best of tommy emmanuel · 2013-12-14best of tommy emmanuel

TOMMY EMMANUEL COP

Photography by Sara Corwin

Music transcriptions by Pete Billmann

ISBN-13: 978-1-4234-3175-6 ISBN-10: 1-4234-3175-8

HAL#LEONARD^ C O R P O R A T I O N

7 7 7 7 W. BLUEMOUND RD. P .O.Box 13819 MILWAUKEE, W l 5 3 2 1 3

For all works contained herein:

TOMMY EMMANUEL 6 Blue Moon

12 Can't Get Enough

30 Classical Gas

45 Countrywide

55 Determination

68 Guitar Boogie Shuffle

82 Hearts Grow Fonder

83 The Hunt

101 Initiation

108 The Journey

118 Stevie's Blues

128 Up From Down Under

140 GUITAB NOTATION LEGEND

from Dare to Be Different

Blue Moon Words by Lorenz Hart

Music by Richard R o d g e r s

( 3 i Moderately J = 135 ( Л = J J 1 )

*C Am F G С Am Gtr. 1 (acous.)

( н ? — — > 1 p - T J 1 - t — I

™f w/ fingers

r 1 — 1

г F sim.

-ш—-—

г LJ г Т - Г 1 г

-T j н — 1 1 1 A = r2 2

3 - 2 - 3

в— 2 0 2

• e - 3 2 -fl 3 Ц — 2 — з

в 2 - 3 — 2 6 — 3

•Chord symbols reflect basic harmony.

F G7 ^ С Am F G

Л * j ? j ^ j 1 I i i J > J T — И > 1 f <Г r

; LJ 1 о ? 1

a _ Г Г

г « г г 2 8

и 1 в

з a — e 2

1 2 3 - э 2

-2 -в

з 0 2

Ч 2 3

D7sus4 D\>1 Am

i n 4 ±

г г г "г zj f

G6 E7/G#

J> J j

Г f F f г ? H 3 5 3 3- -e 1 e e-

Am ^ A m / G

•i J—i m n D7/F# г - 3 — i F 7

——Щ ' \ 1 ' 3 1

J 1 J — J J J 1 С A m

t J M * «i _ з ^д ? _ _ tg

Г Г « Г L _ f F Г e — i — e 8 1 e 1 1 з — - 1 1 1

2 2 2 2 2

'Г r f r ' - M

l В 2 2 0 0 1 1 e

3 2 2 8 1 1 L

F G7 С A m F

riH—j—* i — ^ — I ^ ^ ' — * J) | 7 •

- r 2 2 —3 2 8

D7sus4 Db7

J • J J 7 *

4= ' = » = Г г г J

Г г г f F г r Y

3 1 3 5 3 3 1

л J i * e 8 2 2 3 3

1 e 8 - 3 2 8 5 4

С A m F G6 E7/G# A m A m / G

r f i H ч « ч 1 ? . - M J 1 J j t ^ - r J 4 4 Н — « Н

' О г г f

i i = 8 2 2

г ? Г T

8 1 8 8 3 8 3

г г f >

| - в 1 \

— 1 1 2 2

3 2 8 3 М 2 3 4

о j 2 г 0

э э 1

D7/F# r — j —i F7 С A m С

J * J J J J i — 4 fi—r? - * 4 : if fr-Д 3 _ _ _ \ > i _ i = k

T L _ T f Г ж — i з 1 1 1 \2r 2 2 2 2

r f f H -8 8 8

Г T i 8 1 1 2

W 8 1 1 2 2 8 1 1 L

-2 2 -3 2 8

3 о 0 » 1 :

Fm6 D /F# Gm6 G6

f Г " t M U г г Г f f f f Г г г

н f --3 3-

tml Bb7 Eb

u p - . , ] ^ J J I . J J J « н а - * J t*- I*" ж ж — —

г Г Г Г Г Е _ Г ж 1 1 W в в

F т V г

—1 1 1 1 1 ^ 3

ьг г г т 3 3 3

3 3 2 2 В 3 3

1 3 В 1

L-H " —6 5 3

G D/F# G7 С Am

в Ы — г ъ ^ — I ^ T - J J - Ь , л Ь т ^ , t J , (ф Ч* % ±—'-Л

F г Щ г

— 0 1 j 3 =

let ring

в 6 3 в

* > i J 1

Т г Г Г > -

в в 3 2

4 3 в 4 —3 2 в

F ^ D7sus4 Dl>7 С Am F6 G6 E7/G#

Г ^ J J ч « : h • 1

1 j ? i • J J nJ J —

" f F ^ r V 1 — 3 3 £^2—

Г Г г г г 3 ? 1 1

2 £ —

f f г * г 0 1 0 э ж

5 4 1 в

- з 2 е 3 1 Ц 2 3 4

Am Am/G F7 Bbmaj7 С Am

. J J> J J> . т J J . a. 5 ? г f 7 г 3

11) . . . , : 2 2 2 2

g =Й г г

1 4 2 г

! L J 4 г

Г 5 f

-ч - в

Г " м \ \ :

i „ 2 2 » ' ' •

в 1 1 1 1 1 -3 2

F G7 С Am F G7

1 h * 1 » 1 - , J У J> I T J ? J * ^ ^ П 1 li> 1

F f F и 2 В

9 3 Г Г Г г

' i 'i* Г f ?

1 9 2 Ъ

г^Ъ 3 П

3 3 В 2 1 2 3 -3 2 И 3

3 3 Ц 2

ш С Am F D7sus4 Dl>7 С Am

„ Г ^ 7 > г-1 1

г - л I ? ^ > 1 У } - |

' Г Г f f (3)

r f г т ^ — 3 — 5 3 J - ^ —

Г г f F 3

I з 2 e

3 1 - 3 2 8

F6 v G6 E7/G# Am Am/G F7

f F T 0 8

1 э e

i ' J j j j г г T T

1 1 1 1 2 2 2 2

r * 1 J г

— 7 — h i \>i

г 4 г

F ; f = i

1 2 3 4 2 2 2 6 -9 8

3 4 В 1 1

М 1 1 1 1

С Abl3 G7b9 _ С Am

.1- > I . L I j 1 N л Л U - . П i. 1

t Г Г г — 1

Ч Г F F F '

s i i ; 1 г г т J

i = Г

3 2 3 4 3 2 4 4 3 3 3 ; . *

A D7sus4

I 3-D\>1 Am G6 E7/G#

г г г — T f г г т Г Т

Fm6 D/Ftt Gm6 G6 С

t m . j , J J J j 7 g-

u f Г г »

ев 1 2 8

i r f г г г 1

. a ' 1 » —1 2 3 4

г Г Г Г г f

1 1 2 0 0 0 2

в 2 3 8 0 3 L-H 1 2 2 3 3 -3 3 2 2 В

Fm6 D/F# Gm6 G6 С Fm7 в\>7

J W J 1 T J - J J 1 Г Г З 7 j J F » f

3 3 $ 1 1 i

г I S

| * l i = :

2 3 4 В

w w ^ 5 _ Г Г Г Г Г [ _ Г

i J г

^ 1 1 з 3 ^ ^ 1 1 1 1 1 ^ 3 —

з 1 2 3 3 1 6 о -з з 2 2 в

з з l

^ 3 6 — 1

E\> G D/F# FSUS2

- J J J —

Л ' л

Щ & т J Ч i и J 3 g J — -

^ Г Г U г * « г ' 1 /е/ ring -

з — в в з з Ф 3 3 0 2 2

- т ф- • ф " ' ф^ ф ф •

1 *т т

3 3 -Н 1 1 1 -в в В в о 51 3 6 5 3 6 5 3 2 i 8 2 8 S

1 1 *T = Thumb on 6th string

Em7 Ebl3/Bb Dbl3/Ab

N 1 r t l ~ n I г Н Р л. Ф-

w "I л. ф-

т 1 И i i i \ ^ i 9 i 3 1 i F

3 3 1 в в—в—в в

—1 1

t = т

I Н i i i i

x 8 i 8 i 8 4 4 4 4 4

•> 1 jj \ » \ — в — 1 в в—в—в в 1 8 8 8 1 8 =

3 3 3 3 3 4 4 4 4 4

CI Ami F D7sus4 Dl?7 С Am

F6 G6 E7/G# Am Am/G D7(no3rd) F

r > — j j 1 j : н J J j J 1 J JS =!

T r fl 4

Г ? n n

г • 8 i i J f f F >

' - » = I 1

L _ T 0 U 1

/Э\ - 8 з — I I — 1 1 1 2 2 2 2 П А П A

1 3 1 2 2

\3/ 1 2 — 3 4 1

- 8 * , 1 0 1

J J } У =5=

с : Dn

•Ф чР

i7 D#'

°7 C/E C5

; r - j

1 1 e 1 2 2 1 ft

с г — Г ~ - f

> g 8 tt)^ = j 3 3 2 3 5 —6 * 7 3

from Can't Get Enough

Can't Get Enough By Tommy Emmanuel and Randy Goodrum

0 Moderately J = 126

Gtr. 2 (acous.) a (Kbyd. & percussion)

*G9 Ebmaj 7 Dll >-

T я 1 0 Y A к Л

n Э Э

Gtr. 1 (elec.)

- = i > - N . К > > > Is - I p * -Л ^ — J - — j - — J — I

w/ clean tone & chorus P.M. 1

-Л 2 — J 1 > -

•T л

ъ 5 5 5 5 5

•Chord symbols reflect overall harmony.

G9 Ebmaj7

Copyright © 1997 UNIVERSAL MUSIC PUBLISHING PTY. LTD., TOMMY EMMANUEL MUSIC, CHRIS GILBEY PTY. LTD. and MIGHTY GOOD MUSIC All Rights for MIGHTY GOOD MUSIC in Central America and South America ex. Brazil Controlled and Administered by UNIVERSAL MUSICA, INC.

All Rights for TOMMY EMMANUEL MUSIC and CHRIS GILBEY PTY. LTD. in the world ex. U.S. and Canada Controlled and Administered by UNIVERSAL MUSIC PTY. LTD.

All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All n : _ U i . n I i I I I Г-» : : *

в Dll G9

А П Я Т 1

С Г ~ 7 M

let ring 1

1/2 з ^

Cj 1 — я—-d

(5)—3 ^ 5 3 4 ^ 5—3 ^ — ^

5 4 3 ^ 1 5

It - Л J

5 ^ — 5 7—5 5— 7

Ь ' t i f 7 m^a f

Л I 5 — ж

Ь * ' J

Ebmaj7 Dll

G9 Ebmaj7

Gtr. 1 tacet

Gtr. 2

Gtr. 3 tacet

Щ 8 6 6- 8 8X10 ^

w/ pick & fingers -

* 8 7 8 7- -5 3-«-^W ( W 8 8—t®^

-9 9 7 9 7 5 4-

I Riff A

Gtr. 4 (acous.)

w/ pick & fingers

0 0 Г О Г э О л А 7 п 7 е j к э э / 9 г 9 4

i i Em7 Am7 G/B С

f Г Г * f I f D7 Am7

m w/ pick & fingers-

з 5 3 -

- Н /е/ ring - -

-5 s^T- -8 7 8 ^ 7 5 — 6 — 5 3 -

- ^ 5 4 5 -9 9 7 -9 5- -4 т^9-

$ i Л Ч+Ьж ф

End Riff A

$ 3 5 3 5 BX7

4 5 7-8 8 7 8У10

-9 9 7 8 ^ 7 5 6 5 3-

G m a j 7 C/F E b m a j 7

i D l l

let ring - rake 1 1

- 8 7 8 r r ^ —

-49)- -ЛЬ-

•Played behind the beat.

Gtr. 5 tacet

D l l G 9

•1С

Gtr. 3 tacet Gtr. 1 tacet

Ebmaj7 Dll

Gtr. 4: w/Riff A

Am7 G/B D7 Gtr. 2

Em7 Am7 — -

G/B С D7 Am7

w/pick & fingers

8 8 7 8 7 5 3 a^S -9—9—7—9 7 5 4

let ring -

Ъ/1 a ^ 7

- 8 — 8 -

-9—9-8X10

9/11 8X7 5 6 -5 -

- 9 ^ 7 — 5

Gmaj7 C/F Ebmaj7 Dll

D Gtr. 3 tacet

Cm7 F7 Bm7 Gtr. 2

i * , V ^ , " H ^ f e l ^ t j f ' V f i /ef ring -

li J J J г W

Harm. -

3 j = ji § 3 £ . 3 5 7 t ^ I ^

8 7 5 4 4 2 7

Е7 Amaj7 Gmaj7 Fmaj7

Gtr. 2 tacet

Ebmaj7 Dll

1/2 1/2

-n--i3 (13) 11

Gtr. 2

Gtr. 1

i) - = ] 1 - > » ьП =*=] | - J " " l - > 1

P.M. 1/2

- - - - .

P.M. - -1/2

-5 r^ 5-

G9 Ebmaj7 Dll Gtr. 3

P.M. 1 P.M.- P . M .

Gtr. 1

Hi - Л * I

KJJ—>

5 8 5 5

1-Щ—2—J J F 2—J J F P.M. 1 P.M. - ч

5—5 5—5

1/2 P.M. 1

5 5 5 —

0 Gtrs. 1 & 3 tacet Gtr. 4: w/ Riff A

Gtr. 5

G/B D7 Em7 Am7 G/B

f ' f f f L L P |fLCi ^ f у It U ^ w/ pick & fingers

8 6 7 8 7 5 3 [-3—5 8 3 5 5 ^ 7 8 8 7 атЧв 0 0 7 0 7 Ч А л / Ч А с . 0 О 7 л / ЛЛ Я 9 / 9 ( Э 4 As Э 4 Э SX / 9 9 t %f 11

Gtr. 5 tacet

С D7 Am7 Gmaj7 C/F Ebmaj7 Gtr. 2

ffl^fEirir г r r-r r r г Г г Г Г w/ pick & fingers -

8 8 ^ 7 5 6 5

- 9 ^ 7 5

- H let ring

Gtr. 3 tacet

Cm7 F7 Bm7 E7

Amaj7 Gmaj7 Fmaj7 Ebmaj7

G Gtr. 2 tacet

A\>9 Fbmaj7 Ebll

Gtr. 1 tacet

Gtr. 3 tacet

Ebll Bbm7 Ab/c G t r-5 k ^ V ж -ft A. -m- w w w * w w * w w - •

> - f P f f г г ^ Г f | Г . г „ л , г г . г ^ f t a A t w w w * WWWWV ^ лл у Э I I э /

19 0 / 0 19 g /•N A i i /14

1Z I t у у э 1С 1П О in А f ' » 11/1J • /1П 11 1U f л 0 1U 0 11 а 1П 1П

Ь/ 1U 11 • 111 111

Db Eb7 Fm7 Bbm7 Cm7 Db Eb7 Bbm7

Abmaj7 Db/Gb Fbmaj7

i t s - Г ^ Г - Г I

^ ^ 7 I * * 7 I

[—9 И

И—9—8—9—8— j 4 4 * 9 — m ^ 9 9 9 9

Gtr. 5 8va 1 loco

Gtr. 5 tacet

Fmaj7 Ell

Gtr. 5 tacet Gtr. 3 tacet

Fmaj7 Ell

Gtr. 1 tacet

Bm7 Gtrs. 2 & 4

g g ^ g f » • • 9 ш -1- —

D E7 F#m7 Bm7

£ A/C#

# 4 s w/ pick & fingers -

tt- MO- —9— —9— — —5 r~5 7 — 5 7 ^ w - 10 — 9 — —m/42 11 11 n 11 n 7 с . / 7 с 7 T v O 11 11 n 11 11 9 11 a f D BX f D f 7/^ SI 11 11 a 11/ 1J

Gtr. 5

1 - - ff-f f 1 - f f — 5 i 2 ^ L J

delay off

5 5 5 5

^ — f

S Gtr. 5 tacet

Fmaj7 Ell A9 8va 1 loco

ft'T I f f Г Т = = mp z i z i z z i z z i z ^ = = = ^ — — —

17 pf7 17~ — = = ? 5

Gtr. 1 v v w v v v v w w w w v v v v v w v v v v v v v v v v v v v

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

p w/ fingers /ef ring - -

Fmaj7 Gtr. 1

— T — = Ell

7 7 7 7 7 7 7 7 f л 1П 1П 1 0 1П 1П 1П 1 n ЛЬ У t l l t l l l l III III 111 111 111 111 111 l t t /

5 5 5 5 5 5 5 5 I—в 8 8 8 8 8 8 8

Gtr. 2 A9 Fmaj7

Gtr. 1 tacet

Gtr. 2 tacet

Ell A9

Fmaj7 Ell

Fmaj7 El l

Begin fade

и (ТО— ПО,*

p f , v • у I ^ J . н j t >

5 & 7-& Ь 7

i — i - — I i ь — ^ - h 1 - H I 1 1 1

P.M. ч

- 1 * — — A — 1 — Ц Е J

7 X X X X 5 7 X X 7 6 7

x — x — 5 7 X X & T

Svfl--i » ,. w w w w v w v w w v w v

J » / J - . - 1 loco

f > P ft' J *

f % л i A и и и и и

Fade out

J У г "Ч г С С а л а у 7 7 7 7 7

X / / 1 1 1

W в «И 5 — - — — 1 8 5 7 Я 7 6

> 7 ъ —

I'll* I J

{ Н ^ — 9 6—Э~ 6

V V V V 7 7 у у у л А X X 7 5 7 Л Д А Л # / Л Л Л ' ' ' •

8—7—s—7 5 — 7 — 7

from Classical Gas

Classical Gas Music by Mason Williams

s Free time

**Am(add9) Fadd#4 *Gtr. 1

•Orchestra arr. for gtr. ••Chord symbols reflect overall harmony.

Em Fmajl3 Dm7 Cmaj7/E

m X T v ^ ^ ^ ^ T J

ГоГ« ^

^ |тХ

8 i 1— 3 + f t 1 н H i i i -3 : l io° 4

4 -e 1— i и

1-1 -9

Gm7 Asus2 Am

G/B Fadd#4/A Esus4

Am(add9)

г г Г г г Г ¥ Harm.H let ring - let ring -

tt e e 1 1

— e — « 1 — e , i i

A A 1 1 1 л л *

2 4 4 4

L n n II 0

Gtr. 1 tacet

Am G G/F# Em Am

И I J J J J r , = f 3 3

1 i i J j t i r b . > . - • . p . >

ring throughout

^ . 0 1 ^ 1 — 6

— 2 2 — e —

- в —

h—ft i-ft—

li = : — 2 — 0 — 2 2 —

у J U s j j ! 4

e — a — e — 1— 1—о 1—e 1—о •—

2 2 2 1 2 0 0

В 3 2 L-fl

Г2 2 Г2 t-e e

r ^ 2 1— п-в 1— . i

Am G/B С F D/F# G E7 F#m7l>5 E7b9

В Moderately J = 162

Gtr. 2 tacet

Am7 D7 Am7 D7

Gtr. 3 (elec.)

£ / w/ dist.

V»V»V*VVVVV*V*VVV*V*WVVV*VVVVVV*V*VV*%VVVVVVVV^ « - 4 7 -

vvv*vvv*%vvvvv*vvvv*vvvvvv**v*wv»%*v»v»vv%% 47

Gtr. 4 (elec.)

J J J J 7 llj 1 tnf

w/ dist. P M - - - -

l 7 \ \ Г 7 i 1 j j 7

- - -1

J J J r J ' w^ p M _ _ _ 1

7 7 7 5 5 4 5 5 5 5

4 4 5 5 4 - 7 7 7 7 5 4

Am7 D7 8va 1

vvvvvvwvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvwvvvv

Gtrs. 3 & 4 tacet

G Bbmaj7 Bm7b5 Gtr. 2

~m _ r

/ let ring 1 let ring 1 let ring 1 let ring -

- 8 1 -

- H let ring •

E7 N.C.

let ring - let ring -

-e e-- 3 — a-

-3 1 o-

§ Am G/F# Em

Gtr. 2

P Г i = = 3 m i s

let ring 1 let ring -

H 0 0 1 1—0--2 0 2-

-9 fr-Gtr.4

j i U i i i ^ ^ J i ¥TT§ ж ж ж ж юр

-5 5 5 5 5 5 L-3 а £ -в 6 0 е-

G/F# Em

т f г i j I ? let ring - let ring -

— ( в )

—1 e в 1 1 — в — 2

0 0 e о 2

L - 3 2 в

1 j . J j DM _ _ _

^ — j j j j J j ^ ^ i U — r i ^

-5 5 5 3 4 "-5 5 5 5 5 5 ^ З 3 3 2- -0 0-

Gtr. 4 tacet

A m G / B С F D / F # G E

m — ^ —

М Н и ф >

1- « > j > ; > * s = j

e 1 2 —

1 ^ ' f 3 f ^ 7 "b Ф '

3 4 5 7 1 - е 0 1 — 0 2 0 2 2 0 2 2

0 2 3 2 4 6

» 1 2 3

~9 P.M. - -

ь 4 f

^ ж 1

о a e

H a l f - t i m e feel

A m 7 D A m 7 D

N.C. A m 7 D

I - * f y > Г Т П f - I т. .

г п р г * * Ы s 1 гаг

p 1 u U - L T - J / j J i 1 ' 1

С 1 ^ г 3 — 1 — в — ^

Г 1 Я ^ J tit* p 1 u U - L T - J / j J i 1 ' 1

С 1 ^ г 3 — 1 — в — ^

let ring 1

В 7 5 5 2 г

1 0 « =

J tit*

з — 4 0 0 = 0 2 1—

B b m a j 7 Bm7l>5

fm — г -

let ring 1 let ring 1 let ring 1 let ring - - 4 let ring •

- 0 1 -

ы m let ring - let ring -

-e e- -e 3 -

End half-time feel

ft 7 Г ьН

5l> Al

1 1 fl

/е/ ring

3 € —4 4

r ring -

вЬ D

t let ring - - 4 let ring 1 let ring - - 4 let ring 1 let ring - - H let ring -

- 4 let ring -

- H let ring 1

- t t " -и-- 1 2 -

- 1 2 -- W -

Е7 E5

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

m £ Ш loco

wvw%%wvwvwwvvwvwvwwwwv»wv»%

- 4 W tt-

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

E Half-time feel

Gtr. 3 tacet

Am G/F# Em Gtr. 2

JL P r ' p I_= e ¥

/е/ ring -

/ef ring -

- t ^ V -H 1—ft- -i—ft-

- 2 e 2 -

Am G G/F# Em

Am G/B С F D/F# G E

f—3 L.H J > - > ' i7 §' j

T e 1 г—

Ф- . и

>• л.

1—ft 8 I - = t \ = i = 3 \

2— — 2 — - e 1 0 — г

1 ———2— -J 3 г 4

Am7 D Am7 D

N.C. Am7 D

G С F Bbmaj7 Bm7b5

С Fm6 С

iij i 1 г г ^ let ring 1

ш ш К Г

' L Г-LJ 1

— 1 1 — е — о в в ] ] 1

- 5 5 5 в 5

2 2 — з э

End half-time feel

Fm6 С Eb Ab Eb Ab

в1> G A D

/е/ ring 1 let ring - - H let ring - - H let ring 1 let ring - - H let ring - - 4 let ring 1 let ring -

4 6 - 4 2 -4 6 - 4 6 - 4 2 -

4 1 - 4 * -

4 6 - 4 2 - 4 4 -4 0 -

( 3 Gtr. 2 tacet E Am6/E

Gtr. 3

i w v w v w v w w w v v v w w v w w v v v

w v w w w v v w w w v v v v w w w v w

4 6 -4 7 -

4 6 - 4 6 *7 19 10-

w w w v w v w v v w w w w w w

Г |Г

4 7 17-4 0 -

17 (17) v w w w w w w w v w v w w v w

4=h 4 0 -

-47 17-

Y~7f f 1/2

4 9 tt-4 7 -

4 6 - 4 6 - 4 9 K t t F -rt 4 6 ) - 4 7 -

J" -to 4 6 ) -4 7 47-

4 6 16 14- 4 3 - 4 0 -4 7 — * 7 — 1 7 -

4 4 16 Я -

E°7 8vo

Am6/E E 8va-

i Half-time feel

E C D9 E 8va !

С D69 E

End half-time feel

Cmaj7 Gtr. 3 tacet

Dadd9/F# wvvwvwwvvyvwwvwwv

-pp w/ bar 1

H A tempo Am G G/F# Em

Gtr. 2

r /ef ring -

1 1 j j I j J I j ё ё

? Й f 1

J - j ; J J ~ '

e 1 e — 2 0 0

n ft 9 - 0 0

2 Q 2 8 2 II II i

L-a 2 0

Am G G/F# Em Gtr. 2

dr= ^ i j J j j j i i

(2) 0 2 0 2 2

P let ring

r^N ^ -i—0 0 1 1-е—

J 9 —

2 #? i 0 о

0 2 0 2 2 0 0

Gtr. 4

0 0 2 L-3 2

h r w w w ^ H P M

* — ^ ^

5 5 5 5 5 5 5 L-3 2 0

Gtr. 4 tacet

Am G/B С F D/F# G E

p —& 1 1 J >

2 0 2 8 2

г - i

3 1 1 3 6 2 2

\ f — f 1 7 3 j T

8 4 5 7 = 4

6 — 2 3 1 2

1 P.M.

J i £ == w ~w

0 8 e 6 5 —

Half-time feel

Am7 D Am7 D 8va 1

Gtr. 2 ^

N Г »: f

let ring 1 /ef ring - - 4 fer ring 1

} T 5 5 2 3 2 - 6 6 Г § ? 5 „ 5 2 5 8 5 2 3

2 - 5 2 a —

A 6 n 0 и

N.C. Am7 D

I , f f Г f ~ f f Г loco

- 2 6 M 1 7 -- 2 6 -

- 1 7 -w % % w w w v w w » v w v v w v v » v » w v w v

Gtr. 2

| n i «J J '.= £ p /ef ring 1

Gtr. 4 divisi let ring

•P.M. -

- 2 — 1 — 6 - - 6 7 5 - -Э 2 — 6 6 -- 3 — 1 0 -

- 2 — 6 -- 3 — 4 — 6 -

- 6 2 -* Applies to Gtr. 4 only.

Gtr. 3 tacet

G С F Bbmaj7 Bm7b5

E l| m i

r r r i Г " f |

— 1 I— J _ _ I 1 let i ring ~

A n - let ring

H let ring - • л

• H let ring —

К 7 i 1

Kit 0 U 4 Э f и «1 n о a f 9 L

s Gtr. 4 tacet

Am(add9) A7 Gtr. 2

Dm/A В / А

iff ( ^ f f | r 1/2

^ « — ~ — « 1П 1& 1U

( fi 7 n 7 8 a J /

J 7 У 5 * { n f II

Gtr. 4 tacet

X Г ПГЙгь*^ г г Г Г Г г г , г г н f f f г р ' 1 [ TJrt f г Г1 1 1 u j иг г г1

7 1 W 7—

5 5 5 5

1 Г 7 7 l P ? 7—| 7 7 7 7

8 ^ — 8 8 ^ — 8 7 7 7 7

8 ^ — 8 8 ^ — 8 9 8 9 9 8 9 9 8 9 9 8 9

вЬ/А Am G F

Gtr. 2 U j £ T >

A Tpbf-L f - £= f t f -7 t T frf L Г Г f m f Г T ^ - r - 1 j . j> . j . fo г 1 1 L T t r г 1 и 1 1 \ J ^ г 1 1 1

J 5 5 5

6 io~6 6 -6 6 6 6

7 ^ — 7 7 ^ — 7

1 — и — У /

8 7 8 8 7 8

Gtr. 3

I . - = i —

1 к 1 L J * • fl Ц ^

7—7— J 5—5—1 i 8 = j =

G Am G

л 1 J U J к к 1 к 1

v - ' Г ) Г) 1 h i

Am N.C. \

J „ 1 1 i i ^ I d

—Pi *—

I S I I ; 1 > > > >

2 2 2 0

I 1 U r =*=* > -

I g I 8 $1 Э - § i 1 I :

—к—i к—1 1

-2 7 7 7 - 8

1 - Л J i II -Д-;— 1 • — д!'" д . -^г • [i i i i

> > > >

i - - ' 1 1 1 * 11

IB- ^ t ^ 7 > > >

(?) S j - 7 7 7 5 5 5 5 3 L

7 8 8 8 и —

s Moderately J = 103

N.C. *Am Gtr. 3 (acous.)

Countrywide By Tommy Emmanuel

m i m f T7-

w/ fingers let ring throughout

•Л f- -Л f-

-o x-Riff A

Gtr. 1 (acous.) **Gtrs. 1 & 2 (acous.) End Riff A

Й m m m M r r ^ T7-mf

w/fingers w/f,n*ers let ring throughout

-Л 1- 4 fr--2r

-0 Hh -fl 3 -

•Chord symbols reflect implied harmony. **Gtr. 2: w/ fingers, played mf. Composite arrangement

Gtrs. 1 & 2: w/Riff A Am G

Gtr. 3

J ~ 1 —1 = 3 Г2

S j ' j 1

t У j ' =

1 0 • ' . '

В Am G A m

Gtr. 3

0 — 0 1 — о — - — С 2

M = t 1 1

2 — a - 2 2

fl Riff В

Gtr. 1

m = F = = 4 = S = j

1 2 —

у 1 = ? 2

R i f f B l Gtr. 2

2 = ± = i 2

- o fr 3

- J щ

— 2 1

2 — 1

1 2 — 0

0 — — &

2 — 2 2

1 0 0 =

2 2 - f l

0 0 L - 3 з

С G/B G Am Em Gtr. 3

I J . r — Ф 2 г

-0 ' P 1

1 3 — : 3 1 e

r - B ° 1 3 8

3 - 2 - e

Riff С

*Gtrs. 1 & 2

I , j P n —

1 f 3 HH

• - 8

J , t "9 H H

1 8 0 0 — 0

1 — 1 2 8 8

0 - f l

•Composite arrangement

Am G F Em Am

Gtrs. 1 & 2: w/ Riffs В & В1

Gtr. 3 Am

$ J J J •' с n n 1 Л It 1 1 Л ' U U 1 U II 1 1 и

9 Л 9 2 2 О

с U с £ n о

l i f T ^ U - L J ' ' Г г r r r = j

J J J J -

о — e — i — e e — 2

1 3 1 1 — e 2 0 2 2

— о - 2

Gtrs. 1 & 2: w/ Riff С (1st 4 meas.)

-Jr—Jr. : " m

_ 0 .........

Г 1 l . 1 i § j . P v Г p 1

' J r j J J J F

II 1 3 3 1 0 6 1 3 0

a 2 2 2 8 ^ 3 - 2

1-0 a^ i

Am G F Em Am

С A6 Baddll/A

PlfiJ E 3 : a m I . r T

- 5 2 5 - -5 2- 4 4 -

RiffD End Riff D

7 i w л О и л л С

Ч 4 С

9 9 4 4 л £ с 9 9 С С 9 9 А А

ч л А С С

П С С л 4 4 л п

0 п и II П

G6 Dadd9/F#

1 5 п и и

4 4 4 > 5 4 4 СПЧ / > о о • Л Л А

<3 0 0 л > о о 1 9 9 г о 4 4 4 > П

4 ' А П А и V ! V II 4

; Л Л 1 л «

R — i — 1 f = 3 - i п 1 1 • ! = — т ^ 1 4 = ^ чй ; J У J J

о 1 1 <1 о О л о о О

4 4 А А А С п л 0 п U II II и II и и

э 3 L-3 э 8 — 2 2 L-2 2

Gtrs. 1 &2:w/ Riff D

A6 B a d d l l / A

Gtr. 3

f # ¥ = h p h - I й * ff^f

— 2 г 5

5 г =

* 5 2 5 2

f Г Г 1

в 4 4 4 4

' г J r j

F 6 Bm7b5 E 7

Г я p 4 J . J b ,

р 1 I n j ; м J ^ C J H - * X -

Rhy. Fig. 1 End Rhy. Fig. Gtrs. 1 & 2

I ' M j - j - n ^ ^ - d - — - h — ? *

Г 4 $ d № ^ У j i * * j ^ J С л

Рфи* 3 i ? 3 0

\ \ i g 0 3 4

M j . J , L - | - s " 1 Ш

I ? 9 2 11 i . J =

Gtr. 3

-ею 1 f- -e e 2- н f -

г | 1 ^ = f if л u = H = i Г 1 1 ~9

e 1 e e— 2 2

1 1 e 2 В 2

1 0 & 2

Gtrs. 1 & 2 : w/Riff С

, i . l F .

G/B G r Am .

V> ш W * л

о M 3 3 - f l

r j 1 &

d j J P F * p i

0 ^ 2 0 1 3 0 - 2 t-3

3 L - e

To Coda -0-

Em Gtr. 4 (acous.)

С D a /НП T e к Э 0 8 / 1 U Э 7

Г 7 р г f

Gtr. 3 v w w v v w w w

r f O 4

fl 1П A fl л A 4 7 < / А 0 1U Z 0 ^ к / 7 4 Э / 7 / Я

8 / / 8

f T f f f . ffT Am

E Gtrs. 1 & 2: w/RiffD Gtr. 4 tacet A6

[¥ = is 1 '

« 1 0 ^ 12 ^ 1 0 8 7 8 ( 8 ) - ^

— f T f г r ~ i Г Г " " 1 - = i i f y * r —

ft j 1 — ' 1

2 2 tt 8 tfl ( 1 8 ) ^ ^ 5 2

Baddll/A

Gtrs. 1 & 2 : w/RiffE

G6 Dadd9/F#

- r - f г

[": f 1

u 4 ' 1

8 8 H 3 3 4

M • J я M. • f

I « =

У j - J 1 k 1

э 2 8

и i s =

8 = - 2

8 4 L g

Gtrs. 1 & 2 : w/RiffD

A6 Baddll/A

f # ¥ = —•—J * Ш - г л ttf V - ^ ttf—

^ К ^

L j P Y J

L r м

—в 5 2 5 « 5 2 2 — 4

4 —4 4

4 8 1 - 8

4 4 fr fr

Gtrs. 1 & 2: w/ Rhy. Fig. 1

F6 Bm7b5 E7

Ц ^ : Г J — — p — r — i — f f — r T —

g : ' ' '

:;S 3 = « =

• / ^

' " 3 j i j >• >

—з x x a

i X —2 X X 2

^ "зг — -9

x x X X

- 4 - !

Gtr. 3

- x — x -

M — 1 — B -

-3 1 3 1 — e --3 2 B-

-3 2 B-

Gtrs. 1 & 2

I Ж JZX Ш

/3 IV - 3 3 3 л j i a — .

—2 2 1 \ 2 n . J 1

1 9 l i T 1 9 ^ i f t Л 7 A

с 7 о i n AC 111 1С III 0 Г 0 10/ С о Э t 0 III

A Э 0 с 7 Ц Э #

8 7—В—7 7 in й 1ft flft'i ' *

ft 1ft 111 0 111 4IIJ Л К 7 0 111 4 Э /

7 9 7 t »

Gtrs. 1 & 2

| i i i j l j Я j j l_[ j i j I j i _[ I f • ж ж ж

2 8 I I I I - 1 2

- B В 3

Gtr. 4 tacet Free time Fmaj7 Em7

E A tempo Gtrs. 1 & 2: w/ Riff A (till fade)

Begin fade

т - 5 - 5

* * — 3 5 7 — 3 5 7 — 4 5 7

if } , ' f . }

j j ; j - 5 4 7 5 |

m 7 5 T-

f=F= Q > r J | 3

8 X J 3

§ 3 3

a T o * 8 5 -

^ ^ 5 -8—5—0 7

L p * •

—7—4—В 5 ^ ^

J J 1 J i ' P.M. -

fr-f .Г..Г..1* If -

7 5 — 7 — 5 — В fr — 7 -3 7 —

^ •f л V8 J J L

P.M. 1

5 -4 5

J—1—1—

0 7 0 : - 9 — t o

• i — >

' . ' ,

= ^ 5 dF 5 7 5 '

t Б . 1

* 1 г м

Fade out

from Determination

Determination By Tommy Emmanuel

s r - i l r i l Moderately J = 94 ( J J J J = J 3 J 3 )

(Elec. percussion) g

*D7sus4 Gtr. 1 (clean)

•Chord symbols reflect overall harmony.

^ 7 y - ^ ?

D7sus4 A7sus4 A7 D7sus4

7—5—7 5 7 (7) 5

I t * " ' ' v c ^ r J i slight P.M. H

Ц ' LLl C j j ^ ^ I H T J I P.M. - -

-7—5—7—5—7—(7) 5 ^ *V5 3

kh, H- > — " "

- t ^ r 7 5—7

= Ь ^ у

T P ? f i 1 (jfo " f У Г 7 £ I I I '

« 10 10 10 10 13 13 13 13 13 *2 12 12 12 12

у Г 1 У Г 7

я ц 42 12 l i — « *2—12

G7sus4 G7 BL>7sus4 A7SUS4 D7SUS4

G7sus4 G7 D7sus4

л » . — ^ . — ^ . ^ Г " . h . - . Д Tig » hm f ж f f m,J)

" r J " hJ 9 1 Ф

L c, > ^ ' IMP \ ""

^ ^ ^ ^ _ ^ -» с -» e 7 U

С 7 e 7 в 7 R ^ A 7 Э 7 5 7 j a

• V к q • y 7 О R 5 7 t 0 f D f 9 г л ^ v

• V К ГЧ'! Ч • y "7 0 XD О 3 Л f d э Э t в NO W J S / / if «1

, f f j

-43 « 10 10 10 10 13 13 13 13 12 12 12 12

- Ч Ц " г а Ц -12 П

A7sus4 A7 D7sus4 G7sus4

ш loco

rake P.H.

co e ^ ч ^ ч

1 и — В IOJ 0 7 4 7 4 7 ч ^ ' ^ J У X (Tl f O r O f 0 ' л

В NO <J / \ 0 J 0 J J 5 VDJ О 4 4 4 Э 3 0

Pitch: В

10 10 10 10 ^ю n 10 10 10 10 13 13 13 13 12 12 12 12

13 13 13 13 12 12 12 12 -лг П ^2-

С Bl>7sus4 A7sus4 D7sus4 G7

У " ^ T J - I " iij j j ' I ' ^ J L J H f

6 6 6 6 6 6 6 5 5 5 6 5 5 5 5

5—3 5—5

3 5 3 5 4 4 4 5 4 4 4 4

G7 D7 Е7

G7sus4 G7 D7sus4 A7sus4 A7

D7sus4 G7sus4 G7 Bb7sus4 A7sus4

К D7sus4 D7sus4 G7

ft ^ J J j j J Г ГЩ^ 1

^ J 1 = 5—3 5

*V5 3 — - •—

- 5 3 3 (3) 5 5

J?<t|| - 1

4 1g 10 10 10 4 « i i l 8 « ~

Gtr. 1 tacet

D7sus4 A7sus4 A7

Bb7sus4 A7SUS4 D7sus4

F G7 D7

G7 D 7

rtll . ^ V n - , й h - ^ r

l / T J h J J J J * l J J J f l J J /Ир Г

1/2 1/2 1/2 1/2

igs ^ мч^ in fl й"^ fflt A -—-It Ut^ 1U 10 0 0 VO 0 r ^

7—5 5 5— lc У

^ ^ 7 7 —6—5 5 5 6 5 5 6 5 ^ П 8 8 8 8 — 5 ^ 3 ^ 1 2

f " f f f t _ ! r 1/2

fl fl A \ О О О / \ V V Y / 1 7 л л л у \ 1 V s

Э 9 Э 0 5 ID^ О с

Л с с Э 9 9

G7 D 7

Gtr. 1 tacet

E 7 A 7

C/D Bb/A C/D Dsus4/A Gtr. 2

C/D Bb/A C/D

frii 7 J J " J - J - U j j T g P.M. 1 ^ °

I f e , ^ ^ J J ^ J v .Jv

3 5 5 5 — ^

* 4 3 1 3 5 5 3

5 5 (5) (5)

„ D7sus4 G7 D7 2

1/4 1 hold bend

-5 3 5-- 3 — 5 ^ 7 -

-6—7—5--6 F -8 m—6 8-

7—7-- 5 = -47)-

IS й ~ й ~ й IS И 18 Ц Id 10 Id 10 Id Id Id Id 19 19 19 19 19 19 19 19 I t 1С I t I t lc lc lc 11

Pitch: G •Depress string behind nut & vibrato.

10 10 10 10 10 10 10 10 12 12 12 12 12 12 12 12

I D7sus4 G7sus4 G7 D7sus4

л — ^ ч л ^ ^ л 7 t Ч С "» С А ^ к 7 4 7 4 7 4 А 7 5 7 Э 7 U) Э ' 4 о

. / 7 4 1 : и /7 1 O f O f \ f / О

• Ч 4 1 - ••• в \5 3 9 1 <9 9 9/ / 4 1 В л О О - • 5 9 J

A7sus4 A7 D7sus4 G7sus4 G7

a / о ч e „ v / 8 \ d / d

7 7 4 7 в 7 к / « ч ^ ^ / '*" x

я s 7 о / v f i 9 / 9 f 9 ^

• v 4 4 . / 7 1 4 4 . 9 a / u - l \ t / л 0 x 9 j 9 / / 0 9 j 9

э j 9

i j rm- "i j ) f F f f i

- W 10 10 10 1 13 13 13 1 г м 12 12 12 1 12 12 12 12

Bb7sus4 A7sus4 D7sus4 Bl?7sus4 A7sus4

и D7sus4 D7 G7sus4 G7 D7sus4 D7

I j ' » Г.1" i- - r g

"^^frSk, . . . . _ . . . . _

«>-6 9-7 7 (DV

j j ' • i P.M. 1

-5 3 5- X

^ — s i 4 . — J S U — ^ P " 7 * ' y ' ' 1

ч 43 ц

12 12 if 12

у Г 7 у г 7 у Г 7 у г 7

1 1 ii 4 f = г* л

G7sus4 G7 D7sus4 D7 G7sus4 G7

D7sus4 D7 G7sus4 G7

D7sus4 D7 G7sus4 G7 D7sus4 D7

G7sus4 G7 D7sus4 D7

13 10 -J2 10 13X15 15-r J ' T Jv 13 w те те w-

13 12 10 12 10-^ 2 12-

- ю - - 1 3 — Ц — Ц — Ц -13—13—13—13 12 12—12—12

Begin fade

G7sus4 G7 D7sus4 D7

ц ц—tfl—to—to to to—to— 11 11 11 11 11 11 11 11 я я — Id Id 10 10 10 10 10 10 19 19 19 19 19 19 19 19 13 13

4 A 4 A \L 1С U 1С 1С 1С 1С 1С lc 1С" - -

G7sus4 G7 D7sus4 D7

Fade out G7sus4 G7 D7sus4 D7

> > > > > > p . f , f r t r t r t r t r ft r g ~ g - II - 1 - 1 1 — 1

И F ' I'

w/ pick & fingers -P.M.

П -лг «

to « « - t o --42 to to-

-42 « to to to to П to-

S i n ^ X /12 40-

4 i i t i i

to ™ 11 19 17 1С

Guitar Boogie Shuffle By Arthur Smith

E Fast Shuffle J = 210 ( П = J )

**E Riff A

*Gtrs. 1 & 2 (clean)

/ slapback delay

-J- -J

_ _| Г.1*1. 1

JF "A -A ъ L-e 2 2 4 2

В—^4 4 --2 2

4 4 2 2 2 3 4

•Composite arrangement **Chord symbols reflect implied harmony.

j j j j j J j

2 2 2 4 2 0 ^4 4

-В 2 0 — 4 4 2 4 2— 3 4 2 2 4 2

-В 0 УА 4

Gtr. 1

r ^ ^ t t r ш л

$ " J J J J J J J i 1 V

ке 1

3) ^ в

^ 0 8 *

X -х 2 2 4 4 4 4 Gtr. 2

-2 4 2 0 0 2 ^4 4 2

•y ' V и ^

S ^ о—e

2 2 4 4 4 4 —2 4 2 В В 2 ^4 4 2

i M J " T ~ I (Ф ^ \ Ц+ , ^

^ e — 3 2 0 2

w ^ — Г I q

P.M. 1

2 1 — 0

3 — L

rnk м = f

2 2 4 2 -0 ^ 4 4

- 2 2 — 4 4 2 2 2 —

l l l l * ,

0 ( 2 1 3 s ) г

I - Г З J J J g=" P.M. 1

2 2 4 2

-0 4 .....

" J - 1 i « п з ^ ^

- 2 2 — 4 4 2 2 2 —

E l А7 Gtrs. 1 & 2

~9 r b p.

~9 M . - - -

J j j J \

" J J — J д ^ ^ У j j j

2 2 2 2 4 4

0 ^ 4 4 - 5 5 4 4 2 2 2 —

2 2 4 2 - 0 0 3 4

Gtr. 1

J J J J >JjJ nJ J i I j J ^ 4 ^ J ^ g l j L j ' ~ ' rake-H 1 7 4 1/4

г—(2) о - e — i — o -

-2 2 4 4 - -4 4- -2 2 8 0 У 2 3 3 2-

steady gliss. t H * D \>f

1 5 з

= Г~1 J j i # J : Ж Ж ^ ^ "5

= Г Ц J j J j f i w Ж

2 0 ^ "v 2-

ЩИ f — 1

С2> -^16 — t ^ n 2 3 4 2 3 4 —

- e В в — В

2 3 4 2 — 3 — 4 — - в — в в — в

DX/I = ~ 1 --ж ж f i ^

2 2 4 2 2 ^ ^ 2

.. .. -Л... о. . 2 3 4 2 3 4 —

-л -л - ....... л .. а 2 3 4 2 — 3 — 4 —

п п п п

Gtrs. 1 & 2

3 3 = т = = = г = -

Р м - - •

J j J i t J j j j , J » J

p J I _ _

- f r ^S ^ ^

2 — 3 — 4 2 — 3 — 4 — а а а. —о—

2 — 3 — 4 2 — 3 — 4 — —0 0 - Я А- . .

2 — 3 — 4 2 — 3 — 4 — - B В В — В

с Gtr. 2 tacet

Г 4 I -9 t ^ w j

0 0 4 4-0-— o -

^ V 2 — ^ ^ 2 о — о —

- M l 0 4 4

^ 2 0 0 —

L - 0 0 4 4

Gtr. 1

( & ¥ » j j j j 9 Ч У

— 0 0 ^ r - 0 — 8

^ 2 и и ч 4

Gtr. 2

A = »

U f ^ J 0

и U 1 ^ t 0 4 4

9 > - ' _ [ _ [ i i l| J > 1

~9 ^ 4 j 4 i ^ J ;

0 0 4 4 — 0 0

t ^ V 2 ^ 2 0 0 1 ^ 2

— 0 0 4 4 : ^ 2

0 0 — A A J il

В5 А5

№ у £ 1 ^ j p l ( • ) -F- ( • )

i 5 1 i 3 1

grad. release 1

I Г г i f r -9 5-

"i 1/2

Г * 9 9 9- 45Э 0-

-0 0 1--0 0 4 4-

J -J J J J- ^ ^ P.M.-

n n 1 1 А Л Л Л А Л Л П II II 1 1 A A A A

L L и L L L С £ и и и и и и и и

D G5 F5 E

I % w v w w w v w

-Ф ф ш

1/2 ± v w v w w v w w

-2 2 4 2- -4 4 (4) 2 2--8 0 S A 4- -2 2 4 2-

4 4 J * * * * * P.M.-

-B О У A 4--2 2 4 2-

-4 4 (4) 2--4 2-

-0 0 s'A 4--2 2 4 4-

' g 4 ^

2 2 8 4

End Riff B1

8 — 8 - 2 2 4 4 4 4 - 2 2 8 8 2

^ A 3 2

ft" J J i J d xif

1 J J i j J . J . J . J . J J . J .

_ _ _ _ _ _ i i

2 2 4 4 2 2 8

^ - 2 2 4 4 5 5 4 4 - 2 2 8 8 2

^ 4 3 2

Е7 E7sus4 Е7

# ' » ' » J , f }•• Щ hp I»- •#• P-p- г I 0 * 0 1 w I 0 * 0 1

release

tr* у r - T - - T - T - T - T - r -8 to- tfl tfl tfl te ttJ HI № -er>-

А7 Е

Gtr. 2 tacet

В " t p 1£ "ftp fr 4 P £ i 'ftp w/ pick & fingers -

8 ri 8 I f -в 2--7 8 9-

l ^ b 6 7-

Gtr. 2

1 П P Ш

-6 7 8 9--9 8 7 -

Gtr. 1

с е л 4 л Э 9 4 0 л л

Jl ч о Ч л Ч. ft ft 4 0 R 7 с С с 4 Э D 0 О 1

Г f Л г г i f * t r y ? f | Ш Л л M

-9 9- лг 19—9 1 6 - 12 14 - 1 0 - -40- -47- 17 11 12

-5 5- 8 6 5 -44-

- 1 2 1 2 --44 14-

12 13 12 1 4 Х

В7 Е

ш Gtrs. 1 & 2 : w / R i f f s B & B l

№ - =

B7 Gtr. 1

1 i = i = r l

— ^ t d h t —

r j j « [ j i , J J i i 1 К J H g f b f

^ ^ г^З

тН Зт-Ч

В 0 в з з з

- 4 4 4 В—8

2 — 2 — 4 — 4 4 — 4 —

Gtr. 2

Ш j -R -1

- 2 — 2 — 0 — 0 ^ — 0 — 3 — 2 — 1

- в 2

§ — J J I J ^ J J J i 1

p _ 1 —1

2 — 2 — 4 — 4 — 5 — 5 — 4 — 4 — - 2 — 2 — 0 — 0 2 ^ 4 3 — 1 - 3 — 3 — 3 — 3 — 3 — 3 — 3 — 3 - J Ц—1—1—1—1—1—1—1—1

Gtrs. 1 & 2: w/Riff А

Gtr. 3 (clean)

о У — 9 — ^ те те 19 19 9 9

11 11 л)— — 1С 1С 19 19 11 11 ГГТ7 —•—. 1С 1С

Gtrs. 2 & 3 tacet

B7 A7 N.C.

* : jS : , A s r r — 1 * - 1 M 4 л r * 2

n ~~ 14 4 Л

1С 19

9 11 — 14 lc TT

Gtr. 1

r n ^ j — 1 — J K l H

^ J V 1 J l l j i J 1

rit. let гщ

4 В В В — 2 3 2

— 0 В ^ ^ —в в—

^ 4 2 о—1

J l l j i J 1

Gtr. 2

2 4 2 В -

- 2 В В 4

У J J i • D \Я

J J J ч w-i i j j j j 4 4

J rit. r.ivi. T rit.

2 2 4 4 5 5 4 4 — 2 — 2 — a — a 4 4 2 2 1 — в

Free time B7 /F#

Gtr. 1

. л * . g i J J з : 1 1 1 1

L—2 : 4 2 4 2 В 2 В

X l _ 2

El A tempo

Gtr. 2

J t f i

> > > • • »:

7 ? ? = 3

r -7 —9 4

n^F 7 7 ^ = — 9 — 9 — •—7 7 7 ^ =

i ? f =

4 ) В L-9 —9 9

7 7 ^ =

г г Gtr. 1 X _

£ V > || щщ \ \ri

f Ж -6

: ! 8 п a T T ¥ •

1 8 = = ! 1

si - 2 2

Л 1 = i \ В

i i i = L - B — в — в

н Gtrs. 1 & 2: w/Riff В

E Rhy. Fig. 1

Gtr. 3

- 1 2 - -42- 3i= -42--42-

4 2 -42-42/ -41-

B7 A7 End Rhy. Fig. 1

ilhhf » - = 1 ff—i ^ r ^ i

* 1 £ 7 * -

i - 4 2 12 1 2 — —12 9 9 — - 1 2 11 H —

— • Г г и и —

Gtr. 1 h m -P-

•Tied to beat 1 on all recalls.

. 3 _ 3 Я /Г~-—^ v — 1 J

V J J i J i | J j J J ^ ^ * * ~9 \ 1/2

3 в —

г ^ 4 2 ) - B 2 В ^

2 — 2 — 4 4 5 — 5 4 4

Gtr. 2

Щ Ц ... ^ ^

— 2 — 2 — В — В — ^ ^ — 2 3 — 4 3 — 2 — — в

2 2 — 6 — A 1 — В — ^ v -

Э — В - 1

s J J J J i l J J J i P M

-9 —; / - J - - J -

• T r

r.M. i

2 — 2 — 4 4 5 — 5 4 4 - 2 — 2 — В — В — ^ 2 3 — 2 — — 6 — В — В — В — В В В В—' L - e 6 — в — в — В В - ^ 9 7 —

л ОС

Gtr. 3: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff В1 (1 st 6 meas.)

Gtr. 1 >- ^ ^

Mb » T Г Г I - О ) — в -

-3 2 8 2 о — f --2 B-

-3 4 --2 4 4-

-2 2 6 5 6-

J J r , Г r r-'f [ y p p p p p p p p p p p

ft'" j " Ц - Г

к e / 7

3 3 3 3

A A A A A A A A A A A A

— 1 — 3 3 3 3 Ш

ring - -

^ A A A A A A Q A O D O ^ ' v a a / /

4 4 — 6 — 4 — 6 6 У д 6

O U U U U O U Q Q Q Q U - 9 — 9 — 9 — 9 — 9 — 9 — 9 — 9 — 9 — 9 — 9 — 9 — 8 8 8 8 8 8 8 1 8 8 8 7

Gtr. 1 ^ ^ ^

r L ' ^ П Г Н ' f J

' * =4 let ring 1

Ц * i

fl _ _

Ц * L r 1

- 8 _ _ 8 _

ц - J >J J ' z ^ j 1/4

- 8 _ 3^ 8 (7Э

3 2 — 8 3 2 — 8 3 2 — 8 3 2 8 2 — 2 — 2 2 — 2

Gtr. 2

рщ J J j j ^ j i j j j j ^ j j p p P.M.

- 2 2 --2 2 4 4- -4 4 2 2- -2 2 4 4 5 5 4 4-

-9 0 - ^ 4 4- ^ 4 -

t^f v ! i / f f ' - r 1=Г

hold 1 bend

5— (7) - f l — 2 — 8 о—1- -4 6 4- -6 4-

-2 8--A 8 -

-2 2 8 8-- У А 3 2- -8 0 ^ 4 4-

-2 2 4 4-—2 2 2 2 2 2—

Gtrs. 1 &2: w/RiffBl Gtr. 3: w/ Rhy. Fig. 1 (till fade)

B7 Gtrs. 1 & 2

r t V r 1

Ztegm fade

т j j J J.и J J J 1

P M ^ ^ * ^ ^ ё ^ ^ ^ J J J J J J J '

2 — 2 — 4 — 4 5 5 4 — 4 — —2 2 0 6 2 ^ 4 3 2 —

2 2 4 — 4 —

41 0 ^ 4 — 4

2 4 4 2 2 : ^ 4

- f l — 0 - ^ 4 — 4 -- 2 — 2 — 4 — 4 -

- 2 — 2 - _ 4 — ^ — 2 — 2 ^ ^—2— 3—4 -9—9—7^4—4-

-2 2 — 4 — 4 -- 0 — 8 -

-4—4—2—2 2-

у j j J i

J> JJ _

i J J j j . 1

2 2 4 4 0 0 s '4 4

- 5 5 4 4 2 2 2 4

2 2 2 4 4

• J M | I I I 1

Fade out

-MP ф ф Щ)

P M - -

-J- -J- -J . j j J. J

2 2 4 4 2 2

4 4 - 2 2 4 4 5 5 4 4 - 2 2 0 0 2

Hearts Grow Fonder By Tommy Emmanuel

Fsus2/C G Asus2 A Dadd9/E E *

34 1 3 4 23 234 1121 231

»4fr '5fr 7fr

13121 13121 13111 2 34 234 21

Bm7 и 13121

C#m7 Dm7 Ell G5 Esus4 E/A Dadd9/A

Moderately slow J = 83

Asus2 A E/A D/A D6/A

Rhy. Fig. 1

*Gtr. 1 (acous.)

1 4 i 7 mp

let ring throughout

-e о — B --e о — e - t = r ^ rh

-X - 3 — 3 — 3 3 — 3 --4 4 4 4 4-4 1 1 1 1 1 X X-

2 2 2 2 2--9 0 0 0 0 8 e-

^ X-X-

-4 4 4 4-fi: -8 В 0 fr- - e — e -*Two gtrs. arr. for one.

Gtr. 2 (elec.)

Ш w/ clean tone & slap-back delay

P.M. throughout

X 2 2 2 X X — - г 2 2 X * X X X X — X — -A ъ

Rhy. Fig. 1A Gtr. 3 (elec.)

r , w/ clean tone

P.M. P.M. 1

I 4 6 6 4 j а з = A j у j 6 ъ

—4 4 4

Dm/A D m 6 / A B m 7 C # m 7 D m 7 E l l

в Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times) Gtr. 2 tacet

Asus2 A E / A Gtr. 4 (elec.) к

flujf ^ f Г . . . -D / A D 6 / A

^ J —- ' F ^ # F ^ ^ * ' " — V ш -

w/ dist. A . 7 e

P.M. P.M. 1

1 5 / \ ^ ^

6 7 (5) 7 ^ ^ 7 7 fi— A A R D / F / \t) D 4 D

D m / A D m 6 / A B m 7 C # m 7 D m 7 E l l

Asus2 A E / A D / A D 6 / A

G5 Ell Aadd9 A3

i Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times)

Asus2 A E/A

G t r ' 4 . W J * - 1 .

D/A D6/A

j f L , 4 *f \ Г — p i* — — ' F # — ^ m m —

P.M. 1

, / а a 7 e

i s * 9 9 / Э e с e Э D O e 7 7 7 R ' — A A A D / # # D 4 0

Dm/A Dm6/A Bm7 C#m7 Dm7 Ell

G5 Ell Aadd9

Gtr. 3

Щ- п m J и j

-6 4 fr-0-

Rhy. Fig. 2 End Rhy. Fig. 2

(cont. in slashes)

H 0—I ' 7 7 i — — н — i — i

i 8 : 4 . . . .

7 — a . - a —

7 7 - 9 9

Gtr. 5 (elec.)

I w/ slight dist.

Gtr. 3 tacet 2nd time, Gtr. 6 tacet

Gtr. 4

Fsus2/C

j m / л m m r ~ n - r m ; %

p simile on repeat

i Р . М . - - Ч

- 6 - ^ ^ 7X9 7—(7) (7) 5 7X9 5 8X7—(7)—9-

r m r ~ n - h

-9 m y - -14 n (12)X — 9 — I f l — 9 -1 0 ^ 3 1fl= -44- 10 10

-14--лг—9—н-

l«fe m let ring -

. . . . . . 3 n I I

ft I i 1 в

r n г п - т m

(W-e 8--8—10 10 12~ -Л 12X10 10 1 . 8 ^ 8 8 8 fl^7 7 7 8—10^ 12

-X X X X X X X X-- t t - 7 ^ 9 9 X 7 7 7 ^ 5 5 5 5 ^ 4 4 4 5 7 fl-

1 = " 1 •3 -•'r* a

Dadd9/E

r~n / a t

i ; Bm7

~n n ) 8va -

To Coda -

Ell ; )

ioX12 - * — X -

12X14 x X

-14- - I f l - -17-т / 9 9X11 -4fl W

- и -

D Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times) Gtr. 5 tacet

Asus2 A E/A loco

Gtr. 4 к

l i ' l l " , r f ' l V r

D/A D6/A

Ф ' т u - j к - г Г 1 l ' % w w P.M. 1

i 0 A 7 4

t= , ' 1

P.M. P.M.

7 9 9 / a с с e / C \ "f - . Э Э Э

ft 7 7 ^ ^ 7 7 £ 4 4 fi 0 / / / WJ 0 4 4 0

Е Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times) Gtr. 4 tacet

Asus2 A E/A

A it _ _ _ £ Ё и А л . ^ i j P M ^ i Г Г Г Т . г г ^ f Г ¥ г 1

D/A D6/A

1 1 Л 1 Л 4П 4 А J (? _ 0 7

- ^ ^ 1Z 14 г л 1П 1П 11) 11 Л ц М Ч m

14 14 1Z 1Z У Э Т И / 1* 1П 1П 19 10 1U 10 12-^14 13Х1С 1U

Л 11 0 11 11 12 1U 111 1 с

11 у 11 11 11 11

DS.alCoda Gtr. 1: w/Rhy. Fig. 2

G5 Ell Aadd9

ф-Coda

Е Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times) Gtr. 5 tacet

Asus2 A loco

Gtr. 4 к

E/A D/A D6/A

Г E J " P.M.- P.M.

7 9 9 f Э с с е 3 э э ft 7 i у n

7 7 Г71 fiN. j j e D г / / U J 0 4 0 7 г

i & r r f =| r " r r r 7 Г т Г Г Г Г r 1

Р.М. н

; , n ^ * J 5 5 ^ 7 6 fl 4 6 7

-!tX7 9 «

¥ - C - T » Г Ш P.M.- P.M. P.M. - - ч

7 9 9 f J с с с Сеч 7 - - - it 6 7

vDJ 1 ' ^ с 7 7 ft 4 4 0 / / / 0 4 4

G5 Ell G5 E Ell G5 Esus4

Gtr. ,гл~п пт)) ттпт)) rtrmrrnm

Р.м.н

- r ^ v - 10 9 10 12 9 10 9

3 2 3 5 ^ -42 2- 3 2 3 4X6 7 6 ^ 2 (2)/ 7-

£ 3 Иг 7-7-7-7-

А Rhy. Fig. 3

E/A Dadd9/A E/A

r m m r m , n , it

vvvvvvvvvvvvvvvvvvwvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv^

£ £ i

*VVVVV4*%V»VVVVVVVV*VVVV*VV*VVVV%V**^ 4 7 ) — 5 5 (5ЭХ

№ Rhy. Fig. ЗА

~П t Щ Ш p.M. -

-4 4 4 4 4- - 2 2 2 4 4 4 4 4 4--4 4 4 6 6 6 6 6 6--9 6 6 6 6 6-

m , >~rm n <yt

Dm7 E l l End Rhy. Fig. 3

Bm7 C#m7

m J л r~n r~n i ШШ

1/2 P.M. 1 P.M. -

ф -7 5 --7 &

ftfc A Ш End Rhy. Fig. ЗА

U w P.M.-

6 6 6 4

с ч a r - 3 5 6 7 - 2 4 5 7

7 7 7 6 - 4 6 7 7 - 2 4 5 7

Gtr. 6 tacet

A E/A VWVVWWWVWVVV V -Ф-

P.M. - н P.M.

1/2 v w w v w v w w w w

Gtrs. 1 & 3: w/ Rhy. Figs. 3 & ЗА (till fade)

A E/A Dadd9/A E/A Gtr. 4 VWWVWVWWWV* -p. VVVUW

p 4 - t t -

Bm7 C#m7 Dm7 Ell A E/A

Dadd9/A E/A A E/A

Gtr. 6 tacet

Dadd9/A E/A A E/A

Begin fade Dadd9/A E/A A E/A

Gtr. 6 tacet

Dadd9/A E/A A E/A

Fade out Bm7 C#m7 Dm7 Ell A E/A

f H f f f Г fi l | p P , w v v w v w

p 1 L 1 J - Г т 'Г Г Г Г г Г ^ semi-

I 1/2 h a r m ' 1/4

15 f ^ t

J [ J J P.M. 1

10 У * / 11) - ^ V / l l j ^ 12 Ut^ 1U ' V ^ ^ /

П—- 7 с 7 7 в e 9 O t t O Э 7 7 7

/ 7 fi С 4 / 0 0 4

from Classical Gas

The Hunt By Tommy Emmanuel

Gtr. 1: Drop D tuning: (low to high) D-A-D-G-B-E

a Moderately fast J = 163

(Crowd noise)

Rhy. Fig. 1

Gtr. 1 (acous.)

D s u s 2 F / D G / D

let ring throughout

-2—fl г 0 8 8 8 8 8

i I i i i i i 1 i м 11 M « = * = * = * £ •Chord symbols reflect basic harmony.

D s u s 2 C s u s 2 G / B

End Rhy. Fig. 1

— —0 9 m m m m m * m

в г 0

л •Ф

M •Ф л [ л [ >

л. л. м. л [ -Ф- -Ф- -Ф-M [ •#

л •Ф

л •Ф >

3 3 л. # # u л. t 5 c ч ^ Ж

8 i i i 8 i i 8 i 8 1 = -3 3 3 3 3 3 3 3 -2 2 2 2 9 0 6 0

I 1 8 8 8 8 1 8 1 8 4 = - f l e e e e e * e -fl 0 3 2

Gtr. 1: w/ Rhy. Fig. 1

D D s u s 2 F / D G / D D s u s 2 C s u s 2 G / B

Riff A

Gtr. 1 —

1 i г н F T 1 Г Р i Г 1 ~ \ j : *щ Г Ц •Ф >

л -ф J iZ? J J У j 1У T — ^ 4 — • 4 —

л . у к 3 3- 3 4 /

2 2 8 \ 2

M M ' = e 8 8 2 4 4 2 8 8 6

Copyright © 2 0 0 2 U N I V E R S A L M U S I C P U B L I S H I N G PTY. LTD., T O M M Y E M M A N U E L M U S I C and C H R I S G ILBEY PTY. LTD. — — ' kw i imiv/CQQAI . РП1 Y f t R A M INTERNATIONAL PUBLISHING, INC.

Csus2 G/B End Riff A

1 — • P 1 " 1 h 4 — ^ л

L л s +

M •Ф •Ф

О J J j i J 4 • ^ +

M -Ш -Ф

Л -Ф -Ф

л -Ф

л 4 i >

^ ^ з 2 2 ^ ^ e —2 2 2 2 8 8 8 8

0 0 8 8 2 4 4 2 8 2 4 8 j! 8 8 8 t S i =

L-fl e — e — e 1

» Gtr. 1: w/Riff A 2nd time, Gtr. 2 tacet

D Csus2 G/B

ToCoda2-ф-

Bbsus2 F8(no3rd)

D Csus2 G/B

г j J — ^ — J — J H — • i * • • 1

9 mf i j

' ' 4—§—1

2 X — N 0 - 1 2 8 0 1 8 1

0 2 4 4 2 В 8 8 8 8 =

- 9 0 X 0 ;• 3 2 1

j — j j • j* fl1 <} <} \ J ГТ 1 1 \A

9 9 9 9 ^LJy • t mf -Ш >

9 9 9 9 9 * у + 9

Л 2 2 2 2 8 2 2 2 1! ? 2 ^ 8 Hj 8 8 8 8 2 4 4 2 8 - 5 8 8 8 8 8 2 4 4 2 8

To Coda 1 -ф-

С Gtr. 2 (elec.)

Half-time feel С

w/ dist.

4 С О Э

С с Э 9

Gtr. 1 » 8va -| RiffB

I 3 3 | 3 | | | | 1 3 = 8 8 8 8 8 8 8 8 8

8 —3

G/B Bb6 F/A

A7/Ctt Dm

v w w w v w w w w w w ts>

F/D G/D

e s -6 5-

-8 6 5 8-

EndRiffB Rhy. Fig. 2

W H ь — N

* 1 f :

4i "J J s yd d * P' p- J

w/ pick & fingers 1

8 0 $ 8 1 I - 2 2 2 2 2

8 ; 7 18 3

8 8 2 2 4 - 8 8 8 8 8 8 6 0

Bb/D Dm

j f t ^ r r i £ £ l

C/D Bb/D A/D Bb/D C/D Dm

l l f f M

1/2 P.M.-

3 5 3 I 3 -6 5 6 8- -6 6-

j j j j Г -3 f -

F/D G/D

U-Y ff f

End half-time feel

Лк 1/2

- i — T -

4 f # #

- a e — 7 — 7 -

Ij 18 f 1 - e e — о — e -

7 — 7 -- e — о — e -

1/2 J"

т г и п щ - 2 2 2 2 -- 2 2 2 2-

I I I I - 2 — 2 — 2 2 — 2 -

- f l — e -

вЬ/А A ВЬ/А A Bb/A A 8va 1

IH г • 1/2

1 ? — e m — r e —

| Г Г 1

-гЧТ *7 Г

-0-' loco

r f t - 1 •47 П

End Rhy. Fig.:

Ihtfi J b J I J J>

li Ш ) = = М

" 1 1 i - 1 1 1 i ' 1 i r l i j - — 2 2 2 3 2 2 2 3 2

— 2 2 — 2 — 1 2 2 — 2 — 3 2 —В 0 В — в — в в — в — в — в

i i l l l — 1

- 2 2 2 2 2 - 2 2 — 2 — 2 2 - 2 2 2 2 2 -в В — В — В — В

[ Г I Dm

Rhy. Fig. ЗА

Dm Bb Dm Dm Bb A

End Rhy. Fig. ЗА

i j i A I i ^'Щ P P f w

: 7 5 7 ' 5 3 3 5 5

5 3 2 3 3 1 В

7 5 7 5 3 3 5 5 Э 8 ? 1 =

Rhy. Fig. 3 End Rhy. Fig. 3

— —

П н # — nj fb4 П — w 5 ? t|J И Н

1 В 1 — ; 3 3 1° з i = * § 1 —

з 1 i — ? а г ' 2 В 2

л п ® 3 2 2 В 2 л п ° — 1 — ? — Н и и

3 3 1 в и и

з — э i—в—4

9 с £ л § U

D.S. al Coda 1 (take 2nd ending)

$ Rhy. Fig. 4

End Rhy. Fig. 4

77* steady gliss.

= « -=44- -42--44-

-42--4fl-

-ф-Coda 1

D Gtr. 1: w/Riff В

Gtr. 2 с G/B вЬб

J f 4 h i : - — P r q ^ T — —

g o ff . 5 = ; ; з —

Я Г ^ ' ^ v w v w w w w ^ w

С С С

с с • У Я о а 9 9 E e e 7

О 0 7 1

Э Э Э # с / / / 1 9

A7 A7/C# Dm F/D G/D , Х ^ Т Г ^ ^ ^ Ч VWWWWWV U0. ^ ^

h T Г Г Г ^ Г ''Г г г i f Г f Г Г Г П ft Г 1/2 ^ — ^ W W W W W W

1 J 1 1 3- 1

1 П — О Й 1П 0 /

V 1U VIU^ 0

1П О 7 0 10

1Л 1П 1П 1Л X V 10 9 / 10 10 10 10 X

Bb/D Dm

\lh Ь Г f T T V ^ i C/D Bb/D A/D Bb/D C/D

г у f f П

i f F г г F/D G/D

r r r . ty1 i i i i

6 5 (5 )^ /""N—

1 5 1 1 з

^ 7 5—6— -8 6 5 6 6 —6 6 6 8

Bb/D А Bb/A

i^iiff br f 4 f f ^ - 8va

Г -g^lO ! t? , , . , , ,

(6Э 6 8 6 6

steady gliss. \/2

rr—его «

A Bb/A . A Bb/A А 8va 1

Gtr. 1: w/ Rhy. Fig. 3(1 1/2 times) Gtr. 2: w/ Rhy. Fig. ЗА

Dm С Dm С Bb A Dm С Dm С Bb A

Gtr. 2 Dm Dm Bb

Gm Gm6

с « x Г 7 0 8

с a 7 s /

4 7 0 d o /

a / о

D.S.S. al Coda 2

Asus4 Gtr. 1: w/Riff A

D Csus2 G/B

I Л / ^

m fdbk.

/ ч cat fflV—^ C8) V»J7 —

-ф-Coda 2 Dsus2

\ ^ ^ г — Г 1 f г г 1 # i — — i I . - * **={

9 9 9 9 9 9 d d 9 d J

2 2 2 2 0 "—^ - 3 3 3 3 3 3 3 3 3 — - 2 2 2 2 2 2 2 2 2

0 S 6 0 2 4 — 4 2 — о — J 9 9 9 0 9 9 0 0

Bbsus2 F§(no3rd)

E Gtr. 1: w/Rhy. Fig. 1

D Dsus2 F/D G/D Dsus2 Csus2 G/B

№ • ' i

Dsus2 D5 Gtr. 1 _ _ VJIT. 1

^ j N ^ j

• " " " ^ ^ л ; " ^ ^

| -ф >

- a «

Л ЛЛ

from Up From Down Under

Initiation By Tommy Emmanuel

s Moderately slow J = 88

N.C. *E5

(Perc.) ^ G t r- 1 (acous.)

^ 4 4 4 4 ' PP w/ fingers

l4 4 4 4 * 4 4 4 '

•T A в e e о e L-e e e e e e e e

•Chord symbols reflect implied harmony.

у = г г г г г г г г irf Harm.

*w/ delay let ring throughout

г г г г г г г г г г г г г г г г

7 7 —i ^ 7 В 0 8 8 8 8 8 8 L-в 8 8 8 8 8 8 8

1-8 8 8—8 8 8 8 8 •Set for quarter-note regeneration w/ 2 repeats.

E5 Em7 A / E B7/E

Г Г г г г г г г г г г г г г г г г г г г г г г г

л » -1 , J п

N ч Л ~ f s

г г г г г г г г

ж § — 4

г г г г г г г г г г г г г г г г т п 8 8

W 5 8 8 8 8 8 8 6 8 L-e 8 8 8 8 6 8 8

9 L-e е 8 8 8 8 8 8 "

А. D/E Em

f s Г Г г r L_L_T_J Г г г г г г г г г г г г г г г г

Ф -т—8 7- "7 8 8- ш - т - 9 --т—9 7- Г -8 8 8 8 8 8—8 fr- -8 8 8 8 8 8—8 8- -8 8 8 8 8 8-

D/E Em

г г г г г г г г г г г г г г г г г г г г г г г г 8- 5 / 7 ^ 5 9- 5 / 7 ^ 5

-8 8 8 8 8 8 8 8- -8 8 8 8 8 8—8 8- -fl 8 8 8 8 8 - 8 8-

В7/Е Em

$ "I Г | Г D/E

г г г г г г г г г г г г г г г г г г г г г г г г 7-

-"7—8 fr--т—9-

т—9 7--8 8 8 8 8 8 8 8- -8 8 8 8 8 8—8 8- -8 8 8 8 8 8—8 8-

Егп D/E Em

tSf £ • s i й Г Г г г г г г г г г г г г г г г г г г г г г г г

= f f i t 0 = ; I ] - 1 l

w а о о о n n—n a

7 9 7 —A n о n о a—о л-. .. .

7 - i —a n о о- A . . . . a . a a

D/E Em

В7/Е

i Г Г г г г г г г г г г г LZ Е_Г г г г г г г г г

j - - — - J-В7/Е

J А Em

— Ш ^ h i — г г г г г 1*\ 5 * 4

г г г Г Г Г Г • -5 4 -4 2

j — f 1 г 8 - ^ —

г г г г г г г г г г г г 4 5 В 2 4 2

В 8 0 6 в -

ш Аш/Е

N J. - Ь —

— в — В — в — L

- в — В — В В —

В т / Е

IS 1 J J = j =

* — в — в — в — 1 - е — в — в — в — в в в — в "

С / Е

* a j У Г^^Ь

* = = = \ т

Г Г Г Г i 1

т- ш

г Г Г Г

—Ш. Я—

' г г г з

— 1 4 * 3 « — * I I

г F г г г L _ r L _ r 5 В 5 2

1 § — 4 4 5

В в 0 0 0 0 0 0 L-e 0 6 0 В в В В в в 6 в

Em(add9) Em9 B7/E

Л J J J ^

=&'Л Г Г Г Г Г Г Г Г

- - 8 Ф и

Г Г Г Г Г Г Г ' - 7

8 И 7 В

fr в — в — в — * — в — в — в —

— в — в — в — в — в — в — в — в —

7 в —

- з — в — в — в — В — В — В

' г г г г г г ' 7

О ^ 1

г г г г г г г г 4 + и

г г г г г г г г ; ; 1

1 в — в — в в — в в — в - в — в — в — в — в — в — в — в — L

-в В — В — В В — в — в в —

•1Л1

А D/E Em D/E

Г Г г г г г г г г г г г г г г г (!) =

1 I I 0 -0—8- - 0 — 0 - -0—0-

1 Em D/E Em

i g г г г г г г г г г г г г г г г г г г г г г г г г

,—, г m ? — 8 — о — 7 0 7

M i — 7 — ? t rt У -n и п а. л. ..—о—о а

7—9 7 а а о а о а—о -о

т - 9 5 —о. п и а о—. -а а а

В7/Е Em В7/Е

• I мг Em В7/Е Em

Г Г г г г г г г г г г г г г г г г г г г г г г г

J - - J J t j - J 1 I \ i s ,

г г г г г г г г г г г г г г г г П 3—Г

г г г г и г 2 3 8

5/ I 8 = 5

— 1 1 5 0 1

r f t - ^ r

в 0 о о — о о о

Eadd9 F#mll /E

~ ..uA* **J « L L 5

И—8 8 8 6 8 8 8 8 —

. L . .. «у .J ^ ]

-8 6 8 8 8 8 8

— ' 1

г ffl—

г г г г г г г г г г г г г г г г г г г г г — э

Ы — h _ ! . J

5 ' I -5 4 4

1 ri — 5

8 8 8 8 8 L -8 8 8 8 8 8 8 6 — 8 8 8 8 8 8 8 8

Am/E B/E B7/E Em

h N v .

Г Г Г Г Г Г Г I г г г г г г г г г г г г г г г г 2- -3 5 -

- ю --41- -42 -

+ 5 -- 0 — в — о — о — в — о е- - е — в в — в — в — в в о- -в в в в в в в о-

Е т б

I Ц Ё г г г г г г г г г г г г г г г г г г г г г г г г 42/

- 0 — о — в — в — в — в — в — о - - о — в — в — в — в — в — в — о - - о — о — в — в — в — в — в — а -

F/E Е т 9 В7/Е Е т

Г Г Г Г г г г г г г г г г г г г г г г г г г г -7 в-

- о — в — в — в — в — в — в — 6 - -0——0 0 0 0 0 0 0- - 0 — о — о — о — о — о — о -

и Е Е т D/E Е т

Л -i D/E

Г Г г г г г г г г г г г г г г г г г г г г г г г W 7—в

7—9 7 ; i 0 ; 8 ? 7

n n n n n n n п 7 9

а а а л а л а п a n n a n o n п

I ^ J D/E Em

в Г Г г г г г г г г г

12 ^ 7

В7/Е Em

в Г г г г г г г г г г г г г г г г г г г г г г г г

—г—"N

о о -&—е-

Еш D/E

P i П 7 1 - г Г 1

Г Г г г г г г г г г г г г г г г г г г г г г г г 7-

~~т 8 8-- t t -

7--7—9-

-8—8- -8—8- -8—8-

D/E Em В7/Е

f n n r ^ fe H — ^ ^ — h

it ; i j =

J+я. Ш' '1

г 7 _ . ..

5 5 4 - 4 2 2

t 9 8 8 8 8 8 8—8 8

7 L-e 8 8 8 8 - 8 8 8 L

5 5 4 4 -8 8 6 8 8 8 8 8

Em В7/Е Em F#m7add6/E N.C.

Ш У b J | Д П . h 1Ф * 9

f*\ 5 5 4 4 г 4 4 2 2

* *' 1 J ^ J < 1

г г г г г г г г г *

— ^ 1-е 5 4 *

^ 4 2 * W 5 5 4 4 8 8 — 8 8 8 8 8 8 L

5 4 X 4

-8—6 8 8 8 8 8 8— L - 8

- 1 - 1 4 -*

ф - 4

III»-.

III»-

III»- Г Г Г

e о e о в e e 0 L n в в в в —

0 в 0 —

Е ш 7

§ г г г г г г г г

ill»-,

iii»-

III»-

iii»-

iii»-.

iii»-

Р\ « * п g w те 5

в в в е в е о е L-e 0 8 8 8 8 8 8

•Applies to gtr. only. P i t c h : В

9 - - - - - - - = = 1

Г Г Г Г Г Г Г Г

h iii»

iii»-

1 11 _ _

8 8 8 8 8 8 8 8 8 — 2

L - e e в 8 в в в в 1

Fade out

(Perc.) •г

Г г - а г г г г г г г г г г г г г г

(& 8 8 —

— 8 8 8 8 8 8 L - e е в в в в в в — 1 II

from The Journey

The Journey By Tommy Emmanuel and David Hirschfelder

Drop D tuning: (low to high) D-A-D-G-B-E

s Moderately J = 117 ( П = J J>) *D5

(Elec. percussion & didjeridoo)

Gtr. 1 (clean)

mp **w/ delay

* < p Harm.

12 / ' ( W -

•Chord symbol reflects overall harmony. **Set for quarter-note regeneration w/ 3 repeats. ***Vol. swell

• J P L - - 1 > > . f v - L ^ - ^ , . 1 > =1

T у ' ' * mp

X V H J ^ X v ^ x ^ ^ x ^ ^

•ф D \/f .

п и а 1 m m *

0 Э 0 в в э в в

В 3 5 3 L

в 3 в в в э в в

-fl 3 5 3 tChord symbols reflect implied harmony.

^ = : J : ^ ^ J ^ ^ J: А h j - g ' j j / j j j ^ i P.M. - ч

let ring 1

в — з в в в—3 в в

В 3 — 5 3—J

в—3 в в в—3 в в

L-fl з — 5 э - J

в — 3 в в в — 3 в в

L-e э — 5 з_1

Copyright© 1993 UNIVERSAL MUSIC PUBLISHING PTY. LTD., TOMMY EMMANUEL MUSIC, CHRIS GILBEY PTY. LTD. and DEERFIELD PROD. PTY. LTD. All Rights for UNIVERSAL MUSIC PUBLISHING PTY. LTD., TOMMY EMMANUEL MUSIC and CHRIS GILBEY PTY. LTD. in the

United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights for DEERFIELD PROD. PTY. LTD. in the United States and Canada Controlled and Administered by

UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC. ift ли r->:_i_i_ r-> i i i 1 i— i-k _ •

J. | Шш * 3 * — I | p J 3 J — — I I p -j 3

S . i J 4 J J 4 4 4 4 4

. -J. ё

' mp P.M

A 4 Л n 4 I) A 4 1) II J II

fl fl 1 n n II J II n n ч n n II <9 II n n 1 n II II II <э II II

0 3—5 3—1 u U J U U

—8 3—5 3— II II 0 II II L-в 3—5 3—1

Gtr. 1 tacet

Gadd4 Gtr. 2 (clean)

Gtr. 2 - ж

l i t Г Г г Г Г r - f I f f f _ T

— = 1

Gtr. 2 tacet

y L i j - L p -

3 0 tt 6 6 *3 те

5 ь у те те—

„ , Fill 1 End Fill 1 Gtr. 1

— h i Л — j — p в

— h i Л — I — p -j , з

P.M. 1 irf

= : ^ J : ^ * J : 4 Л 4

5 5 5 5 о—з e

8 В—3 0 6 L-e 3—5 3 - J

e—з e 0 в—з о . , о ,

•-0 3—& 3—

Gtr. 1 tacet

Gadd4 Gtr. 2

m m m rrf

-43--5 5- -5 5- -5 5-

<1 с -— 7 4 9 1

Gtr. 1: w/ Fill 1 Gtrs. 2 & 3 tacet Dm7 Gtr. 2

3—5 3-

С Gtr. 1 tacet

Gtr. l D5 D5

Gtr. 2 С G / B D 5

S Y 1 ^

л n 9 J n 4 U С U 4 4 0

С G / B F 5 G 5

9 n L n и II

Gtr. 4 tacet

D5 Gtr. 3

P г г . . г С G / B

' у - J -/ string noise

1П н п ^ Ч 11 m / 1 9 19 Я 1U I IU - 'N 0 10X 1С 1& 0

Gtr. 2

D5 8va-

S v a - -loco

( 1 7 Г ^ 15 i t ^ r t?—— 17"^ СГУ)—tt-

Gtr. 5 (dist.)

••Bounce pick off strings rapidly.

j д TOT

e л ^ 9 4 ^ 1

J 9 wJ —- о с

•Vol. swells

D5 8va --

С G/B

- f f - - w № J ' ^ v»v**vv*vvv*vvv*vv*vv*v*v»vv

Gtr. 5 tacet

F5 8va

Gtr. 3

F 5 G 5

Gtr. 3 i loco

steady gliss. P.S.

1 T \ 1 0 W

7 / ^ 1 4 - W V 7 -

Gtr. 6 (dist.)

Gtr. 3 tacet

UUS. J ОС и 5

r - f t f \ j Л П

r j - J r i l r , J - t l = 3

Г Н r f I У J |

f h • X X

P .M . p . M . - H P.] М . - Ч

X щ V

P.M. - н

j ^ ^ X J J J J J

p . M . - H р . м . - ч

2 — 2 — 3 3 — 2

— 2 — 3 3 — 2 2

& — 2 — 3 — * ; — 2 — 3 5 — X — 3 — 5 X — - 5 — X f 3 4 —

2 — 3 — J s

l—2—3—5—X—3—5

•Composit e arrangement

| Ф Н r f j f l l r , _ T f 1 = 1 з

- и r f i r h i X

J J V J x! J i J J i

J * Ф

X J ц - j J ^ J

— 2 — Э 3 — 2

— 2 — 3 3 — 2 2 2 — 3 3 — 2

— 2 — 3 3 — 2 fr Я — 2 — a — * • — 2 — 3 — 5 — X — 3 — 5 X — - 5 X !

Gtrs. 5 & 6

л ОС

wvvwvv ^ ^ \l\l\l\r

Г f Г Г f j 9 f I i f f m f foffrr.

w v w w v « - ^ 2

J j =2 ^ j

« - 4 2 «—14 « - 4 4 14-^3

« « « - 4 3 12 « 15 « 15 «—14 «—14 14—«

-45 15 13 u- -45

r h п ^ П ш Т Ь I " j 3 з

J 3 з

vvwwvv v w w vwvvwv R 4 f> ч 0 9 с e с e e к с 0 9 с с с е е с —•— 9 0 3 D 0 9

О fi Э с е с ft о с о 9 0 9 0 0 D —

9 0 9 0 0 0 0 8 / 8

A Bb/A E\>/A F /A

л ОС

G/B D5 8va-

v w w v w w w w w /2Л

« r ^ P - t t - - w -J

-14—15 14—15-

G С G/B F5 8va

л ОС

G5 8va

E Gtr. 3 tacet

л , D 5 Gtr. 4

- | J J д г ' T mp

О i ^ Л A It с £ U 4 U

Dm7 Gtr. 4

P J — ; - — = = — — ^

Gtr. 1

i , ^ , , 3

— I I I ^ i • ^

•Ф P D

f i ^ t ^ f f f f F — ; ^ ^ ^

e — э e e e — э в e

в 3 — 5 э— 1

В—3 в в в—3 в в

-В 3 — 5 3— 1

В—3 в * В—3 в „ , в „

-В 3—5 3—

Gtr. 4 tacet

18\ / (18)\ / (16) - е ю -- 4 2 ) -

-1/2 -1/2 •Vol. swell

Riff A End Riff A

3 P.M.- P.M.-

0 Э - 0 — 3 0 -

- 9 3 -

- 3 — 5 3 -- 0 3 0 -

- 3 — 5 3 -- 0 — 3 0 -

- 3 — 5 3 -

Begin fade

Gtr. 1: w/Riff A (2 times)

Gtr. 3

i 8va-

v V V V V v v v v v v v v . . loco

w/bar-- l

string noise

v v v v v v v v v v v v v 19 (19) (19) (19) (19) I (19) (19) (19) (19) (19) (19) (19) (10) (19) (19)

- J P h t

Fade out

from Determination

Stevie's Blues By Tommy Emmanuel

s Moderately J = 129 ( Л = J } ) N.C.

Gtr. 1 (slight dist.)

ьЫЬ G5

•Chord symbols reflect basic harmony.

i W т л , j r y m i A5 G5 E

let ring -1/4

- В — 5 — з — 4 — 0 - - в — 5 — з — 4 — a -

/1\ 2X4 3 2 0 4 - 3 2 0

А С D С A E A7

i ^ J J d t i m i p y e T t ^ f e

0 — 5 i 4 — 0

* fer ring 1

1/4 1/4

1 f , 2 2 5 7 5 2 2 2 5 7 5 2

^ 3 о — — r^A 3—2—0

2 2 5 7 5 2 0 3 5 0 3 0

0 — I J i 2 7

—0 0 3 3 0 —

B7#9 A7

"p f Г h J T f 1 - > bm * bm L " T V 3 3

1/4 /er ring - -

3 3 3 — ( 3 W 0

^ J J J H let ring 1 let ring -H

/ef ring ~ -\ /е/ ring 1

5 — 0 2 2 2 — ^ X * * 3 — 2 — 0

3 3 3 2 — 2 2 2 2

3 0 ^ — ^ ^ 3 — 2 — 0 — 1 —

X X X 1 2 — 2 2 2 0

0 — 2 2— 2—

1 - Р и Л М М М , R 3 - ,

Е А Е

Ж Ж Ж Ж Ж Ж Ж Ж -9

«/ • / fer ring Ч

• -9

• >•

Е ? Е В—5—э——4—0 ^ — з е — 3 2 0

3 5 = 4 — 5 3 5 = —

1/4 1/4

| , , Ь м 2—2—2—2 2—2—2—2—2—2 8—0—8—0 0—В—0—0—В—в 0 — —2 2 / - в 0 У 2

L - В 0 3 3 В—1

гМг rn ц г r r ^ r r . m n (73 ¥ r Г^Г r, J^-11

0—5 ъ 4—0 — ^ 3 0 — 3 2 0

1/4 1/4

\ь> t X J U j v j j l i 5 5 #

0 5 > 4 0 1 — ^ — э e — ^ — т т ч г — в

J o - 2 2 J—0 J—2 - L - 0 0 3 3 0 — L II

А С D С А Е

J J j j 3

J ^ l л

l щ и ф Ц j J h — -ф

0—5 з 4—0

SgL— • > • —

> - — - >- — v v w w v w

2 2 5 7 5 2 ^ 3 0 v 2 2 5 7 5 2 ^ 4 3 2 0

« H 9 « H « — 9 — 9 « 44 t2—9— 0 0 1 5 0 3 0 L-e о e о

- к Л Г j^jP JTT* Г Ъ г Ь т

A7 3 3 3 3

\ j J J i Ahmm m § « - w : i j u j ' i ^ j

0 5 $ 4 0 e — ^ — з о ^ y^A 2—0 o-

Jr ил m ** d Hr J—^sjr d—^s^T d — d L^J—

^ — — . 0 3 0 —3 2 0 3-2-0 3-2-0 2 2 2

vm m\|J m ^ 4'иг9d * d * ш

e ^ 0 ^ 0 ^ I k ^ -3 2 0 2 0 i s ' A 0 г/4 0 г/4 0 г У 2

С Е Е

WVWWVVWV

1<£¥» S T T } * r j l j - J - i — * — I <g> ip K^T

w J w w J i, J ^ J J ^ T V Г 1 1

о П П Л ftA v з (.g; /•сч ч e • П A . /< n i /Л n о n / - j э

1 i / л J 3 a U

0 2 X 4 U 2 X 4 U i U 1 2 / 4 2 0 л n 2 ^v

' 1 3 С — " t

— В ^

« А Щ а 3 Щ f } ty "J-F-w/pick & finger - -

—о е- - 0 — е - - е - е - 42—/42¥Ч-П

4 2 « 1 2 -

4 2 12 -3 - 0 г 3 4 2 Н -

В7 А7 Е

-e 15 15 rrc tr rr rr rr rtr tr rr 17—(17) 15 17 (17) 15 - 1 4 — m - 4 4 — H +

-47- 4 7 -4 4 — m

-щ- - f — л Ф

ОТ 11 ь 1 1 1 —

7 Т т -J—L= ) i 3

14 У ( Щ 12 14— \14/ 12 14—

- ^ 4 5 Х 1 5 - г 4 6 Х 1 6 4 4 — n 8 9 ± = i =

" — ' g — g g g — — g — — g 1 4 —

В7 А7

> Ч - J i > •

j . — * r i i i

txJ 8—5—8——4—8

у -ш — w -ш

1/4 1/4

13 8 8 9 9 — 7 ^ 7

^ 3 8 " 3 ^ 4 3 — 2 — 8 \

( T V * 6 7

8 8 — 8 У о J \ j—8 8 — 3 3 — e —

та чг r p ^ p r 3

- n f j J У г Т ^ Г г . ь ^ Т !

8 5 i 4 8 1— 3 8—2

• • > —

> — .

> • — -9 TP

4 4 4 4

8 5 3 4 0 ^ 3 0 ^ — N 3^-4 3 X 2 0

i 1 \c

i e—Ц — 9 12 14 1 2 — 9 —

8 8 X— 1 8 8 8 — : 8

A C 5 D 5 C A Е A G E

= 4 f i t f l if г r ^ r г , J T H H 3

№ — S ^ n ft11 i f д ^ ц

x — 2 X — 2 — X 5 7

l щ у т j j L - L J " J j j I- " — ' -ф

8—5—3—4—8 5 2 ^ 3 8 v 5 2 r^A 3 2 0

14 12—14

3 j 1 ж

— 1 2 — 9 — — 1 2 — 9 —

X — 2 — X 5 7 5 2 3 5 8 3 8

—X—9 12—14 12—9— X 7 13—12 19—7—

8 8 fr—1

В7 А7

r f ¥ r i ^-^t^bfrrTT 1 ж ^ fT

| Г г г г E l f " |

i l — e 1 ,

" " " Г 1 > Г tfl til til til til

0 1 2 / 12y B - r t ^ — t t ^ (11) 9 — 9 — 7 - t — 8 9 7—8

I 11 = ? = *

9 7 7 7

Е Е7 Е7

А7 Е7 В7

l i t A •„ > , J J . T f i f - ^ p C i f c . r f — r f — m t f S r J f ' ' P i p

let ring 1 let ring H

1 ft o—-—_

i 7 7 ^ s — s —

® i— -§ 0 T 2 ^

• t ^ 0 / 0 ^ 7 6 5

"-9-V-1 2 4

" - 9 - Ч -

I h h ь Л i - n f r ^ j ж , . = J t J 1 ^ J = i

^ — X 3 = о—1 X —

г - 8 J 3 J J

Г 1 2 ^ 3 3

" " " 1 2 ^ 2 2

M i a ft i f s - - r г к s ' a i " -9'

X — 2 X 2 = — 9 ^ 2 2 2 X 4 = 2 2 4 4

6 8 6 2 5 — - - - " " 1 2 ^ 2 2

. 'U'f ^ j A7 B7

4 4 ^ 7 ^ 6-4 4 ^ 7 — 6 7 -- X 7 6 5 -

- 2 2 ^ -2 2 — о — 1 f --2 г -

t 3 i 4 * *

E5 -3 1

Д . Д . 3 £ 1 Д . Д . E r -a

\ / \ / \ y

mp - : «я/* 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/4

£ -6—fff 4 ^ 7

- 2 4 4 -- 2 4 i r

~*7 * 7 — * 7 — - 4 4 4 4 -

( 6 ) ^ 9 -e a- -e B- - э — B -

E5 B5 -3 1

w I « T^

r 3 ! V—•-H

w w v v w v v v v w w v J _

И t i l l ! - 5 3 5 5 5 5 — r - 4 6 -

4 2 13 1 4 -

- i f ^ 1 5 ^ 1 2 - v 4 4 H 15 1 6 -

4 2 - 14 1 2 -4 4 (14) 12 14 1 2 -

4 4 1 4 - 4 4 P 4 4 -

l 1/4 J vvvwvvvvvvvvvvwvvvvvvvvvvvvvvvvvvvvvv J Ч4

/ЧГЧ 40 4A 4Л -«о T —— 1Э VIU/ 1С. 1С. 1С. Itl / 17 on 17V 1С 1С v У If £U 1 / \ 1 D 10 ' ^ 1П 17 17\ Ш 14 19 1/ 1/^ч10 ID I J

шт m 1/2 1/2

/ef ring -

-H 1Щ - M Ы

— 1 2 - - M 1 44V - 1 2 - 14 1 2 ^ 14 12 13 14 - 1 2 - 14-—12- ^ 4 -

-14 V14 -44^ AW—12- 14 12 -42--42- -42- -42-

i /er ring -

-5 B- - f l — 5 — в — 6 — e — 6 — e -

iMfy О Г > О = i у г Г А [ г ^ Г j j (h * 1 L = | 1 1 = - — v 3 3 3

5——В Ъ В В Ъ В ; 3 — в

В 5 — -э 4 8 о

3 2 —В 3—2 В

» л ОС

[Gj E A 0 5 E G5 A5 G5 E5

м m M m л —

ft )f A J J 1 Л А щ H r 1 U L j r ^ y j - l 1/4 1/4

f f 0—5—3——4—9 — —

1—2 ^ 3 0 f - i 0 - H 3 2 0

2 j—2 0 4 — 2 9 n — H « 9 9 1 2 — H 12 9

2 / — 9 Xy 2 a — о — э о — э — о — о —

13—12 10 7 0

А С D С A

f Y * d r r . . .ft r h iSTl и» г Г^Г г , 11 i J ' I , i у Ц ^ " J j J j J j

0 5 3 ^ 4 0 0 ^ — 3 0—/* \

№ 3 з 2—0

— 2 — - 2 —

5 2— 5 2—

П 0 5 3 4 0 ^ 3 0 —

У o -- 2 5 7 5 2—

« 3 — 5 . 3 0 0 0 J 0—1

E A E з B7

> > > . ^ ^

с . с . с . е ^ у д м ^ г й = = 1

U l j d J j 1/4

> • —

: — з — ^ 1 * 1 ^

— 3 3 3 3

— - — —

— о 1 2 g

2 2 2 2 3 ^ 5 —0

( 5 ) ^ 4 0 ^ rAA 3 0 —

i 8 у 0 3 — 3 0 2

A7 E , B7 a

3 3 r ^ — I 3 ^ r f g , b g f

. r h r b « Г Т 1

3 П Н r - 4 - q

ft F i t г Г г г Г r l г w 3 w 5

0 0 0 0 г 0

2 3 0 2 — 3 0 2 3 — 0 0

Ж Ж ТГ Ж Ж Ж

H — 1 — 1 — 1 — 1 — 1 — 2 — 2 - 2 — 2 — 2 — 2 — 2 — 2 — 2 — 2 2 2 2 2 2 — 2 n a n n a n a

r f f i M r ^ P : • •

- ж -

2 ^ i i J J 4 H 3 3 3 3

0 - 4 — 4 — 4 0 - 4 — 4 — 4 7 — 7 — 7 8 8 8 - 2 — 2 — 2 — 4 — 4 5 — 5 — 5 6 6 6

л ОС

А С5 D С А

. j hj w — g j Я иш'^ш

, t j - J I Г _ д г '

0 5 ъ 4 0 3

3 ^ — e - 2 2 - 2 2

: У -

7 7 5 7 7

5 2 8 - 2 2 5 7 7 5 2

- 8 8 3 5 0 3 8

Ihh^r r , | A7

C b , L Л ^ J 1 =1

E N.C.

i • V W W W H

4 - - 4

w/pick & finger 4

- 2 — 3 — 2 — 8 2 8— - * — 1 4

2 (2) 8 2 2 2 8 2 1 8 —

Free time

F7 E l

I - 1 -1/2

- 5 — 3 — 5 — 3 — 0 3—5—3—e-

-4 2-3 ^ 4 0- - e — B -

" "i loco E l f o N.C.

<u u J J 1/4

J 1/4 1/4 1

J .. . J . . ^ -12 15 12 15 12 tt- -45 12— -42- -42- -42-

л ОС

from Up From Down Under

Up From Down Under By Tommy Emmanuel and Alan Mansfield

a Free time

N.C. Gtr. 1 (acous.)

A m Bm Em7

и — I j Л m mf w/ fingers let ring - let ring - let ring - - H let ring

Harm. 42—

-9 2 - —4- -7 9 -42-fi: -3

•Chord symbols reflect implied harmony.

Bm F # / A # Am7

# I е — • Ш Amll

/ef ring - - Ч /е/ ring - 4* /с/ ring ч H.H. H.H. H.H.

- 7 fr- - e 7 e - - 7 5 -

5(17) 5(17)

D7add4 D°7 D7 Am7

m в let ring - /е/ ring 1 let ring - - H /е/ ring -

л ОС

Copyright© 1989 UNIVERSAL MUSIC PUBLISHING PTY. LTD., CHRIS GILBEY PTY. LTD. and EMI SONGS AUSTRALIA All Rights for UNIVERSAL MUSIC PUBLISHING PTY. LTD. and CHRIS GILBEY PTY. LTD. in the United States and Canada

Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights for EMI SONGS AUSTRALIA in the United States and Canada Controlled and Administered by EMI BLACKWOOD MUSIC INC.

All Riahts Reserved Used hv Pprmi«.Qinn

Moderately slow J = 79 N.C.

*Gmaj7 Am7 Bm7 Em7 8va

Bm7 F#/A# 1

7 7 й . 7 111 19

ЛА 14 ЛА 14 14 17 14 19 1A 19 t / 0 8 / 1П 1Л

1U r > \£ -in/19 14 14 ID 14 ID ID 1/ ID lc 14 \c 1U lU 10/1С ID

*Chord symbols reflect overall harmony.

-12 (12) 10 7 0 - M - 10 12 8 W

7 7--Hh 10/12

Gtr. 2 (elec.)

i - И r — Л n r — 1 г Г П r -§ ' J J s i

mp w/ clean tone & chorus /ef ring throughout

о 3 = 4 4

J C J 1

J J e j J J г 1

0 3 3 0 0

Bm7 F#/A# Amll Dll Db7#ll

Cmaj7 F#m7l>5B7#5 Em7 A9 D Dsus4 D(b5) D5

\>*F 'Г Г f f f f ^ f i г r f A r r r=i Г r i f f - f

7 7 — В "С I «

1 —7—1—— "— 19 / V 7

- 1 9 8 1 0 / 1 2 4 1 8 — 8 18 8

lL j LJ^ 1 1 1 1 L^J let ring 1

1/2 г Ю 19 18 -^7 8 ^ — ( 9 Э - 1 8

Htf—f - f - ^ — f ' ^ м $ 'б w ^ Й if f-f f p i

& ^J - г 8 7

1 8 Г° о

— - -p \>Г

? Л , 1 =

s> [ I I i i

p W 18 19 18 -^7 8 9 18

- 9 5 -^7

F9 F13 Am9

- 7 — 8 - -8-^7 H W — v — 13 10/12

12—гМ 15 14 15—Я re-44—12--4*-

f L J i r r r

q q с q 7 A 7 П 1П ^ J J n n

0 d Э J n f 0 / 0 111 ' л 7 a 4 4 A II II А A II

A 1 9 1 1 9 4 4 4 7

Am 11 5va

I p p i w w v v v w loco

Gmaj7 Am7

T i f Ш Г ;

Bm7 Em7

1/2 vvwvvvw

- Н » d 2 H 8 — 8 - -8—7 18 ^ -42--8 13- - W - 18 №/42- -45-

I Л 0 m 1/2

-3—5 3-(9) 7

Amll Dll Db7#ll Cmaj7 F#m7b5 B7

/ Г Г . Г Г loco r f i P f r f f f tff.

15 14 15 17 tr44 12—rd2) (12) 18 -7 8 7 8—7--8 1*= -18- -43-

0t я 0-

i эй p 3

-8 7 8 18--9-H 9- (9) 7

-43 7-

i — Г 111

Em7 A9 D Dsus4 D°7 D7

40-Ю / 1 2 -42 tt 9- 8 10

8 —2 3 4 5 - 3 5 6 7

* 5 9 4 5 6

F9 F13 Am9

F13 Am9 Dll > >»

j t f m f ] a m } p f f f f l

9 m 0 ^ Ф I г г г г г

V V У V У -7 7 7 7 7

')? ¥ ¥ ¥ •7 7—7—7

У ¥ ¥ 0 7 10 0 V 7 7 7 9—

Г Г Г г Г J J

I* .. £ ff ff^v £

7 5 4 H 7 5 ||

— - 0 ' ^ H

r ^ : 7 ^

i 1 1 —

0 =r u=u u

- 8 8 8 5 5 7

л ОС

f r mp

I t ' - J ] ] 1 1 ] ] i . I I I 1

—4 2 —2 2

i , Г 1 . r ~ W ' - i mp p J J _ _

7 w J J W У t ^ t 2

7 5 5 5 5 7 7 7 5 5

4 4 7 5 - 7 5 5

Bm F#/A# Am9 Dll Gmaj7 Am

ft * f m p.

^—F—tf j j f iM—-®-r F 'wF*—t|#F ^ L<L» 3

= 8 = tt 9 8 — H7

1 7 6 6 5 —

A O f l 4 =H—18—9— % 9 9 0 9 с

I e e e с

7 7 7 3 — -

Bn i7 Er n Bm F#/A#

22. у = i

Am7 Dll

. . л I I .

Д - П

Г J "C

4F ? 1

t = f = t

II,f i 1

Jj>tt„, L M 1 „ J ^ | i — | |

- 9 6 8

- f iftp H | = f

Д п Vb • J J J J 7 J

P.M. 1

7 5 5 7 7 7 7 7

p p — J

i 1 : 3 =

t l — и 3

Cmaj7 F#m7b5 B7 Em7 A9 D7 D7sus4 D°7 D7

f ш ' й В ' 4 4 p

- 7 г - в - 7

* ' y p U | l r T ' f 1

4 1 - 5 !

\ 4 4 4 1

8 8 8 6 6 6 i 5 5 5 4 — 4 — 4 1

F = H = 5 — 5

-7 ~=t - в

EUiy. F i g . 1

M s ш

Р ' t

) 8 — 8 — 8 8 — 8 — 8 — (

1 8 — 8

\ — i

h e г 4 8 7 - 9 8

? 1 : - 9 5 — 7

- 7 1 - X 3 - 4 [

1 — 1 F

F13 Am9

F13 Am9 Dll

D Gtr. 2 tacet

Gmaj7 Am7 Bm7 Em7 Gtr. 1

1 j>*.. t — -= l —1 ) 1 1 § ' ^ J J J J^J J m f

^ ? 7 J J '

A 4 7 ^74 С J К л 4 Э / \ t ) D 4 Э ' " 4 t / 7

1 7 П

Э Ъг 1 f 9

Gmaj7 Am7 Bm7 Em7 vvvvvvvvvvvvvvvvvvvvv

'2;f * r ~ r j ijT^Li"' f ' f F r a

^ WWVWWVVWWVWVW ^ N ^ 8

4 « tt 8 7 8 — 7

7 1Л П «3 7 0 0

/ III 0 n / 9 а У

Gtr. 2 _

j ' » Л J ' П Р t j I ' T l J

г ' f I 'f L i г Ш 7 3 3

R П с л I 7 7 ft 0 U 0 4

4 4 4 А I I D 0 0 Й

Э 0 3 4 с 9 9 0 Э

л ОС

Cmaj7 F#m7b5 B7 Em7 A9

D7 D7sus4 D°7 D7 F13

Dll GS Am7

Bm7 Em Bm7 F#/A#

Am7 Dll Gmaj7 Am7 Bm7 Em7

Bm7 F#/A# Amll Dll Db7#ll Cmaj7 F#m7b5 B7

Em7 A9 D Dsus4 D°7 D7 F13

Amll F13

F Gtr. 2 tacet

Gtr. 1 tacet

О - г p-r r 1 f r — u

r a a a t — J ' _ H i от * i i i 1 f

^ 8— ^ t ^ W

5 8 5 ^ 5 —

7 5 ^ ^ 5

J L j 1/4

J * —

&— 7 5 ^ 5 / 5 7

7 5 / 7 8 (8) 5

Begin fade

Fade out

Guitar Notation Legend Guitar music can be notated three different ways: on a musical staff, in tablature, and in rhythm slashes.

D D E G

RHYTHM SLASHES are written above the staff. Strum chords in the rhythm indicated. Use the chord diagrams found at the top of the first page of the transcription for the appropriate chord voicings. Round Notes: noteheads indicate single notes.

THE MUSICAL STAFF shows pitches and rhythms and is divided by bar lines into measures. Pitches are named after the first Strings: seven letters of the alphabet. high e

rm-) open 3fr

Л Си д в f !

TABLATURE graphically represents the guitar fingerboard. Each horizontal line represents a string, and each number low represents a fret.

T H i z.

\ 1 ' -e

4th string, 2nd fret 1st & 2nd strings open, played together

open D chord

Definitions for Special Guitar Notation HALF-STEP BEND: Strike the note and bend up 1/2 step.

WHOLE-STEP BEND: Strike the note and bend up one step.

GRACE NOTE BEND: Strike the note and immediately bend up as indicated.

SLIGHT (MICROTONE) BEND: Strike the note and bend up 1/4 step.

1/2 J_

BEND AND R E L E A S E : Strike the note and bend up as indicated, then release back to the original note. Only the first note is struck.

PRE-BEND: Bend the note as indicated, then strike it.

PRE-BEND AND R E L E A S E : Bend the note as indicated. Strike it and release the bend back to the original note.

UNISON BEND: Strike the two notes simultaneously and bend the lower note up to the pitch of the higher.

ft: fi-

ft: VIBRATO: The string is vibrated by rapidly bending and releasing the note with the fretting hand.

WIDE VIBRATO: The pitch is varied to a greater degree by vibrating with the fretting hand.

HAMMER-ON: Strike the first (lower) note with one finger, then sound the higher note (on the same string) with another finger by fretting it without picking.

P U L L - O F F : Place both fingers on the notes to be sounded. Strike the first note and without picking, pull the finger off to sound the second (lower) note.

v w w v w v w v w v w v ^ w

# v w w w w v w v w

w w v w w w w v %

- t t -

LEGATO SLIDE: Strike the first note and then slide the same fret-hand finger up or down to the second note. The second note is not struck.

SHIFT SLIDE: Same as legato slide, except the second note is struck.

TRILL: Very rapidly alternate between the notes indicated by continuously hammering on and pulling off.

TAPPING: Hammer ("tap") the fret indicated with the pick-hand index or middle finger and pull off to the note fretted by the fret hand.

"NATURAL HARMONIC: Strike the note while the fret-hand lightly touches the string directly over the fret indicated.

m Harm.

PINCH HARMONIC: The note is fretted normally and a harmonic is produced by adding the edge of the thumb or the tip of the index finger of the pick hand to the normal pick attack.

P . H .

HARP HARMONIC: The note is fretted normally PICK SCRAPE: The edge of the pick is and a harmonic is produced by gently resting the rubbed down (or up) the string, producing pick hand's index finger directly above the a scratchy sound. indicated fret (in parentheses) while the pick hand's thumb or pick assists by plucking the appropriate string.

—Jf—1

H I.H.

A 7(19)

EL MUFFLED STRINGS: A percussive sound is produced by laying the fret hand across the string(s) without depressing, and striking them with the pick hand.

PALM MUTING: The note is partially muted by the pick hand lightly touching the string(s) just before the bridge.

RAKE: Drag the pick across the strings indicated with a single motion.

TREMOLO PICKING: The note is picked as rapidly and continuously as possible.

в fi:

a a P.M.-

m rake 1

# T * А Г В —

ARPEGGIATE: Play the notes of the chord VIBRATO BAR DIVE AND RETURN: The VIBRATO BAR SCOOP: Depress the bar just indicated by quickly rolling them from bottom to top.

pitch of the note or chord is dropped a before striking the note, then quickly specified number of steps (in rhythm), then release the bar. returned to the original pitch.

m w/ bar

fi: чеъ

w/ bar-

S чЧ-

VIBRATO BAR DIP: Strike the note and then immediately drop a specified number of steps, then release back to the original pitch.

-1/2 -1/2

w/ bar-

-1/2 V

T 7 7 7

Л 1 / /

Additional Musical Definitions

(accent) • Accentuate note (play it louder).

(accent) • Accentuate note with great intensity.

(staccato) • Play the note short.

• Downstroke

Rhy. Fig.

Rhy. Fill

Label used to recall a recurring accompaniment pattern (usually chordal).

Label used to recall composed, melodic lines (usually single notes) which recur.

Label used to identify a brief melodic figure which is to be inserted into the arrangement.

A chordal version of a Fill.

Upstroke tacet Instrument is silent (drops out).

D.S. al Coda

D.C. al Fine

Go back to the sign (%), then play until the measure marked "To Coda" then skip to the section labelled "Coda."

Go back to the beginning of the song and play until the measure marked "Fine" (end). ft in

Repeat measures between signs.

When a repeated section has different endings, play the first ending only the first time and the second ending only the second time.

NOTE: Tablature numbers in parentheses mean: 1. The note is being sustained over a system (note in standard notation is tied), or 2. The note is sustained, but a new articulation (such as a hammer-on, pull-off, slide or vibrato) begins, or 3. The note is a barely audible "ghost" note (note in standard notation is also in parentheses).

Л ЛЛ

FINGERPICKING GUITAR BOOKS

Hone your fingerpicking skills with these great songbooks featuring solo guitar arrangements in standard notation and tablature. The arrangements in these books are carefully written for intermediate-level guitarists. Each song combines melody and harmony in one superb guitar fingerpicking arrangement. Each book also includes an introduction to basic fmgerstyle guitar.

FINGERPICKING ACOUSTIC 15 songs: Behind Blue Eyes • Best of My Love • Blowin' in the Wind • The Boxer • Dust in the Wind • Helplessly Hoping • Heyjude • In My Life • Learning to Fly • Leaving on a Jet Plane • Tears in Heaven • Time in a Bottle • You've Got a Friend • and more. 00699614 $8.95

FINGERPICKING ACOUSTIC ROCK 15 songs: American Pie • Bridge over Troubled Water • Every Rose Has Its Thorn • Knockin' on Heaven's Door • Landslide • More Than Words • Norwegian Wood (This Bird Has Flown) • Suite: Judy Blue Eyes • Wanted Dead or Alive • and more. 00699764 $7.95

FINGERPICKING BACH 12 masterpieces from J.S. Bach: Air on the G String • Bourree in E Minor • Jesu, Joy of Man's Desiring • Little Prelude No. 2 in С Major • Minuet in G • Prelude in С Major • Quia Respexit • Sheep May Safely Graze • and more. 00699793 $7.95

FINGERPICKING BALLADS 15 songs: Against All Odds • (Everything I Do) I Do It for You • Fields of Gold • Have I Told You Lately • It's All Coming Back to Me Now • Looks Like We Made It • Rainy Days and Mondays • Say You, Say Me • She's Got a Way • Your Song • and more. 00699717 $7.95

FINGERPICKING BEATLES 30 songs including: All You Need Is Love • And I Love Her • Can't Buy Me Love • Heyjude • In My Life • Lady Madonna • Let It Be • Love Me Do • Michelle • Nowhere Man • Please Please Me • Something • Ticket to Ride • Yellow Submarine • Yesterday • and more. 00699049 $17.95

FINGERPICKING CHILDREN'S SONGS 15 songs: Any Dream Will Do • Do-Re-Mi • It's a Small World • Linus and Lucy • The Muppet Show Theme • Puff the Magic Dragon • The Rainbow Connection • Sesame Street Theme • Winnie the Pooh • Zip-A-Dee-Doo-Dah • and more. 00699712 $7.95

FINGERPICKING CHRISTMAS 20 classic carols: Away in a Manger • Deck the Hall • The First Noel • God Rest Ye, Merry Gentlemen • Hark! The Herald Angels Sing • It Came Upon the Midnight Clear • Jingle Bells • О Little Town of Bethlehem • Silent Night • What Child Is This • and more. 00699599 $7.95

FINGERPICKING CLASSICAL 15 songs: Ave Maria • Bouree in E Minor • Canon in D • Eine Kleine Nachtmusik • Fur Elise • Habanera • Minuet in G Major (Bach) • Minuet in G Major (Beethoven) • New World Symphony • Pomp and Circumstance • and more. 00699620 $7.95

Prices, contents and availability subject to change without notice.

FINGERPICKING COUNTRY 17 classic favorites: Always on My Mind • By the Time I Get to Phoenix • Could I Have This Dance • Crazy • Green Green Grass of Home • He Stopped Loving Her Today • I Walk the Line • King of the Road • Tennessee Waltz • You Are My Sunshine • and more. 0 0 6 9 9 6 8 7 $7.95

FINGERPICKING DISNEY 15 songs: The Bare Necessities • Beauty and the Beast • Can You Feel the Love Tonight • Colors of the Wind • Go the Distance • If I Didn't Have You • Look Through My Eyes • Reflection • Under the Sea • A Whole New World • You'll Be in My Heart • and more. 00699711 $9.95

FINGERPICKING HYMNS 15 songs: Amazing Grace • Beneath the Cross of Jesus • Come, Thou Fount of Every Blessing • For the Beauty of the Earth • I've Got Peace like a River • Jacob's Ladder • A Mighty Fortress Is Our God • Rock of Ages • and more. 0 0 6 9 9 6 8 8 $8.95

FINGERPICKING MOZART 15 of Mozart's timeless compositions: Ave Verum • Eine Kleine Nachtmusik • Laudate Dominum • Minuet in G Major, К. 1 • Piano Concerto No. 21 in С Major • Piano Sonata in A • Piano Sonata in С • Rondo in С Major • and more. 0 0 6 9 9 7 9 4 $7.95

FINGERPICKING POP Includes 15 songs: Can You Feel the Love Tonight • Don't Know Why • Endless Love • Imagine • Let It Be • My Cherie Amour • My Heart Will Go On • Piano Man • Stand by Me • We've Only Just Begun • Wonderful Tonight • and more. 00699615 $7.95

FINGERPICKING PRAISE 15 songs: Above All • Breathe • Draw Me Close • Great Is the Lord • He Is Exalted • Jesus, Name Above All Names • Oh Lord, You're Beautiful • Open the Eyes of My Heart • Shine, Jesus, Shine • Shout to the Lord • You Are My King • and more. 00699714 $7.95

FINGERPICKING ROCK 15 songs: Abracadabra • Brown Eyed Girl • Crocodile Rock • Free Bird • The House of the Rising Sun • I Want You to Want Me • Livin' on a Prayer • Maggie May • Rhiannon • Still the Same • When the Children Cry • and more. 0 0 6 9 9 7 1 6 $7.95

FINGERPICKING STANDARDS 17 fantastic songs: Can't Help Falling in Love • Fly Me to the Moon • Georgia on My Mind • I Just Called to Say I Love You • Just the Way You Are • Misty • Moon River • Unchained Melody • What a Wonderful World • When I Fall in Love • Yesterday • and more. 00699613 $7.95

FINGERPICKING WEDDING 15 tunes for the big day: Beautiful in My Eyes • Don't Know Much • Endless Love • Grow Old with Me • In My Life • The Lord's Prayer • This Is the Day (A Wedding Song) • We've Only Just Begun • Wedding Processional • You and I • and more. 00699637 $7.95

FINGERPICKING YULETIDE 16 holiday favorites: Blue Christmas • The Christmas Song • Frosty the Snow Man • A Holly

Jolly Christmas • I'll Be Home for Christmas • Jingle-Bell Rock • Let It Snow! Let It Snow! Let It Snow! • Merry Christmas, Darling • Rudolph the Red-Nosed Reindeer • and more. 00699654 $7.95

F o r M o r e I n f o r m a t i o n , See Y o u r L o c a l M u s i c D e a l e r , O r W r i t e To:

H A L ^ L E O N A R D ® C O R P O R A T I O N

7 7 7 7 W. BLUEMOUND RD. P.O.BOX 1 3 8 1 9 MILWAUKEE, WL 5 3 2 1 3

Visit Hal Leonard online at www.halleonard.com

BEST OF JAZZ GUITAR J by Wolf Marshall • Signature Licks ^ In this book/CD pack, Wolf Marshall provides a hands-on analysis of 10 of the most frequendy played tunes in the jazz genre, as played by the leading guitarists of all time. Features: All the Things You Are • How Insensitive • I'll Remember April • So What • Yesterdays • and more. 00695586 Book/CD Pack $24 .95

IL1 Щ1Н 41

l.'MUHi-l E L l

GUITAR STANDARDS Classic Jazz Masters Series 16 classic jazz guitar performances transcribed note for note with tablature: All of You (Kenny Burrell) • Easter Parade (Herb Ellis) • I'll Remember April (Grant Green) • Lover Man (Django Reinhardt) • Song for My Father (George Benson) • The Way You Look Tonight (Wes Montgomery) • and more. Includes a discography. 00699143 Guitar Transcriptions $14 .95

\m\№i JAZZ BALLADS FOR FINGERSTYLE GUITAR 21 standards, including: Cry Me a River • Easy to Love • In a Sentimental Mood • Isn't It Romantic? • Mood Indigo • My Funny Valentine • My Romance • Some Enchanted Evening • Stella by Starlight • The Way You Look Tonight • When I Fall in Love • and more. 00699028 Fingerstyle Guitar $12 .95

тттта JAZZ CLASSICS FOR SOLO GUITAR arranged by Robert B. Yelin This collection includes excellent chord melody arrangements in standard notation and tablature for 35 all-time jazz favorites: April in Paris • Cry Me a River • Day by Day • God Bless' the Child • It Might as Well Be Spring • Lover • My Romance • Nuages • Satin Doll • Tenderly • Unchained Melody • Wave • and more! 00699279 Solo Guitar $17 .95

J A Z Z GUITAR BIBLE The one book that has all of the jazz guitar classics transcribed note-for-note, with standard notation and tablature. Includes over 30 songs: Body and Soul • Girl Talk • I'll Remember April • In a Sentimental Mood • My Funny Valentine • Nuages • Satin Doll • So What • Stardust • Take Five • Tangerine • Yardbird Suite • and more. 0 0 6 9 0 4 6 6 Guitar Recorded Versions $19-95

J A Z Z GUITAR CHORD MELODIES arranged & performed by Dan Towey T h i s b o o k / C D p a c k i n c l u d e s c o m p l e t e s o l o performances of 12 standards, including: All the Things You Are • Body and Soul • My Romance • How Insensitive • My One and Only Love • and more. The arrangements are performance level and range in difficulty from intermediate to advanced. 0 0 6 9 8 9 8 8 Book/CD Pack $19-95

J A Z Z GUITAR PLAY-ALONG J Guitar Play-Along Volume 16 ^ With this book/CD pack, all you have to do is follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. 8 songs: All Blues • Bluesette • Footprints • How Insensitive (Insensatez) • Misty • Satin Doll • Stella by Starlight • Tenor Madness. 0 0 6 9 9 5 8 4 Book/CD Pack $14 .95

\m\Mir J A Z Z STANDARDS FOR FINGERSTYLE GUITAR 20 songs, including: All the Things You Are • Autumn Leaves • Bluesette • Body and Soul • Fly Me to the Moon • The Girl from Ipanema • How Insensitive • I've Grown Accustomed to Her Face • My Funny Valentine • Satin Doll • Stompin' at the Savoy • and more. 0 0 6 9 9 0 2 9 Fingerstyle Guitar $10 .95

JAZZ FAVORITES FOR SOLO GUITAR arranged by Robert B. Yelin This fantastic 35-song collection includes lush chord melody arrangements in standard notation and tab: Autumn in New York • Call Me Irresponsible • How Deep Is the Ocean • I Could Write a Book • The Lady Is a Tramp • Mood Indigo • Polka Dots and Moonbeams • Solitude • Take the "A" Train • Where or When • more. 00699278 Solo Guitar $17 .95

JAZZ FOR THE ROCK GUITARIST j » by Michael Mueller ^ Take your playing beyond barre chords and the blues box! This book/CD pack will take you through the essentials of the jazz idiom with plenty of exercises and examples - all of which are demonstrated on the accompanying CD. 00695856 Book/CD Pack $14 .95

JAZZ GEMS FOR SOLO GUITAR arranged by Robert B. Yelin 35 great solo arrangements of jazz classics, including: After You've Gone • Alice in Wonderland • The Christmas Song • Four • Meditation • Stompin' at the Savoy • Sweet and Lovely • Waltz for Debby • Yardbird Suite • You'll Never Walk Alone • You've Changed • and more. 00699617 Solo Guitar $17 .95

J A Z Z STANDARDS FOR SOLO GUITAR g p arranged by Robert B. Yelin 35 chord melody guitar arrangements, including: Ain't Misbehavm' • Autumn Leaves • Bewitched • Cherokee • Darn That Dream • Girl Talk • I've Got You Under My Skin • Lullaby of Birdland • My Funny Valentine • A Nightingale Sang in Berkeley Square • Stella by Starlight • The Very Thought of You • and more. 0 0 6 9 9 2 7 7 Solo Guitar $17 .95

101 MUST-KNOW J A Z Z LICKS by Wolf Marshall Add a jazz feel and flavor to your playing! 101 definitive licks, plus a demonstration CD, from every major jazz guitar style, neatly organized into easy-to-use categories. They're all here: swing and pre-bop, bebop, post-bop modern jazz, hard bop and cool jazz, modal jazz, soul jazz and postmodern jazz. 0 0 6 9 5 4 3 3 Book/CD Pack $16 .95

F o r M o r e I n f o r m a t i o n , See Y o u r L o c a l M u s i c D e a l e r ,

O r W r i t e To :

H A L ^ L E O N A R D ® C O R P O R A T I O N

7 7 7 7 w. BLUEMOUND RD. P .O.BOX 13819 MILWAUKEE, Wl 53213

Visit Hal Leonard Online at www.halleonard.com

Prices, contents and availability subject to chanae without notice.

PLAY THE CLASSICS JAZZ FOLIOS FOR GUITARISTS

RECORDED VERSIONS® The Best Note-For-Note Transcriptions Available

ALL BOOKS INCLUDE TABLATURE

00692015 Aerosmith - Greatest Hits $22.95 00692931 00690603 Aerosmith - 0 Yeah! (Ultimate Hits) $24.95 00690608 00690178 Alice in Chains-Acoustic $19-95 00692932 00694865 Alice in Chains - Dirt $19-95 00690017 00690387 Alice in Chains - Nothing Safe: 00690602

The Best of the Box $19-95 00690843 00690812 All American Rejects - Move Along $19-95 00690869 00694932 Allman Brothers Band - Volume 1 $24.95 00690692 00694933 Allman Brothers Band - Volume 2 $24.95 00690688 00694934 Allman Brothers Band - Volume 3 $24.95 00690457 00690865 Atreyu - A Deathgrip on Yesterday $19-95 00690544 00690609 Audioslave $19-95 00690790

Audioslave - Out of Exile $19-95 00690730 Audioslave - Revelations $19-95 00690721

00690820 Avenged Sevenfold - City of Evil $22.95 00690684 00690366 Bad Company - Original Anthology, 00690647

Book 1 $19-95 00690814 00690503 Beach Boys - Very Best of $19-95 00690751 00690489 Beatles - 1 $24.95 00690845 00694929 Beatles - 1962-1966 $24.95 00690846 00694930 Beatles- 1967-1970 $24.95 00694832 Beatles - For Acoustic Guitar $22.95 00690271 00690110 Beatles-WhiteAlbum (Book 1) $19-95 00699131 00692385 Chuck Berry $19-95 00690427 00690835 Billv Talent $19-95 00690742 00692200 Black Sabbath - 00694903

We Sold Our Soul for Rock 'N' Roll $19-95 00690780 00690674 blink-182 $19-95 00690834 00690831 blink-182 - Greatest Hits $19-95 00690875 00690491 David Bowie - Best of $19-95 00690823 00690873 Breaking Benjamin - Phobia $19-95 00690679 00690764 Breaking Benjamin - We Are Not Alone $19-95 00690781 00690451 Jeff Buckley - Collection $24.95 00690782 00690590 Eric Clapton - Anthology $29-95 00690783 00690415 Clapton Chronicles - Best of Eric Clapton ..$18.95 00690743 00690074 Eric Clapton - The Cream of Clapton $24.95 00690876 00690716 Eric Clapton - Me and Mr. Johnson $19-95 00690720 00694869 Eric Clapton - Unplugged $22.95 00694954 00690162 The Clash - Best of $19-95 00690752 00690828 Coheed & Cambria - Good Apollo I'm Burning 00690577

Star, IV, Vol. 1: From Fear Through the 00690754 Eves of Madness $19-95 00694956

00690593 Coldplay - A Rush of Blood to the Head $19-95 00694945 00690838 Cream - Royal Albert Hall: 00690657

London Mav 2-3-5-6 2005 $22.95 00120080 00690856 Creed - Greatest Hits ....$22.95 00694951 00690401 Creed - Human Clav $19-95 00690768 00690819 Creedence Clearwater Revival - Best of $19-95 00690505 00690572 Steve Cropper - Soul Man $19-95 00690646 00690613 Crosby, Stills & Nash - Best of $19-95 00690558 00690289 Deep Purple - Best of $17.95 00690040 00690784 Def Leppard - Best of $19-95 00690794 00690347 The Doors - Anthology $22.95 00690611 00690348 The Doors - Essential Guitar Collection $16.95 00694883 00690810 Fall Out Boy - From Under the Cork Tree . .$19-95 00690026 00690664 Fleetwood Mac - Best of $19-95 00690807 00690870 Flyleaf $19-95 00694847 00690808 Foo Fighters - In Your Honor $19-95 00690399 00690805 Robben Ford - Best of $19-95 00690866 00694920 Free-Best of $19-95 00690848 Godsmack - IV $19-95 00694855 00690601 Good Charlotte- 00690439

The Young and the Hopeless $19-95 00690661 00690697 Jim Hall - Best of $19-95 00690499 00690840 Ben Harper - Both Sides of the Gun $19-95 00690428 00694798 George Harrison - Anthology $19-95 00690789 00692930 Jimi Hendrix - Are You Experienced? $24.95 00693864

Ш г п И В В 5 5 Д t ;; <

Jimi Hendrix - Axis: Bold As Love $22.95 Jimi Hendrix - Blue Wild Angel $24.95 Jimi Hendrix - Electric Ladyland $24.95 Jimi Hendrix - Live at Woodstock $24.95 Jimi Hendrix - Smash Hits $19-95 H.I.M.-Dark Light $19-95 Hinder - Extreme Behavior $19-95 Billy Idol-Very Best of $19-95 Incubus - A Crow Left of the Murder $19-95 Incubus - Make Yourself $19-95 Incubus - Morningview $19-95 Iron Maiden Anthology $24.95 Alan Jackson - Guitar Collection $19-95 Je t -Get Born $19-95 Jethro Hill - Aqualung $19-95 Jewel-Best of $19-95 John5 - Songs for Sanity $19.95 J o h n 5 - Vertigo ,.....$19-95 Eric Johnson-Bloom $19-95 Jack Johnson and Friends - Sing-A-Longs and Lullabies for the Film Curious George $19-95 Robert Johnson - New Transcriptions $24.95 Janis Joplin - Best of $19-95 Judas Priest-Best of $19-95 The Killers- Hot Fuss $19-95 Kiss-Best of $24.95 Korn - Greatest Hits, Volume 1 $22.95 Lamb of God-Ashes of the Wake $19-95 Lamb of God - Sacrament $19.95 Ray LaMontagne - Trouble $19.95 John Lennon - Guitar Collection $19-95 Linkin Park - Hybrid Theory $22.95 LinkinPark- Meteora $22.95 Live - Best of $19-95 Los Lonely Boys $19-95 Los Lonely Boys - Sacred $19-95 Lostprophets - Start Something $19-95 Lynyrd Skynyrd - New Best of $19-95 Lynyrd Skynyrd - Street Survivors $19 95 Yngwie Malmsteen - Anthology $24.95 Marilyn Manson - Lest We Forget $19-95 Bob Marley-Legend $19-95 Bob Marley- Songs of Freedom $24.95 Maroon5 - Songs About Jane $19-95 Don McLean - Songbook. $19.95 Megadeth - Rust in Peace $22.95 Megadeth - The System Has Failed $19-95 John Mellencamp - Guitar Collection $19-95 Pat Metheny - One Quiet Night $19-95 Pat Metheny - Trio: 99>00 $19-95 Steve Miller Band - Young Hearts $19-95 Mudvayne - Lost and Found $19-95 Nirvana $22.95 Nirvana - Nevermind $19-95 Nirvana - Unplugged in New York $19-95 The Offspring- Greatest Hits $19-95 Ozzy Osbourne - Best of $22.95 Ozzy Osbourne - Ozzman Cometh $19-95 Panic! At the Disco -A Fever You Can't Sweat Out $19-95 Pearl Jam-Ten $19-95 A Perfect Circle - Mer De Noms $19 95 A Perfect Circle - Thirteenth Step $19-95 Tom Petty - Definitive Guitar Collection $19-95 Pink Floyd - Dark Side of the Moon $19-95 Poison-Best of $19-95 The Police-Best of $19-95

00694975 Queen - Greatest Hits $24.95 00690670 Queensryche - Very Best of $19-95 00690878 The Raconteurs-Broken Boy Soldiers $1995 00694910 Rage Against the Machine $19-95 00690055 Red Hot Chili Peppers-

Blood Sugar Sex Magik $19.95 00690584 Red Hot Chili Peppers - By the Way $19-95 00690379 Red Hot Chili Peppers - Californication $ 19-95 00690673 Red Hot Chili Peppers - Greatest Hits $19-95 00690852 Red Hot Chili Peppers-

Stadium Arcadium $24.95 00690511 Django Reinhardt - Definitive Collection....$19-95 00690779 Relient К - MMHMM $19.95 00690643 Relient К - Two Lefts Don't

Make a Right...But Three Do $19-95 00690631 Rolling Stones - Guitar Anthology $24.95 00690685 David Lee Roth - Eat 'Em and Smile $19-95 00690694 David Lee Roth - Guitar Anthology $24.95 00690031 Santana's Greatest Hits $19-95 00690796 Michael Schenker - Very Best of $19-95 00690566 Scorpions - Best of $19-95 00690604 Bob Seger - Guitar Collection $19-95 00690803 Kennv Wayne Shepherd Band - Best of $19-95 00690857 Shinedown - Us and Them $19-95 00690530 Slipknot-Iowa $19-95 00690733 Slipknot - Vol. 3 (The Subliminal Verses) ..$19.95 00120004 Steely Dan-Best of $24.95 OO69492I Steppenwolf- Best of $22.95 00690655 Mike Stern-Best of $19-95 00690877 Stone Sour-Come What(ever) May $19-95 00690520 Styx Guitar Collection $19-95 00120081 Sublime $19-95 00690771 SUM 41-Chuck $19-95 00690767 Switchfoot - The Beautiful Letdown $19-95 00690830 System of a Down - Hypnotize $19-95 00690799 System of a Down - Mezmerize $19-95 00690531 Svstem of a Down - Toxicity $19-95 00694824 James Tavlor - Best of $16.95 00690871 Three Days Grace-One-X $19-95 00690737 3 Doors Down - The Better Life $22.95 00690683 Robin Trower - Bridge of Sighs $19.95 00690740 Shania TWain - Guitar Collection $19-95 00699191 U2 - Best of: 1980-1990 $19-95 00690732 U2-Best of: 1990-2000 $19-95 00690775 U2 - How to Dismantle an Atomic Bomb ...$22.95 00690575 Steve Vai - Alive in an Ultra World $22.95 00660137 Steve Vai - Passion & Warfare $24.95 00690116 Stevie Ray Vaughan - Guitar Collection $24.95 00660058 Stevie Ray Vaughan -

Lightnin' Blues 1983-1987 $24.95 00694835 Stevie Ray Vaughan - The Sky Is Crying $22.95 00690015 Stevie Ray Vaughan - Texas Flood $19-95 00690772 Velvet Revolver - Contraband $22.95 00690071 Weezer (The Blue Album) $19-95 00690447 The Who-Best of $24.95 00690589 ZZ Top Guitar Anthology $22.95

Hill 1 it (/ill/I) •'!,'/1 \/7/>/('( •/ h. , •/>,//',':.-.• ,r,••//'• ••/.</ <7< 'т. '(/,','1'/\ /;/,/: УЛ./ /V,/,•,/..'/,.//</, -../'/v,/, / ' /

H a l ® L e o n a r d C O R P O R A T I O N

7777 W. Bull M.JUNO Rn. P.O.Box 13819 Г.

Visit Hal Leonard online at w w w . h a l l e o n a r d . c o m 0607

Blue Moon from DARE TO BE DIFFERENT

Can't Get Enough from CAN T GET ENOUGH

Classical Gas from CLASSICAL GAS

Countrywide from DARE TO BE DIFFERENT

Determination from DETERMINATION

Guitar Boogie Shuffle from DARE TO DE DIFFERENT

Hearts Grow Fonder from DARE TO BE DIFFERENT

The Hunt from CLASSICAL GAS

Initiation from DP FROM DOWN UNDER

The Journey from THE JOURNEY

Stevie's Blues from DETERMINATION

Up From Bown Under from OP FROM DOWN UNDER

ISBN-13: 978-1-4234-3175-6 ISBN-10: 1-4234-3175-8

IIIIIIIIIMIIIIIIIIIIIIIIIIIII 5 199

U.S. $19.95

U N I V E R S A L Ту

U N I V E R S A L M U S I C P U B L I S H I N G C R O U P

www.universalmusicpublishing.com

best of tommy emmanuel · 2013-12-14best of tommy emmanuel

Documents

tommy emmanuel-halfway home

emmanuel, tommy - classical gas

ol' brother hubbard - tommy emmanuel cgpam

tommy emmanuel - songbook

the finger lakes (bonus track) - tommy emmanuel rocks ·...

tommy emmanuel - the mystery

guitar techniques - acoustic masterclass - tommy emmanuel

tommy emmanuel - the journey continues

kristinhall.orgkristinhall.org/songbook/guitarinstrumentals/angelinaag12.05.pdf ·...

beginning fingerstyle blues guitar - tommy emmanuel …...

various artists tinsley ellis tommy emmanuel curtis

tommy emmanuel - best of

tommy emmanuel fingerstyle guitar method szerző- tommy...

daytripper lady madonna by tommy emmanuel

tommy emmanuel lewis and clark

footprints by tommy emmanuel

tommy emmanuel - the hunt

the hunt by tommy emmanuel

tommy emmanuel - mombasa

tommy emmanuel - guitar boogie