art and the mind || back matter

National Art Education Association

Back MatterSource: Art Education, Vol. 36, No. 2, Art and the Mind (Mar., 1983), pp. 81-94Published by: National Art Education AssociationStable URL: http://www.jstor.org/stable/3192671 .

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MEET

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Robert Eagerton World- renowned printmaker, teacher, and lecturer. His work has been shown in gal- leries and museums from coast to coast, as well as in Canada, Puerto Rico, Paris, Buch- arest, and Rome.

Wendy Midener A fiber artist who is a pup- peteer and designer for"The Muppets." She worked on Miss Piggy's accessories for "The Muppet Movie" and created Yoda for "The Empire Strikes Back."

Richard Hunt A metal sculp- tor with major commissions in many cities here and abroad. He has taught at Yale, Northwestern, and Washing- ton Universities and was re- cently in res- idence at the American Academy in Rome.

Gilbert Lesser An art director and designer with Time, Inc. He also designed promo- tional materials for New York's famous Studio 54, and his theater posters for such plays as "Equus," "Elephant Man," and "Frankenstein" are classics.

George Morrison A painter and professor of studio arts at the University of Minnesota. His work hangs in museums and in the corpo- rate collec- tions of such companies as IBM, Honey- well, Prudential Life Insurance, and General Mills.

April Greiman A graphic designer many of whose works have been used to define "New Wave" design on the West Coast. She is pre- sently head of the Design Program at California Institute of the Arts.

Dennis Earl Moore Film producer and director. His "Flyers" premiered in August 1982 at the Smith- sonian Institu- tion's National Air and Space Museum, in a high-resolu- tion projection system ten times larger than the standard format.

Robert Arneson A ceramicist and professor of art at the University of California at Davis. His work can be seen in such museums as the Whitney, the Hirshhorn, and the Sted- elijk Museum in Amsterdam.

These artists are graduates of AICA member colleges, which are committed to providing pro- fessional-level education in the fine and applied visual arts. A college of art may not be the right choice for everyone. But, if you have the necessary interest and talent, it may be the right choice for you.

A I

For admissions information on eight great colleges of art, write or call:

Henry E. Putsch, Director Alliance of Independent Colleges of Art 633 E Street, N.W., Washington, D.C. 20004 202-393-7060

C A THE ALLIANCE OF INDEPENDENT COLLEGES OF ART

Atlanta College of Art * California College of Arts and Crafts (Oakland) * Center for Creative Studies, Col-

lege of Art and Design (Detroit) * Cleveland Institute of Art * Kansas City Art Institute * Maryland Institute,

College of Art (Baltimore) * Minneapolis College of Art and Design * School of the Art Institute of Chicago

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on video cassettes...

AMERICAN ILLUSTRATORS

AT WORK These 45-minute color programs, produced in cooperation with

the Society of Illustrators, are designed for students, teachers, professionals, connoisseurs and purchasers of contemporary art.

This continuing series will provide unique and penetrating insights into outstanding artists in American illustration.

No. 1 in a Series: THE ART OF JAMES McMULLAN A candid full portrait of this renowned contemporary artist reveals his thought process, refer- ence sources, working materials and studio. The camera follows him from concept through comple- tion on a variety of assignments.

No. 1 in a series AMERICAN

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Art Education March 1983 88



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Students may select from the following non-credit and college credit courses:

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* Beginning Ceramics, Beginning Drawing, Survey of Modern Art Hellenistic & Roman Art (college credit)

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Scholarship available

Contact: Doretta Miller, Coordinator Summer 6 Pre-College Art Program Skidmore College Saratoga Springs, New York 12866 (518) 584-5000 Ext. 372 j

NEW in March, '83.

Art in American

Schools in the Nineteenth

Century Foster Wygant

A history, half text, half reprints. Socio-cultural influences, trends in education and art, facts, arguments, programs, lessons, drawing books. Full-scale copies and double column text on 81/2"xl 1" oblong. Appendices: 129 pp. from drawing books, teachers' manuals, books, curricula, journals, reports. Text: 128 pp.. Notes: 16 pp. Paperbound. Special price for NAEA members: $13.50 ($16.50 non-members). On sale at the NAEA Convention or through NAEA Publications Department, 1916 Association Drive, Reston, Va. 22091.

INTERWOOD PRESS Cincinnati

DID YOU KNOW THA T BACK ISSUES AREA VAILABLE FROM KRA US REPRINT?

ART EDUCATION. Vols. 1-22. Washington, D.C., 1948- 1969.

cloth $866.00 paper $804.00 "...one of several leading periodicals for the art teacher...A basic title in the field." (Katz) "An attractive, interesting journal, important where there are courses in art education. " (Farber) STUDIES IN ART EDUCATION. Vols. 1-10. Washington, D.C., 1959- 1969. Partly orig. ed.

cloth $239.00 paper $203.00 "Of interest to all art educators from elementary schools through university." (Katz)

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ARTISTS - TEACHERS

INTERNATIONAL ART WORKSHOP Shozo Sato, Artistic Director

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For new ideas, for sharing, for enrich- ment, for enjoyment: the NAEA Con- vention in Detroit, March 24-29.

Art Education March 1983

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Art Education March 1983

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DESIGN GRADUATES AT WORK

Colorado Institute of Art graduate Faye Olsgard, in her job as Art Director for the United States Figure Skating Association, handles everything from designing book covers to putting together a monthly magazine, Skating, which boasts a worldwide circulation of 35,000. "I work with photogra- phers, editors and writers," says Faye, "and I'm doing layout, design, illustration, mechanicals, and type specification. In fact, just about everything I ever learned at the Institute I'm using on this job!"

An education that you can use every day on the job-that's what The Design Schools* are all about. Graduates are ready and able to find a place in today's job market because they have just completed 24 months of intensive, well-rounded train in g in Commercial Art, Photography or Fashion Illustration, or 27 months in the Interior Design program. The Design Schools train more students for careers in art than any other single source in the United States. To learn more, simply fill out the coupon below.

*Tha Art Institute of Atlanta Art Institute of Fort Lauderdale Art Institute of Houston Art Institute of Philadelphia Art Institute of Pittsburgh Art Institute of Seattle Colorado Institute of Art

Edward A. Hamilton, Design Director AE-25 The Design Schools Pan Am Building, Suite 256, East Mezzanine 200 Park Avenue, New York, NY 10166

Please send me information on the following: | Art Institute of Atlanta C: Art Institute of Philadelphia H Art Institute of D Art Institute of Pittsburgh

Fort Lauderdale ] Art Institute of Seattle

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Hubbard and Rouse ART: MEANING, METHOD AND MEDIA is a comprehensive art program spanning Grades 1-6. The content of each year is designed to build on the content of the preceding year.

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