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    Featuring :

    Jennifer CroninSara Goldenberg White

    December 3rd-January 30th, 2013

    Reception:Thursday, January 17th

    3-5pm

    Kemper RoomPaul V. Galvin Library

    35 W. 33rd Street

    Jennifer CroninPink 2

    Sara GoldenbR

    [email protected]

    SmallRoom Presents

    On the FringeCuratorial Processes

    On the Fringe is one of the many

    successful exhibitions, which I helped

    bring to the campus of Illinois Institute

    of Technology, as Co-Founder and

    Curator of SmallRoom gallery.

    For this show, we found two artists

    whose dramatic works, although

    different, complemented one another.

    We hung the works in a way to stimulatethought and enhance the space.

    This show reflects the vision I hadwhen founding SmallRoom as a

    student organization: bringing thought-provoking artwork to to our school

    campus in order to stimulate our senses.

    My hope remains that by being exposed

    to work by Chicago-based artistsalong with work from fellow students,

    SmallRoom can inspire and positively

    influence the work of our peers.

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    Color Project

    Guided by the painting Boats on the

    Beach, by Claude Monet, the project was

    a study of the use of color and light.

    One module was created in order to be

    manipulated to study the transition of cool

    and warm tones. The warm colors being

    pulled forward and the cool ones goingback are emphasized in this composition.

    Light is reflected off the white walls of the

    module to create additional tones to draw

    the viewers eye through the piece.

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    Theater: Zacatecas, MexicoAmanda Wills, Karl Ochmanek

    Our solution for the plaza began by carving out the ground

    to provide more seating as well as a central forum, thereby

    providing a large space for pla y as well as a space for concerts,

    dancing, and political rallies. The church steps were altered butretained their capacity to be used as a small stage. The second

    addition took place overhead. Influenced by the tarps used for

    a temporary outdoor market, we brought in the colors of the city

    and shade by using colored canvases. The canopy element

    compressed our transit corridors to allow for a theatrical vaultwhen proceeding into the two stage areas.

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    For the People: Mexico City, MexicoAmanda Wills, Sayda Ibarra

    We noted that all the events of cultural exchange occur within

    this federal building. Therefore, our solution is to create a space

    that is for the people of the plaza. We cleared the plaza and

    placed a large auditorium in the center, its footprint being an

    abstraction of the tiles of the roof. We used the colored tilesto integrate the plaza with the building, as well as creating a

    colorful space. We then included additive elements that host a

    tiered garden, in order to create a dial ogue in transit. When the

    auditorium is not in use, it is a fountain, meant to be a source

    of play and interaction.

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    Bronzeville Neighborhood, Chicago

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    Proposed Plan for Three Vacant Lots

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    Proposed Master Plan

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    Approach

    The chapel is sunken into theearth, so in the approach, one

    cannot see what is ahead.

    This encourages the ideology

    of being in a place, rather than

    looking forward.

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    Procession

    The elevated stones requirethe individual to be careful of

    their step, making one more

    aware of their place within

    the space. The light source,

    concealed by the protrudedwall, draws one forward.

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    Reveal

    When entering the exteriorspace, the next destination is

    still concealed, only leaving

    views of the sky and the way

    one has already come.

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    M ki f Pl

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    Making of PlaceFrom Place to Place:Stacking Shelves

    This project was conducted

    in Chicago, after a month of

    traveling throughout Mexico,

    in response to our time spentthere.

    The piece was inspired by the

    exposed rebar extending out

    from the structures of theunfinished/future levels of

    homes in Mexico. Stacking

    shelves is an interpretation of

    the idea of future growth that I

    observed in many of the build-ings we were surrounded by.

    The extending rebar holds a

    hint of optimism, to me. It rep-

    resents the hope for new de-velopment in the home as the

    family grows larger or if new

    funds are found. The shelves

    I designed act as individual

    pieces to be stacked in vari-ous ways when needed, the

    structure lending itself to new

    growth.

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