20th-century american poetry. robert frost (1874-1963)

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20th-Century American Poetry

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Page 1: 20th-Century American Poetry. Robert Frost (1874-1963)

20th-Century American Poetry

Page 2: 20th-Century American Poetry. Robert Frost (1874-1963)

Robert Frost (1874-1963)

Page 3: 20th-Century American Poetry. Robert Frost (1874-1963)

Robert Frost’s public fame

He is highly regarded for his realistic depictions of the rural life and his command of American colloquial speech.

As a popular and often-quoted poet, Frost was honored frequently during his lifetime, receiving four Pulitzer Prizes.

Page 4: 20th-Century American Poetry. Robert Frost (1874-1963)

Honors

• The United States Senate extended its felicitations to him on his birthday in 1950;

• A mountain in Vermont was named after him in 1955;

• The State Department sent him to South America, England, and Russia on good-will missions in 1954, 1957, and 1962;

• In 1961 he was invited to read a poem at John F. Kennedy’s inaugural ceremonies.

Page 5: 20th-Century American Poetry. Robert Frost (1874-1963)

Robert Frost – the modern poet

Beloved poet of simple nature lyrics

Ambiguity and dread hidden underneath

A flawed man with personal tragedy

A poet with more than his share of fear

Page 6: 20th-Century American Poetry. Robert Frost (1874-1963)

Form & Subject

Form: regular iambic meter irregular speech rhythm vernacular language

Subject: nature confusion fear uncertainty

Poetry: “a momentary stay against confusion”

Page 7: 20th-Century American Poetry. Robert Frost (1874-1963)

Stopping by Woods on a Snowy Evening

"Stopping by Woods on a Snowy Evening" was Frost's favorite of his own poems

The poem is written in iambic tetrameter 四音步抑扬格 . Each stanza follows an a-a-b-a rhyming scheme, with the following stanza's a's rhyming with that stanza's b, which is a chain rhyme except the last two lines.

Page 8: 20th-Century American Poetry. Robert Frost (1874-1963)

Stopping by Woods on a Snowy Evening

simple vernacular language

Deceptively simple: ambiguous

Joy vs. Responsibility

Rejection of fascination with the dark trees

Strong lure of death

Speaker’s hesitation (Death vs. Life)

Page 9: 20th-Century American Poetry. Robert Frost (1874-1963)

雪夜林畔小驻 雪夜林边 余光中 译 韦婷婷 译

想来我认识这座森林,林主的庄宅就在邻村,却不会见我在此驻马,看它林中积雪的美景。 

我的小马一定颇惊讶:四望不见有什么农家,偏是一年最暗的黄昏,寒林和冰湖之间停下。

此林似相识,他宅若比邻;悄然此驻马,赏其雪中林。

周遭不见人,马驹恍似惊;最是黄昏时,寒林冰湖间。

Page 10: 20th-Century American Poetry. Robert Frost (1874-1963)

雪夜林畔小驻 雪夜林边

它摇一摇身上的串铃,问我这地方该不该停。此外只有轻风拂雪片,再也听不见其他声音。 

森林又暗又深真可羡,但我还要守一些诺言,还要赶多少路才安眠,还要赶多少路才安眠。

摒念而惘思,铃声扰绪觉;四下静无声,微风拂片雪。

深黯林可羡,我尚守诺言;漫路方长眠,漫路方长眠。

Page 11: 20th-Century American Poetry. Robert Frost (1874-1963)

The Road Not Taken

simple vernacular languageiambic tetrameter 四音步抑扬格 with the rime sheme of abaabsimilarities and differences of the two roadsWhich road does the speaker take?Proud of his choosing the less traveled roadFeeling sorry and sentimental

Page 12: 20th-Century American Poetry. Robert Frost (1874-1963)

Ezra Pound (1885-1972)

American expatriate poet, critic and intellectual a major figure of the Modernist movement in early-to-mid 20th century poetry.the driving force behind several Modernist movements, notably Imagism (意象主义) and Vorticism (漩涡主义) .

Page 13: 20th-Century American Poetry. Robert Frost (1874-1963)

Life and career (1885-1972)born in Hailey, Idaho, and raised in PennsylvaniaM.A. in Romance Language (罗曼语) from the University of Pennsylvania 1906In 1908, Pound arrived in Venice and lived mostly an expatriate life since thenIn 1945 arrested for treason by American forces in Italy for his support of Mussolini and fascism during WWII, imprisoned in a psychiatric hospital for 15 years and released in 1958Returned to Italy after his release died in Venice, where he is buried

Page 14: 20th-Century American Poetry. Robert Frost (1874-1963)

His major worksPoetry writings:

Personae (1909), Exultations (1909)Cantos 《诗章》 (1925-70)

Translations:Cathay 《神州集 》 (1915), translations of Chinese poems based on Fenollosa’s notesConfucian Analects 《孔子 》 (1951) (《大学》、《中庸》、《论语》)The Classic Anthology 《诗经》( A Classic Anthology Defined by Confucius, 《孔子删定古诗选》) (1954),

Page 15: 20th-Century American Poetry. Robert Frost (1874-1963)

Influence on modern poetry

As critic, editor and promoter, Pound helped shape the careers of some of the 20th century's most influential writers, including W. B. Yeats, T. S. Eliot, James Joyce, Robert Frost, William Carlos Williams, H.D., Marianne Moore, Ernest Hemingway, D. H. Lawrence, and Charles Olson.Pound edited his friend T. S. Eliot's The Waste Land, the poem that was to force the new poetic sensibility into public attention.

Page 16: 20th-Century American Poetry. Robert Frost (1874-1963)

Contribution to Imagism

responsible for the appearance and flourishing of Imagism which was meant to be a new way of writing emphasizing the objective presentation( 客 观 呈 现 ) rather than subjective representation (主观再现)In “A Few Dont’s by an Imagiste,” which appeared in Poetry in 1913, Pound announced the modernist poetics of precision, concision, and metrical freedom.

Page 17: 20th-Century American Poetry. Robert Frost (1874-1963)

Imagism

Presenting a hard (坚实) , clear(明晰) , concentrated (凝练) image or picture

No discussion or comment on the meaning of the image

Economy of words

Language of common speech

Rhythm from musical phrases rather than for rigid metrical forms

Page 18: 20th-Century American Poetry. Robert Frost (1874-1963)

Imagism (1909-1917)

U.S.: Ezra Pound, H.D. (Hilda Doolittle), John Gould Fletcher, Amy Lowell, William Carlos WilliamsEngland: F.S. Flint, Richard Aldington, D.H. Lawrence

Page 19: 20th-Century American Poetry. Robert Frost (1874-1963)

Japanese Haiku

Matsuo Bashō 松尾芭蕉( 1644—1694 )“ 闲寂古池旁,青蛙跳进水中央,扑通一声响。”(《古池》)古池や 蛙飛込む 水の音This separates into on as:

fu-ru-i-ke ya (5) ka-wa-zu to-bi-ko-mu (7) mi-zu no o-to (5)

Translated:old pond . . . a frog leaps in water’s sound

“ 树下肉丝、菜汤上,飘落樱花瓣。”《赏樱》  

Page 20: 20th-Century American Poetry. Robert Frost (1874-1963)

Juxtaposition 并置

the placing of two or more distinct things side by side in order to compare or contrast them

Superposition 叠加 / 迭加 - a hidden metaphorical relationship

between the juxtaposed images, e.g.

雨中黄叶树,灯下白头人(司空曙) 照影溪梅,怅绝代佳人独立(辛弃疾)

Page 21: 20th-Century American Poetry. Robert Frost (1874-1963)

In a Station of the Metro (1)

The apparition of these faces in the crowd;

Petals on a wet, black bough.

Or

The apparition of these faces in the crowd;

Petals on a wet black bough.

Page 22: 20th-Century American Poetry. Robert Frost (1874-1963)

In a Station of the Metro (2)What two images does Pound juxtapose in “In a Station of the Metro”?

- faces in the crowd - petals on a wet, black bough

Page 23: 20th-Century American Poetry. Robert Frost (1874-1963)

In a Station of the Metro (3)

One of the purposes of juxtaposition is to evoke an emotional response.

What emotion does the juxtaposition in this poem evoke in you?

Page 24: 20th-Century American Poetry. Robert Frost (1874-1963)

Response 1

a surprised rejoice at the unexpected appearance of the faces’ colorful and lovely freshness

A glimpse of something beautiful and fresh in the most unlikely place

- apparition: appearance which is generally startling, strange or unexpected

- petals & wet: blossoming flowers glowing with the rain water

Page 25: 20th-Century American Poetry. Robert Frost (1874-1963)

Response 2

A mournful regret at the vivid fresh-looking individuals overwhelmed by society

Setting: the station is damp and dark with countless anonymous people crowded together

Apparition: suggests the fragility and transience of individuals who, though fresh and lively like the petals on the wet bough, will be obscured by the surrounding environment.

Page 26: 20th-Century American Poetry. Robert Frost (1874-1963)

Response 3

a mysterious feeling about the sudden appearance of immaterial beauty

Wet, dark setting suggests the unknown mysterious or even frightening nature of the beautiful faces

Page 27: 20th-Century American Poetry. Robert Frost (1874-1963)

Response 4, 5, …

Page 28: 20th-Century American Poetry. Robert Frost (1874-1963)

车站 余光中 译

人群中,这些面孔的鬼影,潮湿的黑树枝上的花瓣。

Page 29: 20th-Century American Poetry. Robert Frost (1874-1963)

The Red Wheelbarrow

William Carlos Williams

(1883-1963)

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The Red Wheelbarrow (1)

What depends on the wheelbarrow?

- daily chores / daily life

What do the first two lines suggest about the speaker’s response to the scene?

- heavy loads and great responsibility

- important role as a tool

Page 37: 20th-Century American Poetry. Robert Frost (1874-1963)

The Red Wheelbarrow (2)

What item is mentioned in stanza 2? What might be the significance of its color?

- wheelbarrow

- red

passion

energy, vitality

Page 38: 20th-Century American Poetry. Robert Frost (1874-1963)

The Red Wheelbarrow (3)

What two items does the poet describe in stanza 3 and 4? What do you think Williams is saying in this poem?

- rainwater and chickens

- harmonious picture of farm life

Page 39: 20th-Century American Poetry. Robert Frost (1874-1963)

The Red Wheelbarrow (4)

What images are juxtaposed in this poem?

- red, wheelbarrow glazed with rain water, white, chicken

To what sense do the images in the poem directly appeal?

- sense of sight

What emotion does the juxtaposition evoke in you?

- peace, joy of farm life

Page 40: 20th-Century American Poetry. Robert Frost (1874-1963)

The Red Wheelbarrow (5)

Williams carefully arranges his words, including breaking up the words rainwater and wheelbarrow. How, in your opinion, does the arrangement of the words and stanzas affect the look, feel, sound, and pace of the poem?

Page 41: 20th-Century American Poetry. Robert Frost (1874-1963)

anyone lived in a pretty how town

E.E. Cummings

Page 42: 20th-Century American Poetry. Robert Frost (1874-1963)

E.E. Cummings (1894-1962)

"to be nobody-but-myself - in a world which is doing its best, night and day, to make me everybody else - means to fight the hardest battle which any human being can fight, and never stop fighting." - Cummings

Page 43: 20th-Century American Poetry. Robert Frost (1874-1963)

Uniqueness of Cummings's poems

lack of punctuation

use of lowercase letters

unusual arrangement of words

- breaking words apart

- changing their parts of speech

- a single word representing an entire idea

Page 44: 20th-Century American Poetry. Robert Frost (1874-1963)

anyone lived in a pretty how town

orignally no titleWhat is the name of the main character? What is the name of his wife? What do these names suggest?What do "women and men" do?What is the difference between children and adults?What happens to the two main characters at the end of the poem?

Page 45: 20th-Century American Poetry. Robert Frost (1874-1963)

anyone lived in a pretty how town

How do townspeople seem to react to this event?

What three series of words are repeated?

What lesson about life does the poem convey?

Page 46: 20th-Century American Poetry. Robert Frost (1874-1963)

Assignments

Read "The Declaration of Independence" and find

- the most essential reasons for which the declaratoin of independence is made.

Read Faulkner's speech and find:

- What does Faulkner think is the writer's duty?