arch portfolio jessmaley

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JESSICA MALEY design portfolio

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Page 1: Arch portfolio jessmaley

JESSICA MALEYdesign portfolio

Page 2: Arch portfolio jessmaley

Impressed by the monumentality of the Andes mountains, I sought to create a simultaneously standardized and unique building system that through contrast would ehance the natural grandeur of the mountains.

Visual studies of the temporal structure of spider webs and their relationship attaching to or hanging of their more permanent surroundings.

Mapping Analysis of the Rio Maipo and its surroundings. 1) Santiago and surrounding communities with highways removed. 2) Highways connecting the communities included. 3) Terrain.

Hydro–Landscapes: From the Andes to the PacificParametric pavilion iterations made with GrasshopperARCH 100D: Spring 2014 with Rene Davids

Wooden module system for the pavilioin that can be expanded inboth width and height.

Rhino-Grasshopper enabled iterations of di�erent configurations for a suspended pavilion design.

Page 3: Arch portfolio jessmaley

Project Good FoodProject Good FoodARCH 100B: Spring 2013 with Roddy CreedonARCH 100B: Spring 2013 with Roddy Creedon

Project Good Food revolved around creating a building with a unique technological facade related to sustainability. I chose to create a system of fog nets that fed a green wall in order to highlight San Franciscos unique water issues. The program included a food bank and space for a farmers market, o�ce and education spaces, an ampitheater, a garden, and a research lab.

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WASHBURN STREET

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Conceptual illustration of a proposed building facade made of fog nets

Diagram for a system of transformable boxes to make up a green wall

Page 4: Arch portfolio jessmaley

Sather Tower Museum Addition: Accessible DesignSather Tower Museum Addition: Accessible DesignARCH 269: Fall 2013 with Chris DowneyARCH 269: Fall 2013 with Chris Downey

group project: jacqueline lin, david babb, and jessica maleygroup project: jacqueline lin, david babb, and jessica maley

Sather Tower is the icon of the Berkeley campus. It represents the infl uence of the university and embodies virtues it holds dear. A new intervention to make its base universally accessible is a high priority because it continues Berkeley’s ambitions of inclusivity and progress. The new Sather Tower Museum achieves a high level of accessibility by focusing the design on inclusivity and am-plifi es the best attributes that already exist in the tower.

The western, lower lawn is the site of the new entrance up to the existing esplanade and tow-er lobby. This entrance takes advantage of the site’s topography by burying itself into the plaza, preserving the historic upper plaza. The western lawn is the site of a larger landscaping work that makes the hill more universally accessible. Spaces for resting and meeting were added so that the path that behaves like a plaza to the new entrance.

Page 5: Arch portfolio jessmaley

Potrero Hill Terrace: Deformation and erosion Potrero Hill Terrace: Deformation and erosion ARCH 100A: Fall 2012 with Ben RiceARCH 100A: Fall 2012 with Ben Rice

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Page 6: Arch portfolio jessmaley

Conceptual ModelsConceptual ModelsStructure from cloth and wood :experimenting with tension and elasticityStructure from cloth and wood :experimenting with tension and elasticity

Cast Forms with cloth and photomanipulation :images of erosion Cast Forms with cloth and photomanipulation :images of erosion

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Conceptual Precedent AnalysisConceptual Precedent AnalysisPerimeter Institute of Physics by Saucier and PerrottePerimeter Institute of Physics by Saucier and Perrotte

Double Negative Sculptural ProjectDouble Negative Sculptural Project

Living Sculpture installationLiving Sculpture installation

Degrees of enclosure

Page 8: Arch portfolio jessmaley

Arch 160 with Spring 2014 with Dana Buntrock

ALUMINUM STAND

OBJECTIVE:a small aluminum frame capable of safely supporting a person in a standing or seated position at least 42” above the ground.

WEIGHT:6 lbs

HEIGHT:42 inches

PIECES:

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FOLD LINE

45 DEGREEFOLDS CREATEA STONGER BENDAND ADD RIGIDITY TO THE TRIANGLE

VERTICAL ANGLE ISTIGHTENED SO THATTHE ALUMINUM DEFORMSTO 60 DEGREES AT THECONNECTION POINT

STRIPS FOR THE SEAT PROVIDEA SITTING SURFACE ANDADDITIONAL STABILITY TO THE ALUMINUM FRAME