7 trio sonatas for violin, viola da gamba and b.c. · 4 preface tis edition reproduces seven trio...
TRANSCRIPT
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Georg PhilippTelemann(1681 — 1767)
7 Trio sonatasfor Violin,Viola da Gambaand B.c.
“Endler manuscripts”
Vol ii: Sonatas 5 – 7
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Georg PhilippTelemann(1681 — 1767)
7 Trio sonatasfor Violin,Viola da Gambaand B.c.
Vol ii: Sonatas 5 – 7
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ViMa 22 II – Version 1.0 – January 2018. A publication (htp://www.vista:are:usica.co:/).Editing and typeseting g 2018 Maurizio M. Gavioli. Licensed under the Creative Co::ons license “Atribution - Share Alike” (in si:ple words,
do with it whatever you like as long as you give :e proper credit and share derivativeworks like this one; for details, see htp://www.creativeco::ons.org/licenses/by-sa/3.0).
Typeset with MuseScore (htp://:usescore.org/). Texts set in Linux Libertine and Linux Biolinu: (htp://www.linuxlibertine.org/).
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C o n t e n t s
(5) Sonata (G minor, twv 42:g10) 6brd ds Mus.ms 1042/71
(6) Sonata (G minor, twv 42:g11) 18brd ds Mus.ms 1042/89
(7) Sonata (B minor twv 42:h6) 30brd ds Mus.ms 1042/72
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4
P r e fac e
Tis edition reproduces seven trio sonatas for violin, viola da gamba and B.c. con-tained in seven manuscripts of the Universität- und Landesbibliothek Darmstadt. Withthe addition of the two trio sonatas included in the 1718 Trio (twv42:g1) and in the Esser-cizii Musici (twv42:d9) – also published by VistaMare Musica –, they cover all extantTelemann trio sonatas for these two instruments. Te source manuscripts are listed inthe table of contents. All these manuscripts have been copied by J.S. Endler around 1740.
Te original text has been reproduced without any alteration, except as noted below.
E d i t o r i a l r e m a r k s
• All editorial additions are placed above the staff or marked by doted lines or parentheses.• Original clefs, time signatures, note values, ties, slurs, bar lines and beamings have been retained.• Original clefs are retained in the score; in the separate parts, clefs more common today have been
occasionally preferred.• All marked accidentals have been retained, even when superfluous according to modern conven-
tions; however, they have been silently ‘modernised’ when today conventions dictate adifferent sign (i.e.: a sharp used to raise a flatened note has been converted to a natural sign).
• Accidentals above the staff or in small type between parentheses are editorial suggestions.• All originals were in three separate parts; for this edition they have been set into score format.
C r i t i c a l n o t e s :
1. Measure added later above the staff.2. Original: D C D B.3. All F were notated as F in the source.4. Te source has one extra rest.5. Here and for the whole movement, all rests of all parts were notated as in the source.6. Original: 7. Original: 8. Measures 20 and 21 of the cembalo (presumably skipped and) indicated by repeat signs on the
previous measures.9. Original:
10. Original: slur between E and E.11. Original: E corrected into F?12. Measure 140 of the cembalo inserted aferward.
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Mus.ms/(Endlerms.)
Violino
VioladiGamba
Cembalo
àViolino,VioladiGambaetCembalo( :g)
(5)Sonata
4
GeorgPhilippTelemann( — )
8
13
17
7 6 6 65
5
64
7 62
65
64
5
75
64
53
6
6
65
53
64
7
2
6
65
63
49
38
5
5 6
6
5 6
7 42
6
65
64
42
7 6
Cantabile
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7 6 64
7 6 6 6 65
64
5
65
7
64
7 6
65
42
7
6 7
75
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64
6 64
6
7
6
65
6
6
5 6
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6 6 6 6
6
6
53
64
53
53
65
() 6
65
6
6
6 65
6 6 6 6
Allegro
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65
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6 64
5
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65
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6
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6 6 65
6
6
6
Largo
tastosolo
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tastosolo
tastosolo
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Vivace
8)
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Mus.ms/(Endlerms.)
Violino
VioladiGamba
àViolino,VioladiGambaetCembalo( :g)
(6)Sonata
Cembalo
4
GeorgPhilippTelemann( — )
8
12
Cantabile
18 G.P.Telemann – 7Triivln,vdgeb.
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6
10
14
18
686868
Vivace
5)
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3
3 3
3
3
3
Dolce
9)
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Allegro
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Mus.ms/(Endlerms.)
Violino
Viola(diGamba)
àViolino,ViolaetCembalo( :h)
(7)Sonata
Cembalo
8
GeorgPhilippTelemann( — )
16
24
343434
6 65
7 6 93
8 9
8
6
53
6
6 65
7 6
5 65
6 6
93
8 893
6 6
42
42
Largo
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6 5 65
7
73
65
7 6 93
8 9
8
65
6 6
65
42
53
6
6 5
6 6 6 65
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8
15
22
28
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6 642
6 6 64
6
2
53
6
6 65
6
2
64
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6 64
66
6 6
6
53
64
64
64
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6 66 6 6 3
Vivace
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6 6
42
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