aerosmith compilation
TRANSCRIPT
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Copyright © 1977 Music Of Stage Three, Song & Dance and Vindaloo Productions
All Rights Reserved Used by PermissionCopyright Renewed
69
XX
XX
XX
XX
XX
XX
3
XX
XX
XX
3 (3) 3
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
( )
3 2 X 6 5 X 89 8 88 56 5 X
07
pitch: E
07
fdbk.
22
22
22
* vol. swell
22
22
22
22
22
22
22
22
22
22
22
22
22
Gtr. 2 (elec.)
P.M.
w/ fuzz
3 2 X 6 5 X89 8 8
8 56 5 X
Gtr. 1 (elec.)
w/ dist.
07
T
12
T
7
Tune Down 1/2 Step:
Gtr. 3 (elec.)
2
3
1 = E
= B
= G
IntroModerate Rock = 116
5
6
4 = D
= A
= E
A5
*
w/ dist.
+
A.H.
+
Back in the SaddleWords and Music by Tyler/Perry
2 3
Aadd9
23 1
Am
13 2
D
11
A5
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70
54
54
54
54
54
54
54
54
54
54
54
54
54
54
54
54
54
54
54
54
3 0 3 0 2 3
P.M.
Gtr. 1Riff A
78 7 78 7 78 7 78 7 78 7 78
05
05
05
05
05
05
05
05
Gtr. 3Riff A2
10 15
full
(15) (15) (15)
Gtr. 2
Riff A1
D
I’m
Chorus
back,
N.C.(E5)
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
P.M.
3 2 X 6 5 X89 8 8
8
07
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74
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
99
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
Gtr. 3
5 75 6 7
44
7 776
7 776
776
76
776
5 75 6 7
44
7 776
Gtr. 1
P.M. P.M. P.M. P.M. P.M.
14 1615 15 15 15 15 15 15 15 15 15 15 15 15 15
Gtr. 2
P.M.
Peal
B
Gtr. 4 tacet
in’ off my boots and chaps
E
I’m sad dle sore, four
B
bits gets you time in the rack
E
(12)
1213
1213
12 12 14 14 14 1413 13 13 13
14 14 12 14
I’m like a load ed
C
gun.
A D C
(14) 1214 13 12
1/2
12
1/2
(12) 1012 12
C
I’m call
A
in’ all the shots to night,
D
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7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9XX
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
75
7 776
776
76
776
5 75 6 7
44
7 776
7 776
776
76
P.M. P.M. P.M. P.M. P.M. P.M.
15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15
P.M.
the girls are soak in’ wet. No
B
tongue’s dri er than mine,
E
I’ll come when I get
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7
9X
7 776
776
76
776
5 75 6 7
44
7 776
P.M. P.M. P.M. P.M.
15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15
P.M.
I scream for more. Fools
B
gold out of their mine,
E
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4
full
2 4 24 2
3 0 022
0 0 0 0 0 0 0 0
2
81
P.M.
Gtr. 2
Gtr. 4 tacet
A5
(
T
2 7)(0)
217 20 17
1920 17
1920 17
1920 17
1920 17
1920 17
1920
full
(20)
-1 1/2
(20) 20
full
20 20
+
fdbk.
3 6 6 3
hold bendw/ bar
w/ bar
0
-1 1/2
pitch: G
(0)
-1
(0)
-1
(0)
-1
(0)
-1
(0)
-1
(0)
-1 1/2
w/ bar fdbk.
8va
-1
w/ bar
-1 -1 -1 -1
14 1214
12X 14
14 1214 12
1214 12 14
1455 5
+1/2
(5)
w/ bar
16 17 16 14 16 14 16 1415 16
14
0
141313
1212 12
1414 12 X 12
X 1414 12
1412
X
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57
57
57
57
5X 7
7
57
57
57
57
XX 7
7XX
XX
57 7
7XX
X7
47
Gtr. 1
P.M. P.M.
VerseGtr. 2 tacet
D5
girl don’t go for smok in’;
A5
liq uor just make her flinch. Seems
7X 9
999
99
XX
5X 7
7
57
57
XX 7
777
77
77
57
P.M.
5
5 5 65
5
5 5 65
5
5 5 65
555
55 5
3 3 3let ring
A5
4. My
D5
57
57
59
57
510
5X
57
57
57
59
57
510
59
57
57
57
59
57
510
XX X
X79
7X 9
9
XX
79
79
P.M. P.M.
75 6
55
5 5 65
5
5 5 65
D6 D5 D7 D5 A5 A6
3
A5 A7 A6 A5 A6 A5 A7
3
A5 E5
3
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6
57
57
59
57
510
59
57
0 3X0
3X0
3X2
3X0
3X0
3X0
3X2
3X0
3X0
3X0
3X2
3X0
3X0
3X0
2X0
(0)777
0777
00
033
000 0
33
000
33
56
1/2
33
55
33
00
wan na get
D6 D5
next
D7
ta
D6
you.
D5 G5 G6 G5 G6 G5 G6 G5
2. Ya
G5/F
3X0
3X0
3X2
3X2
3X0
3X0
3X2
3X2
3X0
3X0
3X2
3X2
3X0
3X0
3X2
57
57
59
57
510
59
57
57
00
00
00
00
00
33
00
00
033
00
00
033
00
00
05 7
77
79
XX
5 7 5 7 0
G5 G6 G5 G6 G5 G6 G5 G6
Sweet
D5
lit
D6
tle
D5
ma
D7
ma,
D6 D5
I
3 3X0
3X2
3X0
3X0
3X0
3X2
3X0
3X0
3X2
3X0
3X0
3X0
3X2
3X0
3X0
3X2
3 3X0
3X0
3X2
3X0
3X0
3X0
3X2
3X2
3X0
3X0
3X2
3X2
33
0 00
31
00
0
5 00 00 00 0 00 00
0
00
0
00 00
P.M.
G5 G6 G5 G6 G5 G6 G5
Chip a
G6
way,
G5 G6 G5 G6 G5
that’s what
G6
I’m
G5
gon na
G6
do.
77
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12
3X0
3X0
3X2
3X0
3X0
3X0
3X2 5
5
Gtr. 2
78 7
XXX
33
5 5
533
033
0
033
033
03 5
5
55
wan na get
D6 D5
next
D7
ta
D5
you.
N.C. G5 G6 G5 G6 G5
Yes, I
G6
do.
G5
(Yes, I
G6
do.
C
033
55
1/2
55
55
1/2
55
33
5 3 (3) 015
079 7
710 9
78
G6 G5 G6 G5 G6 G5
Sweet
D5
lit
D6
tle
D5
ma
D7 D6
ma
D5
ma, I
033
555
33
55
00
33
00
033
00
00033
00
P.M.
G5 G6 G5 G6 G5 G6 G
Chip
G6
a way,
G5 G6 G5 G6 G5
that’s what
G6
I’m
G5
gon na
G6
do.
G5
N.C.
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13
355
3
56
3
55
022
0
23
0
22
3X
3
01
3
00
* Don’t pick; sound harm. w/ L.H.3
00
0
33
33
33
22
XX
355
555
55 7
56
555
70 2
22
22 4
23
222
XX
X 000
00 2
01
0000
2.6 5 000
00
33
33
33
22
XX
55
P.M.
8va
* Harm.
loco
333
999
141414
121212
555
steady gliss.steady gliss.
F/C C A D/A A G C/G G B 5
Chip
A5
a
C5
way,
355 5
6
3
55
022
02
23
0
22
* Pick harm. while barring strings at 2nd fret.3
0
3
01
3
00
3
0
3
201
3
00
355
Gtr. 2
555
5756
555
70 2
22
22 4
23
222
5 000
0 0201
000
000
00
201
000
XX
XX
555
Gtr. 1
P.M. * Harm.
8va loco
222
Gtr. 4 (dist.-Perry)
w/ slide and MXR Phase 90
F/C C A D/A A G C/G G C/G G C
)
Interlude
X
XX
0
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14
(3)
000
3X201
3 3X00
3 3X201
3 3X00
3X201
00
3X000
000
000
355
355
355
3556
3556
555
3555
555
00
03
0
03
0
03
03 1
03 1 1
03
03
00
55
55
55
55
55
55
55
55
C/G G C/G G C/G G
I won’t
C
stop.(I won’t
Csus4
stop.I
C
won’t
3
00
3X0
3X00
3X00
3X00
0 0 33 3
53556
3556
3555
3555
XX
X0222
0222
0223
223
0223
0222
0222
3
03 2 0
3
1/4
0
55
55
55
55
55
55
55
55
55
22
22
22
22
22
22
00
Chip a way,
C Csus4
chip a way
A Asus4
at the
A
stone.
G
355
* let ring
* next 18 meas.
555
3556
3556
3555
0XXX
0222
022
0223
223
0223
0222
0XX
3X00
3X0
3X0 0
0
3X00
3X00
3 3X00
55
55
57
55
55
55
022
22
22
22
22
22
00
00
3 4 000
00
3 3 2
Gtr. 4 tacet
C Csus4
chip
C
a way
A Asus4
at the
A
stone.
G
C
Gtr. 2
Gtr. 1
Outro
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15
3
0
3 3X001
3X001
3X000
000
3
0
03555
3555
3556
556
355
555
355
0XX
0222
0222
0223
0223
022
0222
022
3
(0)
let ring
66 6
66
66
0 0 55
55
44
55
55
44
55
55
44
55
55
22
22
22
22
22 2
200
G Gsus4 G
Chip
C
it,
Csus4 C
I’m gon na nip
A
it
Asus4
all night
A
long.
G
3555
355
35
56
355
555
3555
555
0222
0222
022 2
3
022
222
222
0 3X000
3 3X001
000
3 3
00
3X001
001
55
55
57
55
55
55
57
55
22
22
22
2 22
22
22
0
66
66
66
66
0 0
stop.
C
I won’t
Csus4
stop.
C
I won’t stop.
A
I won’t
Asus4
stop.
A
I won’t stop.
G
I won’t
Gsus4 G
stop.)
Gsus4
0222
0222
0223
0223
0223
0222
0222
22
3
000
3X001
001
001
000
32000
000
3X000
001
001
001
001
000
000
0XX
22 2
422
22
22
22
0
66 66 66 66
0 0
66 66 66 66
stop.
A
I won’t
Asus4
stop.I
A
won’t stop.
G
I…
Gsus4 G Gsus4
I
G
won’t
X X
X
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16
3
5
* Depress bar and release bend simultaneously.
00
(11)
1/2
(11)
-1/2
(11)
-1/2 -1/2
(11) (11)
-1/2
(11)
-1/2
(11)
1/2
11 (11)
-2 1/2
Free Time
w/ bar
-1/2 -1/2 -1/2 -1/2 -1/2
fdbk.
w/ bar* depress bar grad.
3
0
3 3
2
3
00
3X00
3X00
3X201
000
3X000
000
3X001
000
3X000
000
3
0
0* Studio fade in.
3555
555
3556
556
355
355
3
55
5 000
0222
0222
0223
0223
0223
XXX
4X6
3X5
Gtr. 2
00
22
00
22
00
22
00
22
00
22
00
22
00
22
00
22
22
00
11
00
Gtr. 1
1011
1011
12 1011
1011
12 1011
1011
1212 11
Gtr. 5 (dist.- Perry)
*
C/G G C/G G C/G G C Csus4 C A Asus4 A A 5 G5
XXX X
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Intro
Moderate Rock q = 132
Draw the LineWords and Music by Steven Tyler and Joe Perry
Copyright © 1980 Music Of Stage ThreeAll Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission
Verse
Open A tuning:(low to high) E-A-E-A-C#-E
**
A5
mf
E5
w/ dist.
*Wear slide on pinky throughout.
A7
let ring
let ring
Check 1.
2. See additional lyrics
E5
mate- hon ey,- beat you at your own damn game.
A7
No
E5
dice hon ey,- I’m liv in’- on the as tral- plane.
let ring
000
000
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0 2 3 4 3 2 0
53
0
3
0 2 3 4 3 2 0
53
0
3
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0 2 3 4 3 2 0
53
0
3
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
DigitalConversion ©2011 Sorgdal- For educationaluse only - notfor sale or trade.No warranty of accurac y or useability isimplied or claimed.
1
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1.
A7
Feet’s
E
on the ground and your
let ring
head’s go in’- down the drain.
A7
Oh, heads
let ring
D5
I win, tails you lose
E5
to the nev er- mind,
G5
when to draw the line.
w/ slide
A7
The2.
w/o slide let ring let ring
0 2 3 4 3 2 0
53
0
3
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0 2 3 4 3 2 0
53
0
3
555
555
555
555
555
777
777
777
777
777
101010
101010
101010
101010
101010
101010
101010
101010
101010
101010
101010
0 2 3 4 3 2 0
53
0
3
0 2 3 4 3 2 0
53
0
3
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2.
Verse
A7
w/o slide let ring
let ring
“Hi3. -
let ring let ring
E5
ho- Sil ver,”- we were sing in’- all your cow boy- songs.
A7
Oh you
E5
told Car rie- and prom ised- her you would n’t- be long.
let ring
0 2 3 4 3 2 0
53
0
3
0 2 3 4 3 2 0
53
0
3
0 2 3 4 3 2 0
53
0
3
0 2 3 4 3 2 0
53
0
3
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0 2 3 4 3 2 0
53
0
3
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
DigitalConversion ©2011 Sorgdal- For educationaluse only - notfor sale or trade.No warranty of accurac y or useability isimplied or claimed.
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Heads
D
I win, tails you lose,
let ring
w/ slide
E5
Lord, it’s such a crime.
G5
No
D5
dice hon ey,- you the salt,
E5
you’re the queen of the brine.
G5
Check
E5
mate- hon ey,- you’re the on
D5
ly- one who’s got to choose
0 2 3 4 3 2 0
53
0
3
555
555
555
555
555
777
777
777
777
777
101010
101010
101010
101010
101010
101010
101010
101010
101010
101010
101010
555
555
555
555
555
777
777
777
777
777
101010
101010
101010
101010
101010
101010
101010
101010
101010
101010
101010
101010
777
777
777
777
777
555
555
555
555
555
DigitalConversion ©2011 Sorgdal- For educationaluse only - notfor sale or trade.No warranty of accurac y or useability isimplied or claimed.
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Interlude
Play 3 times
Play 3 times
E5
when to draw the line.
A7
w/o slide
let ring let ring
let ring
A7
let ring
*
let ring let ring
*3rd time, omit tie
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0 2 3 4 3 2 0
53
0
3
0 2 3 4 3 2 0
53
0
3
0 2 3 4 3 2 0
53
0
3
0 2 3 4 3 2 0
53
0
3
3 53
0
3
0 2 3 4 3 2 0
53
0
3
0 2 3 4 3 2 0 0 0 2 3 4 3 2 0 0 0 2 3 4 3 2 0 0
DigitalConversion ©2011 Sorgdal- For educationaluse only - notfor sale or trade.No warranty of accurac y or useability isimplied or claimed.
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Bridge
Yeah!
E5
Check mate,- don’t be late, take an oth- er- bow.
8va
That’s right, im pos- si- ble- when you got to be your self.- You’re the boss,
8va
it’s your toss. The dice, the price. Grab your self - a
8va
slice
loco
and go and draw the line.
0 2 3 4 3 2 0 00777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
07
77
07
77
07
77
07
77
07
77
07
77
07
77
07
77
07
77
07
77
07
77
07
77
07
77
07
77
07
77
07
77
07
77
07
77
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
0777
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22
1 1 3 3 4 4 6 6
16
full
16 16 16
Gtr. 3
(cont. in slash)
Gtr. 4
Dream on ’n’ dream on, ’n’ dream on, dream your self a dream come true.
CodaChorus
Gtr. 1
B 5 C5 D 5 E 5
Gtrs.1 & 3
F5I
356
53
64
86
3
98
3
63
53
63
53
54
53
54
53
43
53
43
5
6
353
6
25
6
25
2
25
2
25
6 68
6 8 8
1/2
(8)5
4 46
5
46
5
6
5
66
5
86
5
86
5
8 13 13 86
86 6
86 6
Fm Fsus2 Fm(maj7) Fm7add9 B add9 E 7/6 E 7 D.S. al Coda
Well,
† play fingerstyle
3564
53 3
54
53
54
53
43
53
43
5
6
353
6
25
6
25
2
25
25
Gtr. 2†
let ring throughout
5
46
5
46
5
66
5
66
5
66
5
86
5
86
5
8 13 13 86
86 6
86 6
5
Gtr. 1
Interlude
FmGtrs. 3 & 4 tacet
Fm(maj7) Fm7add9 B add9 E 13 E 7
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Dude (Looks Like A Lady)
© Copyright 1987 Demon Of Screamin Music/Juju Rhythms/EMI April Music Incorporated/Universal Polygram International, USA.
Words & Music by Joe Perry, Steven Tyler & Desmond Child
q = 128
1.
2.
7fr
A57fr
G/D7fr
D8fr
G6/D5fr
F/A D* C/D E G7fr
E55fr
D5
Intro A5
I... I... I... I... That,
A5 G/D
that,
A5
dude
D
looks like a la
G6/D
dy.
D
-
Gtr. 1 (elec.)(sample)
mf w/dist.
Gtr. 2 (elec.)
w/dist.
That,
A5 G/D
that,
A5
dude
D
looks like a la
G6/D
dy.
D
-
D
looks like a la
G6/D
dy.
D
-
7
9
7
9
7
9
7
9
7
9
7
9
7
9
7
9
0
7
910
0
7
910
0
7
910
0
78
0
78
0
7
910
0
7
910
77
0
98
0
77
79
79
79
77
77
79
79
79
079
10
079
10
079
10
078
078
079
10
079
10
077
0 098
077
0 077
0 098
077
0
7
9
7
9
7
9
7
7
7
7
7
9
7
9
7
9
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1.
2.
A5 G/D A5 D
G6/D D A5
G/D A5 D
G6/D D
D
G6/D D
Verse
Cruised
A5
in to- a
G/D
bar on
A5
the shore,
D G6/D D
her pic
A5
-ture graced the
G/D
grime on
A5
the doo
079
10
079
10
079
10
078
078
079
10
079
10
077
0 098
077
079
10
079
10
079
10
078
078
079
10
079
10
077
0 098
077
79
79
79
77
79 7
777
79
79
79
77
79 7
7
79
79
79
77
79 7
777
79
79
79
77
79 7
7
077
0 098
077
079
10
079
10
079
10
078
078
079
10
079
10
077
077
077
098
098
077
077
077
079
10
079
10
079
10
078
078
079
10
079
10
7
9
7
9
7
9
7
7
7
9 77
7
9
7
9
7
9
7
7
7
7
7
7
7
9
7
9
57
57
59
57
57
57
59
57 7
9
7
9
7
9
7
7
7
7
7
7
7
9
7
9
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D G6/D D
She a
G/D
long
A5
lost
G/D
love at
A5
first bite,
D G6/D
ba
D
by,- may
G/D
A5
- beyou’re wrong,
G/D A5
but you know
D
it’s all right,
G6/D
that’s
D
right.
G/D
That,
A5 G/D
that.
A5
077
077
098
098
077
077
078
079
10
079
10
079
10
078
078
079
10
079
10
077
077
098
098
077
077
078
57
57
59
57
57
57
59
57 7
979
79
77
77
77
79
79
57
57
59
57
57
57
59
57
079
10
079
10
079
10
078
078
079
10
079
10
077
077
098
098
098
098
09
10
079
10
079
10
079
10
078
078
079
10
079
10
7
9
7
9
7
9
7
7
7
7
7
7
7
9
7
9
57
57
59
57
3 3
7
9
7
9
7
9
7
7
7
9 77
77
7
9
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D
G6/D D
That,
A5 G/D
that.
A5 D G6/D D
And
back
ne
Verse A5
- ver
- stage
judge
we’re
a
G/D
hav
book
ing
by
-
A5
- the
it’s
time
co ver
D
-
G6/D
of
D
our lives
or who
A5
un
you’re
til
gon
-
na-
G/D
some
love
bo
by
-
A5
dy
your
- say,
lo ver.
D
-
G6/D D
Said,
“Fo
G/
077
0 098
077
079
10
079
10
079
10
078
078
079
10
079
10
077
0 098
077
79
79
77
79 7
7
79
79
79
77
79 7
777
79
79
79
77
79 7
7
079
10
079
10
079
10
078
078
079
10
079
10
077
077
077
098
098
077
077
077
079
10
079
10
079
10
078
078
079
10
079
10
077
077
098
098
077
077
078
7
9
7
9
7
9
7
7
7
7
7
7
7
9
7
9
57
57
59
57
57
57
59
57 7
9
7
9
7
9
7
7
7
7
7
7
7
9
7
9
57
57
59
57
57
57
59
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- give
love
A5
- me
put
if
me
I
wise
G/D
seem out
A5
of
to
line.”
her love
D
in dis guise,
G6/D
-
Then
she
D
she
had
whipped
the
G/D
bo
A5
out
dy-
her
of
gun
a
G/D
Ve - nus, Lord,
and
A5
tried to
i
blow
ma
D
- -
me
gine
a
my
way.
sur
G6/D
-
-prise.
That,
Chorus
A5 G/D
that,
A5
dude
D
looks like a la
G6/D
dy.
D
- That,
A5 G/D
that,
A5
dud
079
10
079
10
079
10
078
078
079
10
079
10
077
077
098
098
077
077
078
079
10
079
10
079
10
078
078
079
10
079
10
077
077
098
098
098
098
09
10
79
79
79
77
77
77
79
79
57
57
59
57
57
57
59
57 7
979
79
77
77
77
79
79
55
55
755
55
079
10
079
10
079
10
078
078
079
10
079
10
077
0 098
077
079
10
079
10
079
10
078
078
079
10
079
10
7
9
7
9
7
9
7
7
7
9 77
77
7
9
7
9
7
9
7
7
7
9 77
7
9
7
9
7
9
7
7
7
9 77
77
7
9
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1.
2.
D
looks like a la
G6/D
dy.
D
- That,
A5 G/D
that,
A5
dude
D
looks like a la
G6/D
dy.
D
- That,
A5 G/D
that,
A5
dud
D
looks like a la
G6/D
dy.-
D
So
D
looks like a la
G6/D
dy.
D
-
Bridge
(Ba
A5
by- let me
G/D
fol-low
A5
you
Let
down.
F/A
me take a peek dear
077
0 098
077
079
10
079
10
079
10
078
078
079
10
079
10
077
0 098
077
079
10
079
10
079
10
078
078
079
10
079
10
79
79
77
79 7
7
79
79
79
77
79 7
777
79
79
79
77
79 7
7
79
79
79
77
79 7
777
79
077
0 098
077
077
0 098
077
079
10
079
10
079
10
078
078
079
10
079
10
756
7
9
7
9
7
7
7
9 77
7
9
7
9
7
7
7
9 77
7
9
7
9
7
9
7
7
7
7
7
7
7
9
3
5
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Ba
A5
by- let me
G/D
fol low
A5
- you
do
down.
F/A
me, do me, do me all night.
Ba
A5
by- let me
G/D
fol low
A5
- you
Tur
down.
F/A
the o ther- cheek dear.
Ba
D*
by- let me
C/D
fol- low you
D*
Do
down.)
E
me, do me, do
G
me, do me.
079
10
079
10
079
10
078
078
079
10
079
10
756
079
10
079
10
079
10
078
078
079
10
079
10
79
79
79
77
77
77
79
35
79
79
79
77
77
77
79
756
023
023
023
001
001
001
023
02210
0
32000
3
3
5
5
7
5
7
5
9
5
7
5
7
5
7
5
9
79
1012
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Gtr. solo [A5] [D5] [A5] [D5]
1/4 1/4
cont. si
[A5] [D5] [A5]
full full
[D5]
[A5]
1/2 full full
[D5] [A5] [D5]
full full full full full full f
[A5] [D5]
full full full full ful
0 3 0
2 0 2 0 4 2 04
04
4 2 5 2 5 2 5 2 2
0 3 0
2
0 2 3 22 0
2 04
05
79
79
79
77
79 7
777
79
79
79
77
79 7
7
79
79
79
77
79 7
777
79
79
79
77
79 7
7
75
75 7 5
777
55
788
88
7 77
55
55
7 57
55
5 755
55
55
55
5 755
55
55
55
5
7
777
55
77
7 55
777
55
8 8
7
8 8 8 8 85
7 75 7 5
55
55
7
55
5 7
7
5
5
77
7
5
5
7
75 7
88
88
88
88
7
8 88
88 0
0
19
1717
1717
19
1720 17
19
1717 20
17
19
1717
17
19
1717 20 17
19
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[A5] [D5]
full full full full full full full
Bridge
E5 D5
Ooh,
E5
what a fun ky- la dy.-
E5 D5 E5
Ooh, she
like it, like it, like it, like that,
E5 D5 E5
Ooh, he was a la dy.-
1/2
1717 20 17
19
1717 20 17 20 17 20 17 20
1720
1720
1720
1720 20
99
99
99
77
77
99
99
99
99
99
77
77
99
99
99
99
99
77
77
99
99
XXX
XXX
XXX
XXX
XXX
XXX
99
99
99
77
77
99
99
99
X X X X X X X X
99
99
99
77
77
99
99
2 0
XX
X
XX
X
XX
X
XX
X
XX
X
XX
X
XX
X
9
9
9
9
9
9
7
7
7
7
9
9
9
9
9
9
XX
X
XX
X
XX
X
XX
X
XX
X
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E5
D5 E5
Yeow,
G
yeah, yeah, yeah, yeah,
That,
(yeah.)
ChorusA5 G/D
that,
A5
dude
D
looks like a la
G6/D
dy.
D
- That,
A5 G/D
that,
A5
du
99
99
99
77
77
99
99
3
99
99
99
77
77
99
99
101212
079
10
079
10
079
10
078
078
079
10
079
10
077
0 098
077
079
10
079
10
079
10
078
078
079
10
079
10
7
9
7
9
7
9
7
7
7
9 77
77
7
9
7
9
7
9
7
7
7
9 77
7
9
7
9
7
9
7
7
7
9 77
77
7
9
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1, 2, 3.
4.
1.
D
looks like a la
G6/D
dy.
D
-
looks like a la dy.-
A5
Dude, dude,
G/D
dude,
A5
dud
D
looks like a la
G6/D
dy.
D
-
A5
Dude, dude,
G/D
dude,
A5
dude
D
looks like a la
G6/D
dy.
D
-
077
0 098
077
077
0 098
077
079
10
079
10
079
10
078
078
079
10
079
10
79
79
77
79 7
7
79
79
77
79 7
7
79
79
79
77
79 7
777
79
077
0 098
077
079
10
079
10
079
10
078
078
079
10
079
10
077
0 098
077
7
9
7
9
7
7
7
9 77
7
9
7
9
7
9
7
7
7
9 77
77
7
9
7
9
7
9
7
7
7
9 77
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2.
looks like a la dy.-
[A5]
Yeah, yeow,
[D5]
ya, ya, ya, ya, ya, ya, ya, yeow,
[A5]
yeow,
yeow,
full full full
[D5]
yeow,
ya, ya, ya, ya, ya, ya, ya, ya, yeow.
[A5]
[D5]
full full
077
0 098
077
7 7 7 7 7 7 7 7 7 7 7 7 7 7
757 5
7
55
55
7
55
55
55
79
79
77
79 7
7
79
79
79
77
77
79
79
79
57
57
59
57
57
57
59
57 7
979
79
77
77
79
79
79
75
5
5
5
5
5
7 75
7
5
5
5
5
8 7 5
5
8
5 12
10
10 12
10
9 10
57
57
59
57
57
57
59
57 7
9
7
9
7
9
7
7
7
7
7
9
7
9
7
9
57
57
59
57
57
57
59
57
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That,
[A5]
that,
[D5]
That,
[A5]
that,
[D5]
That,
[A5]
that,
[D5]
Repeat ad lib. to f
9
8
9
8
109
109
109
109
109
109
5 7
7 5
5
50 2 2 0
20
7 755
777
55
55
7
79
79
79
77
77
79
79
79
57
57
59
57
57
57
59
57 7
979
79
77
77
79
79
79
5
5
7
7
55
55
77
77
55 0
052
200
7
7
7 9
9
9 11
10
11 12
12
57
57
59
57
57
57
59
57 7
9
7
9
7
9
7
7
7
7
7
9
7
9
7
9
57
57
59
57
57
57
59
57
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133
© 1992 SWAG SONG MUSIC, INC., EMI APRIL MUSIC INC., ALMO MUSIC CORP. and TESTATYME MUSICAll Rights for SWAG SONG MUSIC, INC. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
75
6 5 3 0224
0224
5 75
5 73 5 7
56 5 3 0
224
0224
75
6 6 5 5 3 0 0224 24
00
5 75
5 73 5 7
56 6 5 5 3 0 0
224
0224
E5 N.C. E5 End Rhy. Fig. 2
*2nd time, and when Rhy. Fig. 1 is recalled,note is picked, not hammered.
022400
022400
5 75
5 73 5
Gtr. 2Rhy. Fig. 1A End Rhy. Fig. 1A Rhy. Fig. 2A
5 75
5 73 5 6
56 6 5 5 3 0 0
224
0224
5 75
5 73 5
Rhy. Fig. 1Gtr. 1
*
End Rhy. Fig. 1 Rhy. Fig. 2
N.C.
Rhy. Fig. 1B
N.C. E5
End Rhy. Fig. 1B
Gtr. 3: w/Rhy. Fig. 1B, 2 times
TAB
004220
004220
004220
004220
004220
004220
004220
004220
(Percussion w/vocal ad Libs)
Intro
Gtrs. 1 & 2
Moderate Rock = 123
N.C.
Gtr. 3
E5 E7 9
Words and Music by Tyler, Perry and Vallance
1 14
E5
Eat The Rich
E7 9
2 1 3 4
6fr
11
A5
13 4
B5
13 4
D5
5fr
End Rhy. Fig. 2A
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135
355
577
14
full
15 (15)
Gtr. 1Rhy. Fill 2
00
30
00
30
00
30
00
30
00
30
00
30
let ring throughout
022
244
355
022 2
full
(2)
022
244
sick
E5
of all your
F 5
bitch in’ ’bout your
Gtr. 1: w/ Rhy. Fill 2, 2nd time
poo
G5
dles and your
A5
pills. And I just
E5
can’t see no
F 5
hu mor a bout
00
30
00
30
00
30
00
30
Riff AGtr. 2
let ring throughout
*During Pre-Chorus, Gtr. 1 is two gtrs. arr. for one.
022
244
355
022 2
full
(2) 02
*Gtr. 1
Pre-Chorus
sick
E5
of your com
F 5
plain ing a bout
G5
how man y
A5
bills. And I’m
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Intro
Moderately fast q = 152
© 2002 EMI APRIL MUSIC INC., DEMON OF SCREAMIN' MUSIC PUBLISHING, JUJU RHTYHMS, SONY/ATV SONGS LLC and WHITE PEARL SONGSAll Rights for DEMON OF SCREAMIN' MUSIC PUBLISHING and JUJU RHYTHMS Controlled and Administered by EMI APRIL MUSIC INC.
All Rights for SONY/ATV SONGS LLC and WHITE PEARL SONGS Administered bySONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203All Rights Reserved International Copyright Secured Used by Permission
from Aerosmith - O, Yeah!
Half-time feel
Girls of SummerWords and Music by Tyler/Perry/Frederiksen
End half-time feel
Gtr. 6: Drop D tuning:(low to high) D-A-D-G-B-EGtr. 7: Open G tuning:(low to high) D-G-D-G-B-D
*Gtr. 1 (elec.)
(Drums)
**w/ clean tone
D
type2
13 2
D
2 34
G5
23 1
Am
1342
Cm
2 3
G5
1342
Bm
12 4
Em7
1333
Bb
1333
C
11 1
A
Dsus4 Dsus2 D
*Backwards gtr. arr. for gtr. **Vol. swells
Gtr. 3(acous.)
mp
Gtr. 1 tacet
Slower q = 122
mf
D
1. When
G5
Gtro 2(elec.)
mf w/ clean tonelet ring throughout
Riff A End Riff A
Verse
Rhy. Fig. 1
win
G5
ter- hearts turn sum mer- pink in half the time it takes
let ring
232
33
230
232
23
2
03
2
33
2
23
2
23
2
03
2
33
2
23
2
3X0033
3X0033
33
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Gtr. 3
Gtr. 2 tacet
to blink, but it all
Am
de pends- on what
Cm
you think a bout
G5
-
Gtr. 4 (elec.)
let ring mf w/ slight dist o
End Rhy. Fig. 1
Gtr. 3: w/ Rhy. Fig. 1
the girls of sum mer.- When all
G5
you think of all
Gtr. 4
let ring
*Gtrs. 2 & 5
mf
w/ tremolo
*Gtr. 5 (baritone gtr.)
day long is a pret ty- face in side- a song, with a broad
let ring
(cont. in slashes)
Gtr. 2
Gtr. 3 divisi
**Gtr. 2 to left of slash in tab
**
**As before
**
33
02210
3554
3X003
0033
3
3
0
3
03
0
3
0
03
0
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Gtr. 4
Am
like that you
can’t
Cm
go wrong
a bout-
type2G5
the
girls
of sum -
Gtrs. 2 & 5
Gtrs. 2, 4 & 5 tacet
mer.-
µ
I know you know what ev ’ry- bod- y’s- talk ing- ’bout.
(Oo. Wah.)
Gtr. 3
Chorus
Rhy. Fig. 2
**
D
Voc. Fig. 1
Some girls are all
Bm
a bout-
(Ah.
it,
G5
a, some girls they love
Em7
*Gtr. 6
mf
Rhy. Fig. 3
w/ dist.
*Two gtrs. arr. for one.
**Pertains to upstemmed notes only.
02
35
3
0
3
0
00023
2423
5
0X
087
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End Rhy. Fig. 2
Gtr. 3: w/ Rhy. Fig. 2
to let it fly.
D
Some girls can’t live
Bm7
with out-
Ah.)
it,
3
(Ah.)
Voc. Fig. 2
Gtr. 3
G
a, some girls
End Voc. Fig. 1
are born
Em7
to make you cry
cry,
G5
yeah,
Bb
End Voc. Fig. 2
End Rhy. Fig. 3Gtr. 6
222
222
222
222
222
222
222
000
242
5
0X
087
222
222
222
222
222
222
222
222
222
555
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C oT oda Gtr. 2: w/ Riff A
o ver- and
o ver- a gain.-
D
2. My
G5
fa
VerseGtr. 3: w/ Rhy. Fig. 1Gtr. 6 tacet
G5
v’rite- thing that drives me wild is when a cit y- girl walks a
3
Gtr. 7 (elec.)
w/ flangertremolo off let ring throughout
coun try- mile for the boy
Am
she loves, God bless
Cm
the child in side
G5
-
3
888
00023
8
7
07
77 5
05
03
03
03 8
78 7
77
50
50
32
30 1 0
4 10
3 80
8 40
4
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D.S. al Coda
Coda
G
the girls of sum mer.-
Gtr. 7 tacet
µ
A, do you know what ev ’ry- bod- y’s- talk ing- ’bout?
(Oo. Wah.)
Gtr. 3
Bridge
Gtr. 3
D
Yeah, yeah, yeah, yeah.
Bb
They
get you climb ing- the walls,
C
Gtr. 2
Gtr. 6
Gtr. 4
let ring
98
7
108
7
98
108
789
11
11
1
00023
888
13
3
13
3
13
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they get you caught in their spell.
G5
They get you
speak ing- in tongues.
D
Could this be heav en- or hell?
Bb
let ring let ring let ring
To
fall in love twice a day
C
is such a sweet
price to pay.
G5
let ring let ring let ring
1
33
33 3
33
33 3 3
23
23
101010
555
057
3
55
35
5
35
35
5
35
5
35 5
77
57
7
57
3 11
11
1 33
33
3 33
33 3
3
888
101010
555
13
3
13
3
13
35
5
35
5
35
35
5
35
5
35
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VerseGtrs. 2 & 4 tacet
A
(cont. in notation)
3. The
G5
best
G5
things a
Gmaj7
bout- life
(S’il vous plez.
Gtr. 3
Gtr. 6 p
let ring
Gtr. 6 tacet
G6
are free,
G5
the pus sy- wil
Gmaj7
low- of
G6
your dreams
G5
to the one
Am
Gtr. 3
3 55 3
57
55
57
55
3X0033
3X0032
3X0032
777
5
0X
03
57
7
57
9
57
7
7
6
79
3X0030
3X003
3X0033
3X0033
3X0033
3X0032
3X00
3X00
3X0030
3X003
02210
02210
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Gtr. 3
who climbs
there’ll
al
Cm
ways- be
the girl.
G5 G5
Ah.)
(cont. in slashes)
Gtr. 2
Chorus
Bkgd. Voco: w/ Voc. Fig. 1
Gtr. 3: w/ Rhy. Fig. 2 (2 times)Gtr. 6: w/ Rhy. Fig. 3
D
Some girls are all
Bm7
a bout- it,
G5
a, some girls, they love
Bkgd. Voc.: w/ Voc. Fig. 2
Em7
to let it fly.
D
Some girls, no doubt
Bm7
a bout- it,
Gtr. 3
G5
a, some girls are born
Em7
to make you cry.
G5
Some girls can’t live
Em7
with out- it.
Gtr. 6
02210
02210
3554
3554
3554
3554
3X0033
3X0033 7
87
88
7
78
7
88
7
78
7
5
0X
03
222
222
222
222
222
222
222
222
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Gtr. 2: w/ Riff A (2 times)
G5
Some girls got twen
Bb
ty- rea
sons- why.
D
O ver,- and
(O ver,- and
o ver,-
and
o ver,- and
o ver,- and.
o ver,
- and...)
Bb
C
Gtr. 8 (elec.)
w/ dist. & slide
f
Gtr. 6
555
888
0002
3
7 7 7 5 35
00023
888
101010
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Intro Moderately slow q = 72
Last ChildWords and Music by Steven Tyler and Brad Whitford
from Aerosmith - Rocks
Copyright © 1977 Stage Three SongsCopyright Renewed
All Rights Administered by Stage Three Music U.S. Inc.All Rights Reserved Used by Permission
Reprinted by Permission of Hal Leonard Corporation
Faster q = 82
Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb
**Dm('9)
(Oo.)
(Oo.)
I’m dream
G6(no3rd)
ing- to night.- I’m
*Gtr. 1 (dist.)
mf let ring
let ring
*Brad Whitfield. Doubled next 6 meas.
**Chord symbols reflect implied harmony.
leav
E7
ing
- back home.
F7 F#7
Right!
E9
***Gtr. 2
mf
P.M. P.M.
***Joe Perry
Gtr. 1
let ring
Riff A
slight P.H.
End Riff A
77
60
67
7 77
60
67
7 57
80
87
5 57
80
87
5
77
04 5 4 0
77
4 X 5 7
7 97
90
97
9 97
90
979
10810
11911
02
02 4 5 4 2 4
0 2
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Gtr. 1: w/ Riff A (3 times)
Yeah,
ya, ya, yeah.
Take1.
Gtr. 2
P.M. P.M. P.M. P.M.
VerseGtr. 1: w/ Riff A (6 times)
E9
me
in
back
the field,
to
put
a
the
South
mule
Tal
in
la
the
- has
sta
- see,
ble.
-
-
P.M. P.M. P.M.
down
Ma,
’cross
she’s
the
a,
bridge
cook in’,-
to
put
my
the
sweet
eats
sas
on
sa
the
- fras
ta
- see.
ble.
-
-
Can’t
Hate’s
P.M. P.M.
stand
in the
up
cit y-
on
and
my
my
feet
love’s
in
in
the
the
cit
mead
y,
ow,
-
-
got
hands
P.M. P.M.
77
04 5 4
7
77
4 X 5 7
77
04 5 4 0
77
4 X 5 7
77
04 5 4 0
77
4 0 5 7
77
04 5 4 0
77
4 0 5 7
77
04 5 4 0
77
4 X 5 7
77
04 5 4
7
77
4 0 5 7
77
04 5 4 0
77
4 X 5 7
77
04 5 4
7
77
4 X 5 7
77
04 5 4 0
77
4 X 5 7
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to get
on the
back
plough
to
and
the
my
real
feet’s
nit
in
ty
the
- grit
ghet
ty.
to.
-
-
Gtr. 2
Riff B
P.M. P.M.
End Riff B
Gtr. 1
slight P.H. slight P.H.
Yes
Stand
Pre-Chorus
2nd time, Gtr. 3: w/ Fill 1A5
sir,
up,
no
sit
sir.
down.
Don’t
Don’t
come
do
close
noth
to
in’.-
my
It
home,
ain’t
sweet
no
home.
good
Can’t
when
catch
boss
no
man’s
dose
stuf
from
fin’-
a
it
hot
down
*Gtr. 3 (dist.)
mf
*Joe Perry
Gtr. 2
Gtr. 1
Rhy. Fig. 1 End Rhy. Fig. 1
Fill 1Gtr. 3
77
04 5 4 0
77
4 0 5 7
77
04 5 4 0
77
4 0 5 7
02
02 4 5 4 2 4
0 2
02
02 4 5 4 2 4
0 2 0
121212
1414
1212
111111
121212
1415
1111 11
11
05
07
04
05
022
04
02 2 4
05
07
04
05
022
04
02 2 4
05
02
02
02
02
02
02
02
02
02
02
02
02
02
02
02
02
02
02
121212
1414
111111
111111
111111
121212
1415
111111
111111
111111
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2nd time, Gtr. 3: w/ Fill 2
tail
their
poon
throats
tang
for
- sweet
pap
heart
er
-
-
sweat
notes
who
and
could
their
make
ba
silk
bies-
purse
cry
from
while
a J.
cit
Paul
ies-
Get
lie
and
at
his
their
ear,
feet,
Gtr. 1: w/ Riff A (2 times)Gtr. 2: w/ Riff B2nd time, Gtrs. 3 & 4 tacet
E9
with
when
her
you’re
face
rock
in
in’-
her
the
beer.
streets.
Gtr. 3
Gtr. 4 (dist.)
mf
Fill 2Gtr. 3
121212
1414
111111
111111
111111
121212
1414
111111
111111
111111
05
07
04
05
022
04
02 2 4
05
07
04
05
022
04
02 2
04
02
02
02
02
02
02
02
02
02
02
02
02
02
02
02
02
02
02
0
77
77
77
77
77
77
777
77
77
77
77
77
777
121212
1415
111111
111111
111111
121212
1415
1415
1415
1415
1415
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1.
2.
Home,
ChorusGtrs. 3 & 4 tacet
D
sweet
A
*Gtr. 5 (dist.)
Riff C1
f
End Riff C1
*Doubled throughout
1/2 1 1/2
Gtrs. 1 & 2 Riff C End Riff C
home.
Gtr. 1: w/ Riff A (2 times)
Gtr. 5 tacetE9
Get2. out
*Gtr. 6
Guitar Solo
f
E5
P.M.
P.M.
*Brad Whitford
15
1
15
1
Gtr. 1
slight P.M.
slight P.M.
Gtr. 2
Riff D End Riff D
11 11 9 7 7 711 11 9 7 9 5
0 0
707
07
0 07
02
02
77
0
4 5 4
7
77
4 0 5 7
77
0
4 5 4
7
77
4 0 5 7
77
0
4 5 4 0
77
77
77
77
13 14 13 14 13 14 13 14 13 14 13 14 13 1312
14 13 14 13 14 13 14 13 14 13 14 X
0 0 0 0 0 0 0 0 0 0 0 0 0 2 0 0 0 0 0 0 0 0 0 0 0 0 0 2
05 4 2
3 0
2
0
0 2
05 4 2
3 0
2
0
0 2
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Gtr. 6
Gtrs. 1 & 2: w/ Riff D (2 times) 1 1
let ring
8v a
3 1 1
Gtr. 7 (dist.)
Gtrs. 1 & 2: w/ Riff CGtr. 5: w/ Riff C1
f
D A
Gtrs. 1 & 2: w/ Riff DGtr. 7 tacet
E5
1
Gtr. 6
loco
1
1 1/2
1
*
*Open D sounds when 4th string slips out from under finger while releasing bend.
1
Gtr. 6
Gtrs. 2 & 3: 2/ Riff CGtr. 5: w/ Riff C1
D A
p
1 1/4 1
Ma
Gtr. 1: w/ Riff A (2 times)Gtr. 6 tacet
E9
ma,- take me home,
sweet home.
I
was a last
Gtr. 1: w/ Riff A (till fade)Gtr. 2: w/ Riff B (till fade)
Outro
E9
child,
a, just
a punk in the
8v a
streets
Gtr. 2
P.M. P.M.
Gtr. 6
15 1512 12 12 12
15 1215
1212 0
12
014 12
12
14 14 414 119 9 9
119 12 9
119 9
119
11
17
16
1515
17 1515
17
1517 17 15
1515
17 17 15 17 1516
1516 14 13
14
14 12
14
14 12
14
14 12
14
14 12 12
14
14 12
14
15 1414
15 1414
15 1414
1514
17
1415 14
1417
0
X 15 1412
12
14 1412 14
12 14 15
12 14 15 X 14 1212
1212
15
14 1214 12
15 15 15 15
77
04 5 4
7
77
4 0 5 7
77
04 5 4 0
77
4 0 50
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Fade out
I was a last child,
a, just
a punk in the streets.
I
was a
8v a
Gtr. 6
f
steady gliss. steady gliss.
1 1/41/4 1/41/4 1/41/4
last child,
a, just
a punk in the streets
I was a last
Begin fade
child,
a, jus t
a punk in the
8v a
streets.
steady gliss.
let ring
11
I
was a last child,
a, just
a punk in the streets
8v a
mp mf
I
was a last child,
a, just
a punk in the streets
8v a
*
*Played behind the beat.
1 1 1 1 1 1 1
15 15 1212 12 2 5
51212
0
12 1212 12
12 1212 12
12 1212 12
X 14
14 5
15 151512
15 1212
15
12X15
12X15
12X15
12X15
12X15
12X15
12X15
12X15
12X15
12X15
12X15
12X15
12X15
12X15
15 2 3 142
2 233
2 223 3 3
2 23 3 3 3 10 2 6
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love
Am7
you want,
F
then you
Dm
won’t mind
G
a lit tle-
Am7
ten der- ness
F
- that
Gtr. 1 tacet
some
µ
times- is so hard to find.
(Lay it
3 3
T
down.
Chorus
C
Lay it down,
Fsus2
make it all
Am
right.
G
Lay it down.
C
Lay it
down,
Fsus2
I’ll hold you
Gtr. 3(elec.)
w/ clean tone & heavy tremololet ring throughout
mp
Riff A1
*Gtr. 2(elec.)
w/ clean tonelet ring throughout
mp
Riff A
*Two gtrs. arr. for one.
108
0
87
0
65
3
53
376
055
0
3X543
543
5
108
0
87
0
65
3
53
3
98
8
108
8
10 910
8
9 1212
1012
98
8
108
8
10
3
01
03
01
30
2
12
10
10
3
01
03
01
3
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C oT oda
so
Am
tight
G
yeah.
Lay it down.)
Dm7
Oh,
Yeah,
be fore
C/E
- the morn ing- light
Fsus2
it’s gon na- be
Bb
all
Am
right.
Gsus4
Oh, lay it
C
down. Come and lay
Fm
itdown
down to night.-
C G/B
P.M.
End Riff A1
End Riff A
910
8
9 1212
1012
76
86
98
108
108
8
10
1311
1210
02
12
10
10
02
1
0 2
01
03
01
0 33
23
1212 13 12
1212 13 12
12
1214
12
10 1213
13 12
10
1213
1012
3
0 013
3
0 013
35 5
53
0 111
3
01
0
3
0
2
0
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Tell2.
Verse
Am
me how you feel
F
when we make
Dm7
love.
G
Tell me
Gtr. 4(nylon str. acous.)
w/ fingerslet ring throughout
mf
Gtr. 2
Riff B End Riff B
is
Gtr. 2: w/ Riff B (2 times)
Am
it real or just
F
make be lieve?
Dm7
-
Gsus4
Gtr. 4
You
Am
will nev er- know
F
what you’re made
Dm
of
G
till you
3
0
0
2
10
2 3
1
01
0
3 1
02
3
0
1
0
3
3
00
03
0
22
1
32
1
02
1
00
33
0
0
2
12
0
2 3
1
30
11
0 0
1
23
0 1
0533
533
0
0
2
12
0
2
1
0 3
1
01
2
3 1
0
1
23
2
1
0
3
3
00
03
0
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D.S. al Coda
o
Am
pen- up your heart
F
to re ceive.
Dm7
-
Gsus4
’Cause if the love
Am
you got’s
F
that
3
Gtr. 4
Gtr. 2
same
Dm
old grind,
G
we’re talk ing
Am
- ten der- ness
F
-
that’s so
Dm7
hard to find and I’m here
G
to re mind
(Lay
-
it
you.
3
3
3 3 3
0
12
10
23
1
32
13 1
0
1
23
1
2 533
533
0
0
22
10
23
1
30
13 1
22
1
32
1
02
1
00
33
2
0 1
32
1 3 1
0
1
02
31
3
3
3
00
03
0
02210
21
0 3 0
3 30
11
00
1
23
1
0
3X0033
3X0033
02
31
3 3
0033
0033
21
3 3 0
32
10
02
31
3033
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Coda
C
to night.-
Do you re mem
BridgeGtr. 2 tacetGtr. 3: w/ Riff C (5 times)
Bb
- ber- them times talk
Am
ing- in your sleep? With a
Gtr. 3 Riff C End Riff C
Gtr. 2
*Gtr. 5 (elec.)
mf
mf *Gtr. 6 (elec.) divisi
*w/ dist.
**
**Gtr. 5 to left of slash in tab.
pock
Ab
et- full of prom ise- you nev
C
er- could keep. From your best
Bb
friend’s lov er,- you dreamed
Am
a bout- a bed. When you’re
Gtr. 7 (elec.)
w/ dist. & slide
mp
Gtr. 5
Gtr. 6divisi
1213
10
1213
10
3
01
3
01
6X88
X11
5X77
X10
8 8 8 10 8 8 8
4X66
X9
3355
5X8
6X88
X11
5X77
X10
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pull
Ab
ing- up the cov ers,- the voic
C
es
- in your head say, “If you
Bb
want it bad,
Am
don’t
33
ev
G
er- let it slip a way.”-
’Cause if it’s love
Gtrs. 3, 5, 6 & 7 tacet
Am7
you want
F
and ten
Dm
der- ness,-
(Lay
µ
it down
3 3
Gtr. 3
Gtr. 7 Gtr. 1
Gtr. 5
Gtr. 6 divisi
8 8 8 10 8 8
4X66
X9
3355
5X8
6X88
X11
5X77
X10
1213
10
8 3108
87
7 3X65
3
53
376
055
0
3X55
X8
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ChorusGtr. 1 tacetGtrs. 2 & 3: w/ Riffs A & A1
C
lay it down.
Fsus2
Make it all
Am
right.
G
Lay it down.
C
Lay it down,
Fsus2
I’ll hold you
(Yeah.
Yeah.)
Am
so tight.
G
Lay it down.)
Dm7
Oh,
be fore
C/E
- the morn ing- light
Fsus2
it’s gon na- be
Bb
all
Am
Gtrs. 5 & 6
f
right.
Gsus4
Lay it
C
down.
I’m gon na- lay
Fm
it down to
night.-
Gtrs. 2, 5 & 6
Gtr. 3: w/ Riff A1 (last meas., 2 times)
C
You’re gon na- come
Fm
a round- to
C
night.- You got
Fm
to lay down.
Gtr. 2
C
Gtrs. 5 & 6
(Gtr. 2 cont. in slashes)
5577
022
133
688
577
355
355
133
355
133
355
133
355
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150
AT
B 022
320
Rhy. Fill 1
Gtr. 2
0 0
0 2 03
03
0 23
0
30 2 0
30
30 2
3
let ring
3 3
see ing things in a diff ’rent way and God knows it ain’t his. It
D5
3442
3442
3442
3442
3442
3442
234
234
3442
3442
234
234
3442 0
2220
2220 0
0
let ring let ring
Some thing’s wrong with our eyes.
*Tune Down: 6 =D
We’re
Bm7 * Gtr. 2: w/Rhy. Fill 1 A
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152
577
End Rhy. Fig. 1 A
(Gtr. 2 tacet)
edge.
End Rhy. Fig. 1
2. There’s
D5 D5
133
3300
edge Liv in’ on the
B 5 G5
577
Gtr. 2
edge. Liv in’ on the
Gtr. 1: w/Riff A, 3 times
D5 D5
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44
44
44
44
22
33
44
22
44
22
44
44
44
44
22
33
44
22
44
155
44
44
44
44
44
22
33
44
22
44
22
44
44
44
44
22
33
44
22
44
44
P.M. P.M.
Chick en Lit tle tells you that the sky is fall in, e ven if it was n’t would you still come
(Acous. Gtr. 2 tacet)
crawl ing
99
99
99
99
77
88
99
77
99
77
99
99
99
99
77
88
99
77
99
99
99
99
7 79
77
99
1/2
99
77
99
99
1/2
99 7
799
77
P.M.full
get ting to you. Yeah! If
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156
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
End Rhy. Fig. 3
88
88
88
6 7
6
7 9
8
9 10
10 12 10
10
12 10
10
12 10
10
12 10
10
10
let ring let ring let ring
gain
B 5
and a gain and a gain and a gain and a
55
55
55
55
55
55
55
55 0
22
022
022
022
022
022
022
022
022
55
55
33
55
55
33
33
55
77
55
55
55
77
77
55
55
55
55
55
77
P.M. P.M. P.M. P.M. P.M.
back
G5
a gain? I bet you would,
A5
my friend, a
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AT
B 0
190
190
19 19
1/2
019
019
019 19
1/2
19
157
Riff C
Gtr. 3
let ring sim.
07
07
09 9
1/2
07
07
09 9
1/2
9
Gtr. 1
let ringsim.
12 12 12 12 12 12 10 10 2
Gtr. 2
P.M.
full full full full full
Gtr. 3: w/Riff C
12 12 12 12 12 12 11
Gtr. 2
*Doubles an octave lower.
*w/octaver
full
gain.
Gtr. 3: w /Riff B, 1st bar only, (2 times)
Guitar Solo
Gtr. 1: w/Riff A, 1st bar only, (2 times)
Acous.
Gtr. 1
D5
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162
000
End Rhy. Fig. 4A
Gtr. 1: w/Riff A
Gtr. 3: w/Riff B
Liv in’onthe
111
111
111
111
111
111
111
111
000
3
Yeah, yeah, yeah, yeah, yeah. yeah,
End Rhy. Fig. 4
yeah.
E maj7/ 11(no 3rd) D5
222
111
edge.
Em7/11 E maj7/ 11(no 3rd)
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AT
B
1514
19
1415
14
19
14
163
Riff D
Gtr. 4 8va
000
End Rhy. Fig. 5A
edge.(You can’t help your self at all.)
Liv in’ on the
D5End Rhy. Fig. 5
133
555
3
Rhy. Fig. 5A
edge.
(You can’t help your self from fall ing.)
Liv in’ on the
Gtr. 4: w/Riff D, till end
Gtr. 3: w/Riff B, (1st bar only, 9 times)
Gtr. 1: w/Riff A, (1st bar only, 9 times)
B maj7Rhy. Fig. 5 G5
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132
lov in’ it up when I’m go in’ down.
24
24
24
26
24 64
5
44
4
22
Fade Out
022
022
022
022
Fade Out
in the air. Love
band tacet
in an el e va tor,
2444
244
24
222
24
24
26
244
222
444
6
5
645
645
444
444
6
5
444
44
44
244
244
244
244
244
222
244
244
022
022
022
022
022
liv
B
in’ it up when I’m go in’ down.
A5/B3
Air.
B/E
In the air, in the air,
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Copyright Renewed
All Rights Reserved Used by PermissionAll Rights Administered by Stage Three Music U.S. Inc.
458
79
79
79
79
24
24
24
24
24
02
02
04 2
05
04
02
02
04 2
05
04
799
799
7 77
799
04
244
24
244
2 22
24 0
0
022
02
00
02
02
00
02
02
XX
02
04
02
05
02
04 X
XX
XXX
E5
P.M.
B5 A5 A6
P.M.
A5 A7 A6 E5 E6 E5 E7 E5 E6
799
244
02
02
02
04 2
05 2
04
Gtr. 2 (slight dist. - Brad Whitford)
799
799
77
799
244
24
244
22
244
00
022
02
00
0 022
00
02
02
02
02
04
02
05
0 04
0
Gtr. 1E5 B5 A5
P.M.
E5
P.M.
E6 E5 E7 E6
799
799
77
799
244
24
244
22
244
00
022
02 0
0
02 2
20
022
02
XX
02
04
0 05
02
04
0
Gtr. 1 (dist. - Joe Perry)
IntroModerately Fast = 156
E5 B5 A5 E5
P.M.
E6 E7 E5 E6
Words and Music by Steven Tyler
Mama Kin
1 3
7 fr
B5
1 3
7 fr
E5
Copyright © 1973, 1977 Music Of Stage Three
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467
799
079
79
79
57
57
57
79
79 7
90
79
79
79
79
XXX
079
079
079
0XX
057
0XX
57
79
79 7
90XX
079
079
079
0XX
E5 A5
Tell her where you
G5
gone ’n’
D5
been.
B5 E5 A5
Liv in’ out your
7998
7998
799
079
79
79
57
57
57
79
79
Gtr. 2Rhy. Fig. 3A
799
79 7
9XXX
079
079
079
0XX
057
0XX
57
79
79
Gtr. 1
smok in’ tea.
B
Mm, hmm.
E5 A5
Keep in touch with
G5
ma ma
D5
kin.
B5
799
799
799
799
E5
Liv in’ out your fan ta sy.
B5 E5
Sleep in’ late an’
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35
35
37
3X
35
35
37
37
35
35
37
3X
35
35
37
3X
24
24
26
26
024
24
26
26
24
24
26
26
24
24
26
468
0
35
35
35
35
35
35
24
24
0 24
24
2 24
C5
Ah.
C6 C5 C6 C5 C6 C5 C6 B5 B6 B5 B6 B5 B6 B5 B6
57
57
57
79
79 7
99
90
79
79
79
57
XX
57
35
End Rhy. Fig. 3A
057
0XX
57
79
79 7
9XXX
079
079
079
0XX
057
57
End Rhy. Fig. 3
G5
fan ta
D5
sy.
B5 E5 A5
Sleep in’ late an’
G5
smok in’
D5
tea.
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72All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission
Copyright © 1975 Music Of Stage ThreeCopyright Renewed
tel
playfol
lin’
lowin’
me
ingit with
things
theDee,
ways
that
of and
weren’t
nevsome
ex
erone
act
bothelse
ered
ly
no’s
true.
one.dreams?
Look here!Look here!
Verse
lieveone
mem
N.C.(Em7)Gtr. 2 tacetGtr. 1: w/ Rhy. Fig. 1, 4 times
in
ber
for
the
meall,
days
like
when
it
you
I bewas
were
lieveall
sweet
infor
six
one.you,
teen
youAn’
and
now
I
would n’t
was
I’mbe
3 07
0 0 0
let ring
70
** w/ delay
53 0
70 0 0
let ring
7
* Voc. w/ flange throughout.0
5
Rhy. Fig. 1 End Rhy. Fig. 1
* 1. If you be
(Em7)** Gtr. 2 (dist.)
Brad Whitford
P.S.
02
02
02
02
02
02
02
02
24
24
24
24
24
24
24
24
35
35
35
35
35
35
35
35
5 5 5 5 5 6 75
7
Brad WhitfordGtr. 1 (dist.)
P.M.
6
IntroModerately = 72
(approx. 4 sec.)(voc. w/ heavy flange)
A5 B5 C5 N.C. (Em)
Round and RoundWords and Music by Steven Tyler and Brad Whitford
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76
3 08
0 0 0
let ring
70
53 0
80 0 0
let ring
70
5
Gtr. 1
Gtrs. 3 & 4 tacet
Go in’
13
3 2 3 2
3 07
0 0 0
let ring
70
53 0
70 0 0
let ring
70
5
Gtr. 1
1613
full
Gtr. 3
14
3/4
(14) (14)
Gtr. 4
grad. release
(Fmaj7) (Em7)
14
full
14 (14) (14) 5 5 9
1215 12 15 12
14
12
14121412 14 14
full
14
3/4
(14)
Gtr. 4
Bridge
N.C.(Gmaj7)
Gtr. 1: w/ Rhy. Fig. 2, 1 1/2 timesGtr. 3: w/ Fill 1
grad. release
(Fmaj7) (Em7)
3 6
(Gmaj7)
Gtr. 3: w/ Fill 1
grad. bend grad. release
(Fmaj7)
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78
17 18 19 20 21 22 23
*
* Hypothetical location above fretboard.
24
8va
(23) 24 25 26 27 28 29 30 31
8va Fade Out
14 15 16 17
13 14
* Hypothetical location above fretboard.
15 16
8va
(15) 16 17 18 19 20 21 22 23*
8va
Begin Fade
10 11 12 13 14 15 16 17
8va
13 14 15 16 1713 14 15
8va
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Same Old Song and Dancefrom Aerosmith - Greatest Hits
Copyright © 1977 Music Of Stage ThreeCopyright Renewed
All Rights Administered by Stage Three Music U.S. Inc.All Rights Reserved Used by Permission
Words and Music by Steven Tyler and Joe Perry
Gtr. 3 (dist.)
IntroModerate Rock q = 120
N.C.(E5)
= 3
13 3
C5
5fr
1 33
D5
f rake Gtr. 2 (dist.)
f
Gtr. 1 (dist.)
f
1/4 1/4 1/4
Ah ha, right!
8v a
3
3
3
11
mf
Riff A
3
1/4 1/4
XX
4
05
4
05 5
799
799
799
0 02
32
000
2 00
23 0
20 0
23
20
00
2
5 3 0
0 30
4 3 2 0 2 2 02
2 02
0 2
33
2
3
2
3
2
3 00
02 0
3 07
9
79
0 02
32
000
2 00
23 0
20
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Verse
1. Get
loco N.C.(E5)
your self - cool er,-
w/ wah-wah steady gliss.
3
(2) 1
mf
Rhy. Fig. 1A
End Riff A Rhy. Fig. 1 End Rhy. Fig. 1
P.M. 1/4 1/4
lay
Gtr. 1: w/ Rhy. Fig. 1, 6 timesGtr. 3 tacet
your self - low. Co in- ci- den- tal- mur der- with noth in’- to show. When the judge -
Gtr. 2
’s- con sti- pa- tion- goes to his head, and his wife’s ag gra- va- tion,- you
2 2 43
0 4 2 0 2 2 02 2 12
121212
1212
33
23
23
23 0
000
23
23
0 02
32
000
2 00
23 0
20 0 0 0 0 0 0 0
33
2 45
45 0
0
23
23
33
2 45
45
00
23
23
33
2 45
45 0
0
23
23
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soon end up dead. It’s the same
ChorusG
old sto
A
ry,- same
C5
old song
D5
and dance,
Gtr. 2
End Rhy. Fig. 1A Rhy. Fig. 3A
Gtr. 1
Rhy. Fig. 2 End Rhy. Fig. 2
P.M.
Rhy. Fig. 3
N.C.(E5)
my friend.
It’s the same
G
old sto
A
ry,- same
C5
End Rhy. Fig. 3A
1/4 1/4
End Rhy. Fig. 3
1/4 1/4
33
2 45
45
433
54 6
55
655
355
355
577
577
0
0 0 0 0 0 0 0 77
55
77
79 7
755
77
79
0
0 32
000
2 00
23 0
433
54 6
55
655
355
0 32
000
2 00
23 0 7
755
77
79 7
7
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old song
D5
and dance,
N.C.(E5)
my friend.
Gtr. 3: w/ Fill 1
2. Shad-
1/4 1/4
1/4 1/4
Verse
N.C.(E5)
Gtr. 1: w/ Rhy. Fig. 1, 3 timesGtr. 2: w/ Rhy. Fig. 1A
y- look down
in’and
- losdirt
er
y
-
-
youfrom walk
played within’-
mythe
gun.street with
Noyour
smoothold
facehur dy,- gur
lawdy,yer
-
- can
getno
youone
unto
done.meet.
- Say love ain’t the same on the south
Gtr. 1: w/ Rhy. Fig. 1, 2 times
side o’ town. You could look
Gtr. 1
P.M.
Gtr. 3Fill 1
steady gliss.
355
355
577
577
0 32
000
2 00
23 0
7
7
5
5
7
7
7
9
0 3 2
0
0
0
2 0
0
2 3 0
0 0 0 0 0 0 0
033
0 0 0 0 0 0
XX
1212
1212
1212
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but you ain’t gon na- find
Gtr. 1: w/ Rhy. Fig. 2
it a round.- It’s the same
ChorusGtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A
G
old sto
A
ry,- same
C5
old song
D5
and dance,
N.C.(E5)Gtr. 3: w/ Fill 4, 2nd timeGtr. 3: w/ Fill 2, 1st time
my friend.
It’s the same
G
old sto
A
ry,- same
C5
old sto
D5
ry,- same
F5
old song
G5
and dance.
A5
Gtr. 2
Gtr. 1
(cont. in slash)
Gtr. 3Fill 2
3
3 3
1212
1 1 1 1
Gtr. 3Fill 4
3 3 3 3
1 1 1 11
433
54 6
55
655
355
355
577
577
81010
81010
101212
101212
121414
77
55
77
79 7
755
77
79 7
755
77
77
79
12 15 17 15 1512 15
1512
15 15
15 15 15 15 15 15 15 15 1214
15 1214 12
15 15 15 15
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C oT oda
Gtr. 1
Gtr. 3: w/ Fill 3, 1st timeGtr. 3: w/ Fill 5, 2nd time
C5 D5
Guitar SoloGtrs. 1 & 2: w/ Riff A, 1 3/4 times, simile
N.C.(E5)
Gtr. 2
Gtr. 3
w/ slide
3 3
w/ delay
w/o slide
8v a 3 3
3 3 3
3
1 1
1. Fate
2. Saxophone solo
BridgeB5
comes
A5
a knock
G5
- in’,
A5
- doors
B5
start
A5
lock
G5
in’.
A5
- Your old
B5
Gtr. 3
3
*
8v a 3 3
1/2 1/2 1/2 1
**
1
Gtrs. 1 & 2
Gtr. 1
divisiGtr. 2
Rhy. Fig. 4
Rhy. Fig. 4A
†
End Rhy. Fig. 4A
End Rhy. Fig. 4
*1st time only**Don't pick
2/22/2
†Gtr. 2 tabbed to right of slash.
0/00/0
2/22/2 2/2
2/20/00/0 2/2
2/2
1/4
Gtr. 3Fill 3
w/ slide
Fill 5Gtr. 3
3
1 1/2 1
121414
355
577
33
00
33
33
00
1212
12 15 1212
14
30
33
00
0 1212
12 15 12
12 1214 14
12 014
1214
12 12
11 1411 14
11 14 1314
12 1312 12 12 15
12 1412 12 15
15 15 15 1512 15 17 17 17 17 17
17
00
23 0
244
44
44
44
44
15 15 15 1414 13
1415
17 17 15 17 1517 15 17
16 14 12
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1.
2. D.S. al Coda
Coda
Gtr. 3 tacetGtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A, 2 times
time
A5
con nec
G5
- tion,
A5
- change
B5
your
A5
di rec
G5
- tion.
A5
- You ain’t
B5
gon
A5
na- change
G5
it,
A5
can’t
B5
re
A5
ar- range
G5
- it.
A5
Can’t
B5
stand
A5
the pain
G5
when
A5
it’s all
B5
the
C#5
same
D5
to
D#5
you
Gtr. 2divisi
Gtr. 1Gtrs. 1 & 2
2/22/2
N.C.(E5)
my friend.
Gtrs. 1 & 2: w/ Riff A, simile
N.C.(E5)
3. When you’re low
Gtr. 1
Gtr. 2divisi
1/4 1/4
Gtr. 3
Gtr. 2: w/ Rhy. Fig. 1A, 1st 4 bars, 2 timesGtr. 1: w/ Riff A, 2 times, simile
N.C.(E5) 3
1 1 1 1 1 1 1/4 1/4
3
fdbk.
3 3 3
3
1 1 1 1 1 hold bend1
44
44
00
22
244
466
577
688
0
0 02
32
000
2 00
23 0
244
1412 15 15 15 12
1415
14 14 12 1214 14 14
12 1214
1414
12 1512
15 15 15 17 15 8 1010
1010
1010
10 10 8 10 89 9 7
99 9
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Intro Moderately slow Rock q = 97
Copyright © 1977 Music Of Stage Three and Song & DanceAll Rights Administered by Stage Three Music U.S. Inc.
All Rights Reserved Used by Permission
from Aerosmith - O, Yeah!
Seasons of WitherWords and Music by Tyler
Gtrs. 4 & 6: Drop D tuning:(low to high) D-A-D-G-B-E
(Crowd noise &sound effects)
34 secs.
*
let ring throughout
**Gtr. 1 (acous.)
ppp
Gm
cresc. poco a poco, next 4 meas.
Am7
13 2
D
2 1
C
13 4
G5
34
A5
13 4
Bb5
13 4
C5
Bb6(no3rd)
mf
Riff A
Gm
*Chord symbols reflect implied harmony.
**Doubled throughout
Am7 Bb6(no3rd)
End Riff A
let ring throughout
w/ slight dist.
Gtr. 1: w/ Riff A (2 1/2 times)
ppp
Gtr. 2 (elec.)
Gm
cresc. poco a poco, next 4 meas.
Am7 Bb6(no3rd)
mf
Riff B
Gm
Gtr. 2
Am7 Bb6(no3rd)End Riff B
Gm Am7 Bb6(no3rd) C5
(cont. in slashes)
Gtr. 1
3
00
10
0
3
00
20
13
0
13
3
00
10
0
3
0
02
0
13
0
13
3
00
10
0
3
0
02
0
13
0
1
0
3
00
10
0
3
0
02
0
13
0
1
0
3
00
10
0
3
0
02
0
13
0
3
0
02
0
13
0
13
3
00
10
0
3
00
20
13
0
3
0
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Gtr. 2
Gtr. 1 tacet
Rhy. Fig. 1 End Rhy. Fig. 1
(cont. innotation)
Gtr. 3(elec.)
w/ slight dist.
Rhy. Fig. 1A
f
D C D
End Rhy. Fig. 1A
C
Gtr. 2
D CRhy. Fill 1
D C BbEnd Rhy. Fill 1
F
Gtr. 3Rhy. Fill 1A End Rhy. Fill 1A
Gtr. 2
mf
Riff C1
E7sus4 Em7 F6 F6sus2 D/F# G5End Riff C1
*Gtrs.
1 & 3
mf
Riff C End Riff C
*Gtr. 3 let ring throughout
0232
0232
0232
0232
2010
00232
0232
0232
0232
2010
0
0232
0232
0232
0232
2010
0232
0232
0232
2010
2 0
1333
133
0232
0232
0232
0232
2010
00232
0232
0232
0232
02010
1333
1332
0
02
0
00
0
0
1
02
1
00
1
0
2
02
2
02
2
0
3
00
3
00
3
0
0
02
0
00
0
0
1
02
1
00
1
0
2
02
2
02
2
2
3
00
3
00
3
0
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Blues
VerseGtrs. 1 & 3: w/ Riff C (3 3/4 times)Gtr. 2: w/ Riff C1 (3 3/4 times)
E7sus4 Em7
heart ed- la
F6
dy,-
F6sus2
sleep
D/F#
y- was she.
G5
Love
E7sus4 Em7
for the dev
F6
il-
F6sus2
brought
D/F#
her to me.
G5
Seas
E7sus4 Em7
of a thou
F6
sand-
F6sus2
drawn
D/F#
to her sin.
G5
Sea
E7sus4 Em7
sons- of with
F6
er-
F6sus2
hold
D/F#
in’- me in.
G5
Ooh,
Chorus
Csus2
woe is me.
G/B
I feel so bad -
Gtr. 2Riff D End Riff D Riff E1
Gtr. 4 (12-str. acous.)
mp let ring throughout
Gtrs.1 & 3
Riff D1 End Riff D1
Gtrs. 1, 2 & 3
Riff E
3
00
3
00
3
00
3
00
3
00
03
00
30
0
30
20
00
00
3
00
3
00
3
0
3
00
3
00
3
03
00
30
0
30
20
0
20
0
20
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C oT oda
E7sus4
-
Em7 F6
ly
F6sus2
for you.
Gtrs. 1 & 3: w/ Riff DGtr. 2: w/ Riff D1
G5
End Riff E1
End Riff E
Ooh,
Gtrs. 1, 2 & 3: w/ Riff EGtr. 4: w/ Riff E1
Csus2
woe is me.
G/B
I feel so sad
E7sus4 Em7 F6
ly
F6sus2
- for you
Gtr. 2
G5
in time. Time to lose
A5
your mind. Live on bor
Bb5
rowed- time. Take the wind
C5
right out of your
Gtr. 3Fill 1 End Fill 1
sail.
BridgeGtr. 2: w/ Rhy. Figo 1 (2 1/2 times)Gtr. 3: w/ Rhy. Fig. 1 (2 times)
D C D
C
2
02
2
00
2
0
3
02
3
00
3
0
5
00
5
00
5
0
5
00
5
00
5
0
0
02
0
00
0
0
1
02
1
00
1
0
3
00
3
00
3
0
3
00
3
00
3
0
3
00
3
00
3
0
3
02
3
00
3
0
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Gtr. 3: w/ Rhy. Fig. 1A (1 1/2 times)
D
Fire flies- dance in the heat of
C D
hound dogs that bay
at
the moon.
C D
My ship
leaves
Gtr. 5 tacet
in the mid night.
C
-
Gtr. 5 (elec.)
w/ dist. & slide
mf steady gliss.
D
Can’t say I’ll be back
C
too
F
soon.
E7sus4Verse
Em7
2. They a -
Gtr. 2
mf
Gtr. 3
Gtr. 1
Gtr. 3divisi
Gtrs. 1 & 3
1413 1413 1413 1413 1413 1413
0232
0232
2010
0232
0232
2010
1332
0
2
0
00
0
0
0232
0232
2010
00232
2010
133
0
2
0
00
0
0
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D.S. al Coda
wak
F6
en-
F6sus2
far
D/F#
far a way.-
G5
Heat
Gtrs. 1 & 3: w/ Riff C (2 3/4 times)Gtr. 2: w/ Riff C1 (2 3/4 times)
E7sus4 Em7
of my can
F6
dle-
F6sus2
show
D/F#
me the way.
G5
Seas
E7sus4 Em7
of a thou
F6
sand-
F6sus2
drawn
D/F#
to her sin.
G5
Sea
E7sus4 Em7
sons- of with
F6
er-
F6sus2
hold
D/F#
in’- me in.
Gtrs. 1 & 3: w/ Riff DGtr. 2: w/ Riff D1
G53
1
02
1
00
1
0
2
02
2
02
2
0
3
00
3
00
3
0
1
02
1
00
1
0
2
02
2
00
2
0
3
00
3
00
3
0
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Coda
Gtr. 2
Gtr. 3: w/ Fill 1
Interlude
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1 3/4 times)
C5
right out of your sails.
(Sail.)
D C
Gtr. 6 (12-str. elec.)
w/ slight dist.
mf let ring throughout
1/2 1/2
D C D
1/2 1/2
C D
Gtrs. 2 & 3: w/ Rhy. Fills 1 & 1A
C Bb F
1/2
12 0
2 04
3
00
0
4 2 0
3
20
0
0
5 4 2 4 25
24
04 4
22
3 0
2 04
3
00
0
0
4 2 0
3
2 0
0
55 4 2 7 1110
1110
98
76
56
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Fade out
*Gtro 7(elec.)
Outro - Guitar SoloGtrs. 2 & 3: w/ Riffs C & C1 (1st 3 meas.)
mf w/ dist.
E7sus4 Em7 Gtr. 6 tacet
F6 F6sus2
D/F#
Gtrs. 1 & 3: w/ Riff A (3 1/2 times)Gtr. 2: w/ Riff B1 ( 3 1/2 times)
Gm
fdbk.
8v a
*Doubled till endo
1 1/2
Gtr. 6
Am7
Bb6(no3rd) Gm
Am7
Bb6(no3rd)
Ooh.
*
Gm
8v a
*w/ heavy reverb till end.
Am7 Bb6(no3rd)
Gm Am7 Bb6(no3rd) C5 D
Gtr. 7
8v a
Gtrs. 1, 2 & 3
15 1514
1714 12 14
1514 12 1214
45
12
12
02
0
13
0
3
05 0
232
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Intro
Moderately q = 96
Sweet EmotionWords and Music by Steven Tyler and Tom Hamilton
Copyright © 1975 Music Of Stage ThreeCopyright Renewed
All Rights Administered by Stage Three Music (U.S.) Inc.All Rights Reserved Used by Permission
Reprinted by Permission of Hal Leonard Corporation
from Aerosmith - Toys in the Attic
Gtr. 1 (dist.)
*
mf w/ talk box & heavy reverb
A
**Gtr. 2
mf
Riff A End Riff A
slight P.M.
**Bass arr. for gtr.
*Chord symbols reflect overall harmony.
Gtr. 1
Gtr. 2: w/ Riff A (6 times)
D/A A
Harm.let ring
D/A
Sweet e
let ring
mo-
A5tion.
let ring
-
SweetD/A e mo- tion.A-
0
0 05
0 07
0 0 5 0 0 4 0 05
0 07
0 0 5 0 0 4
4 4
3
4 0
2
4 0
0
0 2 322 4 2
04 2
0
423
23
4 2 4 4 2 4 4 2 4 4 20423 32
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Sweet
ChorusGtr. 2: w/ Riff A (4 times)
A
e mo
D/A
- tion.
A
-
talk box off
Sweet e mo
D/A
- tion.
A
-
Talk
pulled
2nd time, Gtr. 1: w/ Fill 1
Verse
A5
a
in
bout
to
-
-
things
town
and
in
no
a po
bod
lice
-
-
y- cares,
car,
D5 A A5
you’re
your
Gtr. 1
dim.
Gtr. 3 (dist.)
mf
Riff B End Riff B
Fill 1Gtr. 1
dim.let ring
2
0 4
0
022
022
3 03
03
02
3
022
2
022
3 03
03
07
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wear
dad
Gtr. 1 tacetGtr. 3: w/ Riff B (6 times)
D5
in’
dy
-
-
out
said
A
I
things
took you
that
just
no
a lit
bod
tle
-
- too
y- wears.
far.
D5 A
You’re
You’re
call
tell
D5
in’
in’
-
-
my
her
A
name,
things
but
but
I
your
got
girl
ta- make
friend-
clear.
lied.
D5 A
I
You
can’t
can’t
D5
say,
catch
A
ba
me,
by,- where
’cause
I’ll
some
be
rab
in
bit-
a
done
year.
died.
D5
A
Yes it did!
Gtrs. 1 & 3
Interlude
Riff C
µEnd Riff C
Some
You
2.
4.
Gtr. 1
Riff D End Riff D
Gtr. 3 Riff D1 End Riff D1
sweet
stand
VerseGtr. 1 tacetGtr. 3: w/ Riff B (8 times)
D5
hog,
in
A
a,
the
ma
front
ma- with
just
a
a,
face
shak
like
in’-
a
yo
gent
ass,
D5 A
said my
I
get
take
D5
up
you
and
back
A
go
stage,-
must
you
’ve
can
- got
drink
up
from
and
my
went.
glass.
D5 A
Well, I
I
got
talk
D5
a
good
bout
A
-
news,
some thin’-
she’s
you
a
can
real
sure
good
un der-
li
stand,-
ar,
-
D5 A
’cause
’cause
a
a
back
month
D5
stage
on
A
-
the
boo
road
gie,
and
- set
I’ll
yo’
be
pants
eat in’-
on
from your
fire.
hand.
D5
A
5 35 0 2 2 3 3 3 4 4 5
5 35 0 2 2 3 3 3 4 4 5
7 57 4 4 4 5 5 5 6 6 7
7 57 4 4 5 6 7
5 3
5 0 2 2 3 3 3 4 4 55 3
5 0 2 3 40
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C To oda
D.S. al Coda
Coda
Interlude
Gtrs. 1 & 3: w/ Riff C (2 times)
µ Gtr. 1: w/ Riff D (1st meas., 2 times)Gtr. 3: w/ Riff C
Gtrs. 1 & 3: w/ Riffs D & D1
Sweet
Chorus
A
e -
Gtr. 1
let ring
Gtr. 3
Riff E End Riff E
6 6
mo
Gtr. 3: w/ Riff E (6 times)
D/A
tion.
A
- Sweet e mo
D/A
-
tion.
A
- I3.
Gtr. 1
let ring
Gtr. 1: w/ Riff D (1st meas., 3 times)
Gtr. 3: w/ Riff C (1 1/2 times)
Gtr. 3
Gtr. 1*divisi
Gtr. 1
Gtr. 3 tacet
grad. bendfdbk.
*Gtr. 1 plays downstemmed notes. Gtr. 3 plays upstemmed notes.
1/2
1
Pitch: F#
1 1/2
7 6
5 3 000
022
22
0 4 5 0 3 4 02 0
0
022
22
0 4 5 0 3 4
07
7 6
07
7 6
07
7 6
07
7 6
07
7 6
07
7 6
5 35
7 57
0 2 2 2 2 2
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Gtr. 1
Interlude
E
w/ slide
mp steady gliss.
3
Gtr. 4 (dist.)
mp w/ talk box
Gtr. 3
w/o slide
3
Riff G1 End Riff G1
mf
1 1
Riff G End Riff G
2 3 2 02
0
4 4 3 4 6 7 2
05
07
77
0 05
07 7
02 5
07 7
5 3 4 02
02 5
07 7
5 3 4
2 4 4 2 3 2 02 0
2 4
0 05
07 7
0 05
07
10 10 8 10 10
02
02 5
07 7
5 3 4 02
02 5
07 7
5 3 4
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Gtr. 1
Outro-Guitar Solo
mf
Gtr. 3: w/ Riff G (till fade)Gtr. 4: w/ Riff G1 (8 times)
E5
steady gliss.1/2
let ring let ring
3
1 1
let ring
3
1 1 1 11/4 1/41 1/4
1/2
3
1
Gtr. 1
Begin fade
G
let ring 3
3
1/21
1/2
Gtr. 4
1415
1516
1415
1516
1415
1516
1415
1516
XX
1415
1516
1516
1516
1516
22 2 0
00
140
1415
1516
1415
1516
1415
1516
1415
1516
1516 16 12
15 15 1214
12
1412
12
1215
1412
12 1415 12
14 14 1214
14 12 1415
1412
15
12
15 1212
14 14 12 14 14
14 1214
1414
1412 13
1412 13
14
1212 14
141212
1413 11 12
1211
15 1214
12
141414
121212
141414
141414
141414
2 2 02
0 0 00 0
2
0 3 2 3 20 2 0
3 2 0 2 2 0 0
1 7
5 5 5 0
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Fast q = 180
Theme From Spider ManWritten by Robert J. Harris and Paul Francis Webster
Copyright © 1967 (Renewed 1995) Hillcrest Music and Webster Music Co.All Rights Reserved Used by Permission
8fr
Cm('9)
8fr
Cm
8fr
Fm
10fr
G7
3 11 4 13 4 111 134 21 13 14 1 134 211 133 31 1 3 121
III
1 1 34 2 1
III
6fr
Bb
6fr
Eb
3fr
G7 Cm
Intro
* Gtr. 3
f
Cm(add9)
w/ bar
Gtrs. 1, 2 & 3 tacet
Cm Cº Cm
* Gtr. 1
f
3
Gtr. 5 (clean)
mf (cont. in slashes)
* Gtr. 2
f 3
Gtr. 4 (clean)
mf P.M.
* Horns arr. for gtr.
Gtr. 5
3rd time, Gtrs. 1 & 2: w/ Riff A (2 times)2nd & 3rd times, Gtr. 3 tacetVerse
Cm
1.
2.
3.
Spi
Is
Spi
der
he
der
-
-
Man,
strong?
Man,
-
-
Spi
Lis
Spi
der
ten,
der
-
-
-
Man,
bud,
Man,
-
-
does
he’s
friend
what
got
ly-
ev
ra
neigh
- er
di
bor
-
-
-
a
o
hood
-
-
-
** Gtr. 6
** Melody arr. for gtr.
Gtr. 4
P.M.
Riff AGtrs. 1 & 2
1010
1211 11 11
88
88
87
88
88
88
10
8 8 8
10 10 10 8 10 1010 10
10 10 10 8 10 1010 10
108
811 8
10 108
8 9 8
10 10 10 8 10 1010 10
10 10 10 8 10 1010 10
10 10 10 8 10 1010 10
8X10
7X9
6X8
5X7
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C oT oda
3rd time, Gtrs. 1 & 2: w/ Riff B
Fm
spi
ac
Spi
der
tive
der
-
-
-
can.
blood.
Man.
Spins
Can
Wealth
a
he
and
web,
swing
fame,
an
from
he’s
y
a
ig
- size.
thread?
nored.-
P.M.
3rd time, Gtrs. 1 & 2: w/ Riff A
Cm G7
catch
Take
Ac
es
a
tion
-
-
thieves
look
is
just
o
his
like
ver
re
-
flies.
head.
ward.
-
-
Look
Hey,
To
out,
there,
him
P.M.
Riff BGtrs. 1 & 2
11 810
109
812 9
10
10 10 10 8 10 10 10 10
10 10 10 8 10 10
10 10
10 10 10 8 10 10
10 10
108
811 8
10
9 8
10 10 10 8 10 10 10 10 10 10 10 8 10 10 10 10
12 12 12 10 12 12
12 12
8X10
7X9
6X8
5X7
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1.
2.
Cm
here
there
comes
goes
the
the
3
spi
spi
der
der
-
-
man.
man.
3
Gtr. 3
Gtr. 6
divisi
w/ bar
P.M.
Gtr. 3 tacet
Bridge
Bb Eb
In the chill of night, at the
Gtr. 6
P.M.
11 10 8 10 810 10
88
10
1088
10
1088
10
12 12 12 10 12 1212 12 10 10 10 8 10 10
10 1010 10 10 8 10 10
10 10
108
810
8 9 8
10 8
9 11
10 10 10 8 10 1010 10
8 8 6 6 8 88 8 6 6
5 5 6 6 5 5
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D.S. al Coda
G7 III CmIII Bb
scene of
a crime, like a streak of light,
P.M.
Eb Ab G7 III
he ar rives- just in time.
Gtr. 3
Gtr. 6
divisi
P.M.
10 8 7 88 9 11 9 8
5 5 8 89 9 9 9 8 8 8 8 7 7 7 7 8 8 6 6 8 8
8 8
810 8 10 8 10
8
10888
6 65 5 6 6 5 5
5 5 5 5
56 5 5
8 85 5 7 7
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4
244
44
22
22
pitch: A
2 2 4 644
22
244
44
22
2079
End Rhy. Fig. 2A
2 4
4
4
4
2
2
2
2
2 2 4 6 4
4
2
2
2 4
4
4
4
2
2
2079
9
End Rhy. Fig. 2
fdbk.
End Rhy. Fig. 2B
B
7fr
6
Verse
E5 open
577
77
022
XXX
55
355
* See chord frames for Joe Perry fingering.
577
77
022
2 4 644
22
P.M.
577
77
022
3X0033
033
577
77
022
244
4 644
22
*
noth in’ seem real’s the dream.
A5 open G5 D5 A5 open B5 VII
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24
2 4 644
22
244
44
22
22
2 2 4 644
22
244
44
22
2
7
End Rhy. Fig. 3A
(cont. in slash)
2 2 4 644
22
244
44
22
22
24
2 4 644
22
244
44
22
22
End Rhy. Fig. 3
B5 VII End Rhy. Fig. 3B
577
577
77
022
355
577
77
022
577
577
77
022 0
33
3
0X
XX
X 577
77
022
scream; noth in’ seem real’s the dream.
D5 A5 open G5 D5 A5
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1/2
1/4
1010
1010
88
10
88
10 1188
11
full
811 8
11 10 8 10 10
full
(10) 810
88
88
9
3
decresc.
7
full
(7) 5 7
full
5 7 57
7 57
5 7
1/2
(7) 5 7 988
1010
1/4
1/2
1010
88
1010
Gtr. 4
3 3
Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A, 3 times
244
244
XX
2
0
810
810
810
810
810
810
810
810
810
810
810
810
810
810
810
810
Gtr. 2 Rhy. Fig. 4A End Rhy. Fig. 4A
244
44
22
2 810
810
810
810
810
810
810
810
810
810
810
810
810
810
810
810
Gtr. 1 Rhy. Fig. 4 End Rhy. Fig. 4
7
1/2
6
7
1/2
6
7
1/2
6
7
1/2
6
7
full
88
Gtr. 4 (dist. - Perry)
hold bend
Gtr. 3 tacet
Guitar Solo
C5
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10
81010
81010
1010
88
8 8 10 121010
88
81010
XX
X 81010
1010
81010
1010
1010
88
8 8 10 121010
88
81010
1010
1010
88
101010
8 101010
88
1088
11
1/2
88
8 10
1/2
88
811
1/2
88
8 10
1/2
88
8 11 (11)
1 1/2
grad. bend
810
8 10 121010
88
81010
81010
1010
88
8 8 10 121010
88
Gtr. 2
810
8 10 121010
88
81010
81010
1010
88
8 8 10 121010
88
Gtr. 1
888
1088
88 8
8
1/4
1088
88 8
8
1/4
1088
88 8
8
1/4
1088
88
88
88
77
101010
8 10
N.C.(C5)
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(0)
0
0 12 (2) 9
11
Fill 1Gtr. 1
e ven the things that you love re mind.
Gtr. 1: w/ Fill 1
2. Leav in’ the things that are real be hind, but
Gtr. 2: w/ Riff A1Gtr. 1: w/ Riff A, 1st 6 meas.Gtr. 4 tacet
E5 open
8 8 10 121010
88
81010
1010
1010
88
688
0799
8 8 10 121010
88
81010
1010
1010
88
688
0799
(11)88
11 10 8 10 10
1/2
(10) 0 10
full
1111
1/2
912
1/2
101311
1/2
1412
full
1412
full
33
Verse
Gtr. 3
E
open
6
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train,
Verse
G5
I met a dame. She was rath er- hand some;- we kind a- looked the same.
She was
pret
A5
ty,- from New York Cit y.- I’m walk
G5
in’- down that old fair lane. I’m in
heat,
A5
I’m
B5
in love,
A5 G5
but
F#5
I just
G5
could n’t- tell her so. I said,
train
Chorus
G5
kept a roll- in’- all night long,
train kept a roll- in’- all night long.
35
0 0 35
35
0 35
35
0 0 35
35
0 35
57
0 0 57
57
0 57
35
0 0 35
35
0 35
57
79
57
35
24
35
0 0 35
35
0 35
35
0 0 35
35
0 35
35
0 0 35
35
0 35
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Train
A5
kept a roll- in’- all night long,
train
G5
kept a roll- in’- all night long with a
heave
A5
and
B5
a ho,
A5 G5
but
F#5
I just
G5
could n’t- tell her so. No, no,
no!
Guitar Solo
G5
3
1
A5
G5
3
3 3
3
6
1
1
1 1
57
0 0 57
57
0 57
35
0 0 35
35
0 35
57
79
57
35
24
35
0 0 35
35
0 35
15 15 14 14 1214 14 12
14 12 14 1213
12
14 14 12 14 1214
14 12 1412
1215
12 12 15 15 12 15 1215 12 15 12 15 12
1412
14 1412
1215 12
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A5
B5 A5 G5 F#5 G5
2. Well, get a -
3
3
1 1
1 1
long,
Verse
G5
sweet lit tle- wom an,- get a long,- on your way. Get a -
long,
A5
sweet lit tle- wom an,- get a long,
G5
- on your way. I’m in
heat,
A5
I’m
B5
in love,
A5 G5
but
F#5
I just
G5
could n’t- tell her so. No, no,
1515
15 15 12 15 12 15 1214
1214
1212
15 12 15
35
0 0 35
35
0 35
35
0 0 35
35
0 35
57
0 0 57
57
0 57
35
0 0 35
35
0 35
57
79
57
35
24
35
0 0 35
35
0 35
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no.
µ(E5)
Guitar Solo
µ(E5)
grad. release
A5 31/2
1 1
1 11/4 1/4
E5
8va
1 1 1
E5
B5
8va 3
1 1/2
1 1 1/2
00 2
00
2 02 1 0
3 0 0 0 2 3 0 00 2
00
2 02 1 0
3
0 0
77
77
55
7 5 7
5 755
55
108
10 9 89 8
6 5 75
57 7 5 7
57
7 57 X 7 5 7
7 98 10 10 10 8 10 8
10 89
9 129
1212 12 12
129 12 9 9 13
1212
12 15
12 1212
12 15 15 1215 12 15 12
15 14 12 14 1214
1414
12 1412
1212 15 15 12
1412
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let ring grad. release
1512
1 1 1 1
G5
A5 G5
A5
B5
A5 G5 F#5 G5
3. Yeah, on a
train,
Verse
G5
I met a dame. She was rath er- hand some,- we kind a-
14 14 14 14 14 14
35
0 35
0 0 35
0 35
35
0 35
0 35
0 35
0 0 35
0 35
35
0 35
0
57
0 57
0 0 57
0 57
57
0 57
0 35
0 35
0 0 35
0 35
35
0 35
0
57
57
57
57
79
57
35
24
35
0 35
0 0 35
0 35
35
0 35
0
35
0 35
0 0 35
0 35
35
0 35
0 35
0 35
0 0 35
0
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looked the same. She was pret
A5
ty,- from New York Cit y.- I’m walk
G5
in’- down that
old fair lane. I’m in heat,
A5
I’m in love,
B5 A5 G5
but
F#5
I just
G5
could n’t- tell her so.
I said,
Chorus
train
G5
kept a roll- in’- all night long,
train kept a roll- in’- all
night long. Train
A5
kept a roll- in’- all night long,
train
G5
kept a roll- in’- all
35
35
0 35
0 57
0 57
0 0 57
0 57
57
0 57
0 35
0 35
0 0 35
0
35
35
0 35
0 57
57
57
57
79
57
35
24
35
0 35
0 0 35
0
35
35
0 35
0 35
0 35
0 0 35
0 35
35
0 35
0 35
0 35
0 0 35
0
35
35
0 35
0 57
0 57
0 0 57
0 57
57
0 57
0 35
0 35
0 0 35
0
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night long, with a heave,
A5
with a ho,
B5 A5 G5
but
F#5
I just
G5
could n’t- tell her, ah,
g, g, g, g, g, g, ga!
Guitar Solo
G5
hold bend hold bend hold bend hold bend
8va
let ring
1 1 1 1 1 1
hold bend
let ring hold bend
A5
8va
3
1 1 1
1
G5
8va
1 1 3/4 1 3/41
35
35
0 35
0 57
57
57
57
79
57
35
24
35
0 35
0 0 35
0
35
35
14 141215
14 141215
14 141215
14 141215
14 14
1214 14 14
1212
14 1412
14 1214
14
141212
1412
1512
1512
15
1215
1215
1212
15 15 15 15 12 15 1215
1215 15
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A5
B5
A5 G5 F#5
G5
8va
3
3 3 3
1
1 1
Well,4. get a
Verse
long,
G5
- sweet lit tle- wom an,- get a long,-
8va loco
(15)
1
on your way. Get a long,
A5
- sweet lit tle- wom an,- get a long,
G5
-
on your way. I’m in heat,
A5
I’m in love,
B5 A5 G5
but
F#5
I just
G5
could n’t- tell her, ’eah,
15 12 15 1214
1214 14 12 14 12 14 12
1412
1414
1212
15 1512
15 12 15
15
35
0 35
0 0 35
0 35
35
0 35
0 35
0 35
0 0 35
0
35
35
0 35
0 57
0 57
0 0 57
0 57
57
0 57
0 35
0 35
0 0 35
0
35
35
0 35
0 57
57
57
57
79
57
35
24
35
0 35
0 0 35
0
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Play 6 times
yeah, yeah!
Bridge
E5 µ(E5) (F#5) (G5)
(E5) (F#5) (G5)
G5
Guitar Solo
G5
let ring let ring let ring 3
1/2 1/2
A5 G5
3
1 2 1 1 1/2
12
1
12
1
A5 B5
hold bend
A5 G5 F#5 G5 1 1
1 1 1
35
35
0 35
0 02
0 2 3 0 2 3
3 3X003
3
3X003
3
3X003
3
3X003
3
2
0
2 4
0
2 2 02 0 2
2 4
0 0
4
08 7 5 7 7
1412
15 14 12 14 1215 15 12 15 12 15 15 15
1215
1215
12
15 15 15 12
14
15
14 14 1214
12 1412
1215 12
14 14 1214
14 1214
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13:4 13:4
*
* Raise pitch by bending str. behind nut w/ right hand, next 6 meas.
+1/2+1/4 +1/2
13:4 13:4
A5
13:4
+1/2+3/4
+1/2 +1/2+3/4
+1/2+1/4
12:4
G5
let ring
A5 B5
+1/4
0
1/2
A5 G5 F#5 G5
5. Yeah, we made a
3
3
33
1 1
1214 12
1412 12 14 14
12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12
15 12 14 9 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 14 12 15 12 15 9 15 12 15 12 15 12 15 12 15 12 15
12 15 12 15 12 15 12 15 12 15 12 15 12 12 12 0 10 12 0 10 12 0 12012 8
77
66
55
3
3 0 35 3 0
4 3 03 2 0
15
1215 15 15 12
14 14 1214
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stop
Verse
µ (E5)
in Al bu- quer
G5
- que.- She must a- thought
I was a
real cool jerk. Got off
A5
the train and put her hands up, look -
G5
in’- so
µ
good, I could n’t- let her go.
G5 G#5 A5
Oo,
B5
A5 G5
but
F#5
I just
G5
could n’t- tell her so.
I said,
0
1212
1212
35
35
0 35
0 35
0 35
0 0 35
0
35
35
0 35
0 57
0 57
0 0 57
0 57
57
0 57
0
35
35
46
57
59
79
79
57
35
24
35
0 35
0 0 35
0 35
35
0 35
0
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train
Chorus
G5
kept a roll- in’- all night long,
train kept a roll- in’-
all night long. Train
A5
kept a roll- in’- all night long,
train
G5
kept a roll- in’- all night long. I’m in heat,
A5
I’m in love,
B5
A5 G5
but
F#5
I just
G5
could n’t- tell her, ah, yeh, y yeah!-
35
0 35
0 0 35
0 35
35
0 35
0 35
0 35
0 0 35
0
35
35
0 35
0 57
0 57
0 0 57
0 57
57
0 57
0
35
0 35
0 0 35
0 35
35
0 35
0 57
57
57
57
79
79
57
35
24
35
0 35
0 0 35
0 35
35
0 35
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In time q = 198
Slower q = 192
Free time
Outro
E5
E5
E7#9
E5 G5 A
3
Free time
E5
1 11 1/2
3 3
1/2 1
35
022
0799
0 0 0 0 0799
0 0 0 0 0799
0 0 0 0 0799
0 0 0 0
07678
0 0 0 0 07678
0 0 0 0 07678
0 0 0 0
02
3X003
0222
0
141515 12 15 12
16
14 12
1615
12 15 12 15 12 1215 12
14 14 12 14 1214
12 1214 14
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Intro
Moderately q = 108
Walk This WayWords and Music by Steven Tyler and Joe Perry
from Aerosmith - Toys in the Attic
Copyright © 1977 Music Of Stage ThreeCopyright Renewed
All Rights Administered by Stage Three Music U.S. Inc.All Rights Reserved Used by Permission
Reprinted by Permission of Hal Leonard Corporation
(Drums) **Gtr. 1 (dist.)
*
f
E5
**Joe Perry
*Chord symbols reflect basic harmony.
***Gtr. 2 (dist.)
f
A5
***Brad Whitford
Gtr. 1
Back 1.
Verse
C5
stroke- lov er- al ways- hid in’- ’neath the cov ers- till I talked to you, my dad dy- say.
He said, “You
3
Riff A1 End Riff A1
P.M.
Riff A End Riff A
P.M.
0 1 22
0 1 22
0 X X0 1 2
20 1 2
2
3 0
2
577
577
688
799
0 1 22
0 1 22
00 1 2
20 1 2
2022
81010
81010
10 12 108
1010 10 13 10 12 10
8 8 810 10 12 10
8
1010 10 13 10 12 10
8 8 810 10 12 10
8
1010 10 13 10 12 10
8 8 810 10 12 10
8
1010 10 13 10 12 10
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ain’t
Gtrs. 1 & 2: w/ Riff A (2 times)
seen noth in’- till you’re down on a muf fin,- then you’re sure to be, a, chang in’- your ways.” I met a
cheer lead- er,- was a real young bleed er,- oh, the times I could rem i- nisce,- ’cause the
best things in lov in’- with a sis ter- and a cou sin- on ly- start ed- with a lit tle- kiss, a, like this!
A5
Gtrs. 1 & 2
Riff B
P.M.
End Riff B
Gtr. 2
Interlude
Riff D
E5
Gtr. 1
Riff C End Riff C
A5
End Riff D
8 8 810 10 12 10
810 10 10 13 10 12 10
8 8 810 10 12 10
810 10 02
2
0 1 22
0 1 22
00 1 2
20 1 2
2
0
0 1 22
0 1 22
0 X X X0 1 2
20 1 2
2
0 3 0
2
0 1 22
0 1 22
00 1 2
20 1 2
2
577
577
688
799
0 1 22
0 1 22
0 X X X0 1 2
20 1 2
2022
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C oT oda
See2., 4.
Gtr. 1: w/ Riff A (4 times)Gtr. 2: w/ Riff A1
Verse
C5
saw- swing in’- with the boys in the school and your feet fly in’- up in the air, a, sing,
“Hey
Gtr. 2: w/ Riff A (2 times)
did dle- did dle”- with your kit ty- in the mid dle- of the
a swing like you did n’t- care. So I
took a big chance
at the high school dance
with a mis sy- who was read y- to
*
*Sing harmony 1st time only.
play.
Was n’t-
me she was fool in’- ’cause she knew what she was do in’-
and
when I
she
know’d
taught me
love
how
was
to
here
walk
to
this
stay
way.
when
She
she
told
told me
me
to...
to...
Gtr. 2
P.M.
(Walk
ChorusC5
this
C6
way,
C7
talk
F5
this
F6
way.
F7
Walk
C5
this
C6
way,
C7
**Gtr. 3 (dist.)
f
Rhy. Fill 1
End Rhy. Fill 1
**Joe Perry
Gtr. 2
Rhy. Fig. 1A End Rhy. Fig. 1A
Gtr. 1
Rhy. Fig. 1 End Rhy. Fig. 1
8 8 810 10 12 10
8
1010 10 13 10 12 10
8 8 810 10 12 10
8
1010
1010 10
10
810
810
810
810
810
810
810
810
810
810
812
813 8
10812
813
810
812
813
810
812
813
812
810
812 8
10812
813
812
813
812
810
812
813
812
813
812
XX
XX
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walk
F5
this
F6
way.)
F7
Uh, just
gim me- a kiss.
Gtrs. 1 & 2: w/ Riff AGuitar Solo
C5
1
1
Gtrs. 1 & 2: w/ Riff B
A, like this!
A5
Gtr. 3 1 1/2 1
InterludeGtr. 1: w/ Riff CGtr. 2: w/ Riff DGtr. 3 tacet
E5
Oo.
Uh.
A5
Gtr. 1
810
810
10
810
810
8 11 811 11
8
810
812
813
810
812
813
812
813
812
11 11
811 8
11 10 8 101010
10 810
10
10 810
811 10 8 10 8 10 8 11 10
11
8 1 0 811
7
0 1 22
0 1 22
X X X X X X0 1 2
20 1 2
2022
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D.S. al Coda
Coda
School3.
VerseGtr. 1: w/ Riff A (3 times)Gtr. 2: w/ Riff A1
C5
girl sweet ie- with your class y,- kind a- sass y- lit tle- skirt’s climb in’- way up the knee.
There was
three
Gtr. 2: w/ Riff A
young la dies- in the school gym lock er- when I no ticed- they was look in’- at me. I was a
high school los er,- nev er- made it with a la dy- ’til the boys told me some thin’- I missed, a, then my
Gtr. 2
P.M.
next
Gtrs. 1 & 2: w/ Riff B
door neigh bor- with a daugh ter- had a fa vor- so I gave her just a lit tle- kiss, a, like this!
A5
Gtr. 1
InterludeGtr. 2: w/ Riff D
E5
Walk
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (3 t imes)Gtr. 3: w/ Rhy. Fill 1 (3 times)
C5
this
C6
way,
C7
walk
F5
this
F6
way.
F7
Walk
C5
this
C6
way,
C7
walk
F5
this
F6
way.
F7
Walk
C5
this
C6
way,
C7
talk
F5
this
F6
way.)
F7
Uh, just gim me- a kiss.
Gtr. 3
8 8 810 10 12 10
8
1010 10 13 10 12 10
8 8 810 10 12 10
8
88
8
88
88
0 1 2
20 1 2
2
0 X X0 1 2
20 1 2
2
0 X X X
0 1 22
0 1 22
0 X X X X0 1 2
20 1 2
2022
810
810
810
810
810
810
810
8 810
810
810
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Outro-Guitar SoloGtrs. 1 & 2: w/ Riff A
C5
3
1/2 1/2
Gtrs. 1 & 2: w/ Riff B
Like this!
A5
3 3 3
3 3
1/2 1/2
Gtr. 3E5
w/ slapback delay
A5 Gtr. 1: w/ Riff E (3 times)Gtr. 2: w/ Riff E1 (till fade)
E5
1 11 1 1/2
Gtr. 2
Riff E1 End Riff E1
Gtr. 1
Riff E End Riff E
10 109 8
108 7 7 5 7 5 7 7 7 5
5 8
855
8
55
5 7 7 7
3 3 37 8
5 8 58
8 58
5 88 5
85
8 77 5 7 77 5 5
8
0
2 2 4 4 2
0 3 4
20 1 2
2
0 0 3 4
20 1 2
2022
0 3 4
20 1 2
2
0 X X 0 3 4
20 1 2
2022
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Gtr. 3
A5
E5
A5 E5
steady gliss.
A5
1 16 )16(
16 (16)
1 1 1/2 1 1 1/2 1 1 1/2
Gtr. 3
E5 E9 E5 A9
15 15
1 1 1 1/2
Gtr. 1
E5 E9 E5 A9
3
15 1 1/2 1/2
Riff F End Riff F
Gtr. 3
Gtr. 1: w/ Riff F (till fade)
E5 E9 E5 A9
8v a
15 15
15
1 1 1/2 1 1
4 4 14 16 16 15 11 6
1215 12 15 15 12 15
1412
15 14 12 14 1214 14
1414
0 3 4
20 1 2
2
0
6777
0 3 4
20 1 2
2 111212
12 1412
12 16 1215 12
12 13
1215 14
14 1412 12
14 1214
1414
121414
0 3 4
20 1 2
2
0
677
0 3 4
20 1 2
2 111212
111212
12 14
12 15 1215 17
14 17 1717 17 17 15 15
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Fade out
loco
E5 E9 E5 A9
6
1 1
E5 E9 E5 A9
3
1 1 1 1
Begin fade
E5 E9 E5 A9
1/2 1 1/2 1/2 1/2 1/2 1
E5 E9
E5
A9
3
1 1 1/4
E5
E9 E5
let ring
A9 E5 E9
15 15
1 15
1 1 1 1
13
1215 12
1415 14 12 14 1214
1214 12
14 13 12 11 12 1112
12 11 12
12
1112
12
2 2 02
2 2 2 0 2
2 22 0
220 2 2 0
022
3 30
0 0 3 0 3 30 0 30 0 30 0 0 30 3 02 0
022
2 2 02
2 2 02 2 0 2 0
2 1 03 0
2 0 2022 2
1212
1212
1212
1212
1212
1212 14
12 1212
1514
12
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Intro
Fast Rock q = 168
Copyright © 1951 by Bienstock Publishing Company, Jerry Leiber Music, Mike Stoller Music, Fort Knox Music Inc. and Trio Music Company, Inc.Copyright Renewed
International Copyright Secured All Rights ReservedUsed by Permission
from Johnny Burnette Trio - Rockabilly Boogie
Train Kept a-Rollin’Words and Music by Tiny Bradshaw, Lois Mann and Howie Kay
Gtr. 1 (clean)
f
* B A
*Chord symbols reflect o verall harmony.
E
1. I caught a
Verse
train.
E
I met a
w/ fingers
dame. She was a hep ster- and a real gone dame. She was
pret
A
ty- from New York Cit y.- And we trucked
E
on down that
7
7
7
7
07
7
97
7
7
7
7
7
7
7
7
7
5
5
5
5
5
5
5
5
3
3
3
3
3
3
3
3
0
0
3
3
0
0
3 00
3 2 02
0
0
0
0
3
3
3
3
0
0
3
3
0
0
0
0
2
2
0
0
3
3
0
0
0
0
0
0
0
0
0
0
2
2
0
0
3
3
3
3
0
0
0
0
0
0
3
3
0
0
0
0
3
3
0
0
3
3
3
3
0
0
3
3
0
0
0
0
7
7
6
6
7
7
5
5
3
3
0
0
3
3
3
3
3
3
0
0
3
3
3
3
0
0
3
3
0
0
0
0
3
3
0
0
3
3
3
3
0
0
3
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old fair lane with a heave
B
and a ho. Well, I just
E
could n’t- let her go. Get a -
long.
Pre-Chorus
E
Sweet a lit tle- wo man,- get a long- and be
on your a way. A get a long.
A7
- Sweet a lit tle- wo man,- get a -
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long
E
and be on your a way a with a heave
B7
and a ho.
1/4
Well, I just
E
could n’t- let her go. Well, the
train
Chorus
E
kept a roll in’- all night long the train kept a roll in’- all
night long. the train kept a
mov
roll
in’
in’
-
-
all night, long, the
0
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C oT oda
train
E
kept a roll in’- all night long with a heave
B7
and a ho.
Well, I just could n’t- let her go. Ow!
8v a
8v a Guitar Solo
Yeah,
E
cat! Hey!
Ow!
steady gliss.
A
Get it!
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E
Giddap! Ow!
B7
E
We2. made a
stop
Verse
E
in Al bu- quer- que.- She must have thought that I was a
real gone Joe. We got off the
A
train at El Pas- o.- Her
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D.S. al Coda
Coda
looks
E
a were so
µ
good, Jack. I could n’t- let her go. Get a long.
B
- Well, I just
3 3
3
steady gliss.
could n’t- let her go.
E
Get a -
E
could n’t- let her go.
E%
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287
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Intro
Moderately q = 108
Copyright © 1977 Music Of Stage ThreeCopyright Renewed
All Rights Reserved Used by Permission
from Aerosmith - O, Yeah!
Walk This WayWords and Music by Tyler/Perry
Gtr. 1(dist.)
(Drums) µ
f *
Riff A
** E5
type2
11
E5
11
A5
2
G5
11 1
A E5
*Sampled gtr. **Chord symbols reflect implied harmony.
1/4
1. Your
A5
girl’s a
Gtr. 1End Riff A
Gtr. 2 (dist.)
Rhy. Fill 1
mf
1 1 1 0 1 22
0 1 22
00 1 2
20 1 2
2
3
2
0 1 22
0 1 22
00 1 2
20 1 2
2022
577
577
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back
Verse
C7
seat-
lov er-
that’s al ways- un der --
cov er- and,
and,
“I
“I talk
talk
Gtr. 2 tacet
to,”
to,”
my
my
dad
dad
dy
dy
-
-
say. Said, “You
Riff B
P.M.
End Rhy. Fill 1
ain’t seen
noth ing-
till you’re down on a
muf fin- and
and
you’re
you’re
sure
sure
to
to
be
be
a
a
chang
chang
-
- ing
ing-
-
way.
I met a
Gtr. 1
P.M.
cheer
lead
lead-
er
er,
-
- that’s a real big
bleed er.-
The times I could rem i --
nisce.
’Cause the
(Cheer lead- er.-
Times.
P.M.
8 810 10 12 10
8
1010 13 12 10
8 810 12 10
8
1010 13 12 10
81010
8 810 10 12 10
810 10 13 10 12 10
8 8 810 10 12 10
810 10 13 12
8 810 10 12 10
8
1010 13 12 10
8 810 10 12 10
8
1010 13 12 10
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best thing
lov ing-
was your sis ter- and your
cou sin,- and
and
it
it
start
start
ed
ed
-
-
with
with
a
a
lit
lit
tle
tle
-
-
kiss
kiss
like
like
this.
this.
A5
Start ed- with a lit tle- kiss like this.)
End Riff B
P.M.
Interlude
Gtr. 1: w/ Riff A
E5
Gtr. 2: w/ Rhy. Fill 1
A5
See
VerseGtr. 1: w/ Riff B (1st 6 meas.)
2.
C7
saw-
swing ing-
with the boys in
school
and your feet
feet
was
was
fly
fly
ing
ing
-
-
up
up
in
in
the
the
air,
air
sing ing,-
(Swing ing.- Feet fly ing- up in the air.
“Hey, did dle,-
did dle- with the kit ty- in the mid dle-
and you’re swing
ing- like you just don’t care.
So I
Kit ty- in the mid dle,- swing ing- like you just don’t care.
Gtr. 2
mf
8 810 10 12 10
8
1010 13 12 12 10
8 810 10 12 10
8
1010 0
22
1011
1112
13 1011
1112
13
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took a big
chance
at the high school
dance
with a la
Gtr. 2 tacet
dy- who was read y- to play. But was it
Miss y- who was read y- to play.)
me she was
fool ing-
’cause she knew what she was
do ing-
when
when
she
she
told
told
me
me
how
how
to
to
walk
walk
this
this
way?
way?
She
She
told
told
me
me
to
to
Gtr. 1
P.M.
walk
Chorus
C7
this way, and talk
F7
this way. Walk
C7
this way, and
Gtr. 2 Riff C
Gtr. 1 Rhy. Fig. 1
1213
8 810 10 12 10
8
1010 13 12 12 10
8 810 10 12
1010 13 10 12
10
11 1011
10
11
810
812
813
812 10
810
812 8
108 8
128
13812
810
812 10
810
812
813
812
810
812 10
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talk
F7
this way.
She told me to
walk
C7
this way, and talk
F7
this way.
Walk
C7
this way, and talk
F7
this way.
Well, just give me a
Guitar Solo
kiss.
Gtr. 1: w/ Riff B (last 4 meas.)Gtr. 2 tacet
C7
End Riff C Gtr. 3 (dist.)
f
1 1 1 1
End Rhy. Fig. 1
1011
1011 10
11
810
812
813
812
810
810
812
813
812
810
812 10 8
108 8
128 8
138
12 108
10812
1011 10
1111 1111 1111 1111 11
810
812
813
812
810
812 10 8
108 8
128 8
13812
810
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Oo, like this.
A5
3
3
1 1 1 2 1 1/2
Interlude
Gtr. 1: w/ Riff AGtr. 3 tacet
E5
Mm.
A5
Verse
3.
School
µ (C7)
girlslea zy,-
with aclass y,- kind of sass y,-
lit tle-
skirt
hang ing- way up her knee. There was three young
la dies-
in the school gym
lock er- and I find they were look ing- at
at
D.
D. I was a
(Three young girls.
high school
los er,-
nev er- made i t with a
la dy-
till the boys
told
told
me some thing- I missed.
Then my next door
neigh bor-
with a daugh ter- had a
fav
fav
or
or
-
- and I
Los er,- with a, till the, told me, missed. Door, had a daugh ter,- fav or,-
Gtr. 1
11 11 1111 11 1111 11 11 8 11 11 810
810 8
1010 8
108 10 108
108 9 10
8 9 108 10 10
0 1 2 0 1
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gave
Gtr. 1 tacet
the girl a lit tle- kiss
like
like
this.
this.
InterludeGtr. 1: w/ Riff A
E5
A5
just a lit tle- kiss, like this, break.)
VerseGtr. 1: w/ Riff B
C7
Both: Swing ing,- school, air,
See4. saw- swing ing- with the boys in school with your feet fly ing- up in the
air, sing ing,-
Gtr. 2
grad. bend1/4
did dle,- mid dle,- care.
“Hey
did dle,- did dle,”- with your kit ty- in the mid dle- and swing
ing- like you did n’t- care. So I
P.M.
1/2
1011
1011
88
1010
108
10 810
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Chance, dance,
Gtr. 2 tacet
play,
took a big chance at the high school dance with a miss y- who was read y- to play.
Was it
fool ing,- do ing,- told me how to walk. She told me to
me
she was fool ing- ’cause she knew what she was do ing- when she told me how to walk this
way? She told me to
walk
ChorusGtr. 1: w/ Rhy. Fig. 1
Gtr. 2: w/ Riff C
C7
this way and talk
F7
this way. Walk
C7
this way and
talk
F7
this way.
She told me to
walk
C7
this way and talk
F7
this way.
Walk
C7
this way and talk
F7
this way.
(Ah,
Well, just
ah,
give
ah,
me some
ah,
8
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Gtr. 1
Interlude
8fr
P.M.
head.
ah,
C
ah, ah, ah, ah, ah, ow,
ga, ga, ga, ga, ga, ga, ga, ga,
Gtr. 3
w/ bar
-1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1 -1 -1 -1-1/2 -1/2 -1/2
P.M. (cont. in notation)
go,
go, go, go, go, go, go, go, go, go, go, go,
Like
go.)
this.
1 1 1 1 1 1 1 1 1
Gtr. 2
Outro - Guitar Solo
Rhy. Fig 2A End Rhy. Fig 2A
Gtr. 1: w/ Rhy. Fig. 2 (11 times)Gtr. 2: w/ Rhy. Fig. 2A (4 1/2 times)
Gtr. 3
E5
A5 E5
11 1/2 1
1
Gtr. 1 Rhy. Fig 2 End Rhy. Fig 2
1/2
11 11 11 11 11 11 11 11 8 8 8 8 89 9 9 9
1088
88
1111
10 1088
88
8 10 1088
88
10 810
8
XX
8 10 10 101111 11
10
8
022
20
0
4 4 20
0
0 1 22
0 1 22
0 022X00
0 1 22
0 1 23
2022
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A E5 A
1
Gtr. 2
open
Gtr. 1
E
let ring
A5 type2E5
let ring
A5 type2E5 A5
1 1
Gtr. 3
Gtr. 2: w/ Rhy. Fig. 3 (3 times)
E5 A
8v a
Gtr. 1
0 1 22
0 1 22
0 022
0 1 22
0 1 22
0 022X00
0 1 22
0 1 22
3022
0 1 22
0 1 22
0
20 1 2
20 1 2
2022
022
022
0 1 22
0 1 22
022
0 1 22
0 1 23
2022
0 1 22
0 1 22
0 022
0 1 22
0 1 23
2022
022
1514 1615 1615 1615 1514 1615 1615 15 1514 1615 1615 1514 1615 1615 1615 1514 1615 1615 1615 1615 1615 1615 1414 1414 1414 1414 1414 1414
0 1 22
0 1 22
0 022
0 1 22
0 1 22
022
022
022
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Gtr. 3
Gtr. 1 tacet
E5 A
8v a
E5 A
1615
1615
1615
1615
1514
1615
1615
1615
1514
1615
1615
1615
1514
1615
1615
1514
1615
1615
X 1514
1615
1615
1615
1414
1414
1414
141417
141417
1414
1414