7 steps to becoming a great art director

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DAVID BELL EXECUTIVE CREATIVE DIRECTOR - MERCERBELL 7 STEPS TO BECOMING A GREAT ART DIRECTOR 2016 ADMA CREATIVE SCHOOL

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  • DAVID BELL EXECUTIVE CREATIVE DIRECTOR - MERCERBELL

    7 STEPS TO BECOMING A GREAT ART DIRECTOR

    2016 ADMA CREATIVE SCHOOL

  • 7 STEPS TO BECOMING A GREAT ART DIRECTOR

    2016 ADMA CREATIVE SCHOOL

  • Jorn Utzon

  • Find your own creative process

  • This is awesome This is tricky This is shit Im shit This might be okay This is awesome

  • Be a creative sponge

    Never stop

    feeding your mind

  • Look up for

    inspiration

  • And look

    down for

    inspiration

  • Look inside for inspiration

  • Inspiration

    is all around you.

    Write down all your ideas. Sketch, snap

    & scan them.

  • Moleskine smart writing

    set

    The

  • Always have

    the product on

    your desk

    1. KNOW YOUR PRODUCT

  • PTaste PTouch PSmell PSight PSound

  • Crewe's Rolls-Royce Factory By Peter Ollerhead 1950s

  • Ever wondered why

    artists have so many different brushes?

  • Free your thinking.

    If you get stuck,,

    swap pens and the

    ideas will soon flow.

    JARED CLARK

  • Cut-Up William S. Burroughs by Brion Gysin

  • www. creativity-online.com

    www.adsoftheworld.com/

    www.directnewideas.com

  • 7 STEPS TO BECOMING A GREAT ART DIRECTOR

    2016 ADMA CREATIVE SCHOOL

  • T h e b e s t t h i n g I k n o w a b o u t v i s u a l t e c h n i q u e s

  • S i m p l e i s a l w a y s b e s t

  • S i m p l e i s a l w a y s b e s t

  • A designer knows he/she has achieved perfection

    not when there is nothing left to add,

    but when there is nothing left to take away. Antoine de Saint-Exupry

  • Dont fear white space

  • If the idea has

    an unreal twist,

    use illustration

    to help bring it

    to life

  • Reflect your ideas

  • Is there an idea in the logo?

  • Is there an idea on the bottle?

  • Visualise the benefit

  • toughness

  • sharpness

  • strength

  • A quick and easy way to grab attention

  • Maintain eye contact

  • Sharbat Gula was the subject of Steve McCurry's Afghan Girl

  • Select your shots carefully

    Alberto Kordas Che 5 March 1960

  • Alberto KordaHavana 5 March 1960

  • And crop with care

  • Alberto Korda - Havana

  • Avoid visual cliches

  • Complete set

  • The exception

  • Versatility

  • The exception

  • Family

  • The exception

  • 20 more visual cliches to avoid

  • Opposites always attract attention

  • Helvetica

  • Look beyond your screens

    for inspiration

  • 7 STEPS TO BECOMING A GREAT ART DIRECTOR

    2016 ADMA CREATIVE SCHOOL

  • Grids are good

  • Grids are good

    The Golden Ratio and the

    theory of composition

  • 1505

  • 2016

  • Designing by the

    rule of thirds

  • 41% 20%

    14%25%

    POA

  • Alberto Kordas original Che neg.

  • Alberto Kordas Che 5 March 1960

  • designmodo.com/rule-thirds-grid-outline/e

  • Know when to stop.

    Mr. Robert Waters

    High School Art Teacher

    If it looks right.

    It is right.

  • Try another view

    Mr. Robert Waters

    High School Art Teacher

  • http://petapixel.com/2016/01/30/10-myths-about-the-rule-of-thirds/

  • 7 STEPS TO BECOMING A GREAT ART DIRECTOR

    2016 ADMA CREATIVE SCHOOL

  • Type in your life

  • Type in your life

  • Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didnt have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and sans serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science cant capture, and I found it fascinating.None of this had even a hope of any practical application in my life. But 10 years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, its likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backward 10 years later.

  • Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didnt have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and sans serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science cant capture, and I found it fascinating.None of this had even a hope of any practical application in my life. But 10 years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, its likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backward 10 years later.

  • Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didnt have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and sans serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science cant capture, and I found it fascinating.None of this had even a hope of any practical application in my life. But 10 years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, its likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backward 10 years later.

  • Love. And understand

    type

  • UPPER CASE

    lower case

    Love. And understand

    type

  • Love. And understand

    type

  • Be the champion of

    the beauty

    of type

  • Ideas in visual type

  • Type is the main

    tool of your trade

  • Dont annoy your Copywriter (or t

    he reader)

  • If your poor design reduces readability, then expect the worst to happen.

    If your poor design reduces readability, then expect the worst to happen.

  • www.stcsig.org/mgt/docs/readability-kiss.pdf

  • www.psfk.com/2016/03/mobile-typography-techniques-design-for-smartphones.html

  • When to let the headline do the talking

  • www.dafont.com

    slideshare.net/Reosurfer

  • 7 STEPS TO BECOMING A GREAT ART DIRECTOR

    2016 ADMA CREATIVE SCHOOL

  • The Art Directors

    secret weapon

  • desire

  • search

  • delivery

  • emotion

  • Art Directing ideas in living colour

  • motion

  • 7 STEPS TO BECOMING A GREAT ART DIRECTOR

    2016 ADMA CREATIVE SCHOOL

  • Take

    the time

    to learn

    origami

  • www.adsoftheworld.com/media/

    dm/cocacola_fm_magazine_ampl

    ifier

  • How art direction

    can be the idea

  • 7 STEPS TO BECOMING A GREAT ART DIRECTOR

    2016 ADMA CREATIVE SCHOOL

  • GETTING INTO THE CREATIVE DEPARTMENT

  • 1. THE INTERVIEW

    FIRST IMPRESSIONS

  • 1. YOUVE FINALLY GOT AN INTERVEIW.LEAVE A LASTING IMPRESSION.

    FIRST IMPRESSIONS

    Begin your book with a great idea. Then end with an even better one.

  • 2. WHAT FORMAT SHOULD MY BOOK BE?

    THE PRESENTATION

  • 2. SITE, eMAIL A PDF, LAPTOP OR iPAD? TRY THE PERSONAL TOUCH OF YOUR BOOK.

    THE PRESENTATION

    Think carefully about how you present your book. You are selling your work, your talents and yourself.

  • 3. HOW BIG SHOULD MY BOOK BE?

    EDIT

  • EDIT

    3. BE BRUTAL & EDIT YOUR BOOK

    Three great ideas, always beats thirty three average ones.

  • 4. WHAT TYPE OF WORK SHOULD I SHOW?

    VARIETY

  • 4. MIX IT UP

    VARIETY

    Show a broad range of creative work across multiple channels, products and brands.

  • 5. HOW FINISHED SHOULD MY IDEAS BE?

    SHOW YOUR CRAFT

  • 5. BE JOB READY

    SHOW YOUR CRAFT

    Rough visuals scamps or pencils are fine, but have at least one fully written or art directed campaign.

  • 6. WHAT IF I DONT HAVE ENOUGH GOOD WORK?

    BUILD ON YOUR BEST

    Peggys presenta/on h1ps://www.youtube.com/watch?v=LYxl-DJ9CEs

  • 6. TAKE YOUR BEST IDEA AND PUSH IT THROUGH SOCIAL CHANNELS

    BUILD ON YOUR BEST

    Turn a good idea, into a great campaign.

  • BE FLEXIBLE

    7. HOW CAN I STAND OUT?

  • 7. BE ORIGINAL AND FRESH

    BE FLEXIBLE

    There are many different types of agency. Adapt your book for each individual agency.

  • 8. SHOULD I TALK ABOUT MY BLOG?

    CREATIVITY

  • 8. SHOW YOUR DEPTH

    CREATIVITY

    Talk about your creative pursuits outside of advertising.

  • 9. DIFFERENT PEOPLE LIKE DIFFERENT WORK?

    LISTEN

  • 9. TAKE ADVICE

    LISTEN Listen carefully to all the feedback

    and act on the advice that feels right for you.

  • 10. IM TOO NERVIOUS

    CDs ARE VERY BUSY PEOPLE

    Don in ac/on. h1ps://www.youtube.com/watch?v=mbr3bkny0OQ

  • 10. TALK ABOUT WHAT YOU CAN BRING TO THE DEPATMENT

    CDs ARE VERY BUSY PEOPLE

    Be prepared, be enthusiastic, be positive and be yourself. Dont be a pest, but do follow-up.

  • WHAT YOUSHOULD READ

    GETTING A JOB

    CREATIVITY

    CRAFT THE ART DIRECTION BOOK

    You will find most of these books here. h1ps://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=crea/ve+adver/sing+&rh=n%3A283155%2Ck%3Acrea/ve+adver/sing+

    What you should be reading

  • A PARTING THOUGHT

  • Beware of looking for goals: look for a way of life.

    A PARTING THOUGHT

    Decide how you want to live and then see what you can do to make a living within that way of life. Hunter S Thompson

  • PART OF THE SAATCHI & SAATCHI GROUP

    Visit MercerBell to discover more about customer delight.

    2016 ADMA CREATIVE SCHOOL