sri tallapaka annamacharyuni srungara keerthanalu-madhura bakthi-by dr.a. rangachari
Post on 14-Sep-2014
118 Views
Preview:
TRANSCRIPT
a*.
^(151995>
1000
a*.
So. 361,
- 27.
^5:666919
So. 361, a ,05. esS".
- 500 070.
2,
3 .
4.
5.
6.
7.
3-20
21-32
33-50
51-82
83-228
229-238
- 2143
M.A., Ph.D. (Teiugu), M.A. (Sanskrit)
Chairman, B.O.S.,
- 500 007.
27-7-95
. a*.
. cr. 6orrur6
ooJ'
or.
do
.tf. 13,14
DO^0*0^0.
rrS
83i)0<
^oD. a<3& ^rc' cTigorr Scr^c^ex) 56^
e]&30^gofrd
ar^o cOoeS rr^orr
D cxxr
24-7-1995
rrdo
cto
cr.
22-7-95
d
. (i)
(2) d8
, (3)
& ^orrd ^od
, domzrdbgo irCT^S^^
9^oOoi5
CF.
- 530 028. 23-7-95
oc5oajD <ix>c5s
<SoS,
(5s
fi>fl
Qg? so(3o
i3&r)<borr
25 =5)
23-7-95
1 9 8 2 6s
ifpV>A
S^2SJ,
- 533 105
esD
22-7-95
esrts
900^(5
25-7-95
o.
500
s
12
d^e5 s-^do^ ij-el ^8>oo- SS>3 (S'OSod. 1 9 8 1 6s
^-So
1979^
1 98 215s SB^^& 9<^^)S d'OdeSo asQftoa. 1 2
1 2
<t>d_33<iDcr3 oS^S^o DoSaiSoSo Light house ero<s3>
9000(50
cxS* ssoA^ SiiCiirS^ 5^
3%rr ^^
866s
,'
c*
e
Soel
c^abo^
e
15023^)
eo <J CD
feOfi^DiS OQCO?^ iDeJOeo G A eo
o 2o_ "
2
23165
"5.
e-S
e
10
#8o3
Kr&j
^ o
d6coD 62)026............."
ii
o3b3 >toeo zydb^^o ^t^So^, wt5
ad
12
crcdbea
13
5 60 eo
JS
8
^00238
15
CO CO
16
o V
17
(I.* 1408 eT6
gj^oO ^.^.1503^
fbS ^o 203
m
Sol&So SSrotSS eo&S o/V3Sbeb
1424
18
eatj eS^oDb^So 162 c5i)o
165
163
zr !^) o
So
19
es&> Tr^^co o23O^^b^S ^ofiD^^ ergs'
d
es
sdep3^coJ6
-SofiS es^oCb 3oJ6 SC^D e^c5i)d oCb
2.
3.
4.
f O
5.
-1 ^
14
.3. 1546 ot2rl
1553
1495 ^oeS2ooa as^oO o^Dod^^j^o. eggr^1
. (20)
"(2?)
ij
14
Thallapakam Poets"
"The minor works of Thallapakam Poets"
CbSoo Q&^Q SS^Sca ^6^ 19356^
J5
Ibcb
2.
H(30)
e
. e
10
(32)
(36)
tyrrti SoldJSea
eo
b Itf&Sa b oofc&xf* j-Cb
es
es ^odSer* es^oodSSb
V
. 9
2.
<)$abSaeysrto^Si) 3)J. 10
3,4.
7.<
fei!5 SCb^er^fib^ 3)eo 16
8.
9,10.
i^fia^->CT-^b^iS> ^)0. 23,24
11. 9J6(^ir-cr'6^
3c5"tJB^ftSao (a$3d$)
fps Sfib^>o--cjA^^ ^)w. 29
12. 9S<ySr-T3-CJ
^2e$ "3S(eko ((S^SiS)
. 32
5,6.
e5d3^oer-aCb|dS) ^jeo. 16 ->
13.
. 36 .0
14. 9S^T-x3-^ ^S$CSB^^S30 (&>&
$$J}&&t^&g$ ^)u. 38
15,16. vi
>T*-3o6 &S&^SB^eftSao (a^dS
?pS eojaoo^yCb^ ^jo. 42
17. esg,2o!r2x^c3^o-
a^ads.a.o.3. ^i^dcs
- 3
18.
- S.d.S.- ^Kbtfo 1976, 1980
t.Q
19.*)o/rtf
SoltfSeo - 2)SS -7T8^gc7>&> Sao^tf^ 3). 32
20. Minor Works of Tallapakam Poets, T.T.D.gb-cfcties
eta
21.
cS 3feoy8 t9J6od5^oj'8 ^jo. 124
22,23. eS^jNy^ ^3el ^a^^oo-
<3yS<3-^^J^
-^)u. 45
24. eSQSj*^^ ^3^^SS^^oa
-a^SdS
- -3^^ 3)". 48
25. S&ol$6 e^pSos--3^^
~SdSj J6o3> 15,16,17
26. 3cySj*x3"tf TSO^JfiSaa
--3^^
-(fljadS) ^jo. 24
27. wJSSjvyfi xJS SS^ - I. "I I
28.
<rf 5tir8 oSod&ir'S ^jw. 325
29. 0"#)>g g)o^3bcu- 3Sa ^r>^
c^ ^t^r-a Sod5^0LT>8 ^to. 328
30. e^Sa-aydj ^8^ !D&^ - l.t ^^ip6(pjp^fi ^^ ^)ta. 116
31. ^ol6J6o^es^co
-OS^S^
-2da^ So^l2
32.Sjo/WS Sold^eo - 122 ^o^fej^o
- /T8lD
3)u. 59
33. oSa i>eS ^-!r2aa - S8^ ^^o. 14,
- ^5^0
BE.
"(38)
R.S. Moulton
<3?jc3."The improvised lyrical song, communal or individual,
a popularor artistic is probablythe sumplestand mostspontaneousform of lyric expression...The true song is primarily. The instructive
out burst of emotion or emotional thought in language which byaptness of word and rythem echoes suggests the underlyingemotion and melody of tune and harmony of stanza is adoptedto such modulations of the singing voice as naturally distinguish
emotional utterence........ Thesdngis therefore more than any other
lyric kind, a musical cry" (39) 2<3 SSo-aa'aaoSo rtr*6 Mouiton
"that the popular or the traditional bollad is FOLK POETRY,
i.e., poetry that has originated usually in oral form among a
homogeneous non-literary people, and has been handed down
among them by word of mouth, is generally concended* (40).
23^"!
e? S
P.?
3 S
* * * 24(42)
2- -
3.
4.
5.
8.
# * * *
6.
* # * *
7.
ESSgiSI (44)^ ot
# * * *
(45)
* * * *
rg It 5)1 (48)
* * # *
(49)
* # * #
9.C"3 a o_ Ji a
(50)
47 &od tfe SoltfSeoesS^^j'cr'dspD.
-&*c&;6
. fbo STOOD
TcR ?TT "TOTtu
qF?T
6 ^6^ ZbdS
3-6
% ftft^T
(51)
CO O) ~5o&> of^oodo i>o
o
(52)
if
2305"
* * * *
(53
Ibg
* * * *
(54)
Ao &
24 ^tfeaScoeo Ao bo SdSfco. bo
OJS
(55)
* * * *
zr>cct)^o.
aA
(5?)
.* 153 3erg SSoe* soo"(58)
'
(59)
. (60)
. (62)
S^JS&ool Soi&SeSc&o, o3oo, 0Ao6
2.
3.
4.A Practical Sanskrit
Dictionary- By Arthur
Anthony Macdonnel(Sanskrit
-Telugu)
= Quarter
Quarter verse word, readng of
veda in which the words are given
seperately irrespective of the rules
of Sandhi
5. Apte Sanskrit-English
Dictionary
6. Theodora Benfery
Sanskrit -English Dictionary
7. V.S. Abtes enlarged
Edition (Dictionary)
8. Z
9.
1954
Padam- aeSQ.tf ^<3o -Aquarter line
of a stanza, verse-verse -kavitha,
Padyam Kavyam-Slokam
Charanam , Padam
s A verse, A kind of reading
Veda without applying the rules of
sandhi.
A fourth Part of a Stanza.
30
(1)
(2)
(3)
35
ooo (4)
(5)
36
(7)
if <5:
eF)r'35c>o
jfbijjdrsii (
8)
(9)
crll
"On the side of theorists, the writers on Poetics, Rasas were only
eight upto the time of DANDI who briefly described and illustrates only
the eight Rasas". (1 0)
rtrd36^,
d^^oocoSStyC*
cdoD5.
(11)
37
(12)
<,<? 43
^02:00'^'. (13)
3t (SiQ, ty\2ri5w, ifcS, ^rfoS) SoocSort
SC53G3 6 5<33."
(14)
(15)
s*<33.
aS^O
ScS^ <5<b: (17)
s'CSi. ^cbodo d^d^^ s*do.
35 ^<x> sa
dc&r
Sdo
38
INTRODUCTION TO SAHITYA DARPANA tf
We know that Bhattatouta was the Guru of Abhinava Gupta and
that he wrote a work called "KAVYAKOUTHUKA" on which Abhinava
Gupta wrote a vivarana. One of his doctrines was that SANTA was at
the Head of all rasas as it led on Moksha.
39
"close on the foot steps of Santa an aspect of love called preya or
Vatsaiya covering cases of non-sexual love like that between Parents
and Children, Elders and Youngsters, became a Rasa.
The olden preya of BHAMAH and DANDIN as speech expressive
of Non-Sexual love developed into new Rasa.
DANDIN says that this preya is very closely related to Srinagara
but is distinct. Since Prithi is the basis of the former whereas Rathi is the"
Sthayi of Sringara. (18)
Scr
(19)
40
(20)
(21)
41
". (22)
(23)
(24)
(25)
42
(26)
.,
28)
1020
5^
43
(29)
eoj^ifca rStfda.
(so)'
44
(31)
5^ (32)
(33)
45
(34)
i
46
-5.
crrfo o$>3''
( 3 5 )
(36)
to) >
ig ^on*<JAfr- ^cB^dfc
"Rasa is the fundamental joy of life, love of life
------------The mortal aspects of Rasa are turned
into immortal ones when diverted towards HIM
or comprehended in His LILA" (37)
47
1.-3-&$*\jJ (
<S - $$&>&> (-7}
2. s*3iQQs*6Q\rtr36&:- S!^<F3o;^d^<PC&^|^<b- 279w\
3. 5^5^05*0 SoifKraSdes:- ^^g'^o^j'de^' credoof^,;fc)43-
279
4.5.
6.
7. c3*&g^3&>o ?JcJ&&> (16-1)
8. ^&g^^ 5tf^5<g5 (18)
9. >^3J<%l?c><5b:- ST'^CP^) -18
10. Number of Rasas - Dr. Raghavan
11. e30ii>e5a&C5 O&f3fr~&&ix> )<b 289
12.C5^C^OeS^00
-<S30($DO 55<3^ SJ)& 1 5 2
13. s*aoos*&$w- (15-17)
14.15.
16.
17. s^^oo^d ^oirf^r<5x>-
)&> 299
1 8 . The Number of Rasas -by V. Raghavan Chapter VI Page No. 11 9
19.
20.
48
21.
2 2. d&croe$<&o - eo^So 5<3K$)& -178
23.
ff
~2 4.
2 6 .
#rf3<^!c5^o&i^^> - ^(^^j-^ s<j^a, ^ds^er^c^- 1 o <5
2 7 .
2 8.
29. ^rrt<5S^x>- (11-2-45)
3 .
31. #rf<S<3! d^c&,5^> - ^3<^>^P(3^ S<SSi3 - GS(B3j;&$ -55^5
32. ^d^df d^csS33^o -,)c^)^rcS<5 Sd33 - CScapep^^D - 57,3
33.
34. Jrti5cS| 6d'CSb3x> - &^^y<35 lidSS CScS^cj^^ - 74
- 49, 60
37. The Bhakti cutt in Ancient India - Page -411 by Prof. BhagabatKumar Sastri. M.A.,
49
f,
-^So^Sotf
51
-
9
(2)
(3)
(4)
53
"Karma Yoga and Gnana Yoga are means
to Mukti only through Bhakti Yoga. Bhakti Yogais the direct pathway to perfection, as it leads to
the very heart of the relegious consiousness" (5)
"(6)
(7)
(8)
Sort,
54
"meditation deepens into Bhakti and it is the
practice that becomes the direct path-way."
Bhakti is continuous meditation on Brahman touched with love or
Priti. It is absolute devotions to Bhagavan as the life of your life, and is
love for loves sake. The true Bhakti is the true gnani as he knows that
Bhagavan alone in the source and satisfaction of life".
"Bhakti is continuous meditation in which representation acquiresthe vividness of living presence" (1 0)
(11)
(12)
<3* c&3))*o&><&>o (13)
55
c&>o<&
"(14)
5aa^rt)
S^DOu), ^toiSM^CJOMOiSj^". (15)
"(16)
"
By Bhakti we mean on intense !ove of God" (17)
"Bhakti is pure affection forthe highest living, who although he has
the whole world within him" &3 3oc-Sd> 6" rrdo D5OoO5. (18)
(19)
(20)
soda
56
rforr
. I,
1 6
!
5| (21)
(22)
(23)
1.
2.
3.
4.
5. fipS/fib :- JSgtf tfrstoS r&s^oiD S'oftoO
57
d) 5J
(t^Ss
S^S^5
(24)
(25)
(26)
(27)
(28)
"(2 9)
58
(30)
dcSo S^s ^deso d*cSlD<5^o
(31)
(32)59
2.
3.
4.
5.
6.
7 .
8.
9.
10.
11.
(33)
83*3*
(34)
(37)
(3 3*
(38)
60
61
o&od<D
(40)
(41)
(42)
(533
(43)
62
$,.
"(44)
63
(45)
'64
(5^0^)5(46)
,
15,16
SQft
4 3 <3
. 11^5 $&>&
(1540)
(47)
66
3
67
J5oiD^
68
06^(5,5
69
(49)
,ScSU Q
(50)
oxr
fieri'
rtcr i
3 3oe,yo>JSo 5>d&Q<&.
es
63 . Srir
70
J
cxSp.5
"
. (51)
5^
(52)
( ssocr-f).
71
''
65^
(53)
1 ^fft
jflTF SP (54)
(r_^,.^ <cr*.
(55)
72
fPOOv), eT.^) C&^rt ^f<S e!0o>
73
(56)
a<
(57)
74
(58)
Sod:
75
(59)
(60)
(61)
. 9
76
rr
(62)
(63)
(64)
D, el)^c5oo>,
. (65)
77
esOft
78
- 2 ,3
2.
3 . 1<*aH3aS);&$3- 6 <3 S9g*<c&<&} - 2 3
4.
ir5 ^g^)^Sx>-#J i^Sb^p erd^^^o <^>o<S - 1 3 6 <5
S . The Philosophy of Visishtadvaitha - By P. N. Sreenivasa Charya
- Page 354
6.
7,8.
9. eso^S ^S^ ^"Ir^i5w. CP. 3. (f^oa*4 -^)<io 3 6
10. The Phylosophy of Visishtadvaitha - by P.N. Sreenivasa Charya
Page 358
11. &&C$;)to3- 3s;$(ajVfc$ - 17, 18, 19 g^^oo
12.|A)CSj)/ttd
-?JJ (Sj-rt^w -2-3 g&$w
13. 4 fia^^^iSM- & Issycr^) oSa^o^c? a-gsjrg^c&x)
- 1 3 43 )&
14. l^d^ft-S-cr^^gpgo^^oo
-$Jf cSj.1<^o 16, 18
15.
16.
1 7. The Gospel of Love - Lala Kannomal (1 923)
18. The Origin and development of Vaishnavism - S. Jaiswal
Page 119
19. 3;poi$5 T8^c&;$ cr.
20. ^riiteto- oS-g&ij&eS&SM- 3, 29-11, 12.
79
21. 5 cj* d<$x> - 6063 3063 - es&<3*c5<&x> 1 3 <3
22.
2 3 .
24.
2 5 .
26.
27.
28.
2 9. <^5g i^aod^cbS -|,^P^?.A o)c5! .i^o^iydoOD ^)&>
- 20.
30. 3T("k5&& - 22^ 5^050^)- 21.3
31. ^rrt^^^S^- 22^5
32.
33.
34.
35.
36.
37.c
38. &&qr^fi&&8-d^&^ocSAo
- 3
39,40. .43<3 3(Sg tfaSii ^>oO^ -^>to 8 2
41.
42.
4 3 .
4 4 . 33S^- CJgS^d^ ^>o^)^- 1 9 7 6 >-
<&\a<3ji3*&K'co S3)dD- 1 3 9.
e- ES y "^
81
45.
46.
47,
^8.
.50.
51.
52.
53.
54.
55.
56.
5 7 .
58.
5 9 .
60.
S6 1 .
62.
>,
63.
64.
65.
. 15
-ST.
695
f^cf
3.3.5.
- 3
- 142
- 155
- 1 5 9
- 1 2 <5
7 9
- 1 8 2
179.
183.
184.
1 8 5
1 8 6
187.
8 2
p 137
81
83
c7D
(l)
85
rr c )
25 d^^o (5*3
6B
63 rrSo^) ^ocS^O^ o ej'^^do. ^orrd ^bod^ce? eJ
. SSd
86
^ 3>c5
Love to him (According to the Author of Sringara Manjari) is an
motion which can have only one object whether it be the case of Sviya>r Parakeeya, Kulata or Samanya. it is some thing which having comeito being for some body, produces no desire for any body else, it canlever before money and yet to be love; and such love arises not by anyeason of beauty; Experience shows that such love is a blessing that
providence gives us. 3
." 5^3 G.
87
09
9
3
,
a
12-67
SS
ess
89
4 9 .
678.) 8
2.
AocS:
boc^fi 56
90
JD&\ d-cSp Sodrf&oi
5&> 24-255
4.
91
2.
3.
cr.
?" 10
(12-159)
23
"(11)
. (1 2)
92
o) SJTVCO
s*)
93
&
.? C5
$&
(13)
2.
3 .
t sS&>& tSr^i! cijoocSa)
(15)
94
crrr
95'
4.
(is)
2. SSolseb ^Sepo cx>^
96
IT-6 So ^ &5S
I dS '
rtS ^^6^ e&S
r ak3c5 ^>c6Dft
n
Q
c&ocfc
97
(17)
- 77
2. "3os3^
3 .
"CSP3S
(16-2)
2. 5&^<V<3^i33e$6db3*- (18-242)
3 . 3o> tSo<5<3 Sej; S^poSS^Sa - (28-285
4. a>oS reiSM 0(& ^DCT c5o3 - (30-315)
.Td ^0226 -
98
a-
HSbeSSI
eta
99
(14-17)
as43
aocrs^ S
100
(22-260)
cp. ^r$D5 <S' rrda
"The Author of "Sringara Manjari" Criticises, Bhanudatta's defini-
tion that it is not applicable to a sviya on Samanya who do not go to a
trysiirg place, But one exporting union on meeting at their own residence
and are dis-appointed by the lovers failure to present himself. Thus the
Sringara Manjari really on larges the scope of the "Vipra Labdha" offers
its definition that she is one in the pang of separation consequent on
disappointment caused by the lover" (20)
^0236 s^doD
^c&r- S^oa^ ^rooo^ ^(JrSSo ^orrtf ^0236
101
cr.
2 .
'
(21)
3.
(25-572)
4.
"(12-138)
102
5.
u)o3*,
060dS ^oSo id
JDoft
103
sr-D
Sbfi
104
5
"(23)
owS
105
"(22)
lloorrdoll
DoS
oocr
106
Sootf
1.
2.
(12-50)
3. rto
Sod
107
5tf. llrfO&ll (30-27)
6'
iii)
^r
iv)
: \groQ, Zto&Z), ^Sj^Sr, JD^^b, ^d $ejs:>C$c&>s
ii)
108
ooe$d<3 SSDd S3 1 1 3^31 1(18-42)
STP StoSD (P5<5G. ^P
<ss
109
23? (5, l^CJ'
Sgofo&arf
"$%eS6 s^^So j|*.^^
air.
c^ &er
iSrJ
(24)
lltoll (20-548)
ifoO
(20-257)
112
2-
(20-316)
Sof5
3^6 (17-565)
113
7. d
.13
iv,
". (25)
114
crtT
115
iv.
a*3c3o (30-102)
ifo> S
25s
8
116
coocrsrHI
117
crS
,f5
118
& aos^ DOS'
1.
2.
3.
crrr
119
\ V flk fi ^C "^*,
a j
(28-462)
(29-420)o
$&
rtc?
J (5s
(12-142)
120
(27)
* s(5
<^
1)
2)
3)
121
i) 5$^^ ) ^o^, iii) 5^^, N) rfbes^^iSco, v)
vi) 3er>
3<&o, vil) i&^^Sx), viw) JgO> ix) ffiileS, x)
2 .
3.
S^x 33*^ ^5^
(20-259)
fb
esSo
122
4: cdo^.
rfcr
i; rrcr
Doer
123
(31-342)
2.
124
Ibcro&Soo.
28-169)
doAefo s^oeS ^$3 rtrfi
125
o
rfcr i
S (f56 s
eoix>*o<*3)
1.
2.
3.
126
(22-200)
2.
IliSII
32
127
aocSi
(26-475)
53 J
000S
128
2.
3.
129
2.-
*
crcr
aij}S t^S^t
r^S crcr
x> aroood: ^
oi^ci" 6
^ lib^ooo3 S.n
130
Sij;u>ouo. aririowwoo^ iSodu)^^^. "i?'oc5 B^crcr iw
(2 5-3 o 7)
<),&> (30-85)
4.
2. eso
131
ii)
iii)
iv)
D (28-416)
esesSoeo
132
aS
133
Scfc.
2 .
134
(29)
(30)
(31)
odo
135
II Do^ 11(32)
ir-do
136
309)
(34)
137
2 .
3.
138
oxr
aodO
3 ^u)&. S3 00^ 333
.
"SxScJfr
139
A^.ortW
&&6 rt e^a 1 1a 01 1
140
2.
3.
1
1. <DoJ rtoS aos71
aoSS5 ^ Qe^ SSj'ir^ (es.^.^o. 20-255)
2 . s ^iSi 5:3 <5^cr ,5^i5od5 ss^ a>o4cSo SooaiTcT'&i (e.^v^>o. 22-104)
*J CL &
3. ^&^S ^^Sej'cr^ (&>S5Di"bC^l
( e. N. So. 3 - 1 6 7 )
6.
s~"t>3
141
.a'. <;ir\^^p-', <, ,,f\A.
>isJjv> f-JU. ^5 rJWv/ IWOU-' - a
.156
142
2 .
3'"\. oJ
4.
wCw uO'D^ i>j w^dvo^t I*
fe (29-588)
^<5
(29-598)
7j ^
rr^c&r (30-188)
7.
143
. es )&
esc&><3
es i
eg-' sir S3<~i*
144
g ^t i|o) ^^esA)
cxooQ <
*>
^^ool) SS (26-144)
2. !DIX)tD&) t$&ejse> ooo;Srcdo j3
<3e;)
(bcSo^o Sfirjrt(Tc^D tioj^ ^ <5D ( 2 6 - 2 2 )
3 .
aSbjxl) &$ <3^3 36 dj'^D ^^>^
^^)iT SodD 3FZ*zz> cSj'b QS^crcSa (30-242)
4. e$>do s'C8 ^d
ffoft
8. a-ft, 9. d&, 10.
1. <^><3^5 ScS^r && ^o^rS:) srcrvG 5r arg^s- tf&tooasO
2.
3.
T45
36
sscr
ad
! ( 3 7 )
S5A jto-i: rfcr;gS^Aft
'
146
e3 c So*
Sdo.
esS
rrdo
ydb 1. y>c33o, 2.
3, 3. jd'ojCr
147
lodges,
cr.fo -
148
2.
o*cr ^o Ocr^ ^to J13&3IJ
3.
(28-193.)
SdS
forts
2. ^oo^rd crd"o :
149
1 . Swtf.'fc Soi
rt>ario SOS tS'^o
11^11(12-269)
aS
eDjoS
150
crrfo
ftSfto^cr
151
s
N"* /<ill ( O f\ Q Q \ojCaJii \ c. u y a /
1.
18-180
2.
24-575
(43)
1.
12-17
2. g 54)
3-188
3.
12-122
4 . isb*co) <3DS SoiS
3-117
152
3-609
0*0* - 17-547
^(5,
S^s
(f36oci>
153
S3 tJ
2
cor e&
154
27-484
. **336~
26-142
j^^oo cr.
(44)
155
s-eo
17-298
o 5S a^>|^^" (45 )
cr. Stops 35oc$ (^p rrdb 5?yO.
ifo>
26-21
2. ^o5(r$5<5K!3w :- aoS ^oS ^<5w
26-58
1.
2.
1. ^^$00^0 12- 133
156
tJ O
rfcSo
4
Jo>
4 9
157
". (46)
"(47)
. (48)
(49)
158
(5S
io>V.
2 .
fiiafi
159
fc*.
160
\ < f.Q-"-,
,-,> ft < A
"(50)
6B cr
161
(o-rfo)
3. cre
ioSo^ 3*3 ^3 3eoex>
oxr esi
162
27-448
cr. &
163
3-54
5 4) 4-74
1.
2.
2)
164-
cr.
56"
(56)
165
fifes* f.
"(57)
<a*S rfe
rtxxfcgrtsoS i5ft5 Ib
crrr
12-324
166
(130
CT! oooS ffe^oofiSto 52J* ir^os^cOo^d^" (60)
3^53,3^) fe r
167
icv-
2 .
168
crcftr
rtrfi ^rli^r
Sp^^ crcxSp
,3*53
169
(18-540)* '
*oS
. esotfd d5oo(i>
4.
170
(20-65)
4*
171
4)0-^3 s^co
-(crrfo)
172
173
^c5cooot3<>.
"{64}
(65)
(1800 \j.$.) 5^ 30<Tt) ^S eS^ "CTOS^^O^" 65^0
. (63)
174
2.
(66)
o&of
2.
175
5cS6oon
oxr <} .-
176
crcJSo 23*^0 - d'cScr^o 3i-si
1.
aouj)
^O ^OX) v?
20-25
2.
177
3. 20-32
(67)
178
O 14-232
4.
.S 5)
cxocDS
179
5. d*^Q 20-497
Doc?
fr. ^_c
6. d*d 31-56
180
SoG
SO
25-455
181
cr^
s~cr )yy >o
20-496
31-137
5 crcr 17-547
182
S*,**^o^wU
13-363
3.
13-324
4._
^rrS 17-483
/C'l) ^'.c' 5ojoJL). 'w
'
. esccoB es^-d65? ^^.r^OsSd^o rte'
; itr-6- ^ex)iS iSu ^
183
"The author of the Sringaramanjari" syas at the begining, where
he sets forth his method treatment andthe topics to be dealt with by him,
that one of the special features of his work is the description of the
varieties ofwoman called "Padmini" etc., which the previous treatises on
the subject of Nayaka-Nayaki enumarated by him earlier do not deal with
Accordingly, at the end of the work (pp 54-55) he speaks of these
four classes of women. He says that so far he has been deeling with the
varieties of "NAYIKAS" as dealt with in the "Rasamanjari" on the basis
of different kinds of moods and reactions in love and that now he would
deal with a classification of both Nayika and nayaka by gunas, following
the views of Vatsayana.
M(81)
^rcco
S)dJ*t30vi>& iSeS 1)0 orrd ^oao rti>5iSc5
"Having
and very broad private parts; very difficult to gratify sexually1
eSardb (32)
(83).
184
> Sold
12-92
-
"Private parts soft rotuned, bloated and not very hairy......... loves external sport
embrace kissing etc" (84)
iSei (85)
'oo dS dir<5DO<3<0 a-s'cS 3odo e
12-92
dS
0ft. ^o'
185
Scratches with nails in enjoyment, heated and bilions constitution,
having a voice of an ass. Irascible feat. (86)
<586y8|tc>
(87)
sdS (Stoex>l35 ^oDsSs^S II^OuII 12-92
65^$ cr. cr$od5 iTb'i^ ><35o)S. "Devout, lashful preserves her self
respect' (88)
p(89)
186
(90)
' '
12-92
6.5 cijooui) ^rcoo^ iTtD^ o&c)
12-123
187
do60
^o o<D ^55ax>4)j
dS^ c>c3 rr
crlDrr
Oft
a. ( 9 1 )
188
28-171
0*^3(5 S-^D a* df)
StocS
o
w
."rdo "Loves external sports, embrace, kissing etc.
189
rrd
'hysical features .trCr* (J3dri
3g<33 rt3<JTc"DS'3eo^)LS5 'Graceful gait, neither
ie tall nor too short, slim*. 53
(<3S dir^jico <5^)^)5ou)) Adept in and devoted to music, dance,
ainting etc" 3 MDoO^rdo. (93) s*S
31-24
190
i c
?boiT6oub
3 Sod:
(T
31-373
oca5
191
6cr
(40)
192
5J c^
' '
esD
3) e5A>crcoi^). 4) ^c
rfOA
dies
foe dJoocSo ^(SocrrticSo u>!e?ow<3;-&&>. eso.Vrf'
^
1.
193
.
ZJ Orte
^eo^srex*
194
(42)
j' <5$3>oi&<&>.
*?<*J
S'G*
195
(.24-570)
3.
owto
63
5 Oft $?>&& 3
sr-JD
196
4.
crs
1.
2 .
-30$ d-tr^g
197
3 .
1,
cooofi
26-24
aod
198
.
t: SO A
^30
2.
199
Ib &<eo o>p <s>3 Sdrfc* II aos-ll
aosll
II aosrl! (25-127)
1 .
28-40
27-217
20
30-141
'i>-"-W S<^
30-46
3.
i >
osoodo
<tsrex>
201
ese&e^ortS er
20-552
2 . Sw rtirc&erfi ^Soo rt^ cOojS 1&S
Dtt)0 urdc^el S2r)S<SS . 22-486
3. &>5 (Soe; SSr^S <&r^ ^4)
24-255
28-236
202
5 . Seaertf wrd3 o*r 30
COOP? gS&J COP ^r^o 30-274
1,3,5
2, 4
4
4.
2. 3-^ ^rcco^ GJoo^ -c5 ^r^)3
(i^cSo-^ub. 030X1^6^0X3^0^060 (
203
3.
4. crD
if6<S
204
20-429
2.
cr
205
SbS i)3
e^.c&w esSo ^n e
206
cdooo
3 .
S'A
rrlO
<55D(fi
207
20-397
2.
8303S fieo^a >^Si5J) sJD 25-189
3. S B3-<2o{^a$ JteeBrfs*i 5)4)
31-258
30-464
208
^orrds
(68)
209
d-oSddo. ssiS
% ~-4 - *
ajSA; S
esc&r .roxi^rTcdo^jca ecfip'
12-191
'
210
crc&><5
trO 12-267
211
dffWS
25s
<&
24-110
SO
212
23*03
4. J5j*^SrT^ 29-515
213
xx-> T ~A ,. -- r f x f- < -f-vX <>-, =ror^. C, i3C.C 23 wj Sw^LJcCOSajOJ
v:3\st} rftiSiS5030OS 6
w &\ *s *f t^
cO {jond:o
cSacSoe
214
5. ^dCTc^O dCSo 30-545
2.
3. OXP
27-491
28-157
31-286
cooo^S 12-23
(69)
215
V " vU'
wb">s-V, i
S^rvr**^ -Xj'
l^
'^JCJ12C a>X). cJ
#3 ^a tfioiS3(fc&>
iTo
(70)
?&
'
(71)
216
217
1. Boorfo s*o*fi> 29-590
doD S\i!C02S SK.
218
csSooci)
55ft
219
&>&53o;S<33
30-554
220
23-25
23-511
23-20
221
(73) eD*
2 . "-ycrsp^ es^adj ^O^s" Sc) &JSx^& Sd^^^i (74)
3 .
"5,4}^)^ Ssr^TGOEJ^o cJj3*??SeJS>'
(75)
e)^eo<iSoaex)
d^^oooo Sow*;j) SSad3o<J5ooei"b^
dorr cr&go ^3*6 S<2dc?<5oo (76)
2.
-ijoo (77)
3. Sei)(J "5 q
222
(78)
4.
(79)
223
. So
;
224
31-126
5 63
GO&
Iblb (SooS
225
^ rfe
12-13
226
12-38
v!5 arc&i: ^cco idaiSo
(3-521)
2.
(3-198)
227
II atfdall 23-73
1 .
27-442
2 .
27-451
228
<?
Merges && ils* ^ ss^co^ooc^D ("0600
229
'
'{80)
(24-217)
5do
230
231
2)&. 83
2. s^geos<53oirt&*!b6g307, 310, J^g*3o3. Introduction to Sringara Manj'ari of saint Akbar shah - edited and
published by Dr. Raghavan - Page 90
4 .
)&. 84
5.
6.
7.
8 . 3*t% ^,^^5X)- 0, 1b. C&5. 30.
9. s^^-
S)<b 9 8 .
10.
11.
1 2 . ^fc;1 5* ?O<SDO - 1). c&5. ssd. S^.,cr4 ^)i:. 678J V^ oJ
' s^
1 3 . SeSotf
14. ST. Too.
15. ^r.^.
16. ^trdi'w oJ
1 7 , 'fRT %^ *i+^H - -4l4>ll
18. 1*03^^^45(7-2-41 9 .
2 . ^OiTCJ <oo3f5 - introduction to sringara Manjari of St. Akbar Shah byDr. V. Raghavan P-79 Pub. - 1951
232
21. ^S- 99,100
22. <&>&o<S<&re2 - &>efipcr^&- jo 17
23. $, &3$p&S&$ $&S -S>;^o<frfc>. <3| 3o$ 169, 170,
171.
24. | ^B
> oT&Qtf- 6 - 2 - 2 1. <S. cfodf. 3<&oato<fcge.
25. *r<hd*g &e. *>tf^3dex> - arS" |x30Jrt 3$&tx>- cr. S.
$to. 100, 101.
25/1. jfRT^f^M^ - 3&W - .$. 36, ^.^. 37.
26. cr.
27.**
2 8 . <$&fco5 - $vo& Gfiosj- ^ 5 4
29. eoi5SA>S^?rrfS^iS- 10-1010
30."
10 - 1011
31."
10 - 1044
32. fi&x'o ^>sr^S.T5 tt5$c> ^CSe^co - 161.
33."
30
34. ^ffTTlIcr^^ -?R^r -3- . 226 - ^281
35. o. ^rtr c5<5S^. .So. crc&^fe Jb)& 61
36.
,37. ^D^ood^re - 8
r 3 8 . ^rd^^<3x>- & cdo5. es 6". e^.cr^) ^4:-
- 674
39.
"
"
40. 30. ^. d^.S^!0. SS.^0. ?Tfc ^>42 83>/
41. <ri;^ F^<^X)- cr. t. c&S. ss5. ss^cr^ }&. 704
42. Ais.fSouio- 35 $>>.
233
4 3 . &?2&&&$eSdJde, $T3rcS3*rt3$aex>, fi&c& o^fcw - or.
3&P5 es$oc$,&p 3>&e 8 5 , 8 6 , 8 7 ,8 8 .
44." "
3&to-89
45." "
fcto-90.
46." "
fcto-83.
47.#.1<3c$^f
tf3-C&<3& - <&.&?. S. &cpe3x> -58 jjgo.
48.
49.
5 . ewSiSarcrfi ^3^ t36l - d& ^to0 l2>?r^ s* ft. 1 6 .
51.
5 a. SaS?rrtiSAS -#&3S&r&g<>
- 7-17.0
53. ir. a. gS)$<, ^*^*)(BF(1Sl^ei3, doSo ^o^<baS cr.
54.
55.
56. ^^d'g$$e ^r^3l^3- cr.^. .^>j. 87.
57. S^S3^rdjg %orrd Sol3Se- So. 2, &d$ - 15.
58.es^^oScrcrdg ^oo
><5 Solg^oa ^fc. 2 0.2^5 So.
60. s*. So. S.SJ. r^o. ^a. 61.
61. | jSay^rrta&SM - ^^4- 10-1433 ^.486.
62. | &arrta&S- flFAS 10-14-54 ^j. 488.
6 3 . &s|tf r<S^
^.20,21.
64."
6 5 .
<sr^,ag &$
66. wo. (S. C33o*^r^^cio - cr. xS.
67. $ 3>3sjvtt$&$ - 10-971 ^).
234
69. er.d'.sViixs'. $r*. {*xX- cr. 3. .<i&r. ^). 112, 113.
71." '*
"I4343dgo
72. &&t$6^ - 9o3*3 ">g3
73. ^ijveos^d ^o^rfoPoSw- 2hlc&p f<j&<3
-S^). 413.
74. s*<3g|&S'&&o-
(&x>d&2i<*3 IV 49<3 &j>(el&o.
75. O*<s)rfOfr*{J}do53>i 83rtf3*y<jS o3OOw3G3 2). 99.
76. ^o.^j. ok^^&ea&x S. 6odo'(5^eo ^)~294
7 7 . t*>6&(fci$ c^^^&r^ssA
8 1 . Introduction to sringara Manjari by Dr. V. Raghavan - Page - 33.
82." "
page 38
8 4. Introduction to sringara Manjari Dr. V. Raghavan Page - 39.
8 6 . Introduction to sringara manjari by Dr. V. Raghavan page 40.
87. $\orr*o* 5oosi5 4SJ"i6"o!Jr S). 54. S\ 310.^ ^ ^^ ***
8 8 . introduction to sringara Manjari, Page - 41 .
89. ^ofpo* aSooasS - &$^6^ -^f>. 5 5
j?. 3 1 1 .
90." "
r. 312
91. ^'^J&'g s^)e SdsXdco cr. i>. s. ^w.^>. 102. 103.
9 3 . Introduction to sringara Manjari by Dr. V. Raghavan * Page 39.
235
1. e 3* " ^^ &i&S ( C&tf) -
2 .
3.
4. Atffifoo&s-^ato- escft&S
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16. Sd6s-c5) JSwaS -
1 7 .
1 8 .
1 9 .
20.
21.
22.
236
23,
2 4. *F<s,3* &e; #&>tteQ - rr iKarf) &Sr< - cr. io
2 5.
26.
27. eoJ^i>d3CS c&^^r^oAo - a*,
2 8.
29.
3 . ts
31.
32. s
33.
34.
35.
36.
37.
38. p, 3&5>|9 - 6&&> >Ou)& 1976
39.
41.
v. 42.
Us.i-
'
44 "Sc^to tvr
oJ*e$i O? o^^o^ucdocij^ io6ioS30~ cr^o so. 3.o a o
45. Bestow iscS^S^ - c*. OS. f>Oi"ii>\
46.
237
47.
4 8 .
49.
53. aoASo- "Soofb
54.
55. Minor works of Taliapakam Poets T.T.D. Publication.
56. The modern study of literature - R.G. Moulton.
57. Methods and materials of literary criticism - R.G. moulton.
58. The great integrators- the saints of India - by V. Raghavan.
59. The Philosophy of visishtadvaitha - by P.N. Srinivasachari.
60. Number of Rasas by V. Raghavan.
61 . The Bhakti cult in ancient India by Prof. Bhagabat Kumar Shastri
M.A.
62. The gospai of love -by Lala Kannomal.
63. The origin and development of vaishnavism -by S. Jaiswal.
64. Introduction to sringara Manjari of St. Akbar Shah -by Dr. V.
Raghavan.
65.
66.
238
^6 <fd'e 0*^MA, Ph.D. rraSg^
1987
(1382) "Se
tK- f XT^ *-.X -3 <> < so- "<-.. of.^'' fixf ",*: ^ <..-,,..>. ft,JcU Js'Ocv nJ 6. ty, OJKA* o-^w waJww*. O'W 3WcJC*'i'U raWc^wuJv'
. cr.
otfexr-tfo
So
7 8
O^^odSJD. e3N^S^^^ 1979^
1 2 iS
S>!X>JSS)csS3S3A>. 3&>aS
12
111
cr-.
1152
^S^oo 19766^
198315s <&re& a- jS>di3i3 ri>^ 5
Sola* ^ocs'd^X) c^ofi 3)
IV
top related