7 steps to becoming a great art director
TRANSCRIPT
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DAVID BELL EXECUTIVE CREATIVE DIRECTOR - MERCERBELL
7 STEPS TO BECOMING A GREAT ART DIRECTOR
2016 ADMA CREATIVE SCHOOL
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7 STEPS TO BECOMING A GREAT ART DIRECTOR
2016 ADMA CREATIVE SCHOOL
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Jorn Utzon
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Find your own creative process
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This is awesome This is tricky This is shit Im shit This might be okay This is awesome
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Be a creative sponge
Never stop
feeding your mind
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Look up for
inspiration
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And look
down for
inspiration
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Look inside for inspiration
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Inspiration
is all around you.
Write down all your ideas. Sketch, snap
& scan them.
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Moleskine smart writing
set
The
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Always have
the product on
your desk
1. KNOW YOUR PRODUCT
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PTaste PTouch PSmell PSight PSound
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Crewe's Rolls-Royce Factory By Peter Ollerhead 1950s
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Ever wondered why
artists have so many different brushes?
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Free your thinking.
If you get stuck,,
swap pens and the
ideas will soon flow.
JARED CLARK
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Cut-Up William S. Burroughs by Brion Gysin
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www. creativity-online.com
www.adsoftheworld.com/
www.directnewideas.com
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7 STEPS TO BECOMING A GREAT ART DIRECTOR
2016 ADMA CREATIVE SCHOOL
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T h e b e s t t h i n g I k n o w a b o u t v i s u a l t e c h n i q u e s
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S i m p l e i s a l w a y s b e s t
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S i m p l e i s a l w a y s b e s t
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A designer knows he/she has achieved perfection
not when there is nothing left to add,
but when there is nothing left to take away. Antoine de Saint-Exupry
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Dont fear white space
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If the idea has
an unreal twist,
use illustration
to help bring it
to life
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Reflect your ideas
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Is there an idea in the logo?
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Is there an idea on the bottle?
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Visualise the benefit
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toughness
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sharpness
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strength
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A quick and easy way to grab attention
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Maintain eye contact
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Sharbat Gula was the subject of Steve McCurry's Afghan Girl
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Select your shots carefully
Alberto Kordas Che 5 March 1960
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Alberto KordaHavana 5 March 1960
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And crop with care
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Alberto Korda - Havana
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Avoid visual cliches
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Complete set
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The exception
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Versatility
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The exception
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Family
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The exception
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20 more visual cliches to avoid
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Opposites always attract attention
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Helvetica
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Look beyond your screens
for inspiration
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7 STEPS TO BECOMING A GREAT ART DIRECTOR
2016 ADMA CREATIVE SCHOOL
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Grids are good
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Grids are good
The Golden Ratio and the
theory of composition
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1505
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2016
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Designing by the
rule of thirds
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41% 20%
14%25%
POA
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Alberto Kordas original Che neg.
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Alberto Kordas Che 5 March 1960
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designmodo.com/rule-thirds-grid-outline/e
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Know when to stop.
Mr. Robert Waters
High School Art Teacher
If it looks right.
It is right.
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Try another view
Mr. Robert Waters
High School Art Teacher
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http://petapixel.com/2016/01/30/10-myths-about-the-rule-of-thirds/
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7 STEPS TO BECOMING A GREAT ART DIRECTOR
2016 ADMA CREATIVE SCHOOL
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Type in your life
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Type in your life
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Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didnt have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and sans serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science cant capture, and I found it fascinating.None of this had even a hope of any practical application in my life. But 10 years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, its likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backward 10 years later.
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Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didnt have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and sans serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science cant capture, and I found it fascinating.None of this had even a hope of any practical application in my life. But 10 years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, its likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backward 10 years later.
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Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didnt have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and sans serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science cant capture, and I found it fascinating.None of this had even a hope of any practical application in my life. But 10 years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, its likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backward 10 years later.
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Love. And understand
type
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UPPER CASE
lower case
Love. And understand
type
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Love. And understand
type
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Be the champion of
the beauty
of type
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Ideas in visual type
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Type is the main
tool of your trade
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Dont annoy your Copywriter (or t
he reader)
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If your poor design reduces readability, then expect the worst to happen.
If your poor design reduces readability, then expect the worst to happen.
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www.stcsig.org/mgt/docs/readability-kiss.pdf
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www.psfk.com/2016/03/mobile-typography-techniques-design-for-smartphones.html
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When to let the headline do the talking
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www.dafont.com
slideshare.net/Reosurfer
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7 STEPS TO BECOMING A GREAT ART DIRECTOR
2016 ADMA CREATIVE SCHOOL
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The Art Directors
secret weapon
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desire
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search
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delivery
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emotion
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Art Directing ideas in living colour
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motion
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7 STEPS TO BECOMING A GREAT ART DIRECTOR
2016 ADMA CREATIVE SCHOOL
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Take
the time
to learn
origami
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www.adsoftheworld.com/media/
dm/cocacola_fm_magazine_ampl
ifier
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How art direction
can be the idea
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7 STEPS TO BECOMING A GREAT ART DIRECTOR
2016 ADMA CREATIVE SCHOOL
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GETTING INTO THE CREATIVE DEPARTMENT
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1. THE INTERVIEW
FIRST IMPRESSIONS
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1. YOUVE FINALLY GOT AN INTERVEIW.LEAVE A LASTING IMPRESSION.
FIRST IMPRESSIONS
Begin your book with a great idea. Then end with an even better one.
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2. WHAT FORMAT SHOULD MY BOOK BE?
THE PRESENTATION
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2. SITE, eMAIL A PDF, LAPTOP OR iPAD? TRY THE PERSONAL TOUCH OF YOUR BOOK.
THE PRESENTATION
Think carefully about how you present your book. You are selling your work, your talents and yourself.
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3. HOW BIG SHOULD MY BOOK BE?
EDIT
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EDIT
3. BE BRUTAL & EDIT YOUR BOOK
Three great ideas, always beats thirty three average ones.
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4. WHAT TYPE OF WORK SHOULD I SHOW?
VARIETY
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4. MIX IT UP
VARIETY
Show a broad range of creative work across multiple channels, products and brands.
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5. HOW FINISHED SHOULD MY IDEAS BE?
SHOW YOUR CRAFT
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5. BE JOB READY
SHOW YOUR CRAFT
Rough visuals scamps or pencils are fine, but have at least one fully written or art directed campaign.
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6. WHAT IF I DONT HAVE ENOUGH GOOD WORK?
BUILD ON YOUR BEST
Peggys presenta/on h1ps://www.youtube.com/watch?v=LYxl-DJ9CEs
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6. TAKE YOUR BEST IDEA AND PUSH IT THROUGH SOCIAL CHANNELS
BUILD ON YOUR BEST
Turn a good idea, into a great campaign.
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BE FLEXIBLE
7. HOW CAN I STAND OUT?
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7. BE ORIGINAL AND FRESH
BE FLEXIBLE
There are many different types of agency. Adapt your book for each individual agency.
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8. SHOULD I TALK ABOUT MY BLOG?
CREATIVITY
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8. SHOW YOUR DEPTH
CREATIVITY
Talk about your creative pursuits outside of advertising.
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9. DIFFERENT PEOPLE LIKE DIFFERENT WORK?
LISTEN
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9. TAKE ADVICE
LISTEN Listen carefully to all the feedback
and act on the advice that feels right for you.
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10. IM TOO NERVIOUS
CDs ARE VERY BUSY PEOPLE
Don in ac/on. h1ps://www.youtube.com/watch?v=mbr3bkny0OQ
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10. TALK ABOUT WHAT YOU CAN BRING TO THE DEPATMENT
CDs ARE VERY BUSY PEOPLE
Be prepared, be enthusiastic, be positive and be yourself. Dont be a pest, but do follow-up.
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WHAT YOUSHOULD READ
GETTING A JOB
CREATIVITY
CRAFT THE ART DIRECTION BOOK
You will find most of these books here. h1ps://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=crea/ve+adver/sing+&rh=n%3A283155%2Ck%3Acrea/ve+adver/sing+
What you should be reading
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A PARTING THOUGHT
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Beware of looking for goals: look for a way of life.
A PARTING THOUGHT
Decide how you want to live and then see what you can do to make a living within that way of life. Hunter S Thompson
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PART OF THE SAATCHI & SAATCHI GROUP
Visit MercerBell to discover more about customer delight.
2016 ADMA CREATIVE SCHOOL