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    LARGE FORMAT PHOTOGRAPHY

    FOCAL LENGTH & PERSPECTIVE

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    PAOLO ROVERSI

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    METZ+RACINE

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    TECHNICALSHIFT CAMERA

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    DIGITAL MONORAIL CAMERA:LINHOF M679

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    5X4 FIELD CAMERA: WISTA VX

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    5X4 MONORAIL CAMERA: HORSEMAN

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    RICHARD MISRACH

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    SIMON ROBERTS

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    JOEL STERNFELD

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    JOEL STERNFELD

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    OLIVIER RICHON

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    TODD McCLELLAN

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    DAN TOBIN SMITH

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    CHRIS JORDAN

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    SIMON WARD

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    WHAT WILL YOU NEED? WISTA FIELD CAMERA HORSEMAN MONORAIL CAMERA LOUPE TRIPOD INSTANT FILM BACK DARK CLOTH CABLE-RELEASE DARKSLIDES CHANGING BAG DUST-OFF WHITE COTTON GLOVES NOTE BOOK & PEN FILM MASKING TAPE SPIRIT LEVEL

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    VIEW CAMERA CONTROLS: THE LENS

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    EQUIVALENT FOCAL LENGTHS FOR DIFFERENT FILM FORMATSSLR 35mm Medium Format 6x6 Large Format 5x428mm 40mm 90mm50mm 80mm 180mm70mm 120mm 240mm

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    VIEW CAMERA CONTROLS: SET TO ZERO

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    BELLOWS GROUND-GLASS VIIEWINGFRONT-STANDARD

    CABLE-RELEASETRIPOD-MOUNT REAR-STANDARD

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    FIRST STEPS

    USE A SPIRIT LEVEL & SET FRONT

    AND REAR STANDARDS TO ZEROUSE A LOUPE AND

    A DARK-CLOTH TO FOCUS

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    FIRST STEPS cont.

    IF THE CAMERA MOVES, EVEN SLIGHTLY YOU MUST RE-FOCUS

    & USE A LOUPE AGAIN. FOCUS IS CRITICAL

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    VIEW CAMERA PERSPECTIVE CONTROL

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    VIEW CAMERA BASICMOVEMENTS: RISE & FALL

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    SIDE VIEW TOP VIEW SIDE VIEW TOP VIEW

    RISE & FALL SHIFT TILT SWING

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    VIEW CAMERA SHIFT

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    VIEW CAMERA IMAGE CIRCLE

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    The Image circle must be considered when employing extreme camera movements. Otherwise vingetting will occur.

    Always check the corners of the ground glass screen before shooting.

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    VIEW CAMERA TILT

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    5x4 DARKSLIDES LOADING FILM

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    LARGE FORMAT RESOURCE

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    ROBERT WHITESILVERPRINTTEAMWORK

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    LEAF SHUTTER FLASH

    SYNC AT ALL SPEEDSBUT EXPENSIVE &

    FRAGILE

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    FOCAL LENGTH: ANGLE OF VIEW

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    Increasing Focal Length, whilst keeping the

    same lens-to-subject distance, increases the

    magnification, but decreases the angle of view

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    FOCAL LENGTH: ANGLE OF VIEW

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    28mm

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    50mm

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    85mm

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    135mm

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    300mm

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    500mm

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    1000mm

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    FOCAL LENGTH: CAMERA FORMAT

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    FOCAL LENGTH: PERSPECTIVE

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    FOCAL LENGTH CHANGES,

    CAMERA POSITION STAYS THE SAME

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    SHORT FOCAL LENGTH LENS FAR FROM SUBJECT

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    MEDIUM FOCAL LENGTH LENS FAR FROM SUBJECT

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    LONG LENS FAR FROM SUBJECT

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    FOCAL LENGTH STAYS THE SAME,

    CAMERA POSITION CHANGES

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    SHORT FOCAL LENGTH LENS FAR FROM SUBJECT

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    SHORT FOCAL LENGTH LENS MEDIUM DISTANCE

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    SHORT FOCAL LENGTH LENS CLOSE TO SUBJECT


2. Focal Length

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PHYSICS STD-12 SEM-3 GUJARATI TITLE MULAY · 6.2 (Paraxiall (Focal Length) . (Aperture) : (Principal Focus) : (Focal Plane) : Curvature) 6.3 (Relation between Focal Length Radius

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NATIONAL UNIVERSITY OF SINGAPOREphysoc/beta/... · 1,52 and for flint glass is 1.66 at this wavelength. BFL = back focal length, FFL = front focal length. (i) Compute the value of

SHUTTER SPEED:1/400 F /10 ISO: 200 FOCAL LENGTH: 50 ...coursecontent.ntc.edu/seanor/digitalphoto/lp3/file_to_download/... · SHUTTER SPEED:1/400SEC F-STOP: F/10 ISO: 200 FOCAL LENGTH: