design london
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8/6/2019 Design London
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Hello Wednesday, July 20th, 2011
Assignment 3
Due today
Final Reviewavailable
soon
Visual
Journal
Check
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Do you See the Afterimage of the Flag?
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Time and Motion
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Sassetta,
The Meeting of Saint Anthony and Saint
Paul , 1440
Time Made Visible
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Motion
Alexander Calder¶s Mobiles
Kinetic sculpture=using actual motion
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Calder at the National Gallery of Art, Washington D.C.
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Implied
Motion
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Principles of Design
Leonardo da Vinci, Illustration
of Proportions of the Human
Figure, 1485-1490
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Balance
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Symmetrical Balance
Andy Warhol, Soup Cans, 1954
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AsymmetricalBalance
Vermeer, W oman Holding a
Balance, 1664
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Proportion and Scale
Annie Leibowitz, Wilt Chamber lain and
Willie Shoemaker
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Claes Oldenburg and Coojie van Bruggen, S poon Bridge, 1985
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Scale
Slinkachu
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Concrete Ocean
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Char les Simonds, Dwelling, 1970s
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Michelangelo,David , 1502
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Michelangelo, Pieta,
1500
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Hokusai, T he Great W ave, 1823-29
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Ancient Greece
The Parthenon, 447-438 B.C.E.
Polykleitos,Doryphoros, 450 B.C.E.
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Focal Point
Jacques Louis David, T he Oath of the Horatii , 1784
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Repetition and Rhythm
Jacob Lawrence , Ironers, 1945
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Yukinori Yanagi, 'World Flag Ant Farm', (detail)., Ants, colored sand, plastic
boxes, tubing, Tokyo,1990
Unity and Variety
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Yukinori Yanagi, 'World Flag Ant Farm', (detail)., Ants, colored sand, plastic boxes, tubing,
Tokyo,1990
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Design
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Mass Production
Im pact of the Industrial Revolution
The Arts and
Craft Movement
Technology
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Morse telegraph,
1844
Steam Railway
Locomotive,
1804
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Industrialization By 1850Industrialization By 1850
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Railroads on the ContinentRailroads on the Continent
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Sir Joseph Paxton, Crystal Palace, 1851
Architecture for the Industrial AgeT he First W orld ¶ s Fair
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Housed the International London Exposition, 1851
Sir Joseph Paxton, Crystal Palace
Exhibition of the works of industry of all nations
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Housed the International London Exposition , 1851
Sir Jose ph Paxton, Crystal Palace
18 acres, 9 months
Largest space ever enclosed at that time
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Crystal Palace Interior
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Crystal Palace Interior
Crystal Palace Interior
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Crystal Palace Interior
Open May 1851-October 1851 28 participating countries
Crystal Palace Interior
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Crystal Palace Interiorw orld ¶ s fairs w ere unique in that the everyday person could experience them firsthand.
Anyone could enter the site and feel a part of something new, feel a part of the w orld
community , feel w hat potential humanity has for doing good in the w orld.
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Crystal Palace Interior
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Sir Joseph Paxton Crystal Palace 1851
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Sir Joseph Paxton, Crystal Palace, 1851
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Railway Stations
Gare Saint-Lazare, Paris, 1837
Painted by Monet
several times
The first rail way station
in Paris
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Haussmannization
Baron Haussmann, the French civic planner whose name is associated withthe rebuilding of Paris
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Avenue de la Grande Armée , one of
Haussmann's t w elve grand avenues
radiating from the Arc de T riomphe.
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The Effects of Industrialization
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The Effects of Industrialization
Adolph von Menzel, The Iron Mill, 1875, o/c, 5x8¶
T he invention of the steam engine
and its application
to manufacturing
in late 18th and
early 19th century resulted in a shift
from individual
pride in
craftsmanship to
the dehumanized division of labor.
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J acob Riis, How the the Other Half Lives: Studies
Among Tenements of New York , 1889
The Effects of Industrialization
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J acob Riis, How the the Other Half Lives: Studies Among Tenements of New York ,
1889
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J acob Riis, How the the Other Half Lives: Studies Among Tenements of New York , 1889
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J acob Riis, How the the Other Half Lives: Studies Among Tenements of New
York , 1889
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J acob Riis, How the the Other Half Lives: Studies
Among Tenements of New York , 1889
Th Eff f I d i li i
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The Effects of Industrialization
Lewis Hine, Carolina Cotton Mill , 1908
Child Labor in the Coal MinesChild Labor in the Coal Mines
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Child Labor in the Coal MinesChild Labor in the Coal Mines
ChildChild
³³hurriershurriers´́
The Effects of Industrialization
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The Effects of Industrialization
The Effects of
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The Effects of
Industrialization
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Industrial StaffordshireIndustrial Staffordshire
The Industrial
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ThomasAnan, Close No. 28
Saltmarket , 1868-1877
The notorious slums of 19th century
Glasgow , Scotland
The Industrial
City
Th Eff t f I d t i li ti
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The Effects of Industrialization
T he w ork created by the
new industrialized
methods proved to be
shoddy and in poor design
A Return to Simplicity:
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A Return to Sim plicity:
The Arts and Crafts Movement
William Morris, Pink and
Rose Wallpaper Design,
ca. 1890
Gustave Stickley Chair
A t i E l d
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Millais,
John Ruskin,
1854
Art in England
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T o members of the Arts and
Crafts , the Industrial Revolution
separated humans from their ow n
creativity and individualism; the
w orker w as a cog in the w heel of
progress living in an environment
of shoddy machine-made goods ,
based more on ostentation than
function.
Willi M i
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William Morris
1875 Morris and Co.
Pimpernel Wallpaper, 1876
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Arts and
CraftsWilliam
Morris
Willi M i
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William Morris
Philip Webb and Morris, Red House, Kent,England, 1860
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William Morris
Philip Webb and Morris, Red House,
Kent, England, 1860
19c Bourgeoisie:19c Bourgeoisie:
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19 Bourgeoisie:
The Industrial Nouveau Riche
19 Bourgeoisie:
The Industrial Nouveau Riche
Arts and Crafts and the Private Press
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Arts and Crafts and the Private Press
T he most famous of the private presses
From 1891-98 the press produced
53 books (totaling some 18 ,000
copies)
Troy, Chaucer, Golden
Gustave
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Stickley
T he entrance of a building
at Craftsman Farms , the
artist ¶ s community he founded in New Jersey in
1908
World¶s Fairs
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Remembered most for the creation of the Eiffel
Tower, the Exposition Universelle de 1889 was
the fourth in Paris.
"Better City, Better Life," representing the
common wish of the whole humankind fora better living in future urban
environments.
An artistic rendition of Expo Performance Center
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P aris Exposition,
1889
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March, 1888 Sept Dec March, 1889
Paris Exposition , 1889
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Paris Exposition , 1889
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P aris Exposition, 1889
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P aris Exposition,
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1889
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Alexandre-Gustave Eiffel, Eiffel Tower, Paris, France, 1889, wrought iron, 984 ft. high
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T ruthful to materials
C ast-Iron
C onstruction
7,300 tons of iron and steel
connected by 2.5 million
rivets
Gustave Eiffel
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Gustave Eiffel
Eiffel Tower, 1889
Truyere Bridge, Garabit, France, 1880-84
Technology and
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gy
Progress
John and Washington
Roebling, Brook lyn Bridge,
1867-83
1 st steel
suspension
bridge in U.S.
6000¶ long,
the longest in
the world at
this time
Modern Advertising and Poster Design
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g g
Posters for Public
Announcement
Advertising replaces
Proclamation
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Cheret Toulouse Lautrec
Jules Cheret
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Jules Cheret
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Jane Avril, 1893
Henri de Toulouse-
Lautrec
1864-1901
Henri de
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Toulouse Lautrec, Le Divan Japonais, 1892-3
color lithography poster 31x24´
Toulouse-
Lautrec1864-1901
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Henri Toulouse-Lautrec, Jane Avril, 1899
Henri de
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Moulin Rouge - La Goulue. (1891) Poster.
Toulouse-
Lautrec1864-1901
Henri de
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Toulouse-
Lautrec1864-1901
Lautrec, Louise Weber, Jane Avril, and Aristide Bruant.
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Henri de Toulouse-Lautrec, At the Moulin Rouge, 1892/1895oil on canvas, 123 x 141 cm (48 7/16 x 55 1/2 in.)
The Art Institute of Chicago, Helen Birch Bartlett MemorialCollection
The Fine Arts Media:
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The Fine Arts Media:
Drawing
Printmaking
PaintingSculpture
The Camera Arts
Architecture
Design
What does a designer do?
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industrial
textile
clothing
interior
graphicenvironmental
What does a designer do?
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Designer / Craftsperson / Fine Artist
* Craft = one of a kind, utilitarian
* Fine art = one of a kind
* Design = mass production, trend driven
The Great
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Sir Joseph Paxton, Crystal Palace, 1851
T he Great
Exhibition
of 1851
London
A
watershed for design
in the mid
century
Decorativeand
industrial
arts was
the focus
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Arts, Crafts, and Machines 1860s-1914
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Industrial
Revolution =Mass
Production
Many artists rebelled against
d ti
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Movement
mass production
William Morris, Pink
and Rose Wallpaper
Design, ca. 1890
Gustave Stickley
Chair
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Louis Comfort Tiffany
Lamp Dragonfly Pattern1890s
Glass, leading and bronze
Art Nouveau
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France: Le Corbusier
³Machines for Living´
France:
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Le Corbusier (1887-1965)
³ machines for living´
Villa Savoy, 1928-
30, Poissy, France.
France:
Le Corbusier
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Villa Savoy, 1929
Le Corbusier
(1887-1965)
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City for 3 Million project (1922) Le Corbusier (compared with
New York City)
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Notre Dame du
Haut, or
Ronchamp, 1955
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The Netherlands:De Stijl
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De Stijl
Gerrit, Rietveld, The
Schroder House, 1924-25
Compositionsw ith
Red , Blue and
Yellow , 1930 o/c,
20x20
Typeface designed by Vilmos
Huszar
De Stijl (The Style), Holland
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j ( y )
Gerrit Rietveld House, The Netherlands, 1924
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Gerrit Rietveld House, The Netherlands, 1924
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Gerrit Rietveld Red and Blue Chair, 1918
Germany: The Bauhaus
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S chool of Art, C raft, and Design in Weimar Germany, 1919
Germany:
The Bauhaus
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Walter Gropius, Bauhaus
Workshops, Exterior 1925-26
The Bauhaus
Bau=Building
Haus=House
Walter Gropius (1883-1969)F ounder and director of Bauhaus
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Bauhaus 1925-26
Aimed to create a school w hereindustrial methods w ere used not
for destructive w ars but for the
betterment of social conditions
Walter Gropius (1883-1969)
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Gropius Office at Bauhaus
p ( )
Germany: The Bauhaus
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Walter Gropius, Bauhaus Workshops, Exterior 1925-26
y
T he academy
isolates
Individual genius
cannot function in
society
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Poster collaboration
of Bayer, Breuer,
Maholy-Nagy
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Bauhaus
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Herbert Bayer created a series of
³ universal´ sans
serif typefaces
based on modular
shapes and a
limited number of
letter forms
serif sans serif
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Letter forms as a
metaphor for
standardized
mechanized production
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Marcks Stolz
Marcel Breuer,Chairs, 1927
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Bauhaus Workshop Wing
Bauhaus Professors
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Marcel
Breuer,
Chairs, 1927
J oseph Albers,Homage to the
S quare: o/board,
47x47´
P aul Klee, In the
C urrent: S ix
T hresholds, 1929,
o/c, 17x17´
Wasily Kandinsky,
C omposition VIII , 1930
o/c, 55x79´
Lazslo Maholy
Nagy, Light-
SpaceModulator, 1922-
30
Photogram, 192
Bauhaus
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Bauhaus Professor Marcel Breuer, Chairs, 1927
Mies Van der Rohe
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Barcelona Chair
³ Less is More´
Barcelona
Pavilion Project for a GlassSkyscraper, 1922
Model for Home, 192
Fransworth House
Mies Van der Rohe
(1886-1969)
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(1886 1969)
Barcelona Chair
T he last director of
the Bauhaus
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Mies Van der Rohe
(1886-1969)
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Barcelona Pavilion
(1886 1969)
Mies Van der Rohe
(1886-1969)
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( )
Mies Van der Rohe
(1886-1969)
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Project for a Glass
Skyscraper, 1922
(1886 1969)
Mies Van der Rohe
(1886-1969)
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S tructural steel and reinforced
concrete
Model for Home, 1924
(1886 1969)
Mies Van der Rohe
(1886-1969)
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Farnsworth House
(1886 1969)
S ynthesized the technology of the machine age with the purest
principles of functional design
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Germany: The Bauhaus
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Walter Gro pius, Bauhaus Worksho ps,
Exterior 1925-26
Poster
collaboration of Bayer, Breuer,
Maholy-Nagy
Modern Architecture: Geometry to Live In
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S treamlined designs gave form to the Machine
Age by rejecting all historical ornament
F orm follows function
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=
Di Stijl³ to create a world of universal
harmony´
Le Corbusier ³ machines for living´
The BauhausS ynthesized the technology of the
machine age with the purest
principles of functional design
+
International Style
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Director of Bauhaus Mies van der Rohe
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Breaking down boundaries between
crafts and fine art
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Bauhaus Professor Marcel Breuer, Chairs, 1927
Bauhaus
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Logos and Symbols
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Letters and Pictures
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Rene Magritte, False Mirror, 1935
William Golding, CBS Symbol, 1950
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Other Types of Design
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MTV Logos
Swatch Watches
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Logo Design
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Greek, Winged Victory
190 BCE
Design
Awards
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British designer
Samuel Wilkinson
and product design
company Hulger,
have won the Brit
Insurance Design of
the Year 2011 for
their redesign of
the low energy lightbulb
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Architecture Award Winner 2011: Open Air Library, KARO Architekten
and Architektur+Netzwerk, Germany
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Brit Insurance Product Award 2011:Barclays Cycle Hire, Transport for
London & Serco
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Field Trip: The Design Museum
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