art nouveau in england
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ART NOUVEAU IN GREAT BRITAIN
Lect. dr. va Szkely
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Art Nouveau emerged at the end of the 19 th c.from the restless energies of the industrialcity. In the age of
A!"IN and#!$%It &as fi'ated on(
NA)%!$S$*)+$ N$"L, LI-$!A)$ " /AN
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1854: an American feet o 7 shi s sai!e" toNa#asa$i: %a anese #oo"s starte" to foo"
into Britain&
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%ames A''ot (cNei!! )hist!er *18+4,1-.+/
0aints &omen inkimonos hinting at the
sensuality eneath thesilk A trou lemaker &ith aninternational agendaInsists that art has nomoral agenda
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(oti s o the Aesthetic
(o0ementSunflo&ersIrises0eacocks2ranes$ onized furniture"illo& 3atterns
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A 're2 Bear"s!e2 *1873,
18-8/$nglish illustrator and author4 firste'3onent of Art Nouveau in -ritain5oined "histler and scar "ilde in1697
An iconoclast randishing a old8 ne&art2a3tured the Avant garde s3irit of0aris and the sensuality of 5a3anesedesign+is dra&ings in lack ink8 influenced
y the style of 5a3anese &oodcuts8em3hasized :
THE GROTESQUETHE DECADENTTHE EROTIC
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I ha0e one aim: the #rotes e& I I am not#rotes e I am nothin#&6 *A& Bear"s!e2/
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The e!!o Boo$ *18-4/
A :ournal cele ratingne& &riting and art-eardsley( art editor
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The Tria! o Oscar )i!"e18-5
-lights ; rilliantcareers( "ilde
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-eardsley &as the firstre3resentative of ArtNouveau in -ritain and hissignature &as the &hi3lash
line. It ecame the dominantfeature in architecture anddesign.+is shocking version of ArtNouveau ecame the style
that dare not s3eak its name.,et8 the &hi3lash curve gotunder the skin of -ritishdesigners.
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The Be#innin# oBritish Art No 0ea
"illiam /orris and the -ritish Arts and
2rafts /ovement( a lighter version of ArtNouveau=
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)i!!iam (orris *18+4,18-9/
2raftsman0oet0u lisher
esigner Socialist>ictorian visionary)he driving force ehind the Arts and 2raftsmovementIn his ?uest for eauty he invoked the 3o&er ofnature and the $nglish medieval 3ast+is designs &ere a far cry from -eardsley
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(ar2 )atts *184-,1-+8/
esigner of the "atts /ortuary2ha3el D169E8 2om3ton8SurreyF"ife of the cele rated>ictorian 3ainter( Ceorge#rederic "atts/em er of the +ome Arts andIndustries Association+eld )hursday $vening)erracotta classes for the
villagers to make the e'teriordecorations of the cha3el After her hus and
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)atts (ort ar2 ha e! *18-5,1-.4/
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Arth r ;asen'2 ;i'ert2*184+,1-17/
A London merchant and the founder of Li erty H 2o.)he key figure in the mass 3roduction and the s3read ofthis -ritish version of Art Nouveau
-y the eginning of the ;Gth
century the very name ofLi erty ecame a y&ord for the style+e &as a mi'ed lessing( though he 3aid &ell thedesigners that &orked for him8 he never ackno&ledgedthem y name8 for he sold their designs under his o&nla el.
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Archi'a!"
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>o!!o , to;i'ert2
ther retailers &anted to cashin on Li erty
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Arcades had een uilt in ArtNouveau style8 e.g. Nor&ich.
#ashiona le folks &ent to
these sho33ing areas andought Art Nouveau fa ric oralton
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Art No 0eain ?cot!an"/argaret /c onald( Silver
Apples of the Moon
an e'am3le of Scott
continental Art Nouveau
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/argaret /ac onald( !he"hite #ose and the #ed #ose
the 3ainting changed auction
history. $stimated et&een;GG8GGG and JGG8GGG K8 it soldfor 1. million K
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The G!as#o >o r:rominent mem'ers o theG!as#o schoo! mo0ement6
/argaret /ac onald2harles !ennie /ackintosh#rances /ac onald
+er ert /acNair
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)he so called Clasgo& style&as e'hi ited in $uro3e andinfluenced the >iennese ArtNouveau movement kno&n asSezessionstil around 19GG
)he 3ress did not favour their
style8 and du ed them @theS3ook school .
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har!es Rennie (acintosh:"esi#ner o G!as#o ?choo!o Art
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The ho se o the (acintosh
ami!2 in G!as#o
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