biography: 3 ivan leonidov
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Year one_ 2015 _ 2016 ARC1002M _ Ivan Leonidov and briefing
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
PROJECT 5 _ Extraction of planar relief into the compositional masses
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
PROJECT 5 _ Extraction of planar relief into the compositional masses
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Using your planar relief models you now have to extract a series of connected solids. - You need to consider what these volumes can be in
three dimensions. - You may refer back to your painting and use
reference to shading to determine if a volume is flat or curved.
- You may repeat objects that you consider to be important. You may scale objects up if they are in the foreground or background.
- You create a set of rules and a rationale for your decisions.
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Using your planar relief models you now have to extract a series of connected solids. - You need to consider what
these volumes can be in three dimensions.
- You may refer back to your painting and use reference to shading to determine if a volume is flat or curved.
- You may repeat objects that you consider to be important.
- You may scale objects up if they are in the foreground or background.
- You create a set of rules and a rationale for your decisions.
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
- You may refer back to your painting and use reference to shading to determine if a volume is flat or curved.
So this object you could consider as curved ‘soft’ object
You may consider this curved as it looks like a bottle
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
- You may repeat objects that you consider to be important
- What do you consider important in your painting?
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
- You may repeat objects that you consider to be important
- You may scale objects up if they are in the foreground or background.
PROJECT 5 _ Extraction of planar relief into the compositional masses
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Draw your volumes. This needs to be done in 300 x 300mm format and sketching to show how you are planning the volumes
PROJECT 5 _ Extraction of planar relief into the compositional masses
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Make the volumes in foam
PROJECT 5 _ Extraction of planar relief into the compositional masses
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
By making the volumes and suspending them in a frame you will begin to explore the relationship of volume, space and void.
Ivan Leonidov 1902-1959
Ivan Leonidov 1902-1959
- Composition and philosophy of life and art closely related
- His work was based on a firm world view
- Art and life inseparable - He believed in dreaming – Man
as a free dreamer and creator
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Leonidov, what a dreamer!
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Suprematism - Suprematism was the invention of
Russian artist Kazimir Malevich - Suprematism was one of the earliest
and most radical developments in abstract art
- The name comes from Maleviches belief that Suprematist art would be superior to all art of the past
- Heavily influenced by avant-garde poets, and an emerging movement in literary criticism, Malevich derived his interest in flouting the rules of language
- Communist authorities later attacked the movement, its influence was pervasive in Russia in the early 1920s, and it was important in shaping Constructivism, just as it has been in inspiring abstract art and architecture to this day.
Malevich – Suprematism nr. 58
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Suprematism
Malevich – Suprematism nr. 58 Zaha Hadid – Diagram painting
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Suprematism
Malevich – Suprematism nr. 58 Zaha Hadid – indoor swimming pool and squash court painting – 1982-2012
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Kazmir Malevich – Black circle
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Kazmir Malevich
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
El Lissitzky appears again
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Leonidovs Lenin Institute of Librarianship
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Tatlins tower
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Melnikovs Pavilion 1925
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Leonidovs Lenin Institute of Librarianship
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Leonidovs Lenin Institute of Librarianship
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Leonidovs Lenin Institute of Librarianship
Malevich painting
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Leonidovs Lenin Institute of Librarianship
Aim: To answer the needs of contemporary life through maximal use of the possibilities of technology Theme: The Lenin Institute is a collective centre of knowledge for the USSR Location: Where the New City is developing, Lenin Hills, Moscow
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Leonidovs Lenin Institute of Librarianship
Constituent parts: - A library with 15 million volumes
of books - 5 reading rooms of 500-1000
seating capacity each - An institute of librarianship - Auditoria with varying capacity
250-4000 people. - A scientific theatre - A planetarium
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Leonidovs Lenin Institute of Librarianship
Innovation - The library book delivery system - The flexible Auditoria - Planetarium is a scientific optical
theatre - Circulation – conveyors and
elevators - Links throughout the building
using telephone, radios. - Connected to Moscow via ariel
tram - Connected to the world with
radio
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Leonidovs Lenin Institute of Librarianship
Ms. Barbara Griffin . Lincoln School of Architecture . University of Lincoln
Submissions for the History and Theory Module - Portfolio of drawings from cathedral
- Hand drawings, computer drawings, survey etc - Pecha Kutcha presentation of individual 20th century
building/project - Short essay answering specific question
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