KennesawStateUniversitySchoolofMusic

DivisionofMusicHistoryMusicHistoryPlacementandCourseExemptionPolicyfor:

Music3311HistoryofMusicIMusic3312HistoryofMusicII

Anyincomingmusicmajor(FreshmanorTransfer)mayrequestanexemptiontestforeitheroftherequiredcoursesintheJuniorMusicHistorySequence.ContactEdwardEanesateeanes@kennesaw.edutoscheduletheexam.Music3311HistoryofMusicI(Ancient-1800)A.ReviewChapters1-17ofConciseHistoryofWesternMusicbyBarbaraRussanoHanning(WWNorton:2014).B.ReviewStudyGuideandListeningLists.C.ListeninglistforMusic3311AdvancedStandingExam:AlltracksonNaxos.comthroughKSU’sSturgisLibrarywebsite.1. Bach:DaswohltemperierteKlavier:

a) PreludeinCMinorb) FugueinCMinor

2. BaroqueInstrumental:

a) BachBrandenburgConcertoNo.2:3rdmovement,Allegroassaib) MonteverdiOrfeo,Toccata

4. GregorianChants:

a) Introit:Puernatusestnobisb) Alleluia:Diessantificus

5. Masses:

a) PalestrinaMissaPapaeMarcelli:Kyrieb) VictoriaMissaOMagnumMysterium:Kyrie

6. Arias:a) Pergolesi: La serva padrona - Aria: Son imbrogliato io gia (Uberto)b) Mozart: Don Giovanni, Aria: Madamina, il catalogo e questo (Leporello)

7. Symphony:

a) Haydn: Symphony No. 45 in F-Sharp Minor, "Farewell" - III. Menuettob) Mozart: Symphony No. 40 in G Minor, K. 550 - III. Menuetto

8. PracticeauralidentificationofStylePeriods(MiddleAges-Classical).9. Practiceauralandscoreidentificationofgenres(Chant,Mass,Madrigal,Aria,Recitative,Oratorio,SoloConcerto,ConcertoGrosso,Fugue,andBaroqueDances).D.StudyGuideforMusic3311AdvancedStandingExam:polyphony,monophony,homophony,heterophonyAncientGreece:aulos/lyre/kitharaDoctrineofEthos,tetrachordMedievalPeriod(dates)Deinstitutionemusica,Boethius,musicamundana,musicahumana,musicainstrumentalis7LiberalArts:quadrivium/triviumGregorianchant(characteristics)MassOrdinaryvs.MassProperKyrie,Gloria,Credo,Sanctus,AgnusDei,Antiphonal,responsorial,directperformanceSyllabic,melismatic,GuidonianHand/GuidoofArezzoHexachord/solmization/bquadrum/brotundumHildegardofBingen(significance)SecularMedieval:troubadour/trouvère/trobairitzcourtlyloveComtessaBeatrizdeDiaminnesingerstrophicvs.throughcomposedHurdyGurdyPolyphony:organumNotreDamePolyphony/rhythmicmodesMagnusLiberOrganiFrancoofCologne/ArsCantusMensurabilis(sig)14thcentury(plague,schism,100yearswar)Arsnovatreatise(changesinmeter)

GuillaumedeMachaut(sig.)Trecento,Landinicadence,musicaficta(reasons)Renaissance(dates,ideals),HumanismJohnDunstable,15thcenturymotetcantusfirmusmass(no.ofvoices,fixedsong,whichvoicecarriesit,etc)SATBJosquindesPrez,(Significance,Motets)Italianmadrigal,definitionamateurvs.professionalEnglishMadrigal(falas),MusicaTransalpinaJohnDowland,tablature,lutesong(ayre)St.Mark’sCathedralinVenice,corispezzati,G.Gabrieli,Sonatapian’eforte(significance)Instruments(cornett,sackbut),consortReformation,MartinLuther,Chorale,EinFesteburgCounter-Reformation,CouncilofTrentGiovanniPierluigidaPalestrina(useofdissonance),PopeMarcellusMassacappella(definition,origin)TomasLuisdeVictoriawhere?style?Baroque(dates),DoctrineofAffections,Baroquetexturebassocontinuo(figuredbass),realization,ContinuoinstrumentsGiulioCaccini,Lenuovemusiche,monodyDrammapermusic:Opera,stilerecitativo(recitative),FlorentineCamerataMonterverdi,L’Orfeo,Secondaprattica,RitornelloOperainVenice,CoronationofPoppeaEngland:Groundbass(bassoostinato),HenryPurcell,DidoandAeneasPublicConcertsDoctrineofAffections(whatisit?)tragedielyrique,FrenchOverture(characteristics),NotesInégales:(doubledotting)KingLouisXIV,VersaillesPalaceJeanBaptisteLullyorchestras(origin)VingtquatreViolonsduRoi(innovations).ViolinMakersofCremona:NicoleAmati;AntonioStradivari;GiuseppeGuarneriPartita(suite),allemande,courante,sarabande,gigueSoloconcerto(mvts)concertoritornelloformArcangeloCorelliTrioSonata,concertogrosso(ChristmasConcerto)AntonioVivaldiL’EstroArmonico,PioOspedaledellaPiétaRameauTraitédel’harmonie:importance

GFTelemann,CollegiumMusicumJohannSebastianBach:choraleprelude,fugue(exposition,subject,answer)Leipzig(St.ThomasChurchandSchool),TheWell-TemperedClavier,St.MatthewPassion,BrandenburgConcertosHandel(dates)GiulioCesare,dacapoaria,EnglishOratorio(reasonsforcomposing),Messiah,WaterMusicOperaSeria:Metastasio,Castrati:Farinelli,SenesinoAgeofEnlightenment(characteristics,influencesofmiddleclass)GalantStyle(what?)RococoPergolesiLaservapadronaintermezzooperabuffa,balladopera,operacomique,singspielWaroftheBuffoons(Querelledesbouffons)Spokendialoguevs.recitativeincomicoperaChristophGluck,operareform,OrfeoedEuridiceD.Scarlatti,KirkpatrickEmpfindsamerStil(what?)CPEBach-EssayontheTrueArtofPlayingKeyboardInstrumentsFredericktheGreatofPrussia(instrument)JQuantz(flautist)EssaysonPlayingtheFluteConcertSymphonies(origin)MannheimOrchestra,JohannStamitzSonataForm(structure,etc.)FranzJosephHaydn(no.ofsymphonies,EsterhàzaPalaceHoboken,LondonSymphonies(Salomon)Orchestrationforaclassicalsymphonyandno.ofmovements,formalstructureofeachmvtWAMozart(no.ofsymphonies,)KöchelDonGiovanniLorenzodaPontePianoConcertos,ConcertoSonataFormMusic3312HistoryofMusicII(Classical-PostModern)A,ReviewChapters18-28ofConciseHistoryofWesternMusicbyBarbaraRussanoHanning(WWNorton:2014).B.Reviewtermslistedonthestudyguide.

C.ListeninglistforMusic3312AdvancedStandingExam.AlltracksavailableonNaxos.com(throughSturgisLibrary).1.BeethovenSymphonyNo.3“Eroica”:1stmvt2.BerliozSymphoniefantastique:5thmvt3.ShostakovichSymphonyNo.5:2ndmvt4.StravinskyLesacreduprintemps:AugursofSpring5.SchubertGretchenamSpinnrade6.C.Schumann“LiebstduumSchönheit7.SchumannCarnaval:

a) Florestanb) Eusebius

8.CrumbBlackAngels:a) Mvt4“DevilMusic”b) Mvt5“DanseMacabre”

9.PracticeauralandscoreidentificationofStylePeriods(Romantic-PostModern).10.Practiceauralandscoreidentificationofgenres(Concerto,Symphony,Opera,Jazz,Ragtime,andStringQuartet).D.StudyGuideforMusic3312AdvancedStandingExam:Beethoven(dates,no.ofsymphonies)3StylePeriods(descriptionofeachstyle)HeiligenstadtTestamentScherzoandTrioSymphonyNo.3“Eroica”(date,originaldedication)SymphonyNo.6"Pastoral",SymphonyNo.9“Choral”Schubert;Erlkönig;JWGoetheWinterreise;OttoDeutschKunstlied(Lieder)SongCycle(definition)GRossiniIlBarbierediSivigliaRossiniCrescendoGDonizettiLuciadiLammermoorVBelliniNormaFelixMendelssohn-BartholdyExoticismSymphonyNo.3“Scotch”,SymphonyNo.4"Italian"LeipzigGewandhausOrchestra(programminginnovations)LiederohneworteConcertOvertureFannyHenselSonntagkonzertHectorBerliozSymphoniefantastique(date,program)idéefixe,ThematicTransformationTreatiseonInstrumentation,HaroldinItaly

RobertSchumann(dates)ClaraWieckSchumannDavidsbund:Florestan,EusebiusNeueZeitschriftfürMusikCarnaval(description,ASCH)DichterliebeFredericChopin(nationality,wherehelived)Temporubato,Mazurka,PolonaiseGeorgeSand,24Preludes,Op.28,Etudes(significance)NiccoloPaganini24CapricesforViolin,op.1FranzLiszt(Influences)SymphonicPoem12Étudesd’exécutiontranscendanteHungarianRhapsodies,PianoTranscriptions,ChangestopianoperformanceLouisMoreauGottschalk(significance)RichardWagner(significance),MusicDrama(continuousmusic,Leitmotif,barform)TristanundIsoldeTristanchord(spelling)DestructionofTonality,BayreuthFestspielhausDerRingdesNibelungen:DasRheingold,DieWalküre,Siegfried,Götterdämmerung(knoworder)GuiseppeVerdiDivision(structure)oftheoperas,3StylePeriodsLaTraviata,Aida,Falstaff,OtelloTypical19thcenturyItalianOperaCastingBizetCarmen(date)ExoticismTchaikovsky,3ballets,NadezhdavonMeck,MariusPetipaAntoninDvorakSymphonyNo.9“NewWorld"GiacomoPucciniMadamaButterfly(1904)GustavMahlerNo.ofSymphonies,conductingpostsKindertotenliederHugoWolfLiederstyleRichardStraussTonePoemEinHeldenlebenSalomeJohannesBrahmsNeoClassisicmNo.ofSymphonies(formsused,SymphonyNo.4)Moguchaykuchka(Borodin,Mussorgsky,Rimsky-Korsakov)Modality,BorisGodunovBedrichSmetana(nationality)MaVlast-MoldauNationalSocietyforFrenchMusic(1871)Cosmopolitan:CesarFranckFrench:GabrielFaureClaudeDebussy(dates)Impressionism(characteristics)LeSymbolisme,StephaneMallarméPréludeàl’aprésmidid’unfauneMauriceRavelDaphnesetChloeLesSixFrancais(Honegger,Poulenc,Milhaud)SergeiRachmaninovFourpianoconcertos,24PreludesRhapsodyonaThemeofPaganini

EnglishMusicalRenaissanceEdwardElgar,RalphVaughanWilliams(folksongs)GustavHolstJeanSibeliusFinlandiaSecondVienneseSchoolArnoldSchönberg(3styleperiods)PierrotLunairesprechstimme“EmancipationoftheDissonance”Expressionism12tonetechnique(3possibilitiesforvaryingatonerow)AlbanBerg(style),WozzeckAntonWebern(style)BelaBartókConcertoforOrchestraSergeKoussevitskyMikrokosmosFolksongcollection,MusicforStrings,PercussionandCelestePaulHindemith,GebrauchmusikOlivierMessiaen,QuatuorpourlefinedutempsIgorStravinsky(dates)SergeiDiaghilevBalletRussePetrushkaChordLesacreduPrintemps(date),PrimitivismPremiereRiotRhythmicinnovations“tyrannyofthebarline”CharlesIvesEssaysbeforeaSonataMusicalstyle,114SongsAaronCoplandNadiaBoulanger,MarthaGrahamAppalachianSpringPulitzerPrize(1945)HenryCowell–TheBanshee–ToneclusterJohnCageIndeterminacySonatasandInterludesforPreparedPiano4’33’’ASLSPProkofievAlexanderNevskyShostakovich(DSCH),SocialistRealismShostakovichSymphonyNo.5(date)ScottJoplinMapleLeafRag(date),Ragtime(style,description)Blues/Jazz:Definitions,elementsandcharacteristics,origins,scatsinging,LouisArmstrong,BessieSmithGeorgeGershwin=RhapsodyinBlueSwing-EllingtonBebop-Davis-KindofBlueBenjaminBrittenPeterGrimesMusicConcrete(definition)GeorgeCrumbBlackAngels(description)Minimalism(def.,characteristics)Reich,RileyPhilipGlassNewRomanticismDavidDelTredici,AliceWorksPostModernism-definePolystylism-defineArvoPärt(b.1935),style,Tintinnabuli(define)JohnAdams(style),NixoninChina,Dr.Atomic,OntheTransmigrationofSouls,ShortRideinaFastMachine