alexiares bayo | portfolio

info

Alexiares Bayostudent of architecture

http://[email protected]

Barcelona, March 2012

IndexHere it follows the story of an architecture student.

#0 index

curriculum Vitae

00 CV Curriculum Vitae. ................................................................ cv #0

PreVious chinese exPerience

11 TPP TuanCheng Productive Park. Beijing 2011. .......... la #1

urBan design

10 CRM Urban Regeneration. Barcelona 2011. .................. ud #1

architecture

11 LDC Leith Docks Cultural Hybrid. edinBurgh 2011. .. a #1

10 DTV Dal TV. figueres 2010. ..................................................... a #2

10 CSU Catalan Space University. figueres 2010. ................ a #3

09 PLT Parliament of Catalunya. Barcelona 2009. ............ a #4

09 VNZ Thalassotherapy Centre. Venezia 2009. ................... a #5

08 BNT 120 Houses at La Barceloneta. Barcelona 2008. a #6

08 FOC Dwellings in Zona Franca. Barcelona 2008. ........ a #7

00 INDEX

Curriculum VitaeAlexiares Bayo, student of architecture.

curriculum vitae #000 CV

i was Born on... the 4th of May, 1987 in... Logroo, La Rioja, Spaini am currently liVing at... C/ Doctor Dou 19, 3 1 08029 Barcelonayou can either Phone me at... +34 646 895 999or e-mail me to... [email protected] i am interested in... art&design, photography, sociology, literature, phylosophy, technology, fashion, travelling...

education

2011 Tsinghua University, School of Architecure. Beijing. china. International Studio Urban Development and Cultural Landscapes. (in collaboration with UPC-ETSAB)

2005- UPC-BarcelonaTech, Escola Tcnica Superior dArquitectura de Barcelona. Barcelona, catalunya. sPain. Architecture Degree, Master Thesis pending.

2011-2012 Edinburgh College of Art. edinBurgh, scotland. uK. DipArchfinalyear(nongraduatingpostgraduateexchangestudent).Architecture & Well-being Studio.

2003-2005 IES Prxedes Mateo Sagasta. logroo, la rioja, sPain. International Baccalaureate Diploma, including educational experiences in Malm, Sweden and Castrovillari, Italy.

1991-2003 Colegio Divino Maestro. logroo, la rioja. sPain. Primary and Secondary Education.

00 CV

courses, seminars and comPlementary education

2012 Participation in the 6th International Forum of Urbanism: Tourbanism. ETSAB Barcelona.2010-2011 One-year Erasmus Scholarship in edinBurgh, scotland.2009 Lecture Series Construt Amb Paraules. CCCB Barcelona.2008 Workshop in collaboration with Instituto Universitario di Architettura di Venezia.2004-2005 Drawing and Painting courses at Demetrio Navaridas Atelier.

awards, PuBlications and exhiBitions

2011 Exhibition 2011 ECA Degree Show. Edinburgh College of Art. edinBurgh, scotland.2009 Published in La Arquitectura Como Material De Proyecto, by Helio Pin. Barcelona 2009.2005 Best Grade in La Rioja University Access Examination.2005 1st Award for the III Edition of Young Researchers Awards. la rioja, sPain.

worK exPerience

2009-2010 Collaborations as freelance Graphic Designer. logroo-soria, sPain. Logos, corporative image, posters... for InnovAction dance association.

2009 Intern at Jess Marino Pascual y Asociados Arquitectura. logroo, la rioja, sPain. Practice mainly specialized in wine architecture and social buildings, experience focused on drawing and construction.

2008 Intern at Mar Ruiz Garca Arquitectura. logroo, la rioja, sPain. Opportunity to participate in every stage of projects development: relationship with clients, design and construction.

languages

sPanish Mother tongue.english Fluent spoken and written. (one year living and studying in the UK) TOEFL result pending.catalan fluent spoken, basic written. (six years living and studying in Barcelona)french Basic spoken and written. (six years of study throughout high and secondary school)

comPuter sKills

ExperiencewithAutocad,Photoshop,Illustrator,InDesign,Archicad,3DSMAX,Revit,SketchUpandMicrosoftOfficeSuite.

alexiaresbayo

Previous Chinese Experience

TuanCheng Productive ParkHaidan, BEIJING, China.

December 2011.International Studio collaborating: Tsinghua University, School of Architecture UPC, Escola Tcnica Superior dArquitectura de BarcelonaResponsible tutors: Miquel Vidal, Wu Dongfan (in collaboration with , , , A.S. Rodriguez)

landscape architecture #111 TPP

The TuanCheng Sustainable Productive Park deals with the introduction of a large infrastructure -a regulation pond serving the whole city of Beijing with water com-ing from the South of China- close to a highly historical place: the Summer Palace. The design, illustrating the both Chinese and European backgrounds of the authors, takes as origin the questioning some of the characteristics of Chinese architectural tradition.

Rather than demolishing everything and designing a new park over, the project tries to mantain the current identity of the place, even if it is probably not the best area of the city. It gives value not only to the historical heritage, but to the very simple every-day settlement. The park tries to potenciate peoples place attachment rather moving them away. Also the design attempts to introduce productive activities into the park, allowing people who currently live there to stay. This is achieved through several spines coming from the sorrounding urban fabric, producing relationships all along a limit that was suposed to be a sort of wall. Hence the park becomes something socially sustainable and is able to give -not only recieve- something to the city.

the park tries to potenciate peoples place attachment rather moving them away

spines coming from the city, placed over a productive field

11 TPP

history

horses

nurserygardens

education

Professionaleducational

facilities

zoom area

marKet

artistsrice

beijing: the analysis of the city

structure and fuctions diagram of the ParK

B01. the connectiviy: infrastructure and landmarks B02. the open space: green and water B03. the grain: old and new urban fabrics

11 TPP

masterPlan

landscape architecture #111 TPP

D01. approach to cannal D04. market from the cannalD02. business street D04.typicalpath.flowersandgreenhouses

zoom area: Market and Education Spines

11 TPP

aerial general View

alexiaresbayo

Architecture

Leith Docks Cultural HybridLeith Port, EDINBURGH, Scotland, UK.

June 2011.Edinburgh College of Art, University of EdinburghDiploma year (DipArch). Well-being StudioDiploma year Coordinator: Derek Fraser. Studio Tutor: Iain Scott

architecture #111 LDC

The project arises from a profound analysis of the characteristics of the place, spe-cially its condition of border between different parts of the urban and social fabric. The old Leith, with its strong identity, and the new Leith, still to be built, collide at the site; and the building attempts to be the physical representation of that colli-sion. Planned as a social catalyst, the project would concentrate the energies coming from those two layers of the city, building a bridge in a metaphorical (and also actual) way. Thus providing a public space of quality which can serve both sides of the im-aginary border is the main aim of the design.

The formal expression attempts to actually build the lines that underlay the memory of the place. But, is memory just what actually happened? Can one include what could have happened and never did? Sometimes the archaeology of the imagination reveals more truth than the archaeology of the reality.

sometimes the archaeology ofthe imagination reveals more truth than the archaeology of the reality

rendered Views

11 LDC

visitor services37,437 m2

restaurant342,351 m2

exhibition336,383 m2 exterior atrium

159,494 m2

hall121,800 m2

entrance128,920 m2

business280,851 m2

janitors15,849 m2

business3143,287 m2

entrance39,407 m2

entrance38,964 m2

business595,962 m2

business473,980 m2

help desk27,121 m2

tea room37,805 m2

kitchen57,336 m2

children's library202,429 m2

staff room24,682 m2

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> manifesto> alexiares bayo. architecture & well-being. eca 2010. 1CHAPTER

BOOM! BLACK SWAN

> THE ARCHITECTURE THAT WILL BE PROPOSE D WILL FACE UP TO AN UNSETTLED, COMPLEX PLACE, A RHIZOME MADE UP OF PLENTY OF INTERCONNECTED NODES, A PLACE WHERE ONE CAN NOT DETERMINE ANY CENTER, A MULTIPLICITY OF SINGULARITIES. WE WILL HAVE TO ACT CONSEQUENTLY, PROPOSING A HYBRID BUILDING WHERE THE WORD HIERARCHY HAVE NO REAL MEANING, A BUILDING WITH THE CAPACITY TO CAUSE SOCIAL MIXING (SOCIAL EXPLOSION). MORE THAN A STATIC FUNCTION CONTAIN ER, IT MUST BE SOMETHING UNEXPECTED, THAT INEVITABLY CHANGES THE CONDITION S OF THE PLACE, BUT GRAFTING IN IT WITH THE PRECISION OF A SURGEON IMPLANTING A HIP PROSTHESIS.> ON

INT

ENTI

ONS. I'm asked to write about intentions; about my architectural intentions in proposing an architectural experience

in a specific place. I have pieces of thoughts, fragments of an entire story that i do not know how to tell.so let's just write down that, let's write an architectural story made up by fragments. let's make a little bookwhich will really be a collage. let's play cards, cutting out chapters apparently disconnected and sticking them

again with the glue of my intention. some of them will be specific, others more poetic. some of them will becompletely banal, and others will be deep as the ocean; but all of them will make up my architectural manifesto.all this 'chapters', little stories themselves, will act together as the blinds in the painting on the left, sostrongly connected by the specific meaning written at the bottom that each one will need the others to acquire

significance and, if some of them falls, all of them will also fall.

0CHAPTER 2CHAPTER

alexiares bayo, 2010.

The citizens of leith got up of bed that morning with a

deafening ROAR. what on the hell had that EXPLOSION

been?? Some of them looked through their windows and

realized that something had changed forever...

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The shining of the explosion hadblinded them in the way that they werenot able anymore to process the paththey were walking through. They werea mass in which it was not possible torecognize a beginning or an end.Reality had stop having an only pointof view, in order to became a prismwith multiple sides, a multiplicity ofsingularities that made up an infinitecanvas.

3CHAPTER

4 CHAPTER

6CHAPTER

7CHAPTER

5

CHAPTER

leith seen as rhizomeas a net of interconnected nodes

architecture should answer to thatintegrating in the net

use all its potential to develop.

We are talking about provoking the unexpected, invoking the unexpected. We are talking about a black swan, those sort of rarity that contradictthe regulations in force and completely revolutionize the point of view. Yes, actually we were always talking about revolutionizing the point of view...

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D00. construction detail

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manifesto for an hyBrid Building

Dal TVFIGUERES Castle, Catalunya, Spain.

June 2010.UPC, Escola Tcnica Superior dArquitectura de BarcelonaDesign Studio XMain Professors: J. Coll, C. Jover. Studio Tutors: A. Sanmartn, E. Rojas, N. Lpez

architecture #210 DTV

sThis project for a new tv studio located at the Figueres Castle, so as the Catalan Space University, is about process. The design arises form the intersection of two se-ries of ruins or found architectures: one existing in the place; the other overlapped to it, coming from something apparently strange to architecture and traslated into it. The existing architecture takes place as the form of the castle, considering it as a heritage wecanmanipulate.Theotheronecomesfromthedefinitionof aterm(averb,anaction) related to the programme: to tune.

The different television waves of the different tv channels that can be tuned from the castle are drawn on the place, strictly following their scale, taking as axis the wall of the castle. These two architectures collide and provide space for the new uses. As in the CSU design, further structural and technical information is intersected with the aim of achieving an actual architectural material.

the design arises from the intersec-tion of two foundarchitectures: one existing in the place, the other strange to it

10 DTV

site Plan

10 DTV

access leVel Plan

Catalan Space UniversityFIGUERES, Catalunya, Spain.

January 2010.UPC, Escola Tcnica Superior dArquitectura de BarcelonaDesign Studio IXMain Professors: J. Coll, C. Jover. Studio Tutors: A. Sanmartn, E. Rojas, N. Lpez

architecture #310 CSU

This project faces the power of the process of translation in the architectural design generation. The existence of something called the origin of the project is refused. Architecture would be hence a question of traslating information from something to drawing and from drawing to construction or the other way around. Taking an IsaacAsimovsscifishortstory,thearchitecturalinformationlatentonthestoryistraslated into a diagram to whom several purely architectural operators are practicated (sectioning,modelling,flattening,mirroring...).

Then this architectural entity is located on the place, somewhere on the border be-tween Figueres and its castle, so as to host the new Catalan Space University. At thatmoment,thatarchitectureisintersectedwithhighlyspecificprogrammerequire-ments, as well as with structural and thechnical information. The final aim is getting a drawing that is able to be subject of the last architectural translation process: the construction

architecture would be hence a question of traslating information

10 CSU

site Plan

10 CSU

Plan and sections

S01. hangars and machinery

S02. laboratories and impact pool

S03. officesandmainentrance

E01. firstelevationP00. groundfloor

10 CSU

R01. entrance R02. corridor and hangars R03. hangar R04. classroom

(...) Wellby shrugged his shoulders. Im sorry for you, of course, but I cant help you.

You must have created the bronze room immediately after I placed my signature on the paper, for when I burst out of the room, I found myself just at the point in time at which I was making the bargain with you. There you were again; there I was; you were pushing the contracttowardme,togetherwithastyluswithwhichImightprickmyfinger.Tobesure,asIhadmovedbackintime,mymemoryof what was becoming the future faded out, but not, apparently, quite entirely. As you pushed the contract at me, I felt uneasy. I didnt quite rememberthefuture,butIfeltuneasy.SoIdidntsign.Iturnedyoudownflat.

Shapur ground his teeth. I might have known. If probability patterns affected demons... (...)asimoV, Isaac. The Brazen Locked Room

Parliament of CatalunyaPl Glries. BARCELONA, Catalunya, Spain.

June 2009.UPC, Escola Tcnica Superior dArquitectura de BarcelonaDesign Studio VIII Main Professor: Aquiles Gonzalez. Studio Tutor: Andreu Arriola (in collaboration with A. Ameyugo, S. Azurmendi, A.S. Rodriguez)

architecture #409 PLT

The location of the new seat for the Catalan Parliament is in a highly strate-gical point: the Glries Square, one of the few points that Cerd left with a vague solution in his 1859 masterplan for the city of Barcelona. The parlia-ment would be on the North side of a large urban park, so the design pro-poses the creation of a hilly landscape that covers the whole site and attepts to invade the park.

This new parliament needs to be the image for a emerging society, but the design is willig to achieve more a conceptual image than a postcard-like clich. The design takes the idea that the parliament should build the link between the landscape and the society and between the society and the individual. The hilly section would be the Monserrat Mountains, but it also would be the Mediterranean Sea. Landscape, society and individuals are then joint by democracy.

landscape, society and individuals are then joint by democracy

09 PLT

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Plan and sections

S01. longitudinal section

P00. groundfloor

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D01. public entrance to debating chamber

R01. lobby R02. hall of lost steps R03. debating chamber

Thalassotherapy CentreIl Lido di VENEZIA, Italy.

January 2009.UPC, Escola Tcnica Superior dArquitectura de Barcelona in collaboration with IUAV (Instituto Universitario di Architettura di Venezia)Design Studio VII Main Professor: Aquiles Gonzalez. Studio Tutor: Andreu Arriola

architecture #509 VNZ

The design proposes a connection between Venezia and the sea. It takes position as alighthouseovertheLaguna,relatingittotheimmensity.Thelastfloorof thebuild-ingjustifiesthewholefact,becomingaplacefromwhereonecancontemplatethemedievalcityandtheMediterraneanSeaatthesametime.Thebuildingelevatessoflyfrom the ground, creating a tectonic construction closely connected to the place. A fishernetcoversthefacades,allowingvegetationtogrowupandattractsthebuildingto become part of the site.

Inside, a climate buffering space is located between all the rooms. Formed by two layers of glass, a material taken from the memories of Venezia, it would cause a sensation of strangeness, a sort of mist that you would be able to experience walking through the building.

a place from where one can contemplate Venezia and the sea at the same time

09 VNZ

site Plan

Plan and section

S01. longitudinal section

P00. groundfloor

09 VNZ

M00. dismounted model

I01. multiplicity of singularities

brueghel claude monet turner turner

I02. the mist, the heavy air I03. fragility

insPirations

120 houses at La BarcelonetaBARCELONA, Catalunya, Spain.

June 2008.UPC, Escola Tcnica Superior dArquitectura de BarcelonaDesign Studio VIMain Professor: Pere Joan Ravetllat. Studio Tutor: Jordi Badia. (in collaboration with A. Ameyugo)

architecture #608 BNT

This project faces a challenging situation: we are requested to build 120 dwellings ontheBarcelonetasmaritimefront.However,wefindtruly interestingthewayit confronts with the sea nowadays. We certaily believe that building something strange there would change radically the strong identity of the place.

So from this aspects we like arises the concept of the design: what would happen if we just build the way in which Barcelona arrives to the sea? Our building is just the built diagram of the actual spatial relationships occurring on the site. Two long andnarrowstripesflowbetweenthecurrentfrontandthecoast,attemtingtobeas less intrusive as possible. The stipes draw the spacial movements we like in la Barceloneta,leavingafreegroundfloorfortheactivitiesthatcurrentlytakeplacethere. We have just drawn the memory of the place...

we built the diagram of the way the city arrives to the sea, weve just drawn the memory of the place

08 BNT

site Plan

08 BNT

Plan and section

E01. elevation to the seafront

P01. firstfloor

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T01. 40sqm studio T03. 120sqm duplex.

tyPologies

Dwellings in Zona FrancaBARCELONA, Catalunya, Spain.

January 2008.UPC, Escola Tcnica Superior dArquitectura de BarcelonaDesign Studio V Main Professor: Pere Joan Ravetllat. Studio Tutor: Jordi Badia. (in collaboration with A. Ameyugo)

architecture #708 FOC

The site for this large housing development is located in an old industrial area, with alreadyanexcessof openspaces.Inconfrontationwiththat,weproposetofillal-most the whole site with built space, to segregate and give value and meaning to the public space.

We also propose to replace the usual relationship of the house with the street by an-other new one with the sky. We propose to subdivide the public space and split it into every apartment. In order to do this, the most common typology in our building will lookbackinhistorytotheveryfirstMediterraneanbuildingtraditions.Wewillbuilda couryard house in the middle of the city, elevated from the ground and covered by a brick lattice. As a counterpoint to that introverted carpet, we propose a tower that looks further, linking the sea whith the site and the site with the whole city.

we propose to replace the usual relationship of the house with the street by another new one with the sky.

08 FOC

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08 FOC

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TE01. elevation to passeig zona franca

P01. firstfloor:housing

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T120 sqm courtyard house

aPPartment tower

P01. firstfloor

V01. axonometric view

P02. secondfloor

P03. regular plan

alexiaresbayo

Urban Design

Urban RegenerationRambla del Carmel. BARCELONA, Catalunya, Spain.

January 2010.UPC, Escola Tcnica Superior dArquitectura de BarcelonaUrban Design Studio VI Main Professor: Stanislao Roca. Studio Tutor: Daniel Navas. (in collaboration with A. Ameyugo)

urban design #110 CRM

This proposal for the regeneration of la Rambla del Carmel attemtps to connect sev-eral parts of the urban fabric that had been progressively divided over the years due totheconstructionof alargeundergroundtunnel.Theaimishencetofindamiddlepoint between the needed infrastructure and the strong identity of the place. In the earliest stages of the design, an old map showing the previous urban division was taken and studied. In an attempt to formally anchor the intervention to the somewhat latent memory of the place, we selected the main lines of that division and extracted a basic pattern out of them.

The buildings are placed over this pattern, giving response to every different section. The very long and narrow buildings, recalling the the bypass below, contrast with the highly studied pavement plan. Six high buildings are located all over the intervention, givingmeaningtospecificplacesandcreatingvisualandpsychologicalconnectionsbetween themselves and the rest of the urban fabric.

the middle point between the needed infrastructure and the identity of the place

10 CRM

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10 CRM

landmarKs and BlocKs

10 CRM

ground floor Plan

10 CRM

sections

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