hum 100 ch07 powerpoint

Aerial view Florence, Italy: Cathedral (Duomo), Giotto's bell tower (campanile),

and the Baptistry, with the Palazzo Vecchio in the distance.[Fig. 7.1]

Map: Major Italian City-States during the Renaissance. [Fig. Map 7.1]

Filippo Brunelleschi. Sacrifice of Isaac, competition relief commissioned for the doors of the Baptistery.

1401-2. Parcel-gilt bronze. 21" x 17-1/2".Museo Nazionale del Bargello, Florence. [Fig. 7.2]

Lorenzo Ghiberti. Sacrifice of Isaac, competition relief commissioned for the doors of the Baptistery.1401-2. Parcel-gilt bronze. 21" x 17-1/2".

Museo Nazionale del Bargello, Florence. [Fig. 7.3]

Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence.

ca. 1445-48. Gilt bronze. Height: 15'.[Fig. 7.4]

Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence:

Self-portrait.ca. 1445-48. Gilt bronze.

[Fig. 7.5]

Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence:

The Story of Adam and Eve.ca. 1425-37. Gilt bronze. 31-1/4" x 31-1/4".

[Fig. 7.6]

Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence:

Meeting of Solomon and Sheba.ca. 1425-37. Gilt bronze. 31-1/4" x 31-1/4".

[Fig. 7.7]

Filippo Brunelleschi. Brunelleschi's Dome: Structural ribs and horizontal bands inside the dome fabric (color drawing).

[Fig. 7.8]

Musical Notation: Cantus firmus melody from Dufay's Nuper rosarum flores.[Fig. 7-MN.1]

Leon Battista Alberti. Alberti's perspective diagram (black and white drawing).[Fig. 7.9]

Masaccio. The Tribute Money, Brancacci Chapel, Santa Maria del Carmine, Florence.

1420s. Fresco. 8' 1" x 19' 7.Studio Mario Quattrone. [Fig. 7.10]

Donatello. David.1440s. Bronze. Height: 62-1/4".

Museo Nazionale del Bargello, Florence. [Fig. 7.11]

Michelozzo di Bartolommeo. Palazzo Medici-Ricccardi, Florence.Begun 1444.[Fig. 7.12]

Leon Battista Alberti. Palazzo Rucellai, Florence.1446-51.

[Fig. 7.13]

Sandro Botticelli. Primavera.Early 1480s. Tempera on wood panel. 6' 8" x 10' 4".

Galleria degli Uffizi, Florence. [Fig. 7.14]

Luca della Robbia. Cantoria (choir or organ loft) for Florence Cathedral: Detail, Drummers.

1433-40. Marble. 42-1/8" x 41".Museo dell'Opera del Duomo, Florence. [Fig. 7.15]

Musical Notation: Typical frottola rhythm. [Fig. 7-MN.2]

Leonardo da Vinci. Embryo in the Womb.ca. 1510. Drawing, pen and brown ink. 11-3/4" x 8-1/2".

The Royal Collection, Windsor Castle, Royal Library. HIP/Art Resource, NY. [Fig. 7.16]

Leonardo da Vinci. Last Supper, End wall of Refectory, Santa Maria delle Grazie, Milan.

ca. 1495-98. Fresco, oil and tempera on plaster. 15' 1-1/8" x 28' 10-1/2".[Fig. 7.17]

Leonardo da Vinci. Mona Lisa.1503-15. Oil on wood panel. 30-1/4" x 21".

Musée du Louvre, Paris, France. [Fig. 7.18]

Leonardo da Vinci. Vitruvian Man.ca. 1485-90. Drawing, pen and ink. 13-1/2" x 9-5/8".

Galleria dell'Accademia, Venice. [Fig. 7.19]

Donato Bramante. Tempietto, San Pietro in Montorio, Rome.1502

[Fig. 7.20]

Plans for Saint Peter's, Rome by (a) Donato Bramante and (b)Michelangelo.[Fig. 7.21]

Michelangelo. David.1501-4. Marble. Height: 17’ 3".Accademia, Florence. [Fig. 7.22]

Michelangelo. Sistine Chapel, Vatican, Rome: Ceiling, complete view.1508-12. Fresco. 45' x 128'.

[Fig. 7.23]

Michelangelo. Sistine Chapel, Vatican, Rome: Narrative program of ceiling (diagram). [Fig. 7.24]

Michelangelo. Sistine Chapel, Vatican, Rome: Creation of Adam.1510. Fresco.[Fig. 7.25]

Michelangelo. Studies for the Libyan Sibyl, for Sistine Chapel ceiling.ca. 1510. Drawing, red chalk. 11-3/8" x 8-7/16".

[Fig. 7.26]

Michelangelo. Sistine Chapel, Vatican, Rome: Libyan Sibyl.1512. Fresco.[Fig. 7.27]

View into the Stanza della Segnatura, Vatican, Rome.1510-11.

[Fig. 7-CL.1]

Raphael. School of Athens, in the Stanza della Segnatura, Vatican, Rome.1510-11. Fresco.[Fig. 7-CL.2]

Raphael. Pope Leo X with Cardinals Giulio de’ Medici and Luigi de’ Rossi.1517. 60-1/2" x 47".

Galleria degli Uffizi, Florence. [Fig. 7.28]

Josquin des Prez. Musical score, opening bars of Josquin des Prez’s Pange lingua Mass.After 1513.[Fig. 7.29]

Vittore Carpaccio. The Lion of St. Mark.1516. Oil on canvas. 4' 6-3/4" x 12' 1".

Doge’s Apartments, Doge’s Palace, Venice. [Fig. 7.30]

Map: Venice and the Venetian Terraferma, the Venetian-controlled mainland, at the end of the fifteenth century.

[Fig. Map 7.2]

View of the Doge's Palace, Venice, with St. Mark's Cathedral at left.Begun 1340.[Fig. 7.31]

Giovanni and Bartolomeo Bon. The Ca’ d’Oro (“House of Gold”), Contarini Palace, Venice.

1421-37.[Fig. 7.32]

Giorgione. Tempest.ca. 1509. Oil on canvas. 31-1/4" x 28-3/4".Galleria dell’Accademia, Venice. [Fig. 7.33]

Titian. Sacred and Profane Love.ca. 1514. Oil on canvas. 46-1/2" x 109-7/8".

Galleria Borghese, Rome. [Fig. 7.34]

Titian. Reclining Nude (Venus of Urbino).ca. 1538. Oil on canvas. 47" x 65".

Galleria degli Uffizi, Florence. [Fig. 7.35]

Andrea Palladio. Villa La Rotonda, near Vicenza, Italy.Begun 1560s.[Fig. 7.36]

Thomas Jefferson. Monticello, Charlottesville, VA. 1770–1784, 1796–1806.

[Fig. 7.37]