retrace our steps, graphic libretto
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RETRACE OUR STEPS (a secular oratorio in 4 acts)
is a vocal/instrumental spectacle based on texts by gertrude stein, guy debord and jenny bitner. the work explores the relationships
between idealism, alienation, and consumerism.TRACK LIST
1. Retrace Our Steps, Act I2. Retrace Our Steps, Act II3. Retrace Our Steps, Act III4. Retrace Our Steps, Act IV
RECORDED, EDITED AND MIXED BY marlon luna and paul bailey. mastered by johnathan marcus
(opharion recordings)MUSICIANS:
nicole baker, mezzo-soprano soloist and speaking part; karen hogel, soprano; nike st. clair, alto; sean mcdermott, tenor; and
paul cummings, basssam formicola and sam fischer violins; victor lawrence, cello;
sean ferguson, electric guitar; matt menaged, electric bass; kyoko kamei and carl stronach vibraphone; eric hendrickson, keyboard;
scott mcintosh, bass clarinet(commissioned by the cerritos center for the performing arts)
AVAILABLE FOR DOWNLOAD WWW.PAULBAILEYENSEMBLE.ORG,
ITUNES, EMUSIC, RHAPSODY...January 2008
We cannot retrace our stepsDo i want what we have got
ACT I
text.gertrude.stein
Going forward may be the same as going backwards
we cannot retrace our steps retrace our steps
All my long life all my life
but... we do not retrace our steps
All my long life and herall my life
but... we do not retrace our steps all my long life and her
all my life
Here we are her, in marble and goldDid I say gold
in marble and gold and where
Where is where
In my long life of effort and strife dear life, life is strife
In my long life it will not come and will not goI tell you so, it will stay
In the pay but...
ACT II
text.guy.debord and jenny.bitner
I am trying to devise the perfect pamphlet, a pamphlet if given to enough people
could change the worldIn societies where modern conditions of
productions prevail
All life presents itself as an immense accumulation of spectacles
I wonder if such a pamphlet is possible and what it would say
Separted by his product, man produces all the details of his world with ever increasing power and thus vfinds himself ever more separated
from the world
I am intrigued by the belief that a pamphlet could change a life. I remember those given to me with the images of a man burning amid fiery flames, and inside it said: “Change your life. Do you know you will burn in hell if you don’t
change your ways?
What hides under the spectacular oppositions is a unity of misery
I wonder: if written in the correct order could the correct words make a difference
in someone’s life?
What hides under the spectacular oppositions is a unity of misery
I wake up in the middle of the night in a sweat. I am gripped by the knowledge that I have nothing to say-That even if I could write
a pamphlet everyone in the world would see, I would fail.
...The spectacle is nothing more than an image of happy unification surrounded by desolaion and fear
at the tranquil center of misery
That I can’t say love each other. Or stop and look at things. Or don’t concentrate wealth. Everything I have to say has been said a million times better, plus it’s a cliché. Plus...and here’s the kicker-it doesn’t change anything. The inevitability of history hits me like a mallet over the head. There is no
room for a Thomas Paine in the world today-even though I want to be Thomas Paine, filled with
revolutionary zeal, making pamphlets on a Xerox machine.
The remains of religion and of the family and the moral repression they assure
merge whenever the enjoyment of this world is affirmed-the world being nothing other
than pseudo-enjoyment.
I am not a genuine pamphleteer.I have nothing to say. I have nothing to write...
If I had something to say, I would be the first to say it, loudly, outrageously,
and articulately...
Behind the masks of total choice, different forms of the same alienation confront each otherall of them built
on real contradictions which are repressed
Still I start a regimen of giving pamphlets to strang-ers. I have discarded the idea (did I ever have it?) that I have to give my pamphlets to everyone.
Now I have a sincere and real belief that it is far better to give the pamphlet to one person. That person, when handed the custom-made pamphlet, will wonder, “Was it written just for me? Was it written for anyone
and I just happened along?
What hides under the spectacular oppositions is a unity of misery.
ACT III
text.guy.debord
the spectacle is materially the expression of the separation and estrangement between man and man.
Man’s appropriation of his own nature is at the same time
his grasp of the unfolding of the universe
When art, becomes independent it depicts its world in dazzling colors
A moment of life has grown old and it cannot be rejuvenated
with dazzling colors
It can only be evoked as a memory
The greatness of art begins to appear at the dusk of life
ideas improve.
The meaning of the words participates in the improvement
plagiarism is necessary progress implies it
but do I want what we have got
ACT IV
text.gertrude.stein
has it not gone, what made it live has it not gone because now it has had
in my long life, in my long life life is strife
I was a martyr all my life not to what i won
but what was done
In my long life In my long life
Do you knowbecause I tell you so,
or do you know, do you know
my long life, my long life.
fine
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