Battersea Park, 15 – 18 March 2012

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WILL RAMSAY

FAIR FOUNDER

NICKY WHEELER

FAIR DIRECTOR

JESSICA HALL

MARKETING MANAGER

NICOLA O’REILLY

PROGRAMMES AND

PARTNERSHIPS MANAGER

LUCI NOEL

PRODUCTION MANAGER

CONNIE CLAYTON

DESIGNER

ALISON CLARKE

ELLEN JARLETT

ROMY WESTWOOD

STACEY FORSHAW

MANAGEMENT TEAM

FOCUS PR

PRESS & PR

WBR COMMUNICATIONS

ADVERTISING

THE AFFORDABLE ART FAIRSADLER’S HOUSE180 LOWER RICHMOND ROADPUTNEY COMMONLONDON SW15 1LYT 020 8246 4848F 020 8246 4841 E ENQUIRIES@AFFORDABLEARTFAIR.COM W AFFORDABLEARTFAIR.CO.UK©

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03 A WORD FROM THE FAIR DIRECTOR04 PRINTS AND THE DIGITAL REVOLUTION06 TALK THE TALK07 FIN, FUR, FEATHER – WORKSHOPS08 SUM OF SUBSTANCE – JOTTA 10 LOVE ART LONDON’S GUIDE TO COLLECTING14 DEVON SENT18 EXHIBITOR LIST34 PROGRAMME OF EVENTS35 STAND PLAN

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SAY HELLO TO THE TEAM

Hello, and welcome to the Affordable Art Fair! There’s nothing quite like strolling through Batter-sea Park on a crisp spring day, especially when it’s towards the Affordable Art Fair marquee – brimming, as ever, with a whole host of wonderful works of art. Before you enter though, be sure to take a moment to take in the sense of calm that Battersea Park is blessed with. It wasn’t always this way: the area used to be a rather popular spot for duelling, and apparently the fi rst ever football game was played here back in 1864. Who knew!

But today it’s home to the Affordable Art Fair, and this March is going to be a cracker. For this issue of the Fair Guide, we’re going behind the scenes to fi nd out what it’s like to exhibit at the fair. We’ve followed three galleries – Hybrid, Coombe Gal-lery and Marine House at Beer – on their jour-neys up from different parts of Devon. From the planning stages months in advance to the return home, it’s a tale of late nights, adrenaline and, for one lucky gallerist, a memorable encounter with Joanna Lumley. What a tough old life it is as an art dealer...

Elsewhere, we’re also delighted to welcome the return of online art community jotta, who have once again curated an emerging artist showcase right at the front of the marquee. This time they’re exploring the idea of value in art, and with the recent record-breaking auctions at Christie’s (including a Francis Bacon for a whopping £21 million), this couldn’t be more perfectly timed.

On the topical note, we’re also looking at the way the art world is responding to the digital revolu-tion. David Hockney’s iPad drawings are the most high-profi le example of this, but lots of other art-ists are also utilising the potential of new techno-logical breakthroughs to produce some amazing works of art. At the Affordable Art Fair, there are a number of galleries showing works that demon-strate the versatility of digital printing.

For our friends on Facebook, we ran a pre-fair competition inviting our visitors to share their pride in their purchases with us. We really wanted to know what it was that moved you to purchase a piece of original art, why you loved it, and what art brought to your lives and your homes. Many of the responses have been truly uplifting. Even though the competition is now over, we’d love to hear from you – what you bought and why you love it – so do join in by ‘liking’ us on Facebook.

Enjoy the fair!

Nicky Wheeler, Fair Director

A WORDFROM FAIR DIRECTOR,NICKY WHEELER

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There’s no doubt about it, we live in digital times. Television’s much publicised digital change-over is of course approaching fast, but already Brit-ons apparently now spend an average of one whole day a month online, whilst no less than 30 million of us are registered on Facebook – that’s half the population!

In some ways, the move away from analogue is a saddening development – certainly Tacita Dean’s elegant installation in the Turbine Hall at Tate Modern argues persuasively for the continuing power of fi lm in the face of the digital revolution. But on the other hand, many artists are embrac-ing the possibilities that new technology offers us, exploiting its potential to produce new and inno-vative works.

Artists are an inquisitive bunch, and art has long sought to position itself on the cutting edge of technological developments. The history of art is

packed with examples of artists experimenting with the new: the invention of photography in the 1820s, for example, led to a proliferation of artistic interest in this new-fangled process. A few years earlier, Romantic poet and artist William Blake even invented his very own form of relief etching in order to give life to his unique visions. Whilst painting and drawing have remained relatively unchanged for centuries, it’s in Blake’s fi eld – printmaking – that technological advance-ments are most obviously felt. Digital printing is simply the latest in a long line of developments that has, over the years, encom-passed the invention of engraving by 15th century German gold-smiths, and playwright Alois Senefelder’s fortuitous invention of lithography in 1796.

Artistic printmaking falls into broadly two categories: ‘re-lief’ (where the ink covers the protruding surfaces of the plate – the areas untouched by the artist); and ‘intaglio’ (where the ink fi lls the recessed areas, incised from the plate by the artist). Intaglio techniques in-clude engraving, etching and drypoint – which you can try out for yourself at our printmak-ing workshops, whilst relief printing includes woodcut and linocut. Other techniques include screenprinting, where the ink is pushed through a screen, a process made famous by the Pop Art imagery of Andy Warhol.

But less important than the exact process are the different effects associated with different printing

PRINTS, AND THE DIGITAL REVOLUTION

techniques. A famous example is that of Albrecht Durer who produced only three drypoint prints before abandoning the technique in favour of the woodblocks for which he is still perhaps best known. Meanwhile, Picasso, Matisse and Miro all favoured lithographs – a technique well-suited to map-making and one that MC Escher is often considered to have mastered. Blake’s decision to invent a new technique of his own just shows how important the different effects can be.

This is where the digital print fi ts in, a con-

cept which can cause confusion.

What exactly is a digi-tal print and how does it differ from a reproduction? Fortu-

nately it’s actually quite simple. If a print

was designed by the artist using some form of computer software

it then classifi es as digital art, sometimes referred to as a giclée or giclée print. Perhaps

the most high-profi le recent example is David Hockney,

whose colour-saturated iPad drawings of the countryside

around his native Yorkshire have drawn huge crowds to the Royal Academy of Arts.

Like an engraving or a screen-print, choosing to use digital tools

is simply a question of technique, with each pro-cess bestowing its own unique characteristics on the fi nished works. Hockney’s iPad works, for example, have a fl atness to them, which distin-guishes them from his ‘handmade’ drawings or paintings. Even so, sometimes the results can fool even the artist who produced them: “sometimes I

get so carried away,” Hockney has said, “I wipe my fi ngers at the end thinking that I’ve got paint on them.”

The key thing to remember is that, like any other method of printing, this kind of digital print is an original work, not a reproduction. A reproduction is simply a copy of an already existing work of art, like a poster for example. But things can get a little complicated because sometimes these copies are numbered and signed by the artist. Thankfully, the Affordable Art Fair is proud to promote only original art, so no such reproductions are ever on display here.

At this year’s instalment of the fair, a host of galler-ies are showing work that explores the possibilities of the digital revolution. jotta, My Life in Art, Outline Editions and Eyestorm are all at the forefront of this development in contemporary art. Eyestorm, and jotta exist primarily online, whilst over at GAS Gallery one to keep an eye open for is Delphine Lebourgeois. She produces high quality digital prints on etching paper. Limited to editions of just 20, these bright and elegantly mysterious works combine the exciting possibilities of digital print-ing with an aesthetic of timeless beauty.

AT THIS YEAR’S INSTALMENT OF THE FAIR, A HOST OF GALLERIES ARE SHOWING WORK THAT EXPLORES THE POSSIBILITIES OF THE DIGITAL REVOLUTION

LOVE ART LONDONA series of interesting and fun talks led by Love Art London will take place throughout the fair – everything from a specially designed ‘Art Crawl’ on Thursday evening to daily Egg Timer Tours of galleries. Meet at the Love Art London stand near the entrance.

Love Art London’s Egg Timer TourEvery day, 12.30pmWe’ll be introducing you to a handpicked selec-tion of 10 galleries in 1 hour, giving each just 5 min-utes to talk about an artist or artwork they particu-larly love. With one eye on the egg timer, galleries don’t have time to waffl e, making this a fun and highly informative whistle-stop tour.

Love Art London’s Art Crawl Special in association with LaithwaitesThursday 15 March – Late View, 7pmFollowing the same format as our egg timer tour, Love Art London’s Art Crawl includes mini wine tasting sessions along the way thrown in for good measure. The wine buffs from Laithwaites will also have one eye on the egg timer, having just 5 min-utes to tell you everything you need to know about the wines you’ll be swigging. Over 18s only.

PRINTMAKING Q&ASPrintmaking Techniques Explained withMelvyn PettersonThursday, Friday and Sunday at 1pmin the Print StudioIf etchings and edition numbers leave you scratching your head in confusion, pop along to this informal Q&A to fi nd out more about the art of printmaking and quiz Melvyn on printmaking techniques.

All talks operate on a fi rst come, fi rst served basis. The talks are all informal and you will be able to ask the speaker any questions you may have at the end.6

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TALK THE TALK

We love all creatures great and small at the Affordable Art Fair and even let you bring your dog along to enjoy the artwork! This spring our Education Programme is animal themed too – come along to the Education Space at any time to get creative or join in one of our hands-on workshops to create your own masterpiece.

HANDS-ONBarking Mad Collage with Samantha Barnes Friday 16 March, 3pmJoin artist Samantha Barnes to explore the art of collage – glueing, sticking, drawing, painting and making a delicious mess! Taking a piece of her work as inspiration, you will create your own dog-gie collage to take away with you.

Magical Monoprinting with Tor HildyardSaturday 17 March, 3pmMonoprinting gives a fantastic introduction to printmaking that you can easily try at home too! Tor, a prize-winning printmaker, will help you ex-plore printmaking using found materials, to cre-ate exciting prints inspired by the shapes formed by animals, birds and fi shes.

Creatures in Clay with Ros DavisSunday 18 March, 3pm Join ceramicist and art teacher Ros to create your own clay creature using air dry clay. Be prepared to get your hands dirty!

ONE TO WATCH…iPad Art Demonstration with Mik GodleySaturday 1.30pm in the Print StudioJoin iPad art expert Mik Godley as he demon-strates how to create an artistic masterpiece us-ing an iPad, a technique much in the spotlight as a result of the current David Hockney exhibition at the Royal Academy of Arts.

PRINT STUDIODrypoint Printmaking with ArtichokeThursday & Friday at 12, 2 & 4pmSaturday at 12, 2.30 & 4.30pmSunday at 12 & 2 pmJoin our resident printmaking experts Artichoke to try your hand at drypoint printmaking and take away your own creation.

KIDS’ ACTIVITY PACKSBased around the animal theme, these packs are fi lled with a range of arty activities to help children from 4 to 11 discover art in fun, new ways.

All workshops are free of charge and operate on a fi rst come, fi rst served basis. Children must be supervised by a responsible adult at all times and cannot be left unaccompanied at workshops.

FIN, FUR,FEATHER

Meanwhile, Bayly Shelton questions our precon-ceptions with his series entitled ‘This is Not a Painting’. At fi rst glance the works are charac-teristically ‘painterly’, but they are in fact screen-prints – a medium still largely associated with the immediacy of Pop Art. Interestingly though, unlike most prints, each of these is a unique object – just like a painting.

This being an art fair of course, all of these works are for sale, and because the artists on show are largely in the early stages of their careers, they stand a good chance of increasing in value. In that regard of course, the fi nal decision regarding the complex nature of value is all yours.

Launched in September 2008 in association with Central Saint Martins and University of the Arts London, jotta is an award-winning community of practising artists, designers and other creative types. jotta exists online in the form of jotta.com as well as offl ine through various events, exhibitions and specially commissioned projects.

jottaContemporary is the branch of jotta that focuses on promoting current students or recent graduates. To fi nd out more about jotta’s art advisory and exhi-bition services visit contemporary.jotta.com.

SUM OF SUBSTANCE CURATED BY JOTTA

In some ways there’s no better time to explore the idea of value in the art world – so soon after Christie’s record-smashing week of auctions in February – and there’s certainly no better place than an art fair. How does one put a price on a work of art? What other values – ethical, political, historical – can art convey?

These are the questions being asked right now by contemporary arts organisation, jotta, who have curated an exhibition of work by recent graduates at the very front of the Affordable Art Fair mar-quee. Entitled ‘Sum of Substance’, the exhibition features work across a range of media – painting, sculpture, ceramics, digital prints – by a host of the most promising young artists in the country.

These may be young artists but they’re already making names for themselves. Lisa Selby has shown her strange sculptural constructions at La Scatola Gallery and Sara Hibbert has exhib-ited at Hoxton Art Gallery (both in London’s East End); whilst Georgina McNamara was featured in the prestigious New Contemporaries; and Joanna Mires has had work displayed at both the Zabludowicz Collection and the Victoria and Albert Museum.

A running theme is the fusion of popular culture with the traditional values of art history, and is particularly evident in the works of Solveig Einars-dottir and Joey Holder. Einarsdottir presents a Mr Whippy ice-cream made out of the kind of plas-ter more associated with Rococo interiors, whilst Holder combines oils with enamels and spray paint with eye-popping results.

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1 Aglae Bassens, MFA, Slade School of Fine Art

2 Bayly Shelton, BA, Camberwell College of Art

3 Gareth Owen Lloyd, MA, Goldsmiths

4 Georgina McNamara, MA, Central Saint Martins

5 Tintin Cooper, MA, Slade School of Fine Art

6 Lisa Selby, MFA, Goldsmiths

7 Joe Crowdy, Chelsea College of Art and Design

8 Joanna Mires, BA, Camberwell College of Arts

9 Christopher Mayer, Wimbledon College of Art

10 Chloe Sells, MFA, Central Saint Martins

11 Joey Holder, MFA, Goldsmiths

12 Joachim Sefzick, MA, Camberwell College of Arts

13 Paul Gallagher, BA, Camberwell College of Arts

14 Sam Robinson, BA, Wimbledon College of Art

15 Sara Hibbert, BA, Kingston

16 Song Nian Ang, BA, Camberwell College of Arts

17 Sophie Percival, Chelsea College of Art & Design

18 Solveig Einarsdottir, MFA, Glasgow School of Art

19 Irina de Bertier de Sauvigny, MA, London College

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COMPARE THE MEERKAT!With so many galleries vying for your attention, the art world now offers more choice than ever. And whether your budget is £40 or £4,000 there really is something for everyone. With so much choice you’re in a very strong position to shop around so take your time. Top tip: bring a note book and a pen.

EDITIONSIf you’re a fi rst timer, buying an editioned artwork, be it a print or a sculpture, can offer a very afford-able entry point. Always enquire as to the size of an edition as sometimes this information is not ex-plicit. As a general rule of thumb, the smaller the edition the better.

TRUST YOUR GUTYou don’t need to be Jamie Oliver to know that when you see food that looks good, the chances are it tastes good. By the same token you don’t need to be Charles Saatchi to spot a great work of art. If a piece of art speaks to you there are probably a number of reasons why, so try and explore them. Perhaps it’s the execution, the tech-nique, the medium, the subject or the message that strikes a chord. In some instances you may not know why you’re drawn to a particular work and in our experience this element of mystery has led to some of our favourite acquisitions. Like any leap of faith, acting upon your instinct takes cour-age, so be brave!

LOVE ART LONDON’S GUIDE TO COLLECTING

IMPULSE & INSTINCTDon’t confuse the two. Impulsive decisions are based on superfi cial information and can come back to bite you. Instinct on the other hand is the nagging feeling you have deep down that tells you if something is a good idea or a bad idea. Take your time and trust your instincts - more often than not they’re right.

LOVE FIRST, INVESTMENT SECONDFocusing entirely on investment potential can be exhausting and bleed the passion from your col-lecting experience. When you splash out on a new pair of limited edition Christian Louboutins you don’t give a hoot that their value depreciates as soon as they’re out of the box. The reason you buy them is because you can’t bear to leave them in the shop. That said, when in twenty years time you discover your killer heels are highly collectable and worth ten times the price you paid, you’ll prob-ably jump for joy. Buying art is a fun, emotionally rewarding and fascinating journey.

TALK, TALK, TALKGalleries love talking to new people about their artists – if they don’t then something’s up! And like anything in life it’s easy to spot someone speak-

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ing from the heart and someone trying to make a quick buck. Finding out as much as you can about an artist is crucial, but don’t just read the jargon-saturated press release, speak to a human be-ing. Any gallerist worth their salt will be able to tell you lots of interesting personal stuff about the art-ist’s life and practice, where they work, if they’ve won awards or prizes, where they studied, what they’re currently working on and what they had for breakfast. Also, don’t be afraid to ask for advice on framing, delivery and installation too, galleries are there to help. Remember you’re the customer so ask as many questions as you like!

THE HORSE’S MOUTHJoin one of Love Art London’s eye-opening egg timer tours at the Affordable Art Fair and we’ll introduce you to a handpicked selection of 10 galleries in 1 hour. Each gallery has just 5 minutes to inspire you – with one eye on the egg timer there’s no time to waffl e, making this a fun and highly informative whistle-stop tour.

LOVE ART LONDON MEMBERSHIP OFFERBecome a member of Love Art London at the Affordable Art Fair and access our fantastic pro-gramme of artist talks, studio visits and behind the scenes tours throughout the year. Love Art London is offering a 15% discount to all Affordable Art Fair visitors. Find our stand in the main entrance and become a member today!

www.loveartlondon.com

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As the name suggests, the most important thing about the Affordable Art Fair is the art. But in some ways, it’s also just as much about the people; not only the artists whose creativity and imagination produces all the wonderful works on show, but also the gallerists, many of whom travel far and wide to bring the art they love to people who, hopefully, will love it too.

Among the 120 or so galleries who have come from as far away as Europe and Canada to take part in this instalment of the fair are three who have made the journey up to London from Devon. For Jacqueline Hollister, last year’s trip to Batter-sea (seated high up in a big van) was something of a homecoming, as Hybrid – the gallery she runs with Tim Woolgar – was previously based on Co-lumbia Road in East London. They’ve now been open for six years in the market town of Honiton, famous for its many antique shops, and have shown at the Affordable Art Fair Bristol for the past three years.

For them the process of exhibiting starts long be-fore the fair itself. “We have an idea of our core of

artists to show from a year in advance,” explains Jacqueline, “but we start planning in earnest from January.” This involves working closely with their three main artists, Richard Adams, Irene Jones and Rachel Ross, all of whom paint works espe-cially for the fair, treating it, Jacqueline says, “like an exhibition”.

Jacqueline and Tim aren’t the only ones making the long drive from that part of the world. Mark Riley and team also journey up in a van, the four of them squashed in together, crosswords in hand to while away the hours. Mark runs Coombe Gal-lery in Dartmouth, an area of outstanding natural beauty, that he admits they’re “very fortunate” to live in. They’ve been showing at the Affordable Art Fair for seven years now, and look to bring a broad range of work with them to each fair – from paintings to ceramics – but that variety can

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make the whole packing process a little tricky. “It’s a nightmare!” Mark admits, joking that he sometimes wishes they only brought “one wall-based artist with all work done in only three sizes on nice lightweight canvas, but where’s the chal-lenge in that?”

Meanwhile Mike Lambert has been showing at Affordable Art Fair since the fair’s second year, and in that time has clearly got this aspect of proceed-ings down to a T. “We use re-usable silver bags, which make life much easier, and a local courier service to deliver to the show and collect after the show.” The sensible-sounding Mike runs Marine House at Beer, located in a beautiful fi shing village on the Jurassic Coast. Last year saw Mike sell his 1,000th picture at the Affordable Art Fair, Battersea Park – quite some achievement!

Like Mark, he too understands the importance of variety, aiming to offer “a wide selection of styles, sizes and price.” Part of this focus on range is due to the diversity of people who visit the Affordable Art Fair and the range of tastes found in a city as large as London. Mike observes, for example,

that “strongly abstract work often popular in Lon-don is very much a minority interest here in De-von.” Mark agrees: “there is defi nitely less scope for abstract art in Dartmouth.”

Once in London, the gallerists largely head straight to Battersea to set up their stands (a process which generally takes from the Tuesday lunchtime to late Wednesday afternoon) before going their separate ways. Mark stays with friends in Notting Hill, whilst Jacqueline does the same in Pimlico. “All we really do there,” she says, “is fl op and sleep!” Which is hardly surprising as it’s clearly a hectic week. “It’s a very social time,” she

THIS FOCUS ON RANGE IS DUE TO THE DIVERSITY OF PEOPLE WHO VISIT THE FAIR THE RANGE OF TASTES FOUND IN A CITY AS LARGE AS LONDON

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continues. “Not only do customers visit us to catch up, but friends come along and artists too. They’ll stay on and we’ll go and eat and chew the cud after the day’s close. There’s lots of late nights, high adrenaline and exhaustion.”

But it’s all worth it – for what Mike terms “the buzz”.

This is the time, for all three, when the im-portance of people comes to the fore. “We send out many invitations to regu-lars,” Mike says, “and

it’s a real pleasure meeting them every year.” Mark agrees. “It’s fun, defi nitely. Plus,

renewing old acquain-tances and seeing what’s

new on the scene is inspir-ing.” Similarly, for Jacqueline,

“It’s great to talk with people when they fall in love with a work and share our pas-sion for a particular artist’s vision of the world.”

And in some cases, there’s an extra-special re-ward. Tim’s fair last year at Battersea was enliv-ened even more than usual by Joanna Lumley’s ar-rival at the Hybrid stand, drawn in by one of Rachel Ross’ exquisite paintings of spoons. Apparently, according to Jacqueline, after a brief chat with the much-loved actress, Tim was left “grinning, and just saying she smelt lovely!”

Star encounters aside, the Affordable Art Fair must be a tiring time for the exhibitors. Whilst visitors can happily trot home at the end of a day at the fair, gallerists are here for the best part of a week. By the time Mark gets back home to Dartmouth, he admits to feeling “tired physically after the long drive, but buzzing with ideas and contacts for the year ahead.”

Jacqueline and Tim often don’t get home until midnight or later on the Sunday night: “we load as quickly as possible but somehow we’re always one of the last to leave!” And then it’s time for a well-earned rest: “we give ourselves a few days off, we need it, we are both absolutely exhausted.”

Coombe Gallery: Stand I12Hybrid: Stand L3Marine House at Beer: Stand A7

Charlie O’Sullivan. Under African Skies. Acrylic on wood 40 x 40 cm. £1,295. Marine House at Beer Hybrid gallery

Mélanie Bourget. Women’s Face. Raku fi red clay. 40 cm high. £800. Hybrid

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The Art of Wine is brought to you by Laithwaites Wine, proud sponsor of The Affordable Art Fair

Wine lists are available at The Laithwaites Wine Bar and our team would be delighted to help you choose or tell

you more about any of our wines.

If you would like to learn more about our range or purchase any of the wines you’ve tried, simply please call 0118 903 0410,

email wineadvisor.requests@laithwaiteswine.com or visit our website at www.laithwaites.co.uk

We hope you enjoy our wines as much as we do.

Alexander Gallery – G1Bristolalexander-gallery.co.uk0117 973 9582Image: Aldo Balding

The Art Movement – F8Londonart-movement.com07973 692 494Image: Mark MacKinnon

Artichoke – A9Londonartichokeprintmaking.com020 7924 0600Image: Kate Boxer

Art ★ – I9art8star.co.uk07976 294 985Image: Sophie Newnham

Artêria – H5Bromont, Canadaarteriagallery.com+1 514 543 5864Image: Francis Koch

Allouard Gallery – H2Ixelles, Belgiumallouard-gallery.com+32 4 7440 9415Image: Joanna Glazer

ArtDog London – A3Londonartdoglondon.co.uk07903 194 591Image: Philip Maitman

Artists of Russia – K7Surreyartistsofrussia.com01428 604822Image: Olga Oreshnikov

EXHIBITOR LIST

Beaux Arts Bath – E7Bathbeauxartsbath.co.uk01225 464850Image: Chuck Elliott

Beyond the Sea – E1Cornwallbeyondthesea.co.uk01841 533588Image: Michael Saunders

Bowlish Gallery – J7Somersetbowlishgallery.co.uk01749 343914Image: Miche Gray-Newton

The Barker Gallery – D7Berkshirethebarkergallery.com01753 865265Image: Jon Barker

Bernard Chauchet Contemp Art – L11Londonchauchet.com07711 436 868 Image: Claude Chauchet

Bell Fine Art – B9Hampshirebellfi neart.co.uk01962 860439Image: Peter Heard

The Bill Philip Gallery – L7West Sussexbillphilipphotography.com01903 883985Image: Bill Philip

Brita Prinz Arte – L4Madrid, Spainbritaprinzarte.com+34 91 522 18 21Image: Jacinto Moros

bo.lee gallery – H8Bathbo-lee.co.uk07970 492 858Image: Tom Chambers

Bruno Dahl Gallery – C7Ebeltoft, Denmarkbrunodahl.dk+45 50 80 95 94Image: Mikael Kihlman

Capital Culture – D10Londoncapitalculture.eu 020 3268 2184Image: John Kenny

Catherine Porter Fine Art – F3Londoncatherineportergallery.com07712 531 726Image: Judy McKenna

Cameron Contemporary Art – F6Hovecameroncontemporaryart.com01273 227697Image: Kirsty Wither

Byard Art – H14Cambridgebyardart.co.uk01223 464646Image: Beckie Reed

Carina Haslam Art – H7Great Missendencarinahaslamart.com01494 866914Image: Colin Willey

Cohesion Glassmakers’ Network – A4Tyne and Wearcohesionglassnetwork.org01915 653806Image: Michael Janis

Catharine Miller – K6Londoncatharinemiller.com07801 645 826Image: Rebecca Fontaine-Wolf

Broadway Modern – J6Worcestershirejohn-noott.com01386 858969Image: Sally Martin SEA

Colourbox – C4Otleyreltonmarine.com01943 468989Image: Relton Marine

The Contemporary London – F5Londonthecontemporarylondon.com020 7589 8995Image: Ernesto Canovas

Cynthia Corbett Gallery – C12Londonthecynthiacorbettgallery.com020 8947 6782Image: Tom Leighton

The Doorway Gallery – C1Dublin, Irelandthedoorwaygallery.com+353 1 7645895Image: Lucy Doyle

Cricket Fine Art – B8 Londoncricketfi neart.co.uk020 7352 2733Image: Dooze Storey

Doinel Gallery – G12Londondoinelgallery.com07515 669 844Image: Brad Wilson

Coombe Gallery – I12Devoncoombegallery.com01803 835820Image: Bill Bate

Dadbrook Gallery – L8Buckinghamshiredadbrookgallery.co.uk01844 292459Image: Brenda Hartill

DREIPUNKT EDITION – G2Munich, Germanydreipunkt-edition.de+49 176 23107814Image: Kristiane Semar

Duncan R Miller Fine Arts – D1Londonduncanmiller.com020 7839 8806Image: Ann Oram

Edition3 – C3Oxfordedition3.co.uk01865 331365Image: Jane Peart

First Contemporary – A10Bristolfi rstcontemporary.com0117 972 3098Image: Catherine Monmarson

Edinburgh Printmakers – J2Edinburghedinburgh-printmakers.co.uk0131 557 2479Image: Alasdair Gray

Edgar Modern – E10Bathedgarmodern.com07940 597 757Image: Henrietta Dubrey

Enid Lawson Gallery – L5Londonenidlawsongallery.co.uk020 7583 9499Image: Andrew Painter

Fiumano Fine Art – I7Londonfi umanofi neart.com07974 092 993Image: Amelia Ciriello

Eyestorm – H11Londoneyestorm.com0845 643 2001Image: Jacky Tsai

The Drugstore Gallery – F9Somersetthedrugstoregallery.com01934 732588Image: Barry Cawston

Four Square Fine Arts – B4East Sussexfoursquarearts.co.uk01273 474005Image: Margaret Cahill

Francis Iles – B5Kentfrancis-iles.com01634 843081Image: John Scarland

Gagliardi Gallery – C14Londongagliardi.org020 7352 3663Image: Francesco Ruspoli

Foss Fine Art – J8Londonfossfi neart.com020 7738 0838Image: Nicholas Turner RWA

Frames Gallery – H1Perthframesgallery.co.uk01738 631085Image: CP Campbell

Fourwalls Contemporary Art – K9Londonfour-walls.co.uk020 8776 5122Image: Joanna Charlotte

Francois GIRAUDEAU Gallery – G4Les Portes En Re, Francefrancoisgiraudeau.com+ 33 6 08 46 68 97Image: Alain Longeaud

Galería Summers – E3Madrid, Spaingaleriasummers.com+34 61 643 78 42 Image: Zinnia Clavo

The French Art Studio – C10Londonthefrenchartstudio.com020 7603 9862Image: Jef Aerosol

Galleri Final – D6Malmoe, Swedengallerifi nal.se+46 40 30 78 36Image: Johan Petterson

Go Figurative – J11Londongofi gurative.com07500 906 493Image: Andrew McNeile Jones

GX Gallery – L14Londongxgallery.com020 7703 8396Image: Michael Sole

GAS Gallery – F2Londongasgallery.co.uk07950 415 422Image: Delphine Lebourgeois

GalleryOne – L1Surreygallery-one.co.uk01428 609001Image: Victoria Graimes

Grandy Art – J4Londongrandyart.com07789 264 998Image: Guy Allen

Hicks Gallery – L10Londonhicksgallery.co.uk020 8944 7171Image: Amy Judd

Greenstage Gallery – I6Worcestergreenstagegallery.co.uk01885 490839Image: Beth Richardson

Galerie Envie d’Art – H10Londonenviedart.com020 7589 8200Image: Mikael Lafontan

James Freeman Gallery – E11Londonjamesfreemangallery.com020 7226 3300Image: Luca Sangjun Kim

Le Siants Galerie – I2Barcelona, Spainlesiants.com+34 66 486 14 1 4Image: Markus Haub

Linda Blackstone – J10Hertfordshirelindablackstone.com07860 543 535Image: Susan Macarthur

Hybrid – L3Devonhybrid-devon.co.uk01404 43201Image: Rachel Ross

Josie Eastwood Fine Art – I11Winchesterjosieeastwood.com01962 776677Image: Angela Findlay

John Iddon Fine Art – J9Surreyjohniddonfi neart.com020 8940 7741Image: Justine Smith

Lilford Gallery – K11Kentlilfordgallery.com01227 639086Image: Leigh Mulley

Mae Gallery – D2Hampshiremaegallery.com01730 268697Image: Louise Braithwaite

Lime Tree Gallery – B1Bristollimetreegallery.com0117 929 2527Image: David Smith RSW

Marine House at Beer – A7Devonmarinehouseatbeer.co.uk01297 625257Image: David Chambers

MORGAN-DAVIES ART – A6Londonmorgandaviesart.com07773 593 122Image: Rakerman

Neville Contemporary Art – B6Hampshireartneville.com01420 488912Image: Justine Formentelli

MAUGER MODERN ART – E9Londonmaugermodern.com07590 527 332Image: Brett Goldstar

Mark Jason Gallery – D12Londonmarkjasongallery.com020 7258 5800Image: Pamela Stretton

My Life in Art – H12Londonmylifeinart.com07751 233 695Image: Johnny Christmas

Nicholas Bowlby – L13East Sussexnicholasbowlby.co.uk01892 667809Image: David Fawcett

Narwhal Inuit Art Gallery & NIAEF – A2Londonwww.narwhalgallery.com020 8747 1575Image: Ohotaq Mikkigak

Manya Igel Fine Arts – L12Londonmanyaigelfi nearts.com020 7229 1669Image: Julian Bailey NEAC

Olivia Connelly – L6Brightonoliviaconnelly.com07939 841 451Image: Gustavo Ortiz

Priory Gallery Broadway – D11Worcestershirepriorybroadway.com01386 853783Image: Bruce Yardley

Rebecca Hossack Art Gallery – G14Londonr-h-g.co.uk020 7436 4899Image: Rebecca Jewell

Offenart – E5Wiltshireoffenart.com07879 480 269Image: Anne Gardner

Portal Painters – I8Londonportalpainters.co.uk020 7286 0940Image: Louise Higgins

Outline Editions – F4outline-editions.co.uk020 8451 3400Image: Patrick Thomas

Quantum Contemporary Art – H15Londonquantumart.co.uk020 7498 6868Image: Emmie Van Biervliet

Red Gallery – B2Buckinghamshireredgallery.co.uk07799 642 755Image: Paul Lemmon

Raquelle Azran Vietnamese Contemporary Fine Art – D5New York, USA artnet.com/razran.html07906 638 640Image: Vu Thu Hien

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Retrospect Galleries – J12Queensland, Australiaretrospectgalleries.com+61 7 5538 8825 Image: Lisa Lee

scotlandart.com galleries – A12Glasgow | Edinburghscotlandart.com0141 221 4502Image: James McDonald

Shine Artists – F11Londonshineartists.com07957 346 729Image: Wen Wu

Sarah O’Kane Contemporary Fine Art – D3East Sussexstannesgalleries.com01273 407119Image: Nick Bodimeade

Rostra & Rooksmoor Galleries – L2Bathrostragallery.co.uk01225 448121Image: Patrick Edgeley

Scottish Art Portfolio – J1Renfrewshirescottishartportfolio.co.uk01505 612077Image: Dionne Sievewright

Shirley Crowther contemporary art – K4Sussexshirleycrowtherart.com01273 841244Image: Gilly McCadden

Sheridan Russell Gallery – A5Londonsheridanrussellgallery.com020 8953 0908Image: Stephen Page

Redleaf Gallery – I3Kentredleafgallery.com01892 526695Image: Peter Keizer

StandARTE – J3Madrid, Spaingaleriaestandarte.com+34 654 85 01 09Image: Leticia Felgueroso

Tanya Baxter Contemporary – I14Londonkingsroadartgallery.com07961 360 407Image: Yin Xin

View Art Gallery – K1Bristolviewartgallery.co.uk05603 116753Image: Clare Ferguson-Walker

Sol Art Gallery – K2Dublin solart.ie+353 1 6750972Image: Elaine Hoey

Tallantyre Gallery – A1Northumberlandtallantyre-gallery.co.uk01670 517214Image: Roisin O’Farrell

Stark Gallery – K8Canterburystarkgallery.com01227 767128Image: Jo Louca

Tracey McNee Fine Art – K5Glasgowtraceymcnee.com07950 335 737Image: Claire Donaldson

W H Patterson – F1Londonwhpatterson.com020 7629 4119Image: Karl Martens

Triangle – E6Londonhensher.co.uk/triangle020 8673 0026Image: Meg Dutton

White Space Art – C5Devonwhitespaceart.com01803 864088Image: Sarah Bowman

Woolff Gallery – E12Londonwoolffgallery.co.uk020 7631 0551Image: Russell West

Woodbine Contemporary Arts – D9Uppinghamwoodbinecontemporaryarts.co.uk01406 330693Image: Ceri Auckland-Davies

Will’s Art Warehouse – A14 / C8Londonwills-art.com020 8246 4840Image: Jane Perkins

Wren Gallery – I10Oxfordshirewrenfi neart.com01993 823495Image: Claire McKnight

Zebra Gallery – H3Londonzebraonegallery.com020 7794 1281Image: Fergus Greer

Wanrooij Gallery – G11The Netherlandswanrooijgallery.com+31 6 457 00 280Image: Anna Tas

St Mungo’s calendarof events 2012-13For more information Visit www.mungos.org/eventsEmail events@mungos.org or call 020 8762 5582

The Gold ChallengeGet sponsored to try your hand at up to 30 sports from Archery to Wrestling and everything in between

ParachutingTake the plunge with an exhilarating 10,000ft skydive

BUPA London 10kAn amazing opportunity to run this 10km route, which will form part of the course for the London 2012 Olympics marathon

Kilimanjaro ChallengeCan you conquer the highest freestanding mountain in the world and Africa’s highest peak!

London-Paris Cycle ChallengeJoin hundreds of other cyclists on a 4 day cycle through the English and French countryside before finishing down the Champs Elysees on Bastille Day

Royal Parks Half MarathonRun this beautiful race in our capital city

Woolly Hat DayGet your hats on to help homeless people!!

St Mungo’s Carol Concert and Champagne ReceptionJoin us for our annual concert in the fabulous setting of St Bride’s Church, Fleet Street

Husky Trail ChallengeSled over 200km with your own team of huskies and live for a week as the Laplanders do

All over UK

All over UK

London

Tanzania

London & Paris

London

All over UK

London

Norway

PAPERWEIGHTOFFICE

www.cardboardfuture.com

THE

Smart. Practical. Affordable.Desk, storage pod, tall shelf,

and double pinboard – all for just £250 inc VAT.

To take advantage of this

offer please call us on

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THURSDAY 15 MARCH

Printmaking Workshops with ArtichokePrint Studio12, 2 & 4pm

Love Art London’s Egg Timer TourMeet at Love Art London, entrance marquee12.30pm

Printmaking Explained with Artichoke Print Studio1pm

Love Art London’s Art Crawl Meet at Love Art London, entrance marquee7pm

FRIDAY 16 MARCH

Printmaking Workshops with ArtichokePrint Studio12, 2 & 4pm

Love Art London’s Egg Timer TourMeet at Love Art London, entrance marquee12.30pm

Printmaking Explained with Artichoke Print Studio1pm

Fin, Fur, Feather – Drawing & Collage with Samantha BarnesEducation Space3pm

SATURDAY 17 MARCH

Printmaking Workshops with ArtichokePrint Studio12, 2.30 & 4.30pm

Love Art London’s Egg Timer TourMeet at Love Art London, entrance marquee12.30pm

iPad Art Demonstration with Mik GodleyPrint Studio1.30pm

Fin, Fur, Feather – Monoprinting with Tor HildyardEducation Space3pm

SUNDAY 18 MARCH

Printmaking Workshops with ArtichokePrint Studio12 & 2pm

Love Art London’s Egg Timer TourMeet at Love Art London, entrance marquee12.30pm

Printmaking Explained with Artichoke Print Studio1pm

Fin, Fur, Feather – Clay Sculpture with Ros DavisEducation Space3pm

PROGRAMME OF EVENTS

Please see pages 6 and 7 for detailed information

MANY THANKS TO OUR SPONSORS AND PARTNERS

FUTURE FAIR DATES

NEW YORK, SPRING 19 – 22 APRIL

BRISTOL 18 – 20 MAY

MELBOURNE 24 – 27 MAY

STOCKHOLM 4 – 7 OCTOBER

MEXICO CITY 19 – 21 OCTOBER

AMSTERDAM 25 – 28 OCTOBER

LONDON, BATTERSEA 25 – 28 OCTOBER

ROME 26 – 28 OCTOBER

LONDON, HAMPSTEAD 1 – 4 NOVEMBER

SEATTLE 8 – 11 NOVEMBER

SINGAPORE 15 – 18 NOVEMBER

HAMBURG 15 – 18 NOVEMBER

DELHI COMING SOON

NEW YORK, FALL COMING SOON

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Alexander GalleryAllouard GalleryArt ★The Art MovementArtDog LondonArtêriaArtichokeArtists of RussiaThe Barker GalleryBeaux Arts BathBell Fine ArtBernard Chauchet Contemp ArtBeyond the SeaThe Bill Philip Gallerybo.lee galleryBowlish GalleryBrita Prinz ArteBroadway ModernBruno Dahl GalleryByard Art

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Enid Lawson GalleryEyestormFirst ContemporaryFiumano Fine ArtFoss Fine ArtFour Square Fine ArtsFourwalls Contemporary ArtFrames GalleryFrancis IlesFrancois GIRAUDEAU GalleryThe French Art StudioGagliardi GalleryGalería SummersGalerie Envie d’ArtGalleri FinalGalleryOneGAS GalleryGo FigurativeGrandy ArtGreenstage Gallery

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GX GalleryHicks GalleryHybridJames Freeman GalleryJohn Iddon Fine ArtJosie Eastwood Fine ArtLe Siants GalerieLilford GalleryLime Tree GalleryLinda BlackstoneMae GalleryManya Igel Fine ArtsMarine House at BeerMark Jason GalleryMAUGER MODERN ARTMORGAN-DAVIES ARTMy Life in ArtNarwhal Inuit Art GalleryNeville Contemporary ArtNicholas Bowlby

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OffenartOlivia ConnellyOutline EditionsPortal PaintersPriory Gallery BroadwayQuantum Contemporary ArtRaquelle Azran Vietnamese Fine ArtRebecca Hossack Art GalleryRed GalleryRedleaf GalleryRetrospect GalleriesRostra & Rooksmoor GalleriesSarah O’Kane Contemporary Fine Artscotlandart.com galleriesScottish Art PortfolioSheridan Russell GalleryShine ArtistsShirley Crowther contemporary artSol Art GalleryStandARTE

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Stark GalleryTallantyre GalleryTanya Baxter ContemporaryTracey McNee Fine ArtTriangleView Art GalleryW H PattersonWanrooij GalleryWhite Space ArtWill’s Art WarehouseWoodbine Contemporary ArtsWoolff GalleryWren GalleryZebra Gallery

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