analysing and using 'the artist model
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Analysing Artist Models
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Level 2/3
Analysing and Using the ‘Artist Model’
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Barry McGee Jean Michel Basquiat
Antonio Tapies
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Cy Twombly, ‘Coronation of
Sesostris.’Cy Twombly, Crossing
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Homenatge a joan prats, lithographyAntonio Tapies
Antonio Tapies
Barry McGee
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Using artist models, compare and annotate, similarities & differences:
Use headings like:
Subject Matter
Content
Media
Technique
Composition
Colours
Light
Style
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William Sutton, 1950, ‘Nor’wester in the Cemetry,’ oil on canvas, 152.0 x 183.0 cm
Compare & Contrast
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Compare & contrast: Create a word bank using key words
Hotere, 34Smither, 1969-70, cross for Rita Angus
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EXPLICIT ARTIST MODEL
Stanley Palmer
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Stanley Palmer
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Implicit
Colin McCahon
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Implicit
‘Four Waterfalls’
1964, pva on board, mounted on board, 63x63 cm
Colin McCahon
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Charles Heaphy, Main Entrance to Queen Charlotte Sound, 1848
Charles Heaphy, Off Point Jackson, Cook Strait, Part 1, 1848
Explicit
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Gregory O’Brien, 1867, Otago Harbour & Peninsula,
Explicit
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Michel Smither (1969-70) Cross For Rita Angus, oil on board, 77X76
Implicit/Explicit
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Implicit
McCahon, Red & Black Landscape,
1959, enamel paint & sand on hardboard, 673mm x 441mm
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Draw this Gregory O’Brien landscape.
Gregory O’Brien, 1848, Dunedin Harbour from Flagstaff.
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Colin McCahon, 1958, commercial oil-based paint 8 unstretched canvas panels .
Draw this McCahon landscape. Annotate using formal art terms to describe elements.
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Compare & Contrast, Note similarities & differences
Use formal language:CompositionFormToneColourArtist intentions
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Level 3 Analysis page
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