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Vertical File Index

Abrahams, Roger D.

Abrahams, Roger. The Men of Words in the West Indies. Johns Hopkins University, 1983. ---. “The Cowboy in the British West Indies.” A Good Tale and a Bonne Tune. Dallas, Southern Methodist Univ. Press, 1964. ---. “’Pull Out Your Purse and Pay’”A St. George Mumming from the British West Indies.” Folklore 59(Autumn 1968): 176-201. ---. “Christmas Mummings on Nevis.” North Carolina Folklore 1(1973). African-American Literature

Baker, Jane S. “Failures of Love: Female Initiation in the Novels of Toni Morrison.” American Literature 52:4 (January 1981). 541-563. Curb, Rosemary. “An Unfathomable Tragedy of American Racism: Alice Childress’s Wedding Band.” MELUS 7:4 (Winter 1980). 57-68. Dandridge, Rita B. “The Motherhood Myth: Black Women and Christianity in The Deity

Nodded.” MELUS 12:3 (Fall 1985). 13-22. Dickson, L.L. “’Keep It In The Head’: Jazz Elements in Modern Black American Poetry.”MELUS 10:1 (Spring 1983). 29-37. Diepeveen, Leonard. “Folktales in the Harlem Renaissance.” American Literature 58:1 (March 1986). 64-81. Doyle, Mary Ellen. “Ernest Gaines’Materials: Place, People, Author.” MELUS 15:3 (Fall 1988). 75-93. Farrell, Walter C., Jr. and Patricia A. Johnson. “Poetic Interpretations of Urban Black Folk Culture: Langston Hughes and the ‘Bebop’Era.” MELUS 8:3 (Fall 1981). 57- 72. Fienberg, Lorne. “Charles W. Chesnutt and Uncle Julius: Black Storytellers at the Crossroads.” Studies in American Fiction 15:2 (Autumn 1987). 161-173. Franklin, H. Bruce. “Songs of an Imprisoned People.” MELUS 6:2 (Summer 1979). 6-22. Gibson, Donald B. “Reconciling Public and Private in Frederick Douglass’Narrative.”

American Literature 57:4 (December 1985). 549-569.

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Gougeon, Len. “Emerson and Abolition: The Silent Years, 1837-1844.” American

Literature 54:4 (December 1982). 558-575. Hansen, J.T. “A Holistic Approach to Invisible Man.” MELUS 6:1 (1979). 41-54. Johnson, Claudia. “The Secret Courts of Men’s Hearts: Code and Law in Harper Lee’s To

Kill a Mockingbird.” Studies in American Fiction 19:2 (Autumn 1991). 129-139. Johnson, Patricia and Walter C. Farrell, Jr. “How Langston Hughes Used the Blues.”MELUS 6 (Spring 1979). 55-63. Kalb, John D. “The Anthropological Narrator of Hurston’s Their Eyes Were Watching

God.” Studies in American Fiction 16:2 (Autumn 1988). 169-180. Matza, Diane. “Zora Neale Hurston’s Their Eyes Were Watching God and Toni Morrison’s Sula: A Comparison.” MELUS 12:3 (Fall 1985). Oliver, Paul. “Can’t Even Write: The Blues and Ethnic Literature.”MELUS 10:1 (Spring 1983). 7-14. Reagan, Daniel. “Voices of Silence: The Representation of Orality in Arna Bontemps’Black Thunder.” Studies in American Fiction 19:1 (Spring 1991) 71- 83. Rusch, Frederik L. “Jean Toomer’s Early Identification: The Two Black Plays.”MELUS

13:1,2 (Spring-Summer 1986). 115-124. Schor, Edith. “Ralph Ellison, Journeyman: Three Early Stories.” MELUS 15:2 (Summer 1988). 57-69. Schultz, Elizabeth. “African and Afro-American Roots in Contemporary Afro-American Literature: The Difficult Search for Family Origins.” Studies in American Fiction

8:2 (Autumn 1980). 127-145. Scruggs, Charles. “The Tale of Two Cities in James Baldwin’s Go Tell It on the

Mountain.” American Literature LII:1 (March 1980). 1-17. Smith, Curtis C. “Werner Sollors’Beyond Ethnicity and Afro-American Literature.” MELUS 14:2 (Summer 1987). 65-71. Smith, Gary. “Gwendolyn Brook’s A Street in Bronzeville, The Harlem Renaissance and the Mythologies of Black Women.” MELUS 10:3 (Fall 1983). 33-46. Talbert, L. Lee. “The Poetics of Prophecy in Paule Marshall’s Soul Clap Hands and

Sing.” MELUS 5:1 (Spring 1978). 49-72.

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Tracy, Steven C. “To the Tune of Those Weary Blues: The Influence of the Blues Tradition In Langston Hughes’Blues Poems.” MELUS 8:3 (Fall 1981). 73-98. Wagner, Maria. “Mathilde Anneke’s Stories of Slavery in the German-American Press.”MELUS 6:4 (Winter 1979). 9-16. Waxman, Barbara Frey. “Canonicity and Black American Literature: A Feminist View.” MELUS 14:2 (Summer 1987). 87-93. Weir, Sybil. “The Narrows: A Black New England Novel.” Studies in American Fiction

15:1 (Spring 1987). 81-93. Whitlow, Roger. “The Revolutionary Black Novels of Martin R. Delany and Sutton Griggs.” MELUS 5:3 (Fall 1978). 26-36. Yarborough, Richard. “The Quest for the American Dream in Three Afro-American Novels: If He Hollers Let Him Go, The Street and Invisible Man.” MELUS 8:4 (Winter 1981). 33-59. Yellin, Jean Fagan. “Written by Herself: Harriet Jacobs’ Slave Narrative.” American

Literature 53:3 (November 1981). 479-486. Alexander, Mary L.

Alexander, Mary L. “Woman as Creator/Destroyer in Three Poems of Lorna Goodison.” St. Thomas: University of the Virgin Islands, 1994. Alleyne, Mike.

Alleyne, Mike. “Positive Vibration?: Capitalist Textual Hegemony and Bob Marley.” Mike Alleyne, 1994. Asian-American Literature.

Blinde, Patricia Lin. “The Icicle in the Desert: Perspective and Form in the Works of Two Chinese-American Women Writers.” MELUS 6:3 (Fall 1979). 51-71. Ching Sledge, Linda. “Maxine Kingston’s China Men: The Family Historian as Epic Poet.” MELUS 7:4 (Winter 1980). 3-22. Fujita, Gayle K. “’’To Attend the Sound of Stone’: The Sensibility of Silence in Obasan.” MELUS 12:3 (Fall 1985). 33-42. Geok-Lin Lim, Shirley. “Twelve Asian-American Writers, In Search of Self-Definition.” MELUS 13:1-2 (Spring-Summer 1986). 57-77.

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Hunt, Linda. “’I Could Not Figure Out What Was My Village’: Gender vs. Ethnicity in Maxine Hong Kingston’s The Woman Warrior.” MELUS 12:3 (Fall 1985). 5-31. Ling, Amy. “Writer in the Hyphenated Condition: Diana Chang.” MELUS 7:4 (Winter 1980). 69-83. Austen, Jane.

Drew, Philip. “Jane Austen and Bishop Butler.”Nineteenth-Century Fiction 35:2 (September 1980). 127-149. Lockwood, Thomas. “Divided Attention in Persuasion.” Nineteenth-Century Fiction

33:5 (December 1978). 309-323. Weinsheimer, Joel C. “Mansfield Park: Three Problems.” Nineteenth-Century Fiction

29:2 (September 1974). 185-205. Wilt, Judith. “Confusion and Consciousness in Dickens’s Esther.” Nineteenth-Century

Fiction 32:3 (December 1977). 285-309. Baldwin, James.

Albert, Richard N. “The Jazz-Blues Motif in James Baldwin’s ‘Sonny’s Blues’” College

Literature XI:2 (Spring 1984). 178-185. Champion, Ernest A. “James Baldwin and the Challenge of Ethnic Literature in the Eighties.” MELUS 8:2 (Summer 1981). 61-71. Harris, Trudier. “The Eye as Weapon in If Beale Street Could Talk.” MELUS 5:3 (Autumn 1978).54-66. Nelson, Emmanuel. “James Baldwin’s Vision of Otherness and Community.”MELUS

10:2 (Summer 1983). 27-31. Barnwell, Kattian.

Barnwell, Kattian. “Motherlands and Other Lands: Home and Exile in Jamaica Kincaid’s Lucy and Paule Marshall’s Praisesong for the Widow.” Conference on West

Indian Literature, University of Puerto Rico, 1994. Baugh, Edward.

Baugh, Edward. “Ethnography and Fiction: The Work of John Stewart.” Mona: University of the West Indies.

5

Besosa, M.N.

Besosa, M.N. “Words Confused.” English Composition, 1949.

Best, Curwen.

Best, Curwen. “Graffiti – Yout Massive! Gangs, Pop Culture, Sex and Getting it Up Every Time.” Conference on West Indian Literature. University of Puerto Rico, 1994. Bickerton, Derek.

Bickerton, Derek. “Creolization, Linguistic Universals, Natural Semantax and the Brain.” International Conference on Pidgins and Creoles, University of Hawaii, 1975. Boodhoo, Bryan.

Boodhoo, Bryan. “Sexual Markings: The Significance of Mother-Daughter Relationships in the Works of Jamaica Kincaid and Lorna Goodison.” Breight, Curt.

Breight, Curt. “’’Treason doth never prosper’: The Tempest and the Discourse of Treason.” Shakespeare Quarterly 41:1 (Spring 1990). 1-28. Briggs – Emanuel, Phyllis.

Briggs-Emanual, Phyllis. “The Masks that Conceal Also Reveal: A Look at Masking and Unmasking in Earl Lovelace’s The Wine of Astonishment.” St. Augustine: University of the West Indies, 1991. Bronte, Emily.

Fine, Ronald E. “Lockwood’s Dreams and the Key to Wuthering Heights.” Nineteenth-

Century Fiction 24:1 (June 1969). 16-30. Shunami, Gideon. “The Unreliable Narrator in Wuthering Heights.” Nineteenth-Century

Fiction 27:4 (March 1973). 449-468. Wilson, F.A.C. “The Primrose Wreath: The Heroes of the Bronte Novels.” Nineteenth-

Century Fiction 29:1 (June 1974). 40-57. Brydon, Diana.

Brydon, Diana. “Tempest Plainsong: Returning Caliban’s Curse.” Transforming

Shakespeare: Contemporary Women’s Re-Visions in Literature and Performance.

Marianna Novy, Ed. New York: St. Martin’s, 1999. 199-216.

6

Buckeye, Robert.

Buckeye, Robert. “The People, Yes, or The People, No: Decisive Moments in the Work of James, Kincaid and Mais.” Caribbean Bibliographies Pagan-Jimenez, Neida. “Estudios del Caribe Indice: 1961-1991. (Caribbean Studies

Index: 1961-1991.).” Caribbean Studies 24:3-4 (1991). 302-446. María-Padilla, José. “Informe Sobre Bibliografía del Caribe en el Recinto de Río

Piedras.” “Bibliography of the Works of the Caribbean Commission.” “Bibliography III: Publications About the Caribbean Organization.” DeCosmo, Jan. “Religion and Revolution in the Lyrics of Bob Marley.” (May 1994) Cather, Willa.

Arnold, Marilyn. “Willa Cather’s Artistic ‘Radicalism.’” The CEA Critic 51:4 (1989). 2- 10. Carpenter, David A. “Why Willa Cather Revised ‘Paul’s Case’: The Work in Art and those Sunday Afternoons.” American Literature 59:4 (December 1987). 590-608. Leddy, Michael. “Observation and Narration in Willa Cather’s Obscure Destinies.”

Studies in American Fiction 16:2 (Autumn 1988). 141-153. Romines, Ann. “After the Christmas Tree: Willa Cather and Domestic Ritual.” American

Literature 60:1 (March 1988). 61-82. Rosowski, Susan J. “Willa Cather’s Women.” Studies in American Fiction 9:2 (Autumn 1981). 261-275. Ryan, Maureen. “No Woman’s Land: Gender in Willa Cather’s One of Ours.” Studies in

American Fiction 18:1 (Spring 1990). 65-75. Schwind, Jean. “Latour’s Schismatic Church: The Radical Meaning in the Pictorial Methods of Death Comes for the Archbishop.” Studies in American Fiction 13:1 (Spring 1985). 71-88.

7

Shaw, Patrick. “My Antonia: Emergence and Authorial Revelations.” American

Literature 56:4 (December 1984). 527-540. Strychacz, Thomas F. “The Ambiguities of Escape in Willa Cather’s The Professor’s

House.” Studies in American Fiction 14:1 (Spring 1986). 49-61. Wasserman, Loretta. “The Music of Time: Henri Bergson and Willa Cather.” American

Literature 57:2 (May 1985). 226-239. Chang, Victor L.

Chang, Victor L. “Narrator as Mask: Earl Lovelace’s Wine of Astonishment.” Conference

on West Indian Literature. University of the West Indies, 1991.

Chaucer, Geoffrey.

Gallacher, Patrick. “Food, Laxatives, and Catharsis in Chaucer’s Nun’s Priest’s Tale.” Speculum (January 1976). 49-68. McColly, William. “Why Chaucer’s Knight has no Coat of Arms.” English Language

Notes XXI:3 (March 1984). 1-6. Taylor, Davis. “The Terms of Love: A Study of Troilus’s Style.” Speculum (January 1976). 69-90. Chicano Literature.

Alurista. “Cultural Nationalism and Xicano Literature During the Decade of 1965- 1975.”MELUS 8:2 (Summer 1981). 22-39. Erben, Rudolf and Ute. “Popular Culture, Mass Media, and Chicano Identity in Gary Soto’s Living up the Street and Small Faces.” MELUS 17:3 (Fall 1991-1992). 43- 52. Paredes, Raymund A. “Mexican American Authors and the American Dream.” MELUS

8:4 (Winter 1981). 71-80. Rivera, Tomás. “Richard Rodriguez’Hunger for Memory as Humanistic Antithesis.” MELUS 11:4 (Winter 1984). 5-13. Coleridge, Samuel T.

Ashton, Rosemary D. “Coleridge and Faust.” The Review of English Studies 28:110 (May 1977). 156-167.

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Haase, Donald P. “Coleridge and Henry Boyd’s Translation of Dante’s Inferno: Toward a Demonic Interpretation of ‘Kubla Khan.’” English Language Notes XVII: 4. 259- 265. Ray, Rhonda Johnson. “Geraldine as Usurper of Christ: An Un-Mystical Union.” Philological Quarterly 63:4 (1984). 511-523. Swanson, Donald R. “The Growth of a Poem: Coleridge’s Dejection.” Forum XII:4 (Autumn 1971). 53-57. Wallace, C. Miles. “Coleridge’s Theory of Language.” Philological Quarterly 59:3 (1980). 338-352.

Conrad, Joseph.

Bonney, William. “Joseph Conrad and the Betrayal of Language.” Nineteenth-Century

Fiction 34:2 (September 1979). 127-153. Bross, Addison C. “Beerbohm’s ‘The Feast’and Conrad’s Early Fiction.” Nineteenth-

Century Fiction 26:3 (December 1971). 329-336. Burstein, Janet. “On Ways of Knowing in Lord Jim.” Nineteenth-Century Fiction 26:4 (March 1972). 456-468. Gilliam, Harriet. “Time in Conrad’s Under Western Eyes.” Nineteenth-Century Fiction

31:4 (March 1977). 421-439. Jenkins, Ruth Y. “A Note on Conrad’s Sources: Ernest Dowson’s ‘The Statute of Limitations’as Source for Heart of Darkness.” English Language Notes XXIV:3 (1987). 39-42. Marten, Harry. “Conrad’s Skeptic Reconsidered: A Study of Martin Decoud.” Nineteenth-Century Fiction 27:1 (June 1972). 81-94. Nettels, Elsa. “The Grotesque in Conrad’s Fiction.” Nineteenth-Century Fiction 29:2 (September 1974). 144-163. Raval, Suresh. “Conrad’s Victory: Skepticism and Experience.” Nineteenth-Century

Fiction 34:4 (March 1980). 414-433. Ray, Martin S. “Conrad to Wells: An Undated Letter.” English Language Notes XXIII:11 (September 1985). 48-61. Thompson, Gordon W. “Conrad’s Women.” Nineteenth-Century Fiction 32:4 (March 1978). 442-464.

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Watt, Ian. “Marlow, Henry James, and ‘Heart of Darkness’.” Nineteenth-Century Fiction

33:2 (September 1978). 159-174. Cooper, Carolyn.

Cooper, Carolyn and Cecil Gutzmore. “Border Clash: The Politics of Location in Jamaican Popular Culture.” Mona: Conference on West Indian Literature. ---. “’Lyrical Gun’: Metaphor and Role Play in Jamaican Dancehall Culture.” Mona: Conference on West Indian Literature, 1994.

Cooper, James Fenimore.

Aldridge, A. Owen. “Fenimore Cooper and the Picaresque Tradition.” Nineteenth-

Century Fiction 27:3 (December 1972). 283-292. Allen, Dennis W. “’By All the Truth of Signs’: James Fenimore Cooper’s The Last of the

Mohicans.” Studies in American Fiction 9:2 (Autumn 1981). 159-179. Denne, Constance Ayers. “Cooper’s Artistry in The Headsman.” Nineteenth-Century

Fiction 29:11 (June 1974). 77-92. Cooper, Vincent O.

Cooper, Vincent O. “Irony, Alienation and Reconciliation in Romeo-Mark’s Poetry.” St. Thomas: Conference on West Indian Literature, 1994. Crane, Stephen.

Marshall, Elaine. “Crane’s ‘The Monster’ Seen in the Light of Robert Lewis’s Lynching.” Nineteenth-Century Literature 51:2 (September 1996). 205-224. Dickens, Charles.

Arac, Jonathan. “Narrative Form and Social Sense in Bleak House and The French

Revolution.” Nineteenth-Century Fiction 32:1 (June 1977). 54-72. Brantlinger, Patrick. “Dickens and the Factories.” Nineteenth-Century Fiction 26:3 (December 1971). 270-285. Burgan, William. “Little Dorrit in Italy.” Nineteenth-Century Fiction 29 (1974-75). 393- 411. Chaudhuri, Brahma. “Dickens and the Women of England at Strafford House.” English

Language Notes XXV:4 (1988). 54-60.

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Duckworth, Alistair. “Little Dorrit and the Question of Closure.” Nineteenth-Century

Fiction 33:1 (June 1978). 110-130. Duncan, Robert W. “Types of Subjective Narration in the Novels of Dickens.” English

Language Notes XVIII:1 (1980). 36-46. Fielding, K.J. and Anne Smith. “Hard Times and the Factory Controversy: Dickens vs. Harriet Martineau.” Nineteenth-Century Fiction 24:4 (March 1970). 404-427. Hardy, Barbara. “Dickens and the Passions.” Nineteenth-Century Fiction 24:4 (March 1970). 449-466. Harvey, William R. “Charles Dickens and the Byronic Hero.” Nineteenth-Century

Fiction 24:3 (December 1969). 305-316. Herbert, Christopher. “Converging Worlds in Pickwick Papers.” Nineteenth-Century

Fiction 27:1 (June 1972). 1-20. Kincaid, James. “The Education of Mr. Pickwick.” Nineteenth-Century Fiction 24:2 (September 1969). 127-141. McGowan, John P. “David Copperfield: The Trial of Realism.” Nineteenth-Century

Fiction 34:1 (June 1979). 1-19. Miller, J. Hillis. “The Sources of Dickens’s Comic Art.” Nineteenth-Century Fiction

24:4 (March 1970) 467-476. Milner, Ian. “The Dickens Drama: Mr. Dombey.” Nineteenth-Century Fiction 24:4 (March 1970). 477-487. Ousby, Ian. “The Broken Glass: Vision and Comprehension in Bleak House.”

Nineteenth-Century Fiction 29 (1974-75). 381-392. Rogers, Philip. “Mr. Pickwick’s Innocence.” Nineteenth-Century Fiction 27:1 (June 1972). 21-37. Schwarzbach, F.S. “The Fever of Bleak House.” English Language Notes XX:3/4 (March/June 1983). 21-27. Stone, Harry. “Dickens Rediscovered: Some Lost Writings Retrieved.” Nineteenth-

Century Fiction 24:4 (March 1970). 527-548. Sucksmith, Harvey Peter. “The Secret of Immediacy: Dickens’ Debt to the Tale of Terror in Blackwood’s” Ninettenth-Century Fiction 26:2 (September 1971). 145- 157.

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Dickinson, Emily.

Burbick, Joan. “Emily Dickinson and the Economics of Desire.” American Literature

58:3 (October 1986). 361-378. Cleary, Vincent J. “Emily Dickinson’s Classical Education.” English Language Notes

XVIII:2 (December 1980). 119-129. Franklin, Rosemary F. “The Awakening and the Failure of Psyche.” American Literature

56:4 (December 1984). 510-526. Donne, John.

Walker, Julia M. “John Donne’s ‘The Extasie’as an Alchemical Process.” English

Language Notes XX:1 (September 1982). 1-8. Dos Passos, John.

Hughson, Lois. “Don Passos’s World War: Narrative Technique and History.” Studies in

the Novel 12 (1980). 46-61. Down, Lorna.

Down, Lorna. “In a Native Voice: The Folk as Subject in Lovelace’s Fiction.” (No further bibliographic information present) Drakakis, John.

Hawkes, Terence. “Swisser-Swatter: making a man of English letters.” Alternative

Shakespeare. Terence Hawkes, ed. London: Methuen, 1986. 26-46. Eliot, George.

Benson, James D. “’Sympathetic’Criticism: George Eliot’s Response to Contemporary Reviewing.” Nineteenth-Century Fiction 29 (1974-75). 428-440. Doody, Margaret Anne. “George Eliot and the Eighteenth-Century Novel.” Nineteenth-

Century Fiction 35:5 (December 1980) 260-291. Levine, George. “George Eliot’s Hypothesis of Reality.” Nineteenth-Century Fiction

35:1 (June 1980). 1-28. Rogal, Samuel J. “Hymns in George Eliot’s Fiction.” Nineteenth-Century Fiction 29:2 (September 1974). 173-184.

12

Sri, P.S. “Thunder in The Waste Land: An Echo from Jungle Book?” English Language

Notes XXI:2 (December 1983). 41-43. Wormald, Mark. “Microscopy and Semiotic in Middlemarch.” Nineteenth-Century

Literature 50:4 (March 1996). 501-524. Ellison, Ralph.

Thomas, Gillian and Michael Larsen. “Ralph Ellison’s Conjure Doctors.” English

Language Notes XVII:4 (June 1980). 281-288.

Espinet, Ramabai.

Silvera, Makeda, Ed. “The Other Woman: Women of Colour in Contemporary Canadian Literature.” Toronto: Sister Vision Press, 1995. Faulkner, William.

Allen, William Rodney. “The Imagist and Symbolist Views of the Function of Language: Addie and Darl Bundren in As I Lay Dying.” Studies in American Fiction 10:2 (Autumn 1982). 185-196. Bassett, John Earl. “Family Conflict in The Sound and the Fury.” Studies in American

Fiction 9:1 (Spring 1981). 1-20. Clarke, Deborah. “Gender, Race and Language in Light in August.” American Literature

61:3 (October 1989). 398-413. Dunn, Margaret M. “The Illusion of Freedom in The Hamlet and Go Down, Moses.”

American Literature 57:3 (October 1985). 407-423. Fowler, Doreen A. “Measuring Faulkner’s Tall Convict.”Studies in the Novel 14:3 (Fall 1982). 280-284. ---. “’In Another Country’: Faulkner’s A Fable.” Studies in American Fiction 15:1 (Spring 1987). 43-54. Hlavsa, Virgina V. “The Mirror, the Lamp and the Bed: Faulkner and the Modernists.” American Literature 57:1 (March 1985). 23-43. Krause, David. “Reading Shreve’s Letters and Faulkner’s Absalom, Absalom!” Studies in

American Fiction 11:2 (Autumn 1983). 153-169. Marshall, Alexander III. “William Faulkner: The Symbolist Connection.” American

Literature 59:3 (October 1987). 389-401.

13

Minter, David. “Faulkner, Childhood, and the Making of The Sound and the Fury.”

American Literature 51:3 (November 1979). 376-393. Palliser, Charles. “Predestination and Freedom in As I Lay Dying.” American Literature

58:4 (December 1986). 557-573. Polk, Noel. “William Faulkner’s ‘Carcassonne.’” Studies in American Fiction 12:1 (Spring 1984). 29-43. Portch, Stephen R. “All Pumped Up: A Real Horse Trick in Faulkner’s The Hamlet.”

Studies in American Fiction 9:1 (Spring 1981). 93-95. Rose, Maxine. “From Genesis to Revelation: The Grand Design of William Faulkner’s Absalom, Absalom!” Studies in American Fiction 8:2 (Autumn 1980). 219-228. Selzer, John L. “’Go Down, Moses’and Go Down, Moses.” Studies in American Fiction

13:1 (Spring 1985). 89-96. Slaughter, Carolyn Norman. “As I Lay Dying: Demise of Vision.” American Literature

61:1 (March 1989). 16-30. Wadlington, Warwick. “The Sound and the Fury: A Logic of Tragedy.” American

Literature 53:3 (November 1981). 409-442. Wagner-Martin, Linda. “Rosa Coldfield as Daughter: Another of Faulkner’s Lost Children.” Studies in American Fiction 18:1 (Spring 1991). 1-13. Watson, James G. “New Orleans, The Double Dealer, and ‘New Orleans.’” American

Literature 56:2 (May 1984). 214-226. Feiffer, Jules.

Feiffer, Jules. “Cohn of Arc.” Partisan Review XL:2 (1973). 219-242. Feminist Literature.

Bergman, David. “Marianna Moore and the Problem of ‘Marriage.’” American Literature

60:2 (May 1988). 241-268. Budick, E. Miller. “The Feminist Discourse of Sylvia Plath’s The Bell Jar.” College

English 49:8 (December 1987). 872-885. Ocampo, Victoria. “Virginia Woolf.” Review 23 (1978). 48-53. Sontag, Susan. “The Third World of Women.” Partisan Review XL:2 (1973). 180-206.

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Fiet, Lowell A. Fiet, Lowell A. “Papier-mâché, cocos, and wire screen: Theories of Masks and Myths.” University of Puerto Rico, Rio Piedras. Frost, Robert.

Bagbyu, George F, Jr. “Frost’s Synecdochism.” American Literature 58:3 (October 1986). 379-392. Hays, Peter L. “Frost and the Critics: More Revelation on ‘All Revelation.’” English

Language Notes XVIII:4 (June 1981). 283-290. Kearns, Katherine. “’The Place is the Asylum’: Women and Nature in Robert Frost’s Poetry.” American Literature 59:2 (May 1987). 190-210. Kern, Robert. “Frost and Modernism.” American Literature 60:1 (March 1988).1-16. Patton, Priscilla M. “Robert Frost: ‘The fact is the sweetest dream that labor knows.’” American Literature 53:1 (March 1981). 43-55. Perrine, Laurence. “Frost’s ‘The Fear’: Unfinished Sentences, Unanswered Questions.” College Literature XI:2 (Spring 1984). 125-133. Sheehy, Donald G. “The Poet as Neurotic: The Official Biography of Robert Frost.” American Literature 58:3 (October 1986). 393-410. George, Gordon.

George, Gordon. “The Pain, the Beauty, and the Fury of Love: Three Poems by Antigua’s Eileen Hall.” Antigua State College: 15th Annual West Indian Literature Conference, 1996. Gilkes, Michael.

Gilkes, Michael. “Aboriginal Elements in the Arts of the Caribbean.” St. Augustine: University of the West Indies, 1996. Greenblatt, Stephen.

Greenblatt, Stephen. “Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.” Learning to Curse: Essays in Early Modern Culture. New York: Routledge, 1990. 16-39. ---. “Martial Law in the Land of Cockaigne.” Shakespearean Negotiations. Berkeley: University of California Press, 1988. 129-163.

15

Hardy, S.

Hardy, S. “Family as Community: Narrative Recuperation in the Short Fiction of Maryse Conde.” Hardy, Thomas.

Davis, William A. “Sale and Sacrament: The Wife Auction in The Mayor of

Casterbridge.” English Language Notes XXIV:4 (1987). 50-61. Ingham, Patricia. “The Evolution of Jude the Obscure.” The Review of English Studies

27:105 (1976). 27-37. Paris, Bernard J. “’A Confusion of Many Standards’: Conflicting Value Systems in Tess

of the d’Urbervilles.” Nineteenth-Century Fiction 24:1 (June 1969). 57-79. Petit, Susan. “Proper Names and Improper Meanings in Thomas Hardy’s Far from the

Madding Crowd.” Names 51:1 (March 2003). 35-53. Starzyk, Lawrence J. “The Coming Universal Wish Not to Live in Hardy’s ‘Modern’ Novels.” Nineteenth-Century Fiction 26:4 (March 1972). 419-435. Hawthorne, Nathaniel.

Levy, Leo B. “The Landscape Modes of The Scarlet Letter.” Nineteenth-Century Fiction

23:4 (March 1969). 377-392. Newberry, Frederick. “’The Artist of the Beautiful’: Crossing the Transcendent Divide in Hawthorne’s Fiction.” Nineteenth-Century Literature 50:1 (June 1995). 78-96. Stoehr, Taylor. “’Young Goodman Brown’ and Hawthorne’s Theory of Mimesis.” Nineteenth-Century Fiction 23:4 (March 1969). 393-412. Hellman, Lillian.

Hellman, Lillian. “Metropole Hotel.” Partisan Review 336:2 (1969). 179-188. Hemingway, Ernest.

Benson, Jackson J. “Ernest Hemingway: The Life as Fiction and the Fiction as Life.” American Literature 61:3 (October 1989). 345-358. Fleming, Robert E. “The Endings of Hemingway’s Garden of Eden.” American

Literature 61:2 (May 1989). 261-270.

16

Martin, Robert. “Hemingway’s For Whom the Bell Tolls: Fact into Fiction.” Studies in

American Fiction 15:2 (Autumn 1987). 219-225. Parker, Stephen Jan. “Hemingway’s Revival in the Soviet Union: 1955-1962.” American

Literature 35:4 (January 1964). 485-501. Reynolds, Michael S. “Hemingway’s Home: Depression and Suicide.”American

Literature 57:4 (December 1985). 600-610. Strychacz, Thomas. “Dramatizations of Manhood in Hemingway’s In Our Time and The

Sun Also Rises.” American Literature 61:2 (May 1989). 245-260. Wilson, G.R., Jr. “Saints and Sinners in the Caribbean: The Case for Islands in the

Stream.” Studies in American Fiction 18:1 (Spring 1990). 27-40. Hodge, Merle.

Hodge, Merle. “Dialogue and Narrative Voice in The Schoolmaster.” St. Augustine: University of the West Indies. Hulme, Peter.

Hulme, Peter. “Black, Yellow, and White on St. Vincent.”The Global Eighteenth Century

Felicity Nussbaum, ed. Baltimore: Johns Hopkins University Press, 2003. 182- 208. Immigrant Literature.

Pratt, Linda Ray. “Williams’s Stetcher Trilogy: ‘The Pure Products of America.’” Studies

in American Fiction 10:1 (Spring 1982). 41-54. Irving, Washington.

Von Frank, Albert J. “The Man That Corrupted Sleepy Hollow.” Studies in American

Fiction 15:2 (Autumn 1987). 129-143. James, Henry.

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