245423217 trinity guitar grade 4 pdf

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Guitar

Grade

4

Pieces xercises

for Trinity

Guildhall

examinations

2010-2015

Published by: .

Trinity College London

89 Albert Embankment

London SE1 7TP UK

T +44

0)20

7820 6100

F +44

0)20

7820 6161

E [email protected]

www.t ri n tyg u d ha ll.co.uk

Copyright©

2009 Trinity College London

Unauthorised

photocopying is illegal

No

part of this publication may

be

copied or reproduced

in

any

form or by any means without the prior permission of the publisher.

Music processed by Artemis Music Ltd.

Printed in England by Halstan Co Ltd, Amersham, Bucks.

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Candidates choosing Option

ii

)

Tec

hnica l

Su

ite in the Technica l Work

sec

tion of the examination must prepare e

exercises.

1 rabesque (slurs)

To be

prepared

apoyando or tirando

at candidate s choice

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= 76-88

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2 Clair

de

Lune (half barre and arpeggios)

To

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prepared tir n o.

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( ) hinge barre

*apoyan o = rest st roke; tirando = free stroke.

Copyright©

2009




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n rg tically J - 120

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Skyline Melody full

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2 9 Trinity College London



either i) Sca

l

es

a e ·ormeo

·ro

As

given in

G

ui t

ar

&

Plec

rum

G

uit

ar ca les

&

Exe

rc i

ses from 2007

Sca l

es

Th

e following scales to

be

performed wit h dy

na mi

c

s,

ri

gh

t

ha nd

fingering pattern a

nd

rhythmic

' e

cs

(See current Guitar Syllabus for examples of rhythmic sty les). Can didate's choice of

apoyando

or

ira

A major (two octaves),

f

m fingering. Straight rhythm

E major (two octaves),

mf im

fingering. Straight rhythm

B natural minor (two octaves),p ,

ma

fingering. Straight rhythm

B harmonic minor (two octaves),

f ma

fingering. Swing rhythm

B melodic minor (two octaves),p , ma fingering. Swing rhythm

Arpeggios

The following arpeggios to be performed '" f'and tirando :

D major (two octaves)

B minor (two octaves)

Dominant 7th in the key of D (two octaves, starting on

A)

or ii

Technical Su

ite

Exercises

Candidates to prepare all of the following exercises, printed

in

this book:

1

Arabesque

slurs)

2

Clair de Lune

half b rre and arpeggios)

3.

Espana scales)

4. Skyline Melody

full barre)

All pieces

in

this volume have been edited with regard to current concepts of performance practice. Dynamics a' '

fingering have been suggested to assist candidates and thei r teachers in developing their own interpretat ion

s.

Recommended metronome markings are given

as

a useful, but not definitive, performance guide

for

a

ll pieces..

Those without square brackets are the composer's own indication of the appropriate speed for the

mu

si

c.

Repeats

of

more than three bars should be omitted unless instruct

ed ot

herwise in the syllabus or Trin ity

music book, but all da capo and dal se gno instructions sh ould be observed.

Every

effort has

been made to trace and acknowledge the copyright owners. If any right has been o

mi

tted

or if any detail

is

incorrect, Trinity College London apologises and will rect ify this

in

any subsequent reprints

following notificat ion.



•

•

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ISMN 979 57 38 367

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5379

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245423217 trinity guitar grade 4 pdf

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