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Marie Bashkirtseff

Marie Bashkirtseff (born Maria Konstantinovna Bashkirtseva, Russian: Мария Константиновна Башкирцева; 24 November 1858 — 31 October 1884) was a Ukrainian-born diarist, painter and sculptor.

Self-portrait 1880

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• Born Maria Konstantinovna Bashkirtseva in Gavrontsi near Poltava, to a wealthy noble family, she grew up abroad, traveling with her mother across most of Europe. Educated privately, she studied painting in France at the Académie Julian, one of the few establishments that accepted female students. The Académie attracted young women from all over Europe and the United States. One fellow student was Louise Breslau, who Bashkirtseff viewed as her only rival. Bashkirtseff would go on to produce a remarkable body of work in her short lifetime, the most famous being the portrait of Paris slum children titled The Meeting and In the Studio, (shown here) a portrait of her fellow artists at work. Unfortunately, a large number of Bashkirtseff's works were destroyed by the Nazi's during World War II.

• From the age of 13, Bashkirtseff began keeping a journal, and it is for this that she is most famous. Her personal account of the struggles of women artists is documented in her published journals, which are a revealing story of the bourgeoisie. Titled, I Am the Most Interesting Book of All, her popular diary is still in print today. The diary was cited by an American contemporary, Mary MacLane, whose own shockingly confessional diary drew inspiration from Bashkirtseff's. Her letters, consisting of her correspondence with the writer Guy de Maupassant, were published in 1891.

• Dying of tuberculosis at the age of 25, Bashkirtseff lived just long enough to become an intellectual powerhouse in Paris in the 1880s. A feminist, in 1881, using the nom de plume "Pauline Orrel," she wrote several articles for Hubertine Auclert's feminist newspaper, La Citoyenne. One of her famous quotes is: Let us love dogs, let us love only dogs! Men and cats are unworthy creatures.

• She is buried in Cimetière de Passy, Paris, France. Her monument is a full-sized artist studio that has been declared a historic monument by the government of France.

Marie Bashkirtse

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Marie Bashkirtseff• Until recently the accepted date of Bashkirtseff's birth was November 11 [Nov. 23,

New Style], 1860. However, after the discovery of the original manuscript of Bashkirtseff‘s diary in the Bibliothèque nationale de France, it was found that her diary had been abridged and censored by her family. Her date of birth (1858 not 1860) was also falsified by her mother. The unabridged edition of the diary, based on the original manuscript, was published in France in 16 volumes, and excerpts (years 1873-1876) translated into English (see Reference).

• I was born the 11th [elsewhere given as the 12th of November, 1859. Actually born November 12, 1858, by the Russian calendar; November 24, 1858, by the Gregorian calendar, which is twelve days ahead of the Russian. The family celebrated her birthday each year on the day they claimed she would have been born if she had been a full-term baby— January 12 by the Russian calendar, January 24 by the western calendar. She learns later—in Book 83, December 29, 1878—from her father (but does not apparently accept his statement, as she ignores it here in her preface) that she was a full-term baby, suggesting that she was conceived before her parents had married and that all the mystification about her date of birth was intended to cover up that embarrassment.] It's horrifying just to write it, but I console myself by thinking that I certainly will not have any age when you read me.

• --I Am the Most Interesting Book of All: The Diary of Marie Bashkirtseff , Author's preface with comment of translator, p. 1

The grave of Marie Bashkirtseff

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Botticelli: Venus (1485)

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A.Arhipov: Ice has Gone (1895) 7

Canaletto:The Grand Canal at the Salute Church

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Canaletto:Return of the Bucentaurn to the Molo on Ascension Day

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I.Aivazovskiy:Parade of the Chernomorskiy Fleet

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I.Shishkin: Brook in Forest

I.Aivazovskiy: The Chesmenskiy Battle on the 25-26th June of the 1770 year (1848)

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V.Surikov:Conquest the Siberia by Ermak (1895)

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A.Savrasov: Winter, 1873

V.Surikov: Russian Troops under Suvorov Crossing the Alps in 1799 (1899)

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N.Dubovskoy: Twilight, 1897

'Portrait of the Princess Olga Ivanovna Orlova-Davydova with

Daughter Natalya Vladimirovna' (1834)

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L.Kamenev: Spring (1866)

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L.Kamenev: Moonlit Night on River(1870s)

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L.Kamenev: Landscape (1864)

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L.Kamenev: The Savvino-Storozhevskiy Monastery near Zvenigorod (1860s)

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V.Polenov: On the Tiveriadskoe Lake (1888)19

I.Shishkin: The Kama River near Elabuga (1895)

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'Portrait of the General-adjutant Count Vasiliy

Alekseevich Perovskiyk' (1837)

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'Siege of Pskov by Poland King Stefan Batoriy in 1581’(1843)

'Portrait of the Princess Yuliya Pavlovna Samoilova Retiring from the Ball with the Adopted Daughter Amaciliya Pachchini' (not later then 1842)

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'Rider'(1832)

Mikhail Nesterov Elderly Man

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Genrih Semiradskiy Dangerous Lesson 29

Victor Vasnetsov (1848-1926)

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'Portrait of Peter III‘ (1762)

'Portrait of Ekaterina II‘ (1766)

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• Look at this painting! It illustrates the rootedness of Russian Orthodoxy. Greek Orthodoxy (and the other smaller groups, too) is rooted just as solidly. Russian Orthodoxy has always been more “multi-cultural” than any other expression of Orthodoxy. Many peoples, many languages, and many expressions of faith are found within it. Can you believe that the Syosset apparat is passing the lie that the MP is going to dismiss all American-born priests? What utter delusion and prelest! Which would you want to belong to? A world-wide, powerful, and vibrant Church of many nationalities or to an impotent sect that limits itself to one ethnos and one region?

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by O. O. Kokel [Алексея Афанасьевича Кокеля] (1880 - 1956).

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The Unity of the Russian People [Mikhail Khmelko, 1948]

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Capture of a French regiment's eagle by the cavalry of the Russian guard at Austerlitz

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Russian Bride's Attire - Konstantin Makovsky

Russian Oil Paintings Exhibition

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Vasnetsov Viktor Mikhailovich (1848 — 1926)

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Boim, Solomon

Boris Olshansky. Berendei. 1997

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The life-asserting power and beauty of images created by Zinaida Serebriakova ascend to the best traditions of Russian and West European realistic art; whereas her pure and crystal-clear talent was inherited from the famous artistic dynasty of the Lanceray-Benois that she belonged to. Her all-embracing love of art and her native land with its infinite expanses and simple people from times immemorial living and working on it, determined the spiritual essence of the creative path of this outstanding artist.

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Peasant Woman Sleeping. 1917

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Ivan Kulikov. Vesting the Bride. 1907

Art and FaithVladimir Aleksandrov. In the Village. 2005

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'Portrait of Mariya Andreevna Rumyanceva' (1764)

'Portrait of Peter I' (1770)

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Bogatov Nikolay (1854-1935)47

Artist Sergey Kirillov (Rus). "Execuion of Russian rebbel Stepan Razin".

Zinaida Serebryakova. A Portrait of Graf Platon Zubov. 1956

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19th century Russian painting of the Haitian Revolt

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Russian Oil Painting C. Westchiloff (1877-1945)

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Sergei Vasilkovsky. A Cossack Village. no date (1880s-90s?) 51

Russian Village, 1881Oil on canvasSaratov Art Museum, RussiaFrom allart.biz

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Ilya Repin, Reply of the Zaporozhian Cossacks to the Turkish Sultan Mehmed IV of the Ottoman Empire, 1880-91. State Russian Museum

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Russov (Volkov) Aleksandr Bought for the harem, 1891

Russian Dancer

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Russian painting

Borisgodunov

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The defence of the Troitse–Sergiyeva Lavra by Russian soldiers and Orthodox . Painting by Sergey Miloradovich.

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Dmitry Pozharsky and Kuzma Minin, by Mikhail Scotti

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The Poles surrender the Moscow Kremlin to Prince Pozharsky in 1612. Painting by Ernest Lissner

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False Dmitriy and king Sigismund III Vasa by Nikolai Nevrev (1874)

Last minutes of False Dmitriy I by Karl Wenig, painted in 1879

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Apollinary Vasnetsov. A Court of a Russian Feudal Prince. undated

Russian gold khohloma technique

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Apollinary Vasnetsov. In the Moscow Kremlin. undated 李常生 Eddie Lee 2/26/2012Photos: From internet Taipeileechangsheng5555@gmail.com

Salute to the artists of the whole world.謹向全世界的藝術家致敬。

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