a murder at the regency
TRANSCRIPT
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A MURDER AT THE REGENCY
A Solve-It-Yourself Murder Mystery Dinner Theatre
y
Cody Dai!le
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THE "ICTIMM#NA MA$#NE The one %ho !ets %ha&'ed(
THE SUS)ECTS
SAM *SU$$Y+ SU$$I"AN The sta!e ,ana!er at the Re!en&yR#NA REYN#$DS A sho%!irl %ith a eef a!ainst the star(
EAR$ $ESTER The fian&. fro, #hio(
THE REGENCY /#$0S
EE ENNETT A sho%!irl %ith nothin! to hide(
#Y ANNER The o%ner of the Re!en&y
THE )ER/#RMERS
EMCEE The one %ho runs the sho%(
I Got Rhythm
GIR$ #NE
GIR$ T1##Y #NE
#Y T1#
The Vaudeville Duo
ETTE
ETTY
The Swing Dancers
Stand Up ComedianHARRY *HARDY-HAR+ HARRIS#N
THE )#$ICE /#RCESH#ES SHANNIGAN A dete&tive %ith a lot of o2inions(
#//ICER 3IM
#//ICER 3#HN#//ICER 3AC0
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The s&ri2t is divided into five 2arts4 The Setu25 The #2enin! Nu,er5 The Meal5 The Sho%5 and
The Arrest(
The Setu2 and the #2enin! Nu,er are 2erfor,ed to!ether( /ollo%in! The #2enin! Nu,er5there6s a rea' to serve the audien&e( The Sho% and The Arrest are 2erfor,ed after the ,eal
rea'(
The Meal !uides you throu!h the servin! se&tion and ho% the infor,ation should e doled out(
The s&ri2t is less stri&t here5 you &an 2lay %ith lines and ad li a lot( ut sti&' to the stru&ture 7
the infor,ation &o,es a&' in the se&ond half( And don6t add red herrin! infor,ation 8ust for
fun( You %ant to !uide the audien&e5 not &onfuse the,(
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THE SETU)
Preshow at the Regency. S! "SU##$% SU##IV&' the stage manager appears onstage to
chec( the cues. )ran( is the unseen light*oard op in the *ooth
SU$$YAlri!ht5 /ran'5 !ive ,e the s2otli!ht9
)erfe&t( Ho% aout that &ue for the dan&ers:
)erfe&t( And ho% aout that s2e&ial for Miss Mona Malone:)erfe&t( Unless she de&ides she %ants to &han!e it(gain.Then %e6ll leave her out here
in the dar'5 %on6t %e /ran':
Sully gets a good laugh at that.
SU$$Y ;&ont(
EAR$)ro2osed to her t%o years a!o( Then she left to &o,e to here( Al%ays had i! drea,s5 ,y Mona(
Said she6d do anythin! to !et e,(
SU$$YShe sure %ould(
EAR$I6, here to rin! her a&' ho,e( So %e &an !et ,arried( Start a fa,ily(
)rom *ac(stage' we hear a loud' gru++ +emale voice. It1s !-& !#-&.
M#NA
Move it5 Iona9
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I#NA
Sorry Miss Malone9
!ona appears with her *edraggled assistant' I-& ST#$' trying to +i4 her costume.
M#NA
Hands off the ,er&handise5 Iona( I6, tryin! to yell at Sully(
I#NA
Sorry Miss Malone( Your dress ain6t ri!ht yet(
M#NAMy dress is fine(
I#NA
I 8ust %ant ya to e 2erfe&t5 Miss Malone(
M#NAThen !et your hands off the feathers5 doll( )eo2le are !onna !et the %ron! idea(
Sully9 Ho% ,any ti,es do I !ots to tell ya that I don6t %ant no red a22les in ,y dressin!
roo,(
I#NA
Miss Mona only %ants the !reen ones5 Sully(
M#NA
The red ones taste funny(
I#NA
And they &lash %ith her athroe(
SU$$Y
$oo'5 Mona( I !ot a sho% to run( I don6t !ot the ti,e to e runnin! around Chi&a!o loo'in! for
!reen a22les %hen the s tore do%n the street 7
I#NA
$##0 HERE5 SU$$Y9 Miss Mona says she %ants !reen a22les5 then you !et her !reen a22les
or I6, !onna turn your t%o eyes a %hole 'ind of other &olor( la&'( And( lue(
M#NA
Easy5 Iona( I hired an assistant5 not a ulldo!(
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EAR$
Mona9
M#NA
Earl9 1hat the he&' are you doin! here:
EAR$
You 'no% %hat I6ve &o,e for5 Mona( I6ve &o,e to ta'e you ho,e and>
/-//$ /&&R *ursts through the curtain' too.
#Y
Mona5 honey5 do you !ot to turn into a ear&at every ti,e Sully !ets the a22les %ron!( He6s 8usta sta!e ,ana!er5 s%eet&hee's( Don6t !ive hi, too hard a ti,e5 o'ay:
3e gives her a 3ollywood (iss 0or whatever you have to do to otherwise2.
#Y ;&ont(
/o**y goes to ta(e !ona1s arm' *ut Iona slides in and /o**y ta(es her arm instead. 3e sees
this' *rushes her o++' irritated. Ta(es !ona1s arm.
#Y ;&ont( fro, #hio(
R#NA
Mona had a fian&.:
#Y1hat sort of &on are you tryin! to 2ull5 oy:
SH#ESYou ad,it you6re fro, #hio:
EAR$I6, not tryin! to 2ull any &on( She %as ,y fian&.( a&' ho,e in #hio( efore she &a,e out here
and !ot ,i?ed u2 %ith all of you deadeats and fil, fla, artists(
They all *ristle at this.
EAR$ ;&ont( hold it9((( H#$D IT9
verything stops.
EE ;&ont( ;insert ,urderer6s na,e here ho% on earth did you ,ana!e that:
M#NAI have ,y %ays( And don6t thin' too hard aout this 2lot t%ist5 or the %hole thin! falls a2art( 3ust
!o %ith it( It6s dinner theatre( 1e need a ha22y endin!(
I 'ne% toni!ht %ould e the ni!ht that so,eone ,i!ht try to 'ill ,e( Sully had een!ivin! ,e the dirtiest of dirty loo's I6d ever laid ,y 2ee2ers on( And Rona 7 all the &horus !irls
heard you fla22in! your !u,s aout ho% ,u&h you %anted ,e !one5 did you thin' I %ouldn6t
hear aout it: And Earl5 I sa% you snea'in! in the shado%s every%here I %ent %ith ,y oy( I
'ne% you had to e u2 troule(So I tal'ed /ran' into turnin! out the li!hts at the end of ,y i! o2enin! nu,er5
'no%in! that one of you %ould ta'e it as your &han&e to off ,e( I fa'ed ein! dead5 and let6s e
honest5 on&e the sho% !ot started5 everyone &ared ,ore aout their turn in the s2otli!ht than%at&hin! the dead ody a&'sta!e5 so I %as ale to snea' a%ay( I6ve een in the a&' of the
house the %hole ti,e(
SH#ES
ut the one thin! I don6t understand>
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EE
#ne thin!:
SH#ES
Is> %hy:
M#NA
Si,2le( Sully and I used to e 2als( ut I %or'ed hi, over5 and he s%ore he6d never for!ive ,e(
I 'ne% if I &ould &lear the air and let hi, thin' I %as !one5 he6d e ale to hear ,e %hen I saidthis4 *I6, sorry5 Sully( Your 2la&e %as the ee6s 'nees( I shouldn6t have done %hat I did(+
SU$$Y
A%5 Mona( I for!ive you(
M#NA
And Rona( I &a,e to this &ity %antin! to e the i!!est star anyone ever did see( ut I6, not
!ood enou!h( Not as !ood as you5 any%ay( You deserve that s2ot( So if you and everyonethou!ht I %as dead5 you &ould have your starrin! role and I &ould save fa&e(
R#NA
A% Mona> you really thou!ht this %as est %ay to do that:
M#NA
Don6t overthin' it( Re,e,er(
And Earl(55 I 'no% all aout Sherry( And I &ould never e as 2lain and orin! and
una,itious as she is( She6s 2erfe&t for you(
EAR$
A% Than's Mona( I thin'(
M#NA
So I thou!ht if I %as out of the %ay5 you &ould live your life and e ha22y(
SH#ES
This is the ,ost ridi&ulous %ra2-u2 I ever heard of(
M#NA
This fro, a dete&tive na,ed Shoes(
SH#ES
/air enou!h(
#Y
#h Mona5 I6, so !lad you6re alive9
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M#NA
Me5 too( It6s a he&' of a lot etter than ein! dead(
#Y
$et6s !o a&' to our 2la&e5 honey un( And tal' aout firin! that assistant of yours5 Iona( She %as
a 2ain in ,y 'eister all ni!ht 7
!ysterio appears +rom the sidelines.
MYSTERI#
You6ll learn to live in another 2erson6s shoes( U2on ,y s2ea'in! of the %ord *S1ITCHERI9+
Thunder' and *oth !ona and /o**y are sha(en *y a magical ?olt. Then' /o**y in !ona1s voiceand physical a++ectations' and !ona in /o**y1s.
#Y
1hat a, I doin! over there:
M#NAAnd %hat a, I doin! over there:
#Y#h ,y God5 ,y voi&e is so lo%(
M#NA
And I sound li'e a !irl9
#Y
You6re ,e9
M#NA
And you6re ,e9
#Y
I really do have the est le!s in all of Chi&a!o(
M#NA
Sto2 s@ua%'in!5 honey uns and let6s !et the he&' out of here9
They go.
MYSTERI#e a little 'inder in the future5 loveirds( And never ,ess %ith a ,a!i&ian6s set9
SH#ES
1ell5 sho%6s over and ,ystery6s solved(
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EMCEE
I &ouldn6t e ha22ier(
SH#ES
That I solved the &ase:
EMCEE
That I finally !et rid of Shoes Shanni!an on&e and for all(
SH#ES
1ell5 ,y dear( If ever there6s another ,urder under the roof of the Re!en&y5 you 'no% %ho to
&all(
EMCEE
Anyone ut you(
SH#ES
Have it your %ay5 doll(
Shoes starts to go.
EE
#h !ive it u25 doll( You 'no% you6re in love %ith the !uy(
EMCEEut I ,ust say> I li'e shoes(
SH#ES
#h yeah:
EMCEE
I6, al%ays in the ,ar'et for another 2air(
SH#ESI 'no% 8ust the 'ind you6d e ha22y %ith(
EMCEEThat so:
EE3ust 'iss and !et it over %ith( 3ee=(
!ona and Shoes (iss.
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EMCEE
1ell5 ladies and !entle,en5 I thin' that aout &overs it(
EE
E?&e2t for thin!s li'e lo!i& and &o,,on sense and reason and>
EMCEE
ut %e don6t %orry aout thin!s li'e that( It6s the theatre9 And all that ,atters is you havin! a
!ood ti,e( And that6s %hat the Re!en&y is all aout 7 a !ood ti,e( So until ne?t ti,e(
The cast sings "Putting on the Rit@% again and does the *ows and all that ?a@@.