaginara(AE269)wascommissionedfortheTeatrodeiFiorentiniinNaples in 1777. Shortly before the work’s completion the composer received a second commission foranoperaforTeatroValleinRome.Pressedfortime,Cimarosareusedalargechunkofmaterialfrom the overture to L’Armida immaginariainthenewwork,Il ritorno di Don Calendrino(AE267),safein the knowledge that the earlier work could not possibly be known yet in Rome. The relationship between the two overtures is extremely interesting for Cimarosa does not simply borrow material butreworksitinmanysmallbutsignificantdetails.Thesuperiorityofthelaterovertureindeedmakesthe‘original’looklikeasketch.Thus,inspiteofthehistoricalcircumstances,theimpressionone gains is that the overture to L’Armida immaginariawaswritteningreaterhastethanitssequel.Thereuseofthethematicmaterial,therefore,wasasmuchanaestheticdecisionasapragmaticone.

Cimarosa, Domenico (1749-1801)Overture to ‘Giannina e Bernadone’ (AE298)Edited by Allan BadleyuS$42.00ISBN: 1-877369-28-4ISMN: M-67451-982-3RecordedonNaxos8.570279(Tr.17)

Description: Cimarosa’s dramma giocosointwoacts,Giannina e Bernadone,wasgivenitspremièreatthe Teatro San Samuele in Venice in November 1781 and remains one of his most celebrated comic operas.ExtremelypopularintheeighteenthcenturyinItalyandelsewhere,notableproductionsoftheworkweregiveninVenice(1781),Prague(1783),andinbothTriesteandRoveretoin1784.In 1785 it was produced in Dresden (as Hannchen und Bernadon),BavariaandWarsaw;in1786atDrottningholminSweden,theTeatroSanAngeloinVenice(asIl villano geloso)andinZara;andin1787attheKing’sTheatreintheHaymarket,London.InthenextdecadeitwasstagedinMadrid,Potsdam,Esterháza,Bilbao,Marseille,LisbonandLugano.Productionsweremountedthroughoutin the nineteenth century and at least two revivals were mounted in the twentieth century including thepioneeringbroadcastoftheoperabyItalianStateRadio(RAI)on26July1953.

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Theatre MusicCimarosa, Domenico (1749-1801)L’Impresario in Augustie (AE505)LiberttobyGiovanniMariaDiodatiEdited by Simone PeruginiuS$230.00ISBN: 978-1-927163-46-7ISMN:979-0-67451-007-3

L’Impresario in Augustie (AE505),asingle-actoperawithlibrettobyGiovanniMariaDiodati,wascomposed for theCarnival seasonof 1786 forTeatroNuovo inNaplesbeforeCimarosa left forSt.Petersburg.TheoperawereperformedalloverEurope,bothinItalianandintranslation.ThepopularityoftheoperaisattestedtotodaybythenumbersofmanuscriptcopiesoftheworkthatarepreservedinlibrariesthroughoutEurope,manyofwhichrevealsubstantialdifferencesintheplotandmusicalstructure,adaptedatthetimetotheexigenciesoftheperformingcompanyandthe taste of the public.

ThepresenteditionbringsbacktolightthefinalversionoftheVienneseversionofL’ImpresarioinAugustewhichwasstagedforthefirsttimeattheBurtheaterin1793,withexplicitreferencemadefromthepartialautographscorebyCimarosaandtheprintedlibrettousedfortheprimain1786,andtwoenormouslydifferentscores,bothwithnewlycomposedmaterialrelatingtotheViennaperformancesof1793.LikeallofCimarosa’sstageworks,itisremarkableforitsvitality,melodicinvention and assured handling of the orchestra.

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WORKINPROGRESSTheatre MusicArne, Thomas (1710-1768)Love in a Village (AE511)Edited by Robert HoskinsISBN 1-877369-98-5ISMN M-67451-262-6

Thomas Arne’s comic opera Love in a Village(1762)occupiesauniqueplaceinthehistoryofEnglishmusicasthefirstfull-lengthoperaaboutordinarypeoplesupportedbycomposed(asdistinctfromborrowed)songs,someofthemfullyoperaticinstyle.IthadahugeimpactonEnglishcomicoperaandbecamethemostperformedoperaontheEnglishstageintheeighteenthcenturywithover180performancesofrecord.RobertHoskins’fineeditionisaccompaniedbyanintroduction,criticalcommentaryandfulllibretto.

Shield, William (1748-1829)‘Ode to Captain Cook’ from Omai, or A Trip Round the World (AE508)Edited by Robert Hoskins, orchestrated by David VineISBN1-877369-80-2ISMN M-67451-246-6

WhennewsoftheviolentdeathofCaptainJamesCookfinallyreachedEnglandinJanuary1780it created a sensation. Cook’s earlier voyages of discovery had stimulated a huge interest in the exoticworld of the Pacific, andMai, the youngRa’iateanwho arrived in London in 1774withTobiasFurneaux,becameoneof themostcelebratedfigures inLondonduringthetwoyearshespentthere.AtChristmas1785,severalyearsafterMai’sreturntotheSocietyislandsandCook’sdeathinHawaii,CoventGardenstagedanewpantomimeentertainmententitledOmai, or, A Trip Round the World.BycelebratingMaiinmimedactionandsong,thisworkfedthepublicfascinationwiththeprimitivepast–itsrituals,artifactsandcrafts–whilemanagingtoportraythedeathofCook with a theatrical sense of symbolism. William Shield’s score was remarkable for including Polynesian instrumentswhichhadbeenbrought back toEnglandbyLieutenant JamesBurney,one of Furneaux’s officers and the sonof thedistinguishedmusic historianDrCharlesBurney.Although theoriginalorchestralpartshavenot survived,RobertHoskinsandDavidVinehavecleverly reconstructed the core of the work from the vocal score along with the closing apotheosis of CaptainCook.TheeditionisprefacedbyafascinatingintroductiontotheworkbyRobertHoskins,the leading authority on William Shield.

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OVERTuRESArnold, Samuel (1740-1802)Edited by Robert Hoskins

Performing material available for hire

AE088 Overtureto‘Polly’ 2ob2cor2vnvavc/b Duration:6’ SCORE:$32

Cimarosa, Domenico (1749-1801)Edited by Nick Rossi

AEC1 OverturesVol.1;EightOvertures (‘LabaronessaStramba’,‘Cleopatra’,‘Ilconvito’, ‘Ilcredulo’,‘L’impresarioinangustie’, ‘L’infedeltàfedele’,‘Lestravaganzedelconte’, ‘Laverginedesole’)(=AE239-246) SCORE:$165


AE239 Overtureto‘LabaronessaStramba’ 2ob2cor2vnvavc/b Duration:5’ SCORE:$32

AE240 Overtureto‘Cleopatra’ 2ob2clfag2cor2vnvavc/b Duration:5’ SCORE:$32

AE241 Overture to ‘Il convito’ 2ob2cor2vnvavc/b Duration:8’ SCORE:$32

AE242 Overture to ‘Il credulo’ 2obfag2trbe2vnvavc/b Duration:5’ SCORE:$32

AE243 Overtureto‘L’impresarioinangustie’ 2ob2vnvavc/b Duration:4’ SCORE:$32

AE244 Overtureto‘L’infedeltàfedele’ 2ob2cor2vnvavc/b Duration:5’ SCORE:$32

AE245 Overtureto‘Lestravaganzedelconte’ 2ob2trbe2vnvavc/b Duration:4’ SCORE:$32

AE246 Overtureto‘Laverginedesole’ 2fl2obfag2cortimp2vnvavc/b Duration:5’ SCORE:$32

AE247 Overture to ‘Voldomiro’ 2ob2clfag2cor2trbetimp2vnvavc/b Duration:4’ SCORE:$32

Edited by Allan Badley

AE260 Overtureto‘Ilfalegname’ 2fl2ob2cor2vnvavcb Duration:5’ SCORE:$32

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AE261 Overtureto‘Ladonnasemprealsuopeggers’appligia’ 2obfag2cor2vnvavc/b Duration:5’ SCORE:$32

AE262 Overture to ‘Artaserse’ 2obfag2cor2trbe2vnvavc/b Duration:7’ SCORE:$32

AE263 Overture to ‘Allessandro nell’Indie’ 2ob2cor2trbe2vnvavc/b Duration:10’ SCORE:$32

AE264 Overture to ‘Oreste’ 2ob2clfag2cor2trbe2vnvavc/b Duration:6’ SCORE:$32

AE265 Overture to ‘Il mercato di Malmantile’ 2ob2trbe2vnvavc/b Duration:6’ SCORE:$32

AE266 Overture to ‘Il fanatico per gli antichi romani’ 2ob 2trbe 2vn va v Duration: 6’ SCORE: $32

AE267 Overture to ‘Il ritorno di Don Calendrino’ 2ob2cor2vnvavc/b Duration:10’ SCORE:$42

AE268 Overtureto‘L’italianaaLondra’ 2ob2trbe2vnvavc/b Duration:7’ SCORE:$42

AE269 Overtureto‘L’Armidaimaginara’ NEW! 2ob2cor2vnvavc/b Duration:8’ SCORE:$42

AE291 Overture to ‘Artemisia’ NEW! 2ob2cl2fag2cor2trbe2vnvavc/b Duration:8’ SCORE:$42

AE292 Overture to ‘Il matrimonio segreto’ NEW! 2ob2cl2fag2cor2trbetimp2vnvavc/b Duration:6’ SCORE:$42

AE293 Overture to ‘Cajo Mario’ NEW! 2ob2cor2vnvavc/b Duration:9’ SCORE:$42

AE294 TwoOverturesto‘Leastuziefemminili’ No.1:2ob2cl2fag2cor2vnvavc/b Duration:4’ NEW! No.2:2ob2cl2fag4cor2vnvavc/b Duration:5’ SCORE:$62

AE295 Overtureto‘LaCirce’ NEW! 2ob2fag2cor2trbetimp2vnvavc/b Duration:9’ SCORE:$55

AE296 Overtureto‘IduebaronidiRoccaAzzura’ NEW! 2ob2cor2vnvavc/b Duration:11’ SCORE:$42

AE297 Overtureto‘L’eroecinese’ NEW! 2ob2cor2trbe2vnvavc/b Duration:12’ SCORE:$42

AE298 Overtureto‘GianninaeBernadone’ NEW! 2ob2cortimp2vnvavc/b Duration:7’ SCORE:$42

AE299 Overture to ‘I nemici generosi’ NEW! 2ob2cl2fag2cor2vnvavc/b Duration:8’ SCORE:$32

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AE300 Overtureto‘Lestravaganzed’amore’ NEW! 2ob2trbe2vnvavc/b Duration:7’ SCORE:$32

Gassmann, Florian Leopold (1729-1774)Edited by Allan Badley


AE155 Overtureto‘LaCasadicampagna’(Hill165) 2ob2fag2cor2trbe2vnvavc/b Duration:6’ SCORE:$32

AE156 Overtureto‘Lepescatrici’(Hill159) 2ob 2fag 2cor 2vn va vc b Duration: 5’ SCORE: $32

AE157 Overtureto‘Filosofiaedamore’(Hill125) 2ob2cor2vnvavc/b Duration:6’ SCORE:$32

AE158 Overtureto‘Ilfilosofoinnamorato’(Hill157) 2ob2fag2cor2vnvavc/b Duration:5’ SCORE:$32

AE159 Overtureto‘Gliuccellatori’(Hill123) 2ob2cor2vnvavc/b Duration:5’ SCORE:$32

AE160 Overtureto‘Ilviaggiatoreridicolo’(Hill137) 2ob 2clno fag 2cor timp 2vn va vc b Duration: 7’ SCORE: $32

AE161 Overtureto‘unpazzonefacento’(Hill127) 2ob 2cor 2vn va vc b Duration: 5’ SCORE: $32

AE162 Overtureto‘L’amoreartigiano’(Hill138) 2ob2fag2cor2vnvavc/b Duration:6’ SCORE:$32

AE163 Overtureto‘Lanottecritica’(Hill143) 2fl2ob2fag2cor2vnvavc/b Duration:6’ SCORE:$32

AE164 Overtureto‘LaContessina’(Hill153) 2ob 2fag 2cor 2vn va vc b Duration: 6’ SCORE: $32

Kraus, Joseph Martin (1756-1792)Edited by Bertil van Boer


AE255 Overture (Sinfonia da chiesa) (VB147) fag2vnvavc/b Duration:12’ SCORE:$32

AE278 Riksdagsmarsch (VB 154) 2fl2ob2fag4cor2trbetimp2vnvavcb Duration:5’ SCORE:$32

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Arnold, Samuel (1740-1802)Overtures, Op. 8 / Incidental music to Macbeth

OvertureinBb,Op.8,No.1(AE082)OvertureinD,Op.8,No.2(AE083)OvertureinF,Op.8,No.3(AE084)OvertureinD,Op.8,No.4(AE085)OvertureinG,Op.8,No.5(AE086)OvertureinD,Op.8,No.6(AE087)

IncidentalMusicfor‘Macbeth’(AE089)OverturetoPolly(AE088)

TorontoChamberOrchestra/KevinMallonNaxos8.557484 ReleaseDate:03/2005

Cimarosa, Domenico (1749-1801) Overtures Vol. 1

Voldomiro: Overture (AE247)LabaronessaStramba:Overture(AE239)

Lestravaganzedelconte:Overture(AE245)Il matrimonio segreto: Overture (AE292)

L’infedeltafedele:Overture(AE244)Il ritorno di Don Calendrino: Overture (AE267)

Ilfalegname:Overture(AE260)Cleopatra:Overture(AE240)Il convito: Overture (AE241)

Laverginedelsole:Overture(AE246)Il credulo: Overture (AE242)

L’impresarioinangustie:Overture(AE243)

NicolausEsterházySinfonia/AlessandroAmorettiNaxos8.570508 ReleaseDate:08/2007

Cimarosa, Domenico (1749-1801) Overtures Vol. 2

L’Armidaimmaginaria:Overture(AE269)Oreste: Overture (AE264)

L’italianainLondra:Overture(AE268)Artaserse: Overture (AE262)

Alessandro nell’Indie: Overture (AE263)Ladonnasemprealsuopeggiors’appiglia:Overture(AE261)

LaCirce:Overture(AE295)Il fanatico per gli antichi romani: Overture (AE266)

GianninaeBernardone:Overture(AE298)


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Gassmann, Florian Leopold (1729-1774)Opera Overtures

Lanottecritica(AE163)Gliuccellatori(AE159)Filosofiaedamore(AE157)Lacasadicampagna(AE155)Lacontessina(AE164)Ilviaggiatoreridicolo(AE160)Ilfilosofoinamorato(AE158)L’amoreartigiano(AE162)unpazzonefacento(AE161)Lepescatrici(AE156)

EclipseChamberOrchestra/SylviaAlimenaNaxos8.570421 ReleaseDate:09/2009

Kraus, Joseph Martin (1756-1792) Symphonies Vol.3

SinfoniainC#minor,VB140(AE251)SinfoniainCminor‘Symphoniefunbre’,VB148(AE341)OvertureinDminor,VB147(AE255)SinfoniainEminor,VB141(AE250)

SwedishChamberOrchestra/PetterSundkvistNaxos8.554777 ReleaseDate:08/2000

Kraus, Joseph Martin (1756-1792) Symphonies Vol.4

SinfoniaperlaChiesainD[Riksdagssymfoni],VB146(AE252)SinfoniainF,VB145(AE253)SinfoniainD,VB143(AE342)SinfoniainEb,VB144(alternativesecondmovement)(AE249)Rikdagsmarsch,VB154(AE278)


RECORDINGSOVERTuRES

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THEATRE MuSICArne, Thomas (1710-1768)Edited by Robert Hoskins

AE511 LoveinaVillage IN PRESS

Arnold, Samuel (1740-1802)Edited by Robert Hoskins


AE089 IncidentalMusicfor‘Macbeth’ Fl2obfag2cor2clnotamb2vnvavc/b Duration:18’ SCORE:$55

AE100 ‘Polly’–ABalladOpera VOCALSCORE:$75 MixedVoices;2fl2ob2corfag2vnvavc/bcont. Duration:78’ SCORE:$160

Cimarosa, Domenico (1749-1801)Edited by Simone Perugini

AE505 L’ImpresarioinAugustie NEW! 2ob2cortimp2vnvavc/b SCORE:$230

Dibdin, Charles (1745-1814)Edited by Peter Holman

AE477 TheSadler’sWellsDialogues(1772-1780) MixedVoicesObPfteva/b SCORE:$145

Kraus, Joseph Martin (1756-1792)Edited by Bertil van Boer


AE279 AdditionalBalletMovementsforGluck’s‘Armide’(VB39)

AE344 2picc2fl2ob2cl2fag4cor2trbetimp2vnvavc/b Pantomime in D (VB 37) Duration: 4’ SCORE: $32 fl2ob2cor2vnvavc/b Duration:7’ SCORE:$32

AE345 PantomimeinG(VB38)

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2ob2cor2vnvavc/b Duration:7’ SCORE:$32AE368 Incidental Music to ‘Olympie’ (VB 33) 2ob 2cl 2fag 2cor 2vn va vc b Duration: 14’ SCORE: $42

AE370 Fisakarena-ComedyBalletinOneAct(VB40) 2fl2ob2fag4cor2trbetimp2vnvavcb Duration:50’ SCORE:$62

Linley, Thomas (1733-1795)Edited by Robert Hoskins


AE447 The Pantomine of Robinson Crusoe MixedVoices;flvnpfte Duration:30’ SCORE:$90

Shield, William (1748-1829)Edited by Robert Hoskins

AE508 ‘OdetoCaptainCook’from Omai, or A Trip Round the World IN PRESS

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Arnold, Samuel (1740-1802)Polly – An Opera (AE100)

LauraAlbino–soprano/MatthewGrosfeld–bass/ GillianGrossman–soprano/LoralieKirkpatrick–mezzo-soprano/

AndrewMahon–baritone/EveRachelMcLeod–soprano/ JasonNedecky–baritone/MarionNewman–mezzo-soprano/

BudRoach–tenor/LawrenceWiliford–tenor/AradriaEnsemble/


Kraus, Joseph Martin (1756-1792) Violin Concerto/Olympie • Azire

ViolinConcertoinC(AE450)Azire:BalletMusic(AE453)

Incidental Music to Olympie (AE368)

TakakoNishizaki/NewZealandSymphonyOrchestra/uweGroddNaxos8.570334 ReleaseDate:11/2007

Kraus, Joseph Martin (1756-1792) Ballet Music

Pantomine in D (AE344)Fiskarena:ComedyBalletinOneAct(AE370)

PantomineinG(AE345)AdditionalMovementsforGluck’sArmide(AE279)


Kraus, Joseph Martin (1756-1792) Aeneas in Carthage

OperainaPrologueandFiveActsOvertures, Ballet Music and Marches

SinfoniaFinlandiaJyväskylä/PatrickGalloisNaxos8.570585 ReleaseDate:01/2010

RECORDINGSTHEATRE WORKS

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ContactForfurtherinformationandallorderenquiriespleasecontactthePublisher:

ArtariaEditionsLimitedc/oHNHInternationalLimitedLevel11,Cyberport1,100CyberportRoad,HONGKONG

www.artaria.comTel:+(852)2760-7818Fax:+(852)2989-9181

Email: [email protected]

Music Hire World(exceptNorthAmerica,Australia&NewZealand)

Schott-Musik International GmbHWeihergarten 5D-55116MainzGERMANY

www.schott-music.comTel:+49(0)6131246-0Fax:+49(0)6131246-211Email:[email protected]

NorthAmerica,Australia&NewZealandArtaria Editions c/o HNH International Limited

Level11,Cyberport1100CyberportRoadHONGKONG

www.artaria.comTel:+(852)2760-7818Fax:+(852)2989-9181

Email: [email protected]

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www.artaria.com

Artaria Editionsc/oHNHInternationalLimited

Level11,Cyberport1,100CyberportRoadHONGKONG+85227607818

[email protected]

artaria editions overtures & theatre music catalogue

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