art nouveau in england

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    ART NOUVEAU IN GREAT BRITAIN

    Lect. dr. va Szkely

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    Art Nouveau emerged at the end of the 19 th c.from the restless energies of the industrialcity. In the age of

    A!"IN and#!$%It &as fi'ated on(

    NA)%!$S$*)+$ N$"L, LI-$!A)$ " /AN

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    1854: an American feet o 7 shi s sai!e" toNa#asa$i: %a anese #oo"s starte" to foo"

    into Britain&

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    %ames A''ot (cNei!! )hist!er *18+4,1-.+/

    0aints &omen inkimonos hinting at the

    sensuality eneath thesilk A trou lemaker &ith aninternational agendaInsists that art has nomoral agenda

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    (oti s o the Aesthetic

    (o0ementSunflo&ersIrises0eacocks2ranes$ onized furniture"illo& 3atterns

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    A 're2 Bear"s!e2 *1873,

    18-8/$nglish illustrator and author4 firste'3onent of Art Nouveau in -ritain5oined "histler and scar "ilde in1697

    An iconoclast randishing a old8 ne&art2a3tured the Avant garde s3irit of0aris and the sensuality of 5a3anesedesign+is dra&ings in lack ink8 influenced

    y the style of 5a3anese &oodcuts8em3hasized :

    THE GROTESQUETHE DECADENTTHE EROTIC

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    I ha0e one aim: the #rotes e& I I am not#rotes e I am nothin#&6 *A& Bear"s!e2/

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    The e!!o Boo$ *18-4/

    A :ournal cele ratingne& &riting and art-eardsley( art editor

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    The Tria! o Oscar )i!"e18-5

    -lights ; rilliantcareers( "ilde

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    -eardsley &as the firstre3resentative of ArtNouveau in -ritain and hissignature &as the &hi3lash

    line. It ecame the dominantfeature in architecture anddesign.+is shocking version of ArtNouveau ecame the style

    that dare not s3eak its name.,et8 the &hi3lash curve gotunder the skin of -ritishdesigners.

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    The Be#innin# oBritish Art No 0ea

    "illiam /orris and the -ritish Arts and

    2rafts /ovement( a lighter version of ArtNouveau=

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    )i!!iam (orris *18+4,18-9/

    2raftsman0oet0u lisher

    esigner Socialist>ictorian visionary)he driving force ehind the Arts and 2raftsmovementIn his ?uest for eauty he invoked the 3o&er ofnature and the $nglish medieval 3ast+is designs &ere a far cry from -eardsley

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    (ar2 )atts *184-,1-+8/

    esigner of the "atts /ortuary2ha3el D169E8 2om3ton8SurreyF"ife of the cele rated>ictorian 3ainter( Ceorge#rederic "atts/em er of the +ome Arts andIndustries Association+eld )hursday $vening)erracotta classes for the

    villagers to make the e'teriordecorations of the cha3el After her hus and

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    )atts (ort ar2 ha e! *18-5,1-.4/

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    Arth r ;asen'2 ;i'ert2*184+,1-17/

    A London merchant and the founder of Li erty H 2o.)he key figure in the mass 3roduction and the s3read ofthis -ritish version of Art Nouveau

    -y the eginning of the ;Gth

    century the very name ofLi erty ecame a y&ord for the style+e &as a mi'ed lessing( though he 3aid &ell thedesigners that &orked for him8 he never ackno&ledgedthem y name8 for he sold their designs under his o&nla el.

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    Archi'a!"

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    >o!!o , to;i'ert2

    ther retailers &anted to cashin on Li erty

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    Arcades had een uilt in ArtNouveau style8 e.g. Nor&ich.

    #ashiona le folks &ent to

    these sho33ing areas andought Art Nouveau fa ric oralton

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    Art No 0eain ?cot!an"/argaret /c onald( Silver

    Apples of the Moon

    an e'am3le of Scott

    continental Art Nouveau

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    /argaret /ac onald( !he"hite #ose and the #ed #ose

    the 3ainting changed auction

    history. $stimated et&een;GG8GGG and JGG8GGG K8 it soldfor 1. million K

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    The G!as#o >o r:rominent mem'ers o theG!as#o schoo! mo0ement6

    /argaret /ac onald2harles !ennie /ackintosh#rances /ac onald

    +er ert /acNair

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    )he so called Clasgo& style&as e'hi ited in $uro3e andinfluenced the >iennese ArtNouveau movement kno&n asSezessionstil around 19GG

    )he 3ress did not favour their

    style8 and du ed them @theS3ook school .

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    har!es Rennie (acintosh:"esi#ner o G!as#o ?choo!o Art

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    The ho se o the (acintosh

    ami!2 in G!as#o

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