architectural design 5: proposed green art centre

17
1 Reprint from the magazine Design, London: Council of Industrial Design, N° 206, 1966] A city is not a tree By Christopher Alexander The article that follows has won for itself, and its author - an architect and mathematician - a special distinction among all that has been written about design during the past few years. Together with a series of articles by Ada Louise Huxtable and two essays by Lewis Mumford, it was selected as one of the 1965 Kaufmann International Design Awards. The 1965 awards follow a series started in 1960, sponsored by the Edgar J. Kaufmann Foundation and administered by the Institute of International Education. On previous occasions they have gone to Charles and Ray Eames, Walter Gropius, and the Olivetti Corporation, and subsequently have provided a series of research grants totalling $ 61,500. The latest awards were given for "the most effective statements dealing with the field of design, published in periodical or occasional form within the past five years", and represent the first occasion on which the contribution of criticism to the development of design has been overtly acknowledged. The international jury which selected the 1965 awards (Richard Latham, Peter Muller-Munk and David Strout from the USA, Finn Juhl from Denmark, and John E. Blake, chairman, from Britain) studied some 200 articles and essays that had been submitted to them by consultants in seven countries. Commenting on the selection, the judges' report stated, "Essentially, three aspects of the problem emerged, all of which we considered to be of equal importance. The first involved those statements which contribute to new thinking in the field of design.... The second involved statements which, though possibly not containing new thought, contribute to a wider understanding of known problems.... The third concerned the quality of writing, for the effectiveness of any statement will depend on clarity of expression, on the logical and economical presentation of an argument, on the mastery of words.... The first and second aspects often overlapped in the same item, and the third we considered to be essential to any statement which was to be selected for an award". The brief to the jury had defined design as "pIanning that results in any visually expressive, practical implementation of human occupations, ceremonies or play". This broad definition created certain difficulties for the judges, but their report continues that the final selection was ". . . a recognition that the detailed considerations of architecture and industrial design paled into comparative insignificance when seen against the massive problems of social planning and its expression in the structure and forms of the modern city. The three awards, each in its own way, had tackled this problem. Each recognised that the evolution of the modern city was reaching a point of crisis and that its solution was possibly the greatest challenge facing the second half of the twentieth century. Each recognised that the city is a system of vast complexity and in turn is part of a bigger system of social organisation whose values and goals are being questioned." In deciding to reprint A City is not a Tree, DESIGN is aware that it will seem to be outside the range of subjects normally covered by the magazine. The judges' report emphasised, however, that "The principles he [Dr Alexander] describes, and the analytical methods he adopts, are applicable at all levels of design". It was felt that Dr Alexander's thesis is as relevant to industrial designers, architects and engineers as it is to city planners, for the city provides the context into which most buildings, products and services must fit. And it is important that those of us who are primarily concerned with such things should stand back, once in a while, to take in the broader view. A City is not a Tree is reproduced here by kind permission of the American journal Architectural Forum, where it originally appeared in two parts in April and May last year. Since the article was first published some slight amendments have been made at the request of the author.

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Page 1: Architectural Design 5: Proposed Green Art Centre

PROPOSED

GREEN ART CENTREKAMPUNG ATTAP, KUALA LUMPUR

STUDENT NAME: MICHELLE LEE MING JANNSTUDENT I.D.: AR08 C 1144LECTURED BY: Ar. ZAHARI ZUBIR Mr. ABDUL RAHIM

ALFA COLLEGEDIPLOMA IN ARCHITECTUREARCHITECTURAL DESIGN V

JULY 2011

Page 2: Architectural Design 5: Proposed Green Art Centre

at Kampung A�ap, Kuala Lumpur

PROPOSED

GREEN ART CENTREGREEN ART CENTREPROPOSED

at Kampung A�ap, Kuala Lumpur

INTRODUCTIONWHAT IS ......

Green Art Center?The newly proposed Green Art Center at Kampung Attap is a place for various art activities such as painting, craft, photography, building sculptures & installation art be carried out. However, the ultimate intention is to do art in a sustainable manner.

The newly proposed Green Art Center is dedicated to ‘green’ artist who are already practicing sustainable art, giving them the opportunity to educate and nurture the society about the importance of sustainability through art.

Project Goal:• Making art the tool to catalyze people with the environment, teaching them methods to a sustainable lifestyle.

• Due to the fact that sustainability is a balance between social, economy and the environment, the goal is to also promote equality amongst the community, eliminating discriminations.

Design Goal:• To design a living example of a sustainable building, in order to further motivate and nurture the practice of eco-friendly activities. • To design a place that is friendly and welcoming to the public, eliminating social hierarchy, bringing people together to appreciate sustainable art with the objective of equality. • Although this building is designed with a humble approach, there is a need to design for an iconic element in order to portray its image as an art centre.

SITE ANALYSIS:Strategic location for public access• Bicycle track• Jogging path• Treehouse node• Carpark nearby• Shuttle bus & R.I.T services available • Main road- Lorong Belfield

Untapped potential of the nature • Lowers down surrounding temperature• Enhances the landscape of the building• Acts as noise absorber from main road

SITE ISSUES

From the urban studies done on Kampung Attap, it is known to be one of the few lungs left of Kuala Lumpur due to its abundance of greens.

• Untapped potential of its natural environment.

• Lack of public squares for socializing.

• Quietness that causes insecurity of safety.

Generally, the site is easy for public access. Due to its abundant greens, its surrounding temperature is rather low and cooling. However, its lack of public squares for social activities makes the site quiet and peaceful most of the time.

WHAT IS ......

SUSTAINABLE ART?Sustainable art, also known as environmental art, is a method of doing art that puts the environment ahead of the aesthetics. This is practiced because the artist is aware of the arising environmental issues and is concerned about it.

Thus, the artist chooses to create art in a way that either it reclaims or reuses the environmental damages.

Concept:

“Nothing, Anything; Something, Everything.”

ABOVE: A compilation of green art pieces from various green artists.

TEABAG ART

Gifted designers Yuree S. Lim and Jieun Yang created these tea coasters as a way to reuse dripping tea bags to create beautiful artwork. You simply place the tea bag on the little coaster and feel the Zen as you watch it create something beautiful to enjoy.

EPHEMERAL ARTBy Andy Goldsworthy

He regards his creations as transient, or ephem-eral. He photographs each piece once right after he makes it. His goal is to understand nature by directly participating in nature as intimately as he can. He generally works with whatever comes to hand: twigs, leaves, stones, snow and ice, reeds and thorns.

ABOVE: (left) Teabag Coaster art | (right) Teabag art by other artists.

View 2: The abundance of green on site.View 1: The site from Lorong Belfield.

KEY PLANN.T.S

LOCATION PLANN.T.S

SITE PLANSCALE 1:550

BY MICHELLE LEE MING JANN • AR08C 1144 • AR08CD ARCHITECTURAL DESIGN V • MARCH-JULY 2011

Ar.ZAHARI ZUBIR & Mr. ABDUL RAHIM MD. ZIN

NORTH EAST ELEVATIONSCALE 1:150

Night view of the building from jogging path.

Day view from Lorong Belfield, showing entrance into the building.

Day view from jogging path, showing on-going activities.

Night view of the building from green roof.

Page 3: Architectural Design 5: Proposed Green Art Centre

at Kampung A�ap, Kuala Lumpur

PROPOSED

GREEN ART CENTREGREEN ART CENTREPROPOSED

at Kampung A�ap, Kuala Lumpur

INTRODUCTIONWHAT IS ......

Green Art Center?The newly proposed Green Art Center at Kampung Attap is a place for various art activities such as painting, craft, photography, building sculptures & installation art be carried out. However, the ultimate intention is to do art in a sustainable manner.

The newly proposed Green Art Center is dedicated to ‘green’ artist who are already practicing sustainable art, giving them the opportunity to educate and nurture the society about the importance of sustainability through art.

Project Goal:• Making art the tool to catalyze people with the environment, teaching them methods to a sustainable lifestyle.

• Due to the fact that sustainability is a balance between social, economy and the environment, the goal is to also promote equality amongst the community, eliminating discriminations.

Design Goal:• To design a living example of a sustainable building, in order to further motivate and nurture the practice of eco-friendly activities. • To design a place that is friendly and welcoming to the public, eliminating social hierarchy, bringing people together to appreciate sustainable art with the objective of equality. • Although this building is designed with a humble approach, there is a need to design for an iconic element in order to portray its image as an art centre.

SITE ANALYSIS:Strategic location for public access• Bicycle track• Jogging path• Treehouse node• Carpark nearby• Shuttle bus & R.I.T services available • Main road- Lorong Belfield

Untapped potential of the nature • Lowers down surrounding temperature• Enhances the landscape of the building• Acts as noise absorber from main road

SITE ISSUES

From the urban studies done on Kampung Attap, it is known to be one of the few lungs left of Kuala Lumpur due to its abundance of greens.

• Untapped potential of its natural environment.

• Lack of public squares for socializing.

• Quietness that causes insecurity of safety.

Generally, the site is easy for public access. Due to its abundant greens, its surrounding temperature is rather low and cooling. However, its lack of public squares for social activities makes the site quiet and peaceful most of the time.

WHAT IS ......

SUSTAINABLE ART?Sustainable art, also known as environmental art, is a method of doing art that puts the environment ahead of the aesthetics. This is practiced because the artist is aware of the arising environmental issues and is concerned about it.

Thus, the artist chooses to create art in a way that either it reclaims or reuses the environmental damages.

Concept:

“Nothing, Anything; Something, Everything.”

ABOVE: A compilation of green art pieces from various green artists.

TEABAG ART

Gifted designers Yuree S. Lim and Jieun Yang created these tea coasters as a way to reuse dripping tea bags to create beautiful artwork. You simply place the tea bag on the little coaster and feel the Zen as you watch it create something beautiful to enjoy.

EPHEMERAL ARTBy Andy Goldsworthy

He regards his creations as transient, or ephem-eral. He photographs each piece once right after he makes it. His goal is to understand nature by directly participating in nature as intimately as he can. He generally works with whatever comes to hand: twigs, leaves, stones, snow and ice, reeds and thorns.

ABOVE: (left) Teabag Coaster art | (right) Teabag art by other artists.

View 2: The abundance of green on site.View 1: The site from Lorong Belfield.

KEY PLANN.T.S

LOCATION PLANN.T.S

SITE PLANSCALE 1:550

BY MICHELLE LEE MING JANN • AR08C 1144 • AR08CD ARCHITECTURAL DESIGN V • MARCH-JULY 2011

Ar.ZAHARI ZUBIR & Mr. ABDUL RAHIM MD. ZIN

NORTH EAST ELEVATIONSCALE 1:150

Night view of the building from jogging path.

Day view from Lorong Belfield, showing entrance into the building.

Day view from jogging path, showing on-going activities.

Night view of the building from green roof.

NORTH WEST ELEVATIONSCALE 1:150

SECTION A-ASCALE 1:150

DESIGN FEATURES

VERTICAL GARDEN

GROUND FLOOR PLANSCALE 1:150

“When they have a choice, people will always gravitate to those rooms which have light on two sides, and leave the rooms which are lit

only from one side unused and empty.”

159 Light on Two Sides of Every Room - A Pattern Language

Diagram illustrating an example of a layout plan with light entering from two sides of a room.

Page 4: Architectural Design 5: Proposed Green Art Centre

SOUTH ELEVATIONSCALE 1:150

LOWER GROUND FLOOR PLANSCALE 1:150

SECTION C-CSCALE 1:150

DESIGN FEATURES“Outdoors, people always try to �nd a spot where they can have their backs protected,

looking out towards some larger opening, beyond the space immediately in front of them.”

114 Hierarchy of Open Space - A Pattern Language

“When trees are planted or pruned without regard for the special places they can create,

they are as good as dead for the people who need them.”

171 Tree Places - A Pattern Language

Diagram illustrating the possibility of hierarchy of open spaces in relation to its ‘back’.

Page 5: Architectural Design 5: Proposed Green Art Centre

SOUTH ELEVATIONSCALE 1:150

LOWER GROUND FLOOR PLANSCALE 1:150

SECTION C-CSCALE 1:150

DESIGN FEATURES“Outdoors, people always try to �nd a spot where they can have their backs protected,

looking out towards some larger opening, beyond the space immediately in front of them.”

114 Hierarchy of Open Space - A Pattern Language

“When trees are planted or pruned without regard for the special places they can create,

they are as good as dead for the people who need them.”

171 Tree Places - A Pattern Language

Diagram illustrating the possibility of hierarchy of open spaces in relation to its ‘back’.

WEST ELEVATIONSCALE 1:150

STRUCTURAL DIAGRAM & MATERIALS USED

SECTIONAL DETAILSCALE 1:50

ROOF PLANSCALE 1:150