missing intell. score veriklund.org/selected-works/missing-intelligence.pdf · q=60 q=60 erik lund...
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q=60
q=60
Erik Lund (2005)
missing intelligence1
Bb Clarinet
Violin
Percussion
Piano
Double Bass
Recorded Sounds
troubling, with nervous energy
p
faint, as a ghost tone
mf
hard yarn mallets
p
cymbal choke
fff
+timbre rack
ff
w/handle
f
rubber malletscrotales
p mf
mf
35
strike interior posts with plastic or wood hammer
(low post)
mp
l.v.
(med. post)
mf
(high post)
ff
fff
all clusters are chromatic
ff
mf
p
3
sost. pedal down until m.32, clear pedal occasionally, when indicated (m.10) and otherwise as necessary.
f
(low post)
mf
una corda
arco
sfff
port.arco ord.
p
p
pizz.arcosul pont.
mfmp
pizz. arco ord.
p
erratic sawtooth wave
camera shutter releases
x
rich white noise
x xx x xx x xx
flash
cont. periodically cont. periodically
processed string trem.
0:001
hash marks always represent beatsclick-track runs throughout, even when hash marks are not present in score
2 3 4 0:20 0:40
13
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
sul Dfaint, as a ghost tone
p
( )
through m.30ad lib periodic/erratic trem.interact with recorded sounds
swells with trem.
port.port.
sul Eport.
-alternate rolls of g, a-flat, and both, with overlappings-fluctuate speed of roll, interacting with recorded sounds
p ad lib. swells mf mp
w/handles
rubber malletssim. to m.14
f
mp
mp
p
pp
3
3
mpuna corda
( )ad lib periodic/erratic trem., interacting with recorded sounds
swells with trem.
pizz. arco( )
ad lib periodic/erratic trem.
percussive roll
thinned texture
searing ringing
1:00
knockx
knockx
1:20
knockx
1:40
knockx
2
27 q=116
q=116
33
33
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
p
fluid
phrase according to the patterns. breathe as needed.
port.no trem.
n
f
hard yarn mallets
p mf
vibraphone
ppedal as needed for balance between clarity and presence
phrase according to the patterns
p
mp
p
stay below clarinet and vibraphone
pedal as needed
mp
pizz. arco ord.
p
stablenon vibrato
continuation of numerous processed sounds
percussive roll
percussive roll
percussive roll
2:001 2 3 4 1 2 3 4 2:08
3
36
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
continuation of numerous processed sounds
percussive roll
2:18
alternating g#/a continues...
4
41 44
44
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
mp
sharp and articulatepizz.
sf
mp
sharp and articulate
sf
with gradually increasing presence
sf mp
sharp and articulatepizz.
sf
arco
mp
texture of recorded materials thins, but remains rhythmically active 2:28
5
46
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
mf
sharp and articulate
sf
arco
sf
f mf f mf6 6
f sharp and articulate
fsf sf
sharp and articulatepizz.
sf
arco
mf
sim. 2:39
6
51
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
sf
emerge through solo passagescon forza
sf mf f
3 3
mf
f
sim.
7
55
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
fsf mf f
mf fmf
3
36
2:49sim.
8
59
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
f
sf
mf
sim. 3:00
9
63 65
65
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
interlude
mf f
3
33 3
ff mf f33
3
ff
solo
mff
f ff5 3
ff
ffff f ff
pizz.
sff
arco
mp
pizz.solo
4:3
ff
sim. 3:10
rich white noise
10
68
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
port. port.
port. port.
mf f
mf
arcosul A
f fff
pizz.con forza
3
sf sf sf
arco
sf
sim.
rich white noise
xcamera shutter releases
xflash bursts
x xx
x
3:20 3:31 3:41
11
81 86
86
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
sf p mf
resume
33
5
6 6
sf p mf
33
6
6 6
fsf p p
sharp and articulate
sf mf
sharp and articulate
sf mf
mp
sul pont. sharp and articulate
sf
pizz.
mf
p 3:51 mp
graudally building chord - through m.122
12
88
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
f
f
4:02
13
93 96
96
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
mf grad.cresc.
mfgrad.cresc.
grad.cresc.
grad.cresc.
grad.cresc.
4:12
14
98
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
f f
f f
f
f
f
f
grad. cresc. to m.122 4:22
15
102
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
mf f mf fmf6
mff
mff mf
6
mf f mf f mf f mf6 3 3 3 6 6
4:33
16
106
108
108
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
f ff
6
36
66
f ff
6
5
56
mf f mf f ff
6 33
ff
ff
4:43
17
111
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
( )
3 3 3
4:53
18
119 123
123
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
brutal
fff
fff
fff
ff
fff
ff
arco al tallone
fff
fff
5:04 fff low tremelo
low tremelo
5:14 low tremelo
19
127 131
131
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
low tremelo
5:24 low tremelo
low tremelo
20
135
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
5:35 low tremelo
low tremelo
5:45low tremelo
21
143
143
143
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
3
5
3
5
3 5
5:55 low tremelo
6:06 low tremelo
22
151
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
3
3
5 5
3
3
5 5
3
5 5
3
3 5 5
low tremelo
6:16
23
158 160 164
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
sotto voce
ppno, or very little pedal
5
sotto voce5
una corda to m.169 pp5
bel cantopizz.
mf
5
speaking whispering
6:26
Subito pp
low tremelo
6:37
24
166
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
25
170 172
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
swell
f
subito - active but veiled
pp pedal for phrasing
3
swell subito - active but veiled
p3 3
grad. release una corda
fp
3 3 3
ff
subito - active but veiled
p
6:47
26
175
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
grow in intensity to m.180
grad. cresc. mp
mf f5
3 5 3 5 3
grow in intensity to m.180
65 6 5 6 5 6
grad. cresc. mp mf f
6 5 6 5 6 5 6
grow in intensity to m.180
grad. cresc.mp mf f
6:57
27
179 180
180
Cl.
Vln.
Perc.
Perc.
Pno.
Db.
Rec.
mf
seccolight, precise and mechanical
mf
seccolight, precise and mechanical
ff ffff
solid
3 3
note: this timbre rack part is optional. vibe part is essential
timbre rackw/mallets sha5s
mf
seccolight, precise and mechanical
solid
6 6
ff ffff
6 6
ff fff f
solid
film projector (shi5s from L to R at shutter releases)
7:08
camera shutter releasesx
28
185
Cl.
Vln.
Perc.
Perc.
Pno.
Db.
Rec.
( ) ( )
projector continued
7:18
x xxflash burst
x
7:28
x
29
191
Cl.
Vln.
Perc.
Perc.
Pno.
Db.
Rec.
projector continued
x
x7:39 7:49
30
201
203
203
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
f
burst
ff
6
f
burst
ff
6
ff
con forza
3
con forza3
3
ff5
ff
con forza 3
projector continued
machine sound w/heavy reverb
8:00
31
206 207
207
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
ff
con forza
mp
f mp3
ff
con forza
mp
f mp3
fff ffmp f mf
56 6
6
fff
ff
mp
mf
33 3
3
fff ff
3 3
machine sound cont.
searing, gas-like sound
numerous additional, rhythmically active sounds in-and-out through m. 239
32
210
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
fp f
3
mp f36
mf ff mf mpf
6
6 6
f
ffmp5 3
3
ff5 3
5 6
f
ff
5
3
mp
arco
f
3
ff
pizz.
searing, gas-like sound
8:10
sim.
33
214
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
4:3
mp
4:3
mp
ff mp ff mp mp ff mf mpff
3 3
ff mp ff mp ff mfff
36 3
ff mp ffmp ff mp ff
3 3
mf
sim.
8:20
34
218
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
p
fmf f mf ff3
66
p f mf f mf ff37
mp mf fff5
6
f
mp f mf ff ff ff5
3 6 7
mp mf ff f
ff
fmp mf mf f
ff f
searing, gas-like sound
sim.
8:31
35
222
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
f mf mf6
f mf mf 7
mf6
ff ffmf
7
f fmf
searing, gas-like sound
sim. sim.
8:41
36
226
226
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
ff f
ff f
fff
ffff ff ff ff f 3
ff f
ff
f f
ff f
sim.
8:51
37
231
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
mfmf
fff
6
66
mfmf
fff
5
6
7
mf fff f5
6
mf ffff5
6 7
mffff f
mf fff f
3
searing, gas-like sound
sim.
38
235
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
37
6
3 7
rich white noise
9:02
sim.
39
239
239
q=58
q=58
239
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
pensive - unsettled, but accurate to the end...
ff p
sul pont.delicato
p
(with nervous irregularities in trem.)
pedal to end as needed for sustains and phrasingfff
to med. so5 yarn med. so5 yarn
f mp p
f p
ffff mp p
una corda
fff f mp
delicatoarco sul pont.
p
(with nervous irregularities in trem.)
xflash bursts
x x x
9:14
rich white noise
9:35 wood burning
match strikex
40
250 258
258
q=116
q=116
q=58
q=58
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
pp
3
mp
arco ord.pure
pp
p pp
scurrying
pp
scurrying
pp
p3
senza una cordapp una corda p
pizz.
p
arco sul pont.( )
ad lib. tremelo
port. pp
pizz.
p
pp
arco ord.
p
9:35 10:16
rich white noise
xknockrich white noise
faint, high processed string sound
10:35
41
261 265
265
q=116
q=116
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
33
delicatosul pont.
(with nervous irregularities in trem.)
mp
pp
sim.
p f3
pp
sim.
f
53
ppsenza una corda
sul pont.delicato (with nervous irregularities in trem.)
pp p
pizz.
knockx
10:55
42
q=58
q=58
268
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
pp gliss.
purearco ord.
pp
port.
p pp
p
una corda p
pp
arco
p
( )ad lib periodic/erratic trem.
port. port.
11:10
knockx
faint, high processed string sound
11:31
43
279 280
280
q=116
q=116
q=58
q=58
Cl.
Vln.
Perc.
Pno.
Db.
Rec.
mf
ascent - a niente
chromatic gliss. of “toneless” notes
n
sul pont., 1/2 hair - chromatic
mf
ascent - a niente
n
pp
sim.
mp pp
p
stick handles
3 3
pp
sim.
senza una corda
arco ord.
pp
pizz.
11:51
multiple sounds
n12:16
44
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