arirang variations - teddy...

47
Senza misura: Adagio h = c. 54 Introduction Teddy Niedermaier Arirang Variations (Theme and 12 Variations) dedicated to Mr. and Mrs. Y. B. Paik Piano Solo pizz. (pluck string inside piano) p let fade al niente pizz. sempre (l.v.) p Ped. sempre pizz. p 5 3 3 mp (pizz.) mf pp (pizz.) p 5 (mf) mp 3 mp (pizz.) p q = c. 48 6 Theme: Arirang e = e norm. (on keys) p 3 (p) sempre p 3 p gliss.: swipe piano strings pizz. p pp gliss. pizz. p

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Copyright © 2006 Teddy Niedermaier (ASCAP)

Senza misura: Adagio h = c. 54Introduction

Teddy Niedermaier

Arirang Variations(Theme and 12 Variations)

dedicated to Mr. and Mrs. Y. B. Paik

Piano Solo

pizz. (pluck string inside piano)

p

let fade al niente

pizz. sempre (l.v.)

p

Ped. sempre

pizz.

p

5

3

3

mp

(pizz.)

mf

pp

(pizz.)

p

5

(mf)

mp

3

mp

(pizz.)

p

q = c. 486 Theme: Arirang e = e

norm. (on keys)

p

3

(p)

sempre p

3

p

gliss.: swipe piano strings

pizz.

p

pp

gliss.

pizz.

p

9 Senza misura q = c. 48

p

3

3

3

pizz.

p

5

(pizz.)

pp

3

13

mp

p poco a poco cresc.

5

Ped. sempre

pp

pizz.

3

pizz.

p

3

3

15

mf

f

(pizz.)

f

5

pizz.

mf

f

5

3

17

mf

p

mf

p

mf

3

mp

(pizz.)

mp

3

3

2

18

p

mf

poco dim.

3

poco dim.

19

mp

pizz.

p

norm. (on keys)

p

pizz.

dim.

Ped. sempre

pizz.

p

touch node:2nd partial harmonics

pizz.

3

22Variation Iq = c. 66

pp

norm. (on keys)

legato sempre

(Ped. sempre)

pp

(swipe strings)

legg.

gliss.

norm. (on keys)

pp

senza alcuna accel.27

p

3

31

mp

marc. sempre

mf

f

3

10:8

34

molto f

3

Senza misura: Adagio q = c. 48 flessibile

35

ff

L.H.

loco

R.H.

sub. p

mf p

36

pppale

pp

sf p

f

p

f pp

mp

una corda

mute: press string betweenpinboard and damperstre corde

4

38

sub. ff

L.H.

R.H.

f

mp

39

p

sf mp

norm. (on keys)

mute

33

40

sf mf

sff mp

sf p

sff

mf

41

q = c. 54

sff fL.H.

L.H.

ff

norm. (on keys)

5

43 q = q

f

Ped. sempre

f

46

mp

mf cantabile

mp

mp

5

5

3

5

dim. sempre

mp

p

49

Poco meno mosso q = 60Variation II

p

5 6 6 6

p

p

Molto adagio52

A Tempo q = 60

p

p

p espress.

3

3 5

mute

norm. (on keys)

3

6

55

p

6

p

e = e57

mf

6

6 3

6 6

stringendo60

6

6 3

3 3

Maestoso q = 5462 stringendo

f

3

3

7

e = e64

q = 60

ff

ff

ff

67

3

6 5

68

mp

6

6 6 6

f

e = e69

6 6 3

8

Maestoso q = 54

70

f

(R.H. all white keys)

71

(R.H. all white keys)

72

impetuoso

33 3 3 5

3 3

5

poco rit.

74

Variation IIIq = c. 118

ff

mf cantabile

9

78

p

semplice

mf

84

p

90

mf

95

p

legato sempre

10

100Variation IVPoco meno mosso

sub. mf

p

molto espress.

106

mp

p sempre

pensiero

112

(p)

sub. p

mf

116

mp

mp

11

q = q.121

Variation V

p

mp

dolce

loco

125 q. = q

f

rhythmic

4

128

dim.

132

dim. sempre

mf

12

q = q.135

p

dolce

138

p

141

mp

p

144

4

13

q. = q147

f

150 senza rit.

mf

3

3

33

3

senza Ped.

3

3

3

3 3 33

in tempo154

Variation VI e = e

mp

3 3 3

poco Ped.

con Ped.

160 molto accel.

sub. f

f

14

A Tempo165

e = e

sf

legato

mp

169

sub. f

marc.

f

sim.

173

f

(f)

6 6 6

177

f

clear

6 6 6

f

15

181

f

186

mf legato

mp

e = e191

p

f

sub. f

195

molto f

f

16

199

(R.H. all white keys)

brittle

ff

Variation VIIMoto perpetuo q = 84sempre in tempo

202

sf

mf

7

f

7

7

206

7

p possibile

6

208

6 6 6 6

209

(p)

molto cresc.

6 7 7 7

17

210

7 7 7 7

211

7

76

poco Ped. sempre

f

7 7

212

6

7 6 7

213

7

7 7 77

214

secco

7 6 6 6

f

senza Ped.

18

215

mp

cresc.

6 6 6 7

poco Ped. sempre

216

7

7 7

217

intenso

f

7 7 7

218

6

6

legato sempremf

77

7

219

7

7

6

7

19

220

sub. p

7 7 7

7

6

221

6 6 6

5 5

7

222

f

7 67

7

sf

6

223

sempre cresc.

7 7 7 7

224

7 7 7 7

20

225

molto f

7 7 6

stringendo

226

cresc. sempre

227

A Tempo q = 84

228

ff

f

7 7

231

poco rall.

f

3

mp

3

p

loco

5

21

Variation VIIIq = c. 48

235

(p)

improvisatory, with rhythmic freedom

mesto espress.

3

239

3

mp

p

3 5

f

mp

243

3

5

p

5

247

p

3

p

p

p

3

f

mp

3

22

251

mf

f

3

mf

3 3

254

poco f

poco marc.

3

3

f

256

5

3

f

5

37

3

258

f

mf tenuto

mf

3

33 3 3 3 3 3

23

261

p

p

senza Ped.

264

cant.

3

con Ped.

q = 66e = e

268

p

mp

legato sempre

271

mf

f

cant.

24

276

p

mf

mp

pp

rall.281

Arirangq = c. 48 with freedom

pppdreamlike

3

pppp

3

3

pp

una corda

ppp

ppp

287 stringendo e = e

(pppp)

p

3 3

(ppp)

ppp

tre corde

q = c. 64

291

f

mp

f

p

mf

mp

p

25

q = c. 48 come prima295

p

mf

7

mp

298

f

5

5

f

300

f

loco

7 5 5 53

3

f

302

cresc. sempre

5 5 55

f

3

3

3

3

3

5 5 5

26

304 senza rit.Variation IX

q = c. 80

ff

5 5

ff

p

pp

legato sempre

5 55

5

308

mp

p

5 5 5 5 5 3 3

311

3 3 73 3 3 3 5 3 3

314

p

3 3 3 3 3 5 5 3 3

p

27

q = q317

mp

mp

marc. sempre

5

poco rall.320

A Tempo con moto

f

exultant

Ped. sempre

mf

33 3 3

322

5

3 3 3 3 3 3 33

324

Maestoso q = 92

3

3

5

f

33

33

28

A Tempo326

f

7

5

f

mf

33

33

3 3 3

3

328

3

5

3 3 3 3 3 3 7 7

330

obsessive

7 7 7

10

Maestoso q = 92

331

Allegro precipitato h = c. 92

f

stacc. sempre

molto f

3

ff

29

333

stacc. sempre

sub. p

335

molto f

p sempre

sub. p

338

Variation XSlightly less q = 132-138

(p)

mp

342

mp

f mf

30

344

f

mf

346

f

cresc.

348

f

6

350

f

31

352

mp

354

poco fmarc.

sim.

356

mf

cresc.

358

mp

5

sf

5

3 3

32

360

mf

poco f

362

364

f

366

f

f

mf

7:6

7:63

33

senza rit.369

sempre senza rit.

f

mplegato

3

3

f

p

5

373

3

3

3 3

pp

(pp)

65 5 6

376

3

3 3 3 3

loco

p

p

p mf

5 5 6

380

mp

f

mp

f

mp

f

p mf

6

34

384

3

33 3

p mf

p mf

mp

6 7 5

387

(mp)

p

mp

p

6

6

p

loco

391

p

(p)

pp

3

394

p

3

35

396

mp

mf

5

398

f

senza Ped.

400

sim.

poco Ped.

402

marc. sempre

molto f

marc. semprecon Ped.

36

404

406

loco

(molto f)

408

senza Ped.

410

sub. mp

mf

cresc.

molto f

37

413senza rit.

f

molto f

416

Variation XIPresto q = 184-192

3

3ff

marc. sempre

sim.

3

3

secco

3

3

421

e = e

f

f

426

3

f

3 3 3

38

431

f

energico

3

436

f

mf

441

L.H.

take with R.H.

f

mf

p

447

poco cresc.

39

452

mf

sempre cresc.

mf

mf

457

7:6

462

f tenuto

energico

f

468

mf energico

40

473

f

476

f molto

marc.

f

f

481

f

mp

mf

marc.

486

senza rit.

mp

f

con Ped.

41

490

molto cresc. sempre

mf

molto riten.

495

molto ritard.

molto f

5

Variation XII: ArirangMaestoso q = c. 92

500

ff

ff

con Ped.

506

e = e

f

ff

42

511

f

f

con Ped.

f

516

Più mosso q = c. 104-108

ff sempre

521

(ff)

brittle

3

6

524

L.H.

R.H.

loco

ff

ff

f

ff

43

528

molto dim.

mf

f

Tempo di fugatoPresto q = 184-192532

e = e

mp

p

mf

p

mf

537

f

energico

542

f

loco

44

intenso e senza rall.Adagio q = c. 54

547

mp

mf

mp

7:410

mf

mf

549

mf

10:6

mf

550

mf

3

7:4

mf

mp

poco f

20:16

Andante con moto q = c. 116

551

sub. mp

legato sempre

mp

mp

45

555molto rall.

p

mp

Coda: senza misuraq = c. 48560

pp

mp pp

mf p

f

p

una corda

p

tre corde

(Press string betweenpinboard and dampers)

mute

561

mp

pp

p

mp

mp

3

norm. (on keys)

una corda

tre corde

pizz.

pp

563

mf

mp

mf

p

3

46

(q = c. 48) e = e565

mf

pizz.

mf pizz.

(pizz.)

mp

mp

567

norm. (on keys)

mf

pizz.

mp

norm. (on keys)

p

5

touch node for 2ndpartial harmonics

mp

pizz.

mp

(pizz.)

q = 54 in strict time571

norm. (on keys)p

p

p

senza Ped.

p

dim.

3 33

senza rall. al fine574

lunga

hold fermata until soundcompletely dies away

pp

Teddy NiedermaierSept. 27-Dec. 15, 2006

ppp

47