arielle lapp portfolio

Master of Architecture, 2014GAUD Pratt Institute

Arielle Siegel Lapp

I n d e x

DESIGN STUDIOS

1-8 Bi-Lamina, Breathable FacadeFull Scale Mock-upSiegel Gallery, Pratt,, FA/13

PROFESSIONAL EXPERIENCE

63-6667-68

JJ FALK DESIGN140 Broadway, FA/14Private Residence, FA/14

75-76 SITE SAFETY625 W. 57th Street, FA/13

69-74 FREELANCE CONSULTANT: Shore HouseLong Beach Island, NJ, FA/11-Present

79-80 SITU STUDIOBrooklynreOrderi, FA/10- SP/11

77-78 CROZIER-GEDNEY ARCHITECTSRye, NYThe Osbourne, Cottage Renovatio,n SP/11

Particle SpaceCritic: Vito Acconci, SP/14

9-14

25-30 S;elf-Organizing CityCritic: Thomas Leeseri, SP/13

15-24 Tesla ShowroomCritic: Stephanie Bayard, FA/13

31-42 Gowanus MicrounitsCritic: Maria Sieira, FA/12

43-52 Peck Slip SchoolCritic: Philip Parker, SP/12

53-60 Algorithmic PavillionCritic: Peter Macapia, FA/11

DesignStudios

B i -Lam inaPeeling Back the Curtain

Computer MediaWinter 2014

Critic: Robert CervellioneTeam Members: Sangshin Lee, Matiss ZemetisSite: Siegel Gallery, Pratt

PEELING BACK THE CURTAIN is a porous facade designed to mitigate climactic condi-tions between exterior and interior. The double-skinned structure is self-sustaining, meaning that it needs no external scaffolding. One skin, sandwiched between the buildings glazing and the secondary skin, is peeled back slightly, creating an open-air pathway. Structural optimization is achieved through digital simulation whereby the surface is bound to twelve anchor points for every 15 feet in length. A secondary surface is bound to the first by twelve springs of varying ten-sion.

As the two surfaces deform in real-time, the second mirrors the first. Both skins have the same directional gravity force imposed upon them. The skin that is closer to the glazing has a lower force than the other skin, therefore the skin is deformed less. As the simulation progresses the second skin in con-siderably peeled back and creates a pathway.

The simulation is paused, both gravity forces removed and then restarted to continue until it reaches a stable state- the planar force that is imposed on each poly-gon takes over the other forces: bend and deform. It ensures that individual pieces in the structure are planar, that it is possible to fabricate individual pieces and the entire fabricated structure.

The completed product is composed of 50 basic panels, 25 per skin. Panels are routed out of aluminum and attached to each other with an extra-strength adhesive tape. Pop-rivets provide structural redun-dancy.

Passage through this niched structure is encouraged. The patterning of apertures is protective from the elements. Aperture scale varies as one moves through the piece- moments designed to invite playful interaction between onlookers and users.

2

3Bi-Lamina: Peeling Back the Curtain

PARTICLE SPACEMixed-Use

Architecture Studio VISpring 2014

Critic: Vito AcconciSite: Upper West Side, New York, NY

How can a building be composed of par-ticles?With the advent of 3D printing, self-print-ing panels or regenerative buildings may become a reality. When a 3D-printer creates an object it does so by layering particles, fused to-

gether by heat or a combination of sand + adhesive, in specific shapes continuously until an object is formed. This project ex-plores a skin-skeleton system in which the skeleton emits particles that glob together as a skin.

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Each particle has a limited lifespan- in order to maintain a skin, particles must be emitted constantly. The skin is almost alive; it reacts to programmatic usage. When a space is occupied more frequently, more particles are emitted- thickening the skin. The skin in areas of disuse gradually decay. Materially the skin particles have several op-tions- they can be cells- literally living tissue- Alternatives include traditional materials broken down into particles. Fungus, engineeered muscle tissue, or vegetation are also options. As areas that are underutilized decay- holes form in the skin. Pockets of use and disuse become apparent on the exterior and ultimately shape the build-ing beyond its skeletal spine.

Particle Space

Particles emitted from skeletal unitParticle emission by way of seeds11

Particle Space

Whole Skeleton Particle Emission12

13

Particle Space

GROWTH + DECAY correspond with usage.

TESLA SHOWROOMMobile Spectacle

Architecture Studio VFall 2013

Critic: Stephanie BayardTeam: Maryam Delshad, Ardavan Arfaei, Camilo ValenciaSite: Kai Tak, Hong Kong

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RISER DIAGRAM

SUNLIGHT DIAGRAM

CONTEXTSITE

VICTORIA BAY

HONG KONG

1 2 3 4 5 6 7 8 9 10 11

20

54

86

30' 30' 30' 30' 30' 30' 30' 30'

BOILER

AHU

AHU

AHU

COOLING TOWER CHILLER PUMP

Two showrooms are located on opposite sides of the dealership, connected by a test track. This test track becomes a moving showroom and beacon to the public as customers try out particular hybrid models.

The circulation paths of people and cars inter-twine as the building twists upward. An exterior charging/changing station for hy-brid cars, open to the public, is located below the plinth where the test track is housed.

Atop the track is a green observatiovn deck which provides access to the citys new mono-rail. En route to the top is an exhibition of Tesla technology and concept cars.At the towers zenith rests a caf where diners can take in luxurious view of both Victoria Bay and Hong Kong.

30 30 20

D C B A

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north

eastnorthwestsouth

MECHANICAL

CUSTOMIZATIONTEST TRACK

BOILER

pedestrian

CIRCULATION

test-track

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Maryam DelshadArielle LappCamilo ValenciaArdavan Arfaei

Pratt Institute / GAUD

TeslaHong Kong

Critic:Stephanie Bayard

Consultants

Structure:

Environment:Elliott Maltby

Mechanical:Mark Malekshahi

Facade:Sameer Kumar

Location:Kay Tak, Hong Kong

Drawing Title:Section B-B

A-301

Scale:1/8 = 1

Notes:

Drawing Number:

Car Showroom

Kai Tak, Hong Kong

Sustainable Considerations

Solar + Shading Diagram

AVERAGE DAILY SHADING SHOWN OVER THE COURSE OF A YEARARCHITECTURAL SHADING DIAGRAM

SHADING EXTREMES + TYPICAL CONDITIONS

N

DEC 06 APRIL 06SEPT 06

JULY 06

N


Pratt Institute / GAUD

TeslaHong Kong

Critic:Stephanie Bayard

Consultants

Structure:Je ThompsonEnvironment:Elliott Maltby

Mechanical:Mark Malekshahi

Facade:Sameer Kumar

Location:Kay Tak, Hong Kong

Drawing Title:First Floor Plan

Scale:1/16 = 1

Notes:

Drawing Number:

Car Showroom

MEP-100

CONDITIONED ZONE: FL. 1


SHADE

TRANSFER ZONE




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2021

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Floor ROOM AREA (ft 2) CFM/FT 2 ROOM FLOW RATE DUCT SPEED (FPM)1 Lobby/Showroom 1 10900 1.25

zones 1-4 2725 1.25 3406.25 10002 Retail 7800

zones 1-4 1950 1.25 2437.5 1000Showroom 2 9800zones 1-4 2450 1.25 3062.5 1000Customization 3250 1.25 4062.5 1000

3 Offices 1300 1.25 1625 1000zones 1-5 260 1.25 325 1000Reception 4300 1.25 5375 1000zones 1-2 2150 1.25 2687.5 1000Museum 8800zones 1-4 2200 1.25 2750 1000

4 Caf 14500 1.25 18125 1000 zones 1-5 2900 1.25 3625 1000

Misc Mens W.C. 500 1.25 625 1000Womens W.C. 300 1.25 375 1000

Test Track 1657 1.25 2071.25 1000

DUCT AREA (FT2) DUCT AREA (IN2) DUCT HEIGHT (IN) DUCT WIDTH (IN) # OF GRILLES CFM/GRILLE

3.41 40.875 6 8 8 3406.258

2.44 29.25 6 6 2437.58

3.06 36.75 6 8 3062.54.06 48.75 8 10 2 4062.51.63 19.5 6 8 5 16250.33 3.9 6 8 (1 each) 3255.38 64.5 8 10 4 53752.69 32.25 6 6 2687.5

2.75 33 6 6 8 275018125

3.63 43.5 6 8 10 3625

0.63 7.5 6 8 2 6250.38 4.5 6 8 2 375

2.07 24.855 6 6 5 2071.25MECHANICAL CONCEPT

An important feature of the building geometry is shading. The sharp angled shading significantly reduces thermal loads on the building.

Large conditioning zones, such as the museum, are broken up into smaller zones, allowing for more realistic duct sizing.

17

Tesla Showroom

19

Tesla Showroom


GAUD

TeslaHong KongCritic:Stephanie Bayard

Consultants

Structure:Jeff ThompsonEnvironment:Elliott MaltbyMechanical:Mark Malekshahi

Facade:Sameer Kumar

Location:Kai Tak, Hong Kong

Drawing Title:

Scale:

Notes:

Drawing Number:

Showroom

N

Section A-A

1/8 = 1

A-106


GAUD


Consultants


Facade:Sameer Kumar


Drawing Title:

Scale:

Notes:

Drawing Number:

Showroom

N

Section A-A

1/8 = 1

A-106PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

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RETURN

THERMOSTAT

VAV BOX

SUPPLY

KEY

T

EXHAUST

RETURN

THERMOSTAT

VAV BOX

SUPPLY

KEY

T

EXHAUST

The Tesla Dealership and Charging Station is a representative powerhouse- a machine of a building. The concept extends to the buildings ductwork which runs underneath ramps, spiraling outward from the core, and completing the machine metaphor.

21

TESLA SHOWROOM


GAUD


Consultants


Facade:Sameer Kumar


Drawing Title:

Scale:

Notes:

Drawing Number:

Showroom

N

Section A-A

1/8 = 1

A-106

AH

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TESLA SHOWROOM

Mobile Spectacle

Architecture Studio IVSpring 2013

Critic: Thomas LeeserSite: Upper West Side, New York, NY

A discourse on utopian futures. Personal identities become less linked with nation-hood as unrestricted access to the inter-net and all of its knowledge proliferates globally. The concept of global citizen-ship becomes an increasing reality. In this utopian/dystopian future scenario, informa-tion is valued over ownership and regional nationhood is a thing of the past. Following in the tradition of Superstu-

dios walking city, this city constantly reorganizes itself. The city is free to roam through mountains, ford rivers, connect up with other unit-based communities. It can be stationary for periods of time, in loops, knots, lines, mobius strips, etc... . Smart-phones and the digital age have unhinged us from our attachment to most posessions (i.e. uber, and the sharing economy.). Why should our attachment to place remain?

R E - O R G A N I Z E

26

Each inhabitant has their own unit. Each unit is composed of a soft interior and a hard exte-rior shell. A gyroscope-like device keeps the interior shell properly oriented as the exterior twists and re-assembles.

27

A B C D E

05

06 0706

RE-ORGANIZE

Multiple base-unit shapes were considered.

Individual Rotation

Linked Rotation

The most basic was chosen because of its vertsatil-ity in motion and connection- the universal adapter.

A B C D EA B C D EA B C D EA B C D E

Unit interiors can merge to enable social interaction or to facilitate family growth.

Exteriors are made up of panels that can alter them-selves as needed through the use of embedded printheads.

The physical model was made in three steps.

1. 3-D printed a two-piece mold.

2. Cast clear silicone inside the mold and let cure for 24 hrs.

3. Attached the silicone form to an arduino controlled apparatus (pre- programmed to rotate between certain intervals.)

RE-ORGANIZE

29

GOWANUS MICRO-UNITSBird in the Rushes

Architecture Studio VISpring 2014

Critic: Maria SieiraSite: Gowanus Canal

Like a bird in the rushes, resting above the swamp, this community dwelling of artist micro-units is perched on stilts, layered away from the hazardous Gowanus Canal. Micro-unit life is most enjoyable when it integrated in a larger colony that includes communal space + activities.

These micro-units are designed as live-in studios for music artists and sound design-ers. The concept was born out of a desire to preserve the existing performance space at ground level. The informal venue, Mr. Sun-day attracts sizeable audiences and attention to the rapidly changing neighborhood.

32

Micro-units are lifted 15 ft. above the ground on stilts, fully sound insulated within cloud-like enclosures.

Each unit looks down upon the performance space below. When there is no pre-arranged show, everyday activities be-come performances, showcasing the mundane.A skyplane connects units at their peripheries, creating semi-public collaborative space for micro-unit dwellers.

33

GOWANUS MICRO-UNITS

SKYPLANE

MICROUNITS

VERTICAL PUNCTURES

MIXED USE: CONCERT VENUERAISED GROUND-PLANE

TOXIC EARTH-PLANE

GOWANUS

SKYPLANE

MICROUNITS

VERTICAL PUNCTURES


TOXIC EARTH-PLANE

GOWANUS

SKYPLANE

MICROUNITS

VERTICAL PUNCTURES


TOXIC EARTH-PLANE

GOWANUS

IGU Mullion Detail

PVC SANDWICH PANELPLYWOOD SHEATHING

STEEL GRILLAGE;LONGITUDINAL BEAMLATITUDINAL BEAMVAPOR BARRIEREXTERIOR FRP SKINWITH GEL COATING

MECHANICAL SHAFT

DRIP EDGE

RIGID INSULATION

PLYWOOD GIRDERCOVERED WITH FRP

STRUCTURAL COLUMN

PVC CAP

ROOF DRAIN/WATER RUNOFF PATH

12'-1

012"

11'-1

0"1'

-5"

SILICONE BUMPER

PVC CAP

BOLTED CONNECTION TO 'GROUND PLANE'

POURED CONCRETE PILE

1'-1

1 2"4'-6"

IGU MULLION DETAIL03

3"

3/4"

01

H-CONNECTOR

PVC SANDWICH PANEL

FRP HONEYCOMB WEBBING

RIGID INSULATION INVOIDS OF WEBBING

BOND RESIN + PVC MAT

PLYWOOD SHEATHING

LAYERED TOXICITY: A BIRD IN THE RUSHES APPROACH TO GOWANUS HOUSING

4'-6"

DRIP EDGEINSULATED GLASS UNIT

PVC CAPMOULDED EXTERIORVAPOR BARRIER

VAPOR BARRIER

STEEL GRILLAGE

SILICONE BUMPER

LAMINATED FRP SANDWICH PANEL



MECHANICAL SHAFT

DRIP EDGE

RIGID INSULATION


STRUCTURAL COLUMN

PVC CAP

ROOF DRAIN/WATER RUNOFF PATH

12'-1

012"

11'-1

0"1'

-5"

SILICONE BUMPER

PVC CAP

BOLTED CONNECTION TO 'GROUND PLANE'

POURED CONCRETE PILE

1'-1

1 2"4'-6"

IGU MULLION DETAIL03

3"

3/4"

01

H-CONNECTOR

PVC SANDWICH PANEL

FRP HONEYCOMB WEBBING

RIGID INSULATION INVOIDS OF WEBBING

BOND RESIN + PVC MAT

PLYWOOD SHEATHING

LAYERED TOXICITY: A BIRD IN THE RUSHES APPROACH TO GOWANUS HOUSING

4'-6"

DRIP EDGEINSULATED GLASS UNIT

PVC CAP

MOULDED EXTERIOR TRANSITION TO LITES

VAPOR BARRIER

VAPOR BARRIERSTEEL GRILLAGE

SILICONE BUMPER

LAMINATED FRP SANDWICH PANEL

Column-Grillage Connection



MECHANICAL SHAFT

DRIP EDGE

RIGID INSULATION


STRUCTURAL COLUMN

PVC CAP

11'-1

0"

SILICONE BUMPER

PVC CAP

1'-1

1 2"4'-6"

BOLTS WITH BACKING PLATESPUNCTURE IN STEEL BEAM

FRP EXTERIOR SKINVAPOR BARRIER

LONGITUDINAL STEEL BEAM

COLLAR

HSS ROUND COLUMNCOLLARCONNECTION PLATE

1 BOLTSBACKING PLATE

Structural Parti:

35

GOWANUS MICRO-UNITS

Grillage

Plan Cladding

SKYPLANE

MICROUNITS

VERTICAL PUNCTURES


TOXIC EARTH-PLANE

GOWANUS

SKYPLANE

MICROUNITS

VERTICAL PUNCTURES


TOXIC EARTH-PLANE

GOWANUS

GOWANUS MICROUNITSGOWANUS, BROOKLYN, NYC

LAYERING TOXICITY

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in

voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

Typical Unit Elevation

SKYPLANE

MICROUNITS

VERTICAL PUNCTURES


TOXIC EARTH-PLANE

GOWANUS

SKYPLANE

MICROUNITS

VERTICAL PUNCTURES


TOXIC EARTH-PLANE

GOWANUS

SKYPLANE

MICROUNITS

VERTICAL PUNCTURES


TOXIC EARTH-PLANE

GOWANUS

36Sound-Proof Panels Axonometric View

GOWANUS MICROUNITSGOWANUS, BROOKLYN, NYC

LONGITUDINAL SECTION

39

GOWANUS MICRO-UNITS

SECTION37

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GOWANUS MICRO-UNITS

PECK SLIP ELEMENTARYLearning from the Elements

Architecture Studio IISpring 2013Critic: Philip ParkerSite: Peck Slip, NYC

Elementary school is a time when children are introduced to

the foundational concepts of all their entire academic careers.

Music, movement, math, science, language. Often times a cre-

ative understanding of the physical world is neglected until

high school physics.

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How do we introduce children to the idea of the constructed

environment? To concepts of what is possible or enjoyable in

terms of dimensions, planes, gravity? Peck Slip Elementary

encourages a hands-on approach to learning starting with

their environment.

44

Deformation of three surfaces over time. A single surface is imbued with the trace of an activity, in this case kitesurfing. Forces such as grav-ity and wind are placed in proximity to the surface deforming it in different ways, illustrated below.

Initial Surface

ARIELLE LAPPSURFACE DEFORMATIONS

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ELEMENTARY SCHOOLPECK SLIP, NYCSlips are crenellated mini-peninsulas between which ships can dock. Manhattans slips lie between Water Street and the East River, but have all been filled in to match a new city edge.

A trace of their existence remains in street names, flood zones, and wind-patterns suitable for ships.

TRACE OF WIND AND SURFACE ON SITE

AUDITORIUM COMPUTER LABCOMPUTER LAB

PICKUP

MAIN OFFICE

CAFE'KINDERGARDEN 02 KINDERGARDEN 03

FIRST GRADETHIRD GRADE SECOND GRADE

W.C.

FOURTH GRADEFIFTH GRADEFOURTH GRADE

FIFTH GRADE

W.C.

OUTDOR REC. AREAINDOOR REC. AREAMUSIC ROOM

HALLWAY

W.C.

ATRIUM

40'

30'

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10'

-10'

50'

1 2 3 4 5 6 7 8 10 15141312119

MULTIPLE SIMULATIONS: Deforming Surfaces in Relation to Site and Each Other


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W.C.


FIFTH GRADE

W.C.


HALLWAY

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ATRIUM

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1 2 3 4 5 6 7 8 10 15141312119



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PICKUP

MAIN OFFICE



W.C.


FIFTH GRADE

W.C.


HALLWAY

W.C.

ATRIUM

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-10'

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1 2 3 4 5 6 7 8 10 15141312119


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PECK SLIP ELEMENTARY


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SURFACE A

SURFACE B

SURFACE C


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FIFTH GRADE

W.C.


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ATRIUM

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W.C.


FIFTH GRADE

W.C.


HALLWAY

W.C.

ATRIUM

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W.C.


FIFTH GRADE

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HALLWAY

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ATRIUM

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4646

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Multiple surfaces

Program

School Building


48Floor Plans

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Front Elevation

Side Elevation


4Peck Slip Elementary

Perspective Section

Street View

51


A g g r e g a t eAlgorithmic Pavillion

Architecture Studio IFall 2011

Critic: Peter MacapiaSite: East River Park, NY

53

AB

C

C:D

A:F

B:E

D

E

F

GEOMETRY 2

AGGREGATION FOLDS

Using Mathematica, a program that creates graphical forms from complex equations, two geometries were chosen.

55

AGGREGATE

PANEL 2GEOMETRY 3

GEOMETRY 2

GEOMETRY 1NestList[Round[Last[#]/12] -> First [#]*19 &/@ X &, {16->4, 4->0}, 40]

PANEL 1

A to F B to E C to D

56

Connection Matrix: Panel 2

Connection Matrix: Panel 1

E

E F

D

D

C

C

B

B

A

A

Aggregations- Digital and Physical

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AGGREGATE

In Situ Aggregations [15] alternate possibilities as determined by users

(a)

(b)

MODULE 01

A

MODULE 02

MODULE N

Spatial requirements for technology workshops and performance pieces

expand and contract quite frequently. To encourage interaction between the

two programs and also to accommodate spatial flux, the building literally grows

and shrinks.

[14] root framework

PROGRAM DETAILS

MAKERSPACE

PERFORMANCE/ TECHNOLOGY/ HUMAN INTERACTION

The root framework has a main area where robotic arms assemble panels in stable ways, producing temporary pavillions as needed.

[16]

[17]

[15] alternate possibilities as determined by users

(a)

(b)

MODULE 01

A

MODULE 02

MODULE N




and shrinks.

[14] root framework

PROGRAM DETAILS

MAKERSPACE



[16]

[17][15] alternate possibilities as determined by users

(a)

(b)

MODULE 01

A

MODULE 02

MODULE N




and shrinks.

[14] root framework

PROGRAM DETAILS

MAKERSPACE



[16]

[17]

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AGGREGATE

PROFESSIONAL E X P E R I E N C E

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JJ FALK DESIGNArchitecture + Interiors

Retail Renovation1st FloorClient: Hines LLCSite: 140 Broadway Financial District, New YorkStatus: In Progress

Located in a high-traffic area of the fi-nancial district, this renovation sought to create storefronts within the historic build-ing, and to attract business through visible signage. Due to landmark status, the facade

cannot not be altered, making signage a challenge. In order to respect the code, signage is placed on a recessed soffit inside the building.

64

Renovations could not sigificanly change the landmarked facade. Two doors were request-ed as well as visible signage.

10.07.2014

NEW EXTERIOR METAL AND GLASS LOCKING DOORS, SIDELIGHTS, AND TRANSOM PANEL. HARDWARE T.B.D. FINISH AND TYPE TO MATCH EXISTING FACADE/BUILDING STANDARD.

NEW STEPPED FLOOR SLAB. (DOWN TWO RISERS.)

LEVEL EXISTING SLOPED FLOOR SLAB AREA SHOWN HATCHED (SIZE IS APPROXIMATE, ACTUAL AREA TO BE VERIFIED IN FIELD) WITH NEW WOOD SLEEPERS AND PLYWOOD FLOORING. PREPARE TO RECEIVE NEW FLOOR FINISH.

MODIFY COLUMN COVERS, TYPICAL.

CONSTRUCT NEW RATED DRYWALL DEMISING PARTITION.TWO LAYERS 5/8 FIRE CODE TYPE X GYPSUM BOARD ONEACH SIDE OF 5-5/8 METAL STUDS SPACED O.C. MAX ONMETAL RUNNER CHANNELS AT TOP AND BOTTOM SECUREDTO FLOOR AND CEILING SLABS. INSTALL FULL ACOUSTICAL INSULATION FROM SLAB TO SLAB.

10.07.2014

NEW EXTERIO

R METAL AND GLASS

LOCKING DO

ORS, SIDELIGHTS, AND

TRANSOM

PANEL. HARDWARE

T.B.D. FINISH AND TYPE TO M

ATCH EXISTING FACADE/BUILDING STANDARD.

NEW STEPPED FLO

OR SLAB.

(DOW

N TWO

RISERS.)

LEVEL EXISTING SLOPED FLO

OR SLAB AREA

SHOW

N HATCHED (SIZE IS APPROXIM

ATE, ACTUAL AREA TO

BE VERIFIED IN FIELD) WITH

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ENTRY DETAIL BENTRY DETAIL A

10.07.2014

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Hines 140 Broadway Retail Renovation Scope of Work JJFDGround Floor and 1st Basement DSK-02 Rev1 Scale: 1/2=1-0 Issued 10.07.2014 INTERIORS ARCHITECTURE

10.07.2014

65

JJ FALK: 140 Broadway

Private ResidenceRenovation

JJ Falk DesignFall 2014

Site: Brooklyn, NY Browstone addition and renovation. The entire interior was renovated, an enclosed area and deck in back were added. All new bathrooms, fixtures, millwork, and furniture were designed or specified. Contemporary

and traditional elements were selected in or-der to convey a sense of temporal relevance while maintaining authenticity and design intent of the original structure.

67

JJ FALK: Private Residence

Rear Elevation Side Elevation

68

West Elevation East Elevation

North Elevation South Elevation

6569

SHORE HOUSENew Construction

Role: Consultant

Client: Colville FamilySite: Long Beach Island, NJStatus: In Progress

The design for this shore house was ini-tially an interior renovation project until Hurricane Sandy hit. The roof of the original structure blew off, water sat in the basement, and mold proliferated through-out, eliminating the possibility of renova-tion. Razing the original structure and rebuilding meant that the shore house was

no longer grandfathered in, and had to adhere to modern codes dictating material choices and mandating the use of stilts to lift the structure sufficiently above ground, based on the flood zone. The new concept is a formal re-imagina-tion of the original program diagram re-arranged into an optimized layout.

70

71

Shore House

Pre-Sandy

Post-Sandy

Demolition

Blank Canvas

Exploded

Eat W.C.

72

Re-assembled

Lounge Cook SocializeSleep

73

Shore House

Ground Floor First Floor

74

Second Floor- Outdoor Space

Second Floor

Mixed-Use ComplexNew Construction

Role: Site Safety ExpediterCompany: Site Safety, Major Buildings ConstructionFall 2013

Site: 625 W 57th Street

Design by Bjarke Ingels Group, Construction by Hunter-Roberts. Using the Revit file from Hunter Roberts, a BIM site safety plan was created and submitted to the Department of Buildings.

75

SITE SAFETY: 625 W 57th Street

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1 Construction Gate2 Jersey Barrier 4 Concrete Mixer

3 Site Safety Personell6 Crane5 Signage

1

Phases of Site Safety Plans by HeightSite Plan

2

4

6

6

3

5

BIM Site Safety Plan: Perspective View. Construction in progress with site safety measures implemented.

SUPERSTRUCTURE

SCHEDULE: CRANES, NETTING, COOCOONS

Construction will be shown in a series of phases noting important site safety concerns at specific heights.

Ex: At phase x, when the 8th floor is complete, a sidewalk shed is requiredto prevent .................... .

Barriers, fences, scaffolding, etc...

SITE SAFETY ELEMENTS

625 W 57th Street Site Safety BIM DIAGRAM 8/30/2013New York, NYA.L.

Superstructure

Cranes, Netting, Cocoons

Barriers, Fences, Scaffolding, etc...

June 2011

Crozier-Gedney Architects

Private ResidenceRenovationSite: The Osborne, Rye, NY

The residence is located in a gated community that caters to independent elderly couples. There is a particular code in ef-fect throughout the community dictating color schemes and appliance selection. Special attention is paid to accesibility and simplified flow.This project arrived at Crozier-Gedney after the unit had been entirely gutted.I was directly involved in this project from its conception through the initial phases of construction; including

contributing to the layout concept, drawing, assembling, and submitting the construction documents as well as specifying appliances + materials. 1. Kitchen Renovated 2. Custom Cabinetry + Millwork Installed 3. Two Bathrooms Installed 4. Sunroom Added 5. Electrical Circuitry Brought up to Code 6. New Appliances Specified and Installed

77

CROZIER- GEDNEY ARCHITECTS: The Osbourne, Cottage Renovation

01 Basement 02 First Floor

04 South-East Elevation

03 South-West Elevation

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r e O r d e rSitu Studio

Retail Renovation1st Floor

Duration: 1 Year Role: Fabrication/ ConstructionSite: The Great Hall Brooklyn Museum Brooklyn, NY

reOrder was a piece of installation art designed and fabricated by Situ Studio after being selected in a competition for the Brooklyn Museums Great Hall. The installation was designed to make the ornamental functional. Each of the 16 20 Ft. columns was dressed in a geometric apparatus composed of fabric and heat-formed corian. Due to the historic nature of the Great Hall, designed by McKim, Mead, & White, no drilling into columns or alteration of the original architecture was allowed even though massive structures were being hung from them. This issue was circumvented by a system of collar rings, lasercut wooden supports, and ratchet straps. Each apparatus was lit from inside with LED grids. Circular corian benches were heat-formed to rest on wooden lasercut sub-structures.

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SITU STUDIO: reOrder

PRATT INSTITUTE

LEHIGH UNIVERSITY

Master of Architecture, 2014

Bachelor of Arts, 2010

[email protected]

914.473.3357Brooklyn, NY

SKILLS

EXPERIENCE

ADDITIONAL EXPERIENCE

AutoCAD, Revit, Rhinoceros 3D, 3D Studio Max, Maya, Adobe Creative Suite (Photo-shop, Illustrator, InDesign, AfterEffects, etc...), Vray, Grasshopper, Ecotect Analysis, Maxwell Render. 3D Printing, Lasercutting, Model-making, & Traditional Drafting.

GRADUATE ASSISTANT, PRATT INSTITUTE, ADMISSIONSBrooklyn, NY

Oct. 2011-May 2015

DIGITAL + PHYSICAL

JR. PROJECT ARCHITECT, JJ FALK DESIGN LLCMidtown, NYC

Aug-Nov 2014

-Generate construction documents, measured drawings, and punch-lists-Conduct design development, FF+E, and shop drawing review-Basic rendering, prepare presentation boards-Focus on residential, corporate, + commercial projects

Evaluate and coordinate applications for review by admissions boards.

INTERN, SITU STUDIOBrooklyn, NYC

Feb-March,Sept 2011

-Assemble reOrder, a design installation within the Brooklyn Museum of Art.-Created renderings and assembled winning competition presentation booklet for NY Hall of Science: Maker Space

Rye, NY

ARCHITECTURAL INTERN, CROZIER-GEDNEY ARCHITECTSMay-Aug 2011

-Produce construction documents-Collaborate with clients and contractors on a variety of high-end residential and commercial projects including renovations, interiors, and new construction.-Attend site visits, create measured drawings of existing structures.-Prepare permits, drawings, and renderings for board review.

Denver, CO

INTERN, LEARNING LANDSCAPESSept. 2010-Jan. 2011

-Organize and execute small projects for non-profit office with a bottom-up ap-proach.-Publicize events.-Hands-on interaction with community projects.

Major Buildings Consulting: Architectural Expiditer, Midtown, NYC

ARCHITECTURAL INTERN, SITE SAFETYJune 2013- March 2014

-Use Revit to create 3D Drawings Site Safety Plans-Interface with the Department of Buildings to have drawings approved-Attend weekly Society of Safety Engineers Meeting

FREELANCE ARCHITECTURAL DESIGN CONSULTANTLong Beach Island, NJ

Aug 2011-Present

-Design concept for Beach House destroyed by Hurricane Sandy-Coordinate between client and contractor-Bring new residence up to code for the flood zone- stilts, materials, etc... -Consult in all phases of design: SD-DD

[email protected]

Arielle-Lapp.Squarespace.com

arielle lapp portfolio

Documents

secondary skin

planar force

niched structure

d printing

individual pieces

entire fabricated structure

basic panels

lower force