Recent & Forthcoming Titles in Art Historyfrom Brepols Publishers & Harvey Miller Publishers

Highlights / Highlights / Highlights / Highlights / Highlights / Highlights / HighlightsChristina Currie, Dominique Allart (eds.)

The Brueg(H)el Phenomenon

3 vols., 1062 p., incl. ills., 230 x 290 mm, 2012, SCAR 8, HB, ISBN 978-2-930054-14-8, € 160

This three-volume book explores the intriguing Brueg[H]el phenomenon through the painting prac-tices of Pieter Bruegel the Elder and Pieter Brueghel the Younger with a special focus on technique and copying practice.

Fritz Koreny

Hieronymous BoschDie Zeichnungen. Werkstatt und Nachfolge bis zum Ende des 16. Jahrhunderts

456 p., 418 colour ills., 245 x 310 mm, 2012, HB,ISBN 978-2-503-54208-9, € 125

Ausführlich wird auf Hi-eronymus Bosch als Ma-ler wie als Zeichner einge-gangen. Dabei werden die Zeichnungen nicht los-gelöst vom malerischen Œuvre diskutiert, sondern – gemäß ihrer ursprüng-lichen Funktion – im Zu-sammenspiel mit den Ge-mälden.

Elizabeth Valdez del Alamo

Palace of the Mind The Cloister of Silos and Spanish Sculpture of the Twelfth Century

xx + 532 p., 300 b/w and 16 col. ills., 210 x 280 mm, 2012, HB, ISBN 978-2-503-51711-7, € 150

The extraordinary clois-ter of Santo Domingo de Silos is central to our un-derstanding of medieval sculpture, and of Spain’s place in its development. Elizabeth Valdez del Ála-mo offers an innovative reading of the monastery’s medieval sculpture and the first complete study in English.

HARVEY MILLER PUBLISHERS

Phyllis Bober, Ruth Rubinstein

Renaissance Artists and Antique Sculpture A Handbook of Sources

581 p., 530 ills., 185 x 270 mm, 2011, HMSAH 62, HB, ISBN 978-1-905375-60-8, € 150 Harvey Miller Publishers

This publication offers a new, revised edition of a work that was hailed, when it first appeared, as “the most useful art-historical reference book to have been published in recent decades”. It is a Handbook of Sources, documenting and illus-trating the most signi-ficant antique works of art known to Renaissance artists.

New, Revised and Updated Edition

Jane Bridgeman

A Renaissance Wedding The Celebrations at Pesaro for the Marriage of Costanzo Sforza & Camilla Marzano d’Aragona (26 – 30 May 1475)

208 p., 50 col. ills., 210 x 270 mm, 2013, HMSAH 71, HB, ISBN 978-1-905375-93-6, approx. € 100 Harvey Miller Publishers Publication date: Spring 2013

This publication is the first English translation from the Italian of the fascinating contemporary account of the spectacu-lar four-day celebrations that took place in Pesaro in May 1475 to mark the marriage of Costanzo Sforza Lord of Pesaro and Camilla d’Aragona of Na-ples. This present edition of the text includes all the images that illustrate the original manuscript.

Elizabeth Cropper, Lorenzo Pericolo (eds.)

Carlo Cesare Malvasia’s Felsina Pittrice Volume I: Early Bolognese Painting

xxvi + 536 p., 7 b/w and 150 col. ills., 220 x 280 mm, 2012, HMFP 1, HB, ISBN 978-1-905375-84-4, € 150 Harvey Miller Publishers

Count Carlo Cesare Mal-vasia’s Felsina pittrice, or Lives of the Bolognese Painters, first published in two volumes in Bolo-gna in 1678, is one of the most important sources for the history and crit-icism of painting in Ita-ly. This richly illustrated volume provides a trans-lation and critical edition of the opening part of the Felsina pittrice, which fo-cuses on the art of late medieval Bologna.

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20 % DISCOUNT and FREE SHIPPING on the occasion of the College Art Association- 2013 Conference

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Flemish & Netherlandish Art / Flemish & Netherlandish Art / Flemish & Netherlandish Art

Antien Knaap, Michael Putnam (eds.)

Art, Music and Spectacle in the Age of Rubens

approx. 350 p., incl. ills., 220 x 280 mm, 2013, HMSBA 3, HB, ISBN 978-1-905375-83-7, approx. € 100Publication date: Spring 2013Harvey Miller Publishers

This volume deals with the triumphal entry of the Car-dinal-Infante Ferdinand, brother of King Philip IV of Spain, into Antwerp in 1635, one of the largest and most spectacular festivals ever mounted in an early modern city. It is the first time that the entry will be examined from a truly in-terdisciplinary perspective.

Anne Van Oosterwijk et al. (ed.)

Staging the Court of Burgundy

approx. 400 p., 200 b/w and 50 col. ills., 220 x 280 mm, 2013, HMSAH 69, HB, ISBN 978-1-905375-82-0, approx. € 115 Publication date: Spring 2013Harvey Miller Publishers

In the course of the fifteenth century, the reputation of the Burgundian court rose to an unprecedented level. Rather than focusing on a single domain, this volume aims to shed light on Bur-gundian court culture as an organic whole, between the start of the reign of Philip the Good (1419) and the death of Mary of Burgundy (1482).

Marion Lisken-Pruss

Gonzales Coques (1614-1684) Der kleine Van Dyck

300 p., 52 b/w ills., 190 x 250 mm, 2013, PICT 13, HB, ISBN 978-2-503-51568-7, € 125 Publication date: Spring 2013

The position of Gonzales Coques in seventeenth century Flemish painting is shown by his contem-porary nickname of “The little Van Dyck”. Coques developed a smale scale portrait style influenced by Anthony van Dyck and successfully extended the aristocratic portrait tradi-tion to the middle classes.

Alexandre Galand

The Flemish Primitives VI: The Bernard van Orley Group

300 p., 70 b/w and 300 col. ills., 210 x 297 mm, 2013, CENP 6, HB, ISBN 978-2-503-54575-2, € 125 Publication date: Spring 2013

The years 1510 and 1520 appear to be a crucial mo-ment for the introduction of the Renaissance in the former Netherlands. That period coincides with the first activity period of Ber-nard van Orley, a major witness of the transition. The essays in this book aim to renew the vision of Ber-nard van Orley’s painting, on the basis of the works kept in the Royal Museum of Fine Arts of Belgium.

Katlijne Van der Stighelen (ed.)

Family TiesOn Art Production, Kinship Patterns and Connections

250 p., 150 b/w ills., 210 x 297 mm, 2012, MAC 23, PB, ISBN 978-2-503-54227-0, € 70

This book sets out to show ways in which the extend-ed family, as an institution, has done much to define both the production and distribution of art in the early modern Low Coun-tries. It focusses on subjects as varied as education, in-vestment, accommodation, cooperation, com petition, productivity and manage-ment.

Leen Kelchtermans, Katlijne Van der Stighelen, Koen Brosens (eds.)

Embracing Brussels Art and Art Production in Brussels (1500-1800)

approx. 250 p., incl. ills., 210 x 297 mm, 2013, MAC 24, ISBN 978-2-503-54228-7, approx. € 70 Publication date: Spring 2013

The aim of this publica-tion is to reconsider the art-historical position of Brussels as a major hub of activity and place of res-idence for courtiers and artists alike with focus on matters as diverse as liter-ature, music, housing, and the guild system, besides which aspects of the art trade, style differentiation and case studies relating to individual artists will be discussed.

Koenraad Jonckheere, Ruben Suykerbuyk (eds.)

Art after Iconoclasm Painting in the Netherlands between 1566 and 1585

130 p., 60 b/w ills., 210 x 297 mm, 2012, MAC 25, ISBN 978-2-503-54596-7, € 55

Rather than as a destruc-tive moment in history, the Iconoclasm of 1566 in the Netherlands was the cata-lyst for a re-evaluation of (religious) art in the Low Countries. This volume marks the beginning of a re-assessment of one of the most fascinating and com-plex but also understudied periods in Netherlandish Art History.

Sytske Weidema, Anna KoopstraWith an introduction by M. Ainsworth

Jan Gossart: The Documentary Evidence

vi + 177 p., 90 b/w ills., 220 x 280 mm, 2012, HMSAH 65, HB, ISBN 978-1-905375-69-1, € 100 Harvey Miller Publishers

This volume covers more than 130 documents, in-cluding inventories, ac-counts, biographies, de-scriptions and other re-cords about Gossart’s life and works, up until the mid-18th century. These mainly archival records have been re-examined and transcribed anew, and sub-sequently discovered docu-ments have been added.

Kerstin Carlvant

Manuscript Painting in Thirteenth-Century FlandersBruges, Ghent and the Circle of the Counts

approx. 536 p., 280 b/w ills., 19 col. ills., 220 x 280 mm, 2013, HMSAH 63, HB, ISBN 978-1-905375-67-7, approx. € 125Publication date: Spring 2013Harvey Miller Publishers

This is the first comprehen-sive and in-depth study of the earliest figural painting ever to have been produced in Flanders on a continual basis. An arrangement in time and place of the total body of work was obtained through a lengthy and rig-orous process of compari-son of figural, ornamental and writing styles, codico-logical and textual features.

Italian Art / Italian Art / Italian Art / Italian Art / Italian Art / Italian Art

Franklin Toker

Archaeological Campaigns below the Florence Duomo and Baptistery, 1895-1980350 p., 115 b/w and 8 colour ills., 220 x 280 mm, 2013, HMFDP 2, HB, ISBN 978-1-905375-52-3, approx. € 135 Publication date: Summer 2013 Harvey Miller Publishers

The second volume in the series The Florence Duomo Project gives order to the virtual encyclopedia of me-dieval art and architecture found below the cathedral or Duomo of S. Maria: mo-saics, frescoes, tomb sculp-tures, armor, ceramics, the extensive layouts of a Ro-man house and an Early Christian basilica and its Carolingian and Roman-esque rebuildings.

Jodi Cranston (ed.)

Venetian Painting Matters(1450-1750)

200 p., 100 b/w and 16 col. ills., 210 x 297 mm, 2013, MAC 20, PB, ISBN 978-2-503-53526-5, approx. € 65Publication date: Spring 2013

This book brings together essays about painting in Venice during three cen-turies of remarkable artis-tic production, influence, and exchange. The chron-ological scope of the an-thology reflects the cru-cial interrelationship be-tween the life of the arts and the republic.

Brendan Cassidy

The Life & Letters of Gavin HamiltonArtist & Art Dealer in Eighteenth-Century Rome

2 vols., 855 p., 150 b/w ills., 180 x 265 mm, 2012, HMCD 1, HB, ISBN 978-1-905375-59-2, € 175 Harvey Miller Publishers

The present publication, with its introductory essay on Hamilton’s life and career, and the corpus of more than 300 edited and annotated letters, provides a significant contri-bution to the literature on the history of collecting. Many great works of art passed through his hands, among them Leonardo’s Madonna of the Rocks Tintoretto’s large Ado-ration of the Shepherds and Salvator Rosa’s Pythagoras.

Federico Botana

The Works of Mercy in Italian Medieval Art (c.1050-c.1400)

xl + 256 p., 110 b/w and 12 col. ills., 156 x 234 mm, 2012, MCS 20, HB, ISBN 978-2-503-53623-1, € 110

This is the first monograph on the medieval Italian repre-sentations of the corporal and spiritual Works of Mercy, the fourteen basic categories of almsdeeds conceived by the scholastics. This is a genuinely interdisciplinary study dissecting frescoes, panel paintings, miniatures and sculp-tures.

Manuscript Studies / Manuscript Studies / Manuscript Studies / Manuscript Studies

Lorenzo Pericolo

Caravaggio and Pictorial NarrativeDislocating the Istoria in Early Modern Painting

vii + 654 p., 336 colour ills., 220 x 280 mm, 2011, HMSBA 1, HB, ISBN 978-1-905375-48-6, € 200 Harvey Miller Publishers

A very important part of Cara vaggio’s production con sists of pictorial nar-ratives, mostly religious. According to early modern aesthetics, Caravaggio thus practiced the artistic genre of the istoria: the most dis-cussed and thoroughly de-fined pictorial institution of his time.

A.M. As-Vijvers

Re-Making the Margin The Master of the David Scenes and Flemish Manuscript Painting around 1500

approx. 750 p., 150 b/w ills., 32 col. ills., 210 x 297 mm, 2013, ARS 11, HB, ISBN 978-2-503-51684-4, approx. € 160Publication date: Spring 2013

This publication stud-ies the working prac-tices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text pages.

Amanda Claridge, Ingo Herklotz

Classical Manuscript IllustrationsThe Paper Museum of Cassiano dal Pozzo

424 p., 46 b/w and 224 col. ills., 220 x 285 mm, 2012, HMPMA 6, HB, ISBN 978-1-905375-76-9, € 141 Harvey Miller Publishers

The collections of The Pa-per Museum of Cassiano dal Pozoo represents one of the most significant attempts be-fore the age of photography to embrace human knowl-edge in visual form. All the drawings in these volumes are reproduced in colour at full page, with accompanying descriptions of the subjects or relevant ancient verses in modern translation and brief commentaries. Introductory essays provide an overview of

the dal Pozzo commissions, the manuscripts and their history.

Stella Panayotova, Nigel Morgan, Susanne Reynolds (eds.)

A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge CollegesPart Two: Italy and the Iberian Peninsula

2 vols., 720 p., 900 colour ills., 230 x 330 mm, 2012, HMIMC 2, HB, ISBN 978-1-905375-85-1, € 200Harvey Miller Publishers

This new publication consti-tutes Part Two of the multi-volume Cambridge Illumi-nations Research Project cataloguing all western illu-minated manuscripts in the Fitzwilliam Museum and the Cambridge Colleges. It cov-ers manuscripts produced in Italy and the Iberian Pen-insula.

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Elizabeth J. Moodey

Illuminated Crusader Histories for Philip the Good of Burgundy

viii + 312 p., 38 col. ills., 190 x 250 mm, 2012, ARS 12, PB, ISBN 978-2-503-51804-6, € 100

This study of the visual and literary projects that supported Philip’s efforts to launch a crusade, long after the days of the “clas-sic” crusades, sets these manuscripts in the con-text of his court’s interest in history writing and up-dated historical romanc-es, and against the back-ground of the French crusading tradition and the Burgundian incarna-tion that succeeded it.

Iain Buchanan

Habsburg Tapestries

approx. 250 p., 100 b/w ills., 245 x 297 mm, 2013, SWT 4, HB, ISBN 978-2-503-51670-7, approx. € 100 Publication date: Spring 2013

The Flemish tapestries collected by the Habsburg rulers of the Low Coun-tries are among the most beautiful art works of the Renaissance period. This book places these impor-tant tapestries in their his-torical and cultural con-text.

Carolyn D. Muir

Saintly Brides and BridegroomsThe Mystic Marriage in Northern Renaissance Art

x + 198 p., 100 b/w ills., 17 col. ills., 220 x 280 mm, 2013, HMSAH 70, HB, ISBN 978-1-905375-87-5, € 100 Harvey Miller Publishers

Building upon recent scholarly interest in mystics and mys-ticism in late medieval Europe, this book explores the vi-sual representation of female and male saints depicted as brides or bridegrooms of Christ in northern European art from 1300 to 1550.

Maxime Deurbergue

Visual Liturgy: Altarpiece Painting and Valencian Culture (1442-1519)

approx. 296 p., 88 b/w ills., 50 col. ills., 210 x 270 mm, 2013, ER 8, PB, ISBN 978-2-503-54497-7, approx. € 80 Publication date: Spring 2013

This study provides a better understanding of 15th-century Spanish art and sheds important new light on the birth of an artistic school in a context of competing foreign influ-ences, and on the reception of such influences into a radi-cally different culture. It is the first attempt to explore the meaning of Valencian altarpieces with reference to their cultural, spiritual and liturgical context of creation.

Nicholas Melvani

Late Byzantine Sculpture

approx. 300 p., 210 x 275 mm, 120 b/w ills., 12 col. ills., 2013, SVCMA 6, HB, ISBN 978-2-503-53064-2, approx. € 90 Publication date: Spring 2013

This book provides a de-tailed description and in-terpretation of multi-ple aspects of sculpture from late Byzantine mon-uments. Although in-dividual monuments of the late Byzantine peri-od have been exhaustive-ly published and analyzed, the role of their sculptural decoration is usually over-looked.

Manfred Sellink

Stradanus (1523-1605), Court Artist of the Medici

380 p., 220 x 280 mm, 230 col. ills., 220 x 280 mm, 2012, PB, ISBN 978-2-503-52996-7, € 70

Johannes Stradanus (Jan van der Straet, Giovanni Strada-no) is one of the most well-known un known artists in history. Even though the Bruges-born painter (1523- 1605) had a more than suc-cessful career in the highly competitive city of Florence in the second half of the 16th century, his name long remained a well-hidden se-cret for specialists only. This study aims to reassess the im-portance and versatility of the artist’s œuvre.

Ann Massing

Painting Restoration before “La Restauration”The Origins of the Profession in France

320 p., 240 b/w ills., 238 x 280 mm, 2012, HMPP 3, HB, ISBN 978-1-905375-34-9, € 125 Harvey Miller Publishers

The art of painting restora-tion is almost as old as the art of painting itself. Ac-cidents and time inevitably alter the appearance of a painting, and these changes begin as soon as it leaves the artist’s easel. The manner in which changes occurred in-volves colourful personali-ties whose stories are often amusing and sometimes poignant, but above all they help us to understand the present day situation.

Walter S. Melion, Ralph Dekoninck, Agnès Guiderdoni-Bruslé (eds.)

Ut pictura meditatio The Meditative Image in Northern Art, 1500-1700

xxxvii + 482 p., 155 b/w and 10 col. ills., 156 x 234 mm, 2012, PROTEUS 4, HB, ISBN 978-2-503-53583-8, € 135

The thirteen essays in this volume, first pre-sented at Emory Uni-versity’s Lovis Corinth Colloquium II, explore the varied forms, func-tions, and meanings of meditative imagery and image-making in Eng-land, France, and the Low Countries.

Tamar Cholcman

Art on Paper: Ephemeral Art in the Low Countries The Triumphal Entry of the Archdukes Albert and Isabella into Antwerp, 1599

approx. 250 p., 100 b/w ills., 220 x 280 mm, 2013, PB, ISBN 978-2-503-54341-3, approx. € 80 Publication date: Spring 2013

Large-scale monuments combining painting, sculpture and the performing arts were devised for the duration of festivals and public events but soon after dismantled and ultimately destroyed. Before the monuments ceased to exist, the city council would ensure their conservation in words and images, thus materializing the ephemeral art of festival into the more lasting medium of word and image on paper.

Carolyn C. Wilson (ed.)

Giovanni Bellini: An Art “More Human and More Divine”

approx. 300 p., 150 b/w ills., 32 col. ills., 210 x 297 mm, 2013, PB, TS 3, ISBN 978-2-503-53570-8, approx. € 65 Publication date: Spring 2013

This book reassesses the works and style of Giovanni Bellini, one of the great masters of the Italian renaissance who revolutionized venetian painting, moving it towards a more sensuous and colouristic style.

Stephan Schröder (ed.)

The Art of Leone and Pompeo Leoni

200 p., 100 b/w ills., 16 col. ills., 200 x 250 mm, 2013, PMP 3, PB, ISBN 978-2-503-54616-2, approx. € 50 Publication date: Spring 2013

This book publishes the proceedings of the inter-national symposium on the sculptor Leone Leoni and his son Pompeo Leoni. Both worked exten-sively for the monarchs of the Habsburg Empire.

Emmanuelle Hénin, François Lecercle, Lise Wajeman (éd.)

La théorie subrepticeLes anecdotes dans la théorie de l’art (XVIe-XVIIIe siècles)

ii + 276 p., 17 b/w ills, 156 x 234 mm, 2012, TA 2, PB, ISBN 978-2-503-53681-1, € 65

Le propos de ce volume est de se pencher sur les bribes de récit, véhiculées à travers les siècles et les frontières, pour s’interroger sur leur forme, leur statut, leur diffusion dans toutes sortes d’im-primés, bien au-delà de la Kunstliteratur.

Michel Pastoureau, Olga Vassilieva-Codognet (eds.)

Des signes dans l’image Usages et fonctions de l’attribut dans l’iconographie médiévale(du Concile de Nicée au Concile de Trente)

approx. 300 p., 150 b/w ills., 36 col. ills., 210 x 297 mm, 2013, ETRILMA 3, PB, ISBN 978-2-503-53673-6, approx. € 65 Publication date: Spring 2013

Les différentes contributions présentent des ty-pologies, des dossiers, des études de cas, et elles montrent comment la question des signes dans l’image ne peut pas être séparée de celle des signes et insignes dans la société.

HARVEY MILLER PUBLISHERS

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Pascale Charron, Marion Boudon-Machuel, Maurice Brock (eds.)

Aux limites de la couleur: monochromie et polychromie dans les arts (1300-1650)

235 p., 7 b/w and 93 col. ills., 210 x 270 mm, 2012, ER 7, PB, ISBN 978-2-503-54222-5, € 85

Ce volume se propose de traiter la question de la perception et du rôle de la couleur dans les œuvres d’art en adoptant un spectre large, al-lant de la conception de l’œuvre à sa réception, de l’analyse des gammes chromatiques ré duites (grisaille, camaïeu, monochromie, bichro-mie…) à l’étude des rapports entre la mono-chromie et la polychromie.

Begijnhof 67 – B-2300 Turnhout (Belgium) – Tel. +32 14 44 80 20 – Fax +32 14 42 89 19Brepols website: www.brepols.net – info@brepols.net

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Maria Hayward, Philip Ward (eds.)

Th e Inventory of King Henry VIII: Textiles and Dress

xvii + 366 p., 215 x 275 mm, 2012, HMINV 2, HB, ISBN 978-1-905375-42-4, € 140 Harvey Miller Publishers

Th e Inventory is not only a catalogue of magnifi -cence but also a key text for evaluating the suc-cesses and failures of the Tudor monarchy under Henry VIII, telling us what once existed, and enabling us to identify surviving objects.

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and FREE SHIPPINGBurton Dunbar, Robert Munman, Edward Olszewski

Sixteenth-Century Northern European Drawings

xxiv + 253 p., 141 b/w and 7 col. ills., 220 x 280 mm, 2013, HMCDMC 2, HB, ISBN 978-1-905375-11-0, € 110 Harvey Miller Publishers

Th is volume catalogues 137drawings by near-ly one hundred artists active in the Neth-erlands, Germany, France, Switzerland, and Spain from the very end of the fi ft eenth centu-ry through 1600

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