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  • 12

    39

    6

    THE

    EDITORIAL ILLUSTRATION

    Andrea Lawrence MAY 5, 2014

  • PROJECT STATEMENTEDITORIAL ILLUSTRATIONin The New Yorker

    BACKGROUND

    ARTICLE SUMMARYROUGH FORECASTS by Elizabeth Kolbert

    ARTICLE

    SKETCHES

    COMPARATIVE ANALYSIS

    INSPIRATIONAL ILLUSTRATIONSCOLOR, PERSPECTIVE & STYLEFeaturing artists Ryo Takemasa, Lotta Nieminen and Emily Wallis

    MOOD BOARD

    STYLE GUIDE

    DRAFTSPRELIMINARY, SECONDARY & FINAL VERSIONS

    SOURCES

    THE

    TABLE OF CONTENTSMAY 5, 2014

    EDITORIAL ILLUSTRATION

    PROJECT NAME Editorial IllustrationCLASS Digital Illustration CREATED BY Andrea Lawrence

    1

    2

    3

    4

    9

    10

    12

    13

    14

    17

    11

  • PROJECT STATEMENT

    EDITORIAL ILLUSTRATION

    THE NEW YORKER

    The overall goal of this

    project is to design an

    illustration for Rough

    Forecasts by Elizabeth

    Kolbert. An additional goal

    is to empower readers to

    engage in an environmental

    conversation and approve of

    a carbon tax.

    The target market are men

    and women, approximately

    65 years old, who make over

    $100,00/ year, are concerned

    with current culture, are

    independent thinkers,

    subscribe to

    The New Yorker and are

    influenced by its opinions.

    The overall tone is one of

    clarity. There are a lot of sub-

    topics within the article, and

    Id like to focus on the main

    concept.

    EDITORIAL (noun):

    An article in

    a publication

    expressing the

    opinion of its editors

    or publishers.

    1

  • BACKGROUND

    COMPANY

    THE NEW YORKERW

    The New Yorker is an

    Independent Magazine,

    located in New York.

    Harold Ross launched the

    magazine on February 21,

    1925 and Rea Irvin drew

    the first cover - a mythical,

    monocled Regency dandy,

    later dubbed Eustace Tilley,

    who became the face of the

    magazine. The publication

    established itself as an expert

    art and culture in New York.

    Acclaimed artists, writers,

    and journalists, such as

    J.D. Salinger, John Updike,

    Sylvia Plath, Muriel Spark,

    Lee Lorenz, Pauline Kael,

    Jonathan Schell, Woody

    Allen, John McPhee, George

    Booth, George Booth,

    Charles A. Reich, and many

    others contribute to this

    weekly publication.

    READERSHIP

    NATIONAL

    The New Yorker a national

    publication and 53% of its

    circulation in the top ten

    U.S. metropolitan areas.

    According to Mediamark

    Research Inc., the average

    age of the New Yorker reader

    in 2009 is 47 (compared to 43

    in 1980 and 46 in 1990).

    The average household

    income of The New Yorker

    readers in 2009 was $109,877,

    the average income in

    1980 was $62,788 and the

    average income in 1990 was

    $70,233. In 2004, The New

    Yorker passes over one million

    in circulation.

    AWARDS

    APPLAUSE PLEASE

    In 1995, the New Yorker wins

    its first National Magazine

    Award for General

    Excellence. By 2005, it won

    thirty-nine awards in a dozen

    categories. In 2001, the New

    Yorker won another National

    Magazine Award for General

    Excellence. And in 2011 The

    New Yorker won a National

    Magazine Award for Public

    Interest for Atul Gawandes

    Letting Go.

    2

  • ARTICLE SUMMARY

    ROUGH FORECASTS

    BY ELIZABETH KOLBERT

    In the April 14, 2014 Issue of

    The New Yorker, Elizabeth

    Kolbert wrote an article

    called Rough Forecasts.

    In this article, she described

    how politicians ignore and

    ridicule environmental

    advice given by scientists.

    She quotes Sherwood

    Rowland (the chemist who

    concluded, and shared,

    after a talk in 1972, that

    chlorofluorocarbons would

    break down and cause a

    chain reaction that would

    destroy the ozone layer and

    who was accused of being

    a K.G.B. Agent by Aerosol

    Age) as saying, Whats the

    use of having developed a

    science well enough to make

    predictions if, in the end, all

    were willing to do is stand

    around and wait for them to

    come true?

    Whats the use of

    having develped a

    science well enough

    to make predictions

    if, in the end, all

    were willing to do

    is stand around and

    wait for them to

    come true?

    - Sherwood Rowland

    3

  • ARTICLE

    4

  • ARTICLE PAGE 2

    5

  • ARTICLE PAGE 3

    6

  • ARTICLE PAGE 4

    7

  • ARTICLE PAGE 5

    8

  • SKETCHES

    INITIAL CONCEPTS

    THUMBNAILS & DRAWINGS

    The initial concepts included

    12 different ideas sketched

    out into thumbnails. After

    doing research and

    finding inspirational art, the

    overall concept changed

    significantly, although key

    aspects remained the same.

    (The scientist and planet are

    thumbnail drawings from the

    first concept sketches and

    remain in the final illustration.)

    9

  • COMPARATIVE ANALYSIS

    THE NEW YORKER

    CARTOONS OF THE DAY

    This cartoon is from the April

    14, 2014 issue of The New

    Yorker. The illustrations in The

    New Yorker are usually in

    black and white and almost

    always look hand-drawn.

    REMEMBERING IN RWANDA

    TOM BACHTELL

    This beautiful illustration goes

    with the article written by

    Philip Gourevitch, in the April

    14, 2014 issue of The New

    Yorker. The lines are heavy

    and dark, much like the

    subject matter.

    JOHN CASSIDY

    RATIONAL IRRATIONALITY

    This illustration is a profile

    picture of John Cassidy, who

    writes a blog for The New

    Yorkers website and has

    worked as a staff writer at

    The New Yorker since 1995.

    10

  • INSPIRATIONAL ILLUSTRATIONS

    COLOR, PERSPECTIVE & STYLE

    THREE DIFFERENT ARTISTS

    Lotta Nieminem, Ryo

    Takemasa and Emily Wallis

    display a specific personality

    and sense of style that stands

    out from the crowd. Each

    of these illustrations has a

    unique look and feel. With

    this in mind, they all represent

    modern colors, perspectives

    and styles that fit the

    demographic of The New

    Yorker Magazine.

    Lotta Nieminen

    Ryo Takemasa

    Emily Wallis

  • Style of Individual Elements

    Color

    Big Picture Design

    MOOD BOARD

    KEY DESIGN ELEMENTS

    INSPIRATION FROM 4

    Each one of these designs

    offers something unique,

    inspirational and interesting

    to integrate into this project.

    Perspective / Depth

  • STYLE GUIDE

    OVERALL LOOK & FEEL

    SPECS INCLUDED

    The overall look and feel of

    this project is hand drawn

    with soft colors and a strong

    sense of perspective.

    A:

    RGB = 235,231,222

    B & C:

    RGB = 59,35,22

    RGB = 189, 17, 155

    D & E:

    RGB = 183, 206, 154

    RGB = 155, 176, 167

    A

    B & C

    D & E

  • !

    WAYS TO SAVE EARTH-Mmmm

    -Mmmm

    -Mmmm

    WAYS TO SAVE EARTH-Mmmm

    -Mmmm

    -Mmmm

    WAYS TO SAVE EARTH-Mmmm

    -Mmmm

    -Mmmm

    WAYS TO SAVE EARTH-Mmmm

    -Mmmm

    -Mmmm

    WAYS TO SAVE EARTH-Mmmm

    -Mmmm

    -Mmmm

    WAYS TO SAVE EARTH-Mmmm

    -Mmmm

    -Mmmm

    !

    !

    !

    WAYS TO SAVE EARTH-Mmmm

    -Mmmm

    -Mmmm

    WAYS TO SAVE EARTH-Mmmm

    -Mmmm

    -Mmmm

    WAYS TO SAVE EARTH-Mmmm

    -Mmmm

    -Mmmm

    !

    !

    !

    DRAFTS

    PRELIMINARY DRAFTS

    ONE CONCEPT & 3 DESIGNS

    The overall concept showed

    scientists, presentation

    boards, ostriches with their

    heads in the sand, and Earth.

    Based on the feedback

    from the preliminary critique,

    the ostriches feet, scientists

    expressions, path and the

    information on the board

    need further development.

  • WAYS TO SAVE EARTH-carbon tax

    !

    WAYS TO SAVE EARTHRECYCLE

    !

    WAYS TO SAVE EARTH-NO CFCs

    !

    WAYS TO SAVE EARTH-carbon tax

    !

    WAYS TO SAVE EARTH-carbon tax

    !

    WAYS TO SAVE EARTH-NO CFCs

    !

    WAYS TO SAVE EARTH-carbon tax

    !

    WAYS TO SAVE EARTHRECYCLE

    !

    WAYS TO SAVE EARTH-NO CFCs

    !

    WAYS TO SAVE EARTH-carbon tax

    !

    WAYS TO SAVE EARTH-carbon tax

    !

    WAYS TO SAVE EARTH-carbon tax

    !

    WAYS TO SAVE EARTHRECYCLE

    !

    WAYS TO SAVE EARTH-NO CFCs

    !

    WAYS TO SAVE EARTH-carbon tax

    !

    WAYS TO SAVE EARTH-carbon tax

    !

    DRAFTS

    SECONDARY DRAFTS

    FURTHUR DEVELOPMENT

    Based on the feedback

    given, I made the changes

    requested, and played

    around with the path,

    amount of ostriches (and

    placement), and tried to

    get the overall look and

    feel of the illustration more

    balanced.

  • FINAL DRAFT

    16

    WAYS TO SAVE EARTH-carbon tax

    !

    WAYS TO SAVE EARTHRECYCLE

    !

    WAYS TO SAVE EARTH-NO CFCs

    !

    WAYS TO SAVE EARTH-carbon tax

    !

    WAYS TO SAVE EARTH-carbon tax

    !

  • RYO TAKEMASAroytakemasa.com

    LOTTA NIEMINENlottanieminen.com

    EMILY WALLISemilywallis.com

    JOHN CASSIDYRational Irrationality

    THE

    SOURCESMAY, 5 2014

    INSPIRATIONAL ILLUSTRATIONS

    COMPARATIVE ANALYSIS ALL ABOUT TOWNRemembering In Rwanda

    THE NEW YORKERCartoons of the Day,April 14th, 2014

    JOHN CASSIDYRational Irrationality

    17