a fine romance

7
A Fine Romance Solo improvisation by Doug McKenzie & b b 4 4 ? b b 4 4 1 2 3 q _ Q _ Ð _ _ Q Ï H ¸ Q . nH . H . H _ Q _ _ Q _ _ _ bQ Q _ Q _ _ Q Ð Ð Q h n _ _ Q _ _ Ð Q _ _ Q _ _ _ _ Q _ _ Q _ _ Ð Ï Q LH - rock back and forward with 'pinkie' playing pedal tone (F) on offbeats Roll the two handed chords slightly Bb/F Bb/F Bb/F Bb/F Fdim Fdim Fdim Fdim F7sus F7sus F7sus F7sus 4 5 6 7 H H b _ H _ _ nQ Q . Q . Q . Ð . Q _ E _ _ Q Q . H . H n _ Q _ _ Q H Ï Q H û H _ H _ _ H _ _ _ _ Q Q _ . Q E _ _ Q _ _ _ _ Q Q . H b . û _ _ Q b _ _ _ Q _ _ _ _ Q H Ï Q Dbdim/F Dbdim/F Dbdim/F Dbdim/F Dm/F Dm/F Dm/F Dm/F Gm7/F Gm7/F Gm7/F Gm7/F F7sus F7sus F7sus F7sus 8 9 10 H H Q _ _ Q _ _ _ bQ Q . q . q . Ð e Q _ _ Q Ï q q _ q Q Ð _ Ð Ð _ Ð bÐ nÐ e q _ q . q . q n . q E . Q Ð Ð Ð b _ Ð Ð _ Ð Ð Ð bq Q q q _ nq Q Q bq q _ q nq briefly follow the melody - this one perfect 4ths The first of a number of 'constant structures' that F7 F7 F7 F7 BbMaj7 BbMaj7 BbMaj7 BbMaj7 Bb7 Bb7 Bb7 Bb7 G7 G7 G7 G7 Gb13 Gb13 Gb13 Gb13 11 12 13 . q . q _ . q _ _ . q e q q e _ _ q nE . q . q . q e _ H bh h Q _ Q q Ð Ð Ð Ð Ð Ð _ _ Q #Q _ Q _ _ Q e q q . q . q Q Q b Q _ Q Ð Ð Ð Ð #H _ H Cm7 Cm7 Cm7 Cm7 Cmmaj7 Cmmaj7 Cmmaj7 Cmmaj7 F7b9 F7b9 F7b9 F7b9 Am7b5 Am7b5 Am7b5 Am7b5 D7 D7 D7 D7 Gm Gm Gm Gm Gmmaj7 Gmmaj7 Gmmaj7 Gmmaj7

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Page 1: A Fine Romance

A Fine Romance Solo improvisation by Doug McKenzie

& bb 44? bb 44

1 2 3

q_Q_Ð__Q

ÏH

¸Q

.nH.H.H_Q__Q___bQ Q _Q__Q

Ð Ð

Qhn__Q__Ð Q

__Q____Q

__Q__ÐÏQ

LH - rock back and forward with 'pinkie' playing pedal tone (F) on offbeats

Roll the two handed chords slightly

Bb/FBb/FBb/FBb/F FdimFdimFdimFdim F7susF7susF7susF7sus

4 5 6 7

HHbnû_H__nQ Q

.Q.Q.Ð .Q _E__Q Q

.H.Hn_Q__Q H

ÏQ

HûH_H__H____Q Q

_.Q E__Q____Q Q

.Hb .û__Qb___Q____Q H

ÏQ

Dbdim/FDbdim/FDbdim/FDbdim/F

Dm/FDm/FDm/FDm/F Gm7/FGm7/FGm7/FGm7/F

F7susF7susF7susF7sus

8 9 10HHQ__Q___bQ Q

.q.q .Ð eQ__Q Ï

qq_qQ

ÐnÐ_nÐ ÐÐ_ÐbÐ nÐ

eq_q .q.qn .qE .Q

ÐÐÐb_Ð Ð_ÐÐ Ð

bqQ

qq_nqQQ

bqq_qnq

briefly follow the melody - this one perfect 4ths

The first of a number of 'constant structures' that

F7F7F7F7 BbMaj7BbMaj7BbMaj7BbMaj7 Bb7Bb7Bb7Bb7 G7G7G7G7 Gb13Gb13Gb13Gb13

11 12 13.q.q_.q__.q

eqqe __q

nE.q.q.q e_H

bhhQ_Q q

nÐÐÐ Ð ÐÐ Ð__Q #Q_Q__Q

eqq .q.qQQb Q_Q

ÐÐ #Ð Ð Ð#H_H

Cm7Cm7Cm7Cm7 Cmmaj7Cmmaj7Cmmaj7Cmmaj7 F7b9F7b9F7b9F7b9 Am7b5Am7b5Am7b5Am7b5 D7D7D7D7 GmGmGmGm Gmmaj7Gmmaj7Gmmaj7Gmmaj7

Page 2: A Fine Romance

A Fine Romance - Page 2

14 15 16Ð ÐÐÐÐ_Ð __nÐ

ÐÐÐ bÐ#Ð#Ð nÐnÐ3

__Ð __bÐ _Ð3

QnQnQ_#Q

bqqÐqnQ

Ð#ÐÐn Ð__Ð Ð#Ð__Ð __Ð

QQb Q__nQQQ__Q

nHH_HÐ nÐ qnqqqb

HHqqqÐ bqqq

QÏÏ

Gm7/FGm7/FGm7/FGm7/F G7G7G7G7 C7#11C7#11C7#11C7#11 C7C7C7C7 F7#11F7#11F7#11F7#11 F7susF7susF7susF7sus

17 18 19

.q _E_Q_Ð__Q Q

q_Q_Ð__Q

_____Ð _Ð

QÏQbnÐ_Q

å eQ

QQQÐ_Q

ÐÐ Ð

QÐ Ð_Ð ÐbÐ __Ð____Ð

Qn__Q__Ð __Q_Q____bQ

__E Q EÏ

Bb/FBb/FBb/FBb/F

FdimFdimFdimFdim F7susb9F7susb9F7susb9F7susb9

20 21 22 23HHbnû_HQ_Qb__nÐ Q

.Q.Q.Ð .Q _EQ_Q__Ð Q

ÐÐn ÐÐ_Qn__Q

qqqQqq_Q

qqÐ Ð Ð3

HH__H_Q Q

ÐÐ _Ð _Ð ÐQ_Q Q

HHHbûQ__Qb__Ð Q

hhQ__Q__Ð Q

Dbdim/FDbdim/FDbdim/FDbdim/F

Dm/FDm/FDm/FDm/F Gm7/FGm7/FGm7/FGm7/F

F7susF7susF7susF7sus

24 25 26 27

å qbq eqÐ

e QQ_Q EQ_QeqÐ .q.q.qEQ_Q QQ_Q E

qq_qQ

qnq_nqbQ

qq_qnQ

qqn qQ

ÐÐnÐ ÐÐÐ nÐÐÐ bÐbÐbÐÐb Ð bÐ Ð

qq_qQ

bqq_qnQ

qnbq__q.q_.q e

q__q _nqQQ

_qnQQ

Parallel perfect 4ths follow the melody

LH plays a note a semitone above the triad root

Here - 2nd inversion major triads (RH)

F7b9F7b9F7b9F7b9 BbMaj7BbMaj7BbMaj7BbMaj7

Bb7Bb7Bb7Bb7 Eb7Eb7Eb7Eb7 G7G7G7G7

28 29 30

#ÐnÐÐ_Ð nÐÐ_Ð nÐÐ#Ð Ðb#ÐnÐ___Ð __#Ð __nÐ __nÐ

.Q.Qn .#Ð .#Q ne#q_.#Q nE

qn qq_En .q

nÐ Ð3

#ÐÐ Ðn3

QQnÐÐ Ð

3

QÐb_Ð ÐÐ_Ð ÐÐ_Ð #ÐÐ_ÐEQb Q e

nqÐqq

qqÐbqQ

series of diminished chords follow the melody down chromatically

Another constant structure - this time a

EdimEdimEdimEdim Dm7Dm7Dm7Dm7 G7G7G7G7 Cm7Cm7Cm7Cm7 F7b9F7b9F7b9F7b9

Page 3: A Fine Romance

A Fine Romance - Page 3

31 32 33 34__Ð_#ÐnÐÐ_Ð.H_Ð#ÐnÐ_Ð __#Ð___nÐ____Ð_____

_nÐ___Q_____#Q

____QÏQ

#Ð nÐQ

.q eQ Q

h_h___hå E q

_q__q___Ðå E

Ï

q

hnhûbhå .Q

h_nh__ûbQ Q

A/BbA/BbA/BbA/Bb

Bb/FBb/FBb/FBb/F FdimFdimFdimFdim

35 36 37h__hQ Q

Ð Ð Ð ÐQ__Q

Ð Ð nÐ ÐQ

Ð _Ð _Ð __Ð

Q_Qb__nÐÏQ

ÏQ_Q__Ð

___nÐ ____Ð ___Ð3

Q

___nQ

Q_Qn___Ð ___Ð __Ð3

QÏQ_Q

_Q

Q

F7susF7susF7susF7sus Dbdim/FDbdim/FDbdim/FDbdim/F Dm/FDm/FDm/FDm/F

38 39 40

HH__H

Q_Q__Q QQ_QQ_Q__Q

ÏQ

ÏÏ

.å Ð ÐÐ Ð__Ð__Ð

Ð nÐ Ð ÐQ__Q__Ð

Ð Ð bÐ _Ð

Q

__Ð ____bÐ ____Ð ______Ð

QÐ__Q________Q

Q¸Q__Q__Ð Q

The line begins with a type of turn on the 5th (D,E,D,B,C)

- then up the half/whole dim scale (C,D,Eb,F,Gb) then an F13(b9) arpeggio (Gb,A,D,Gb,A,D,A)

Gm7/FGm7/FGm7/FGm7/F F7susF7susF7susF7sus F7F7F7F7

41 42 43

ÐÐ_Ð ÐnÐ_nÐ ÐÐ_Ð ÐÐÐÐ bÐ nÐ Ð

qq_qQ

qq_qbQ

qqb_q__bqQ

q_q__qÐ Ð

_nÐ__Ðn ___Ð Ð_Ð__Ð Ð__Ð Ð_bÐ__ÐÐ Ð nq

å E

q

Ð Ð Ð _nÐ

__q

__Ð __Ð

Q_Q__Ð___QÏÐ #Ð

More perfect 4ths move with the melody ...

BbMaj7BbMaj7BbMaj7BbMaj7 CCCC G7G7G7G7 Cm7Cm7Cm7Cm7 Cmmaj7Cmmaj7Cmmaj7Cmmaj7

44 45 46bqq__qqq

bqÐ bÐ

_q__qnÐ _Ð bÐ Ð

__bÐ nÐ_Ð å E

q

#Ð ÐQn Q_Q

_Ð _Ð Ð Ð

#Q_Q Q_QHQn_Q QQ_Q

nqnQ_Q__Q

Ï

q

F7b9F7b9F7b9F7b9 Am7b5Am7b5Am7b5Am7b5 Ab7#11Ab7#11Ab7#11Ab7#11 GmGmGmGm Gmmaj7/F#Gmmaj7/F#Gmmaj7/F#Gmmaj7/F#

Gm7/FGm7/FGm7/FGm7/F G7G7G7G7

Page 4: A Fine Romance

A Fine Romance - Page 4

47 48 49Ð#ÐÐ Ð ÐÐÐ Ð

HHqqq qnq

QÏq

ÐÐb ÐnÐ Ð ÐÐÐ3

Ïxqq .å_Q

hhn û_hQ q

__Ð _Ð _Ð __Ð_Q_Ð__Q

_Ð Ð Ð_Ð

QÐ Ð ÐÐ_Q_Ð

Ð ÐQ

C7(#11) - RH - a D Major triad and LH - Root and 7th

F7(#11) - RH - a G Major triad with upper and lower neighboursBb triad notes are 'surrounded'

C7#11C7#11C7#11C7#11 C7C7C7C7 F7#11F7#11F7#11F7#11 F7susF7susF7susF7sus Bb/FBb/FBb/FBb/F

50 51 52qQbnÐ_QbÐÐ nÐÐQ

Ð Ð_bÐ_ÐQ_Q

__Ð __bÐ __nÐ___Ð

Q

___nÐ____Ð ___Ð __Ð

å __E__Ð___bÐ _nÐ __Ð _Ð

Q

__Q__Q__ÐÏQ

Qb QbnÐ_Qn_Qb__nÐ

bQ

QQQÐnQ

Q_Q__ÐQn QÐ_Q

Qscale to enclosed chord tones on F7sus

Over Fdim -the Whole/half dim scale then chromatic ..

FdimFdimFdimFdim F7susF7susF7susF7sus Dbdim/FDbdim/FDbdim/FDbdim/F

53 54 55ww_Q__Q Q _Q Q

ÏQ

å EQ__Q

Ð Ð_Ð__ÐÐÐ__Ð _Ð Ð ÐQ_Q__Q Ð Ð__Ð

HHû__QQqqQ__Q

æÐ .Ð .Ð nÐ .Ð .Ð .nÐ Ð Ð_.Ð __.Ð

QWhite note Glissando up to target tone

Dm/FDm/FDm/FDm/F Gm7/FGm7/FGm7/FGm7/F F7susF7susF7susF7sus

56 57 58

__Q

_.H__.û___.H__H

q__qqq

ÐÐ_Ð ÐnÐ_nÐ ÐÐ_Ð ÐÐÐÐ bÐ nÐ Ð

qq_qQ

qq_qQ

bqqb_qQbQ

q_qQ

q_nqQ

nÐ bÐÏ

F7F7F7F7 BbMaj7BbMaj7BbMaj7BbMaj7 Bb7Bb7Bb7Bb7

59 60 61qq_q

qQ_bQ

Ð nÐ Ð ÐQnQ_nQ

_nÐ __Ð

QQ

__#Q

Qb_#Ð__nQ#ÐnÐÐ_Ðb nÐ_Ð Ð##Ð3

___Ð __#Ð __nÐ3

nÐnÐnÐ Ðb#Ð#Ð3

__Ð _Ð#3QnQnQ_nQ

ÏÏ

Ð#ÐnÐ Ð ÐnÐÐ3

Ð_#Ð Ð_nÐ ÐnÐ_Ð3

xqq .åÏ

qqQQ

A diminished chord on each melody note

Eb7Eb7Eb7Eb7 G7G7G7G7 EdimEdimEdimEdim Dm7Dm7Dm7Dm7 G7G7G7G7

Page 5: A Fine Romance

A Fine Romance - Page 5

62 63 64

ÐÐÐ_Ð Ð

__ÐÐ Ðqq

bqq__qqq

qqÐqÏ

nÐ_#Ð__Ð Ð_Ð__Ð Ð_Ð__Ð Ð_Ð__Ð.Q EÐ_Ð__Ð Ð_Ð__Ð Ð_Ð__Ð Ð_Ð__Ð Ð_Ð__Ð ÐÐ_Ð__ÐÐ Ð Q

qÐn_#q__qÏ

bh_h__h___ûå e q

å __E

bQ_Qb__Ð___bQ

Tremolo on A triad -

LH plays Bb - RH plays A maj triad

Cm7Cm7Cm7Cm7 F7b9F7b9F7b9F7b9 A/BbA/BbA/BbA/Bb F9F9F9F9 F7susb9F7susb9F7susb9F7susb9

65 66 67

_Ð __Ð

_Q_Ð__QQQ

Ð Ð_Q_Ð

ÏQ__Q

ÏQbnÐ __Ð_bÐ__ÐQ

__Ð_Ð _nÐ bÐ nÐ3

QÐ nÐÐÐQÐ

ÐÐ Ðb _nÐQQn

Ð_Ð_ÐÐQ

ÐÐÐÐQ_Q

Ð nÐÐÐQ

Broken arpeggio on Bb triad

ascending diminished scale

around Ab - then a Whole /half This line begins with an enclosure 'Surrounding' F7 chord tones - then

a direction change ... then up the Bb major scale - then

Bb/FBb/FBb/FBb/F FdimFdimFdimFdim F7susF7susF7susF7sus

68 69

Ð nÐ bÐ nÐQ_Qb__nÐ

_Ð_Ð__Ð __bÐ___Ð ___nÐ6

Q

____bÐ ____nÐ____Ð_____Ð_____Ð______bÐ6

Q_Q__Ð______Ð______nÐ_______Ð6

Q

_______Ð

______Ðn

_Q_Ðn __QÏQ

¸_Q_Ð__Q Ð Ð

Bb Whole/half tone dim scale on Bb diminished

Dbdim/FDbdim/FDbdim/FDbdim/F

Dm/FDm/FDm/FDm/F

70 71 72

HH__H_Q__Q Q

QQ_QQ_Q__Q

ÏÐ Ð__Ð__Ð Ð__Ð__Ð3

Ïå Q e

qÐ_q qÐ_q__qe ____q e

qÐ_q__q.q.q .Ðb eqÐ.Q.Q_.Q EQ_Q

qqÐQ_Q

qQ_Q

Gm7/FGm7/FGm7/FGm7/F F7susF7susF7susF7sus F7F7F7F7

73 74 75

.q.q EQbnÐ_Q

.Q_.Q bE_Q___QEQ_Q nQQ__Q EQ_Q

E_Q___Q nQ___bQ #E_Q___QÐÐ_Ð nÐnÐ_Ð

#Ð_Ð___Ð nÐ_bÐ__#ÐbQbQ_bQ

bQ_Q__nQQQQ

QnQ__nQ#Q#Q#Q

QQqn qqnQQb

qq_Qn

hnhhhb_Ð _bÐ _Ð nÐ _nÐ _Ð

Thirteenth voicings move in parallel with the melody

BbMaj7BbMaj7BbMaj7BbMaj7 Bb13Bb13Bb13Bb13 A13A13A13A13 Ab13Ab13Ab13Ab13 G13G13G13G13 Cm7Cm7Cm7Cm7 Cmmaj7Cmmaj7Cmmaj7Cmmaj7

Page 6: A Fine Romance

A Fine Romance - Page 6

76 77 78

¸

q bÐ nÐ bÐ nÐ

Ïå #e

q_q___#qÐ Ð #Ð

3

.q_.q___.qn eq__qÐ ___Ð ___Ð

Ð #Ð.q.q__.q eQ Ï

ÐÐ_nÐ #ÐÐ_ÐÐÐn #Ð

nq_qnQ

nq_qQQbQ

bqQQ

F7b9F7b9F7b9F7b9 Am7b5Am7b5Am7b5Am7b5 D7D7D7D7 GmGmGmGm G7G7G7G7

79 80 81q___#qq__q

_Ð__Ð_Ð #Ð

nQQ_QnÐ_Ð Ð bÐQQ__Q

bQÐ_bÐ__Ð Ð

å __Ð ___Ð3

q

___Ð _nÐ_Ð3

Q__Q___Q__Ð __Ð3

bQ_Qn___bQå bÐ Ðn3

Q_bQ__Q_Ðb Ðn Ð3

_Q_Ðn __Qå Ð Ð3

QnÐ Ðn Ð3

_Q_ÐÐ Ð Ð3

QOn C7 a pattern made up from half/whole tone diminished scale.

Similar angular phrase using notes from F7 half/whole diminished scale

C7#11C7#11C7#11C7#11 C7C7C7C7 F7#11F7#11F7#11F7#11 F7susF7susF7susF7sus Bb/FBb/FBb/FBb/F

82 83 84

nhQbnÐ_Q Q

Ð _nÐ___Ð Ð3

QÐ_Q_bÐ__Ð ÐÐ_Ð Ð

ÏÐ Ð __Ð Ð

QQb_Ðn __Q HHH_û__Q Ð Ð

HHbnû_HQb_Qb__nÐ Q

.Q.Q.Ð .Qn _EQ_Q__Ð Q

More LH F pedalling on the offbeat in the middle register

FdimFdimFdimFdim F7susF7susF7susF7sus Dbdim/FDbdim/FDbdim/FDbdim/F

85 86 87qQ_Q

QQ

qqQ_Q

ÏQ

QQ__Q

.Q_.Q__.Qe

__Q ¸

Ð Ð_Ð__Ð____Ð3 _Ð__Ð____Ð Ð

3

.h .û_.h__.hE Q E Ð Ð ____Ð

3

ÏÏ

Dm/FDm/FDm/FDm/F Gm7/FGm7/FGm7/FGm7/F F7susF7susF7susF7sus

88 89 90

hhûbhH_H

qqÐ_.Q E

Ï å _E___Q_____Q

å bE_Q___Qn_Ð___nÐ____Ð _Ð___Ð_____Ð

Ð_bÐ___bÐ Ð_nÐ___nÐ_E___Q_____Q __Q____bQ_____Q _E___Q_____Q

E_Q___Q nQ__Q___bQ bE_Q___Q_Q___Q_____Q

bQ_Q___Q_Ð___nÐ____Ð _bÐ___bÐ____bÐ

Ð_bÐ___bÐ bÐ_Ð__Ð.Q__.Q____.Qn bE__bQ____bQ

HnH__nHMelody harmonized with 'Killer Joe' 2 hand 13th voicings in parallel

F7F7F7F7 BbMaj7BbMaj7BbMaj7BbMaj7 Bb7Bb7Bb7Bb7

Page 7: A Fine Romance

A Fine Romance - Page 7

91 92 93 94

H__H___H

Q_bQ__Q q_qnq_nq__qQQ

qq_q__qq

ÐÐ# Ðn_Ðb_ÐÐ

ÏÐ_Ð Ð_Ð #Ð#Ð

3

QQ#QQnÐnÐQ_#Ð__nQ___nQ

Q#QQ_Ð__#Q

qn qn qnQQ_QnqÐ_Ð Ð

q_nq___q.q ne_q___q

ÐÐÐb_Ð ÐÐ_Ð__ÐÐ Ð Ðb _Ð

q ÐÐ_Ð ÐbÐÐÐ ____Ð

Eb7Eb7Eb7Eb7 G7G7G7G7 EdimEdimEdimEdim Dm7Dm7Dm7Dm7 G13G13G13G13 Cm7Cm7Cm7Cm7 F7b9F7b9F7b9F7b9

95 96 97 98nÐ_#Ð Ð_Ð__Ð Ð_Ð

3

ÐÐ Ð Ð ÐÐ_Ð__Ð_Ð__ÐÐ_Ð__Ð _Ð__Ð _Ð__Ð

3

Ð Ð Ð3

Ð_Ð_Ð__Ð Ð_Ð__ÐÐ ÐnÐ_#Ð__Ð Ð_Ð__Ð Ð__Ð

3

Ð Ð Ð3

Ð_Ð__Ð ÐÐ_Ð__Ð3

Ð ÐÐ3

_Ð__Ð_Ð__Ð__Ð3

Ð Ð Ð Ð_Ð_Ð__Ð_Ð__Ð

3 nÐ_#Ð__Ð Ð _Ð__Ð3

Ð Ð Ð3

_Ð__Ð_Ð__Ðå E_Ð__Ð _Ð__ÐÐ .Ð

qÏnq

__q______q

ÏÏ

¸¸

Tremolo on A triad - LH plays Bb - RH plays A maj triad

A/BbA/BbA/BbA/Bb A/BbA/BbA/BbA/Bb