1. A R C H i T E C T U R A LPORTFOLiOandreia pealoza caicedo

2. C O N T EN T E N T SCO NTSOur contemporary and future world changes changesspeed speed Our contemporary and future world as such as suchB U E N A V E N T U R A Nr e vUvRl ABU E N A V E T i arevival M a r i t i m e T e ra r i t ia l ef oT ePms s e n gfe rrs P a s s e n g e r s M m n m r r a inal oand complexiy that nothingnothing remains or stable stable and complexiy that remains certain certain or escalera al cielo- maravillas del mundo del mundoescalera al cielo- maravillasArchitecture and Desing should be broadbe broad enough Architecture and Desing should enough STAIRWAYSTAIRWAY to NEXTSTAGES [world wonders]to NEXTSTAGES [world wonders] maestra en arquitectura, urbanismo y ciencias de lay ciencias de la construccinmaestra en arquitectura, urbanismo construccinto embrance the enormityenormity of our circumstances; which to embrance the of our circumstances; which MASTER inMASTER in ARCHiTECTURE, URBANiSM and SCiENCES SCiENCES ARCHiTECTURE, URBANiSM and BUiLDiNG BUiLDiNG+ + vivienda y espacios paraespacios para estudiantesvivienda y estudiantesmeans that desing methodsmethods and processes should evolve means that desing and processes should evolve TU Delft / The Netherlands / 2007-2010 / 2007-2010TU Delft / The Netherlands HOUSING HOUSING + FACILITIES [UvA] + STUDENT STUDENT FACILITIES [UvA]and adapt faster than ever to the present changing social, environmental and and adapt faster than ever to the present changing social, environmental and ACADEMIC ACADEMIC EXPERIENCEEXPERIENCEeconomical perspectives + worldviews, and philosophical + spiritual beliefs. beliefs. economical perspectives + worldviews, and philosophical + spiritual cementerio central bogota cementerio central bogota CENTRAL CEMETERY [expansion + adaptation] + adaptation] CENTRAL CEMETERY [expansion ViViENDA ViViENDA biblioteca universidad nacionalbiblioteca universidad nacionalHOUSiNG HOUSiNG LIBRARY [remodelling+refurbishment] LIBRARY [remodelling+refurbishment] USO MiXTO USO MiXTO escuela tallerescuela taller popayan - colombia popayan - colombia PRESS BUILDING BUILDING adaptation] + adaptation]HYBRiD BUiLDiNGSBUiLDiNGS HYBRiDexperiencia profesional profesionalexperienciaPRESS [restoration + [restorationARCHITECTURAL + URBANISMURBANISM DESIGN PROJECTS ARCHITECTURAL + DESIGN PROJECTS casa ricaurte casa ricaurte EDiFiCiOS PBLiCOS PBLiCOS EDiFiCiOSColombia / 2004-2007 / 2004-2007 ColombiaFAMILY HOUSE [design proposal] FAMILY HOUSE [design proposal] PUBLiC BUiLDiNGSBUiLDiNGSPUBLiCPROFESSIONAL EXPERIENCE PROFESSIONAL EXPERIENCE open deals o open deals o ce ce O F F I C E [interiorF I C E [interior space design] O F space design]+ + EDiFiCiOS de EDiFiCiOS de OFiCiNA OFiCiNAOFFiCE BUiLDiNGSBUiLDiNGS OFFiCE un hito en chapineroen chapineroun hito[urban consolidation [urban consolidation CHAPINERO LANDMARK by a collective space]a collective space] CHAPINERO LANDMARK by vivienda de inters soscialvivienda de inters soscial LOW INCOME HOUSE [urban+arch. [urban+arch. project]LOW INCOME HOUSE project] intervencion intervencion urbanaurbana SAN FACON NEIGHBORHOOD SAN FACON NEIGHBORHOOD vivienda multifamiliar multifamiliar vivienda MULTIFAMILY housing [urban+arch. [urban+arch. project] MULTIFAMILY housing project]arquitectura arquitecturaUNDERGRADUATE STUDIES - STUDIES ofSCHOOL of ARCHITECTUREUNDERGRADUATE SCHOOL - ARCHITECTUREmuseo quinta de bolivar de bolivar museo quintaUniversidad deUniversidad Colombia / 1999-2004 / 1999-2004los Andes / de los Andes / ColombiaMUSEUM [new building expansion] expansion] MUSEUM [new buildingACADEMIC ACADEMIC EXPERIENCEEXPERIENCE auditorio al aire libre al aire libre auditorio OPEN AIR THEATER THEATEROPEN AIR+ + expresiones artisticas expresiones artisticasneither + atrabiliarios atrabiliarios neither + ARTISTIC EXPRESSIONS ARTISTIC EXPRESSIONSSCULPTURES [construction +[construction + museum instalations] SCULPTURES museum instalations]andreia pealozapealoza caicedo andreia caicedo Colombia / 2000-2004 / 2000-2004Colombia pasos procesiones semana santa pasos procesiones semana santamaster of science of architecture architecture master in science inPROFESSIONAL EXPERIENCEPROFESSIONAL EXPERIENCEH O L LY W EHK L LY sWs i o n s [pl r o ste s s i o n s f l o a t s] E O [p r o e s E E K f o a s] 3. CONTENTS TS CONTENOur contemporary and future world changeschanges speed speedOur contemporary and future world as such as such* B U E N A V U N N U V A N rTeUi v aA*BEE TAREv RlrevivalM a r i t i m e T eamtiin a e f o e r P ais sa lnf o rr sP a s s e n g e r sM r ri ml Tr m n e geand complexiy that nothing remains certain certain or stableand complexiy that nothing remains or stableescalera al cielo- maravillas del mundo del mundo escalera al cielo- maravillasArchitecture and Desing should be broad enough enoughArchitecture and Desing should be broad STAIRWAY to NEXTSTAGES [world wonders] wonders] STAIRWAY to NEXTSTAGES [world maestra en arquitectura, urbanismo y ciencias de la ciencias de la construccinmaestra en arquitectura, urbanismo y construccinto embrance the enormity of our circumstances; which whichto embrance the enormity of our circumstances; MASTER in ARCHiTECTURE, URBANiSM and BUiLDiNG BUiLDiNG SCiENCES MASTER in ARCHiTECTURE, URBANiSM and SCiENCES* vivienda y*espacios para estudiantes estudiantes ++vivienda y espacios parameans that desing methods and processes should evolve evolvemeans that desing methods and processes should TU Delft / TheTU Delft / The/ Netherlands / 2007-2010 Netherlands 2007-2010HOUSINGHOUSING + STUDENT FACILITIES+ STUDENT FACILITIES [UvA] [UvA]and adapt faster than ever to the present changing social, environmental andand adapt faster than ever to the present changing social, environmental and ACADEMIC EXPERIENCEACADEMIC EXPERIENCEeconomical perspectives + worldviews, and philosophical + spiritual spiritual beliefs.economical perspectives + worldviews, and philosophical + beliefs.* cementerio central bogota [expansion + adaptation]+ adaptation]* cementerio central bogotaCENTRALCENTRAL CEMETERY [expansionCEMETERY ViViENDAViViENDA* biblioteca* [remodelling+refurbishment]universidad universidad nacional biblioteca nacionalLIBRARY LIBRARY [remodelling+refurbishment]HOUSiNG HOUSiNGUSO MiXTO USO MiXTOescuela taller popayan - colombia - colombia escuela taller popayanPRESS BUILDING [restoration +[restoration + adaptation]PRESS BUILDING adaptation]HYBRiD BUiLDiNGSHYBRiD BUiLDiNGS experiencia profesional profesionalexperiencia ARCHITECTURAL + URBANISM DESIGN PROJECTS PROJECTS ARCHITECTURAL + URBANISM DESIGNcasa ricaurtecasa ricaurteEDiFiCiOS PBLiCOS PBLiCOS EDiFiCiOS Colombia / 2004-2007 / 2004-2007 Colombia FAMILY HOUSE [design proposal] proposal]FAMILY HOUSE [designPUBLiC BUiLDiNGS PUBLiC BUiLDiNGS PROFESSIONAL EXPERIENCE PROFESSIONAL EXPERIENCEopen deals o ce deals o ceopenO F F I C E [interior I C E [interior space design] O F F space design] ++ EDiFiCiOS de OFiCiNA de OFiCiNA EDiFiCiOSOFFiCE BUiLDiNGS OFFiCE BUiLDiNGS* un hito en*chapinero chapineroun hito en [urban consolidationCHAPINERO LANDMARK by a collective space] collective space] CHAPINERO LANDMARK by a [urban consolidation *projects included in this *projects included in thissample P O Rsample I P O R T F O L I O TFOL Ovivienda de inters soscialvivienda de inters soscialLOW INCOME HOUSE [urban+arch. project] project]LOW INCOME HOUSE [urban+arch.intervencion urbanaintervencion urbanaSAN FACON NEIGHBORHOOD SAN FACON NEIGHBORHOODvivienda multifamiliar vivienda multifamiliarMULTIFAMILY housing [urban+arch. project] project] MULTIFAMILY housing [urban+arch. arquitectura arquitectura UNDERGRADUATE STUDIES -STUDIES -of ARCHITECTUREUNDERGRADUATE SCHOOL SCHOOL of ARCHITECTURE museo quinta de bolivar de bolivarmuseo quinta Universidad de los Andes /de los Andes 1999-2004 / 1999-2004Universidad Colombia / / Colombia MUSEUMMUSEUM [new building expansion] [new building expansion] ACADEMIC EXPERIENCEACADEMIC EXPERIENCE * auditorio al aire libreAIRaire libre* auditorio al THEATEROPEN AIROPENTHEATER++expresiones artisticas expresiones artisticas neither + atrabiliarios atrabiliarios neither +ARTISTIC EXPRESSIONSARTISTIC EXPRESSIONSSCULPTURES [construction [construction + museum instalations] SCULPTURES + museum instalations]andreia pealoza caicedo caicedoandreia pealozaColombia / 2000-2004 / 2000-2004Colombiapasos procesiones procesiones semana santa pasos semana santamaster of master of science in architecturescience in architecture PROFESSIONAL EXPERIENCEPROFESSIONAL EXPERIENCE H O L LY W E E KL LY oWs sEo n s[pfrlo s e s s i o n s H O [p r s e E i K a t s] f l o a t s] 4. B U E N A V E N T U R A revival B U E N A V E N T U R A revival Maritime Terminal for Passengers DEFINING : SPATIALORGANIZATION+ SPATIAL POSITION Maritime Terminal for Passengers MAPPING SOCIAL NEEDS + PROBLEM DEFNITION INTERWEAVING THE WAVES INTERWEAVING THE WAVESsite readingStep 7.INTERLACING CS+BOATS+VESSELS INTERLACING BOATS+VESSELS:Step 6. on the most important national connections Colombian cargo port : EVERYTHING FLOWS, IDEAL OCEAN WAVEACTUAL OCEAN WAVE OCEAN WAVES FROM DEEP TONothing is constant, there are always changesINTERWEAVINGStep 5.INTERLACING CRUISE SHIP [CS]: BUT NOTHING REMAINS,sinusoidal wave variation in height, length,SHALLOW WATERS and adaptations according with external factors: storms, marine currents, ships, animals, human [sea paths + land paths] + [ship paths + people paths]IDEAL RAIN FALLACTUAL RAIN FALLinternational connections constant in height, length, frequency and period. change in orbital motions of water particles rooftop collector under :rooftop collector under : actual or usual circumstances activities, etc, etc frequency and period. CAOTHIC state of the sea surface, which has no discernible organization SPATIAL ORGANIZATION ideal or unsual circumstanceswind speed > 0 [changes in wind direction]PATHS SURFACESwind speed = 0 [constant wind direction] HOW TO PROVOKE SPACES of vertical and horizontal bifurcation of paths generating space rainfall angle = 90 degreescaptured water = 1mm/year [1lt/m2] captured water > 1mm/year [>1lt/m2] collecting rainwater multiple sloping surfaces optimizing rain water catchment : multiplicity of angles oriented to changes in rainfall direction+ PERMANENCE - STABiLITY?mesh panels of suitable material increasing the catch of rain +CAPTURED WATER 3[1mm/year]and also collecting fog +capturing Step 4.TOPOGRAPHICAL STUDYsite constraintsOVER WATER level + 15.00m[OW] HIDE TIDE level + 2.00[HT] LOW TIDElevel + 0.00[LT] Latitude 3. 50. 00 SOCIAL + Longitude Altitude77. 00. 007 msnmCS LC LAND+CITY level + 6.00UNDER WATERlevel - 5.00 Temperature18C - 26C[LC][UW] Humidityworld highest13.300 mm/year Rain 6.980 mm per year world lowest648 mm/yearSEA BEDlevel - 14.00 ENVIRONMENTAL Soil low fertility Wind Speed av. Wind Direction1 - 6 m/sNorth-West[SB] Sun inclination70o - 90B+V o CONDITIONS :STEP 3. + employmentNN330 30LEARNING FROM THE SHIPS: NW NEStep 3.30060 WE W E + public space dimensions, docking manouvering and berth layout240 120 SWSE210 150SSHigh Tide (HT)deepest level now11.3 mts deepest level future 16 mtsHT - LT = 2 mts + rain water collectionTerminal Sea Area1TSA O = 830 mts[TSA 1]Low Tide (LT)9.5 mts 12,5 mtDL Land+CitySpaceb[LC]L to P = 220 mtscapturingShips Limit Point [P]TSATerminal Sea Area 2associations [2] [TSA 2] DLb YaCruise ShipsYa = 150 mtsDimensions [CS] YbYb = 20 mts CARGO TERMINAL CITY CENTERURBAN CONDITIONSZajanuary february march april may june july augustseptemberoctobernovember december MAIN CITY ROADBoats+Vessels Za = 30 mts to 5 mts [B+V]Zb = 5 mts to 1.5 mts PASSENGER PIER Zb MAIN CITY PARK SEAFRONT PROJECTCITY + PORTPARKINg PARKINGcars - bicycles - bus stops - taxi stop 300 cars + 100 bicycles +2 bus stops + taxi stops 15.000 m2& SERVICESSHOPStropical fruit market - souvenir shop - local craft market - bookshop200 points - 5.000 people10.000 m2Quanity = 2CS PP to CS = 280 mts Quantity-Density [CS]dialogue + connectionSHOPS ENTRY/EXIT1.000 people800 m2HALLINFORMATIONSERVICES & INFORMATIONtourist information-weather and tides info-administrative offices-office ticket-lockers-internet -banking-current exchange-post office-flagpole & windstock-safety equipmnet 1.300m2 & SERVICESQuantity = 25B+VP BOAT &SERVICESBOAT SERVICESrepairing ships + launching and hauling + storage + fuelling station 10 boats1300 m2 [B+V]DLa RESTAURANT120 tables - 450 people1.500 m2 SSOCIAL CaCAFE-BAR50 tables - 200 people200 m2ACTIVITIES SEA+TROPICAL FOOD SCHOOL20 students/time 500 m2STEP 2. DistributionB+V PP to B+V = 350 mts EXHIBITION ROOM2.200 m2 capturing LECTURE CONFERENC E ROOM 1.000 m2 CSCULTURALACTIVITIESEVENTS ROOMgastronomy, theater, music & dance afro-colombian celebrationpacific folklore festivalhumpback whale festival3.000 m2 B+VPBerth Layout folkloric groupsWVB+W a Ba dimensions + density 16 CALLSy1400-800 paasengers/time SHIPS CRUISES (INTERNATIONAL) 1 1133 3 2 12.800 passengers/yearDECKSB+VP BOATS & VESSELS (NATIONAL)210 150 150210 150150 270360360210150 180 15 main destinations 750-1200 paasengers/ timePUBLIC TRANSPORT (REGIONAL)600 450450 600 450450 750 1140 1140 600450630 150.000 passengers/yearPRECIPITATION400 300 350 560 700 600 750 740 970 900 700600mm SCALE + SiZE PEOPLE + SHiPS QUANTiTY Movements Cruis Shipsfp1ip = initial positionm1 = movement 1,DLDocking aTEMPERATURA air & water28 26.5 26.826.5 26.826.226.426.225.825.625.8 26 o Cm3lateral displacement WIND SPEED 5.14.6 5.1 5.66.1 4.6 4.65.1 5.6 5.6 5.1 5.1 m/s Maneuvering m1m2 = movement 2, reversem3 = movement 3,[DM]m2rudder rotation HUMPBACK WHALESLOOKING FOR BREEDING AREA- WATER OF 26 DEGREES VANCOUVER ROTTERDAM fp = final position,NEW TORK PORTOipbow rotation thsfp1 = final position, option 1 TOKIOLOS ANGELES Sip Pa CA Shfp2 = final position, option 2rgoMIAMIDUBAICa fp2PASSANGERS & ANIMAL MIGRATIONS IN SEARCH of A PARTICULAR TEMPERATURE HONG KONGACAPULCOCARTAGENA DAKARStep 2. EVALUATING ON THE BAY: ships routes-paths SINGAPOREths Sip Pa CAX e Sh CS Cruis STEP 1. Distance from the LandDL [a] = 500 mts RESULT: RIO DE JANEIRO Step 1 + Step 2 Step 3 [DL] DL [b] = 250 mtsXSIDNEY Terminal Sea AreadURBAN V B+ thsWBay [a] = 2 km VALPARAISO ls Paessecargo terminal+V [TSA]WBUENOS AIRESCS atsY geostrategic positionWBay [b] = 1.5 kmBo Medium Ship Cargo - MSCequidistant to the main worldwide markets Bay Width 220 mtsW = 1 km 4 min TSA O = 800 mtsY 355m WORLDV [WBay] WBay = 2(DL) + W6 minZZMOVEMENTof CARGO + PEOPLE CRUISE SHIP DIMENSIONSB+460mZZ 100 mZton3/yearpassengers/yearlongwide (ml)height draftspeedpassengers crew(ml) beam (ml)(ml)km/h Vancouver 82.7 millions 910.172 Los Angeles170 millions 1.200.000 Amsterdam 273.000 Seabourn Pride 134212 100+Small Ship Passangers - SSPcustom buildingValparaisoFram 113318 150+ 7 min DIAN87.6 millions153524250LEARNING FROM THE SHIPS DIMENSIONS: Tokyo FunchalcathedralHong Kong259 millions National Geographic108148 585mStep 1. Singapore515 millions BOAT SERVICESrepairing ships national palaceSidney 13.5 millions / 22.8100.000Spirit of Tasmania194 25481020 Medium Ship Passangers - MSP200 mRotterdam 234 317.8 451320 BUENAVENTURA(2034) 950.331to define their routes-pathsOrient Queen160 236.7912 launching and haulingbuilding New York 350 millions4.100.000 Norwegian Majesty 204 27 6361460 Miami176 millionsstorageCARTAGENA Big Ship Passangers - BSPfuelling station Rio de Janierio 257.000Queen Elizabeth 314 36 71 12 52.8 22831000+ Buenos Aires Queen Mary310 36 52 11.9 52.8 21391000+ Rotterdam421 millions2.000.000 Queen Mary 2 (bigest) 345 51 72 10.154.86 26201253+Freedom of the Seas 339 56 63.7 4036341360+ Xa Porto 50.5 millions CRUISE DECKSPORT9 min Barcelona 41.8 millionsTitanic 264 27 300 m internationalACTIVITY 670m 130 millions passengers lobby sailing school train central stationCargo ShipsXa = 220 mts X = Xa + Xb GRASSHOPPER DEFINITION[CAS] Xb = 30 mts Xb 10 min775m bus terminalY = Ya + Yb 0mZ = Za + Zbcity loop + terminal loopestacion hotelYacirculation + 12 minCruise Ships500 m930mCity STEPING on the WATER HOW PASSENGERS are Ya = 150 mts Yb BAY6.5 min[CS] Yb = 20 mtsW = 2X +2Y + 5Zmovement : CULTURAL+SOCIAL ACTIVITIESENTRY/EXITENTRY/EXITPLAZA+ municipalCOVERING the DISTANCE? How to link water+land? SHOPSadministrative centeropen+closed exhibitions lecture+conference room civic exchange hallhall SEA MARITIME TERMINAL FOR PASSENGERSCAM Boats+VesselsZaZa = 30 mtsW = 990 mts 1.500 m gran hotelshape space [B+V] Zb = 5 mtsW = 1 km Zb20 min 970m 13 min TRANSPORTATION & SERVICES car parkingrepublic bankAndreia Pealoza Caicedo master studentbike parking bus+taxi stop Andreia Pealoza Caicedo master studentSHIPS DECKSOCIAL Dr. Henriette Bier - Dr. Nimish Biloria - Martin Sobotastudio tutors labSERVICES & national ACTIVITIES695m600m555m passengers lobbyrestaurantINFORMATION9 min 8 min 7 minCITY PARAMETERSDr. Henriette Bier - Dr. Nimish Biloria - Martin Sobota studio tutors lab cafe+bartourist information Master of Science in Architecture - Hyperbody Graduation LabTechnical University of Delft - TU Delftsea+tropical food schoolweather and tides infoadministrative officescity loop Master of Science in Architecture - Hyperbody Graduation LabTechnical University of Delft - TU Delft The NetherlandsOctober 2009 - November 2010office ticket +lockersbanking + current exchange parkThe NetherlandsOctober 2009 - November 2010post office 5. B U E N A V E N T U R A revivalB U E N A V E N T U R A revivalEMPLOYMENT Maritime Terminal for PassengersRAIN WATERMaritime Terminal for PassengersESTABLISHING: + CITY I MAGE ESTABLISHING: COLLECTION SYSTEMINTERWEAVING THE WAVES INTERWEAVING THE WAVES+ increasing city identitythe emerging edilic attractive and monumental shape +rainwater catchmentThe network of mobility is most strongly expressed at its nodes.is not only e ective in relation to the created new image + ideal rain fall+ appropiation feeling The perception of nodes prevails over the awareness of lines, not only because of their wind speed = 0 intrinsic architectural dominance, but also because of their particular nature as meeting constant wind direction+ new public spacebut also e ective because of the new rain water collection system + rainfall angle = 90 degreesplace and point of public interaction. + new citizens spatial conditionscaptured water = 1mm/year which helps to solve one of the populations main problem :[1lt/m2] The Landscape of Contemporary Infrastructure.+ stimulaing new urban the lack of water service +Kelly Shannon Marcel Smets. Nai, Rotterdam, NL.+ spatial strategies rooftop collector ideal or unsual circumstances+ improving inhabitants life quality actual rainfall+ it is attacting visitors and passengers:+ local commerce+ foreign and local long term investorsTechnical University of Delft - TU DelftOctober 2009 - November 2010 rooftop collector wind speed > 0 + generation of new employmentactual or usual circumstances changes in wind direction opportunities through its functions:captured water > 1mm/year [>1lt/m2]+ Repairing Boats surfaces with multiple angles and directionsfor best cashing rainfall+ 6 to 21mts long PATHS SURFACES+ crains collecting rainwater+ working area multiple sloping surfaces optimizing rain water catchment : multiplicity of angles oriented to changes in rainfall direction++ o cesof suitable material increasing the catch of rain ++ tools - equipmentCAPTURED WATER 3[1mm/year] and also collecting fog ++ o ces+ services+ Commercial Activity+ Souvenirs Shops+ Fuits+ Social Activity+ restaurant&co ee+ seafood school city of eternal rainBUENAVENTURA rainfall rate = 6000mm/year 1mm rain rate = 1lt/m2 6000mm/year = 6000lt/m2 wind speed : 5m/s - 18km/h + Sport Activitywind direction : north-westrainfall rate : 6000-7000mm/year + Sailing SchoolBUENAVENTURA : 400.000 inhabitants66% have water only 8 hours/day34% have no water = 136.000 citizens [1/3 of the population] Buenaventura Citizens Bene tedMaritime Terminal Passengers [MTP]MTP area = 88.832 m2 [paths] x [1] 13.190 m2 [roof] x [3] Infrastructure may be seen as the ultimate public space:128.402m2 x 6.000mm = 770412.000 liters/year [divided365 days]2110.717/day [divided 50 lts] *42.214 persons/day it is generally paid for the public authorities, it is accessible to almost every one, and it marks a common itinerary or a collective place.31%of33% [ 1/3 Buenaventura Citizens ] Infrastructure, by its very nature, expands the public realm beyond the boundaries of a single place. It articulates the aspirations and dignity of contemporary society.10%of 100% [ 100% Buenaventura Citizens ]Infrastructural investments thus allow for a form of pubic management or partnership in a more complex urban transformation.Andreia Pealoza Caicedo master student Dr. Henriette Bier - Dr. Nimish Biloria - Martin Sobota studio tutors lab Master of Science in Architecture - Hyperbody Graduation LabTechnical University of Delft - TU DelftThe NetherlandsOctober 2009 - November 2010master studentAndreia Pealoza Caicedostudio tutors labDr. Henriette Bier - Dr. Nimish Biloria - Martin SobotaMaster of Science in Architecture - Hyperbody Graduation LabThe NetherlandsTechnical University of Delft - TU DelftOctober 2009 - November 2010 6. B U E N A V E N T U R A revivalMaritime Terminal for Passengers B U E N A V E N T U R A revival Maritime Terminal for PassengersDEFINING: LAND+ WATERINTERWEAVING THE WAVES INTERWEAVING THE WAVEST R A N S I T I O N CONNECTION B8.6. BOATS+VESSELS B+V 3. national-regionallobby5.2.1.waiting area outside 4.2.waiting area inside 1.3.tickets point4.information point8. 5.control o ce 6.toilets B7.7.passengers path-deck 8.visitors deck A ABTOP VIEW - BOATS+VESSLES LOBBY C scale 1.250B CAndreia Pealoza Caicedomaster studentDr. Henriette Bier - Dr. Nimish Biloria - Martin Sobota studio tutors labMaster of Science in Architecture - Hyperbody Graduation LabTechnical University of Delft - TU Delft Andreia Pealoza Caicedo master student The NetherlandsOctober 2009 - October 2010Dr. Henriette Bier - Dr. Nimish Biloria - Martin Sobota studio tutors labMaster of Science in Architecture - Hyperbody Graduation LabTechnical University of Delft - TU Delft The NetherlandsOctober 2009 - October 2010[B+V] path [B+V] path [B+V] path[CS] + [B+V] paths[CS] + [B+V] paths[B+V] path [CS] + [B+V] visitors path[CS] path [CS] path [B+V] path[CS] + [B+V] visitors path[B+V] path + national-regional lobby Social Activity + information point +bank+ information point + + Sport Activityopen public space ++ international lobby + passengers deck + national-regional lobby + passengers decks open public space + Social Activity + + check in - check ou restaurant-co ee-seafoodschool +lockers + services+ o ces + post o ce+lockers+ + sailing schoolmagni cent viewing platform ++ check in - check out+ arrival - departures+ check in - check out+ arrival - departures magni cent viewing platform + restaurant-co ee-seafoodschool + CROSS SECTION A-A scale 1.250 7. B U E N A V E N T U R A revival B U E N A V E N T U R A revivalMaritime Terminal for PassengersRAIN WATERMaritime Terminal for PassengersDETAILING :COLLECTION SYSTEM INTERWEAVING THE WAVESINTERWEAVING THE WAVESBasic Geometryr axis 2XL IG H TCC C B B B X AAn axis Rotatio AAX ABBSkin ConstructionA Cmaterialization X16/ 11C X16 /11A-C A : Static Connection Point Humidity sensor A-C B : Movable Opening Point Cwooden railing C : Static Connection Point A-C Telescopic arm CA-C BB 1.Neoprene MembraneFlaps open for light capture ligthingEN 2.A-C A-C A-C A-C close when rain ERA-CB B 3. steel handrail Actuator GYA 4.40 mm concrete finished layerSteel Framelacquer paint - water proofAdaptive Geometry- LOWSkin Performance 8.32 5.50 mm Ambient Light Sensor 5.374.172.09 water tight resistance concreteRotating FlapComponents are set based on 8.35 8.32 8.46Glass8.35 5 mm damp proove membrane7.268.32ELEVATION6.6.07by Wind and Water3.97 1.90Energy will be use to powerprecast concrete slab deck 7.the membrane actuators with integrated edgeBone StructurePrototypeTechnical Section A Wind Breeze 8.in-situ pouring concreteSkin Performance 9.ceiling steel supportive sub-structureActuator10.plumber: technical instalationsTechnical Sections plumbing, lights, and fire control Operable FlapSpace Frame Structurefor Water Capturing 11. 20 mm wooden ceiling open when raining nSkin Constructionwith 50 mm wooden support structure Close when tanks are full Rai concrete column 12. W ATER Dire13.20 mm wooden floorWater channelled with 50 mm wooden support structurec t Su Humidity sensorto tanks through14.technical floor: lights and fire control pipe inside the structurenligh DETAIL No. 1scale 1.515.steel I beam Indirect Lo t Telescopic arm 16.concrete hard core structureWater Capturing ComponentLaminated Double Glass 17.steel reinforced concrete pilotsLocated on the lowest part of theWater to collecting tanksw Angle Subuilding to catch grey water 18. precast concrete wall 30 mm hightAnd store it for later use 19. removable concrete floor for ducts checkingTranslucent ETFE nlight ( Winto prevent water and air coming 20.water collection pipes Energy Capturing Component Located on the sloping part of the building21.water chanelled to receive wind and transmit The energy for membrane power supply22. stainlees steel L beam ter & Morni 23.steel support system 24. neoprene rain-water collection elemet movingng structure with telescopic armsLight Capturing Component, afternoon)Located on the top part of the building 25. ETFETo maximize sunlight exposure [ethylene tetra flouro ethylene]Technical Section B Materialization26.openings forwater control22. stainlees steel L beamtrapezoidal steel structure 27.23. steel support system28. connection for double extrusion24. neoprene rain-water collection elementmoving structure with telescopic arms29.connection for single extrusion25. ETFE [ethylene tetra ouro ethylene] 30.steel rain gutter : 1% glass weight self-celanning materialchannel for rainwater collection reduction of stuctural frame work high transparency high temperature resistancere resistant water proof26. openings for water control27. trapezoidal steel structure28. connection for double extrusion master student Andreia Pealoza Caicedo29. connection for single extrusionstudio tutors lab Dr. Henriette Bier - Dr. Nimish Biloria - Martin Sobota30. steel rain gutter : Technical University of Delft - TU Delft Master of Science in Architecture - Hyperbody Graduation Labchannel for rainwater collection October 2009 - October 2010The NetherlandsDETAIL - CROSS SECTION B-B scale 1.40DETAIL No. 2 scale 1.5 8. LOCATION LOCATION proyecto acdemico maestra - futuras maravillas del mundo proyecto acdemico maestra - futuras maravillas del mundo edi cio publico edi cio publico master academic project - new world wonders master academic project - new world wonders to CELtEBCRATE Rhe E UhTeUFUTUREo ELEB t AT F t RE undeurnedxtrreemteecmndcioinodnisions et xtr oe t t P U B L i C BP U B L iiC G U i L D i N G UiLD N B STAIRWAY to NEXT STAGES STAGESSTAIRWAY to NEXT life journeylife journey celebration : each step is the goal ritualualdvenaurvee rreisksfkuturef...tudriealloguallointeractteoaction rit a t d ntu ri ut ... di e gue inti rn tt STAIRWAY celebration : each step is the goal STAIRWAY Equipo Proponente / Work Group: Equipo Proponente / Work Group:Arch. Andreia Pealoza Caicedoto NEXT STAGES Arch. Andreia Pealoza Caicedoto NEXT STAGES THE WHY FACTORY STUDIO - TU Deflt THE WHY FACTORY STUDIO - TU Deflt A S C A S CDEIN D I N G D& SDCEESN D NN G N G EN NG & E CEI DI Chair: Winny Maas36.000 km PILGRLGRIGE GEJ O UJv oRy aNeE tYNw Er YQaUhQg hSe TE gSo aTl PI IMA MA Chair: Winny Maas 36.000 km GEO - Geostationary Orbit Tutors: Tihamer Salij - Young Wook Joung Tutors: Tihamer Salij - Young Wook Joung Daliana Suryaw Inata O U R o a d E Ur g i GEO - Geostationary Orbit Daliana Suryaw Inata voyagetoward a higher goal2.000 to 34.800 km2.000 34.800 kmto MEO - Medium Earth OrbitMEO - Medium Earth Orbit Fecha / Date: Fecha / Date: February-July 2008 February-July 2008 20.000 km20.000 km One stairway One stairway is hanging from the sky, A journey of 36.000 km 36.000 km is waiting for pilgrims who take it. to take it. A journey of is waiting for pilgrims who decide to decideGPS - Satellite is hanging from the sky,GPS - Satellite one satellite orbiting at same distance that distance that one earth round V E R V E C T ILC AtLr a nrsai n iso t i.o n . . . TIRA t t in ..one satellite orbiting at same one earth roundWalkers will find in will find in his way multiple possibilities, but Walkershis way multiple possibilities, but at the end,at the end, is supporting thesupporting thusweight of thus of steps,is weight of the 240 millions 240 millions of steps,there is onlythere possibility, to reach the top, to the top, to heaven. heaven.one is only one possibility, to reach reach the reach the now this spiralnow this spiral the earth withoutearth without hesitation,path reaches path reaches the hesitation, from frarthetarthetavhea.veo ...arth...rth... e om o h o en... t n e to h a h. e Each potential climber is an encyclopedia, a library,Each potential climber is an encyclopedia, a library, Over the surface of the surface of the earth,Over the earth, an inventory ofinventory a series of styles, of styles, an objects, of objects, a series it looks like rising from the bottom ofthe bottom of the seait looks like rising from the sea and everything within him can be him can be shuffled, shuffled, and everything within constantly constantly C O NCN ENCN E C T I O N O TION160 to 2.000 km160 to 2.000 km toward the infinite in the sky. in the sky.toward the infiniteand reordered in every way conceivable.LEO - Low Earth Orbitand reordered in every way conceivable. LEO - Low Earth Orbit Humankind will be able to ascend from earth tofrom earth to heaven.Humankind will be able to ascend heaven.This climber This climber combinatorial of experiences,with all his with all his combinatorial of experiences,ATMOSPHERE500 kminformation, books he has read, and read, he had imagined; information, books he hasthings and things he had imagined;ATMOSPHERE500 km limit of OXYGEN Corporeal and psychicaland psychical man impulses greatness. greatness.Corporeal man impulses perceive the perceive thehe should choose the speed, the time, the space. the space. he should choose the speed, the time, limit of OXYGEN Now through his perception of the stairs of the stairsNow through his perceptionmagnitude magnitude also arose a spontaneous motion impulse in the spectator. spectator.also arose a spontaneous motion impulse in thePilgirm will suffer multiple changes of changes of perception. Pilgirm will suffer multiple perception. It exists an impulse of an impulse of quiet perception,It exists quiet perception, will be Ascending and Descending a structure a structure which offers movement, will be Ascending and Descending which offers a circular a circular movement, simultaneous with a motion with a motion desire,simultaneous desire,a combination of light, air,of light, time, day and nights.and nights. a combination water, air, water, time, day upward and downward wish of movement.of movement.upward and downward wish Changes of temperature, forces, pressure, gravity, oxygen, mass, volumeChanges of temperature, forces, pressure, gravity, oxygen, mass, volume500C to 1700C Viewer is moved profoundly, profoundly,Viewer is moved 12 stages hold stages hold in spaces of transition foradventure,adventure, 12 in spaces of transition for a climber a climber 500C to 1700C visual characteristicscharacteristics sublime architecture, architecture,visual involved in a involved in a sublimea pilgrimage, pilgrimage, a celebration, a risk a a celebration, a riskstairway which now conduces from earth to heaven. stairway which now conduces from earth to heaven.spaces to celebrateto celebrate life, to commemorate death... spaces life, to commemorate death... Spectators mind is elevated, his imagination is seized, is seized,Spectators mind is elevated, his imagination events, memories, rituals, ceremmonies, parties, festivals, festivals, events, memories, rituals, ceremmonies, parties, and he himselfand he himself is now astonished.is now astonished.dramas, reflection, meditation, meditation, contemplation... dramas, reflection, contemplation...12 stages which celebrate the cycle ofthe cycle of life, 12 stages which celebrate life, Under the possibility the the death, of the death,Under of possibilitythe vertical theater of memories, memories, the vertical theater of THERMOSPHERE200 km200 km36.000 36.000 km heightTHERMOSPHERE is possible the is possible the adventure, adventure,the human comedy, tragedy, drama,the human comedy, tragedy, drama,km height it is possible theis possible the risk,it risk,celebrated in a path fromaconception conception to regenesis. celebrated in path from to regenesis.ONE EARTH ROUND ROUND ONE EARTH-90C it is possible theis possible the future.it future.-90C newnew universal spiritual universal spiritual Pilgirm shouldPilgirm should decide if he of a possible of a possible non return-trip, decide if he akes the risk akes the risk non return-trip, he will chosse between climbing for climbing for ever,he will chosse betweenever,MESOSPHERE 85 km 85 km0 C or just climbing one part and one partback coming back to the earth,or just climbing coming and to the earth, MESOSPHERE e xe p e re ir ei n c e ex pe n c0C an adventure, annew spiritual experience experience a adventure, a new spiritual45 kmONE MiNUTE VIDEO VIDEO ONE MiNUTESTRATOSPHERASTRATOSPHERA45 km C where he can celebrate his celebrate his life andwhere he can life and his death, his death,-70 http://www.youtube.com/watch?v=8PJwVrR5iZIhttp://www.youtube.com/watch?v=8PJwVrR5iZI -70 CTROPOSPHERA 12 km TROPOSPHERA 12 km15 C15 C 9. ...evoking...evoking a profussion of fantasies, a profussion of fantasies, unfolding path of route routeunfolding path of ...you will choose your choose your speed,...you will speed, FIREFIREHEAVEN HEAVEN symbol ofsymbol of process of transformation... process of transformation... your space, your time... your time...your space, 12 + 36.000km+ 36.000km 12regenesisregenesisSTAIRWAYSTAIRWAY15-20cm x 15-20cm x 100cm100cm10-15 millions of steps 10-15 millions of stepswidely space steps are conduciveare conducive to widely space steps toa calm and comfortable pace.a calm and comfortable pace. to NEXT STAGESSTAGES to NEXT 11 11 + 33.000km+ 33.000km death death15-25cm x 15-25cm x 90cm90cm10-12 millions of steps 10-12 millions of steps TRANSITIONTRANSITION 10 10 + 30.000km+ 30.000km contemplationcontemplationsteep stairsteep stairOn a really On a really one is compelledis compelled totop for to the top for fear ofone to hurry to the hurry fear of15 -30cm x15 -30cm x 80cm 80cm falling backwards and down. and down. falling backwards10 millions 10 steps of stepsof millions narrow...narrow stairs implies speed... implies privacy ... stairs implies speed... implies privacy 9 + 27.000km+ 27.000km 9calling calling15-33cm x 15-33cm x 70cm70cm narrow + steep = innite stretch of space and time...narrow + steep = innite stretch of space and time...10-8 millions of steps of steps 10-8 millions the secret ofthe secret passing time passing by, going on... your time of your by, going on...Climbing a Climbing aof stairs ight of stairs exhausting, exhausting,steep ight steep is physically is physically 8 8 + 24.000km+ 24.000km transcending transcendingwe move against the force of gravity whichgravity which presses uswe move against the force of presses us15-40cm x 15-40cm x 65cm65cmdownwards. downwards.10-7.5 millions of steps10-7.5 millions of stepsLOW SPEED LOW SPEED7 + 21.000km+ 21.000km 7mastering mastering2 to 15 kmh2urs 15 kmhourso to15-60cm x 15-60cm x 60cm60cm10-6 millions of steps of steps 10-6 millions 6 + 18.000km+ 18.000km 6excelling excellingVERTICAL VERTICAL THEATER OF THE WORLD THEATER OF THE WORLD15-40cm x 15-40cm x 65cm65cm.....HUMAN COMEDY... HUMAN TRAGEDY... HUMAN DRAMA........HUMAN COMEDY... HUMAN TRAGEDY... HUMAN DRAMA...10-7.5 millions of steps10-7.5 millions of steps 5 + 15.000km+ 15.000km 5 working working20-37.5cm 20-37.5cm x 70cmx 70cm8 millions of steps of steps8 millions MEDIUM SPEEDMEDIUM SPEED4 + 12.000km+ 12.000km 4focusingfocusing300 kmhour300 kmhourthe top in 400 hours : 17 daysthe top in 400 hours : 17 days15-33cm x 15-33cm x 75cm75cm10-9 millions of steps of steps 10-9 millions telefericoteleferico 3 + 9.000km + 9.000km 3exploring exploringThe shallow, gently sloping stairway stairwayshallow, gently sloping The demands little exertionlittle exertionand natural. and natural. demands and is easy and is easy15-30cm x 15-30cm x 80cm80cm10 millions 10 steps of stepsof millions 2 2 + 6.000km + 6.000kmbirthbirth15-25cm x 15-25cm x 90cm90cm HIGH SPEED 1.500 kmhour HIGH SPEED1.500 kmhour ...the infinite...the infinitethe top in 24the top :in 24 hours : 1 dayhours 1 day10-12 millions of steps 10-12 millions of steps60 stops each stops each -24 minutes - each 600 km 60 24 minutes each 600 km conception conception stretchstretch elevatorselevators1 + 3.000km + 3.000km 1The wider and shorter shorter wider andThe , the greater will be the effect be the effect , the greater will of its breadth on the motion and thereby a reduction in reduction inof its breadth on the motion and thereby aofspace of spaceand time...and time... speed. speed....light...light36.000 km 36.000 km total hight total highttime... time...15-20cm x 15-20cm x 100cm100cm 120.000 km ascending ascending120.000 kmEARTHEARTH10-15 millions of steps 10-15 millions of steps CHALLENGE CHALLENGE 120 to 240120 to 240 millions of steps... future universal spiritual-physical experience for mankind...for mankind... millions of steps... future universal spiritual-physical experienceSPEEDSPEED10 to 15 millions ofmillions of steps per stage10 to 15 steps per stageUNIQUE UNIQUE ...each step is the goal...the goal... ...each step isWATER WATER 10. building is broken in diffreten blocks: building is broken in diffreten blocks: ceremonial hall: ceremonial hall:proyecto acadmico - maestra - diseo equipamientoequipamientoproyecto acadmico - maestra - diseo large balcony large balcony toward the canals The building The building is articulated as a toward the canalsis articulated as a north-south visual link with visual link with outside canalsnorth-south outside canalsacademic project - master of science - equipmnet designacademic project - master of science - equipmnet design seven-storey seven-storey structure, one ofstructure, one of USOM iU STOX O M i X TOwhich is sunkwhich is sunk deep into the deep into theVIVIENDAS PARA ESTUDIANTES +VIVIENDAS PARA ESTUDIANTES + H Y B R i D Y B U ii L D i N Gi L D i N G H BR D BUground, keeping as much as as much as ground, keeping studentsstudentsAMPLIACIN UNIVERSIDAD DE AMSTERDAMAMPLIACIN UNIVERSIDAD DE AMSTERDAM possible the buildingsthe buildings profile low possible profile low STUDENT DWELLING + UNIVERSITY UNIVERSITY LECTURE HALLSTUDENT DWELLING + LECTURE HALL in sympathy in sympathy of the scale of the to the scale to thesurroundingssurroundings buildings. Lower buildings. LowerProfesor / Professor: levels achieve the lecture halls,lecture halls, levels achieve theProfesor / Professor:some other student facilities, andsome other student facilities, anddwelling and facilitiesfacilitiesOlindo CassoOlindo Casso dwelling and Arq. Arq.the parking bicycles as abicycles as a main the parking mainFecha / Date: Fecha / Date: purpose of the project not project not purpose of theseptiembre-diciembre 2007 /september-december 2007septiembre-diciembre 2007 /september-december 2007encourage the use of cars or of of cars or of encourage the use other polluting transportationother polluting transportation Lugar / Location:Lugar / Location: means. means.Binnengasthuis Historic Center - Amsterdam, Netherlands Netherlands Binnengasthuis Historic Center - Amsterdam,The new buildingnew building is a line whichThe is a line which Linear public space connected with inner collectiveinner collective space:Linear public space connected with space:in its east edgeits east edge -ground floor- hasin -ground floor- hasstudents can encourage unanticipated and spontaneous events students can encourage unanticipated and spontaneous eventsthe main entrance, which is the main entrance, which is Situated in aSituated incommercial district in district in busy and a busy and commercialThis linear public space covers the parking bicycles in the bicycles in theonly pedestrian butpedestrian but alsoThis linear public space covers the parking way that not way that not only alsodirectly linked to the linked air the open airdirectly open toAmsterdam (Binnengasthius complex arecomplex are actually Amsterdam (Binnengasthius actuallybicycles can go inside and go inside and outside the core of the block.bicycles can outside the core of the block.theater, and theater, and in its west part has in its west part hasused by the University ofUniversity of Amsterdam) this used by the Amsterdam) thisthe restaurant linked to Rokin the restaurant linked to Rokinneighborhood is often bustledoften bustled by traffic and people. neighborhood is by traffic and people. Street. In between of them are of them areStreet. In between However, once a person enters into the campus area,However, once a person enters into the campus area,located cafeteria and some and somelocated cafeteriathe crowd seemscrowd seems to disappear. It might be because the to disappear. It might be because seminar rooms whichrooms which allowseminar allowthe campus is well fenced off. Most of the existing the existing the campus is well fenced off. Most of students andstudents an easypeople and people an easybuildings actbuildings act like a a dike, which do notwhich do notlike a barrier, like barrier, like a dike, approachingapproaching to upper In the upperto them. In the them.invite peopleinvite people centerto the center of this block. to go to the to go of this block.levels are distributed all the levels are distributed all the Occasionally there are crowds of people walkingOccasionally there are crowds of people walking dwellings, which offer different dwellings, which offer differentthrough the campus, the campus, but theyThis is also This is also through but they never stop. never stop. possibilities for students for studentspossibilitiesbecause the becauselacks of a focal point, a place, a a place, a campus the campus lacks of a focal point,accommodation, diverse types of accommodation, diverse types ofnode in which students can studentstogether. A place node in which gather can gather together. A placedwellings: along the canal double dwellings: along the canal doublein which the campus can campus can contribute to the city as an in which the contribute to the city as anhigh rooms especially for two high rooms especially for twourban park -especially green-, which could which could be hardly urban park -especially green-, be hardly persons, at the south faadefind in the city center ofcity center of Amsterdam. find in the Amsterdam.new focal persons, at the south faadenew focal point: point: square with ansquareair theater smaller rooms for one person, one person,open with an open air theatersmaller rooms for and in the corners of the building the buildingand in the corners ofFollowing these main ideas the proposalthe proposal provide Following these main ideas provide bigger sharing solutions for solutions for threebigger sharing threepublic spaces for the campus as well for the city, and the city, andpublic spaces for the campus as well for or more people.or more people.as a hybrid building, it isbuilding,function throughout throughoutas a hybrid able to it is able to functionday and night to and night most out thethe building. the building.day make the to make of most out of Urban purpose is got through a main routea main route that Urban purpose is got through thatlinks the building withbuilding with its surroundings: a line whichlinks the its surroundings: a line whichconnects Rokin Street Rokin Street with the new focal point ofconnects with the new focal point ofAmsterdam University. University.Amsterdamhabitaciones para estudiantes / estudiantes / habitaciones parasalas de estudio y computadores /hall, acceso, restaurante y cafetera / y cafetera /conferencias, conferencias, bicicletas, acceso /salas de estudio y computadores / hall, acceso, restaurante bicicletas, acceso / student dwellings student dwellingsstudy and meeting roomsmeeting roomsaccess, restaurant andrestaurant and cafeteriastudy and hall,hall, access, cafeteria lecture halls, bicycles,halls, bicycles, access lecture accessN.+19.05N.+19.05 N+9.00N+9.00N+4.50N+4.50 N+0.00N+0.00 11. proyecto profesional - diseo equipamiento - concursoproyecto profesional - diseo equipamiento - concursoprofessional project - equipmnet design - competititon - competititon4professional project - equipmnet design4edi cio publico cio publicoediP U B L i C B U iB L i iC G U i L D i N G PU LD N BCEMENTERIO CENTRAL de CENTRAL de BOGOT, D.C.CEMENTERIO BOGOT, D.C.CENTRAL CEMETERY of CEMETERYD.C.CENTRAL BOGOTA, of BOGOTA, D.C.Bogota Central Bogota CentralEquipo Proponente / Work Group: / Work Group:Equipo ProponenteCemetery CemeteryArq. Diego Hernndez Arq. Diego HernndezArq. Carolina Torres - Arq. Alejandro Piol Alejandro Piol Arq. Carolina Torres - Arq. Arq. Andreia Pealoza CaicedoArq. Andreia Pealoza CaicedoCliente / Client: Cliente / Client:SCA - Unidad Ejecutiva Unidad Ejecutiva de Servicios PblicosSCA - de Servicios PblicosFecha / Date: Fecha / Date:enero-febrero 2007 /january-february 2007enero-febrero 2007 /january-february 2007Lugar / Location: Lugar / Location:Calle 26 a 24 - Carrera 14 a 21,Carrera 14 a 21, Bogot, D.C.Calle 26 a 24 - Bogot, D.C.mountains and buildings as a backdropd mountains and buildings as a backdropdCentral Cemetery is a city, according city, according with its socialCentral Cemetery is a with its socialand shape configuration. About its shape, the centraland shape configuration. About its shape, the centralellipse is an element which contains which contains Colombianellipse is an element Colombianpolitical power:political power: the church as elementthe church as a composition a composition elementlos cerros y los edificios como teln de fondo de fondolos cerros y los edificios como telninside the ellipse. Aroundellipse. trapeze it, one trapeze contains allinside the it, one Around contains allthe blocks inhabited by their citizens. Outside walls Outside wallsthe blocks inhabited by their citizens.are protecting the inside city, accesses breaking these breaking theseare protecting the inside city, accesseswalls are the compositionthe composition element toward thewalls are element toward theexterior. Two symmetrical axes (horizontal and(horizontal andexterior. Two symmetrical axesvertical) define vertical) define the spatiality of the necropolis. the spatiality of the necropolis.Extension project is a THEATER whichTHEATERtheExtension project is a defines which defines thetransition between the city of the dead and the city of and the city oftransition between the city of the deadthe alive people, DOORpeople, DOOR one city with one city withthe alive which connect which connectthe other. It is and space for meeting, forfor meeting, for citizensthe other. It is and space citizenscoexisting, it is a space where a space where dead are transmutingcoexisting, it is dead are transmutingin a stage where alive people are acting. Theare acting. The newin a stage where alive people newspace is a link with dead, link with dead, and alive people who arespace is a and alive people who arewalking along it. walking along it.Furthermore, there is a connection is a connection with the immediateFurthermore, there with the immediatesurroundings, from the Mambo Museum at the Museum at the east ofsurroundings, from the Mambo east ofthe city, until Renaissance Park at the west. Not only west. Not onlythe city, until Renaissance Park at thecars but also pedestrianalso pedestrian withintegrated with thecars but are integrated are theneighborhoods: Santa F, Teusaquillo,F, Teusaquillo, Internationalneighborhoods: Santa InternationalCenter, Future Transmilenio Station, Future Station, Future Urban Park.Center, Future Transmilenio Urban Park.It is not only a mix between a mix between nature and city, its a It is not only nature and city, its ablending of cityblending of city withbetween insidebetween insidewith city; transition city; transitionand outside. BUILDINGS AND MOUNTAINS AS A and outside. BUILDINGS AND MOUNTAINS AS ABACKDROP are highlighting thehighlighting the richness of the BACKDROP are richness ofnatural and urban landscape. natural and urban landscape.Urban Equipments, buildings of cultural interest, are interest, are Urban Equipments, buildings of culturalnow linked withnow great monument and monumentpatrimony.this linked with this great historical and historical patrimony.pieza urbana pieza urbana : responsabilidad de ser y generar ciudad: responsabilidad de ser y generar ciudad urban piece :piece propelling responsability urban city : city propelling responsabilitydead people city city [necropolis], inside alive people city dead people [necropolis], inside alive people cityciudad de los muertos [necropolis] [necropolis] ciudad de los muertosdentro de la dentro de la ciudad de los vivos ciudad de los vivos 12. soul theater: soul theater: proyecto profesional - diseo equipamiento - equipamiento - concursoproyecto profesional - diseo concurso professional project - equipmnet design - competititon - competititon 4professional project - equipmnet design 4 CEMENTERIO CENTRAL deCENTRAL de BOGOT, D.C. B L i C B U iB L i iC G U i L D i N G PUPU LD N BCEMENTERIO BOGOT, D.C. CENTRAL CEMETERY of CEMETERY of BOGOTA, D.C. CENTRAL BOGOTA, D.C. dialogue with with dialogueBogota CentralBogota Central Equipo Proponente / Work Group: / Work Group:Equipo Proponentethe deceased,the deceased,CemeteryCemetery Arq. Diego Hernndez Arq. Diego Hernndez Arq. Carolina Torres -Carolina Torres Piol Alejandro Piol Arq. Arq. Alejandro - Arq. Arq. Andreia Pealoza Caicedo - Arq. Andres Moreno Andres Moreno Arq. Andreia Pealoza Caicedo - Arq. the mind acts acts the mind Cliente / Client: Cliente / Client: SCA - Unidad Ejecutiva de Servicios PblicosSCA - Unidad Ejecutiva de Servicios Pblicosremembering remembering Fecha / Date: Fecha / Date: enero-febrero 2007 /january-february 2007 enero-febrero 2007 /january-february 2007 the images imagesthe Lugar / Location: Lugar / Location:of previuos lived times timesof previuos lived Calle 26 a 24 - Calle 2614 24 - Carrera 14 a 21, Bogot, D.C. Carrera a a 21, Bogot, D.C. Vertical connection between the heaven and theVertical connection between the heaven and the earth, light which pass through the holes of the holes of theearth, light which pass through the elevated volumes; moreover, these holes areelevated volumes; moreover, these holes are balconies toward the stage where alive people alive peoplebalconies toward the stage where interact with dead.interact with dead. Walking alongWalking along the dead world, alive people descend the dead world, alive people descend among tombstones and charnel houses. Each 3mtsamong tombstones and charnel houses. Each 3mts everything is modulated, as modulated, as the existing structure; iteverything is the existing structure; it generates enclosures thatenclosures that are reflected in the newgenerates are reflected in the new topography and in the distributionthe graves in the graves in thetopography and in of distribution of place. place.Chimney of the crematorium thean element of composition which not only which not only Chimney of is crematorium is an element of compositionintegrates the functions and walkways of the walkways of the existing cemetery, but also integrates the functions and existing cemetery, but alsothe two wings ofthe two wings of tombstones andof the additionalof the additionaltombstones and charnel houses charnel housesproject. It is useful for natural ventilation, being also a thermal element thermal element project. It is useful for natural ventilation, being also acrematorium chimney is integrated into theinto the backdropbackdropcrematorium chimney is integrated teln de fondofor the zone of exhumation, preparation andpreparation and cremation of bodies. for the zone of exhumation, cremation of bodies.la chimenea se integra alla chimenea se integra al teln de fondo GREEN AREA - SIDE WALK - CYCLEPATH 24 STREET EXISTENT CENTRAL CEMETERY BOGOTA, D.C. GREEN AREA - SIDE WALK - CYCLEPATH24 STREET EXISTENT CENTRAL CEMETERY BOGOTA, D.C. PROPOSAL for FUTURE EXPANSION PROPOSAL for FUTURE EXPANSION 13. proyectoproyecto profesional general y detalles detalles -profesional - diseo - diseo general y -pesupuesto pesupuestoprofessional project - general - and details design - budget - budget professional project general and details designEDiFiCiOS PBLiCOS EDiFiCiOS PBLiCOS PUBLiCPUBLiC BUiLDiNGS BUiLDiNGSREMODELACIN BIBLIOTECA CENTRALREMODELACIN BIBLIOTECA CENTRAL Biblioteca BibliotecaCENTRAL LIBRARY REMODELING PROJECT CENTRAL LIBRARY REMODELING PROJECTDireccin del Proyecto / Project Manager:Manager:Direccin del Proyecto / ProjectArq. Camilo AvellanedaArq. Camilo AvellanedaUniversidad UniversidadGrupo de Grupo de Trabajo / Work Group: Trabajo / Work Group:Arq. David Morales Morales - Arq.GutierrezGutierrezArq. David - Arq. Virginia VirginiaArq. Andreia PealozaPealoza CaicedoArq. Andreia CaicedoNacionalNacionalFecha / Date: / Date: Fechasalas de salas deylectura y consulta - especificaciones tcnicas mobiliario y luzlectura consulta - especificaciones tcnicas mobiliario y luzFebruaryFebruary 2005 - 2006 2006 2005 - January Januaryreading and researching rooms furniture techincal especifications / /reading and researching rooms - furniture- and light and light techincal especificationsLugar / Location: Location:Lugar /Bogota, D.C. - ColombiaBogota, D.C. - ColombiaThe Central Central of the Colombian National The Library Library of the Colombian NationalUniversity is set in the Ches square, square, main public University is set in the Ches main publicspace of this huge Alma Mater. This antique antique building space of this huge Alma Mater. This buildingconstructed 30 years ago is utterlyisadapted to coverto cover constructed 30 years ago utterly adaptedthe present-future needs for academic population. the present-future needs for academic population.corte transversal por salas de salas deylectura y vaco/central / corte transversal por lectura vaco centralThe adaptation project becomes the existent existent building The adaptation project becomes the building cross section through reading rooms and central voidcross section through reading rooms and central voidin a new library which will reopen its doors indoors in the in a new library which will reopen its thethird millennium, in the age theinternet,internet, of the third millennium, in of age of of thedazzling revolution information and communication dazzling revolution information and communicationtechnology. Therefore, Library of Arts in the first the first technology. Therefore, Library of Arts infloor, videotech, sonotech, internet internet consulting seats, floor, videotech, sonotech, consulting seats,planta primer piso / piso /planta primer first floor first floor plan planmusic room, individual and/or group studying seats, seats, music room, individual and/or group studyingand a great a great exhibition hall, will makelibrary library and exhibition hall, will make up this up thisin a new actualize space inspace in accordance with the in a new actualize accordance with thetechnologic and contemporaneous necessities. technologic and contemporaneous necessities.Preserving the architectural buildingbuilding principles, such Preserving the architectural principles, suchas the ground floor open generated by its by its as the ground floor open generatedstructural pilotis system, system, all areas are structural pilotis all library library areas areintegrated and visualized as a wholea whole space and not integrated and visualized as space and notas a fraction fraction of itself. In accordance to previously as a of itself. In accordance to previouslyexposed reason suitable suitable furniture is disposed and exposed reason furniture is disposed andselectedselected that none element overpasses a 1.0 m that none element overpasses a 1.0 mheight, height, workingreadingare mixed with with workingreading rooms rooms are mixedresearching ones, and spaces where iswhere is necessary are researching ones, and spaces necessary areenclosed with glass transparent walls. The enclosed with glass transparent walls. Theconstruction, which has 8000 m2, is goingis going tol hold in construction, which has 8000 m2, tol hold in810 seats and 300.000 volumes. 810 seats and 300.000 volumes.Selection and design with all its technical Selection and design with all its technical Aberturas Aberturas horizontales son diseadasfachadas para introducir el aire exterior HorizontalHorizontal slits areover facades tofacades to external air into air intocorte longitudinalhorizontales son diseadas sobre las sobre las fachadas para introducir el aire exterior slits are designed designed over introduce introduce external corte longitudinalspecifications of materials (floors, ceilings,ceilings, lamps) specifications of materials (floors, lamps) al edificio.al edificio. La diferencia de presin conduce el aire atravs del cielo raso La diferencia de presin conduce el aire atravs del cielo raso the building. The press difference difference conduct the air microperfored the building. The press conduct the air through a through a microperfored vacopor vaco central / porcentral /perspectiva primer piso / piso /perspectiva primermicroperforado al vaco central, el central, el cual acta como una extrayendo el aire. el aire. to the centralthe central void, whichduct extracting extracting it; this methodmicroperforado al vaco cual acta como una chimenea chimenea extrayendo ceiling ceiling to void, which acts as a acts as a duct it; this methodand furniturefurniture (bookcases,chairs, offices, offices, and (bookcases, tables, tables, chairs,Este mtodo conocido como "efecto termosifn" ahorra energa y produce y produce ventilacin as thermo siphon effect saves energy and produces natural naturalEste mtodo conocido como "efecto termosifn" ahorra energa ventilacin known known as thermo siphon effect saves energy and produces longitudinal section section longitudinalservice areas) always quest toquest to optimize electric, service areas) always optimize electric, axonometric view first view first floor axonometric floor ventilation.ventilation.through central void through central voidlighting,lighting, acoustic conditions.acoustic and air and air conditions. 14. proyecto profesional - dibujo y colaboracin diseo proyecto profesional - dibujo y colaboracin diseo professional project - drawing project - drawing and design collaboration professional and design collaboration99 RESTAURACIN y ADECUACON del ANTIGUOdel ANTIGUORESTAURACIN y ADECUACONEscuela Escuela EDIFICIO de la IMPRENTA la IMPRENTA DEPARTAMENTALEDIFICIO de DEPARTAMENTALRESTORATION and ADAPTATION ADAPTATION of RESTORATION and of33 the ANTIQUE DEPARTMENTALS PRESS BUILDING BUILDINGthe ANTIQUE DEPARTMENTALS PRESS9998 9 877 2 2 Direccin del Proyecto / Project Manager: / Project Manager:Direccin del Proyecto Taller Taller Arq. Luis EduardoArq. Luis Eduardo AyerbeAyerbe 66 Grupo de trabajo /Grupo Group: Work de trabajo / Work Group: Marta Cecilia Sotelo R. Marta Cecilia Sotelo R. Carlos Javier Idrobo A. Javier Idrobo A. Carlos PopaynPopayn Andreia Pealoza Caicedo Andreia Pealoza Caicedo Fecha / Date:2 2 Fecha / Date: julio 1998 - july 1998 1998 - july 1998julio carrera 9carrera 9 Lugar / Location: Lugar / Location:545 4 Centro Colonial /Centro Colonial / Colonial Downtown, Popayn - Cauca Colonial Downtown, Popayn - Cauca Localizacin en Popayn / Location in Popayn Localizacin en la Manzana /en la Manzana / Ground Plan inside the BlockLocalizacin en Popayn / Location in Popayn Localizacin Ground Plan inside the Block1 11. Oficinas 1. Oficinas Despus del terremoto de 1983, el cual dej la el cual dej la Despus del terremoto de 1983, 2. Salones2. Salones ciudad de Popayn semidestruida, semidestruida, han sido muchos ciudad de Popayn han sido muchos3. Cafetera3. Cafetera los proyectos planeados y ejecutados para recuperarpara recuperar los proyectos planeados y ejecutados 4. Biblioteca 4. Biblioteca la capital caucana, declarada aos ms tarde la capital caucana, declarada aos ms tarde 5. Vivero 5. Vivero6. Carpintera y Restauracin6. Carpintera y Restauracin patrimonio cultural de la humanidad. la humanidad. patrimonio cultural de 7. Forja7. Forja8. Cantera 8. Cantera La Escuela Taller es uno de ellos.es uno de ellos. En medio del centro La Escuela Taller En medio del centro9. Almacn y Depsitos9. Almacn y Depsitos fundacional del casco urbano, casco urbano, antes aos antes fundacional del y donde aos y donde1. Offices1. Offices hubiese funcionado la Imprenta Departamental se hubiese funcionado la Imprenta Departamental se2. Classroomscorte transversalcortevolumen de acceso y patio /acceso y patio /por transversal por volumen de2. Classrooms levanta hoy una escuela de una escuela dehabitantes. sus habitantes. through access volume and courtyard and courtyard levanta hoy artes para sus artes paracross sectioncross section through access volume3. Cafeteria3. Cafeteria Convenio entreConvenio entre laEspaa y entidades y entidadesla Embajada de Embajada de Espaa 4. Library4. Library11 11 1 1 Colombianas, se llevo a cabo se llevo a cabo este proyecto orientado Colombianas, este proyecto orientado 5. Hothouse Flowers Hothouse Flowers5.6.6. Carpentry and Restoration Carpentry and Restoration a personas de a personas de bajos recursos, para aprenderbajos recursos, para aprender 7. Forging Room 7. Forging Room tcniacas de expresiones culturales y artsticas, y artsticas, tcniacas de expresiones culturales8.8. Hewing Stone Room Hewing Stone Room adems alrededor de la restauracin. restauracin. adems alrededor de la 9. Store and Deposits Store and Deposits9.plazoleta camilo torres plazoleta camilo torres - calle 4- calle 4 acceso / acces acceso / acces Una construccin de muchos aos de antigedad, antigedad,Una construccin de muchos aos deplanta primer piso / first floor plan / first floor planplanta primer piso en la que principalmenteprincipalmente se conserva su tipologaen la que se conserva su tipologa de claustro con patio central es restaurada y restaurada yde claustro con patio central es adecuada para prestar este servicio a la comunidad. la comunidad.adecuada para prestar este servicio a La arquitectura colonial con sus caractersticas caractersticas La arquitectura colonial con sus originales es conservadaes conservada al mximo: detalles de originales al mximo: detalles de puertas, ventanas, arcos, cubiertas, patios, etc, sonpatios, etc, son puertas, ventanas, arcos, cubiertas, diseados y dibujados pensando adems en las adems en las diseados y dibujados pensando necesidades de sus futuros estudiantes. Enestudiantes. En torno a necesidades de sus futuros torno a los dos patios centrales se disponen las aulas y los dos patios centrales se disponen las aulas y talleres de trabajo, conde trabajo, reas de servicio. de servicio. talleres las dems con las dems reas curia arquidioscesana arquidioscesana curiaacceso principal /main accessacceso principal /main access Sus fachadas exteriores son restauradas de restauradas de tal formaSus fachadas exteriores son tal forma que mantengan su relacin con su relacin con mismo y as mismoque mantengan la ciudad y as la ciudadfachada calle 4 / facade calle 4 / facade 4th street fachada 4th street plazoleta e Iglesia de San e Iglesia de San Francisco / plazoleta Francisco /small square and small square andchurchFrancisco" church "San Francisco" "San con la plazoleta que sirve de atrio tanto a laatrio tanto a la Esuelacon la plazoleta que sirve de Esuela Taller como a la iglesia de a la iglesia de San Francisco.Taller como San Francisco. fachada carrerafachada carrera 9 / facade 9th avenue 9 / facade 9th avenue 15. proyecto profesional - diseo casa rural professional project - rural house desing casa ruralproyecto profesional - diseoCasaprofessional project - rural house desing 4Casa CASA en RICAURTE 4 ViViENDAC A S A e n R I C A U R at EHOUSE T RICAURTE HOUSiNG ViViENDA HOUSE at RICAURTEHOUSiNGRicaurte Ricaurte Equipo Proponente Work Group: / Work Group:/ Arq. Fredy Flrez Proponente EquipoArq. Fredy Flrez Arq. Carlos GranadaArq. Carlos Granada Arq. Andreia Pealoza CaicedoArq. Andreia Pealoza Caicedo Cliente / Client: Ulises Maldonado / Client: Cliente Ulises Maldonado Fecha / Date: octubre 2006Fecha / Date:/october 2005 octubre 2006 /october 2005 Lugar / Location:Lugar / Location: Ricaurte.Cundinamarca / Colombia Ricaurte.Cundinamarca / Colombia Siguiendo las condiciones condiciones del lugar,cas del lugar, laplanta piso bajo /Siguiendo las geogr cas geogr la planta piso bajo / ground oor plan intencin del proyectodel crear un REFUGIO un REFUGIO para elintencin es proyecto es crear para el ground oor plan hombre del calor y de los insectos, los insectos, espec camentehombre del calor y de espec camente durante las horas dellas horas del da en que estas dosdurante da en que estas dos condiciones condiciones son ms fuerte.son ms fuerte. Los ARBOLES de ARBOLES de la zona, los cuales con su follaje Los la zona, los cuales con su follaje expandido logran esa misma intencin deintencin de expandido logran esa misma proteccin; se retoman en una estructura de madera de madera proteccin; se retoman en una estructura que ascendiendoascendiendo desde ella cubierta es cubierta es que desde el suelo hasta suelo hasta la similar a la espacialidad-refugio formada porformada por los similar a la espacialidad-refugio los rboles.rboles. Un cerramiento cerramiento en TAPIA PIZADA envuelve la Un en TAPIA PIZADA envuelve la estructura en madera yen madera y conformar los diferentes estructura conformar los diferentes espacios de la casa. de la casa. espacios Materiales Renovables, Renovables, comomadera, y la madera,Materiales como la tierra y la la tierra son empleados en el proyecto bajo el concepto deconcepto deson empleados en el proyecto bajo el sostenibilidad, el cual ademscual adems se estudiara ms asostenibilidad, el se estudiara ms a fondo para de nir los sistemas los obtencin defondo para de nir de sistemas de obtencin de agua, energa y ventilacinyaventilacin a travs de procesosagua, energa travs de procesoscorte transversal A-A / Cross Section / Cross Section A-Acorte transversal A-A A-Acorte longitudinal B-B / longitudinal section B-Bcorte longitudinal B-B / longitudinal section B-B 16. proyecto profesional - diseo de espacios interiores proyecto profesional - diseo despaces design professional project - interior espacios interiores 4 professional project - interior spaces designOFICINA OPCIONES en NEGOCIOS 4 OFICINA OPCIONES en NEGOCIOS DEALS OFFICE OPEN OPEN DEALS OFFICE O cinas Equipo Proponente Work Group:/O cinas Arq. Fredy Flrez Equipo Proponente Work Group:/ Arq. Fredy Flrez Arq. Andreia Pealoza Caicedo Arq. Andreia Pealoza CaicedoOpen DealsOpen DealsCliente / Client: Cliente / Client: S.A., Ulises MaldonadoOpen Deals Open Deals S.A., Ulises Maldonado Fecha / Date: Fecha / Date: julio-octubre 2006 / july-october 2006 julio-octubre 2006 / july-october 2006 Lugar / Location: Lugar / Location:Word TradeCenter / Bogota, D.C. Colombia Word TradeCenter / Bogota, D.C. Colombia Una mesa dede dinero central alrededor decual se seUna mesa dinero central alrededor de la la cual distribuyen tres o o cinas privadas, Sala de de Juntas ydistribuyen tres cinas privadas, la la Sala Juntas y el el acceso con la Recepcin.acceso con la Recepcin. Desde el el Detalle de Cerradura hasta la Seleccin Desde Detalle de la la Cerradura hasta la Seleccin de Materiales para piso y cielo raso, la combinacin de Materiales para piso y cielo raso, la combinacin de colores y materiales generan unun ambiente de de colores y materiales generan ambiente de confort para el el trabajo. confort para trabajo. Las ventanas sese liberan de cualquier tipo de uso paraLas ventanas liberan de cualquier tipo de uso para permitir la la entrada de luz natural,la luzluz arti cial sepermitir entrada de luz natural, y y la arti cial se distribuye adecuadamente para tener su su cientedistribuye adecuadamente para tener ciente iluminacin enen las noches.iluminacin las noches. LaLa imgen coprorativa de o o cina se evidencia enimgen coprorativa de la la cina se evidencia en los paneles dede policarbonato, que no slo cumplenlos paneles policarbonato, que no slo cumplen con susu fucnin de elementos divisorios, ademscon fucnin de elementos divisorios, ademstienen luz interna como complemento a tienen luz interna como complemento a la lailuminacin. iluminacin. Los muebles sese de nen conmbinando diferentes Los muebles de nen conmbinando diferentes colores dede chapilla, con cual se se logra dinamismo colores chapilla, con lo lo cual logra dinamismo en el el ambiente, as mimso como diferenciacin de en ambiente, as mimso como diferenciacin de funciones y espacios. funciones y espacios.mesa de dinero/ tabletable money mesa de dinero/ money o cina jefe / boss oboss o ceo cina jefe / ce o cina privada /private o/private o ce o cina privada ce 17. La nueva propuesta propuesta La nuevaproyecto de grado Ide grado I - ciclo propositivo proyecto - ciclo propositivodebe:debe: graduation project I - propositional cyclegraduation project I - propositional cycle1. conectar la1. conectar laUSOU S OT O M i X T O MiXtextura deltextura del costado costadoUN HITO EN CHAPINEROUN HITO EN CHAPINERO H Y B R H D B B U D L D UN G D i N G i Y R i i B i i L oriental deoriental de lalaconsolidacin de la estructura estructura urbana como espacioconsolidacin de la urbana como espaciocarrera spti ma con ma con carrera spticolectivo colectivo la textura occidental.la textura occidental.chapinerochapineroCHAPINERO LANDMARKCHAPINERO LANDMARK urban net consolidation through a collective space space urban net consolidation through a collective2. amortiguar los usos los usos 2. amortiguarde alto impacto delde alto impacto delProfesores /Profesores / Professors: Professors: costado occidentaloccidental costadolandmarklandmarkArq. Daniel BermdezBermdezArq. Daniel de la carrera sptima. sptima.de la carreraArq. Camilo AvellanedaArq. Camilo Avellanedatrabajo individual individual / individual worktrabajo / individual work Fecha / Date:Fecha / Date:Esta transicin absorbe las diferencias entre Esta transicin absorbe las diferencias entre2003 - semestre-Isemestre I - Universidad de los Andes, Bogot, D.C.2003 - Universidad de los Andes, Bogot, D.C.la zona comercial activa del costado occidental, la zona comercial activa del costado occidental,y la zona residencialresidencial pasiva del costado orrientaly la zona pasiva del costado orrientalde la carrera sptima. sptima. de la carrera60th Street on Street on 7th Avenue is the chosen-analyzed60th 7th Avenue is the chosen-analyzedpoint in Bogotin Bogot city. Its geographic positionpoint city. Its geographic position[inside the "City Central Piece"], recognizes it[inside the "City Central Piece"], recognizes itas a strong character character area, with great urban dynamics.as a strong area, with great urban dynamics. Being a longitudinal, metropolitan, and expansionBeing a longitudinal, metropolitan, and expansionaxis from axis from north, 7th Avenue isAvenue is also asouth to south to north, 7th also asequencesequence of historical public spaces; which creates of historical public spaces; which createsa westernaand easter city fragmentation: cityswestern and easter city fragmentation: cityseastern border, axis de ning boundaries between between eastern border, axis de ning boundarieshill-inclined city and city and at-orthogonal multiuse city. hill-inclined at-orthogonal multiuse city.calle 60 - barrio chapinero chapinero / calle 60 - barrio /Additionally, this street hasstreetahas aslo a great impact Additionally, this aslo great impact60th street 60th street - neighborhood- chapinero chapinero neighborhood inside citys Mobility System, but without having theinside citys Mobility System, but without having theenough service capacity according with the with the enough service capacity accordinghuge passengers transportation demand; demand; therefore, huge passengers transportation therefore,it is neededis needed toMass-Transportation System. System. it to de ne a de ne a Mass-Transportation60th Street - Hippies-Park is the foundation point60th Street Hippies Park is the foundation pointof Bogotas Bogotas rstneighborhood: Chapinero.of rst satellite satellite neighborhood: Chapinero.However,However,has defenitely lost the urban scale today, it today, it has defenitely lost the urban scalethat it had before, also as a referencereference point alongthat it had before, also as a point along7th avenue. This point is a point is aof multiple multiple7th avenue. This mixture mixture ofcommercial and residential activities,activities, public spacecommercial and residential public spacede ciency, and a high demand for parking areas. areas.de ciency, and a high demand for parkingThis new This new architectural intervention consolidatesarchitectural intervention consolidatesChapineros urban structure structure under an organizedChapineros urban under an organizedintegration of a multiplicity of fragments; all of them of themintegration of a multiplicity of fragments; all 7th avenue7th avenue - axis / - expansion expansion axis /able of mixingof mixing under a single intervention.able under a single intervention. carrera sptima ejesptima eje de expansincarrera de expansinTherefore, it emergesn a new landmarklandmark on 7thTherefore, it emergesn a new on 7th Borde oriental de oriental deeje ciudad, eje que delimita Borde la ciudad, la que delimitaAvenue, which is not only connecting two city poles, poles,Avenue, which is not only connecting two cityla ciudad de los cerros, de lo inclinado; inclinado; la ciudad de los cerros, de loundergroundundergroundGROUND FLOOR FLOOR - PUBLIC LEVEL LEVELGROUND - PUBLIC SPACE SPACE de la ciudad de lo plano, de las calles ortogonales.de la ciudad de lo plano, de las calles ortogonales.but also reactivating the urban mesh. mesh.but also reactivating the urban GIS image productionproductionGIS image 18. Two axis of composition Two axis of composition proyecto de grado II - ciclo propositivoproyecto de grado II - ciclo propositivo de ne the proposal:de ne the proposal: graduation project II - propositional cyclegraduation project II - propositional cycleEastWest, EastWest,U S O S O M i XM i X T OUTOLa Salle La Salle Church:Church:UN HITO ENEN CHAPINEROUN HITO CHAPINERO H YH Y B R i D UB U D L D G N GB R i D B i L i i Ni this axisthis axis implicity and implicity and consolidacin de la estructura urbana como espacioconsolidacin de la estructura urbana como espaciosymmetrically divides divides symmetrically chapinerochapinerothe place inplace in two parts. the two parts.CHAPINERO LANDMARKCHAPINERO LANDMARK urban netnet consolidation through a collective spaceurban consolidation through a collective spaceNorthSouth, NorthSouth, the existantexistant land subdivision the land subdivision landmarklandmarkin plots in plots ofwide, wide, of 7.5mts 7.5mts Profesores / Professors:Profesores / Professors:modules the newthe new proposal modules proposal Arq. Daniel BermdezArq. Daniel Bermdez new proposal. new proposal. Arq. Jos Ignacio RengifoArq. Jos Ignacio Rengifo Arq. Camilo AvellanedaArq. Camilo AvellanedaLeavingLeaving the most possible the most possible2003 - semestre II II 2003 - semestre free space inspace in the ground oor: free the ground oor:housing-o ces, multiusehousing-o ces, and oneand one multiuseUniversidad de los Andes, Bogot, D.C.D.C. Universidad de los Andes, Bogot, buildings arise from a great distance buildings arise from a great distance o the The Intervention o the ground.ground. The Intervention The architectural project, which is as much an anThe architectural project, which is as muchis understood as a single a single building, is understood as building, element of infrastructure as aas a building, consists of aelement of infrastructure building, consists of awhich iswhich is crossed by a vial axis.crossed by a vial axis. subterranean commercial andand cultural level actingsubterranean commercial cultural level acting as a spine which connects its separate organs: 2 2as a spine which connects its separate organs: underground parking-garage levels for 700700 carsunderground parking-garage levels for cars with a gasgas station service, subterraneanwith a station service, subterraneanTransmilenio or Metro station, Hippies Park, Transmilenio or Metro station, Hippies Park, multiple activities, housing, andand ce buildings.multiple activities, housing, o o ce buildings. Discontinuity on Hippies Parks surface enables Discontinuity on Hippies Parks surface enables connection with lower levels, as well as their connection with lower levels, as well as their natural ventilation andand lighting. Architectural natural ventilation lighting. Architectural elements such as stairs, ramps, landscaping, andand elements such as stairs, ramps, landscaping, light are are accurately distributed creating a friendly light accurately distributed creating a friendly environment useful for dwellers. Park Central environment useful for dwellers. Park Central Stairs, which project towards the the "La Salle" Stairs, which project towards "La Salle" church, notnot only have the function of church, only have the function of"SINGLE PLACE OF COMMON INTERESTS, WHERE THE PUBLIC THE THE PRIVATE IN A IN A COLLECTIVE SPACE"SINGLE PLACE OF COMMON INTERESTS, WHERE THE PUBLIC AND AND PRIVATE MEET MEET COLLECTIVE SPACE communicating thethe upper public space with the communicating upper public space with the "LUGAR DE INTERESES COMUNES DONDE LO PUBLICO Y LO PRIVADO SE ENCUENTRAN EN UN ESPACIO COLLECTIVO "LUGAR DE INTERESES COMUNES DONDE LO PUBLICO Y LO PRIVADO SE ENCUENTRAN EN UN ESPACIO COLLECTIVO lower cultural-commercial one, butbut also of acting lower cultural-commercial one, also of acting as a small square, andand they look toward the east as a small square, they look toward the east mountains, pointing outout the mountains and the church. mountains, pointing the mountains and the church. The housing and o ce building on 7th 7th Avenue isThe housing and o ce building on Avenue is made up of three bodies which give volumetric andandmade up of three bodies which give volumetric functional continuity to thisthis metropolitan axis: thefunctional continuity to metropolitan axis: the smallest volume avoids butts being added to the thesmallest volume avoids butts being added to existing building; thethe ces ces volume, whichexisting building; o o volume, which releases free public space to inhabitants, alsoalso hasreleases free public space to inhabitants, has on on roof a public terrace extended from the theits its roof a public terrace extended from ground ooroor through outdoor stairs; and a thirdground through outdoor stairs; and a third New Hippies Park, public public spaceNew Hippies Park, space1ST. UNDERGROUND - COMERCIAL LEVEL LEVEL1ST. UNDERGROUND - COMERCIAL housing body that arises from the the public terrace tohousing body that arises from public terrace toabove above underground spaces, underground spaces, complete thethe urban pro le.complete urban pro le. connecting existant and new buildings connecting existant and new buildings 19. proyecto acadmico - ciclo propositivo - forma urbanaproyecto acadmico - ciclo propositivo - formacycle - urban formaacademic project - propositive urbanaViViENDAacademic project - propositive cycle - urban formaViViENDA HOUSiNG VIVIENDA DE INTERS SOCIAL - CASAS HOUSiNGVIVIENDA DE INTERS SOCIAL - CASASLOW INCOME HOUSING - HOUSES - HOUSES LOW INCOME HOUSINGProfesores / Professors:Profesores / Professors: Billy GoebertusArq.Arq. Billy Goebertus Camilo EsguerraArq. ViviendaArq. Camilo EsguerraArq. Jos Leopoldo CernViviendaArq. Jos Leopoldo Cerntrabajo individual / individual workalamedaviviendas con actividad zona comunal - corte transversal portrabajo individual / individual workalameda/ central park way actividadviviendas con economica en primer comunal - fachada de casas al fondozona nivel corte transversalunidades de vivienda por fachada principal y corte - PRIMERA ETAPA / / central park way economica en primer nivel with commercial casas al communal area - houses facadefachada defondo unidades de viviendafachada principal y corte facade and cross section - FIRST STAGE principal - PRIMERA ETAPA // housing// cross sectionFecha / Date:Fecha / Date:/ housing with commercial in rst ooractivity/ communal area - in the background houses facadethrough housing principal facade and cross section - FIRST STAGE / cross sectionunitsSocial2002 - semestre I - Universidad de los Andes, Bogot, D.C. activity in rst oor in the background through housing units Social2002 - semestre I - Universidad de los Andes, Bogot, D.C. De acuerdo con un problema social y un procesoDe acuerdo con un problema social y unresueltas adecuadamente econmico, las casas son procesoeconmico, laspara una familia de 5 integrantes, teniendo encasas son resueltas adecuadamentepara una familia de 5 integrantes, consideraciones de privacidad, cuenta las debidas teniendo encuenta las debidas consideraciones de comer, dormir y sanitarias. las actividades de estar, privacidad,las actividades Porestar, comer, dormir inicial (primera etapa) node lo tanto, la solucin y sanitarias.Por lo tanto, la supera los 40m2, y es planteadano lograr solucin inicial (primera etapa) parasupera los 40m2, y es planteada para lograr tiempo cualitativa y mejorar la vivienda a travs delmejorar la vivienda a travs del tiempo cualitativa y cuantitativamente.cuantitativamente. A lo largo de proceso se van adicionando losA lo largo de proceso senecesarios para lograr el desarrollo espacios van adicionando losespacios necesarios para lograrconsolida una vivienda de 100m2. progresivo, y se el desarrolloprogresivo, y se consolida una vivienda de 100m2. Los pequeos retrocesos y voladizos generados porLos pequeos retrocesos y voladizos generados por Urbano la suma de espacios logran un Per l fachada principal y corte - SEGUNDA ETAPA /la suma de espacios logran un Per l Urbano fachada principal y corte facade and cross section - SECOND STAGEprincipal - SEGUNDA ETAPA / Dinmico, lo cual permite adems hacerplanta primer piso/ rst oor planplanta segundo piso/ second oor planprincipal facade and cross section - SECOND STAGEDinmico, lo cual permiteen la seleccin de materiales segn la variaciones adems hacerplanta primer piso/ rst oor plan planta segundo piso/ second oor planFIRST STAGEFIRST STAGEvariaciones en capacidad de crecimiento segn la la seleccin de materiales que tengan losFIRST STAGE FIRST STAGEcapacidad de crecimiento que tengan los propietarios para sus unidades de vivienda.propietarios para sus unidades de vivienda. / Concerning social problems and economical / Concerning social problems and economical resolved for 5 peopleprocesses, houses are accuratelyprocesses, houses are accurately resolved for 5 people and sanitaryfamilies privacy: eating, sleeping, socialfamilies privacy: eating, sleeping, social and stage solution does notactivities. Therefore, the rst sanitaryactivities. Therefore, the m2 activities, and are intended to improveexceed 40 rst stage solution does notexceed 40 m2 activities, andand quantitatively throughout time.qualitatively are intended to improvequalitatively and quantitatively throughout time.Necessary spaces are added on the next three stages,Necessary spaces are added on the next three stages, consolidating aachieving progressive development, andachieving progressive development, and consolidating a100 m2 housing unit.100 m2 housing unit. A Dynamic Urban Pro le is set up through the smallA Dynamic Urban Pro and corbels through the small result from the reverses le is set up of the faade, whichreverses and corbels of thevolumes whichspaces) according to owners addition of faade, (new result from theaddition of volumes (newcapacity.according to owners for some economic spaces) The urban plan allows fachada principal y corte - TERCERA ETAPA / planta tercer piso/ third oor plan planta cuarto piso/ fourth oor planfachada principal y corte facade and cross section - THIRD STAGEeconomic capacity. The urban plan allows for some variations in materials selection.planta tercer piso/ third oor plan planta cuarto piso/ fourth oor plan principal - TERCERA ETAPA /variations in materials selection.SECOND STAGESECOND STAGEprincipal facade and cross section - THIRD STAGE THIRD STAGETHIRD STAGE planta baja /ground oor plan planta baja /ground oor plan 20. AA proyecto acadmico - ciclo propositivo - forma urbana academic project - propositive cycle - - ciclo propositivo - forma urbanaproyecto acadmico urban formacademic project - propositive cycle - urban form INTERVENCIN en el BARRIO SAN FAONINTERVENCIN en el BARRIO SAN FAON INTERVENTION in SAN FAON NEIGHBORHOOD in SAN FAON INTERVENTIONNEIGHBORHOODPuerta de de Profesores / Professors:Puerta Profesores / Professors: Arq. Camilo Salazar Arq. Francisco Bohrquez SalazarArq. Camilo AAArq. Francisco Bohrquez Arq. Francisco JcomeArq. Francisco Jcome carrera 17vivienda - patio comercio carrera 17 vivienda - patio comercio estacin de trenestacin de trencolegio de las hermanas de la presentacin colegio de las hermanas de la presentacincarrera 20 carrera 20 17 avenuehousing - courtyard comercial area 17 avenuehousing - courtyard comercial area stationtrain train station "la presentacin" school "la presentacin" school20 avenue 20 avenue Grupo de trabajo / Work Group:OccidenteGrupo de trabajo / Work Group:Occidente Mara Anglica Pico Garrido - Andreia Pealoza Caicedo Mara Anglica Pico Garrido - Andreia Pealoza Caicedo Fecha / Date:Fecha / Date: plazoleta y tren / plazoleta y acceso estacin de acceso estacin de tren / 2001 - semestre II - Universidad de - Universidad de losD.C. small square and acces to train station2001 - semestre II los Andes, Bogot, Andes, Bogot, D.C.small square and acces to train stationB B Including a Great Public Voidcontained Voidcontained withinIncluding a Great Public within Housing Blocks,Housing Blocks, preserving architectural landmarks in preserving architectural landmarks in either of its ends -La Sabana train station or train station or Saneither of its ends -La Sabana San Jos hospital-, providing inhabitants with aJos hospital-, providing inhabitants with a multiplicity of activities, connecting the connecting the proposal to themultiplicity of activities, proposal to citys Transport citys Transport and Square Networks, altogetherand Square Networks, altogether B B evidence the urbanistic intention of "generating of "generatingevidence the urbanistic intention carrera 17 vivienda - 17carrera patio vivienda - patio17 avenue housing - courtyardestacin de tren estacin de tren train station o cinas - comercio o cinas - comercio 20carreracarrera 2017 avenue housing - courtyard train stationo ces - comercial area - comercial area o ces20 avenue20 avenue spaces" instead spaces" instead of converting spaces into of converting spaces into"architectural objects". "architectural objects". Seeking the neighborhood reactivation, those Seeking the neighborhood reactivation, those tall Housing Buildings, which give to the city their to the city their rst tall Housing Buildings, which give rstC C oor to commercial and cultural activities, also help to oor to commercial and cultural activities, also help to increase the sectors density sectors density levels. This proposedvaco urbano contenido por bloques de vivienda / increase the levels. This proposedvaco urbano contenido por bloques de vivienda / typology, whichtypology, which has a low occupation at ground level,has a low occupation at ground level, urban void held by urban void held by housign blocks housign blocks allows the plazas permeability with the existing allows the plazas permeability with the existing nearby Subterranean Subterranean nearby neighborhoods.neighborhoods.parking areas parking areas under the housing blocks housing blocks sectors to the sectors under the respond to the respondC parking demand. C parking demand.carrera o cinas - comercio plaza - vaco urbanoauditoriovivienda - patiocarrera 17DLa Sabana station is extended under ground, whichcarrera 20 streetcinas - comercio - comercial areas - vaco urbano square - auditorio oo ces plazaurban voidaudotoriumvivienda - patio housing -carrera 17courtyard 17 avenue D La Sabana station isthe Great under ground, which"WEST GATE".extended Public Void into the20 street o ces - comercial areassquare - urban voidaudotorium housing - courtyard 17 avenueturns turns the GreatDiscontinuityintothis public surface allows for lighting Public Void on the "WEST GATE". Discontinuity on this public surface allows for lightingand ventilation of its lower levels. Austerity in and ventilation facades, new materials, and inof its lower levels. Austerity landscaping integrate facades, new materials, and landscaping integrate a single urbanthe whole intervention, and produce the whole intervention, and produce a single urbanlandmark for the citizenss well being. landmark for the citizenss wel