chandra rekha vilapam
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rf
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^
[LK [ was
working
in
clic
Government
Oriental
MnnuscripSs
Library
(190-1-9),
I
had
to c;xa
in
connection
with
the
preparation
of
tho
l>
Catalogue
o[Tei.u^u
Manuseripts,eopics
of
Chan
Vila
pain,
a
classical
poem
iu
three
cantos
written
by
Kuchurmnchi
Ja.ggakavi
in
the earlier
pnrt
of
the
eighteenth
century*
One
of
the
manuscript
copies
of
the
work
was fo-und to
contain
certain
remarks
of
Mr*
C,
P. 'Brown which
attracted
my
special
attention..
The
poel
as
Mr.
l>rown
observes
ic'^s
evidently
an
accomplished
xiiiKtc?
of
//;,;.
/a/?
t
if//i/^ c, *;
and
when
it
is
rcim;rnbe';od.
ilint
bis frunc.us
ehlor
brother,
Tirnina
Kavi
SarvubliOinuji
hanst;li
:
KIS
spoken
highly
of
bin*
in
r.^v^ral
of
IiLs
work;;,
tl^H'c
c:a,n
bo
nothing
i
:
;i.n;prisinf;'
If
/lie
i*iindit w io
read
Ihc
hook
with
tn&
(Mr.
Urowi's)
itutU<
JI/K
of
/(
f
/^/?./'
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4
'
CHANDRA
RE
Kit
A
ber
of
manuscript
copies
of
the
work
in
etrculntion,
and
the
ardour
which
persons
oi all
desr.ripliorw
evince
to
this
day
in
perusing
them,
bespeak
its
uni-
versal
popularity
and
attest
its
intrinsic:
general
literary
merit,
The
poem
h
as
Mr.
Bnnvn
snys
a
running
parody
oit
the
affected
and
stiff
rules
of
Teliigu
poetry
and
is
particularly
amusing
on
thitt
iiccottnf .
**/#
closely
resemble^'
he
adds
the
ttnglixk
Travesties
of
Homer
or
Virgil
and simiUrr
bttrlesijttc
ro/n/w///o/JS
M
As
a
parody,
the
poem
stands
wilhoul
a
parallel
in
Tehu; u
literature.
Since
the
days
of
s
he
MM
nous
Krishnado-
varaya,
Telugu
poetry
has
moved
unhappily
on
lines
of
mere
convention
and verbal
qmhl'ih's;
and
it
is
a
pity
that
there
are
more
than
two
hundred
works
of
that
kind.
A new
departure
from
ihe,
bealm
paih
is
branded
with
infamy
and
will
certainly
lead
lo
a
sort;
of
intellectual
ostracism
at.
the
hands
uf
conservative
readers.
Parody
is
UK;
only
povvonul
instrument
which
can
effectually expose,
to
ridicule
such
fantastic
and
worthless
compositions.
Jagga
Ravi
has,
in
his
moments
of
strong
emotion,
violated
the
sanctity
C
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Km
TON'S
NOTK
5
raj
inn,
the
Cro\vn
of
Humorous
Poems.
Like
the
rest
of
tho
Pnibandh;i-
Writers,
the,
author
deals
with
Love,
but
he
recurs
In
it
only
incidentally.
Wha
lever
may
lie
the
motive;
of
(he
{met,
tin*
purpose
of
the
poem
appa-
rently
is
lo
crca'e
n.1)hnrn-nrc
for
ur.chastity
-rul*
prostitution
-wh
ic
h
abhorrence,
is
fun'
her
heightened
by
the
unique
drwlopen-icnt
of the
pint.
The*
de-
nunciation
of
her
own
profession
by
Clmudrnrekha
and
the
sincere
though
strong
advice
given
by
Fapanna
lo
the
king.,
Simaendra,
(as
the
characters
stand in
the
present
edition)
call for
special
attention.
Further
details
are
pointed
out
in the
Epilogue.
Thus
the
poem
is
highly
moral
in
its
tone
and
in
the
language
of
Mr,
Brown
a
*\S\f/m?
true
to
its
function
that,
in.
scv.king
lo
lash
vi.-e
and
imiuoru
lily,
chastens
human
life
and
exalts
vin
nc.
The
hist''>r'u:'uv
of
the
plot
is
highly
eloubtfuS;
and
l'
is<
k
the
la
iU'.u
ige
1
Mr.
Brn\vn
the
author
simply
leitfns
i
:
Tin*
present,
edition
has
further
adopted
a
set
of
lic.titious
nmncs
througlionit,
with
other
nec.ossary
nn
d;
licutions
to
inak(
v
the
-poem
entirely
free
front
ail
pcrsr,nlitu;s,
if
there
be
any.
ihnl
ctvcn the
most
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CHANDRA
REKHA
VILAFAM
clinie
In
which
they
live.
No
literature, lusiurien] n
t
*
epigraphies , gives
so
much
insight
into
the
inner
movements
of
society
as
satire
:
and
this is
ono
of
the
few
satires
that
help
us
to
fix
the
landmarks
of
the social
history
of
South
India.
Now
coming
to
the
style
of
the
work
as
it
origi-
nally
stood,
no
one
can
disagree
with
Mr.
Brown
'
that,
In
his
emotional
moments
perhaps
to
rouse
more
effectively
the
indignation
of
the
1
reader
against
the
depraved
morals'
of
the
age,
the
author
'has,
along
with
all
the
elegant
and
highly
polished
expressions
customary
on
such
subjects
with
which
Tclitgu
abounds,.-.^
intermingled
ike
filthiest
and
coarsest
slang
phrases
that
it
furnishes
in
equal
plenty .
Whatever
may
be
the,
jus-'
tiflcation
of
the
author,
there
is
no
doubt
it
is
bad
luck
fa
read
much
of
it*'
as
Mr*
Brown
rieiitly remarks,
IT***
*
7
*
i
O
/
i
t, <
A
nis
ooscenity
has
been
the
greatest
obstacle
in
fbe
way
of
its
publication,
despite
its
other
claims
to
have seen
the
light
of
day.
The
work,
in
addition
to
its
^
sociological,
ethical
and
literary
importance
us
a
satire,
is
an
excellent
piece'
of
art
which
deserves
to
'
fce
preserved
for
the
sake
of
art
itself;
and
perhaps
it
is_this
species
of
art
which
.Mr,.
'Brown
had
in'
his
mind
-when
he
styled
the
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EDITOR'S
NOTE
7
will
gradually
go
out
of
existence,
In
the
course
of
revising
the
work
with
particular
regard
to
its
amorous
descriptions
1
have
maintained
a
standard
of
decency
far
higher
than
that of
the
best
Prabandha-Writers;
and
it
has:
been
possible
to
do
that
without
impairing
the
beauty
of
the
poem
since
satire
or
parody,
but
not
amour,
constitutes
the
principal
theme.
I
believe
that in
the
present
edition
of
the
poem,
I
have
not
in
the
least
offended
the
.puritanic
tastes
of
austere
literary
critics,
In
conclusion
I
have
to
thank
'Messors
R,
V.
Subba
Row
.Pantulu,'
B.A.,
B.L.,
'High
Court
Vakil,
'V
Rataados
Paiitulu,
B.A
M
B*L.,
High
Court
Vakil,.
and
several
others
for
having
helped
mo
in
this
'onder-
tiiking
by
their
valuable
suggestions
and
advice,
Mr.
K.
Kotiah
Pantulu,
13.
A.,
author
of
Sumantri
and
other
poems
for
having
contributed
tho
Life of
the
Poet,
Mr. T.
Devaraja
Sudhi,
the
learned
editor
of
the
TohifjTi
epics
and
other
classical
works of
the.
Anand-*
asrama
Series,
lor
tho
excellent
Appreciation
'of
the
Book,
and
Mr* V,
Venkalaraya
Sastry,
retired
Senior
Sanscrit
Pandit
and
Superintendent
of
.Vernacular
Studies,
the
Madras
Christian
College,
for
the
neat
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OPINIONS
MR.
G.
KAXAKARAJU
PANTULU,
B.A.,
i^r-;
Telueu
Translator
to
Government,
writes:
O
'
I
am
glad
to
say
that
I
have
perused,
the
expur-
gated
edition
of
Chwidrzrckha
VilapJtn.
ft
hfts ba
filed
.
the
efforts
of
several
literary
men
to
obtain
a
copy
;
of
the
book
in
any
form.
Seeing
that
It
is
the
-best
-
EDd the
only
satire
and
a
parody
in
a classical
form,
in
the
language,
the
thanks
of
the
literary
public
ar6
heavily
due
to
Mr.
K.
Gopaul
Rau
Pantulu
for
bring-
ing
cut
the
book
in
its
present
form. Tlio
pocrn
is*
'a
'
short
one
and
as
originally
composed
is
full
of
grossly
obscene
and
objectionable
matter
and
it
is
a
daring
act
to
expurgate
and
reform
it.
Mr,
Gopaul
Ran
however,
subjected
himself
to
extraordinary
pnms
to
make the
process
of
expurgation
as
little
interior*
ing
as
possible
with
the
original
plan
of the
book
and.
the
skilj
and
good
taste
shown
throughout
prove
him
to
be
a'
poet
of
no
mean
order.
He
has
exhibited
fine
taste
in
the
task.
I
congratulate
him
for
the
success }
with which
he
has
reformed
the
book.
By
the
laudable
attempt
of
Mr,
Gopaul
Rau,
the
present
book
is
free
from
obscene
and
objectionable
passages
and
one of
the
best
authors
in
the
language
is
preserved
from
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OPINIONS
and
obscene
passages.
It
is
indeed
a
very
difficu'
task
to revise
and
adapt
it
as
far
as
possible
to
the
present
day
taste
and
requirements,
while
preserving
its
literary
style
and
excellence.
Mr.
Gopaul
Ran
has
done
this
with
remarkable
success.
Fie
possesses
in-
deed
a
high
order
of
literary
ability
and
the
thanks
of
the
public
are
due
to
him
for
the
pains
he
has
taken
in
rescuing
this
work
from
oblivion
and
bringing
it
out
in a readable
form.
The book
will be
welcomed
as
a
unique
parody
and
satire
in
the
Telugu
language.
THE
HONORABLE
K.
R.
V.
KRISHNA
Row
BAHADUft,
B.A.,
Zamindar
of
Polavaram,
writes:
1
**';.. *.',Mr.
K-
Gopaul
Ran
has
taken
very great'
pains
in
making
the
book
as
little
vicious
as
possible
and
he
therefore
deserves
great
credit.
I
can
safely
say
that
this
book
in
its
present
expurgated
form
is
not
at
all
objectionable
and
not
unworthy
of
publica-
tion.
MR.
G.
V.
ArpA
Row
PANTULU,
B.A.,
F.M.U.,
writes:
...I
welcome
the
amended
edition
by
Mr.
Gopaul
Ran.
He
has
eleminatcd
the
objectionable
features
from
the
book
and
has
amended
so
cleverly
that
it
is
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10
CHANDRARETCHA
VILAPAM
hands
the
book
has
become
readable
and
the
scruUny
he
has
exercised
in
the
revision
is
ranch
more
than
the
average
standard
adopted
in
the
classical
\vorks.
The
most
'benign
result
of
this
undertaking
will
be
that
the
original
obscene
manuscripts
of
the
work
will
soon
disappear.
The
literary
merit
of
the
work
deserves
the
'saving
from
an
ill-fated
oblivion
and
Mr,
Gopaul
Ran
has
laid
the
Telugu
public
under
obligation
by producing
the
book
in
an
acceptable
form.
To
the
Second
Edition
T
is
noteworthy
that
copies
of
the first
edition
of
unique poem
have
been
exhausted
within
a
yr,*u*
after
the
publication;
and
my
apology
Is
due to
the
public
for*hot
having
brought
out
the
second
edition
lor
years
together
inspite
of
pressing
demand.
I take
this
opportunity
of
thanking
the
learned
Rajah
of Devidi
(Urlam),
Sri
Kandukuri'
Ba'lasprya
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