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T h e d a t a t h e s e n s e s g a t h e r h a s a s t r u c t u r e w h i c h , t h r o u g h p e r c e p t i o n , a l t e r s o u r u n d e r s t a n d i n g . A c h a n g e i n t h e a t m o s p h e r e o f a s p a c e l e a d s d i r e c t l y to a c h a n g e i n u n d e r s t a n d i n g . S u c h c o n d i t i o n s a r e c r e a te d by a r c h i t e c t u r e y e t m o s t o f t e n t h e y a r e n o t t h e m s e l v e s d e s i g n e d o r i n v e s t i g a te d . W h a t i s n e e d e d a r e m e t h o d s o f s t u d y i n g , c o m p o s i n g a n d t r a n s m i t t i n g t h e s e q u a l i t i e s i n o r d e r to u n d e r s t a n d a n d c r e a te a t m o s p h e r e s t h a t a d d to a r c h i t e c t u r e i n s te a d o f b e i n g c o i n c i d e n t a l .
A g r a p h w h i c h m a p s t h e s e n s e s o v e r a s e q u e n c e a l l o w s t h e s t r u c t u r e to b e r e v e a l e d . T h i s to o l w a s u s e d to a n a l y ze a v a r i e t y o f s e q u e n c e s i n a r e l a t i v e l y o b j e c t i v e m a n n e r.
W i t h t h i s n e w u n d e r s t a n d i n g t h e s e q u e n c e s c o u l d b e r e m i xe d i n to n e w s e q u e n c e s—a f o r m o f c r e a t i o n . A s y s te m f o r c r e a t i n g a n d ex p e r i e n c i n g s e q u e n c e s w a s t h e n c o n s i d e r e d a n d t h e f i n a l s t e p i s to d e s i g n u s i n g a g r a p h a s a g u i d e .
Chrishainer
sensory MappingGraduate thesisFall 2008
Outdoor | Indoor
Roof Door Isolation Door Sit
Light: Natural | Arti�cialPopulation
Peaks and Valleys
8 1 1 2
1sec 2sec 3sec 10sec 20sec 30sec 40sec 50sec 60sec 70sec 80sec
42
810
6
73º
84º
980 cd/m
20 cd/m
Brightness / Visual Contrast Vsual Density / Visual Pattern Smell Intensity / Quality Loudness / Signal vs. Noise Haptic Texture / Temperature Spacial Scale / Ease of Movement
Outdoor | Indoor
RoofPortal Portal Sit
Light: Natural | Arti�cialPopulation
Peaks and Valleys
8 20 5 15 2
1sec 2sec 3sec 10sec 20sec 30sec 40sec 50sec 60sec 70sec 80sec
42
810
6
71º
700 cd/m 500 cd/m20 cd/m
Brightness / Visual Contrast Vsual Density / Visual Pattern Smell Intensity / Quality Loudness / Signal vs. Noise Haptic Texture / Temperature Spacial Scale / Ease of Movement
Outdoor | Indoor
Door Portal Stairs Above Isolation PortalViewportViewportViewportViewport
Light: Natural | Arti�cialPopulation
Peaks and Valleys
3 3 5 3 4 2 1
1sec 2sec 3sec 10sec 20sec 30sec 40sec 50sec 60sec 70sec 80sec
42
810
6
63º
73º
860 cd/m 650 cd/m 750 cd/m 500 cd/m 570 cd/m 450 cd/m
Brightness / Visual Contrast Vsual Density / Visual Pattern Smell Intensity / Quality Loudness / Signal vs. Noise Haptic Texture / Temperature Spacial Scale / Ease of Movement
Outdoor | Indoor
Tra�c Stairs Door Door Stairs
Light: Natural | Arti�cialPopulation
Peaks and Valleys
10 4 1 12 6 1
1sec 2sec 3sec 10sec 20sec 30sec 40sec 50sec 60sec 70sec 80sec
42
810
6
60º
700 cd/m
70º
600 cd/m 450 cd/m 550 cd/m
Brightness / Visual Contrast Vsual Density / Visual Pattern Smell Intensity / Quality Loudness / Signal vs. Noise Haptic Texture / Temperature Spacial Scale / Ease of Movement
Outdoor | Indoor
Portal Product Tra�cTra�c Sit
Light: Natural | Arti�cialPopulation
Peaks and Valleys
30 5 25
1sec 2sec 3sec 10sec 20sec 30sec 40sec 50sec 60sec 70sec 80sec
42
810
6
73º
600 cd/m
65 dB
720 cd/m
55 dB
550 cd/m
63 dB
740 cd/m
Brightness / Visual Contrast Vsual Density / Visual Pattern Smell Intensity / Quality Loudness / Signal vs. Noise Haptic Texture / Temperature Spacial Scale / Ease of Movement
Outdoor | Indoor
Door Water Portal Sit
Light: Natural | Arti�cialPopulation
Peaks and Valleys
4 1 2
1sec 2sec 3sec 10sec 20sec 30sec 40sec 50sec 60sec 70sec
42
810
6
78º
950 cd/m
74º
500 cd/m 50 cd/m 400 cd/m 600 cd/m 400 cd/m
Brightness / Visual Contrast Vsual Density / Visual Pattern Smell Intensity / Quality Loudness / Signal vs. Noise Haptic Texture / Temperature Spacial Scale / Ease of Movement
Outdoor | Indoor
RoofPortal PortalViewportDepthAbove
IsolationOut of place
SitWaterPortalDoorPressPushPull
Tra�cProduct
Viewport
Light: Natural | Arti�cialPopulation 8
(Outside) (Inside)(Natural) (Arti�cial)
20 5 15 2
1sec 2sec 3sec 10sec 20sec 30sec 40sec 50sec 60sec 70sec 80sec
42
810
6
1-10
1-10
Decibels (dB)
1-10
Volume (cubic ft.)
cd/m2
Fresh - Musty
ºF
500 cd/m2
Brightness / Visual Contrast
Brightness Visual Contrast
Vsual Density / Visual Pattern
Visual Density Visual Pattern
Smell Intensity / Quality
Smell Intensity Quality
Loudness / Signal vs. Noise
Loudness Signal vs. Noise
Haptic Texture / Temperature
Haptic Texture Temperature
Spacial Scale / Ease of Movement
Spacial Scale Ease of Movement
Brightness / Visual Contrast Visual Density / Visual Pattern Smell Intensity / Quality Loudness / Signal vs. Noise Haptic Texture / Temperature Spacial Scale / Ease of Movement
Brightness measured as an average amount of light hitting the eye.
Contrast is the amount of di�erence between areas of the scene.
DescriptorsVisual Density is a measurement of the amount of information within the scene.
Visual pattern is a measurement of the randomness vs. order of the scene.
A subjective measurement of the amount of smell within a space.
A subjective measurement of the smell type based on a range from fresh to musty.
The decibal level of the scene.
Is the audio within the space a clear signal or background noise.
A measurement of the amount of texture, whether skin contact or variation in the ground plane.
Temperature using 72ºF as the comfortable baseline.
Scale of a space with from co�n at 1 and open �eld at 10.
Ease of movement from going down a slide at 1 to climbing a mountain at 10.
All values graphed as a 1-10 scale with absolute measurements given when possible.
Scale
Time Scale
Vertical Scaled Color Scaled0............................. ................................10
Images @1 frame/second
NOT UNDER INVESTIGATION
NOT UNDER INVESTIGATION
NOT UNDER INVESTIGATION
NOT UNDER INVESTIGATION
NOT UNDER INVESTIGATION
NOT UNDER INVESTIGATION
NOT UNDER INVESTIGATION
ExpEriEncE
Memory
Iconography
Mood
Aesthetics
Purpose
Ears
Eyes
Body
Nose
Tongue
Loudness
Signal vs. Noise
Brightness
Contrast
Order
Complexity
Texture intensity
Temperature
Ease of movement
Scale
Humidity
Smell intensity
Smell quality
Taste intensity
Taste quality
contExtual GivEnsSensory experiences are always below danger thresholdGravity’s pull is a constant 9.8 meters/second2
72º Fahrenheit is considered an achievable and comfortable temperatureHumidity is moderate and never reaches extremes
statEmEnt of subjEctivE qualitiEs takEn as GivEns How to rEad GrapHs
pErsonal GivEnsComfortable shoes and clothing are being wornAll senses are considered equalI belong in the space being recordedI have a motive for being in the space—I’m not just wanderingI do not face accessibility issuesI am moderately physically fitI am about 5’ 10” tallI am moving through spaces unaccompaniedMood is not consideredI am in my 20sI am from the Midwest
It is realized that any investigation is limited by context and personal subjectivity. As much as possible the reading is considered an average experience, not a specific one. By acknowledging the givens that go into a reading of a spacial sequence the designer gains an understanding of themselves, the context and those that do not fit the givens. Commonly Discussed
Phenomena PerceptionSensory Elements Non-SensoryPhenomena
Portal Product Tra�cTra�c SitPortal Product Tra�cTra�c SitTra�c Stairs Door Door StairsTra�c Stairs Door Door StairsDoor Water Portal SitDoor Water Portal SitDoor Water Portal SitDoor Water Portal SitTra�c Stairs Door Door StairsTra�c Stairs Door Door StairsDoor Portal Stairs Above Isolation PortalViewportViewportViewportViewport
Portal Product Tra�cTra�c SitPortal Product Tra�cTra�c SitTra�c Stairs Door Door StairsTra�c Stairs Door Door StairsDoor Water Portal SitDoor Water Portal Sit Door Water Portal SitDoor Water Portal SitTra�c Stairs Door Door StairsTra�c Stairs Door Door StairsDoor Portal Stairs Above Isolation PortalViewportViewportViewportViewport
Door Water Portal SitPortal Product Tra�cTra�c SitRoofPortal Portal Sit
Door Water Portal SitPortal Product Tra�cTra�c SitRoofPortal Portal Sit
Door Water Portal SitDoor Portal Stairs Above Isolation PortalViewportViewportViewportViewportPortal Product Tra�cTra�c SitDoor Portal Stairs Above Isolation PortalViewportViewportViewportViewport
Door Portal Stairs Above Isolation PortalViewportViewportViewportViewportPortal Product Tra�cTra�c Sit Roof PortalPortalSitDoor Portal Stairs Above Isolation PortalViewportViewportViewportViewport
REMIX 1GEntlE risE - quick fall - rEpEat
Using the combined height as the link between pieces to provide a matching form. Overall quality is gentle while there is more small scale variation within each sense quality.
AtMosphERIc REMIX usinG rEal world atmospHErEs to crEatE nEw, controllEd compositions
REMIX 2abab - a b a b - abab
Using a basic pattern of a high intensity section followed by a low intensity section, a composition is formed through repetition and length adjustment.
REMIX 3smootH transition
Sections are linked with as little variation as possible in each sense to form a smooth transition and composition.
Outdoor | Indoor
Door Portal Stairs Above Isolation PortalViewportViewportViewportViewport
Light: Natural | Arti�cialPopulation
Peaks and Valleys
3 3 5 3 4 2 1
1sec 2sec 3sec 10sec 20sec 30sec 40sec 50sec 60sec 70sec 80sec
42
810
6
63º
73º
860 cd/m2 650 cd/m2 750 cd/m2 500 cd/m2 570 cd/m2 450 cd/m2
Brightness / Visual Contrast Vsual Density / Visual Pattern Smell Intensity / Quality Loudness / Signal vs. Noise Haptic Texture / Temperature Spacial Scale / Ease of Movement
Sensorial Experience
Graphic Form
Transfer
Sensorial Experience
Translation / Compression
Translation / Decompression
For over a thousands years mankind has been using the perspective drawing as a means of conveying the visual sense of architecture. �is is due in large part to a dominance of the eye in the act of understanding in Western thinking. Reaching back to Plato, who believed sight to be the only sense that could reveal the deeper truth of world, in order to know one must see. �is Ancient Greek idea was reinforced through the fact that the visual image has been relatively easy to transmit compared to images of the other senses. A visual image can be copied without too much effort, even by hand, but the other senses have been ephemeral events without reliable means of communication. Whether the eye is preferred or not, the true power of the visual image has been its transferability. One can translate a sight into an image, take that image anywhere and it will still communicate the original sight with little loss of fidelity. It is only recently that Western thought has begun to ackowledge the full range of senses as an integral component of understanding. Recent philosophies such as phenomenology and existentialism put a premium on experience as a whole and it is through these conepts that architects have begun to examine the senses in a holistic fashion. �is new attention has been limited, however, by the inability to represent the senses through the dominant visual image or to convey them in any other form for that matter. What is needed is a perspective drawing for all of the senses and a way to re-experience those senses. �is conveyance of the senses would involve several stages. �e first stage is the translation of the senses into a graphic form. �e product of this allows for information on all of the senses to be transmittable. After this transmission, in order to experience the various senses another translation into their original states is required. �e key to making this system effective is in the translations. A level of compression is involved in the first step due to the translation into a visual format. When the second translation takes place, the information is decompressed. �e effectiveness of this scheme is reliant upon the fidelity of these translations. If too much information is lost in the first translation, then the graph loses value as a commication scheme; if too much is lost in the second translation then the sense experience will not bare enough resemblance to the original and will communicate incorrectly.
Vision
smell
Brightness
texture
sound
Viewport
spacer
The ability to selectively link together different senses into one atmosphere is facilitated through the creation of separate Sense Panels for each of the senses. A set of these panels encloses a Sense Space and a series of these spaces can be sequenced together. To allow for senses to overlap between Sense Spaces, spacers of a smaller size can be inserted, moving a Sense Panel in between two boxes.
panelEach panel has a unique sense quality, from a level of brightness to a quality of smell.
spaceCombining multiple sense panels together creates an enclosed sense space. This space houses a distinct atmosphere.
sequenceBy continuing to chain sense panels together, multiple sense spaces are created in a sequence.
sensory intervention
atmosphere model
P r o g r a m
• A r t m u s e u m r e p l a c e m e n t
• A l o n g s e c o n d a r y a x i s o f U I U C c a m p u s
• 5 0 ,0 0 0 s q f t o f g a l l e r i e s
• E d u c a t i o n , o f f i c e , a n d s to r a g e f a c i l i t i e s
• S c u l p t u r e g a r d e n
S o l u t i o n
To a c c o m m o d a te t h e i m p o r t a n t a x i s , t h e f o o t t r a f f i c t h r o u g h t h e s i t e , a n d t h e d i s t r i b u t i o n o f b u i l d i n g s i n t h e a r e a , t h e p r o g r a m i s b r o ke n a p a r t a n d d i s t r i b u te d o n a c r o s s t h e s i t e . S u n ke n g a l l e r i e s a r e c o n n e c te d b e l o w g r a d e by a c i r c u l a t i o n r i n g a n d r e c e i v e a c o n t r o l l e d a m o u n t o f n a t u r a l l i g h t . A b o v e g r o u n d t h e g a l l e r y v o l u m e s d e f i n e s m a l l e r s c a l e d s p a c e s w h e r e s c u l p t u r e c a n b e d i s p l a y e d . T h e g a l l e r y b oxe s r e a d s o m e w h e r e b e t w e e n b u i l d i n g s a n d l a n d s c a p e b e c o m i n g s c u l p t u r a l i n t h e i r o w n w ay w i t h o u t d e t r a c t i n g f r o m t h e a r t w o r k d i s p l a y e d .
Chris hainer
UiUC art MUseUM2nd Grad StudioWinter 2008
M i l i t a r y A x i s F o o t Tr a f f i c B u i l d i n g A xe d S i t e E d g e s S t r e e t s & Pa r k i n g
E n t r i E s o n E a c h E n d o f t h E s i t E g i ve t h e m u s e u m a m o m e n t o f g r a n d e u r to e n t i c e v i s i t o r s .
G a l l e r y s p a c e s b e l o w g r o u n d a r e l i t b y a v a r i e t y o f s k y l i g h t t y p e s , a d j u s te d to s u i t e d i f f e r e n t l i g h t l eve l s . Conve r se l y the c i rcu l a t i on space ma in ta i ns a s u b te r r a n e a n f e e l w i t h m o m e n ts o f n a tu r a l l i g h t v i a s u n ke n c o u r t y a r d s .
Cl ass i Ca l im age
n at ur a l l ight ing
P r o g r a m
• r e s t a u r a n t , V i e w i n g To w e r, Ya c h t C l u b , r e s t r o o m s , Pa r k
• S o u t h C h i c a g o a l o n g L a ke M i c h i g a n
• f o r m e r s t e e l m i l l s i t e n o w p r a i r i e l a n d
• o n l y m i l l r e m a i n s a r e 1/2 m i l e l o n g x 3 0 ’ t a l l c o n c r e te ‘o r e w a l l s ’
• A d j a c e n t l a n d w i l l b e r e d e v e l o p e d i n to 5 0 0 a c r e c o m m u n i t y
S o l u t i o n
T h e c u r r e n t m i x o f n a t u r a l g r o w t h a n d o l d s t e e l m i l l r e m n a n t s c r e a te s a u n i q u e c h a r a c te r f o r t h e s i t e . To ke e p t h i s s e t t i n g i n t a c t , t h e b u i l d i n g s r e s t g e n t l y o n t h e l a n d .
f o r a u n i q u e d i n i n g ex p e r i e n c e , t h e r e s t a u r a n t i s s u n k to w a te r l e v e l b e l o w a g e n t l e h i l l . T h e y a c h t c l u b m i r r o r s i t s m a r i n a c o n tex t w i t h a n u n d u l a t i n g r o o f a n d t i l t e d c o l u m n s . T h e v i e w i n g to w e r r e l a t e s to t h e h i s to r y o f t h e s i t e w i t h a l a r g e s t e e l s c r e e n r i s i n g o u t o f t h e g r o u n d a g a i n s t o n e w a l l w i t h a s t a i r i n s i d e .
Chris hainer
UsX site new Life1st GrAd studiofAll 2007
E ac h b u i l d i n g i s d E s i g n E d w i t h t h E v i E w i n m i n d. T h e v i e w i n g to w e r s e t s u p a s e q u e n c e o f p e r s p e c t i v e s t h a t c u l m i n a te s a t t h e to p w i t h a f u l l p a n o r a m a . T h e r e s t a u r a n t c r e a t e s a f o c u s e d v i e w o u t t o t h e l a k e f o r p a t r o n s a n d a h i g h p o i n t t o l o o k o u t f r o m f o r v i s i t o r s o n t o p . T h e y a c h t c l u b p u t s m e m b e r s o n t h e w a te r, b l u r r i n g t h e l i n e b e t w e e n i n s i d e a n d o u t s i d e .
steel monu ment
int im ate v ie w
on water
P r o g r a m
• E x h i b i t i o n C e n te r
• r e p l a c i n g C o b o H a l l i n D o w n to w n D e t r o i t , M I
• 1 m i l l i o n s q f t o f e x h i b i t s p a c e
• S e c o n d a r y f a c i l i t i e s o f m e e t i n g r o o m s a n d b a l l r o o m
• N e e d e d to a d d r e s s m a j o r h i g h w ay t h r o u g h s i t e
S o l u t i o n
L o w e r i n g t h e ex h i b i t h a l l b e l o w g r a d e a n d s p l i t t i n g t h e r e s t o f t h e p r o g r a m i n to s m a l l e r b l o c k s a b o v e h e l p s t h e c e n te r f i t i n to t h e c i t y g r i d a n d c r e a te a n a c c e s s i b l e p a r k s p a c e a l o n g t h e r i v e r ’s e d g e .
T h e ex h i b i t h a l l f l o o r, i t s c e i l i n g , a n d t h e p a r k l e v e l a r e u n i q u e l a n d s c a p e s a l l o w i n g f o r e a c h to s e r v e i t s f u n c t i o n . T h e f l o o r s l o p e s a t m o m e n t s to c r e a te o n e s t a i r- f r e e t i e r e d s p a c e , t h e c e i l i n g u n d u l a te s to l e t i n l i g h t a n d h o l d s t r u c t u r e , a n d t h e p a r k l e v e l c r e a te s a n a t u r a l b a c kd r o p f o r t h e c i t y.
Chris hainer
Convention Center4th uG studioWinter 2007
Restrooms Loading CoatCheck
Parking Shops
Meeting Rooms
Concourse Food
Exhibit Hall
Restrooms Loading CoatCheck
ParkingShopsMeeting Rooms
Food
Concourse Exhibit Hall
C U R R E N THIERARCHY
PROPOSEDHIERARCHY
C U R R E N T P R O G R A MPRIMARYExhibit Hall
SECONDARYMeeting RoomsConcourseFood area
TERTIARYRestroomsCirculationLoading/UnloadingCoatcheckParkingshops
PROPOSED P R O G R A MPRIMARYMeeting RoomsFood areaShopsParkingCommercial
SECONDARYExhibit HallConcourse
TERTIARYRestroomsCirculationLoading/UnloadingCoatcheck
REORGANIZING THE PROGRAMAll program elements currantly serve the exhibition space. This creates a situation in which these elements are under-utilized when the exhibition hall is not being used.
To increase the usefulness of Cobo Center, the hierarchy of program must be reorganized.
I propose making the exhibition space a secondary element to others that may be used by visitors and residents at any time.
C U R R E N TM A S S I N G
A L T E R E DM A S S I N G
COMMSPACE
M E E TSPACE
F O O DSPACE
S E R VSPACE
SMALL HALLS
MEETING ROOMSFOODCOURT
DINING
COMMERCIAL
LARGE HALL
P R O G R A MDISTRIBUTION
COMMERCIAL
dens i t y/ use
t h E h i g h w a y r u n n i n g t h r o u g h t h E s i t E n o w prov ides an appropr ia te ent r y to downtown Detro i t . Add i t iona l l y, t h e h i l l r i s i ng towa rd th e sou th c re a te s a p l ac e o f r e s p i te f ro m t h e b u s y n e s s o f a c o n v e n t i o n a n d a h i g h g r o u n d to v i e w t h e c i t y f r o m.
L o w e r l e v e l e x h i b i t h a l l
t r A n s i t i o n / J u X t A P o s i t i o n
W N E S W
a
aa
a M e e t i n g r o o m sb H i g hwayc M a i n C o n c o u r s ed r i v e r
c
b
d
M a i n C o n c o u r s e D o w n to w n Pa r k H i l lC i t y g ate way
o b j e c t i v e s
A n i n t e n s i v e s t u d y o f s ke tc h i n g a s a m e a n s o f a n a l y z i n g a n d s t u d y i n g a r c h i t e c t u r e . C l a s s v i s i t e d m a n y c o n te m p o r a r y a n d h i s to r i c a l b u i l d i n g s w i t h i n a n d a r o u n d t h e c o u n t r y o f S w i t z e r l a n d i n o r d e r to w i d e n o u r v i e w o f a r c h i t e c t u r e a n d i m p r o v e o u r s ke tc h i n g a b i l i t i e s .
T h e a r e a s o f s t u d y i n c l u d e d b a s i c d r a w i n g , s e c t i o n s o f b u i l d i n g s a n d a f i n a l p r o j e c t d r a w i n g a n d a n a l y z i n g a p a t h t h r o u g h t h e c i t y o f Z u r i c h u s i n g p l a n , s e c t i o n , a n d p e r s p e c t i v e .
Chris hainer
swiss sketCh toUrstudy AbroAdsummer 2006
l i v i n g u n i t s a r E d i v i d E d i n t o p r i vat E s pa c E s , c o m m u n a l s p a c e s , a n d a n i n b e t w e e n s p a c e . E a c h a r e a i s d e f i n e d by i t s v i s i b i l i t y t o t h e u n i t a n d to t h e ex te r i o r.
l i g h t a n d v i E w a r E c o n t r o l l E d v i a i n t E g r at E d l o u v e r s , s l i d i n g p a n e l s a n d c l e r e s to r i e s . I n t e r i o r w i n d o w s a l l o w s f o r m a x i m u m l i g h t p e n e t r a t i o n a n d a m e d i a t e d
p r i v a c y b e t w e e n r e s i d e n t s .
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e
P r o g r a m
• B a t t e r e d Wo m e n’s S h e l t e r
• D o w n to w n To l e d o
• H o u s i n g f o r w o m e n a n d c h i l d r e n
• fa c i l i t i e s f o r c o u n s e l i n g
• S p a c e f o r h e a l i n g
• S e c u r i t y
S o l u t i o n
To a l l o w i n a s m u c h l i g h t a s p o s s i b l e a n d to e n h a n c e s e c u r i t y, t h e l i v i n g u n i t s a r e i n to w e r s a b o v e g r o u n d l e v e l .
I n o r d e r to e n c o u r a g e s o c i a l i n t e r a c t i o n t h e s c h e m e i s s e t u p l i k e a c i t y, w i t h r e s i d e n t s i n t e r a c t i n g o n a s m a l l s c a l e w i t h i n l i v i n g u n i t s , t h e n c o m i n g d o w n f r o m t h e to w e r s to i n t e r a c t w i t h l a r g e r g r o u p s a n d r e c e i v e c o u n s e l i n g .
C o n s t r u c t i o n
B u i l d i n g s t r u c t u r e a n d m e c h a n i c s w e r e l a t e r w o r ke d o u t i n h i g h d e t a i l .
Chris hainer
women’s sheLter3rd uG studiofAll 2006
Pro
ject
: She
lter f
or B
atte
red
Wom
en, T
oled
o
Mec
hani
cal A
xono
met
ric
Stu
dent
: Chr
is H
aine
rU
niqu
e N
ame:
CS
HA
Orig
inal
Dat
e: 1
1/06
Dat
e R
evis
ed: 0
3/07
/07
Lab
Inst
ruct
or: L
arse
n
03.01
1. Elevator Shaft2. Plumbing in water walls3. Ductwork running supply and return4. Cooler tower5. Telecommunicatio and electricity lines6. Loading dock7. Boiler room with boilers, chillers, and associated water pumps8. Air intake unit9. Meter, transformer, Switchgear room.
12
4
3
5
8
7
9
6
Pro
ject
: She
lter f
or B
atte
red
Wom
en, T
oled
o
Mec
hani
cal A
xono
met
ric
Stu
dent
: Chr
is H
aine
rU
niqu
e N
ame:
CS
HA
Orig
inal
Dat
e: 1
1/06
Dat
e R
evis
ed: 0
3/07
/07
Lab
Inst
ruct
or: L
arse
n
03.01
1. Elevator Shaft2. Plumbing in water walls3. Ductwork running supply and return4. Cooler tower5. Telecommunicatio and electricity lines6. Loading dock7. Boiler room with boilers, chillers, and associated water pumps8. Air intake unit9. Meter, transformer, Switchgear room.
12
4
3
5
8
7
9
6
Pro
ject
: She
lter f
or B
atte
red
Wom
en, T
oled
oS
truct
ural
Axo
n 1/
32” =
1’
01.01
Stu
dent
: C
hris
Hai
ner
Uni
que
Nam
e: C
SH
AO
rigin
al D
ate:
11/
06 D
ate
Rev
ised
: 1/0
7LA
B In
stru
ctor
:Lar
sen1. 5”x10” Girders
2. 4”x8” Beams3. 10”x10” W section Columns4. 12”x12” W section Columns5. Concrete Stair6. Foundation7. Footing
1
2
3
4
5
6
7
Pro
ject
: She
lter f
or B
atte
red
Wom
en, T
oled
oC
onne
ctio
n D
etai
l 3”
= 1
’
01.04
Stu
dent
: C
hris
Hai
ner
Uni
que
Nam
e: C
SH
AO
rigin
al D
ate:
11/
06 D
ate
Rev
ised
: 1/0
7LA
B In
stru
ctor
:Lar
sen
Detail A1. Concrete Slab2. Steel Decking3. 10”x10” W Section4. Steel Base Plate Welded to Column5. 12”x12” W Section6. 4”x8” W Section7. 5”x10” W Section8. Steel Plate for Moment Connection
Detail ABeam joint, Girder joint, and Column Splice
1
2
3
6
5
87
4
Detail B1. Concrete Slab2. Steel Decking3. Column welded to thick plate leveled with mortar, then bolted to foundation.4. Concrete Foundation Wall5. Beam sits in Notch6. 4”x8” W Section Beam7. 10”x10” W Section Column
Detail BColumn to Foundation
7
3
4
65
1
2
P r o g r a m
• U n i v e r s i t y h e r b a r i u m
• Wo o d e d h i l l o u t s i d e o f t h e U n i v e r s i t y o f M i c h i g a n
• o f f i c e s , l a b s , l i b r a r y, c o l l e c t i o n , a n d a u d i to r i u m
• E n c o u r a g e v i s i t o r s
S o l u t i o n
S i n c e t h e b u i l d i n g w a s to h o u s e a c o l l e c t i o n o f p l a n t s p e c i m e n s m y g o a l w a s to r e l a t e t h e d e v e l o p m e n t o f t h e b u i l d i n g to t h e g r o w t h o f a p l a n t . f r o m t h i s t h e c o n c e p t o f t r o p i s m — t h e g r o w t h to w a r d o r a w ay f r o m s t i m u l u s — w a s t a ke n . I a t t e m p te d to g r o w t h e b u i l d i n g by m a k i n g i t r e a c t to t h e s t i m u l u s o f t h e s i t e a n d o f t h e p r o g r a m n e e d s .
A n a d d i t i o n a l f o c u s w a s o n t h e ex p e r i e n c e o f m o v i n g t h r o u g h a n d a r o u n d t h e b u i l d i n g . T h e f e e l i n g o f d e l v i n g i n to t h e g r o u n d u p o n e n t r y w a s c o n t r a s te d w i t h t h e f e e l i n g o f r i s i n g a b o v e w h e n g o i n g to a n o f f i c e .
Chris hainer
U of miChherbariUm2nd uG studioWinter 2006
A s e r i e s o f g a r d e n s l e a d s t h e v i s i t o r a r o u n d t h e s i t e , w i t h t h e h e r b a r i u m a l w ay s v i s i b l e a t t h e c e n te r.
3
C
1/16” = 1’
1/16” = 1’2
1/16” = 1’1
NORTH
NORTH
NORTH
D
A
B
KEYa Collectionb Auditoriumc Lobbyd Librarye Archive Storagef Greenhouseg Entry Tunnelh Mounting
a
bg
f
h
e f
g
abc
f
g
ac
t h E h E r b a r i u m d i g s i n t o i t s w o o d E d s i t E b e f o r e i t s o f f i c e s s p r o u t u p to w a r d s t h e s u n , s h a p e d t o a l l o w v i e w s a n d p r o v i d e a n o v e r h a n g t o s h a d e w o r k a r e a s .
s plit lE v El s in thE a rchi v E a llow for l ight to f i l te r down to the l ower l eve l s . A connec t ion bet ween d i f f e r e n t p l a n t t y p e s i s a l s o f o s t e r e d ; i m p o r t a n t a s r e s e a r c h e s a r e r e p u t e d t o b e v e r y s e g r e g a t e d i n t o t h e i r s p e c i a l t y.
E n t r y
A r c h i v e s
Te r r a c e
A u d i to r i u m
L o b by
L i b r a r y
o f f i c e s
gu ided mov ement
P r o j e c t
I w a s a b l e to f o l l o w t h e B o l a n d B u i l d i n g ’s p r o g r e s s f r o m a n e a r l y p l a n n i n g s t a g e a l l t h e w ay to ‘C o r e a n d S h e l l ’ L E E D c e r t i f i c a t i o n d o c u m e n t a t i o n . T h r o u g h o u t t h i s p r o c e s s I w o r ke d h e a v i l y o n c o n s t r u c t i o n d o c u m e n t c h a n g e s , a t t e n d e d m e e t i n g s w i t h t h e d e v e l o p e r a n d e n g i n e e r s , a n d e v e n t u a l l y c o m p l e te d m u c h o f t h e L E E D d o c u m e n t a t i o n .
Chris hainer
Boland Building+leedConCept Design groupsummer 2008
a d E v E l o p E r h a d r E q u E s t E d a c o n t E m p o r a r y d e s i g n a n d a v i s u a l p r e s e n c e a l o n g a b u sy s t r e e t . T h i s wa s t h e f i n a l o p t i o n p re s e n te d to t h e c l i e n t a f te r s eve r a l r o u n d s o f i n t e r n a l c r i t i q u e s . D e s i g n a n d r e n d e r i n g s w e r e d o n e by m y s e l f w i t h f e e d b a c k f r o m a d e s i g n e r a l o n g t h e w ay.
Chris hainer
faCade stUdiesConCePt desiGn GrouPsummer 2008
stree t presenCe
0806-011
7.17.08HIGH POINTE CHURCH
FACADE OPPORTUNITY E
o n e o f s e v e r a l s t u d i e s f o r t h e c o l o r scheme and ent r y opt ions fo r a church i n d e v e l o p m e n t w i t h i n t h e f i r m .
fa c a d E r E n o vat i o n s t u dy f o r a s t r i p m a l l . G i v e n a b a s i c s ke tc h o f w h a t the c l i e n t wan ted, I deve l oped the f ac ade i n to a r e a l i s t i c a n d a t t r ac t i ve i m ag e (w i t h A u to c a d d r a w i n g s )
I w o r ke d o n a v a r i e t y o f o f f i c e p l a n d o c u m e n t a t i o n , a s w e l l a s r e t a i l s p a c e c o n s t r u c t i o n s e t s i n c l u d i n g f u l l e l e c t r i c a l , m e c h a n i c a l , a n d p l u m b i n g i n f o r m a t i o n . I w o u l d s t a y o n p r o j e c t s a s t h e y w e n t t h r o u g h c h a n g e s f r o m t h e c l i e n t s , u p d a t i n g l a y o u t s a n d p r o p o s i n g b e t t e r o p t i o n s .
Chris hainer
PLans+ doCUmentsConCePt desiGn GrouPsummer 2008
a markEting qualit y s itE pl an composed f rom the CAD drawings for a p r o p o s e d r e s i d e n t i a l d e v e l o p m e n t .
EGYPT VALLEY AVENUE
RYAN COURT
PDF created with pdfFactory trial version www.pdffactory.comPDF created with pdfFactory trial version www.pdffactory.com
161.32 ACRES
151.35 ACRES
141.32 ACRES
130.85 ACRES
120.83 ACRES
111.44 ACRES
100.72 ACRES NATURE
TRAIL
NATURE TRAIL
90.83 ACRES
80.9 ACRES
70.8 ACRES
60.97 ACRES
40.89 ACRES
50.86 ACRES
30.75 ACRES
20.6 ACRES
10.72 ACRES
192.0 ACRES
170.82 ACRES
180.73 ACRES
RYAN VALLEY
RYAN VALLEY DRIVE
W h i l e w o r k i n g f o r t h e r e s i d e n t i a l d e s i g n f i r m , I h a v e b e e n i n v o l v e d i n a w i d e v a r i e t y o f t a s k s f r o m t h e c r e a t i o n o f f l o o r p l a n s to m a k i n g d r a w i n g c h a n g e s , to r e n d e r i n g e l e v a t i o n s , s i t e p l a n s a n d p e r s p e c t i v e s f o r m a r ke t i n g .
Chris hainer
faCade stUdiesimAGe desiGn, llC2004 - Present
construction dr awings composEd for a r e s i d e n t i a l p ro j e c t . T h e ove r a l l p l a n wa s d i c t a te d by t h e d e s i g n e r, w i t h m a n y o f t h e d e t a i l s l e f t u p to m y s e l f .
a market ing qua l i t y s i te p lan composed f rom the CaD draw ings fo r a p roposed r e s i d e n t i a l d e v e l o p m e n t .
EGYPT VALLEY AVENUE
RYAN COURT
PDF created with pdfFactory trial version www.pdffactory.comPDF created with pdfFactory trial version www.pdffactory.com
161.32 ACRES
151.35 ACRES
141.32 ACRES
130.85 ACRES
120.83 ACRES
111.44 ACRES
100.72 ACRES NATURE
TRAIL
NATURE TRAIL
90.83 ACRES
80.9 ACRES
70.8 ACRES
60.97 ACRES
40.89 ACRES
50.86 ACRES
30.75 ACRES
20.6 ACRES
10.72 ACRES
192.0 ACRES
170.82 ACRES
180.73 ACRES
RYAN VALLEY
RYAN VALLEY DRIVE
2/8
2/8
2/8
2/8
3/0
3/0
3/0
3/0
2/0
2/6
2/6
2/0
2/0
FLOORDRAIN
FLOORDRAIN
C.J.
C.J.C.J.
C.J.C.J.
C.J.
3 CAR GARAGE4" CONCRETE
DRY.WASH.
REF.
LAUNDRY
VINYL
MUD ROOM
VINYLBATH
TILE
GREAT ROOM
CARPET
KITCHEN
WOOD
FOYER
WOOD
PANTRY
WOOD
NOOK
WOOD
STUDY
CARPET
FORMAL ROOM
CARPETMASTER BEDROOMCARPET
LIVING ROOM
CARPET
DOWN
16 RI
SERS
UP
R&S
R&S
R&S
R&S
R&S
R&S
W.I.C.
CARPET
W.I.C.
CARPET
2/82/8
ART N
ICHE
'
R&S
2/0
2/0
1234
FRONT ELEVATIONSCALE: 1/4" = 1'-0"
CONCRETE STEP ADDRESS STONE
SUPPORT BRICKON FLAT ANGLES L5x5x5/16 W/\"LAG SCREW TO EVERY STUD.
1x PRE PRIMED ROUGH-SAWNBOX COLUMN.
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SEALDOWN SHINGLES11/12 SLOPE
SEALDOWN SHINGLES11/12 SLOPE
SEALDOWN SHINGLES11/12 SLOPE
SEALDOWN SHINGLES11/12 SLOPE
11/12
12
1112
11
12
11
ALUM. FLASHING
ALUM. FLASHING
ALUM. FLASHING
ALUM. FLASHING
1x8 FASCIA
1x4 FRIEZE BOARD
1x8 FASCIA
1x4 FRIEZE BOARD
1x8 FASCIA
1x4 FRIEZE BOARD
80'-0" OVERALL
12'-0"22'-0"2'-0"13'-0"27'-0"2'-0"
7'-2"4'-10"11'-0"11'-0"6'-3"6'-9"9'-8"3'-4"
19'-8"
10'-1"9'-1"
8'-7" 5'-5"
39'-8
"8'-
0"4'-
6"8'-
0"3'-
10"
5'-11
"11
'-6"
16'-3
"
66'-3
\" OV
ERAL
L
18'-0
"9'-
0"13
'-0"
6'-0"
6'-0"
12'-0
"
6'-0"
5'-6"
6'-6"
3'-6"
9'-6"
80'-0" OVERALL
2'-0" 16'-0" 2'-0"
10'-4 38 " 9'-10" 13'-9" 7'-1"
16'-1 12 "
14'-11 14 " 13'-8 1
2 " 13'-2 14 "
11'-0 58 " 2'-7 7
8 "
5'-0 34 "5'-7 1
4 "2'-1 34 "2'-1 1
2 "
3'-8 12 "
12'-8
1 2"
14'-11 14 "
8'-0"
6'-1 34 "
4'-0"
5'-10
1 4"
6'-6"
9'-6"
3'-0"
6'-1 38 "
7'-5"
4'-0 12 "
11'-3 34 "
2'-1"
6'-1
3 4"
2'-0"
13'-3
1 2"
6'-6"
5'-6
1 2"
3'-3 12 "
3'-6
1 4"
12'-0
1 4"
12'-6"
5'-0
1 4"
21'-0"
35'-1
1 2"
12'-0
"23
'-11 2"
15'-6 12 "
2'-10" 4'-9 12 " 4'-11" 3'-5 1
2 "
8'-0"
3'-6"
8'-0"
8'-4"
7'-0"
4'-2"
15'-0"7'-6 12 "2'-1"
6'-8
1 2"
10'-1 12 "
3'-7 12 "6'-6"
5'-6
1 2"
7'-6
1 4"3'-
81 2"
2'-10
"13
'-33 4"
2'-1
1 8"
2'-9"
3'-9"
7'-10"
2'-2"
6'-0"
3'-91
8"2'-11" 8" 8'-8" 8" 3'-2 1
2 "
4'-2
1 8"8"
6'-2"
8"4'-
21 8"
4'-0 58 " 8" 4'-8" 8"1'-0"3'-0 3
8 "
17'-8
1 2"
15'-1
01 4"
METAL FLUE
CONCRETE CAP
12"
124
SCALE: 1/4" = 1'-0"FIRST FLOOR PLAN
0,000 SQ. FT.
8'-0"
1'-2
1 8"9'-
11 8"
1'-0
5 8"8'-
11 8"
8'-0"
6'-8"
TRUSS HEEL
TOP OF PLATE
WINDOW HEAD HGT.
SECOND FLOOR
TOP OF PLATE
WINDOW HEAD HGT.
MAIN FLOOR
TOP OF FOUNDATION
TOP OF FOOTING
1'-3
1 4"
8'-0"
1'-2
1 8"9'-
11 8"
1'-0
5 8"8'-
11 8"
8'-0"
6'-8"
MAIN FLOOR
TOP OF FOUNDATION
TRUSS HEEL
TOP OF PLATE
WINDOW HEAD HGT.
WINDOW HEAD HGT.
TOP OF PLATE
SECOND FLOOR
TOP OF FOOTING
1'-3
1 4"
FLOO
R JOI
ST @
16" T
YP.
11-]"
TJI 3
60
5|"x11]" LVL NOTE 1 5|"x9\" LVL
(2) 2x10 5|x11-]"LVL UPSET
(3) 2x10 FOR BEARINGWALL @ ROOF
4x4
W/ SIM
PSON
BC6 CAP &
STANDOFF BASE
CONNECTOR.4x4
W/ SIM
PSON
BC6 CAP &
STANDOFF BASE
CONNECTOR.4x4
W/ SIM
PSON
BC6 CAP &
STANDOFF BASE
CONNECTOR.
2x6 WALL
(3) 2x6
2x6 @ 12"
1[x11-]"LVL UPSET
2x6 WALL
GIRDER TRUSS
(2) 2x10
(2) 2
x10
2x6 WALL
5_"x19\" GLULAM24F-V4DF NOTE #1.
SEE NOTE #1.
(2) 2x6 W/
(2) 2x6
BEARING WALL2x4 @16" O.C.
10'-0"
2'-0" MIN
.
(2) LAPS
(2) 2x6
FACE BRICK
ROW LOCK SILL
R6'-1112 "
R5'-138 "
MASTER BATH
TILE
2x6 WALL
4'-3 12 "
6'-0
1 4"6'-
81 2"
6'-1
1 2"
1A7
3A6
1A3
SADDLE
METAL ROOF
SLOPE TO DRAIN 1/8"/ 1'-0"
STEPSTEP
2'-8
1 2"
METAL ROOF
PORCH
CONCRETE
45°
4'-1 12 "
FACE BRICK
FOUNDATION- SEE STRUCTURAL NOTES
18'-0
"x8'-
0" O
.H. D
OOR
9'-0"
x8'-0
" O.H
. DOO
R
5|"x9\" LVL
36" DIRECT VENT FIREPLACE W/MANTEL
GAS
1A3
OPTIONAL TRAY CEILING
OPTIONAL TRAY CEILING
PROVIDE L4x3\"x5/16"LONG LEG VERTICAL FORBRICK TYPICAL ALL WINDOWSw/ BRICK UNLESS NOTEDOTHERWISE GALVANIZE ORPAINT STEEL
6'-0"
(2) 2x6 W/
(2) LAPS
(5) SHELVES
1[x11-]"LVL UPSET
(3) 2
x10
OVER
HAL
L
OPTIONAL BAY
21-20x24
11-24x1621-20x20
21-2
0x20
21-20x24
11-2
8x24
11-2
0x26
11-2
0x26
5|"x11]" LVL NOTE 1
41-28x32
7'-11 58 "
41-28x3211-32x3211-32x32
21-24x24
11-32x3221-28x323-0x8-0
2/8
OPTIONAL DOOR
OPTIONAL DECK OPTIONAL DECK
ARRISCRAFT (CALCIUMSILICATE MASONRY UNIT).
ARRISCRAFT (CALCIUMSILICATE MASONRY UNIT).
ISLAND
(3) 2x10
WOOD BURNING
OPTIO
NAL
OPTIONAL BAY
OPTIO
NAL
784 SQ. FT.
11'-0"
DW
OVEN
DOUB
LE
LINEN
3'-5"
5'-0"
60" V
ANIT
Y
2/6
3'-9 14 "
2'-0"
5'-7 14 " 4'-8" 5'-10 1
4 "
2/8
2/8
2/8
2/8
3/0
3/0
3/0
3/0
2/0
2/6
2/6
2/0
2/0
FLOORDRAIN
FLOORDRAIN
C.J.
C.J.C.J.
C.J.C.J.
C.J.
3 CAR GARAGE4" CONCRETE
DRY.WASH.
REF.
LAUNDRY
VINYL
MUD ROOM
VINYLBATH
TILE
GREAT ROOM
CARPET
KITCHEN
WOOD
FOYER
WOOD
PANTRY
WOOD
NOOK
WOOD
STUDY
CARPET
FORMAL ROOM
CARPETMASTER BEDROOMCARPET
LIVING ROOM
CARPET
DOWN
16 RI
SERS
UP
R&S
R&S
R&S
R&S
R&S
R&S
W.I.C.
CARPET
W.I.C.
CARPET
2/82/8
ART N
ICHE
'
R&S
2/0
2/0
1234
FRONT ELEVATIONSCALE: 1/4" = 1'-0"
CONCRETE STEP ADDRESS STONE
SUPPORT BRICKON FLAT ANGLES L5x5x5/16 W/\"LAG SCREW TO EVERY STUD.
1x PRE PRIMED ROUGH-SAWNBOX COLUMN.
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SEALDOWN SHINGLES11/12 SLOPE
SEALDOWN SHINGLES11/12 SLOPE
SEALDOWN SHINGLES11/12 SLOPE
SEALDOWN SHINGLES11/12 SLOPE
11/12
12
1112
11
12
11
ALUM. FLASHING
ALUM. FLASHING
ALUM. FLASHING
ALUM. FLASHING
1x8 FASCIA
1x4 FRIEZE BOARD
1x8 FASCIA
1x4 FRIEZE BOARD
1x8 FASCIA
1x4 FRIEZE BOARD
80'-0" OVERALL
12'-0"22'-0"2'-0"13'-0"27'-0"2'-0"
7'-2"4'-10"11'-0"11'-0"6'-3"6'-9"9'-8"3'-4"
19'-8"
10'-1"9'-1"
8'-7" 5'-5"
39'-8
"8'-
0"4'-
6"8'-
0"3'-
10"
5'-11
"11
'-6"
16'-3
"
66'-3
\" OV
ERAL
L
18'-0
"9'-
0"13
'-0"
6'-0"
6'-0"
12'-0
"
6'-0"
5'-6"
6'-6"
3'-6"
9'-6"
80'-0" OVERALL
2'-0" 16'-0" 2'-0"
10'-4 38 " 9'-10" 13'-9" 7'-1"
16'-1 12 "
14'-11 14 " 13'-8 1
2 " 13'-2 14 "
11'-0 58 " 2'-7 7
8 "
5'-0 34 "5'-7 1
4 "2'-1 34 "2'-1 1
2 "
3'-8 12 "
12'-8
1 2"
14'-11 14 "
8'-0"
6'-1 34 "
4'-0"
5'-10
1 4"
6'-6"
9'-6"
3'-0"
6'-1 38 "
7'-5"
4'-0 12 "
11'-3 34 "
2'-1"
6'-1
3 4"
2'-0"
13'-3
1 2"
6'-6"
5'-6
1 2"
3'-3 12 "
3'-6
1 4"
12'-0
1 4"
12'-6"
5'-0
1 4"
21'-0"
35'-1
1 2"
12'-0
"23
'-11 2"
15'-6 12 "
2'-10" 4'-9 12 " 4'-11" 3'-5 1
2 "
8'-0"
3'-6"
8'-0"
8'-4"
7'-0"
4'-2"
15'-0"7'-6 12 "2'-1"
6'-8
1 2"
10'-1 12 "
3'-7 12 "6'-6"
5'-6
1 2"
7'-6
1 4"3'-
81 2"
2'-10
"13
'-33 4"
2'-1
1 8"
2'-9"
3'-9"
7'-10"
2'-2"
6'-0"
3'-91
8"2'-11" 8" 8'-8" 8" 3'-2 1
2 "
4'-2
1 8"8"
6'-2"
8"4'-
21 8"
4'-0 58 " 8" 4'-8" 8"1'-0"3'-0 3
8 "
17'-8
1 2"
15'-1
01 4"
METAL FLUE
CONCRETE CAP
12"
124
SCALE: 1/4" = 1'-0"FIRST FLOOR PLAN
0,000 SQ. FT.
8'-0"
1'-2
1 8"9'-
11 8"
1'-0
5 8"8'-
11 8"
8'-0"
6'-8"
TRUSS HEEL
TOP OF PLATE
WINDOW HEAD HGT.
SECOND FLOOR
TOP OF PLATE
WINDOW HEAD HGT.
MAIN FLOOR
TOP OF FOUNDATION
TOP OF FOOTING
1'-3
1 4"
8'-0"
1'-2
1 8"9'-
11 8"
1'-0
5 8"8'-
11 8"
8'-0"
6'-8"
MAIN FLOOR
TOP OF FOUNDATION
TRUSS HEEL
TOP OF PLATE
WINDOW HEAD HGT.
WINDOW HEAD HGT.
TOP OF PLATE
SECOND FLOOR
TOP OF FOOTING
1'-3
1 4"
FLOO
R JOI
ST @
16" T
YP.
11-]"
TJI 3
60
5|"x11]" LVL NOTE 1 5|"x9\" LVL
(2) 2x10 5|x11-]"LVL UPSET
(3) 2x10 FOR BEARINGWALL @ ROOF
4x4
W/ SIM
PSON
BC6 CAP &
STANDOFF BASE
CONNECTOR.4x4
W/ SIM
PSON
BC6 CAP &
STANDOFF BASE
CONNECTOR.4x4
W/ SIM
PSON
BC6 CAP &
STANDOFF BASE
CONNECTOR.
2x6 WALL
(3) 2x6
2x6 @ 12"
1[x11-]"LVL UPSET
2x6 WALL
GIRDER TRUSS
(2) 2x10
(2) 2
x10
2x6 WALL
5_"x19\" GLULAM24F-V4DF NOTE #1.
SEE NOTE #1.
(2) 2x6 W/
(2) 2x6
BEARING WALL2x4 @16" O.C.
10'-0"
2'-0" MIN
.
(2) LAPS
(2) 2x6
FACE BRICK
ROW LOCK SILL
R6'-1112 "
R5'-138 "
MASTER BATH
TILE
2x6 WALL
4'-3 12 "
6'-0
1 4"6'-
81 2"
6'-1
1 2"
1A7
3A6
1A3
SADDLE
METAL ROOF
SLOPE TO DRAIN 1/8"/ 1'-0"
STEPSTEP
2'-8
1 2"
METAL ROOF
PORCH
CONCRETE
45°
4'-1 12 "
FACE BRICK
FOUNDATION- SEE STRUCTURAL NOTES
18'-0
"x8'-
0" O
.H. D
OOR
9'-0"
x8'-0
" O.H
. DOO
R
5|"x9\" LVL
36" DIRECT VENT FIREPLACE W/MANTEL
GAS
1A3
OPTIONAL TRAY CEILING
OPTIONAL TRAY CEILING
PROVIDE L4x3\"x5/16"LONG LEG VERTICAL FORBRICK TYPICAL ALL WINDOWSw/ BRICK UNLESS NOTEDOTHERWISE GALVANIZE ORPAINT STEEL
6'-0"
(2) 2x6 W/
(2) LAPS
(5) SHELVES
1[x11-]"LVL UPSET
(3) 2
x10
OVER
HAL
L
OPTIONAL BAY
21-20x24
11-24x1621-20x20
21-2
0x20
21-20x24
11-2
8x24
11-2
0x26
11-2
0x26
5|"x11]" LVL NOTE 1
41-28x32
7'-11 58 "
41-28x3211-32x3211-32x32
21-24x24
11-32x3221-28x323-0x8-0
2/8
OPTIONAL DOOR
OPTIONAL DECK OPTIONAL DECK
ARRISCRAFT (CALCIUMSILICATE MASONRY UNIT).
ARRISCRAFT (CALCIUMSILICATE MASONRY UNIT).
ISLAND
(3) 2x10
WOOD BURNING
OPTIO
NAL
OPTIONAL BAY
OPTIO
NAL
784 SQ. FT.
11'-0"
DW
OVEN
DOUB
LE
LINEN
3'-5"
5'-0"
60" V
ANIT
Y
2/6
3'-9 14 "
2'-0"
5'-7 14 " 4'-8" 5'-10 1
4 "
P r o j e c t
W h i l e wo r k i n g f o r t h e r e s i d e n t i a l d e s i g n f i r m , I h a v e b e e n i n vo l v e d i n a w i d e v a r i e t y o f t a s k s f r o m t h e c r e a t i o n o f f l o o r p l a n s t o m a k i n g d r a w i n g c h a n g e s , t o r e n d e r i n g e l e v a t i o n s , s i t e p l a n s a n d p e r s p e c t i v e s f o r m a r ke t i n g .
C h r i s H a i n e r
Facade StudiesImage Design, LLC2004 - Present
C o n s t r u c t i o n d r a w i n g s c o m p o s e d f o r a r e s i d e n t i a l p r o j e c t . T h e o v e r a l l p l a n w a s d i c t a t e d b y t h e d e s i g n e r, b u t m a n y d e t a i l s w e r e l e f t u p t o m y s e l f .
a market ing qua l i t y s i te p lan composed f rom the CaD draw ings fo r a p roposed r e s i d e n t i a l d e v e l o p m e n t .
EGYPT VALLEY AVENUE
RYAN COURT
PDF created with pdfFactory trial version www.pdffactory.comPDF created with pdfFactory trial version www.pdffactory.com
161.32 ACRES
151.35 ACRES
141.32 ACRES
130.85 ACRES
120.83 ACRES
111.44 ACRES
100.72 ACRES NATURE
TRAIL
NATURE TRAIL
90.83 ACRES
80.9 ACRES
70.8 ACRES
60.97 ACRES
40.89 ACRES
50.86 ACRES
30.75 ACRES
20.6 ACRES
10.72 ACRES
192.0 ACRES
170.82 ACRES
180.73 ACRES
RYAN VALLEY
RYAN VALLEY DRIVE
2/8
2/8
2/8
2/8
3/0
3/0
3/0
3/0
2/0
2/6
2/6
2/0
2/0
FLOORDRAIN
FLOORDRAIN
C.J.
C.J.C.J.
C.J.C.J.
C.J.
3 CAR GARAGE4" CONCRETE
DRY.WASH.
REF.
LAUNDRY
VINYL
MUD ROOM
VINYLBATH
TILE
GREAT ROOM
CARPET
KITCHEN
WOOD
FOYER
WOOD
PANTRY
WOOD
NOOK
WOOD
STUDY
CARPET
FORMAL ROOM
CARPETMASTER BEDROOMCARPET
LIVING ROOM
CARPET
DOWN
16 RI
SERS
UP
R&S
R&S
R&S
R&S
R&S
R&S
W.I.C.
CARPET
W.I.C.
CARPET
2/82/8
ART N
ICHE
'
R&S
2/0
2/0
1234
FRONT ELEVATIONSCALE: 1/4" = 1'-0"
CONCRETE STEP ADDRESS STONE
SUPPORT BRICKON FLAT ANGLES L5x5x5/16 W/\"LAG SCREW TO EVERY STUD.
1x PRE PRIMED ROUGH-SAWNBOX COLUMN.
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SEALDOWN SHINGLES11/12 SLOPE
SEALDOWN SHINGLES11/12 SLOPE
SEALDOWN SHINGLES11/12 SLOPE
SEALDOWN SHINGLES11/12 SLOPE
11/12
12
1112
11
12
11
ALUM. FLASHING
ALUM. FLASHING
ALUM. FLASHING
ALUM. FLASHING
1x8 FASCIA
1x4 FRIEZE BOARD
1x8 FASCIA
1x4 FRIEZE BOARD
1x8 FASCIA
1x4 FRIEZE BOARD
80'-0" OVERALL
12'-0"22'-0"2'-0"13'-0"27'-0"2'-0"
7'-2"4'-10"11'-0"11'-0"6'-3"6'-9"9'-8"3'-4"
19'-8"
10'-1"9'-1"
8'-7" 5'-5"
39'-8
"8'-
0"4'-
6"8'-
0"3'-
10"
5'-11
"11
'-6"
16'-3
"
66'-3
\" OV
ERAL
L
18'-0
"9'-
0"13
'-0"
6'-0"
6'-0"
12'-0
"
6'-0"
5'-6"
6'-6"
3'-6"
9'-6"
80'-0" OVERALL
2'-0" 16'-0" 2'-0"
10'-4 38 " 9'-10" 13'-9" 7'-1"
16'-1 12 "
14'-11 14 " 13'-8 1
2 " 13'-2 14 "
11'-0 58 " 2'-7 7
8 "
5'-0 34 "5'-7 1
4 "2'-1 34 "2'-1 1
2 "
3'-8 12 "
12'-8
1 2"
14'-11 14 "
8'-0"
6'-1 34 "
4'-0"
5'-10
1 4"
6'-6"
9'-6"
3'-0"
6'-1 38 "
7'-5"
4'-0 12 "
11'-3 34 "
2'-1"
6'-1
3 4"
2'-0"
13'-3
1 2"
6'-6"
5'-6
1 2"
3'-3 12 "
3'-6
1 4"
12'-0
1 4"
12'-6"
5'-0
1 4"
21'-0"
35'-1
1 2"
12'-0
"23
'-11 2"
15'-6 12 "
2'-10" 4'-9 12 " 4'-11" 3'-5 1
2 "
8'-0"
3'-6"
8'-0"
8'-4"
7'-0"
4'-2"
15'-0"7'-6 12 "2'-1"
6'-8
1 2"
10'-1 12 "
3'-7 12 "6'-6"
5'-6
1 2"
7'-6
1 4"3'-
81 2"
2'-10
"13
'-33 4"
2'-1
1 8"
2'-9"
3'-9"
7'-10"
2'-2"
6'-0"
3'-91
8"2'-11" 8" 8'-8" 8" 3'-2 1
2 "
4'-2
1 8"8"
6'-2"
8"4'-
21 8"
4'-0 58 " 8" 4'-8" 8"1'-0"3'-0 3
8 "
17'-8
1 2"
15'-1
01 4"
METAL FLUE
CONCRETE CAP
12"
124
SCALE: 1/4" = 1'-0"FIRST FLOOR PLAN
0,000 SQ. FT.
8'-0"
1'-2
1 8"9'-
11 8"
1'-0
5 8"8'-
11 8"
8'-0"
6'-8"
TRUSS HEEL
TOP OF PLATE
WINDOW HEAD HGT.
SECOND FLOOR
TOP OF PLATE
WINDOW HEAD HGT.
MAIN FLOOR
TOP OF FOUNDATION
TOP OF FOOTING
1'-3
1 4"
8'-0"
1'-2
1 8"9'-
11 8"
1'-0
5 8"8'-
11 8"
8'-0"
6'-8"
MAIN FLOOR
TOP OF FOUNDATION
TRUSS HEEL
TOP OF PLATE
WINDOW HEAD HGT.
WINDOW HEAD HGT.
TOP OF PLATE
SECOND FLOOR
TOP OF FOOTING
1'-3
1 4"
FLOO
R JOI
ST @
16" T
YP.
11-]"
TJI 3
60
5|"x11]" LVL NOTE 1 5|"x9\" LVL
(2) 2x10 5|x11-]"LVL UPSET
(3) 2x10 FOR BEARINGWALL @ ROOF
4x4
W/ SIM
PSON
BC6 CAP &
STANDOFF BASE
CONNECTOR.4x4
W/ SIM
PSON
BC6 CAP &
STANDOFF BASE
CONNECTOR.4x4
W/ SIM
PSON
BC6 CAP &
STANDOFF BASE
CONNECTOR.
2x6 WALL
(3) 2x6
2x6 @ 12"
1[x11-]"LVL UPSET
2x6 WALL
GIRDER TRUSS
(2) 2x10
(2) 2
x10
2x6 WALL
5_"x19\" GLULAM24F-V4DF NOTE #1.
SEE NOTE #1.
(2) 2x6 W/
(2) 2x6
BEARING WALL2x4 @16" O.C.
10'-0"
2'-0" MIN
.
(2) LAPS
(2) 2x6
FACE BRICK
ROW LOCK SILL
R6'-1112 "
R5'-138 "
MASTER BATH
TILE
2x6 WALL
4'-3 12 "
6'-0
1 4"6'-
81 2"
6'-1
1 2"
1A7
3A6
1A3
SADDLE
METAL ROOF
SLOPE TO DRAIN 1/8"/ 1'-0"
STEPSTEP
2'-8
1 2"
METAL ROOF
PORCH
CONCRETE
45°
4'-1 12 "
FACE BRICK
FOUNDATION- SEE STRUCTURAL NOTES
18'-0
"x8'-
0" O
.H. D
OOR
9'-0"
x8'-0
" O.H
. DOO
R
5|"x9\" LVL
36" DIRECT VENT FIREPLACE W/MANTEL
GAS
1A3
OPTIONAL TRAY CEILING
OPTIONAL TRAY CEILING
PROVIDE L4x3\"x5/16"LONG LEG VERTICAL FORBRICK TYPICAL ALL WINDOWSw/ BRICK UNLESS NOTEDOTHERWISE GALVANIZE ORPAINT STEEL
6'-0"
(2) 2x6 W/
(2) LAPS
(5) SHELVES
1[x11-]"LVL UPSET
(3) 2
x10
OVER
HAL
L
OPTIONAL BAY
21-20x24
11-24x1621-20x20
21-2
0x20
21-20x24
11-2
8x24
11-2
0x26
11-2
0x26
5|"x11]" LVL NOTE 1
41-28x32
7'-11 58 "
41-28x3211-32x3211-32x32
21-24x24
11-32x3221-28x323-0x8-0
2/8
OPTIONAL DOOR
OPTIONAL DECK OPTIONAL DECK
ARRISCRAFT (CALCIUMSILICATE MASONRY UNIT).
ARRISCRAFT (CALCIUMSILICATE MASONRY UNIT).
ISLAND
(3) 2x10
WOOD BURNING
OPTIO
NAL
OPTIONAL BAY
OPTIO
NAL
784 SQ. FT.
11'-0"
DW
OVEN
DOUB
LE
LINEN
3'-5"
5'-0"
60" V
ANIT
Y
2/6
3'-9 14 "
2'-0"
5'-7 14 " 4'-8" 5'-10 1
4 "
2/8
2/8
2/8
2/8
3/0
3/0
3/0
3/0
2/0
2/6
2/6
2/0
2/0
FLOORDRAIN
FLOORDRAIN
C.J.
C.J.C.J.
C.J.C.J.
C.J.
3 CAR GARAGE4" CONCRETE
DRY.WASH.
REF.
LAUNDRY
VINYL
MUD ROOM
VINYLBATH
TILE
GREAT ROOM
CARPET
KITCHEN
WOOD
FOYER
WOOD
PANTRY
WOOD
NOOK
WOOD
STUDY
CARPET
FORMAL ROOM
CARPETMASTER BEDROOMCARPET
LIVING ROOM
CARPET
DOWN
16 RI
SERS
UP
R&S
R&S
R&S
R&S
R&S
R&S
W.I.C.
CARPET
W.I.C.
CARPET
2/82/8
ART N
ICHE
'
R&S
2/0
2/0
1234
FRONT ELEVATIONSCALE: 1/4" = 1'-0"
CONCRETE STEP ADDRESS STONE
SUPPORT BRICKON FLAT ANGLES L5x5x5/16 W/\"LAG SCREW TO EVERY STUD.
1x PRE PRIMED ROUGH-SAWNBOX COLUMN.
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SHINGLE OVERRIDGE VENT
SEALDOWN SHINGLES11/12 SLOPE
SEALDOWN SHINGLES11/12 SLOPE
SEALDOWN SHINGLES11/12 SLOPE
SEALDOWN SHINGLES11/12 SLOPE
11/12
12
1112
11
12
11
ALUM. FLASHING
ALUM. FLASHING
ALUM. FLASHING
ALUM. FLASHING
1x8 FASCIA
1x4 FRIEZE BOARD
1x8 FASCIA
1x4 FRIEZE BOARD
1x8 FASCIA
1x4 FRIEZE BOARD
80'-0" OVERALL
12'-0"22'-0"2'-0"13'-0"27'-0"2'-0"
7'-2"4'-10"11'-0"11'-0"6'-3"6'-9"9'-8"3'-4"
19'-8"
10'-1"9'-1"
8'-7" 5'-5"
39'-8
"8'-
0"4'-
6"8'-
0"3'-
10"
5'-11
"11
'-6"
16'-3
"
66'-3
\" OV
ERAL
L
18'-0
"9'-
0"13
'-0"
6'-0"
6'-0"
12'-0
"
6'-0"
5'-6"
6'-6"
3'-6"
9'-6"
80'-0" OVERALL
2'-0" 16'-0" 2'-0"
10'-4 38 " 9'-10" 13'-9" 7'-1"
16'-1 12 "
14'-11 14 " 13'-8 1
2 " 13'-2 14 "
11'-0 58 " 2'-7 7
8 "
5'-0 34 "5'-7 1
4 "2'-1 34 "2'-1 1
2 "
3'-8 12 "
12'-8
1 2"
14'-11 14 "
8'-0"
6'-1 34 "
4'-0"
5'-10
1 4"
6'-6"
9'-6"
3'-0"
6'-1 38 "
7'-5"
4'-0 12 "
11'-3 34 "
2'-1"
6'-1
3 4"
2'-0"
13'-3
1 2"
6'-6"
5'-6
1 2"
3'-3 12 "
3'-6
1 4"
12'-0
1 4"
12'-6"
5'-0
1 4"
21'-0"
35'-1
1 2"
12'-0
"23
'-11 2"
15'-6 12 "
2'-10" 4'-9 12 " 4'-11" 3'-5 1
2 "
8'-0"
3'-6"
8'-0"
8'-4"
7'-0"
4'-2"
15'-0"7'-6 12 "2'-1"
6'-8
1 2"
10'-1 12 "
3'-7 12 "6'-6"
5'-6
1 2"
7'-6
1 4"3'-
81 2"
2'-10
"13
'-33 4"
2'-1
1 8"
2'-9"
3'-9"
7'-10"
2'-2"
6'-0"
3'-91
8"2'-11" 8" 8'-8" 8" 3'-2 1
2 "
4'-2
1 8"8"
6'-2"
8"4'-
21 8"
4'-0 58 " 8" 4'-8" 8"1'-0"3'-0 3
8 "
17'-8
1 2"
15'-1
01 4"
METAL FLUE
CONCRETE CAP
12"
124
SCALE: 1/4" = 1'-0"FIRST FLOOR PLAN
0,000 SQ. FT.
8'-0"
1'-2
1 8"9'-
11 8"
1'-0
5 8"8'-
11 8"
8'-0"
6'-8"
TRUSS HEEL
TOP OF PLATE
WINDOW HEAD HGT.
SECOND FLOOR
TOP OF PLATE
WINDOW HEAD HGT.
MAIN FLOOR
TOP OF FOUNDATION
TOP OF FOOTING
1'-3
1 4"
8'-0"
1'-2
1 8"9'-
11 8"
1'-0
5 8"8'-
11 8"
8'-0"
6'-8"
MAIN FLOOR
TOP OF FOUNDATION
TRUSS HEEL
TOP OF PLATE
WINDOW HEAD HGT.
WINDOW HEAD HGT.
TOP OF PLATE
SECOND FLOOR
TOP OF FOOTING
1'-3
1 4"
FLOO
R JOI
ST @
16" T
YP.
11-]"
TJI 3
60
5|"x11]" LVL NOTE 1 5|"x9\" LVL
(2) 2x10 5|x11-]"LVL UPSET
(3) 2x10 FOR BEARINGWALL @ ROOF
4x4
W/ SIM
PSON
BC6 CAP &
STANDOFF BASE
CONNECTOR.4x4
W/ SIM
PSON
BC6 CAP &
STANDOFF BASE
CONNECTOR.4x4
W/ SIM
PSON
BC6 CAP &
STANDOFF BASE
CONNECTOR.
2x6 WALL
(3) 2x6
2x6 @ 12"
1[x11-]"LVL UPSET
2x6 WALL
GIRDER TRUSS
(2) 2x10
(2) 2
x10
2x6 WALL
5_"x19\" GLULAM24F-V4DF NOTE #1.
SEE NOTE #1.
(2) 2x6 W/
(2) 2x6
BEARING WALL2x4 @16" O.C.
10'-0"
2'-0" MIN
.
(2) LAPS
(2) 2x6
FACE BRICK
ROW LOCK SILL
R6'-1112 "
R5'-138 "
MASTER BATH
TILE
2x6 WALL
4'-3 12 "
6'-0
1 4"6'-
81 2"
6'-1
1 2"
1A7
3A6
1A3
SADDLE
METAL ROOF
SLOPE TO DRAIN 1/8"/ 1'-0"
STEPSTEP
2'-8
1 2"
METAL ROOF
PORCH
CONCRETE
45°
4'-1 12 "
FACE BRICK
FOUNDATION- SEE STRUCTURAL NOTES
18'-0
"x8'-
0" O
.H. D
OOR
9'-0"
x8'-0
" O.H
. DOO
R
5|"x9\" LVL
36" DIRECT VENT FIREPLACE W/MANTEL
GAS
1A3
OPTIONAL TRAY CEILING
OPTIONAL TRAY CEILING
PROVIDE L4x3\"x5/16"LONG LEG VERTICAL FORBRICK TYPICAL ALL WINDOWSw/ BRICK UNLESS NOTEDOTHERWISE GALVANIZE ORPAINT STEEL
6'-0"
(2) 2x6 W/
(2) LAPS
(5) SHELVES
1[x11-]"LVL UPSET
(3) 2
x10
OVER
HAL
L
OPTIONAL BAY
21-20x24
11-24x1621-20x20
21-2
0x20
21-20x24
11-2
8x24
11-2
0x26
11-2
0x26
5|"x11]" LVL NOTE 1
41-28x32
7'-11 58 "
41-28x3211-32x3211-32x32
21-24x24
11-32x3221-28x323-0x8-0
2/8
OPTIONAL DOOR
OPTIONAL DECK OPTIONAL DECK
ARRISCRAFT (CALCIUMSILICATE MASONRY UNIT).
ARRISCRAFT (CALCIUMSILICATE MASONRY UNIT).
ISLAND
(3) 2x10
WOOD BURNING
OPTIO
NAL
OPTIONAL BAY
OPTIO
NAL
784 SQ. FT.
11'-0"
DW
OVEN
DOUB
LE
LINEN
3'-5"
5'-0"
60" V
ANIT
Y
2/6
3'-9 14 "
2'-0"
5'-7 14 " 4'-8" 5'-10 1
4 "
P r o j e c t
W h i l e wo r k i n g f o r t h e r e s i d e n t i a l d e s i g n f i r m , I h a v e b e e n i n vo l v e d i n a w i d e v a r i e t y o f t a s k s f r o m t h e c r e a t i o n o f f l o o r p l a n s t o m a k i n g d r a w i n g c h a n g e s , t o r e n d e r i n g e l e v a t i o n s , s i t e p l a n s a n d p e r s p e c t i v e s f o r m a r ke t i n g .
C h r i s H a i n e r
Facade StudiesImage Design, LLC2004 - Present
C o n s t r u c t i o n d r a w i n g s c o m p o s e d f o r a r e s i d e n t i a l p r o j e c t . T h e o v e r a l l p l a n w a s d i c t a t e d b y t h e d e s i g n e r, b u t m a n y d e t a i l s w e r e l e f t u p t o m y s e l f .
t wo rEndEring variations of a 3d modEl d o n e f o r m a r k e t i n g p u r p o s e s . T h e m o d e l w a s a c c u r a te l y b u i l t o f f o f t h e c o n s t r u c t i o n d r aw i n g s f o r t h e m o s t r e a l i s m .
render ingsTw o r e n d e r i n g v a r i a t i o n s o f a 3 D m o d e l d o n e f o r m a r ke t i n g p u r p o s e s . T h e m o d e l w a s b u i l t o f f o f t h e c o n s t r u c t i o n d r a w i n g s f o r a c c u r a c y.
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