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©Amherst Center for Russian Culture 1999 May Page 1 Amherst Center for Russian Culture Sergei Boldyrev Liturgical M usic Collection & Faina Terentieva Secular Vocal Music Collection Accession number: CRC99-0001 Qua nt ity: 7.58 linear ft. Containers: 7 archi val boxes Proces sed by: 1999 Spring Aaron Stayman Findin g Aid Date: May 1999 Prepa red by: Aaron Stayman Edited by: Stanley Rabinowitz Director of the Center for Russian Culture Access: The bulk of the collection consists of copies rather than original material, therefore there is no restriction on access to these folders. Copyright: It is the responsibility of the researcher to identify and satisfy the holders of the copyrig hts. Request s for per missi on to pu blish mate ria l from the col lecti on sh ould be directed to th e Director of Amh erst Cent er for Russian Cultur e.

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Page 1: Amherst Center for Russian Culture Sergei Boldyrev ... · PDF fileSergei Boldyrev Liturgical Music Collection & Faina Terentieva Secular ... Sergei Boldyrev Liturgical Music Collection

©Amherst Center for Russian Culture1999 May Page 1

Amherst Center for Russian Culture

Serge i Boldyrev Liturgical M usic Collection

&

Faina T erentieva Secular Vocal Music Collection

Accession number: CRC99-0001

Quantity: 7.58 linear ft.

Containers: 7 archival boxes

Processed by: 1999 SpringAaron Stayman

Finding Aid Date: May 1999

Prepared by: Aaron Stayman

Edited by: Stanley RabinowitzDirector of the Center for Russian Culture

Access: The bulk of the collection consists of copies rather than original material, therefore thereis no restriction on access to these folders.

Copyright: It is the responsibility of the researcher to identify and satisfy the holders of thecopyrights. Requests for permission to publish material from the col lection should bedirected to th e Director of Amherst Center for Russian Culture.

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©Amherst Center for Russian Culture1999 May Page 2

Serge i Boldyrev Liturgical M usic Collection

&

Faina T erentieva Secular Vocal Music Collection

Contents

Description of the Collection...............................................................................................................3

Arrangement of Material by Box.........................................................................................................4

History of the Collection......................................................................................................................6

Complete Listing of MaterialsSergei Boldyrev Litur gical Music Collection

Box#1.....................................................................................................................7Box#2.....................................................................................................................9Box#3................. ............ ............ ............ ............ ............ ............ ............ ............ ....14

Faina Terentieva Secular Vocal Music CollectionBox#4................. ............ ............ ............ ............ ............ ............ ............ ............ ....16Box#5................. ............ ............ ............ ............ ............ ............ ............ ............ ....21Box#6................. ............ ............ ............ ............ ............ ............ ............ ............ ....29Box#7................. ............ ............ ............ ............ ............ ............ ............ ............ ....32

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Description of the C ollection

This collect ion consists a lmost wholly of sheet music for vocal compositions with Russian (or ChurchSlavonic) text. Several folders contain music with English text translated from Russian and still others containmusic with Russian text translated from other languages.

The collection is divided into two sections, the Liturgical Music of Sergei Boldyrev and the Secular VocalMusic of Faina Terentieva (Boldyreva). The col lection of Sergei Boldyrev, contained in boxes 1-3, consists ofsheet music for services of the Russian Eastern Orthodox Church. The collection includes original compositionson liturgical texts as well as harmonizations of old chant melodies. The music is for unaccompanied church choir(mixed and single-sex) and most often is arranged in four-voice harmony (piano accompaniment for rehearsalpurposes appears occasionally). In some cases, there are separate parts for individual voices (soprano, alto, tenor,bass).

Because many settin gs of a single hymn text can occur in such a collection, individual sheet music is filedby the composer or arranger. The music represents the work of various Russian and Russian/American composersfrom the 18th to the 20th century. The collection contains pieces by well-known church composer s like Bortniansky,Grechan inov, Kasta l � sky, Chesnokov, Kedrov, L �vov, L �vovsky, Turchaninov and Ar changel �sky as well as lesserknown authors. In addition, Boldyrev �s collection includes the music of primarily secular composers whoexperimented in the sacred realm, such as Rimsky-Korsakov, Tchaikovsky and Rachmaninov. Included here arearrangements of liturgica l music by Serge Jaroff (Zharov), founder and dir ector of the Don Cossack Choir of whichSergei Boldyrev was a former member. The collection also in cludes a number of arran gements by Boldyrevhimself. Much of this material was used in Sergei Boldyrev �s church ensemble in Toronto and therefore the bulkof individual pieces appear s in its most practical form: xerox and mimeograph copies of printed and handwrittensheet music. Some original arrangements and transcriptions of arrangements by other composers appear inhandwrit ten form. Amongst these materials, box#1 contains 4 published part -books of 35 sacred concer ti byBortniansky.

Sheet music which does not indicate the composer or arranger is filed separately by title. In addition toindividual litur gical pieces, the collection includes compilations of li turgical music. These include publishedcollections as well as stacks of individual pieces combined to form a specific service. The most interestingcompilations are part-books pieced together and bound by parish choir conductors for every-day use. Theassortment of composers an d styles combined in these part-books reveals the musical taste and liturgical ideals ofthe choir director.

While the majority of the Sergei Boldyrev Collection consists of music with texts in Chuch Slavonic,Box#3 contains sheet music with English text. This box also contains liturgical music of the Serbian EasternOrthodox Church with text in Serbian transliteration of Church Slavonic.

The second part of this collection contains the sheet music of singer Faina Terentieva. The vocal piecesthat appear in this section of the archive are secular, consisting of Russian folk song arrangements, romances andoperatic arias. The majority of the sheet music is arranged for solo voice with accompaniment on piano but choralarrangements with and without ar rangement are also present here.

A grea t multitude of composers an d arr angers ar e represented in this collect ion. Individual pieces havebeen filed by the title or the first few words of the song �s text (it should be noted that, among many others, arrangements by Sergei Boldyrev and his former director, Serge Jaroff, appear here). Material has also been takeninto consideration in filing individual pieces, sheet music is separated into that which is published, that which ishandwritten, and that which appears in xerox or some other copied form.

In addition to individual works, the Faina Terentieva archive also contains printed compilations ofRussian secular vocal music. These are filed separately by the title of the compilation. Several collections ofUkrainian vocal music are included in this portion of the archive as well.

Aside from Russian vocal music in Russian, which constitutes the bulk of this section, the FainaTeren tieva collection contains folders of material with English text t ranslated from the Russian . Vocal works by

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non-Russian composers with texts transla ted into Russian are filed separately as well. The collection possesses afew miscellaneous items, including a signed concer t program of the Don Cossack Choir (Jaroff), a Don CossackChoir promotional booklet, and music printed on unusual material.

Arrangement of Material by Box

Sergei Boldyrev Litur gical Music Collection

Box#1: Liturgical compositions and chant harmonizations by known composers. Includes mimeographs,xerox copies, some handwritten material and severa l published part books. Filed alphabetically bycomposer or arranger.

Box#2: "Harmonizations/arrangements with initials of unknown composers. "Liturgical compositions (Hymns of the Ordinary and Propers) by unknown composers. "Various chant harmonizations and arrangements of hymns (chant basis indicated) as well asharmonizations for irmosy, tropari , prokimny, ektenii, etc...(chant basis not always indicated) byunknown composers. Contains most ly copies, but thir teen han dwritten sheets are included. Filedalphabetically by title. "Liturgical music compiled for special services (Mimeograph copies fastened together). "Collections of liturgical music. Includes published compilations, xeroxes of compilations, and workscompiled in homemade part-books by church choir directors. "Miscellaneous liturgical material in Russian.

Box#3: "Liturgical compositions and chant harmonizations in English by known composers. All materialappears in either printed, mimeograph, or xerox form. Filed alphabetically by composer/arranger. "Collections of liturgical music in English. "Collections of Serbian Orthodox liturgical music.

Faina Terentieva Secular Vocal Music Collection

Box#4: "Collections of secular Russian vocal music (folk songs, romances, operatic arias). Unlessotherwise specified, all items are printed and bound. "Collections of Ukrainian secular vocal music. "Collections of secular vocal works in Russian by a single arranger or composer. Filed alphabetically by composer.

Box#5: "Individual secular vocal pieces (romances, folk song arrangements), professionally published andprinted. Filed alphabetically by title. Unless otherwise noted, all music is for single voice with pianoaccompaniment. "Music from operas by Russian composers. Music for voice and piano reduction of orchestra. All items arepublished and professionally printed. Filed alphabetically by the title of the opera. "Individual handwritten parts for voice, voice with piano accompaniment, and choral singing. Folders contain romances, folk song arrangements, and music from operas by Russian composers. Arrangements by various composers, though much of the material is credi ted to S. Boldyrev, S. Zharov, orK. Shvedov (arrangements by the two latter composers appear to be transcriptions by other musiciansrather than original manuscripts). Filed alphabetically by title of song (if no title is indicated, the piece isfiled by the first several words of the song). Where possible, the composer and/or arranger is indicated.

Box#6: "The following folders contain copies of printed and handwritten secular vocal sheet music. The copies are primarily in xerox form, but some carbon paper or mimeograph appear as well. The music

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consists of folk song arrangements (for either choir or solo voice with accompaniment), romances, andarias from Russian operas. A multitude of composers and arrangers are represented here in thiscollection. These individual pieces have been filed alphabetically by title.

Box#7: "Vocal music by non-Russian composers, translated into Russian. Folders contain professionally published and printed sheet music. Entries are filed here alphabetically by composer(using the order of the Roman alphabet). "Miscellaneous materials, including concert programs, a music notebook, and sheet music printed insome special medium. "Collections of Russian secular vocal music in English. "Individual pieces of Russian secular vocal music in English.

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History of the Collection

During her career as a performing vocalist, Faina Terentieva (Boldyreva) amassed a substan tial collectionof sheet music. While preparing for a move from Toronto to Gulfport, Fl. she contacted Thomas Whitney with theintention of selling her collection to the Amherst Center for Russian Culture. In the course of correspondence withthe director of the Russian Culture Center, Stanley Rabinowitz, Ms. Terentieva decided to include the sheet musiccollection of her husband, Sergei Boldyrev, former soloist with Serge Jaroff �s Don Cossack Choir and church choirdirector of 25 years. Together, the two collections contain masterpieces of sacred and secular vocal music bysignificant Russian and Russian-emigre composers. The collection was purchased as whole in 1994 by theAmherst Center for Russian Culture.

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The Terentiev Collection: Sheet Music of S.O. Boldyrev

Liturgical Music In Russian: Box#1

Folder # Description

(1-22) Liturgical compositions and chant harmonizations by known composers. Includes mimeographs, xerox copies, some handwritten material and several published part books. Filed alphabetically by composer or arranger.

1 Azeev, Aleksandrov

2 Arkhangel �sky

3 Baranov, S.O. Boldyrev, Borbevii(?)

4A, 4B, 4C Bortniansky

4D Bortniansky, Dmitri, Tenor part-book, published by Jurgenson, Moscow (ca. 1882), � PolnoyeSobraniye dukhovno-muzykal �nykh sochinenii: 35 Kontsertov dlya Diskanta, Al �ta, Tenora,Basa. � (Bound, 71 pp.). ca.1882

Conten ts: � Vospoitye Gospodevi pesn � , � � Torzhestvuyte dnes � , � � Gospodi, siloyuTvoyeyu, � � Voskliknitye Gospodevi, � � Uslyshit tya Gospod, � � Slava v vyshnix Bogu, � � Priiditye, vozraduyemsya, � � Milosti Tvoyeya, Gospodi, � � Sey den �, ego zhe sotvori, � � Poitye Bogu nashemu, � � Blagosloven Gospod, � � Bozhe, pesn � novu vospoyu, � � Raduytesya Bogu, � � Otrygnu serdtse moye, � � Priiditye, vospoim lyudie, � � VoznesuTya, Bozhe moi, � � Kol � vlyublenna seleniya, � � Blago yest � ispovedatisya, � � RecheGospod Gospodevi, � � Na Tya, Gospodi, unpovakh, � � Zhivyi v pomoshchi Vyshnyago, � � Gospod, prosveshcheniye moye, � � Blazheni lyudiye, � � Vozvedokh ochi moi, � � Neumolchit nikogda, � � Gospodi, Bozhe Izrailev, � � Glasom moim, � � Blazhen � muzh, � � Voskhvalyu imya Boga, � � Uslyshi, Bozhe, glas moi, � � Vsi yazytsy, vospleshchityerukami, � � Skazi mi, Gospodi, � � Vskuyu priskorbna yesi, � � Da voskresnet Bog, � � Gospodi, kto obitayet. �

4E Bortniansky, Dmitri, Soprano (discant) part-book, �Polnoye Sobraniye dukhovno-muzykal �nykh sochinenii: 35 Kontsertov dlya Diskanta, Al �ta, Tenora, Basa. � (Bound, 72 pp.).

Contents: Same as above.Addt �l note: A slip of paper with performance notes for �Vsi yazytsy, vospleshchite

rukami... � inserted in back cover.

4F Bortniansky, Dmitri: Bass part, � Polnoye Sobraniye dukhovno-muzykal �nykh sochinenii: 35 Kontsertov dlya Diskanta, Al � ta, Tenora, Basa. � (Bound, 71 pp.).

Contents: Same as above.Addt �l note: A handwritten copy of the bass part for � Skazhi mi Gospodi, konchinu

moyu... � (No.32) inserted in back cover.

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4G Bortniansky, Dmitri: Alto part, � Polnoye Sobraniye dukhovno-muzykal �nykh sochinenii: 35 Kontsertov dlya Diskanta, Al � ta, Tenora, Basa. � (Bound, 71 pp.).

Contents: Same as above.

5 Verbitsky, Vinogradov, Gardner

6 Goncharov

7A, 7B Grechaninov

8 Degtyarev, Dudnik, Zharov, Ippolitov-Ivanov

9 Kalishevsky, A.A. Kaminsky, A. Kanerv

10 Kastal � sky, Kastorsky

11 Kedrov

12 M. E. Kovalevsky, Krupitsky

13 Ledkovsky, Lisitsyn, Lomakin

14 A. L � vov

15 L �vovsky

16 Makarov(?), Myasnikov

17 Nikol � sky, Noskov, V.M. Or lov, Pavlov, Pachenko, Potariinasy(?), Vera Preobrazhenskaya( � Otche nash , � in a pink prin ted booklet, 1967), Rachmaninov, Rech kunov

18A-D D. Reshetar � . Includes a book of hymns for the Divine Liturgy, compositions and harmonizationsby Prot. D.I. Reshetar � . (Bound in a black three-hole binder, 140 pp.).

Addt � l note: There are four of th ese binders, all identical. Each contains full scores ofall the the hymns (SATB). Folder 18A contains several individual liturgical works byReshetar �.

19 Rimsky-Korsakov, F.I. Rudikov, Sarti, Smirnov, Stepanov, D.Solov �ev, Sv. V. Starorussky, M.Tikhomirov, Turchaninov,Tyrpak(?), Fa teev

20 Chaikovsky

21 Cherepnin

22 Chesnokov, Sheremet �ev, P. Yastishak

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Liturgical Music In Russian: Box#2

23 Harmonizations/arrangements with initials of unknown composers. Includes and � Velichit dushamoya Gospoda � (by �L.P. �), � Blagoslovi dushe, � (four separate handwritten part-sheets: tenor I,tenor II, baritone, bass; harmonization of �staryi grecheskii raspev � by �W.D.T., � 1965) and � Apostoli ot konets � (harmonization of Kievo-pecherskaya lavra, signature indecipherable).

24 Liturgical compositions (Hymns of the Ordinary and Propers) by unknown composers (no chantbasis for harmonization indicated). All music is either mimeograph or xerox copy.

Includes: � Da vozraduyetsya, � � Dostoino yest �, � � Dostoino yest �, � Is polla eti despota, � � Kol � slaven, � � Mnogaya leta, � � Mnogaya leta, � � Monogaya leta, � � Mnogoletsvovanie, � � Otvostok, � � Ot yunnostei moeya, � � Pokayaniya otverzi mi, � and � Priidite poklonimsya. �

(25-31) Various chant harmonizations and arrangements of hymns (chant basis indicated) as well asharmonizations for irmosy, tropari, prokimny, ektenii, etc...(chant basis not alwaysindicated) by unknown composers. Contains mostly copies, but thirteen handwritten sheetsare included. Filed alphabetically by title.

25 � Alliluari i � - � Apostoli ot konets �

26 � Blagoobraznyi Iosif � - � Blazhen Muzh �

27 � Velikoe Slavoslovie � - � Dostoino yest � �

28 Ektenii

29 Irmosy

30 Konets Liturgii - �Nyne otpushchaeshi �

31 � Otche nash � - � Kheruvimskaya �

(32-44) Liturgical music compiled for special services (Mimeograph copies fastened together).

32 � V nedelyu Antipaskhi (Fomina Nedelya). � Contains music to be added into services (GreatVespers, Festa l Matins, Divine Liturgy) for the holiday week of Antipaskha. Neithercomposers/arrangers nor compiler indicated. (11 pp.).

33 � V nedelyu Vaii � (Palm Sunday). Contains additional music for Great Vespers and FestalMatins (All-night Vigil) dur ing the week of Palm Sunday. Composers/arrangers unknown exceptfor a single � Zadostoinik � by Pr. Turchaninov. (23 pp.).

34 � Vo Svyatuyu i Velikuyu Pyatidesyatnitsu � (Pentecost). Additional music for Great Vespers,Festal Matins and the Divine Liturgy during the Pentecost. Composers/arrangers not indicated. (23 pp.).

35 � Ezhe po Ploti Obrezanie Gospoda Nashego Iususa Khrista, i pamyat � Sv. Vasiliya Velikago,

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Archiepiskopa Kesari i Kappadokiiskiya. � Additional music for Great Vespers, Festal Matin s,and the Divine Liturgy during this holiday. Composers/arrangers not indicated (22 pp.).

36 � Sretenie Gospoda Nashego Iususa Khrista � (Candlemas Day; Feast of Purification). � Additionalmusic for Great Vespers, Festal Matins, and the Divine Liturgy during the Feast of Purification.Composers/arrangers not indicated. (19 pp.).

37 � Sluzhba Sv. Apostolom Petru i Pavlu. � Additional music for Great Vespers, Festal Matins andDivine Litur gy during th e Feast of Peter and Paul. Composers/ar rangers not indicated, except for � Arkhangel � sky glas � by Bortnyansky. (31 pp.).

38 � Rozhdestvo Presvyatoi Bogoroditsy. � Additional music for Great Vespers, Festal Matins, andDivine Liturgy on this holiday of the Virgin Mary. Composers/arrangers not indicated. (15 pp.).

39 � Pokrov Presvyatoi Bogoroditsy. � Additional music for Great Vespers, Festal Matins, and DivineLiturgy during the the Feast of the Protection. Composers/arrangers not indicated (23 pp.).

40 � Bkhod vo Kram Presvyatyya Vladychitsy Nasheya Bogoroditsy... � Additional music for GreatVespers, Festal Matins, and the Divine Liturgy during this holiday of the Virgin Mary. Composers/arrangers not indicated. (24 pp.).

41 � Izhe vo Svyatykh Otsu Nashemu Svyatitelyu Nikolayu, Arkhiepiskopu Mir-Likiisk. � Additionalmusic for Great Vespers, Festal Matins, and the Divine Liturgy during the Feast of St. Nicholas. Composers/arrangers not indicated. (10 pp.).

42 � Uspenie Presvyatoi Bogoroditsy, � Additional music for Great Vespers, Festal Matins, and theDivine Liturgy the Assumption of the Virgin. Composers/arrangers generally not indicated, butirmosy by A. L �vov appear here. (22 pp.+8pp. of irmosy).

43 � Sluzhba: Uspenie Presvyatoi Bogoroditsy. � Music for a service (apparently Vespers with Litiiaand Matins) during the Assumption of the Virgin holiday. Composers/arrangers not indicated.(22 pp.).

44 � Panakh ida. � Music for a memor ial service, apparen tly put together by Peter Yastishak (a stickerwith his name and address appears in the top right hand corner). Contains compositions andchant harmonizations by Rozdol �sky, Verbinsky, Nizhankovsky(?), Chaikovsky, Mamyuk,Orlovsky, Vorobkevich and L. van Beethoven.

(45-59) Collections of liturgical music. Includes published compilations, xeroxes of compilations, andworks compiled in homemade part-books by church choir directors.

45 � Utrenya � ( harmonizations/compositions for Matins), xerox copies of pp. 57-154 from anunknown publication.

Note: Also includes a xerox of preface (by the editors) and table of contents (pp. 1-56apparently contain music for � vecherni � (Vespers).

Contains compositions for �Utrenya � by the following composers: A.Kastal � sky, Ya. Chmelev, F. L �vovsky, A. Krasnostovsky, P. Ivanov-Padkevich, A.Nikol �sky, A. Arkhangel � sky, L. Pariisky, Aleksandr G. Chesnokov

Contain s harmonizations/arr angements of chant melody for � Utrenya � by the following composers: Redaktsionaya Kollegiia (the editors of this collection) , P.

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Chesnokov, S. Smolensky, A. Kastal � sky, N. Kedrov-syn (son), P. Chaikovsky, M.Kovalevsky, A. Zhavoronkov, M. Osorgin, A. Filat � ev

46 Archbishop Dositheus (M.M. Ivanchenko), � Dukhovno-muzykal �nye Proizvedeniia, SbornikVIII: Psalmy i pesnopeniia na Bozhestvennoi Liturgii posle Prichastnykh (LiturgicalCompositions for Eastern Orthodox Churches, Volume VIII: Psalms and Hymns for afterCommunion in the Divine Liturgy), � published by Dositheus Ivanchenko, Pine Bush, NY, 1971. (Staple bound, 65 pp.).

Note: Contains compositions an d a single chan t arrangement by Archbishop Dositheus.Slavonic and some Engl ish texts.

47 Archbishop Dositheus (M.M. Ivanchenko), � Dukhovno-muzykal �nye Proizvedeniia, SbornikIX: Pesnopeniia iz �Posledovaniya venchan iya � (Liturgical Compositions for Eastern OrthodoxChurches, Volume IX: Collection of Anthems (hymns) for Rite of Holy Matrimony), � publishedby Dositheus Ivanchenko, Pine Bush, NY, 1974. (Staple bound, 28pp.).

Note: Contains compositions and chant harmonizations/arrangements by ArchbishopDositheus, Starorussky, and unknown composers of the 18th and 19th centuries. Slavonicand English texts. There are four identical copies of this item.

48A, B Archbishop Dositheus (M.M. Ivanchenko), � Dukhovno-muzykal �nye Proizvedeniia, Sbornik X:Pesnopeniia na Pogrebenii Umershikh (Liturgical Music for Eastern Orthodox Churches, VolumeX: Anthems (Hymns) for Funeral Service), � published by Dositheus Ivanchenko, Pine Bush, NY,1974. (Staple bound, 80 pp.).

Note: Compositions and harmonizations/arrangements by Archbishop Dothiseus as wellas composition by Chesnokov and a composition by Vedel �. Slavonic and English texts.There are four identical copies of this item.

49 Collection of hymns from the �Bogoglasnik, � (the Bogoglasnik was a collection of hymnsoriginally printed by the Pochaevsky Monastery in 1825, contain ing traditional melodies ofsouthwestern Russia and Ukraine), editors/publisher/composers unknown, missing both covers,title page, most of the table of contents, and the last twelve pages of the appendix.

Note: Contains a foreward (author unknown). Pp. 1-141 contain hymn texts in Slavonicin honor of the Saints (for Saints � Days and Holidays). The appendix contains music forselected texts.

50 Binder of mimeographed sheet music, compiler unknown. Most of the transcriptions are from thelibrary of Vsevolod Dudnik.

Contains compositions by A. L �vov, Gorokhov, Bortniansky, A.A. Arkhangel �sky, Prot.P. Turchaninov.

Contains harmonizations/arrangements by A. L �vov, V. Dudnik.

51 Works compiled by I. Antonii Tereshchenko (ca.1944): Discant part-book (Bound).Contains a mixture of handwri tten parts on staff paper and printed inserts.Primarily Hymns of the Ordinary for regular services. Works by I.P. Solomin,Chesnokov, Gol � tison, Tolstyakov, Vorotn ik, Veleupov, Bortniansky, Bogoslovsky,Chaikovsky, Pachenko, Kallinikov, Nikol �sky, Lirin, Kompaneisky, Grechaninov, Fateev, I. Pokrovsky, Kopylov, Rebikov, and several pieces of unknown authorship (Tereshchenko?).

52 Works compiled by I. Antonii Tereshchenko: Tenor part-book (Bound).

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Contents same as above.

53 Works compiled by I. Antonii Tereshchenko: Alto part-book (Bound).Contents same as above.

54 Works compiled by I. Antonii Tereshchenko: Bass part-book(?) (Bound).Addt �l note: This item is missing almost all of its original contents, as well as the front

cover. Contains a single handwritten bass part for � Blagoslovi dushe... � .

55 Discant part-book: liturgical music compiled into part-book for practical use (bound). IvanYakolevich Popov, whose name is stamped by many of the pieces, appears to be the compiler andperhaps the transcriber/arranger as well. All parts are hand-written in pen on staff paper. Theyear 1908 is written after a resurrectional troparion and � Voskres is groba... �

Contains antiphoni, troparia, prokimni and several hymns which are not credited to anycomposer or arranger. Also includes a transcription of the sacred concerto � Dnes � Vladyki tvari � by Vedel � , Paschal Irmosi by Arkhangel �sky, and a � Velikii kanon � by Arkhangel �sky.

Note: This book contains a a strip of staff paper with extra music for the soprano(discant) par t. Marks for expression an d dynamics in pencil appear over the inked parts.

56 Alto part-book: liturgical music compiled into part-book for practical use (bound). Ivan

Yakolevich Popov, whose name is stamped by many of the pieces, appears to be the compiler andperhaps the transcriber/arranger as well. All parts are hand-written in ink on staff paper. Theyear 1908 is written after a resurrectional troparion and � Voskres is groba... �

Contains antiphoni, troparia, prokimni and several hymns which are not credited to anycomposer or arranger. Also includes a transcription of the sacred concerto � Dnes � Vladyki tvari � by Vedel � , Paschal Irmosi by Arkhangel �sky, and a � Velikii kanon � by Arkhangel �sky.

Note: After � Egda slavnyi uchenitsy � there is an indecipherable set of initials followedby the year 1916 (in pencil). After � Zadostoinik v nedelyu Vaii ( �obychnei garmonii � ) �appears the name I. Popov and the year 1917 (in ink). Marks for expression anddynamics in pencil appear over the inked parts.

57 Tenor part-book: liturgical music compiled into part-book for practical use (bound). IvanYakolevich Popov, whose name is stamped by many of the pieces, appears to be the compiler andperhaps the transcriber/arranger as well. All parts are hand-written in ink on staff paper. Theyear 1908 is written after a resurrectional troparion and � Voskres is groba... �

Contains antiphoni, troparia, prokimni and several hymns which are not credited to anycomposer or arranger. Also includes a transcription of the sacred concerto � Dnes � Vladyki tvari � by Vedel � , Paschal Irmosi by Arkhangel �sky, and a � Velikii kanon � by Arkhangel �sky.

Note: After �Zadostoinik v nedelyu Vaii ( �obychnei garmonii � ) � appears the name I.Popov and the year 1917 (in ink). Pencil marks indicating corr ections and dynamicsappear throughout.

58 Bass part-book: liturgical music compiled into part-book for practical use (bound). IvanYakolevich Popov, whose name is stamped by many of the pieces, appears to be the compiler andperhaps the transcriber/arranger as well. All parts are hand-written in ink on staff paper. Theyear 1908 is written after a resurrectional troparion and � Voskres is groba... �

Contains antiphoni, troparia, prokimni and several hymns which are not credited to anycomposer or arranger. Also includes a transcription of the sacred concerto

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� Dnes � Vladyki tvari � by Vedel � , Paschal Irmosi by Arkhangel �sky, and a � Velikii kanon � by Arkhangel �sky.

Note: After �Zadostoinik v nedelyu Vaii ( �obychnei garmonii � ) � appears the name I.Popov and the year 1917 (in ink). A strip of staff paper is included with a single phraseof music in four parts. Var ious pencil marks, indicating dynamics, corrections,omissions etc... appear throughout.

59 Collection of transcriptions by Walter Yanushevich. Contains 42 liturgical pieces of variouskinds from troparia to elaborate sacred concerti.

Note: Some works are not credited to a composer. Several dates of transcription appear, the earliest being 1924 and the latest 1940.

Contains Compositions by Vedel � , Arkhangel � sky, Grechan inov, Turchan inov,Degtyarev, F.E. Stepanov, G.N. Nosov, A. Turensky, V. Lebedev, Bortnyansky,Maslov, V. Lir in, Ippoli tov-Ivanov, St rokin , M. Tol � stisan(?), I.P. Rumyan tsev.

Contains arrangements by Yanushevich, Lirin

Miscellaneous Liturgical Material in Russian

60 � Pesledovanie chasov, � Izdanie Pravoslavnoi Kanadskoi Eparkhii, 1971. Texts for the priest, thereader and the choir for the observance of the third and sixth hours in both Russian and English. Contain s no music.

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Liturgical Music in English and Serbian Box#3

(61-62) Liturgical compositions and chant harmonizations by known composers. All materialappears in either printed, mimeograph, or xerox form. Filed alphabetically bycomposer/arranger.

(Note: Adaptions into English by A. Ruggieri, Sutko, Peterson, T. Heckman, D.Drillock, A. Cvercko, D. Trigg).

61 Allemanov, Arkhangel �sky, Bortnyansky, P. Chesnokov, A. Cvercko, Grechaninov, T. Heckman,Kastal � sky, Ledkovsky.

62 L �vov/Bakhmetev, Rachmaninov, Rimsky-Korsakov, A. Ruggier i, Samsonenko, Tschaikovsky.

63 Liturgical compositions and chant harmonizations by unknown composers. All material either inmimeograph or xerox form. Filed alphabetically by title (contains music for an entire Panakhidaservice, the packet is stamped by Christ the Saviour Cathedral, Toronto).

(64-67) Collections of liturgical music in English .

64 Sheet music for the Nativity of Our Lord prin ted by the Department of Liturgical Music,Orthodox Church of America (OCA). � ...The texts are taken from The Services for Christmas,published in 1981 by the OCA Dept. of Liturgical Music... For most hymns, two musical versionshave been provided: one in the so-called �Common Chant � or Obikhod... and another version,taken from traditional Kievan and Znamenny chants (harmonizations of the latter melodies byL �vov/Bakhmetev, Yaichkov, Ledkovsky, Balakirev/Rimsky-Korsakov, and others).

65 Russian Or thodox Church Music in English, Part I: Divine Liturgy, Wedding, Funeral (for mixedchoir), adapted by A. Fissot and offered to St. Basil �s Russian Orthodox Church in Watervliet,NY for publishing on its 75th anniversary, 1976. (171 pp., bound).

Contains compositions and harmonizations for the Divine Liturgy, Wedding, andFuneral services. Compositions and harmonizations of chant melody by various composers(including A. Fissot).

66 Divine Liturgy of the Eastern Orthodox Church , adapted by Reverend father Igor Soroka,Vladimir Soroka, Line Drawings by Rev Heirmonk Roman (Serdynski), 1964. (44 pp., bound).

� A complete collection of the hymns of the Divine Liturgy, Resurrection Troparia,Prokeimenons, Pre-Communion and Dismissal Hymns and selected music for variousFeast and Holy Days (arranged for two-part singing). �

Note: No specific basis for chant harmonization indicated. Contains a forewardby Alexander Schmemann.

67 Divine Liturgy Hymnal, adapted for Orthodox Liturgical Worship for All the Faithful(Congregation or Choir), text and music compiled by Igor Soroka, approved for publication:Theodosius, Archbishop of New York, Metropolitan of All-America and Canada, 1979.

Contains adaptations of compositions and chant harmonizations, some composers are

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indicated (Rimsky-Korsakov, Bortnyansky, Kovalevsky, and others...).Note: Contains a foreward (by Igor Soroka?).

(68-69) Collections of Serbian Orthodox Liturgical Music

68 � Badnyak � , Serbian Christmas Music, Izdanje Srpskog Pevackog Svaeza u Americi, Milwaukee,Wisconsin, 1974. (63 pp., bound).

Contains compositions by T. Ostojich, St. St. Mokranjac, V. Ilic, J. Kindl, Prota MirkoPavlovic, N. Baracki, Moka Kotorska-Baosic, Kornelije Stankovich.

Contains harmoniza tions/arrangements by Dragie Zuzuly (Cuculjevich), M.P.Marlovina, Jerej S. Vujkov.

Note: Contains foreward and introduction in English. Text for Badnjak ceremony inboth English and Serbian (transliterated Slavonic). All hymn texts in Serbian(transliterated Slavonic).

69 � St. John Chrysostom Liturgy, Marriage Ceremony, Requiem of the Ser bian Eastern OrthodoxChurch for Mixed choir, � compiledand copied by D. Cuculjevich, publication of the SerbianSinging Federation of America, 1954. (64 pp., spiral bound).

Contains compositions by St. St. Mokranjac, J Marinkovich, R. Tollinger,M. Pavlovich,St. St. Binichki, J. Travanj, P. Kranjcevich, K. Stankovich. M. Topalovich.

Contains ar rangements by Vlad. V. Dobrovolsky, Cuculjevich, J. Kindl, A. Savine, S.Sokoloff.

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Faina Terentieva Collection, Russian secular vocal sheet music: Box#4

Folder # Description(1-23) Collections of secular Russian vocal music (folk songs, romances, operatic arias). Unless

otherwise specified, all items are printed and bound.

1 � Aria i Romansy iz Reper tuara N. Zabely-Vrubel � , � L. Barsova, compiler , Izdatel � stvo � Muzyka, � Leningradskoye Otdelenie, 1977 (80 pp.). For soprano with piano accompaniment.Arias by Rimski-Korsakov, Chaikovsky, Verdi, and Puccini (the latter translated into Russian)and romances by various composers.

2 � Vecher Starinnogo Romansa, � (Series: � Repertuarnyi Sbornik � ), foreward by Yurii Yakushev, Izadatel �stvo � Iskusstvo, � 1974 (108 pp.). For voice and piano accompaniment. Containsromances with lyrics by various authors an d music by various composers.

3 � Dorogoi Dlinnoyu, Popularnye Romansy, � N. Kol �tsov, compiler, Izadatel �stvo � Muzyka, �Moskva, 1970 (63 pp. ). For voice with piano accompaniment . Contains romances with lyrics byvarious authors an d music by various composers.

4 � Kazach �i Pesni: Sbornik Pervyi, � (Kazach �ya Biblioteka No. 8), compiler unknown, IzdanieZhurnala � Na Kazach �em Postu � (46 pp.). Includes texts for Cossack marching songs, dancesongs, and several Cossack an thems. Music appears for selected texts (with and without divisiand/or piano accompaniment).

Note: Inscription on front cover to � I.I. Dolinkov (?) � from the anonymous compiler,20/9/1944.

5 � Lyubimye Pesni: Pesennik (Vypusk 5), � E. Sirotkii, compiler, Izadatel �stvo � Musyka, �Leningrad, 1974 (65 pp.). Contains melodies and chord progressions for texts of folk songs, oldromances, songs by Soviet composers, amd songs in translation by foreign composers.

6 � Na Odnoi Zemle s Toboi, Pesni na St ikhi Kima Ryzhova, � V. Grigorenko, ed., Izdatel � stvo � Sovetskii Kompozitor, � Moskva, 1968 (36 pp.). Voice with piano accompaniment. Music tothe lyrics of Kim Ryzhov by A. Kolker , A. Petrov, V. Shepovalov, and A. Vladimirtsov.

7 � Novye Vokal �nye Proizvedeniya, � Yu. Keldysh , ed., Prilozhenie k Zhurnalu � SovetskayaMuzyka, � 1957 (32 pp.). Voice with piano accomapaniment. Six works by six differentcomposers on the lyrics of six different authors (three are translated, the final piece is ananonymous folk song arrangement).

8 � Pesennik, � compiler unknown, Izdanie Yunosheskogo Otdela Russkogo StudencheskogoKhristianskogo Dvizheniya, Paris (year?) (98 pp.). Melodies (occasionally with divisi, noaccompaniment) and lyrics for folk songs and romances. Composer/lyricist not indicated fortraditional folk songs.

9 � Pesennik Rossiiskago Voina, 1721-1921; The Russian Warrior � s Songbook, � Volume I,compiled and arr anged by V. Mantulin, V. Mantulin, NY, 1970 (95 pp. ). � A collect ion of

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soldier � s, seaman � s, Cossack, regimenta l volunteer units � , military academy and cadet songs,ioncluding the anthems and chorals which were most frequently sung in the Imperial Army andNavy in four-voiced a capel la arrangement. � Includes English tr anslat ions. Where applicable,lyricist and composer are indicated.

10 � Pesni, � compiled by Pavel Yur �yan, publisher?, year? (162 pp.). Folk songs, romances, and afew liturgical pieces in two, three or four-voice arrangements. Contains anonymous works andworks by both Russian and foreign composers (translated Russian).

11 � Pesni Radio i Kino, � 170 vypusk, V . Marutaev, ed., Izdatel �stvo �Muzyka � , Moskva, 1972 (26pp.). Voice with piano accompaniment. Contains music to the 50th anniversary of SovietEducation, songs of Soviet cinema, �New Songs, � songs �at your request, � and songs of theforeign stage and cinema (translated into Russian).

12 � Repertuar Samodeyatel �nykh Muzykal �nykh Kollektivov, � vypusk 17, E. Leonov, ed.,Izdatel � stvo � Muzyka, � Moskva, 1975 (64 pp. ). For each piece, includes an arrangement for two-voice choir, three-voice single-sex choir, three-voice mixed choir and four-voice mixed choir allwith piano accompanimen t. Contains th ree pieces: � Mgnoveniya � by M. Tariverdiev, � BerezovyiSok � by V. Basner and � Drozdy � by V. Shainskii.

Note: the original owner �s name � Dmitry Zabrotsky � is written on the dust jacket andthe title page.

13 � Romansy Sovyetskikh Kompozitorov Na Stikhi Rabindranata Tagora, � compiled by N.

Rozhdestvenskaya, Gosudarstvennoe Muzykal �noe Izdatel �stvo, Moskva, 1962 (57 pp.). Musicfor voice with piano accompaniment to the words of Rabindranat Tagor by M. Ippol itov-Ivanov,S. Vasilenko, A. Dzegelenok, F. Nadenenko, M. Osokin , Vl. Vlasov.

14 � Russkie Narodnye Pesni i Pesni Nashikh Dnei, � first edition, compiler unknown, RussianLanguage Specialties, Chicago, IL, 1965 (20 pp.). A capella arangements of Russian folk songsby various composers. Newer songs by various composers and lyricists appear with text andmelody only. The final piece � Pesnya o Druge � includes piano accompaniment and a versiontranslated into English ( � My Friend � ).

15 � Russkie Khory dlya Smeshanykh Golosov, � Izdanie I.A. Mel �nikova, (stamped as the propertyof Jurgenson Publishing in St. Petersburg), printed by Yu. P. Semechkinoi, St. Petersburg,approved by censors in 1895 (43 pp. each). This folder contains four par t-books: soprano, alto,tenor and bass. Contains songs by Veimarn, Napravnik, Kyun, Kazachenko, Chaikovskii, andShenk.

Note: The name of the original owner � Aga Hiron � (?) appears on the dust cover of eachpart-book. The tenor part is stamped � made in Galicia. �

16 � Russkie Khory dlya Smeshanykh Golosov, � second edition, Izdanie I.A. Mel � nikova, (stampedas the property of Jurgenson Publishing in St. Petersburg), printed by Yu. P. Semechkinoi, St.Petersburg, date? (16 pp. each). This folder contains four part-books: soprano, alto, tenor andbass. Contains songs by Krushevskii, Polyakov, Shenk.

Note: The name of the original owner � Aga Hiron � (?) appears on the dust cover of eachpart-book. The soprano part is stamped �made in Galicia. �

17 � Song Book of the Russian Student Choir, � Vol. 1, compiler unknown, Defense LanguageInstitute, 1965 (134 pp.). Contains four-part a capella arrangement of folk songs, Cossackdances, student songs, military songs, some liturgical material . For the most part, composers are

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not indicated. English t ranslat ions provided for most of the texts.Note: Includes a � Short Guide to Reading Music � at the beginning. There is ahandwritten inscript ion to � Serezhen �ka � (Sergei Boldyrev) from Natasha Kosoleva(?),30.11.91, Toronto.

18 � Song Book of the Russian Student Choir, � Vol. 2, compiler unknown, Defense LanguageInstitute, 1965 (153 pp.). Contains four-part a capella arrangement of folk songs, Cossackdances, student songs, military songs, some liturgical material . For the most part, composers arenot indicated. English t ranslat ions provided for most of the texts.

Note: Contains a supplemental Russian English glossary at the back of the collection.

19 � Starinnye Val �sy, � compiled by I. Nazarenko, Izdatel �stvo � Muzyka, � Moskva 1970 (79 pp.). Music for voice with piano accompaniment. Contains popular waltzes of the 19th and 20th

centuries as well as romances written in the form of a waltz. Compositions and arr angements byvarious composers.

Note: There are two copies of this item. One copy contain s the original owner �s name, �Galina Dobrich, � on the dust cover.

20 � Starinnye Pesni i Romansy Dlya Semistrunnoi Gitary, � compiled and arranged by M. Minin,

Izdatel �stvo � Muzyka, � Moskva, 1966 (27 pp.). Music for voice and seven-string guitar. Contains romances from the second half of the 19th century. Words by various poets/lyricists andmusic by various composers.

Note: The name �Galina Dobrich � is written on the dust cover.

21 � Starinnye Russkie Romansy, � compiled by L. Mezentseva, Izdatel �stvo � Muzyka, � Moskva,1974 (79 pp.). Music for voice and piano. Old romances (mainly 19th century) by both well-known and more obscure composers.

22 � Umchalis � Goda... : Starinnye Romansy dlya golosa s fortepiano, � compiled by B. D. Gofman,Izdatel � stvo � Muzyka, � Moskva, 1977 (46 pp. ). Music for voice and piano. Roman ces byvarious lyricists/composers.

23 � Sbornik Starinn. Romansov, � (actual dust cover/title-page missing, this is handwritten on thelist of contents), compiler /publisher/date unknown (l ist of songs indicates tha t they are 70 pagesin this col lection, there are on ly 58 of those here, ending with � Pridi Milyi Moi. � ). Music forvoice with piano accompaniment. Romances written and arranged by various composers.

Note: The name � Galina Dobrich � (Dovbich?) appears handwritten at the top of the listof songs. This collection, formerly bound, is now taped together).

(24-26) Collections of Ukrainian secular vocal music.

24 � 201 Ukrains �kikh Narodnikh Pisen � , � compiler unknown, Ukra inian Music Publ ishing Co. � Surma, � NY, 1954 (141 pp.). Piano rescension of folk songs and Cossack songs with text inUkrainian.

25 � Muzika do Kobzarya: Music to the Words of Taras Shevchenko, � compiler unknown, �Surma �Book and Music Co., NY 1954 (95 pp.). Music for soprano or alto with piano accompaniment. 32 songs to the words of Taras Shevchenko by Lisenko, Zarembi and Markevich.

26 � Spivayut � Sestri Baiko, � compiled by Anatolii Kos-Anatol �skii, Kinobo-zhurnal �neVidavnitstvo, L �viv, 1959 (74 pp.). Music for female trio with piano accompaniment. Contains

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songs by Ukrain ian composers and arrangements of Ukrainian folk songs from the repertoir ofthe Baiko sisters.

Note: The name and address of �Anna Nicholls � appear on the title page of thiscollection.

(27-43) Collections of secular vocal works in Russian by a single arranger or composer. Filed alphabetically by composer.

27 Akimenko, F. O., � Romansy i Pesni na Slova Ukrainskikh Poetov, � M. P. Belaieff, 1937 (9 pp.).Music for voice and piano to the words of Ukrainian poets. Texts appear in Ukrainian, Russian and French. Contains � V pesne-muki, � � Ne udivlyaisya, � and � Ne zal �etsya pesnei serdtse. �

28 Aleksandrov, A. V. , � Pesni i Khory, � S.I. Smirnov, ed., Voennoe Izdatel �stvo Min isterstvaOborony SSSR, Moskva, 1965 (119 pp.). Music for voice with bayan accompaniment. Folk songarrangements, Soviet army songs, music to the words of various poets by A.V. Aleksandrov.

29 Balakirev, M., � Sbornik Russkikh Narodnykh Pesen �, � M.P. Belyaev (Jurgenson Publishing),Leipzig, 1895 (table of contents lists 80 pages, but only 18 are present here). Music for voice andpiano accompaniment . Arangements of Russian folk song by M. Balakirev.

30 Blanter, M., � Pesni na Slova B. Okudzhavy, � Vsesoyuznoe Izdatel �stvo Sovetskii Kompozitor,Moskva, 1969 (22 pp.). Music for voice with piano accompaniment. Music to the words of B.Okudzhava by M. Blanter.

31 Germanov, S., � Romansy i Pesni, � V. Zharov, ed., Izdatel �stvo �Muzyka, � Moskva, 1971 (43pp.). Music for voice with piano accompaniment. Music to the words of various poets by S.Germanov.

32 Dyubyuk, A., � Romansy, � compiled by R. Dobkina, Izdatel �stvo �Muzyka, � Leningrad, 1973 (47pp.). Music for voice with piano accompaniment. Music to words of various poets by A.Dyubyuk.

33 Leontovich, N., � Chetyre Khory: Ukrainskie Narodnye Pesn i, � M. Yu. Mirkin, ed., Vserossi iskoeKhorovoe Obshchestvo, Moskva, 1960 ( includes ful l score, 11 pp., an d four part books, soprano,alto, tenor, bass). Choral music in four-part arrangement. Arrangements of Ukrainian folksongs ( �Pryalya, � � Za gorodom kachki plivut �, � � Shchedrik, � and �Dudarik � ) by N. Leontovich.

34 Malashkin, L.D., � Starinnye Romansy, � compiled by V.S. Malashkin, Izdatel �stvo � Muzyka, �Leningrad, 1972 (34 pp.). Music for voice with piano accompaniment. Music by L.D.Malashkin to his own lyrics as well as the words of A. Kol � tsov.

35 Ponomarenko, G., �Rastet v Volgograde Berezka: Popularnye Pesni v Soprovozhdanii Bayana,Vypusk 74, � P. Teplov, ed., Izadatel �stvo �Muzyka, � 1968 (58 pp.). Music for voice andaccompaniment by bayan. Music to the words of various lyr icists by G. Ponomarenko.

36 Rebikov, V., � Detskii Mir : 25 Detskikh Trekhgolosnykh Khorov dlya Shkol, � Compilerunknown, Yurgenson, Moskva, date? (11 pp.). Music for voice without accompaniment. Thecomplete collection ought to include parts for a three-voice children �s choir, only the first voicepart appears here. 25 songs, music by V. Rebikov to the lyrics of Kol � stsov, Lermontov,Tumanskii, Zhukovskii, Tolstoi, Maikov, Pushkin, Kukol �nik, and Nikitin.

Note: On the top of front cover: � Property of L. Pisarev

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37 Rimsky-Korsakov, N. , Title un known (tit lt page/dust jacket missing), compi ler/editor/publisherunknown, date? (Includes pp. 5-60, no table of contents). Music in four-part arrangements (malechoir and mixed choir) with piano accompaniment. Contains: � Vakkhicheskaya pesnya � (wordsby Pushkin), � Staraya pesnya � (words by Kol �tsov), �Mesyats Plyvet � (words by Lermontov), � Poslednyaya tucha pazseyannoi buri � (Pushkin), � Molitva � (Pushkin).

38 Sveshnikov, A.V., �Dvadtsat � Shest � Russkikh Narodnykh Pesen, � compiler unknown,Gosudarstvennoe Muzykal �noe Izdatel �stvo, Moskva, 1948 (73 pp.). This item is a stack ofxerox copies, not a printed original. 26 arrangments of Russian folk song for four-part choruswithout accompaniment by A.V. Sveshn ikov.

39 Solov �ev-Sedoi, V., �Pesni, � G. Krasnov, ed., Sovetskii Kompozitor, Leningrad, 1963 (106 pp.).Music for voice (and choir) with piano accompaniment. Songs by V. Solov �ev-Sedoi, primarilyfrom the stage and film. Words by various lyricists.

40A Stone, Gregory, � Gypsy Memories: Tsyganskie Otgoloski, � compiled and arranged by GregoryStone, Edward B. Marks Music Corporation, 1936 (42 pp.) . � Twelve favorite gypsy romancesfor voice and piano. � Contains texts in English and Russian.

40B Strok, Oskar, Title unknown, Edition �Kazanova, � Riga 1937. (pp. 3-6 and 11-16 from anunknown publication appear here). Conatins arrangements of � I l �yotsya pesnya, � � Vozle lesa ureki, � Divnyya ochi, � � My tol � ko znakomy, � � Ty uspokoi menya, � � Lyubov � proshla, � � Novayaderevnya, � and � Zhili 12 razboinikov � by Oskar Strok.

Note: � Otdel �nye noty N3 Oskara Stroka � (individual sheet music of Oskar StrokNumber 3) is written on page 3.

41 Taneev, S., � Desyat � Stikhotvorenii iz Sborn ika Ellis � Immor tel i, � � Rossiiski i Muzykal �nyiIzdatel �stvo, Berlin-Moscow, 1909 (48 pp., last pages are missing). Music for one voice andpiano accompanimen t. Contains twelve poems set to music by S. Taneev. Texts by Th. Moore,Dante Alighieri, Maeterlink, Ch. Baudelaire, S. Prud � homme, Rodenbach, J. M. Heredia, Ch. D �Orias, Nitzsche. Texts in Russian and German.

42 Cherepnin, N., � 6 Romansov, � M.P. Belyaev, Leipzig, 1900 (25 pp.). Music for voice and pianoaccompaniment . 6 romances by N. Cherepnin: � Osennee � (Lyalech in), � Na vodakh pokoiglubokii � (Kutuzov), �Kolybel � moya kachalas � u Siona � (Maikov), � Sleti k nam tikhii vecher, � � Rozy � (Kupernik), � Kolybel �naya � (Lermontov).

43 Shvedov, K., � Pesni Russkago Naroda v Arrangirovke K. Shvedova: Songs of the Russian Peoplearranged by C. Shvedov (Vol. 2), � Federated Russian Orthodox Clubs, NY, 1939 (36 pp.). Musicarranged for mixed voices in four-part harmony. 16 Russian folk songs arranged by Shvedov. Texts in Russian and English.

Note: There three copies of this item.

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Faina Terentiev Collection, Russian secular vocal music: Box#5

(44-58) Individual secular vocal pieces (romances, folk song arrangements), professionally published and printed.Fi led alphabetically by title . Unless otherwise noted, all music is forsingle voice with piano accompaniment.

44 � Akh etot vzor! � music by Zh. V.(?), words by P. Yu. G-re(?), ( � Tsyganskaya zhizn � � series),published by N. Kh. Davingof, St . Petersburg, date?.

Note: The initials � I.I.T. � and the name �Mimi � appear at the top of the front cover.

� Ballada, � music by A. Rubinstein , words by I. Turgenev, published by Yurgenson, Moscow,date?.

Note: Text in Russian and German.

� Beregis �, ne obzhgis � � (Tsyganskii romans), words and music by M.K. Shteinberg, izdanie � Tsimmerman, � St. Petersburg/Moscow, date?

45 � V dushe moei, � music by B. V. Vrangel �, words by N. D. Benardaka, ( �Muzykal �nyi Mir �series) Izda tel � stvo � A. Iorgansen � , Petersburg, date?.

� Vernis �! � arrangment by B. Prozorovskii, (Repertoir of Tamara Tseretelya), published by theauthor, Moskva, 1925.

� Vremya nich to izmeni t � ne moglo � (otvet na romans � Vremya izmenitsya � ), music by Ya. L.Fel �dman, words by G. Razdol � sky and D. Raskatov, Izdatel �stvo � Muzykal � nyya Novosti, � date?.

Note: the name Galina Dobrich appears on the cover.

� Vremya izmenitsya, � words and music by B. S. Borisov, (for the 1913-14 concert tour of M. I.Babich), publ ished by A. Gun, Moskva, date?.

Note: the name Galina Dobrich appears on the cover.46 � Gasnul zakat, � music by S. Ya. Pokrass, words by Pav. German, (the �new repertoir of Yurii

Morfessi � ), published by O. Ventsel � , Petrograd, date?.

� Gonets, � N. Rimsky-Korsakov, M. P. Belaieff, Leipzig, date?.Note: Text in Russian and French.

� Dlya beregov otchizny dal �noi, � music by N. Rimsky-Korsakov, words by A. S. Pushkin,published by M. P. Bela ieff, Leipzig date?.

Note: Text in Russian and French.

� Dushechka Devitsa, � music by A. Dargomyzhsky on a folk text; music for solo voice and choir with piano accompaniment, Gosudarstvennoe Izdatel �stvo: Muzykal �nyi Sektor, Moskva, 1928.

Note: Text in Russian and German.

47 � Zhazhdu svidan �ya, zhazhdu lobzaniya � (Tsygan skii va l � s), words and music by N. V. Zubov,( � Sredi tsygan � series), published by K. Leopas, St. Petersburg, date?

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� Zhelannyi ty moi � (Tsyganskii romans), words and music by M. V. Lentovskii, published by A.Gutkheil � , Moskva, date?.

� Zakatilos � solntse, � music by P. Chaikovskii, words by A. Ratgauz, published by Muzgiz,Moskva-Leningrad, 1940.

� Zachem, � music by A. D. Davydov on an anonymous text, (from a series of th ree romances by Davydov), published by Jugenson , Moscow-Leipzig, da te?.

Note: the name Galina Dobrich appears on the cover as well as the initials I.I.T and thename Mimi.

� Znayu den � pridet, � arrangement by A. Lentsov, words by Dmitri Dzhusto. Published by theauthor, Krasnodar, 1928.

Note: � N. Kasharnitskaya, 1929 g. � appears on the cover.

48 � Kak sladko (How sweet), � music by Leon Zuckert, words by Ella Bobrov, Leonella MusicPublishing Co., Toronto, date?.

Note: Text in Russian, English, German and French. Inscribed to Faina Terentiev fromthe composer, 1974.

� Kak kh oroshi te ochi, � music by Fal � binov, words by N. V. Dul �kevich. Publi shed byZimmerman, Leipz ig-Berlin , date?.

Note: Text in German and Russian.

� Kakaya Noch � , � music by Vrangel � , wor ds by Baroness I. Medem, published by � SevernayaLira, � Petersburg, date?.

� Kogda, dusha, prosilas � ty... � music by A. Alyab �ev, words by A. Del � vig, (KontsertnyiRepertuar Vokalista series), Muzgiz, 1962.

� Kolokol �chik, � music by K. Lyadov, words by A. Ammosov, (Vokal �naya biblioteka), Muzgiz1961.

� Kol � slyshu khor t sygan, � composer/lyricis t?, published by W. Bessel and Co., Paris, date?.Note: Text in Russian and French. The name A. Nicholls appears on the cover.

� Krasnyi Sar afan, � music by A. Varlamov, words by G. Tsyganov, GosudarsyvennoeMuzykal �noe Izdatel �stvo, Moskva, 1935.

Note: Text in Russian and German (French text added by owner with typewriter).

49 � Lada, � R. Music by Glier, words by Lyubov � Stolitsa, Gosudarstven noe Izdatel �stvo:Muzykal �nyi Sektor, Moskva-Petrograd, 1923.

� Lebednaya Pesn � , � music and words by M. Y. Puare, published by J. P. Katz, NY date?.

� Moe Blazhenstvo, � music by N. E. Nikiforovaya, words by K. D. Bal � mont, published by �Severnaya Lira, � Petersburg, date?.

� Moi chudnyi son, � words and music by M. Shteinberg, published by Zimmerman, Petersburg-Moscow, date?.

Note: the name Mimi ...? appears on the cover.

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� Mrachnaya zhizn � , (daite mne radostei), � music by Y. Rik, words by L. L. Pal � msky, publishedby N. Kh. Davingof, Petrograd, date?.

� Muchen �e mne, tebya lyubit �, � music by F. K. Sadovsky, words by Evgenii Yur �ev, ( � Sredi Tsygan � series), published by K. Leopas, Petersburg, date?.

� My vypili do dna, � music by Y. L. Fel �dman, words by S. Stivinsky. (Repertoir of AgrippinaSergeevna Granskaya), published by Detlaf an d Co., Moskva, da te?.

50 � Na gore, gore, � music by A. Grechaninov, words by ...? (Belorussian folk song),Gosudarstvennoe Izdatel �stvo, Muzykal �nyi Sektor, Moskva-Leningrad, 1924.

� Nad tikhoyu rekoyu, � words and music by B. B. Baron, ( � Tsyganskoe pazdol �e � series),published by � Severnaya Lira, � St. Petersburg, date?

� Ne vspominai, � music by N. Kh. Davingof, words by Lev Drizot, ( � Tsyganskaya zhizn � � series)published by Davingof, Petrograd, date?

� Ne zazhigai ognya! � music by A. Arenskii, words by D. Ratgauza, ( � Biblioteka Vokalista-lyubitelya � series), Izdatel � stvo � Muzyka, � Moskva, date?

Note: the name G. Dobrich appears on the cover.

� Nochnye dumy, � music by N. V. Zubov, words by A. V. Mattizen, ( � Tsyganskaya zhizn � �series) published by N. Kh. Davingof, Petersburg, date?

Note: the name G. Dobrich appears on the cover.

� Nochnye tsvety: Belye blednye..., � music by A. K. Shilovskii, words by E. A. Varzhenevskaya, ( � Tsyganskaya zh izn � � series) published by N. Kh. Davingof, Petersburg, date?

� Noch � svetla (starinnyi russkii val �s) � , music by Shishkin, arranged by V. Podol �skaya,publisher /date?

Note: These are pages torn out of a collection of some kind, these printed sheets do notindicate anything about the larger publication.

51 � O zhizn � moya postoi ne ukhodi, � words and music by T. K. Tolstoi, ( �Tsyganskaya zhizn � �series) published by N. Kh. Davingof, Petersburg, date?

Note: the names �Galina Dobrich � and �Mimi Sudermaya � appear on the cover.

� Otgovorila roshcha zolotaya, � music by Ponomarenko, words by S. Esenin, publisher/dateunknown.

Note: This is page taken from a magazine or journal of some kin d, an article by Il �yaErenburg appears on the opposite side of the page.

� Ottsvetali v sadu bledno-pyshnyya rozy, � music by N. Kh. Davingof, words by E. A. R. (?), ( � Tsyganskaya zh izn � � series) published by N. Kh. Davingof, Petersburg, date?

� Otchego ty ne khochesh � lyubvi...? (tsyganskyi romans) � words and music by Sergei Kuznetsov, ( � Tsyganskaya zh izn � � series) published by N. Kh. Davingof, Petersburg, date?

� Okh vy gody, moi gody, � music by Y. Arnol �d, words by L. A. Mei, (No. 2 from the series � Tri

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melodii dlya basa � by Yurii Arnol �d) published by M. Bernard, Petersburg, date?

52 � Pis �mo materi, � music by V. Lipatov, words by S. Esenin, (from the repertoir of Lina...asal � skaya(?), obscured), Izdatel � stvo Modpik, date?

� Pobledneli veselye kraski, � music by Ippolitov-Ivanov, words by ?. A duet for mezzo-sopranoand alto. Published by RSFSR: Muzykal �nyi Sektor Gosudarstvennogo Izd-va, Moskva, 1929.

� Pobud � so mnoi, � music by N. V. Zubov, words by N. N. (?), ( �Tsyganskie Glazki � series),published by Jurgen son, Moskva, da te?

Note: the initials I.I.T. and the names Galina Dobrich and Mimi appear on the cover.

� Podari mn e platok, � music by G. Ponomarenko, words by M. Agash inaya, publisher/date?Note: This piece of music appears in a newspaper clipping, along with a short article, � Pesnya prishlas � po dushe, � by V. Terskaya. The newspaper title is unknown, but thedate is September, 7 1974 (No. 210).

� Poet zima, aukaet, � music by V. Kosenko, words by S. Esenin, ( �Kontsertnyi repertuarvokalista � series) Muzgiz, 1960.

Note: Text in Russian and Ukrainian.

� Pozhalet � -to ne mogu � (Otvet na romans �Pozhalei � ), music by A. N. Chernyavskii, words by P.Krupchinin, Izdanie �Evterpa, � Petrograd, date?

Note: �Dobrich � appears on the cover.

� Poi, lastochka, poi: Sing, birdie, sing... � Russian folk song arranged by H.L. (HenryLefkowitch), Publish ed by Metro Music Co., NY, date?

� Poteryala ya kolechko � (arranged by I. Il � in) and � Zachem tebya ya, milyi moi, uznala...? �(arranged by A. Titov), (from the series �Lyubimye russkie narodnye pesni � ) Muzgiz, 1952.

Note: The name G. Dobrich appears on the front cover.

53 � Poutru raneshen � ko..., � music by A. Grechaninov, words by ?, publisher/date unknown (thesepages appear to have been taken from a collection of some kind, they are numbered 5-9 and thetitle is preceded by the number 2).

� Pochemu ya bezumno lyublyu...? (Tsyganskii romans) � words and music by B. S. Gurovich,( � Lyubimye i novye romansy i pesni � series) Izda tel � stvo � Evterpa, � Petrograd, date?

� Pochemu ya bezumno lyublyu...? (Tsyganskii romans) � arranged by Gr. Fistulari, ( �U tsygan �series) published by � Bayan, � Berlin, date?

Note: � Galina Dobrich � appears on cover.

� Provansal �skaya pesnya no. 3: Osen �yu, � music by M. Ippolitov-Ivanov, words by Verlen,published by Aleksandr Venshau, Moskva, da te?

� Pust � tol �ko son... � music by N. Kh. Davingof, words by Oleg Leonidov, ( � Tsyganskaya zhizn � �series) published by N. Kh. Davingof, Petrogr ad, date?

54 � Razluka, � music by A. Gurilev, words by A. Kol �tsov, ( �Vokal �naya BibliotekaKhudozhestvennoi Samodeyatel �nosti � series), Muzgiz, 1961.

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� Ryabiny (Kuzina i Zina), � music by A. Kvidam, words by P. Potemkin, ( � Tsyganskaya zhizn � �series) published by N. Kh. Davingof, Petersburg, date?

55 � S nemym vostorgom, � music by V. P. Semenov, words by M. K. Snegirev, Publish ed byZimmerman, Peter sburg-Moscow-Leipzig-London, da te?

� Severnaya Zvezda, � music by M. Glin ka, words by Rostopch inaya, GosudarstvennoeMuzykal �noe Izdatel �stvo, Moskva-Leningrad, 1948.

Note: The name �Klara � appears on the front cover.

� Serenada Don-Zhuana, � music by P. Chaikovsky, words by A. Tolstoi, GosudarstvennoeMuzykal �noe Izdatel �stvo, Moskva-Leningrad, 1952.

� Snegopad, � music by A Ekimyan, words by Alla Rustaikis, publisher/date unknown.Note: This single page appears to have been ripped from a journal or magazine of somekind. The page yields no informat ion about the publication . Six pieces of sheet music appear in miniature form on this page.

� Snova, kak pr ezhde, � music by P. Chaikovsky, words by D. Ratgauz, Gosudarstvenn oeIzdatel �stvo: Muzykal �nyi Sektor , Moskva-Leningrad, 1923.

Note: Text in Russian and German.

� Step � Moldovanskaya, � words and music by A. Vertinskii, Izdatel � stvo � Kolos �ya, � Paris,copyright 1930.

56 � Tak zhizn � molodaya prokh odit bezsledno, � words and music by L. D. Malashkin, published byJurgenson , Moskva, date?

Note: text appears in Russian and German.

� Temno-vishnevaya shal �, � words and music by an anonymous author, arrangement by V.Podol �skaya, publisher/date unknown.

Note: This double-sided page, numbered 5-6, appears to be taken from a collection ofsome kind.

� Troika, � gypsy tune, arranger not indicated, ( �Tsyganskaya zhizn � � series) published by N. Kh.Davingof, Peter sburg, date?

Note: � Talya � appears on the cover and � G. Dobrich � appears inside.

� Troika � (words by Chuevskii) and � Gori, gori, moya zvezda � (words by unknown author), musicby P. Bulakhov, Muzgiz, 1961.

� Tuchki nebesnyya, � music by A. Dargomyzhskii, words by M. Lermon tov, published byJurgenson , Moskva, date?

� Ty eshche ne umeesh lyubit � � (Tsyganskii romans) arranged by N. Shishkin, (from the � Sobranie tsygan skikh romansov kurskago khora � series) Published by Jurgenson, Moskva, date?

Note:Text in Russian and German. The name �Windsor � appears on the cover.

� Ty moi rai (romans-val �s), � words and music by P.B. Rozyanko, published by �Severnaya Lira, �Petersburg, date?

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57 � Charui menya, charui, � music by A. Dargomyzhskii, words by Y. Zhadkovskaya,Gosudarstvennoe Muzykal �noe Izdatel �stvo, Moskva, 1953.

Note: The name �Klara � appears on the front cover.

� Chto, krasotka molodaya...? � music by M. Glin ka, words by A. Del �vig, Gosudar stvenn oeMuzykal �noe Izdatel �stvo, Moskva-Leningrad, 1950.

� Utro tumannoe, � music by A. Abaz, words by I. Turgenev, publisher/date unknown.Note: this double-sided page, numbered 3-4, appears to have been taken from acollection of some kind. This page reveals no information about the publication.

58 � Ya vas lyubil, � music by A. Alyab �ev, words by A. Pushkin, ( �Kontsertnyi repertuar vokalista �series) Gosudarstvennoe Muzykal �noe Izdatel �stvo, Moscow, 1958.

Note: �Dobrich � appears on cover.

� Ya lyubila ego, � music by M. Balakirev, words by A. Kol � tsov, Gosudarstvenn oe Muzykal � noeIzdatel �stvo, Moskva-Leningrad, 1950.

Note: The name �Klara � appears on the front cover.

� Ya pomnyu den �, � words and music by A. Borisov, publisher/date unknown.Note: Apparently taken from a collection of some kind, this double-sided page isnumbered 37-38. Texts are in Polish and Russian. The name � Galya � appears on page38.

� Ya stepei i voli doch �, � music by N. I. Shishkin, words by N. I. Blank, ( �Tsyganskiya nochi �series), published by Zimmerman, St. Petersburg, Warsaw, Moscow, date?

� Ya tebe nichego ne skazhu, � music by T. K. Tolstoi, words by Fet, ( � Tsyganskaya zhizn � �series) published by N. Kh. Davingof, Petersburg, date?

� Ya chasto s toboi vstrechalsya, � music by I. Korn ilov, words by Drozhdinin , published byJurgenson , Moscow, date?

Note: This piece is missing pages 1-4, only page 5 remains. An indecipherable nameappears at the top right corner of the corner.

(59-61) Music from operas by Russian composers. Music for voice and piano reduction of orchestra.All items are published and professionally printed. Filed alphabetical ly by the title of theopera.

59 Evgenii Onegin, P. I. Chaikovsky: � Aria knyazya (Gremina), � (Act II I), published by LeonIdzikowski, Warsaw, date?

Note: Text in Polish and Russian.

Evgenii Onegin, P. I. Chaikovsky: �Khor i plyaska krestyan � : �Bolyat moi ckory nozhen �ki � and �Uzh kak po mostu mostochku � , (Act I) music for four-voice choir with piano reduction. Published by Jurgensen, Moscow, date?

Note: There are three identical copies of this item.

60 Evgenii Onegin, P. I. Chaikovsky: �Khor i plyaska krestyan � : �Bolyat moi ckory nozhen �ki � and �Uzh kak po mostu mostochku � , (Act I) music for four-voice choir with piano reduction. Gosudarstvennoe Izdatel �stvo: Muzykal �nyi Sektor, Moscow, 1928.

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Note: There are five identical copies of this item.

61 Zabava Putyatishna, M.M. Ivanov: � Serenada solov �ya, � Gosudarstven noe Izdatel �stvo:Muzykal �nyi Sektor, Moscow, 1928.

Knyaz � Igor � , A. Borodin. � Plach Yaroslavny, � Published by M. P. Beliaeff, London-NY-LA-Sydney-Toronto-Cape Town-Paris, date?

Note: Text in Russian, French and German.

Rusalka, A. Dargomyzhskii. Trio: � Akh, proshlo to vremya zolotoe, � published F. Stellovskii, St.Petersburg, date?

Rusalka, A. Dargomyzhsky. Pesnya Natashi: � Po kamushkam, po zheltu pesochku... �Gosudarstvennoe Muzykal �noe Izdatel �stvo, Moskva-Leningrad, 1944.

(62-73) Individual handwritten parts for voice, voice with piano accompaniment, and choral singing. Folders contain romances, folk song arrangements, and music from operas byRussian composers. Arrangments by various composers, though much of the material iscredited to S. Boldyrev, S. Zharov, or K. Shvedov (arrangements by the two lattercomposers appear to be transcriptions by other musicians rather than originalmanuscripts). Filed alphabetically by title of song (if no title is indicated, the piece is filedby the first several words of the song). Where possible, the composer and/or arranger isindicated.

62 � Alla Verdy � (Zharov), � Araks � (Boldyrev), � Akh, ty, zvezdochka � (G.B.C.), � Akh, ty, step �shirokaya � (?), � Bandura � (Davidovskii/Zharov), � Beite! Rezhte! � (Zharov), � Beloe vino � (?)

63 � Vniz po matushke po volge � (Boldyrev), � Vo kuzn itse � (Zharov), � Vo subbotu � (?) � Votmchi tsya troika udalaya � (Boldyrev), � Vot polk poshel � (Shvedov)

64 � Glyazhu v ozera � (Afanas �ev) �Dve gitary � (Shvedov), � Dlya menya ty vse... � (Titov), �Zhat �sosedskuyu imenitsu... � (?), � Zelenyi luch � (Arkhangel � sky), � I kto ego znaet � (?)

65 � Kazach � i pesni � (Zharov), � Kalinka � (Boldyrev), � Kalinka � (?), � Legenda � (Chaikovsky), �Lipavekovaya � (Boldyrev), � Lyubov �, kak pesnya � (Fel �tsman),

66 � Molis � , kunak!/Oi da , po nad lesikom/Oi, chert, tebya nes � tenor part (Zharov), � Molodezhnayapesnya � (?), �Mukhi � (Greve-Sobolevskaya)

67 � Na Donu kazachiya stanitsa � bar itone-bass part (Shcheglov-kulikovich), � Na Donu kazachiyastanitsa � SATB parts(?), �Na russkoi yamarke � (Shvedov), �Na starom kurgane/Zelenyi luch �(?), � Ne shumi ty rozh � � (?), � Nochka temnaya... � (?)

68 � Ozero spit � SATB parts (Boldyrev), � Okh, ty serdtse... � (?), � Ochi chernye, � (Shvedov)

69 � Partia lyubashi � Trio from the opera Tsarskaya Nevesta (Rimsky-Korsakov), � Pesni uli tsy �(Zharov), � Pesnya Indiiskago gostya � from Sadko (Rimski-Korsakov/Zharov), � Po manilu � parts+ lyric sheet (K. Shvedov), � Po ulitse mostovoi � (?), � Podmoskovnye vechera � tenor I part(Zharov), � Podymalas � pogodushka � (?), � Polyushko-Pole � tenor I part (Klipper-Zharov), � Posmotryu na rodnuyu storonku... � (?)

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70 � Rozpryagaite, khloptsy, koni � (?), � Rebe ta stogne � (Zharov), � Sinie glaza � (Shcheglov-Kuplikovich), � Svetit mesyats � (?), � Serenada � (Borodin), � Solovei-ptashechka � bass-baritonepart (Shvedov), � Somnenie � (M. Glinka)

71 � Starinnyi val �s � tenor & bass parts (Shvedov), � Storonal �, storonka, � � Sten �ka Razin �(Dobrovein), � Step � da step � krugom � (Novikov)

72 � Travushka-muravushka � (Zharov), � Troika � (?), � Tuchi chernye � (Romberg)

73 � Khutorok � (?), � Sharmanka � (?), � Ya vas lyubil... � (Sheremetev/Trigg)

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Faina Terentieva Collection: Box #6

(74A-101B) The following folders contain copies of printed and handwritten secular vocal sheet music. The copies are primarily in xerox form, but some carbon paper or mimeograph appear aswell. The music consists of folk song arrangements (for either choir or solo voice withaccompaniment), romances, and arias from Russian operas. A multitude of composers andarranges are represented here in this collection. These individual pieces have been filedalphabetically by title.

74A A: � A i gusto na bereze list �e � - � Akh, derevnya ot derevni nepodaleku stoit �

74B A: � Akh, zachem eta noch � � - � Akh ulitsa, ulitsa shirokaya �

75 B: � Ballada o kreshchenii Rusi � - � Bystry, kak volny �

76A V: � V gareme nezhitsya sultan � - � Vdol � po Piterskoi �

76B V: � Vdol � po ulitse � - � Veshchii Oleg �

76C V: � Vzveites � sokoly orlami � - � Volya �

76D V: � Voron k voronu letit � - � V �etsya lastochka sizokrylaya �

77 G: � Gai-da, troika � - � Gryadi... �

78A D: � Davno malinovki zvenyat � - � Dve redki �

78B D: � Devushki-volzhanochki � - � Dubinushka �

79 E: � Evreiskaya pesnya � - � Eshche ne pozdno, oglyanis � �

80 Zh: � Zhavoronok � - � Zhuk i roza �

81A Z: � Zabyty nezhnie lobzan � ya � - � Zachem tebya ya, milyi moi, uznala...? �

82B Z: � Zvezdochka yasnaya � - � Zoren �ka-zoryanka �

83 I: � I kto ego znaet � - � Ispanckaya pesnya �

84A K: � K vetru � - � Kak po kame po reke �

84B K: � Kak po luzhku travka � - � Kibitka �

84C K: � Kovarnyi drug � - � Kontsert Sarazate �

84D K: � Korabli � - � Kynuv kuzhel � na polytsyu �

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85 L: � Legenda o Ermake � - � Lyudi spyat... �

86A M: � Mai � - � Mne ne Zhal � ! �

86B M: � Mne khochetsya verit � tebe � - � My segodnya razstalis � s toboyu �

87A N: � Na vostok svet zasiyal � - � Napadai � ko li, napadai �

87B N: � Nalei bokal � - � Ne na rechen �ke bylo, bra ttsy �

87C N: � Ne nado vstrech... � - � Net, ne tebya tak pylko ya lyublyu �

87D N: � Nichto v polyushke ne kolyshetsya � - � Nyu � (Banal �naya istoriya)

88A O: � O kto, kto Nikolaya lyubit...? � - � Oi, vse kumushki domoi �

88B O: � Oi-da, vy tumany moi � - � Oi, polna, polna korobushka �

88C O: �Oi, pri luzhku, pri lune � - � Osen � �

88D O: � Oskolki � - � Ochi chernye �

89A P: � Pal �my � - � Pesnya Mefistofelya v pogrebke Auerbakha �

89B P: � Pesnya o Vil �e � - � Podmoskovnye vechera �

89C P: � Podui, podui, nepogodushka � - � Posazhu l � ya kalinushku �

89D P: � Posev � - � Provozhanie �

89E P: � Pormezh bylo kazan �yu, promezh Astrakhan � yu � - � Pyatnadtsat � let �

90 R: � �R � Club Song � (in Russian) - � Ryabina �

91A S: � S nemym vostorgom... � - � Skazhi mne, podnaya �

91B S: � Slavnoe more, svyashchenyi Baikal � - � Spi, mladenets �

91C S: � Sredi doliny rovnye � - � Staryi dub �

91D S: � Sten �ka Razin � - � Schastlivaya �

92A T: � Tak zachem eti dni ozhidanii � - � Tishina �

92B T: � To bylo ranneyu vesnoi... � - � Ty stoi, moya kalinushka �

93A U: � U vorot, vorot batyushkinykh � - � Uzh kak po moryu, po moryu, moryu sinen �komu �

93B U: � Uzh ty, pole � - � Ukhodi �

94 F: � F.R.O.C. Anthem � (in Russian) - � Fontany �

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95 Kh: � Khozhu li ya � - � Khutorok �

96 Ts: � Tsyganka � - � Tsyganskaya pesnya �

97 Ch: � Chainy domik � - � Chudo-pesenka �

98 Sh: Sharaban � - � Shut Ioann a Groznago �

99 E: � Ei, ukhnem! � - � E-ekh, vysylalas � vysylka groznaya �

100 Yu: � Yunosha i deva �

101A Ya: � Ya v grote zhdal tebya... � (Arioso) - � Ya plyvu opyat � po Volge �

101B Ya: � Ya po beregu khodila � - � Yaroslavskie rebyata �

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Faina Terentiev Collection: Box#7

(102-108) Vocal music by non-Russian composers, translated into Russian. Folders contain professionally published and printed sheet music. Entries are filed here alphabetical ly bycomposer (using the order of the Roman alphabet).

102 Bemberg, H., �Chant Hindou: Desperance � ( � Indusskaya pesnya: Otchayanie � ). Gosudarstvennoe Izdatel �stvo: Muzykal �nyi Sektor ( �Inostrannye Pomansy i pesni � series),Moscow, 1928. Music for voice with piano accompaniment.

Note: Text in both Russian and French.

103 Delibes, L., �Melodii Izbrannoe � (Selected Melodies) compiled by F. Gershkovich, Muzgiz, 1961(55 pp.). Music for voice with piano accompaniment. Collection contains �Blanche et Rose, � � Bonjour, Suzon , � � Chanson slave, � � Kukla � (*originally composed to Russian text, no Frenchtext appears), � Eglogue, � � Chanson de l �oiseleur, � � Serenade de Ruy-Blas, � � Heure du soire, � � Chanson espagnole, � and � Valse de Coppelia. �

Note: Text in both Russian and French.*

(See 108) Fauvre, G., � Le papi llon et la fleur, � Muzgiz ( �Kontsertnyi reper tuar vokalista � series), Moscow,1961. Music for voice with piano accompaniment.

Note: Text in Russian and French.

104 Gounod Ch., � Nella calma D �un belsogno..., � Arietta from Romeo e Giulietta, publisher/dateunknown (pages 3-8 of an unknown publication appear here). Music for soprano voice withpiano accompaniment.

Note: Text in Russian, Italian, and French.

105 Mahler, Gustav, � Izbrannye pesny � (selected songs), compiled and translated by N.Rozhdestvenskaya, Muzgiz, Moscow, 1961 (42 pp.). Music for voice with piano accompaniment. Contains four songs from � 12 Lieder aus �Des Knaben Wunderhorn � , � two songs from �Ruckert-Lieder, � and two songs from � 14 Lieder und Gesange (aus der Jugenzeit). �

Note: Text in Russian and German.

106 Massenet, J., � Regrets de Manon � ( � Zhaloba Manon � ) from the opera Manon. Published by A.Gutkheil, Moscow, date? Music for voice with piano accompaniment.

Note: Text in Russian and French.

107 Moniuszko, Stanislaw, Beginning of Act II: Recitative and Aria, from Halka, published byJurgenson, Moscow, date? Music for voice with piano accompaniment.

Note: Text in Russian on ly.

108 Sibelius, Jan , � Devushka pr ishla domoi s progulki, � (text in Russian only) and Fauvre, G., � Lepapillon et la fleur, � (text in French and Russian). Muzgiz ( �Kontsertnyi repertuar vokalista �series), Moscow, 1961. Music for voice with piano accompaniment.

(109-113) Miscellanious materials, including concert programs, a music notebook, and sheet musicprinted in some special medium.

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109 � S. Hurok Presents The Original Don Cossack Chorus and Dancers, Serge Jaroff conductor: AGreat Organ of Human Voices, � created by Hurok Attractions, Inc., NY, NY, date?. This isapparently a promotional booklet for Jaroff �s Cossack choir. The booklet, written entirely inEnglish, contains a brief history of the Cossacks, an essay called � Music of Russia � by SergeJaroff, translations of texts sung by the Don Cossack Choir and numerous black and whitephotograph of the group and its leader.

Note: Contains no music.

110 Concert program for the Don Cossack Chorus, Serge Jaroff conductor at Massey Hall (1944-45season), Saturday and Monday evenings Oct. 14th and 16th, 1944. The program of the concertincludes both sacred and secular vocal works by various composers.

Note: The program has been autographed by seven members of the choir, includingSerge Jaroff.

111 Tetrad � dlya not (notebook with staff paper). Contains transcriptions of songs written in pen. The pieces al l have tit les but no text, the music consists of melody and chord symbols writtenabove the staff. Includes � Nad okoshkom mesyats � (Esenin/Popov), �Otgovorila roshchazolotaya � (Esenin/Ponomarenko), � Vykkalsya na ozere alyi svet zari � (Esenin), �Ty menya nelyubit �, ne zhaleesh � � (Esenin), �Ya podrostok netipichnyi � , � Oshibka rezidenta, � � NadKanadoi � (A. Gorodnitskii), �Mezh vysokikh khlebov zateryalos � ... � (Nekrasov), � Bratskiemogily � (Vysotskii), � Ryushka vodki , � � Po Smolenskoi doroge � (Bulat Akudjava), � Polnochnyitrolleibus � (Bulat Akudjava), � Koroleva � (Esenin), �Zapregai-ka, bat �ka, loshad �, � � Mishka,Yaponchik � (from the musical � Kotovekii � ).

Note: The intials �Ya. V. � appear on the cover.

112 � Korobeiniki, � arranged by A.A. Kaminsky for mixed choir (1981). Original pr inted on �Vellum, � transparent sheets with black print.

113 � Nochevala tuchka zolotaya � (Dargomyzhsky) and � Sosna � (Dmitriev), two trios for soprano,tenor and bass. Appears in a negative form (black carbon[?] background with whitestaff/notes/letters), evidently used to make copies. Includes two bass parts, two tenor parts, amdone soprano part for each piece.

(114-115) Collections of Russian secular vocal music in English.

114 � A Century of Russian Song: From Glinka to Rachamninoff, � edited by Kurt Schindler, G.Schirmer, Inc. , New York, 1939 (239 pp.). Contains fifty songs by Arensky, Balakir ev, Borodine,Cui, Dargomyzhsky, Glazunov, Glinka, Mussorgsky, Rachamninov, Rimsky-Korsakov, A.Rubinstein, Tchaikovsky. Music for voice with piano accompaniment.

115 � Masters of Russian Song, Vol. II , � collected and edited by Kurt Schindler, G. Schirmer, Inc.N.Y.1945 (105 pp.). Contains 25 songs by Balakirev, Tchaikovsky, Rimsky-Korsakov, Borodine,Gretchaninov and Rachmaninov. Music for voice with piano accompaniment.

116 Individual pieces of Russian secular vocal music in English. � Far on the road we two journeyed togeth er.. . � music by M. Ippol itov-Ivanov, words by D.U.Tsertelev (translated by Constance Purdy), Oliver Ditson Co. ( �Russian Songs � series),Boston,date?. Music for voice with piano accompaniment.

� Russian Picn ic, � words and music (based on Russian folk tunes) by Harvey Enders, G. Schirmer( �G. Schirmer �s Secular Choral Music � series), N.Y., 1946. Music for four-voice mixed choir

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with piano accompaniment.

� Two Guitars, � (Russian folk song) arr anged by Paul Hill, words by Kermit Lyons. Music forvoice with piano accompaniment.

Note: Item is a photocopy from an unknown publication.