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Contemporary Art and Photography. Monotopic Trouble. Features of the british photographers Gareth and Gavin Bragdon. ARTLife: RAW Project

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The Art and Culture Magazine | Inside TROUBLE NO 2

TROUBLE

1 an abnormal state that dis

rupts a plant's or animal's n

ormal bodily functioning

<hoping that the doctor will

be able to accurately diagn

ose my trouble>

Synonyms affection, ail, ailm

ent, bug, complaint, compli

cation, condition, disorder,

distemper,

distemperature, fever, ill, illn

ess, infirmity, malady, sickn

ess, trouble

Related Words contagion, c

ontagious disease; contagiu

m, infection; attack, bout, fit

, spell;

debility, decrepitude, feeble

ness, frailness, lameness, si

ckliness, unhealthiness, uns

oundness,

unwellness, weakness; mala

ise, matter, pip; epidemic, pe

st, pestilence, plague

2 something that may cause

injury or harm <that wild do

g is trouble, so stay away>

Synonyms hazard, imminen

ce, menace, peril, pitfall, risk

, threat, trouble

Related Words snare, trap;

booby trap

Near Antonyms guard, prote

ction, safeguard, shield, war

d; asylum, harbor, haven, ref

uge, retreat, shelter

3 something that requires th

ought and skill for resolutio

n

<the police officers first bro

ke up the fight and then ask

ed what the trouble was>

Synonyms case, challenge, knot, matter, nut, troubleRelated Words issue, question; corner, fix, hole, hot water, jam, mire, pickle, predicament, quagmire, spot;crux, Gordian knot, sticky wicket, toughie (also toughy); catch-22, dilemma, quandary; catch, glitch, hitch,pitfall, snag; conundrum, enigma, mystery, puzzle, puzzlement, riddle; brainteaser, perplexer, poser, stumper

Near Antonyms magic bullet, silver bullet; cure-all, panaceaAntonyms answer, solution

4 the active use of energy in producing a result <please, don't go to all that trouble just for me>Synonyms elbow grease, exertion, expenditure, labor, pains, sweat, trouble, while, work

Related Words drudgery, grind, slog, strain, toil, travail; dint, energy; force, might, muscle, power, puissance;attempt, endeavor, essay, fling, go, pass, shot, stab, trial, try, whack

Near Antonyms adroitness, ease, facility, fluency, smoothness; dormancy, idleness, inaction, inactivity, indo-lence, inertia, languor, laziness, quiescence

LETTER from the editor

2/3

Partizipating artists: Alexander Criz Samohvalov / www.facebook.com/alexandercriz.samohvalov

Alesia Gudkova / www.facebook.com/alesia.gudkovaAngie Stergio / www.facebook.com/angiestergio12Andreas Höke / www.facebook.com/abstraktewelt

Artefact Usw / www.facebook.com/Artefact.PhotographyBeata-Katarzyna Przybylo / www.facebook.com/beatakatarzyna.przybylo

Cem Ulug / www.facebook.com/cemulug.codadaChih-Chieh Wang / www.facebook.com/Morrison.C.C.WangCosimo Mancioli Ph / www.facebook.com/cosimo.mancioliph

Dadu Phoenix / www.facebook.com/dadu.phoenixDebora Morelli / www.facebook.com/cuccuruccuccuDominic Brecken / www.facebook.com/dombreckenEdmond Thommen / www.facebook.com/etinsyd

Émili Bermúdez / www.facebook.com/emili.bermudezÉric Dorchain / www.facebook.com/Dorchain.EricEverlast Ozon / www.facebook.com/everlast.ozonGrauen Adm / www.facebook.com/aphexevilHidlight Zifiri / www.facebook.com/hzifiri

Ignacio de Loyola / www.facebook.com/ignacio.deloyola.9Iskældt / www.facebook.com/bitterhonig

Jack Chen / www.facebook.com/jack.chen.1694James Dean Holloway / www.facebook.com/jamesdeanholloway.1276

Jean-François Dupuis Photographe / www.facebook.com/jeanfrancoisdupuis.photographeJenny Papalexandris / www.facebook.com/jenny.papalexandris

Joe Josephs / www.facebook.com/joe.josephs.7Johan Lindell / www.facebook.com/johan.f.lindellJos Tontlinger / www.facebook.com/j.tontlingerkaramelo / www.facebook.com/es.karamelo

Ladjo Persot / www.facebook.com/ladjo.persotLaura Fogazza / www.facebook.com/laura.fogazza

Laura Simonsen / www.facebook.com/laura.simonsen.58Lo Bricard / www.facebook.com/achile.tatinLouisa Dawn / www.facebook.com/LoisdawnII

Mai Saki Art Lab / www.facebook.com/maisakiartMenoevil Aow / www.facebook.com/sureeyapon.sriampai.5

Mike Lee / www.facebook.com/mike.quinamMimo Khair Mourhege / www.facebook.com/mimokhairMimmo Grecco / www.facebook.com/mimmo.greco.37MWeissArt / www.facebook.com/pages/MWeissArtPaulo Couri / www.facebook.com/paulo.couri1Peder Aresvik / www.facebook.com/peder.aresvik

Roberto De Mitri / www.facebook.com/roberto.demitri.315Ryuichi Noguchi / wwww.facebook.com/profile.php?id=100004435595361

Sandip Bose / www.facebook.com/sandip.boseSebastian Ostafin / www.facebook.com/sebastian.ostafinSlavko Pjevecvic / www.facebook.com/slavko.pjevcevicSookie Sirene / www.facebook.com/SookieSirene

Stella Sidiropoulou / www.facebook.com/stella.sidiropoulou.9Steven Gonzales / www.facebook.com/profile.php?id=100006881261527

Taras Bychko / www.facebook.com/taras.bychkoValerie Simonnet / www.facebook.com/simonnet.valerieVassiliki Kontaxi / www.facebook.com/vassiliki.kontaxi

Yann Cielat / www.facebook.com/yann.cielatYusup Yogaswara / www.facebook.com/yusup.yogaswara

Features: GARETH BRAGDON / page 4_19

GAVIN BRAGDON / page 82_97

Introducing ARTLife: RAW Project / page 98_99

TR

OU

BLE

FEATURE: Gareth Bragdon

“I think the streets will prepare me for future battlefields.”

I am an American ex-patriot that moved to the U.K. with my brother Gavin Bragdon 3 years ago. I picked up a cameraa year and a half ago and started taking photography seriously. Unfortunately my photographic conquest started withcolour and vomit HDR photography. My eyes were opened when my brother introduced me to the BBC stunning series(genius photography), after that we were hooked. We started hitting the streets with our eyes and cameras, cross haired at pedestrians. Now I am studying photography in the hopes of becoming a photojournalist.

We don’t have the streets and subways of Manhattan or the sunshine of Greece. Edinburgh is more like a big town than a big city. The skies are grey, the sun rarely shines, and just generally gloomy year round. This is why I utilise the flashgun; it is like carrying the sun in my left hand.

I enjoy getting close and personal with my subjects similar to Bruce Gilden. As far as ethics go, I know jumping out at people may not sound like the polite thing to do but I think the results justify my actions. People who open their morning paper and gander at overweight celebrities and starving children, and believe it should be illegal for photographers to take pictures of them on the street without their permission should lock themselves in a basement and throwaway the key.

I am far from fearless but I do avoid taking pictures of physically or mentally handicapped people and anything thatcan be demoralizing. I feel I have much to learn and experience, yet I feel my style will change overtime for the better.

4/5

6/7

©Gareth “In our houses we are safefrom the unknown faces & shadows thatwalk the streets. We celebrate our

individuality and drownedin a pool of our misery. ”

8/9

©Gareth “Free from the outside world of peering eyes and judgement man prepares.

They leave their homes hiding away all insecurity only hoping to survive the coming day.”

10/11

©Gareth “The streets are made of

strangers and when I’m the stranger.

I walk cross roads climbing stairs

and wait in lines. I’m surrounded

by people all with their

own names and stories.”

12/13

©Gareth “I will never know their names I will never hear their story.

I continue walking with my eyes to the ground.”

14/15

©Gareth “When I became a streetphotographer I became a viewer. A viewerof the stranger seeking to capture

their image their individuality.”

16/17

©Gareth “I grip my camera and position myselflike a heat seeking missile.”

18/19

©Gareth “For that one brief secondI was not a shadow I was a person.

I could see it in her eyes she hada loving and caring soul. I finally

reach my door I am home always fromthe peering eyes and judgment of others.

Now I am alone.”

©Paulo Couri

trouble for an angel

20/21

©Jos Tontlinger�

22/21©Cem Ulug

Das Tier

©Éric Dorchain

©mai_saki

The Church Screaming

24/25

©Grauen Adm

©Mimmo Grecco

©Yann Cielat©Grauen Adm

Troubleof freedom

©Laura Simonsen

©Jean-Francios Dupuis Photographe

26/27

Valerie

Simon-

net

©Yann Cielat

©Beata-Katarzyna Przybylo

28/29

postcard from the past

trouble – behind the barbed wires...

©MWeissArt 2014

©dAdU phOEnIx 2013

trouble in my soul …(It’s A) lOng wAY tO pArAdIsE (frOm hErE)…

trouble in my faith … Maria de Magdala

30/31 ©dAdU phOEnIx 2013

The silence after trouble©Louisa Dawn

© Vassiliki Kontaxi

32/33

©Laura Simonsen

©Debora Morelli

©Yann Cielat

©Andreas Höke

34/35

©Alexander Criz Samohvalov

©Louisa Dawn

©Edmond Thommen

©Yusup Yogaswara

36/37

©Johan Lindell

©Andreas Höke

©Artefact Usw ©Mimo Khair Mourhege

Calling for trouble ~ Shanghai

38/39

©Sookie Sirene

©Yann Cielat

©Angie Stergio

©Angie Stergio

©Joe Josephs

Trouble came to stay

Troubled mind

»All is well«

40/41

©Émili Bermúdez

©Mimmo Greco

©Chih-Chieh Wang

©Angie Stergio

»I’m still alive«

42/43

©Chih-Chieh Wang

©Cosimo Mancioli Ph

44/45

©Cosimo Mancioli Ph

©Cosimo Mancioli Ph

©Ladjo Persot

©Chih-Chieh Wang

46/47

©mai_saki

©Yann Cielat

Trouble -- Isolation

©Andreas Höcke

©MWeissArt 2014

©Mike Lee

48/49

©Andreas Höke

©Debora Morelli

©2014 Menoevil Photography

©Jean-Francios Dupuis Photographe

©Valerie Simmonet

50/51

©Lo Bricard

52/53

©Slavko Pjevcevic

©James Holloway

©MWeissArt 2014

©Peder Aresvik

©Everlast Ozon

Trouble with scissors

He who rejects change is the architect of decay. The only human institution

which rejects progress is the cemetery.– Harold Wilson –

54/55

©Hidlight Zifiri

Trou

ble at th

e »lon

ely ha

rbor«

©Jenny Papalexandris

©Louisa Dawn

Leaving_the lamentTrouble as I examine the skinwhere I look for tell-tale signs

in the traces of the night, asleepLeft of a slither that would provememory as a fluid occurrence

56/57

©Peder Aresvik

©Sebastian Ostafin

©Louisa Dawn

58/59 ©Stella Sidiropoulou

© Ignacio de Loyola

©Joe Josephs

The Troubling Question

60/61

©Roberto De Mitri

City of ghosts. Pandæmonium

© Taras Bychko

62/63

©Roberto De Mitri

©Éric Dorchain ©Alesia Gudkova

Stained soul

The life stopped

©Andreas Höke

©Peder Aresvik

Trouble

... couldn’t start the car – even the light was frozen ...

64/65 ©Johan Lindell

©karamelo

©karamelo

End of life. End of trouble.

©Sebastian Ostafin

66/67

©Yann Cielat

©Laura Simonsen

©Yann Cielat

68/69

©Ryuichi Noguchi

©mai_saki

©Jean-Francios Dupuis Photographe

Internation

al trouble

©Iskaeldt

©Dominic Brecken

Trouble: Omnipresence_on the Streets

70/71

©Peder Aresvik

©Steven Gonzales

... arctic morning trouble _ the omen ...

©Laura Simonsen

©Dominic Brecken

©Sookie Sirene

72/73

©Sandip Bose

Trouble

©Jean-François Dupuis Photographe

©Slavko Pjevcevic

– which way?

74/75

©Yann Cielat

©Yann Cielat

©Yann Cielat

©Ryuichi Noguchi

76/77

©Jack Chen

©Laura Fogazza

78/79

©Cosimo Mancioli Ph

©Mike Lee

©Chih-Chieh Wang

Trouble – in the End nobody’s feeling responsible

80/81©Andreas Höke

©Sookie

FEATURE: Gavin Bragdon

“If you feel it’s a good photo then you’ll feel it in

your brain, heart or better yet, both. Sometimes you

can put it into words, sometimes you can’t.”

What do you think makes a good or interesting pictu

re?

Hmmmm … that’s hard to define. It’s more about what you feel

when you look at a photo,

that emotional wordlessness. The punctum. It could

be compositional Webb-esque acrobatics

or just something really simple and straightforward or

something really vague.

How important is it to you to make prints of your im

ages?

Well I guess I’m a digi-baby and thus have dealt with

photography on mostly an on-screen basis.

I’m trying to get into prints a bit more especially for e

diting and sequencing purposes

and the like. It’s about getting into the print as the “f

inal word” and bring the photo

from a virtual image into something more tangible.

82/83

84/85

86/87

86/89

90/91

92/93

94/95

96/97

Gavin Bragdon

“My brother Gareth influenced my picture making either.

We’re brothers doing the same sort of thing in the same place,

even in the same photography course at school, so naturally we’re

going to be bouncing off of each other. He got me into photography,

I got him into street photography. I got him into using flash

(on-camera), he got me into using the flash gun.

It’s almost symbiotic and I think this sort of collaboration,

directly or indirectly, will continue on into the future.”

h

h

96/97

MADE in C.L. is an artist duo: Salvatore Cammilleri and Michele Lombardo from Italy.

In the name there is a joke of worlds using own surnames’ capital letters even

referring to their Sicilian area called Caltanissetta C.L.

The most important objective is to involve different contemporary artists to grow up

art in the area, to promote creativity resources. The involve many people,

someone for technical competences and others only to participate in performance art.

From this concept born the first project: RAW.

http://www.facebook.com/pages/Salvatore-Cammilleri-Art/827432060606431

http://www.facebook.com/michelelombardoart?fref=ts

Join in and share your art.

www.facebook.com/groups/583971975064919

The Art and Culture Magazine | Inside TROUBLE

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