a film by immanuel esser - german films · cornelius schwehr, musikhochschule freiburg · music...
TRANSCRIPT
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A film by immAnuel esser
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In a world, where death has become a prIvate servIce company,
three workers rebel agaInst theIr own mortalIty.
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paradIseGermany 2020 · fiction · color · 80´ · 1,85:1
withfranziska machens, Holger Daemgen, Johannes Kühn
directorimmanuel esser
writers immanuel esser, matthias sahli, Angelo Wemmje
director of photography Philipp Künzli
production designerrenate mihatsch
editorromola Davies
castingViktor brim
sound engineerephraim Hahn
sound designerHolger buff
musicbertha elena Artero Ponce
costume designerDoris bartelt
line producerJakob Deutsch
productionKunsthochschule für medien Köln
Fundingnordmedia – film- und mediengesellschaft niedersachsen/bremen mbH
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“I stIll wanted to do thIngs.”“what kInd oF thIngs?”
“thIngs.”
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for the three workers of the company “styx“ it is everyday business: living in the company van and driving overland to get from one place and time of death to the next – terminating people, packaging them and sending them off. They live a monotone life doing their daily chores for a society that developed a pain-free sys-tem for people’s passings. suddenly, the three find themselves confronted with their own termination and start to question and bend the rules of their world.
synopsIs
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in 1896 Hugo simberg painted a waterc-
olour titled in THe GArDen Of DeATH.
Three Grim reapers in black robes ful-
fill the gloomy expectations of the title.
but the peculiarity of this small work
lies in the way they pursue the peaceful
and profane activity of gardening. They
are likable – but don’t loose their status
as memento mori. in this way simberg
stimulates an examination of our mortal-
ity, which i believe is worth exploring.
With PArADise we approach the
dark theme of death in this playful sense.
We think, that the absurd is an important
way of thinking and can be fruitfully used
to approach existential questions. in film-
ic terms: looking at another fictional and
stylized world and how it deals with this
inevitable end of our physical being, we
sometimes recognize unexpected paral-
lels and caricatures of our own world.
in PArADise we accompany three
protagonists on this mental and physi-
cal journey, dealing with other’s and their
own mortality. We discover structural
similarities to the efforts of our own so-
ciety to control the process of dying by
confining it to hospital beds accompanied
by the administration of drugs. And the
emptiness and artificiality of their world,
which initially stands in stark contrast to
our world, becomes the lens for a reflec-
tive view of current developments in the
world of work.
Director’s NoteImmanuel esser
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Immanuel esser
immanuel esser studied philosophy in
berlin before turning to film. focusing on
thought experiments, political philoso-
phy and aesthetics, he wrote his thesis
on stylized worlds and their benefit for
insight and enlightenment. After several
short fiction films and explorations into
the world of stylized music videos and
fake advertisements for fictional socio-
critical products, PArADies is his first
feature film. it was produced at the film
school he is currently attending: the uni-
versity of media Arts Cologne.
+49 157 56371860
www.immanuelesser.com
addItIonal cast
isabelle Höpfner · Dobau | imke büchel · frau berger | Jen-
nifer ewert · lieferantin ebers | Günter Henneke-Kienitz
· Herr Kerber | linda sixt · frau frau Hermer | leander
Gerdes · Kurier lauber | Theo Pfeifer · Herr Wurtel | Arne
Krause · lieferant brehm
addItIonal crew
Axel bangert · add. Casting | Christian roos, bo friedrich,
Jelena ilic, michel Dulisch · 1st Assistant Director | florian
brückner, Christoph Hövel, lars elliger · 1st AC | martin
Paret, leo Decristofero · Gaffer | Patrick Haack, leander
Kühne · Grip-electrician | Dipti Gurung, simon luetkehaus,
Chantal bergemann, ernesto sosa · add. electrician | flo-
rian brückner · black Arm Operator | farbkult - felix Hüs-
ken · luT Colorist | Thomas lambertz · Graphic Art | Alina
Dunker, Katharina Janson, Thorben fritsche · Assistent
Production Design & Props | Axel Autschbach, bernd Voss
· Construction | Alexander schwarz · add. scouting Köln |
Antonello scarpelli, Tarik badaoui, stefan bück, Christian
Grundey · add. on set recording | ephraim Hahn · Dialog
editing | Kevin Gläßer, rené mailaender, Paul sehl · foley |
lauritz baudisch · add recording | Till schaarschmidt, stu-
dio Krauthausen · add sound Design | ephraim Hahn, Hol-
ger buff · mixing | Annett eichel, Dagmar Wolff · Tailoring
| Charlotte fleck · make up | Antonia sabljak · add. make
up | bo friedrich · location manager | florian Klapetz · Ac-
counting | Hannah- lisa Paul, marie Jo Geukes · Produc-
tion Assistent | steffen meyn, Jelena ilic, Constanze Klaue,
Hannah-lisa Paul, Johanna strunge · Catering | róbert
sági · Assistent editor | frameworks.ch, sebastian Klinger,
Philipp Künzli · VfX, retouching, Compositing | Day for
night · VfX, mattepainting | romola Davies · Color Grading
| ewald Hentze · DCP | Keegan m. uhl · Translation | Prof.
Cornelius schwehr, musikhochschule freiburg · music su-
pervision | Kseniya Degtyareva · music Production | ming
Wei Kueh · Tenor banjo | Javier Verduras · marimba 1 | Timo-
thée de la morinerie · marimba 2 | Takashi mokuhito · little
Percussion | Prof. Didi Danquart, Prof. sebastian richter,
Prof. frank Döhmann, Prof. Peter bexte, Carina neubohn ·
supervising lecturers KHm | Prof. maris Pfeiffer, Prof. me-
lissa de raaf, Tom uhlenbruck, Prof. ingo Haeb, Prof. mar-
kus busch, Prof. Dietrich leder · Consultation KHm | Chris-
tian Turner, falco sixel, lars langen · rental KHm | rüdiger
Dill, susanne ritter, Petra Clemens, ursula reber, stephan
sarasi, elke feist, Kasia Paczesniowska-renner · Project
Organization KHm | ute Dilger · festival Office | Christian
füllgraf · legal Advice | Henning Kunze · Constultant Cine-
ma funding | susanne lange · Advisor film Commission |
Christoph schirmacher, Katharina breuer · Auditing
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WWW.PArADies-Der-film.De
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Official selection