20th c. - brook centertitle i. allá arriba en aquella montaña first line allá arriba en aquella...

I. Allá arriba en aquella montañaTitleAllá arriba en aquella montaña yo corté una caña,First lineGuridi, J., 1886-1961ComposerSp.Comp. Nat.Seis Canciones CastellanasCollection

Union Musical Espanola, Madrid, 1941. #17468PublisherAndante con moto in 6/8. Sustained, lightly ornamented. A tender Commentsart, trad.TypeCastile, trad.Mel. SourceCastile, trad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelDiff.Acc. Reqts.e1-f2Rangef1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

II. Sereno!TitleSereno! Sereno! En micasa hay un hombre durmiendo...First lineGuridi, J., 1886-1961ComposerSp.Comp. Nat.Seis Canciones CastellanasCollection

Union Musical Espanola, Madrid, 1941.#17468PublisherMolto moderato e lugubre, in 6/8.Slow, sustained, dramatic. An ironic Commentsart, trad.TypeCastile, trad.Mel. SourceCastile, trad.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.e1-gsh2Rangeg1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

III. Llámale con el pañueloTitleLlámale con el pañuelo; llámale con garbo y modo.First lineGuridi, J., 1886-1961ComposerSp.Comp. Nat.Seis Canciones CastellanasCollection

Union Musical Espanola, Madrid, 1941.#17468PublisherAllegretto grazioso in 6/8. Lively, graceful. Req. vocal flexibility, facileCommentsart, trad.TypeCastile, trad.Mel. SourceCastile, trad.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.d1-g2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

IV. No quiero tus avellanasTitleNo quiero tus avellanas, tampoco tus alelies,First lineGuridi, J., 1886-1961ComposerSp.Comp. Nat.Seis Canciones CastellanasCollection

Union Musical Espanola, Madrid, 1941.#17468PublisherMolto calmo e misterioso in 7/8. Slow, sustained, chantlike. Graceful, Commentsart, trad.TypeCastile, trad.Mel. SourceCastile, trad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-fsh2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

V. Como quieres que adivineTitleComo quieres que adivine, si estas depierta o dormienda,First lineGuridi, J., 1886-1961ComposerSp.Comp. Nat.Seis Canciones CastellanasCollection

Union Musical Espanola, Madrid, 1941.#17468#17468PublisherAllegro ma non troppo in 3/8. Lively, dance-like. Extended form. Req. Commentsart, trad.TypeCastile, trad.Mel. SourceCastile, trad.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.b-gfl2Ranged1-e2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

VI. Mañanita de San JuanTitleMañanita de San Juan leván tate tempranito...First lineGuridi, J., 1886-1961ComposerSp.Comp. Nat.Seis Canciones CastellanasCollection

Union Musical Espanola, Madrid, 1941.#17468PublisherModerato, molto tranquillo in 6/4.Slow, sustained, lyrical. Beautiful, Commentsart, trad.TypeCastile, trad.Mel. SourceCastile, trad.Text SourcePianoInstrumentsMVoiceAdv.Voc. LevelMod.Acc. Reqts.f1-gfl2Rangeafl1-gfl2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

A GranadaTitleGranada la bella nído de amores,First linePalacios, CristóbalComposer

Comp. Nat.Memories of SpainCollection

Edward B. Marks Music Corp., Belwin Mills, Melville, N.Y., 1941.PublisherSustained, lyrical, yet dramatic. Req. facile articulation of words & vocalCommentspop.,trad.TypePalacios, CristóbalMel. SourcePalacios, CristóbalText SourcePianoInstrumentsHVoiceAdv.Voc. LevelBasicAcc. Reqts.e1-a2Rangeg1-a2Tessitura

Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

Hist. Per.

Alma AndaluzaTitleYo soy el mejor torero...First lineGomez, R.; arr. by Venado de CampoComposer


Edward B. Marks Music Corp., Belwin Mills, Melville, N.Y., 1941.PublisherLively, vigorous. Req. some vocal flexibility & good diction. In folk Commentspop., trad.TypeGomez, R.Mel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2 (a2)Rangee1-e2Tessitura


Hist. Per.

Cancion del Olvido (Marinela)TitleMarinela, Marinela con su triste,First lineSerrano, J.; J. Rosamond Johnson, arr.Composer


Edward B. Marks Music Corp., Belwin Mills, Melville, N.Y., 1941.PublisherFlowing melody w. lilting, dance-like rhythm. Minor "chatty" section Commentspop., trad.TypeSerrano, J.Mel. SourceRomero, A. & Shaw, FernandezText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-f2Rangec1-c2Tessituradct.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

Hist. Per.

El carro del sol; ( Venetian Love Song )TitlePensando en el que la quiere,(v.) La ingrata fortuna, (c.)First lineSerrano, J.; J. Rosamond Johnson, arr.Composer


Edward B. Marks Music Corp., Belwin Mills, Melville, N.Y., 1941.PublisherSustained, graceful, w. flowing melody. An attractive song in 3/4 time.Commentspop., trad.TypeSerrano, J.Mel. SourceSerrano, J.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-fsh2Rangee1-d2Tessitura


Hist. Per.

Cielo AzulTitleTiene tu risa una canción...(v.), Cielo azul como tus ojos, (c.)First lineLongas, FedericoComposer


Edward B. Marks Music Corp., Belwin Mills, Melville, N.Y., 1941.PublisherSustained, dance-like; Habanera. Req. good control of breath & facile Commentspop., trad.TypeLongas, FedericoMel. SourceVela, SagiText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-f2Rangeg1-f2Tessituradnce.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

Hist. Per.

ClavelitosTitleClavelitos a quien le doy claveles!First lineValverde, J., 1846-1910ComposerSp.Comp. Nat.Memories of SpainCollection

Edward B. Marks Music Corp., Belwin Mills, Melville, N.Y., 1941.PublisherLively, joyous, in 6/8. Req. facile articulation of text. The song of a Commentstrad.TypeValverde, J.Mel. SourceValverde, J.?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Ranged1-d2Tessituradct.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

19th C.Hist. Per.

La Cruz de MayoTitleEl mosito paróse tras la cansela...(v.), Crús de Mayo sevillana,(c.)First lineFont, ManuelComposerFont, Manuel, qust.Comp. Nat.Memories of SpainCollection

Edward B. Marks Music Corp., Belwin Mills, Melville, N.Y., 1941.PublisherSustained, "wordy". A march in folk vein; "Andalusian song".Commentspop., trad.TypeFont, ManuelMel. SourceValverde, SalvadorText SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.c1-e2Rangee1-e2Tessituradct.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

Hist. Per.

GranadinasTitleAdios Granada, Granada mia...First lineBarrera y Calleja; J. Rosamond Johnson, arr.Composer


Edward B. Marks Music Corp., Belwin Mills, Melville, N.Y., 1941.PublisherSustained, melismatic. In folk vein. Req. good control of breath, Commentspop., trad.TypeCalleja, Barrera yMel. SourceCases, PabloText SourcePianoInstrumentsHVoiceAdv.Voc. LevelMod.Acc. Reqts.g1-afl2Rangeg1-g2Tessitura


Hist. Per.

Maria de la OTitlePara mis manos tumbagas;First lineQuiroga, M.Composer


Edward B. Marks Music Corp., Belwin Mills, Melville, N.Y., 1941.PublisherSustained, dance-like; Zambra. Lightly ornamented melody req. good Commentspop., trad.TypeQuiroga, M.Mel. SourceValverde & LeonText SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-d2Rangee1-d2Tessituradnce.Spec. Appl.LNCEMS qust.Call No.Eng. w. musicTranslation

Hist. Per.

PrincesitaTitlePrincesita...la de ojos azules y labios de grana...First linePadilla, J.Composer


Edward B. Marks Music Corp., Belwin Mills, Melville, N.Y., 1941.PublisherSustained, lightly ornamented, lilting & expressive. Req. vocal and Commentspop., trad.TypePadilla, J.Mel. SourcePalomero, M.E.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.e1-a2Rangee1-e2Tessitura


Hist. Per.

Te quiero morenaTitleTe quiero morena...como se quiere la gloria...First lineSerrano, J.Composer


Edward B. Marks Music Corp., Belwin Mills, Melville, N.Y., 1941.PublisherSustained, vigorous, lightly ornamented, dance-like; Jota. Musically notCommentsaria?, pop.?, trad.?TypeSerrano, J.Mel. Source

Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelDiff.Acc. Reqts.g1-a2Rangea1-a2Tessituradnce.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

Hist. Per.

La mi sola, LaureolaTitleLa mi sola, Laureola...Yo el cautivo Leriano...First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. ICollection

Union Musical Española, Madrid, 1921. #3407 (International Music Co.,PublisherAndante in 3/4. Slow, sustained. A love song of grave dignity. "A Commentsart, trad.Type

Mel. SourcePonce, JuanText SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.a-d2Rangee1-b1Tessitura

Spec. Appl.LNCEMSCall No.(Eng. sep. from music; Int.l Ed. avail.)Translation

16th & 20th C.Hist. Per.

Al AmorTitleDame Amor besos sin cuento...First lineObradors, F.J., arr., 1897-1945ComposerSp., Cat.Comp. Nat.Canciones Clásicas Españolas, Vol. ICollection

Union Musical Española, Madrid, 1921. #3407 (International Music Co.,PublisherVivo in 3/8. Animated, joyous, dance-like. Req. vocal flexibility & Commentsart, trad.Type

Mel. SourceCastillejo, Cristóbal deText SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.g1-g2Rangea1-e2Tessitura

Spec. Appl.LNCEMSCall No.(Eng. sep. from music; Int.'l Ed. avail.)Translation


Corazón porque pasais...TitleCorazón porque pasais Las noches de amor despierto...First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. ICollection

Union Musical Española, Madrid, 1921. #3407 (International Music Co.,PublisherAllegretto in 6/8. Sustained, sprightly, graceful melody. A tender & Commentsart, trad.Type

Mel. SourceUnknownText SourcePianoInstrumentsMVoiceBeg.Voc. LevelDiff.Acc. Reqts.e1-e2Rangee1-e2Tessitura

Spec. Appl.LNCEMSCall No.(Eng. sep. from music; Int'l Ed. avail.)Translation


El majo celosoTitleDel majo que me enamora He aprendido la queja...First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. ICollection

Union Musical Española, Madrid, 1921. #3407 (International Music Co.,PublisherAllegro in 3/4. Animated, lilting. Req. energetic interpretation & well Commentsart, trad.Type

Mel. SourceUnknownText SourcePianoInstrumentsMVoiceBeg.Voc. LevelDiff.Acc. Reqts.c1-f2Rangef1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.(Eng. sep. from music; Int.'l Ed. avail.)Translation


Con amores, la mi madre...TitleCon amores, la mi madre, con amores me dormi...First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. ICollection

Union Musical Española, Madrid, 1921. #3407 (International Music Co.,PublisherAndante mosso in 3/4. Slow, sustained, plaintive. Rhythmically simple.Commentsart, trad.TypeAnchieta, JuanMel. Source

Text SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.f1-a2Rangef1-c2Tessitura



Dos cantares popularesTitleDel cabello más sutil que tienes en tu trenzada...First lineObradors, F.J., arr., 1897-1945ComposerSp., Cat.Comp. Nat.Canciones Clásicas Españolas, Vol. ICollection

Union Musical Española, Madrid, 1921. #3407 (International Music Co.,PublisherAndantino in 6/8. Sustained. A tender, appealing love song. 2 Commentsart, trad.Type

Mel. SourceText Source

PianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.csh1-fsh2Rangefsh1-fsh2Tessitura


20th C.Hist. Per.

Coplas de Curro DulceTitleAh...Chiquitita la novia, Chiquitito el novio...First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. ICollection

Union Musical Española, Madrid, 1921. #3407 (International Music Co.,PublisherAllegro in 6/8 & 3/4. Spirited, sustained, declamatory. In folk vein; Commentsart, trad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.e1-a2Rangea1-g2Tessitura

Spec. Appl.LNCEMSCall No.(Eng. sep. from music; Int'l. Ed. avail.)Translation

? & 20th C.Hist. Per.

Tirana del ZarandilloTitleZarandillo andillo y andillo ...y andar.First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IICollection

Union Musical Española, Madrid,1930. #16455PublisherSprightly, dance-like; Tirana. Req. control of staccato, marcato & Commentsart, trad.Type


PianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.dsh1-b2Rangegsh1-gsh2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

?-20th C.Hist. Per.

Consejo from "El Ingeniosa Hidalgo"TitleEs de vidrio la mujer pero no se ha de probar...First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IICollection

Union Musical Española, Madrid, 1930. #16455PublisherSlow, dance-like; in tempo of Pavana. Req. vocal intensity throughoutCommentsart, trad.Type

Mel. Source(Don Quixote) CervantesText SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.d1-b2Rangee1-fsh2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

?-20th C.Hist. Per.

El Tumba y léTitleAunque soy chiquilla si topo un marido...First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IICollection

Union Musical Española, Madrid, 1930. #16455PublisherSpirited, humorous; in folk vein. Req. energetic vocalism & good Commentsart, trad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.f1-a2 (c3)Rangef1-f2Tessitura

Spec. Appl.LNCEMSCall No.

Translation

?-20th C.Hist. Per.

La moza y los CalvosTitleMadres las que teneis hijas...First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IICollection

Union Musical Española, Madrid, 1930. #16455PublisherAnimated w. slow, chant-like beginning. Extended form w. few musicalCommentsart, trad.Type

Mel. SourceQuevedo Villegas, Francisco deText SourcePianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.e1-b2Rangefsh1-a2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

?-20th C.Hist. Per.

Confiado Jilguerillo, from "Acis y Galatea" (1707)TitleConfiado Jilguerillo,(r.); Si de rama en rama, (a.)First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IICollection

Union Musical Española, Madrid, 1930. #16455PublisherFlorid, extended form, dance-like; Minuet. Simple melody w. virtuoso Commentsart, trad.TypeLiteres, Antonio, 1680?-1755?Mel. Source

Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.e1-e3Rangee1-b2Tessitura


Translation


Tres MorillasTitleTres morillas me enamoran en Jaén,First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IIICollection

Union Musical Española, Madrid, 1941. #17433PublisherSustained, chant-like. Haunting melody. Req. control of vocal color & Commentsart, trad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2Tessitura


Translation


Oh, que buen amor, saber yoglar!TitleOh, que buen amor, saber yoglar...a la tambora,First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IIICollection

Union Musical Española, Madrid, 1941. #17433PublisherAnimated, vigorous, in folk vein. Req. facile articulation & strong Commentsart, trad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelDiff.Acc. Reqts.c1-f2Rangef1-d2Tessitura


Translation


La guitarra sin primaTitleLa guitarra sin prima suena quejosa como estoy,First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IIICollection

Union Musical Española, Madrid, 1941. #17433PublisherSustained, lyrical, dreamy,"intimate". Beautiful, appealing melody. *Commentsart, trad.TypeEstremaduraMel. SourceEstremaduraText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-f2Rangeg1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

?- 20th C.Hist. Per.

Aquel sombrero de monteTitleAquel sombrero de monte hecho con hojas de palma...First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IIICollection

Union Musical Española, Madrid, 1941. #17433PublisherLively, syncopated, dance-like; Jota. Lightly ornamented. An Commentsart, trad.TypeCastileMel. SourceCastileText SourcePianoInstrumentsMVoiceBeg.Voc. LevelDiff.Acc. Reqts.d1-e2Ranged1-e2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

?-20th C.Hist. Per.

Polo del contrabandistaTitleYo soy el contrabandista y campo por mi respeto...First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IIICollection

Union Musical Española, Madrid, 1941. #17433PublisherAnimated, rhythmically exciting. Sustained, lightly ornamented. Req. Commentsart, trad.TypeGarcia, ManuelMel. Source

Text SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.d1-g2Rangefsh1-d2Tessitura


Translation


El VitoTitleUna vieja vale un real y una muchacha dos cuartos...First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IIICollection

Union Musical Española, Madrid, 1941. #17433PublisherVigorous, animated, dance-like; El Vito. Simple song w. 2 verses. Req. Commentsart, trad.TypeMadridMel. SourceMadridText SourcePianoInstrumentsMVoiceBeg.Voc. LevelDiff.Acc. Reqts.e1-f2Rangee1-e2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation


TrovaTitleÉchame niña bonita lágrimas en un pañuelo...First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IVCollection

Union Musical Española, Madrid, 1941. #17434PublisherSustained, rather slow w. lightly ornamented phrase endings. Commentsart, trad.TypeEstremaduraMel. SourceEstremaduraText SourcePianoInstrumentsHVoiceBeg.Voc. LevelDiff.Acc. Reqts.e1-gsh2Rangee1-fsh2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

?-20th C.Hist. Per.

El MolondrónTitleDesde que vino la moda, que si, que no, que ay!First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IVCollection

Union Musical Española, Madrid, 1941. #17434PublisherLively, syncopated, dance-like. Req. staccato & marcato, facile Commentsart, trad.TypeSantanderMel. SourceSantanderText SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.c1-e2Ranged1-d2Tessitura


Translation

?-20th C.Hist. Per.

Malagueña de "La Madrugá"TitleAntes de que rompa el día.First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IVCollection

Union Musical Española, Madrid, 1941. #17434PublisherSustained, rather slow. Long, freely declaimed, melismatic phrases. Commentsart, trad.TypeMurciaMel. SourceMurciaText SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.efl1-f2Rangeg1-efl2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

?-20th C.Hist. Per.

Canción del café de ChinitasTitleCafé de Chinitas dijo Paquiro a su hermano,First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IVCollection

Union Musical Española, Madrid, 1941. #17434PublisherLively, syncopated, sustained; dance-like. 3 verses. *Commentsart, trad.TypeMálagaMel. SourceMálagaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelDiff.Acc. Reqts.csh1-e2Rangee1-d2Tessitura


Translation

?-20th C.Hist. Per.

Romance de los pelegrinitosTitleHacia Roma caminan dos pelegrinos a que los case el Papa,First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IVCollection

Union Musical Española, Madrid, 1941. #17434PublisherSustained, animated, joyous. A narrative. Interpretatively not easy. Commentsart, trad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.d1-a2Ranged1-e2Tessitura


Translation

?-20th C.Hist. Per.

I. ChacareraTitleA mí me gustan las ñatas y una ñata me ha tocado...First lineGinastera, Alberto, 1916-ComposerArg.Comp. Nat.Cinco canciones populares ArgentinasCollection

Ricordi Americana, Buenos Aires, 1943. BA 8791PublisherAllegretto in 6/8, dotted quarter = 120. Lively, dance-lik e, "wordy'. Commentsart, trad.TypeArg.Mel. SourceArg.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelDiff.Acc. Reqts.e1-g2Rangeg1-g2Tessituradct. rhy.Spec. Appl.LNCEMS qust.Call No.

Translation

20th C.Hist. Per.

II. TristeTitleAh! Debajo de un limón verde...First lineGinastera, Alberto, 1916-ComposerArg.Comp. Nat.Cinco canciones populares ArgentinasCollection

Ricordi Americana, Buenos Aires, 1943. BA 8791PublisherLento, changing meter, quarter = 48. Slow, sustained, sorrowful mood.Commentsart, trad.TypeArg.Mel. SourceArg.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.d1-g2Rangeg1-g2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

III. ZambaTitleHasta las piedras del cerro...First lineGinastera, Alberto, 1916-ComposerArg.Comp. Nat.Cinco canciones populares ArgentinasCollection

Ricordi Americana, Buenos Aires, 1943. BA 8791PublisherModerato in 6/8, dotted quarter = 58. Lilting, dance-like. Lightly Commentsart, trad.TypeArg.Mel. SourceArg.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.f1-f2Rangea1-f2Tessitura


Translation

20th C.Hist. Per.

IV. ArrorróTitleArrorró mi nene, arrorró me sol...First lineGinastera, Alberto, 1916-ComposerArg.Comp. Nat.Cinco canciones populares ArgentinasCollection

Ricordi Americana, Buenos Aires, 1943. BA 8791PublisherLento in 2/4, quarter = 50.Slow, sustained. Simple melody beautifully Commentsart, trad.TypeArg.Mel. SourceArg.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelMod.Acc. Reqts.g1-g2Rangeg1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

V. GatoTitleEl gato de mi casa es muy gauchito...First lineGinastera, Alberto, 1916-ComposerArg.Comp. Nat.Cinco canciones populares ArgentinasCollection

Ricordi Americana, Buenos Aires, 1943.PublisherAllegro in 6/8, dotted quarter = 138. Vigorous, dance-like; Gato. Commentsart, trad.TypeArg.Mel. SourceArg.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.g1-g2Rangeg1-g2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

EstrellitaTitleEstrellita del lejano cielo,First linePonce, Manuel, 1882-1948ComposerMex.Comp. Nat.EstrellitaCollection

Southern Music Publ. Co., New York, 1951, (H & M); Carl Fischer, New PublisherSustained, sweeping, wide- ranging melody. Req. vocal & interpretativeCommentsart, trad.?TypePonce, ManuelMel. SourcePonce, ManuelText SourcePianoInstrumentsH & MVoiceInt.Voc. LevelBasicAcc. Reqts.H, c1-a2; M, a-fsh2;RangeH, f1-f2; M, d1-d2;Tessituraexp.Spec. Appl.LNCEMSCall No.Eng. & Fr. w. music, (H & M) Eng. w. music, (L).Translation

20th C.Hist. Per.

3. Joven divinaTitleJoven divina, tu me encantas con tus ojos,First linePonce, Manuel, 1882-1948ComposerMex.Comp. Nat.Seis Canciones Populares Mexicanas (each avail. sep.)Collection

Peer Int.'l Corp., New York, 1958. 470-3PublisherModerato in 6/8. Sustained, lilting, dance-like. Graceful, expansive Commentstrad.TypeTrad., Mex.Mel. SourceTrad., Mex.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.b-e2Rangegsh1-dsh2Tessituradct. exp.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.

Adiós MuchachosTitleAdiós muchachos, compñeros de mi vida,First lineSanders, J.; André, Julie, ed.ComposerArg.Comp. Nat.Songs from South of the BorderCollection

Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherSustained, "wordy". Graceful, flowing melody; Tango. A well-known, Commentstrad.; Arg.TypeSanders, J.Mel. SourceVedani, C. F.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.b-e2Rangee1-c2Tessituradnce.Spec. Appl.LNCEMSCall No.Eng. w. & sep. from musicTranslation

20th C.Hist. Per.

Arrimate, vida miaTitleHace días que ando triste,First lineVilloldo, A. G.; André, Julie, ed.ComposerArg.Comp. Nat.Songs from South of the BorderCollection

Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherA love song; Estilo. An interesting combination of very slow & quicker Commentstrad.; Arg.TypeVilloldo, A. G.Mel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-d2Ranged1-d2Tessitura

Spec. Appl.LNCEMS qust.Call No.Eng. w. & sep. from musicTranslation

20th C.Hist. Per.

VidalitaTitleDesde que te fuiste, mi amante bien,First lineUnknown; André, Julie, ed.Composer

Comp. Nat.Songs from South of the BorderCollection

Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherSustained, lyrical. Simple, graceful, haunting melody. A well-known Commentstrad.TypeTrad., Arg.Mel. SourceTrad., Arg.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Ranged1-c2Tessitura

Spec. Appl.LNCEMSCall No.Eng. w. & sep. from musicTranslation

Hist. Per.

Calla, no lloresTitleEres para mi mas dulce que el recuerdo de la infancia,First lineUnknown; André, Julie, ed.Composer


Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherSustained, graceful, flowing; interesting modal melody. A Yaravi. An Commentstrad.TypeTrad., Bol.Mel. SourceTrad., Bol.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangea1-d2Tessitura


Hist. Per.

Amame muchoTitleAllá en la noche callada para que se oiga mejor...First lineUnknown; André, Julie, ed.Composer


Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherLilting, dance-like; Cueca. Good dct. study. Excellent "Vocabulary Commentstrad.TypeTrad., Chi.Mel. SourceTrad., Chi.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangefsh1-d2Tessituradct.Spec. Appl.LNCEMSCall No.Eng. w. & sep. from musicTranslation

Hist. Per.

Flores NegrasTitleOye, bajo las ruinas de mis pasiones...First lineOrtiz, C.A.; André, Julie, ed.ComposerCol.Comp. Nat.Songs from South of the BorderCollection

Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherSlow, sustained, dance-like; Pasillo. A somber love song. Excellent Commentstrad.; Col.TypeOrtiz, C.A.Mel. SourceTrad.; Col.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-efl2Ranged1-d2Tessitura


Hist. Per.

PajarilloTitlePajarillo jilguero abre tus alas.First lineMurillo, Emilio; André, Julie, ed.Composer


Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherMelodically simple, rhythmically syncopated, dance-like; Bambuco. Req.Commentstrad.TypeTrad., Col.Mel. SourceTrad., Col.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Rangef1-c2Tessiturarhy., dct., dnce.Spec. Appl.LNCEMS qust.Call No.Eng. w. & sep. from musicTranslation

Hist. Per.

M'ap ResodouTitleTout ça pas existé cheri,First lineFrangeul, Fernand; André, Julie, ed.ComposerHaitiComp. Nat.Songs from South of the BorderCollection

Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherA Meringuette. Excellent "Vocabulary study of Latin-American lyrics" isCommentstrad.; HaitiTypeFrangeul, FernandMel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangef1-c2Tessitura

Spec. Appl.LNCEMSCall No.In Haitian dial.; Eng. w. & sep. from musicTranslation

20th C.Hist. Per.

El TecoloteTitleTecolote de guadaña pájaro madrugador,First lineUnknown; André, Julie, ed.Composer


Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherLilting, dance-like, syncopated; flowing sustained melody. A RancheraCommentstrad.TypeTrad., Mex.Mel. SourceTrad., Mex.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-e2Rangea1-d2Tessituraclss.Spec. Appl.LNCEMSCall No.Eng. w. & sep. from musicTranslation

Hist. Per.

ChiapanacasTitleRisas por doquier, Llenas de placer...First lineDeCampo, M.V.; André, Julie, ed.ComposerMex.Comp. Nat.Songs from South of the BorderCollection

Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherSustained. Dance-like, lilting, spirited. Graceful, well-known melody. Commentstrad.; Mex.TypeDeCampo, M.V.Mel. SourceHernandez-Ribera, JuanText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-efl2Rangeefl1-c2Tessitura


Hist. Per.

Flor de LimonTitleHermosa flor de limón, Dame de tu medicina,First lineUnknown; André, Julie, ed.Composer


Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherGraceful, lilting love song of Janitzio Isle, Lake Patzcuaro, Mex. Commentstrad., Mex.TypeTrad., Mex.Mel. SourceTrad., Mex.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-c2Rangeg1-c2Tessitura


Hist. Per.

La lloronaTitleSalías del Templo un día llorona...First lineUnknown; André, Julie, ed.Composer


Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherSustained; "wordy". Dance-like, lilting; Huapango. An appealing song Commentstrad.TypeTrad., Mex., OaxacaMel. SourceTrad.; Mex., OaxacaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-efl2Ranged1-d2Tessituradct.Spec. Appl.LNCEMSCall No.Eng. w. & sep. from musicTranslation

Hist. Per.

Muchacha BonitaTitleMuchacha bonita lunar en la cara...First lineUnknown; André, Julie, ed.Composer


Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherLightly sustained; somewhat "chatty "style; Huayno. Req. good Commentstrad.TypeTrad., Per.Mel. SourceTrad., Per.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-c2Rangee1-c2Tessituraclss.Spec. Appl.LNCEMSCall No.Eng. w. & sep. from musicTranslation

Hist. Per.

La Monica PérezTitleSeñora Mónica Pérez, a mi me parece bien,First lineUnknown; André, Julie, ed.Composer


Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherSustained, syncopated, somewhat chatty love song. Joropo. ExcellentCommentstrad.TypeTrad., Ven.Mel. SourceTrad., Ven.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.a-e2Ranged1-d2Tessitura


Hist. Per.

La ComparsaTitleEscucha el rumor, Escucha el sonar del seco tambor...First lineLecuona, Ernesto, 1896-1963; André, Julie, ed.ComposerCub.Comp. Nat.Songs from South of the BorderCollection

Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherSustained. Extended form. Melodically & rhythmically not difficult. Commentstrad.; Cub.TypeLecuona, ErnestoMel. SourceLecuona, ErnestoText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g-e2Rangec1-efl2Tessitura


20th C.Hist. Per.

Chibo que rompe tamboTitleYo jabla con ño Fransico ...First lineSimons, Moïses; André, Julie, ed.ComposerCub.Comp. Nat.Songs from South of the BorderCollection

Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherAn infectious, humorous song. Contains a spoken line. In Afro-Cuban Commentstrad.; Cub.TypeSimons, MoïsesMel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangec1-d2Tessitura

Spec. Appl.LNCEMSCall No.In Afro-Cub. dial.; Eng. w. & sep. from musicTranslation

20th C.Hist. Per.

Guajirita miaTitleAl subir de la pendiente,First lineEscarpenter, José; André, Julie, ed.ComposerCub.Comp. Nat.Songs from South of the BorderCollection

Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherLively, syncopated, dance-like; Guajira, "Tempo di Son". Excellent Commentstrad.; Cub.TypeEscarpenter, JoséMel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.bfl-efl2Rangef1-efl2Tessiturarhy.Spec. Appl.LNCEMSCall No.Eng. w. & sep. from musicTranslation

20th C.Hist. Per.

Suspiros del ChanchamayoTitleAmorcito nuevo quisiera tener,First lineUnknown; André, Julie, ed.Composer


Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherSlow, sustained, chant-like Yaravi w. graceful flowing melody & a Commentstrad.TypeTrad., Per.Mel. SourceTrad., Per.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.b-d2Ranged1-b1Tessitura


Hist. Per.

Sarape OaxaqueñoTitleSarape que tienes colores del iris,First lineMondragón, Samuel; André, Julie, ed.ComposerMex.Comp. Nat.Songs from South of the BorderCollection

Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherLively, dance-like, syncopated. Good dct. study. Canción. Excellent Commentstrad.; Mex.TypeMondragón, SamuelMel. SourceVasconcelos, Juan G.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.a-e2Rangecsh1-csh2Tessituradct.Spec. Appl.LNCEMSCall No.Eng. w. & sep. from musicTranslation

Hist. Per.

Morena, MorenaTitleMorena, Morena, teus olhos castanhos...First lineUnknown; André, Julie, ed.Composer


Edward Marks Music Corporation, New York, 1946. Cmpl. & ed. by JuliePublisherSlow, sustained, dance-like; simple, syncopated melody. A brief, Commentstrad.TypeTrad., Braz.Mel. SourceTrad., Braz.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.bfl-efl2Ranged1-d2Tessitura

Spec. Appl.LNCEMSCall No.In Pg.; Eng. w. & sep. from musicTranslation

Hist. Per.

11. El amor y los ojos Seguidillas.TitleA la Sala del crimen Llevé tus ojos,First lineVives, A., 1871-1932ComposerSp.Comp. Nat.Canciones EpigramaticasCollection

Union Musical Española, Madrid, 1962. #3457PublisherAllegretto in 3/4 & 2/4. Graceful, sustained. A lyrical love song, light Commentstrad.; SeguidillasTypeVives, A.Mel. SourceTrad.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.csh1-gsh2Rangefsh1-fsh2Tessituradnce. exp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

I. MediterráneaTitleSi te vas mañana al monte no te olvides de llevar,First lineEsplá, Oscar, 1886-1976ComposerSp.Comp. Nat.Lirica Española, Tres Canciones; Op. 54Collection

Union Musical Española, Madrid, 1952. #18728-1PublisherAnimato e leggero, quarter = 152; "chatty". Req. facile articulation ofCommentsart, trad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.f1-fsh2Rangeg1-dsh2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

II. CastellanaTitleYo me levantara madre.First lineEsplá, Oscar, 1886-1976ComposerSp.Comp. Nat.Lirica Española, Tres Canciones; Op. 54Collection

Union Musical Española, Madrid, 1952. #18728-2PublisherAndante sostenuto, quarter = 72. Req. good control of breath & of Commentsart, trad.Typetrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.e1-f2Rangea1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

III. AragonesaTitleSi ese sol que nos alumbra,First lineEsplá, Oscar,1886-1976ComposerSp.Comp. Nat.Lirica Española, Tres Canciones; Op. 54,Collection

Union Musical Española, Madrid, 1952. #18728-3PublisherSustained, declamatory. Melismatic, chromatic melody. Dance-like Commentsart, trad.Typetrad., Sp.Mel. SourceTrad., Sp. (from "Cancionero de Zaragoza of A. Mingote")Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.d1-gfl2Rangef1-efl2Tessituraexp., dnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

I. RutasTitlePor alli, por allá, á Castilla se vá.First lineEsplá, Oscar,1886-1976ComposerSp.Comp. Nat.Canciones PlayerasCollection

Union Musical Española, Madrid, 1930. #18658PublisherSpirited, dance-like. Sprightly, playful mood. An attractive piece. *Commentsart, trad.?TypeTrad., Sp., Andalusia?Mel. SourceTrad., Sp., Andalusia?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelDiff.Acc. Reqts.csh1-fsh2Rangefsh1-fsh2Tessituradct. exp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

II. PregonTitleVendo nubes de colores: las redondas coloradas,First lineEsplá, Oscar,1886-1976ComposerSp.Comp. Nat.Canciones PlayerasCollection

Union Musical Española, Madrid, 1930. #18658PublisherSustained. Long, arching, lightly ornamented melody. Req. vocal & Commentsart, trad.?TypeTrad., Sp., Andalusia?Mel. SourceTrad., Sp., Andalusia?Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.f1-fsh2Rangegsh1-dsh2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

III. Las 12TitleLas doce, en la aldea! Sal á tu azotea!First lineEsplá, Oscar,1886-1976ComposerSp.Comp. Nat.Canciones PlayerasCollection

Union Musical Española, Madrid, 1930. #18658PublisherAnimated, spirited, "wordy". Req. vocal flexibility, facile articulation ofCommentsart, trad.?TypeTrad., Sp., Andalusia?Mel. SourceTrad., Sp., Andalusia?Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.d1-g2Rangefsh1-fsh2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

IV. El Pescador Sin DineroTitlePez verde y dulce del rio, sal, escucha el llanto mio:First lineEsplá, Oscar,1886-1976ComposerSp.Comp. Nat.Canciones PlayerasCollection

Union Musical Española, Madrid, 1930. #18658PublisherFlowing, lightly ornamented melody w. changes of mood & tempo. Commentsart, trad.?TypeTrad., Sp., Andalusia?Mel. SourceTrad., Sp., Andalusia?Text SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.f1-g2Rangef1-f2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

V. CoplillaTitleUn duro me dió mi madre,First lineEsplá, Oscar,1886-1976ComposerSp.Comp. Nat.Canciones PlayerasCollection

Union Musical Española, Madrid, 1930. #18658PublisherAnimated, dance-like; Jota. Req. vocal flexibility & facile articulation ofCommentsart, trad.?TypeTrad., Sp., Andalusia?Mel. SourceTrad., Sp., Andalusia?Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.efl1-gfl2Rangef1-f2Tessituradnce. rhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

1. La HamacaTitleTengo mi hamaca tendida, En la orilla del mar.First lineFarwell, Arthur, arr., 1872-1952ComposerU.S.A.Comp. Nat.Spanish Songs of Old CaliforniaCollection

Chas. F. Lummis, Los Angeles, 1923. Chas. F. Lummis, coll., ed., & PublisherLilting, graceful, dance-like; Habanera rhythm. 2-part harmony Commentstrad.TypeTrad.Mel. Source?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-f2Ranged1-c2Tessitura

Spec. Appl.LNCEMS qust.Call No.Eng. w. musicTranslation

20th C.Hist. Per.

2. La BarquilleraTitleEn un delicioso puerto, De verde y fresca orilla,First lineFarwell, Arthur, arr., 1872-1952ComposerU.S.A.Comp. Nat.Spanish Songs of Old CaliforniaCollection

Chas. F. Lummis, Los Angeles, 1923. Chas. F. Lummis, coll., ed., & PublisherLight, vivacious; a quick waltz. 3 verses. A fun song. *Commentstrad.TypeTrad.Mel. Source?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-efl2Rangeefl1-efl2Tessitura


20th C.Hist. Per.

3. El QueléleTitleEl Queléle se murió, ay, ay, ay, ay, ay!First lineFarwell, Arthur, arr., 1872-1952ComposerU.S.A.Comp. Nat.Spanish Songs of Old CaliforniaCollection

Chas. F. Lummis, Los Angeles, 1923. Chas. F. Lummis, coll., ed., & PublisherLight, quick, bouncy. Brief, simple song w. playful, nonsensical mood.Commentstrad.TypeTrad.Mel. Source?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-c2Tessitura


20th C.Hist. Per.

4. La Noche 'sta SerenaTitleLa noche 'sta Serena, Tranquilo el aquilon,First lineFarwell, Arthur, arr., 1872-1952ComposerU.S.A.Comp. Nat.Spanish Songs of Old CaliforniaCollection

Chas. F. Lummis, Los Angeles, 1923. Chas. F. Lummis, coll., ed., & PublisherSlow, serene. Gently flowing melody. A Serenade w. 2 verses.Commentstrad.TypeTrad.Mel. Source?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.dfl1-dfl2Rangeefl1-c2Tessitura


20th C.Hist. Per.

5. El Capotin ( The Rain Song)TitleYo soy firme para amarte Y constante en el querer,First lineFarwell, Arthur, arr., 1872-1952ComposerU.S.A.Comp. Nat.Spanish Songs of Old CaliforniaCollection

Chas. F. Lummis, Los Angeles, 1923. Chas. F. Lummis, coll., ed., & PublisherLively, dance-like; well accented waltz rhythm. 3 verses w. refrain.Commentstrad.TypeTrad.Mel. Source?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-d2Rangee1-c2Tessitura


20th C.Hist. Per.

6. Chata Cara de BuleTitleVuelve otra vez con tus palabras tiernas...First lineFarwell, Arthur, arr., 1872-1952ComposerU.S.A.Comp. Nat.Spanish Songs of Old CaliforniaCollection

Chas. F. Lummis, Los Angeles, 1923. Chas. F. Lummis, coll., ed., & PublisherSmooth, sustained, somewhat "wordy". Narrative feeling. Song of a Commentstrad.TypeTrad.Mel. Source?Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Rangeg1-c2Tessitura


20th C.Hist. Per.

7. Peña Hueca ( A Teamster's Song)TitlePeña de aquel cerro alto, Donde mi amada pasa la vida;First lineFarwell, Arthur, arr., 1872-1952ComposerU.S.A.Comp. Nat.Spanish Songs of Old CaliforniaCollection

Chas. F. Lummis, Los Angeles, 1923. Chas. F. Lummis, coll., ed., & PublisherSlow, sustained. Graceful, expansive melody. A simple, heartfelt love Commentstrad.TypeTrad.Mel. Source?Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-c2Rangee1-c2Tessitura


20th C.Hist. Per.

8. El Zapatero ( The Shoemaker)TitleYo le dije á un zapatero Que mi hiciera unos zapatos,First lineFarwell, Arthur, arr., 1872-1952ComposerU.S.A.Comp. Nat.Spanish Songs of Old CaliforniaCollection

Chas. F. Lummis, Los Angeles, 1923. Chas. F. Lummis, coll., ed., & PublisherSimple, folk-like melody. Begins slowly w. "fast, furious" ending. Brief Commentstrad.TypeTrad.Mel. Source?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.c1-d2Rangef1-c2Tessitura


20th C.Hist. Per.

9. La PrimaveraTitleYa viene la primavera, sembrando flores...ay, ay!First lineFarwell, Arthur, arr., 1872-1952ComposerU.S.A.Comp. Nat.Spanish Songs of Old CaliforniaCollection

Chas. F. Lummis, Los Angeles, 1923. Chas. F. Lummis, coll., ed., & PublisherSustained, flowing, graceful melody. Springtime reflections on love. 3 Commentstrad.TypeTrad.Mel. Source?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.bfl-d2Rangeefl1-bfl1Tessituraexp.Spec. Appl.LNCEMS qust.Call No.Eng. w. musicTranslation

20th C.Hist. Per.

10. Mi PepaTitleQuiero á mi Pepa y no es broma, Porque es hembra muy formal...First lineFarwell, Arthur, arr., 1872-1952ComposerU.S.A.Comp. Nat.Spanish Songs of Old CaliforniaCollection

Chas. F. Lummis, Los Angeles, 1923. Chas. F. Lummis, coll., ed., & PublisherLightly lilting; in quick waltz tempo. Graceful, sustained melody. A songCommentstrad.TypeTrad.Mel. Source?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangee1-c2Tessitura


20th C.Hist. Per.

11. Es el Amor MariposaTitleEs el amor mariposa, que á salida del sol...First lineFarwell, Arthur, arr., 1872-1952ComposerU.S.A.Comp. Nat.Spanish Songs of Old CaliforniaCollection

Chas. F. Lummis, Los Angeles, 1923. Chas. F. Lummis, coll., ed., & PublisherLight, graceful, dance-like; Habanera rhythm. Minor & major sections. Commentstrad.TypeTrad.Mel. Source?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Ranged1-d2Tessitura


20th C.Hist. Per.

12. La Mágica MujerTitleUna linda y mágica mujer Me encantó con solo su mirar,First lineFarwell, Arthur, arr., 1872-1952ComposerU.S.A.Comp. Nat.Spanish Songs of Old CaliforniaCollection

Chas. F. Lummis, Los Angeles, 1923. Chas. F. Lummis, coll., ed., & PublisherGraceful, flowing, sustained, yet "wordy". Distinctive well-developed Commentstrad.TypeTrad.Mel. Source?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-fsh2Rangefsh1-d2Tessituradct.Spec. Appl.LNCEMS qust.Call No.Eng. w. musicTranslation

20th C.Hist. Per.

13. El CharroTitleEstaba un charro centado En las trancas de un corral;First lineFarwell, Arthur, arr., 1872-1952ComposerU.S.A.Comp. Nat.Spanish Songs of Old CaliforniaCollection

Chas. F. Lummis, Los Angeles, 1923. Chas. F. Lummis, coll., ed., & PublisherBrisk, simple, folk-like melody. Whimsical, humorous text. 4 verses.Commentstrad.TypeTrad.Mel. Source?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Rangefsh1-c2Tessitura


20th C.Hist. Per.

14. Adios, Adios, AmoresTitleAdios, adios, amores, Adios proque me au sentoFirst lineFarwell, Arthur, arr., 1872-1952ComposerU.S.A.Comp. Nat.Spanish Songs of Old CaliforniaCollection

Chas. F. Lummis, Los Angeles, 1923. Chas. F. Lummis, coll., ed., & PublisherSlow, sustained w. gently flowing melody. A sad, tender farewell. 3 Commentstrad.TypeTrad.Mel. Source?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Rangefsh1-b1Tessitura


20th C.Hist. Per.

Cantiga XXVIIITitleTodo lugar muy bien puede ser defendido...First lineAlfonso X "El Sabio", 1252-1284ComposerSp.Comp. Nat.Cuatro Cantigas XXVIII-LX-LXI-LXVCollection

Union Musical Española, Madrid, 1966. Trnsc. by Felipe Pedrell. #21015PublisherSlow, sustained. Long, flowing, graceful phrases. Simple homophonic Commentsart, trad.TypeAlfonso X ?Mel. SourceAlfonso X ?Text SourceOrgan or Harmonium (Kybd.)InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangef1-c2Tessiturasac.Spec. Appl.LNCEMSCall No.In Pg.-Gal. dial.; Sp. w. musicTranslation


Cantiga LXTitleEntre Ave y Eva hay gran distinción...First lineAlfonso X "El Sabio", 1252-1284ComposerSp.Comp. Nat.Cuatro Cantigas XXVIII-LX-LXI-LXVCollection

Union Musical Española, Madrid, 1966. Trnsc. by Felipe Pedrell. #21015PublisherSlow, sustained, chant-like melody. Simple homophonic setting. Commentsart, trad.TypeAlfonso X ?Mel. SourceAlfonso X ?Text SourceOrgan or Harmonium (Kybd.)InstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-a1Rangec1-a1Tessiturasac.Spec. Appl.LNCEMSCall No.In Pg.-Gal. dial.; Sp. w. musicTranslation


Cantiga LXITitleEs loco quien piense que no lograria hacer cuanto...First lineAlfonso X "El Sabio", 1252-1284ComposerSp.Comp. Nat.Cuatro Cantigas XXVIII-LX-LXI-LXVCollection

Union Musical Española, Madrid, 1966. Trnsc. by Felipe Pedrell. #21015PublisherSustained, gently flowing, lilting. Simple homophonic setting. Commentsart, trad.TypeAlfonso X ?Mel. SourceAlfonso X ?Text SourceOrgan or Harmonium (Kybd.)InstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-c2Rangec1-c2Tessiturasac.Spec. Appl.LNCEMSCall No.In Pg.-Gal. dial.; Sp. w. musicTranslation


Cantigas LXVTitleTener fédebemos en que los pecados...First lineAlfonso X "El Sabio", 1252-1284ComposerSp.Comp. Nat.Cuatro Cantigas XXVIII-LX-LXI-LXVCollection

Union Musical Española, Madrid, 1966. Trnsc. by Felipe Pedrell. #21015PublisherSustained, gently flowing w. joyous mood. Long phrases. Simple Commentsart, trad.TypeAlfonso X ?Mel. SourceAlfonso X ?Text SourceOrgan or Harmonium (Kybd.)InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-e2Rangef1-c2Tessiturasac.Spec. Appl.LNCEMSCall No.In Pg.-Gal. dial.; Sp. w. musicTranslation


GranadaTitleGranada tierra soñada por mi...First lineLara, AgustinComposer

Comp. Nat.GranadaCollection

Peer Int.'l Corp., 1950. 02-010316-202.PublisherSustained, lightly ornamented, expansive melody. Lively, spirited, Commentsart, trad.TypeLara, AgustinMel. SourceLara, AgustinText SourcePianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.d1-g2Rangefsh1-fsh2Tessitura


20th C.Hist. Per.

1. Echate, niño ( Lie still, my baby )TitleEchate, niño, que viene el coco...First lineLaparra, Raoul, arr.Composer

Comp. Nat.Seize Mélodies sur des Thèmes Populaires d'EspagneCollection

Heugel & Cie., Paris, 1920.PublisherSlow, sustained, lightly ornamented. Brief, simple lullaby. Delicately Commentsart, trad.TypeTrad., Sp., CastileMel. SourceTrad., Sp., CastileText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-fsh2Rangefsh1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.Fr. & Eng. w. musicTranslation

20th C.Hist. Per.

2. En la Huerta de Murcia ( The Ox Driver )TitleEn la Huerta de Murcia No hay averio...First lineLaparra, Raoul, arr.Composer


Heugel & Cie., Paris, 1920.PublisherSlow, sustained, melismatic. Strongly dramatic, declamatory. Vocally, Commentsart, trad.TypeTrad., Sp., MurciaMel. SourceTrad., Sp., MurciaText SourcePianoInstrumentsHVoiceAdv.Voc. LevelMod.Acc. Reqts.e1-a2Rangee1-a2Tessituraexp.Spec. Appl.LNCEMSCall No.Fr. & Eng. w. musicTranslation

20th C.Hist. Per.

3. Iruten hari nuzu ( You weep as you spin )TitleIruten hari nuzu, Khilua gerrian...First lineLaparra, Raoul, arr.Composer


Heugel & Cie., Paris, 1920.PublisherSustained, simple, flowing melody. Gently sweet, melancholy mood. ACommentsart, trad.TypeTrad., Bsq.Mel. SourceTrad., Basq.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.efl1-efl2Rangeefl1-c2Tessitura

Spec. Appl.LNCEMSCall No.In Bsq.; Fr. & Eng. w. musicTranslation

20th C.Hist. Per.

4. En DesembreTitleA vinticinch de Desembre, fum, fum, fum,First lineLaparra, Raoul, arr.Composer


Heugel & Cie., Paris, 1920.PublisherAnimated, rhythmic, modal. Vocally dramatic version of well-known Commentsart, trad.TypeTrad.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelMod.Acc. Reqts.fsh1-b2Rangefsh1-fsh2Tessitura

Spec. Appl.LNCEMSCall No.Fr. & Eng. w. musicTranslation

20th C.Hist. Per.

5. Lo, lo!TitleAurcho chiquia negarrez dago Ama emazu titia.First lineLaparra, Raoul, arr.Composer


Heugel & Cie., Paris, 1920.PublisherSlow, sustained, gently flowing lullaby; nicely set. A good study. Voc.Commentsart, trad.TypeTrad., Bsq.Mel. SourceTrad., Bsq.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-f2Rangee1-e2Tessituratch.Spec. Appl.LNCEMSCall No.In Bsq.; Fr. & Eng. w. musicTranslation

20th C.Hist. Per.

6. Etche churriaTitleIkhusten duzu goizean, Argia hasten denean,First lineLaparra, Raoul, arr.Composer


Heugel & Cie., Paris, 1920.PublisherSpirited, bouncy, dance-like. "Youthful, good-humoured" mood. Req. aCommentsart, trad.TypeTrad., Bsq.Mel. SourceTrad., Bsq.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.e1-a2Rangee1-e2Tessitura

Spec. Appl.LNCEMSCall No.In Bsq.; Fr. & Eng. w. musicTranslation

20th C.Hist. Per.

7. Illargui EderraTitleCerualtuban illargui eder Izarcho bien erdian.First lineLaparra, Raoul, arr.Composer


Heugel & Cie., Paris, 1920.PublisherSlow, sustained; simple, straightforward, flowing melody. A "gentle, Commentsart, trad.TypeTrad., Bsq.Mel. SourceTrad., Bsq.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-f2Rangee1-fsh2Tessituraexp.Spec. Appl.LNCEMSCall No.In Bsq.; Fr. & Eng. w. musicTranslation

20th C.Hist. Per.

8. Bidarraiko gizonaTitleMila zortzi ehun hemere tzian,First lineLaparra, Raoul, arr.Composer


Heugel & Cie., Paris, 1920.PublisherSustained, "wordy"; animated & light, rhythmic. The song of a cheerful,Commentsart, trad.TypeTrad., Bsq.Mel. SourceTrad., Bsq.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.d1-e2Ranged1-fsh2Tessituradct.Spec. Appl.LNCEMSCall No.In Bsq.; Fr. & Eng. w. musicTranslation

20th C.Hist. Per.

9. A la PeteneraTitleAy! Petenera!...dame de tu pecho un ramo...First lineLaparra, Raoul, arr.Composer


Heugel & Cie., Paris, 1920.PublisherSustained, lightly dramatic, ornamented, dance-like; a Petenera. Req. Commentsart, trad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourcePianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.e1-a2Rangee1-a2Tessituradnce.Spec. Appl.LNCEMSCall No.Fr. & Eng. w. musicTranslation

20th C.Hist. Per.

10. SevillanasTitleTienen las Sevillanas, En la mantilla,First lineLaparra, Raoul, arr.Composer


Heugel & Cie., Paris, 1920.PublisherLively, spirited, lightly ornamented, dance-like; a Sevillanas. Festive,Commentsart, trad.TypeTrad., Bsq.Mel. SourceTrad., Bsq.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.e1-a2Rangee1-a2Tessitura


20th C.Hist. Per.

11. Solea del InfelizTitleHasta la guitarra siente El golpe de mi dolor;First lineLaparra, Raoul, arr.Composer


Heugel & Cie., Paris, 1920.PublisherSustained, modal, melismatic ; dance-like; Solea. Req. good breath Commentsart, trad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.e1-a2Rangee1-e2Tessitura


20th C.Hist. Per.

12. A la CorridaTitleCuando salgo a la plaza Con mi montera...Ay!First lineLaparra, Raoul, arr.Composer


Heugel & Cie., Paris, 1920.PublisherLively, vigorous, rhythmic. Sustained, lightly ornamented melody; Commentsart, trad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.e1-gsh2Rangee1-e2Tessitura


20th C.Hist. Per.

13. La MolineraTitleA la fuente voy por agua y al molino pa moler.First lineLaparra, Raoul, arr.Composer


Heugel & Cie., Paris, 1920.PublisherSimple, straightforward melody. Lively, energetic mood. Sustained Commentsart, trad.TypeTrad., Sp., AragonMel. SourceTrad., Sp., AragonText SourcePianoInstrumentsHVoiceBeg.Voc. LevelMod.Acc. Reqts.f1-bfl2Rangef1-d2Tessitura


20th C.Hist. Per.

14. El Pájaro del TeveroTitleYa esta el pájaro, padre, puesto a la esquina del Tevero,First lineLaparra, Raoul, arr.Composer


Heugel & Cie., Paris, 1920.PublisherSustained, animated, "chatty", w. changing meter throughout. A childCommentsart, trad.TypeTrad., Sp., AragonMel. SourceTrad., Sp., AragonText SourcePianoInstrumentsH Beg.VoiceBasicVoc. Levele1-a2Acc. Reqts.g1-g2Range

TessituraSpec. Appl.

LNCEMSCall No.Fr. & Eng. w. musicTranslation

20th C.Hist. Per.

15. Gitanilla!TitleGitanilla...Ya te lo dara el gitano...First lineLaparra, Raoul, arr.Composer


Heugel & Cie., Paris, 1920.PublisherSlow, sustained, chant-like. Brief song about a little gypsy who was Commentsart, trad.TypeTrad., Sp., AragonMel. SourceTrad., Sp., AragonText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-fsh2Rangefsh1-e2Tessitura


20th C.Hist. Per.

16. JotaTitleLos civiles me prendieron... Porque robava una flor...First lineLaparra, Raoul, arr.Composer


Heugel & Cie., Paris, 1920.PublisherSpirited, dance-like; a Jota. Sustained, ornamented melody. Req. goodCommentsart, trad.TypeTrad., Sp., AragonMel. SourceTrad., Sp., AragonText SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.fsh1-a2Rangeash1-gsh2Tessitura


20th C.Hist. Per.

1. Villancico AsturianoTitleNo hay tal andar como andar a la una...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Diez Villancicos EspañolesCollection

Editions Max Eschig, Paris, 1934.PublisherRather slow, sustained. Lovely, uncomplicated melody. An attractiveCommentsart, trad.TypeTrad., Sp., AsturiasMel. SourceTrad., Sp., AsturiasText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.a1-f2Rangea1-f2Tessiturasac. exp.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

2. Villancico GallegoTitleOs angeliños d'a gloria Cantan cousas d'agradar...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Diez Villancicos EspañolesCollection

Editions Max Eschig, Paris, 1934.PublisherSustained, animated, dance-like. Brief, modal song w. varied tempo; aCommentsart, trad.TypeTrad., Sp., GaliciaMel. SourceTrad., Sp., GaliciaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-f2Rangeg1-f2Tessiturasac. exp.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

3. Villancico VascoTitleAtor, ator mutil etxera, gastaña zimelak jatera...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Diez Villancicos EspañolesCollection

Editions Max Eschig, Paris, 1934.PublisherSlow, sustained, gently flowing lullaby w. simple 2-bar phrases. A Commentsart, trad.TypeTrad., Bsq.Mel. SourceTrad., Bsq.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-e2Rangefsh1-e2Tessituratch. sac.Spec. Appl.LNCEMSCall No.In Bsq.; Fr. w. musicTranslation

20th C.Hist. Per.

4. Villancico CastellanoTitleSan José carpintero, carpintero, Ay!First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Diez Villancicos EspañolesCollection

Editions Max Eschig, Paris, 1934.PublisherLively, joyful, dance-like. A Villancico. Req. vocal flexibility, facile Commentsart, trad.TypeTrad., Sp., CastileMel. SourceTrad., Sp., CastileText SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.g1-fsh2Rangeg1-fsh2Tessiturasac. rhy.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

5. Villancico de CórdobaTitleMadre en la puerta hay un Niño Más bello que flor de lirio...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Diez Villancicos EspañolesCollection

Editions Max Eschig, Paris, 1934.PublisherA melancholy, haunting melody in beautiful setting. A Villancico. Req. Commentsart, trad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-f2Rangeg1-d2Tessiturasac. exp.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

6. Villancico MurcianoTitleEsta noche es Noche buena Buena noche de cantar...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Diez Villancicos EspañolesCollection

Editions Max Eschig, Paris, 1934.PublisherSpirited, rhythmic, dance-like. 2-bar phrases, lightly ornamented. Req.Commentsart, trad.TypeTrad., Sp., MurciaMel. SourceTrad., Sp., MurciaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.g1-f2Rangeg1-f2Tessiturasac. rhy. exp.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

7. Villancico AragonésTitleAtención a mis coplicas Porque voy con gran contento...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Diez Villancicos EspañolesCollection

Editions Max Eschig, Paris, 1934.PublisherQuick,"chatty", w. joyful, excited mood. A Villancico. Req. facile Commentsart, trad.TypeTrad., Sp., AragonMel. SourceTrad., Sp., AragonText SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.fsh1-fsh2Rangeb1-d2Tessiturasac. exp. dct.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

8. Segundo Villancico CatalanTitleEsta nit es nit de vetlla... Ha nascut d'una donzella la mira i fa sol...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Diez Villancicos EspañolesCollection

Editions Max Eschig, Paris, 1934.PublisherSustained, somewhat animated; simple, gently flowing melody. Req. Commentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.g1-f2Rangeg1-f2Tessiturasac. tch. exp.Spec. Appl.LNCEMSCall No.In Cat.; Fr. w. musicTranslation

20th C.Hist. Per.

9. Jesús de NazarethTitleAy! Un niño nace de flores Ay!First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Diez Villancicos EspañolesCollection

Editions Max Eschig, Paris, 1934.PublisherSustained, dance-like, rhythmically syncopated w. long, melismatic Commentsart, trad.TypeNin, Joaquin (1933)Mel. SourceCancionero de Rodrigo de ReinosaText SourcePianoInstrumentsHVoiceAdv.Voc. LevelMod.Acc. Reqts.d1-g2Rangef1-d2Tessiturasac. exp.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

10. Villancico AndaluzTitleCampana sobre campana Y sobre campana una...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Diez Villancicos EspañolesCollection

Editions Max Eschig, Paris, 1934.PublisherAnimated, strongly rhythmic,"chatty"; dance-like, joyous mood. Req. Commentsart, trad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.csh1-fsh2Rangefsh1-d1Tessiturasac. rhy. dct.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

Primera Canción GallegaTitleEu coa miña monteira e c'o meu saio de lan...First lineNin, Joaquin, l878-1949ComposerSp., Cub.Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 2Collection

Editions Max Eschig, Paris, 1923.PublisherAndante molto espressivo in 2/4, quarter = 69. Somewhat slow, Commentsart, trad.TypeTrad., Sp., GaliciaMel. SourceTrad., Sp., GaliciaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-efl2Rangeafl1-dfl2Tessituraexp.Spec. Appl.LNCEMSCall No.In Galician dial.; Fr. w. musicTranslation

20th C.Hist. Per.

Segunda Canción GallegaTitleMeu amor meu amoriño...First lineNin, Joaquin, l878-1949ComposerSp., Cub.Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 2Collection

Editions Max Eschig, Paris, 1923.PublisherAndante molto espressivo in 3/4 & 2/4, quarter =120. Sustained. Commentsart, trad.TypeTrad., Sp., GaliciaMel. SourceTrad., Sp., GaliciaText SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.f1-fsh2Rangeb1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.In Galician dial.; Fr. w. musicTranslation

20th C.Hist. Per.

Tercera Canción GallegaTitleCanta ó galo ven ó dia Erguete meu ben é vaiteFirst lineNin, Joaquin, l878-1949ComposerSp., Cub.Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 2Collection

Editions Max Eschig, Paris, 1923.PublisherAllegretto in 6/8, dotted quarter = 96. Sustained; gently lilting Commentsart, trad.TypeTrad., Sp., GaliciaMel. SourceTrad., Sp., GaliciaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-e2Rangea1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.In Galician dial.; Fr. w. musicTranslation

20th C.Hist. Per.

Villancico CatalánTitleEixa nit es nit de vetlla, n'ha parit una donzella,First lineNin, Joaquin, l878-1949ComposerSp., Cub.Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 2Collection

Editions Max Eschig, Paris, 1923.PublisherAndante in 2/4, quarter = 84. Sustained, flowing melody. A quietly Commentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangeg1-d2Tessiturasac., exp.Spec. Appl.LNCEMSCall No.In Cat.; Fr. w. musicTranslation

20th C.Hist. Per.

El Canto de los PájarosTitleAl veurer despuntar Lo major lluminar En la nit mes ditxosa.First lineNin, Joaquin, l878-1949ComposerSp., Cub.Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 2Collection

Editions Max Eschig, Paris, 1923.PublisherAndantino in 4/4, quarter =80. Sustained; beautiful, well-known Commentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod. or Diff.Acc. Reqts.c1-f2Rangeafl1-efl2Tessiturasac., exp.Spec. Appl.LNCEMSCall No.In Cat.; Fr. w. musicTranslation

20th C.Hist. Per.

El VitoTitleUna vieja vale un real y una muchacha dos cuartos,First lineNin, Joaquin, l878-1949ComposerSp., Cub.Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 2Collection

Editions Max Eschig, Paris, 1923.PublisherAllegro risoluto in 3/8, quarter = 84. Vigorous, animated, dance-like.Commentsart, trad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelDiff.Acc. Reqts.e1-e2Rangegsh1-e2Tessituradnce.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

Canto AndaluzTitleAy!...Por darle gusto a tu gente y a mi corazón pesar...First lineNin, Joaquin, l878-1949ComposerSp., Cub.Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 2Collection

Editions Max Eschig, Paris, 1923.PublisherAllegro deciso ma con grazia in 3/4, dotted half = 72. Energetic yet Commentsart, trad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.f1-g2Rangea1-f2Tessituradct., rhy.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

I. Corazón que en prisiónTitleCorazón que en prisión de respetos,First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol.1Collection

Editions Max Eschig, Paris, 1926.PublisherLargo patetico in 3/4, quarter = 70. Slow, sustained. Intensely Commentsart, trad.TypeMarin, José, 1619-1699Mel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.d1-f2Rangef1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

II. Desengañémonos ya...TitleDesengañémonos ya, mal pagado pensamiento...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol.1Collection

Editions Max Eschig, Paris, 1926.PublisherAndante in 4/4, half = 60. Slow, sustained. A tender love song. Req.Commentsart, trad.TypeMarin, José, 1619-1699Mel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.d1-gfl2Rangef1-efl2Tessituraexp.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation


III. Cloris HermosaTitleGraciosa moda esa que han dado en usar,First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol.1Collection

Editions Max Eschig, Paris, 1926.PublisherAndantino in 3/4, quarter = 100. Sustained, graceful, elegant. Req. Commentsart, trad.TypeDurón, Sebastián, 1645?-1716?Mel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.dsh1-fsh2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

IV. Minué cantadoTitleSi de Amarilis los ojos disparan flechas...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol.1Collection

Editions Max Eschig, Paris, 1926.PublisherEspressivo ma semplice in 3/4, quarter = 120. Sustained, graceful, Commentsart, trad.TypeBassa, José, 1670?-1730?Mel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-e2Rangeg1-e2Tessituradnce. tch. exp.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation


V. Aria de Acis y GalateaTitleConfiado jilguerillo,(rec.); Si de rama en ramam (aria)First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol.1Collection

Editions Max Eschig, Paris, 1926.PublisherAria is Andantino in 3/4, quarter = 90 á 96. Sustained, somewhat Commentsaria,art, trad.?TypeLiteres, Antonio, 1680?-1755?Mel. Source

Text SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.c1-g2Ranged1-d2Tessiturathea.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation


VI. Alma, SintamosTitleAlma, sintamos! Ojos, llorar!First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol.1Collection

Editions Max Eschig, Paris, 1926.PublisherAndante cantabile e molto espressivo in 3/8, eighth = 72. Slow, Commentsart, trad.TypeEsteve, Pablo, 1730?-1792?Mel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.a1-gfl2Rangea1-efl2Tessituraexp.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation


VII. El jilguerito con pico de oroTitleEl jilguerito con pico de oro, canta sonoro...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol.1Collection

Editions Max Eschig, Paris, 1926.PublisherAndatino mosso in 3/4, quarter = 80. Sustained, dance-like; a Commentsaria, art, trad.?TypeLaserna, Blas de, 1751-1816Mel. Source

Text SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.fsh1-a2Rangeg1-g2Tessituradnce.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation


I. El amor es como un niño...TitleEl amor es como un niño Que cuanto ve se le antoja,First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol.2Collection

Editions Max Eschig, Paris, 1927.PublisherAndantino mosso in 6/8, dotted quarter = 69. Sustained, lilting, Commentsart, trad.TypeUnknown, c. 1786Mel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.gfl1-gfl2Rangeafl1-efl2Tessiturarhy.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation


II. TiranaTitleEl día que se casare el tío Manga ligera...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol.2Collection

Editions Max Eschig, Paris, 1927.PublisherAllegretto in 3/8, dotted quarter = 69. Animated, dance-like; Tirana.Commentsart, trad.TypeFerrer, Guillermo, 1730?- 1790?Mel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.fsh1-fsh2Rangegsh1-e2Tessituradnce.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation


III. A la JotaTitleA la Jota que hay muchas palomasFirst lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol.2Collection

Editions Max Eschig, Paris, 1927.PublisherAllegretto moderato in 3/4, dotted half = 72. Sustained, animated, Commentsart, trad.TypeEsteve, Pablo, 1730?-1800?Mel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.efl1-f2Rangeg1-efl2Tessituradnce.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation


IV. TiranaTitleDel Tripili la tirana es la que más gusto daFirst lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol. 2Collection

Editions Max Eschig, Paris, 1927.PublisherAllegretto vivo in 3/8, dotted quarter = 69. Lively, dance-like; Tirana.Commentsart, trad.TypeLaserna, Blas de, 1751-1816Mel. Source

Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.fsh1-a2Rangea1-gsh2Tessituradnce.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation


V. Por colación seis abatesTitlePor colación seis abates...Se comieron un canario...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol. 2Collection

Editions Max Eschig, Paris, 1927.PublisherPresto in 3/4, dotted half = 84. Animated, graceful, lightly Commentsart, trad.TypeLaserna, Blas de, 1751-1816Mel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelDiff.Acc. Reqts.fsh1-f2Rangea1-d2Tessitura

Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation


VI. Las Majas de ParisTitlePara ver si acaso logro complacer á mis polacosFirst lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol. 2Collection

Editions Max Eschig, Paris, 1927.PublisherAllegro in 2/4, half = 84. Rapid, "chatty". Req. facile articulation of Commentsart, trad.TypeLaserna, Blas de, 1751-1816Mel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.f1-gfl2Rangegfl1-efl2Tessituradct. exp.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation


VII. Las Majas MadrileñasTitleLas majas madrileñas son de tal casta,First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol. 2Collection

Editions Max Eschig, Paris, 1927.PublisherAllegretto in 3/8, dotted quarter = 50. Spirited, dance-like; Commentsart, trad.TypeLaserna, Blas de, 1751-1816Mel. Source

Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.e1-g2Rangeg1-e2Tessituradnce. rhy.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation


I. La Mare de DéuTitleLa Mare de Déu quan era xiqueta,First lineNin-Culmell, Joaquin, 1908-Composer

Comp. Nat.Douze Chansons Populaires de CatalogneCollection

Éditions Max Eschig, Paris, 1958.PublisherSustained, graceful melody. Brief, simple song, nicely set.Commentsart, trad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-d2Rangee1-d2Tessiturasac.Spec. Appl.LNCEMSCall No.In CatalanTranslation

20th C.Hist. Per.

II. El ram de la PassióTitleEl ram...el ram de Passió!First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1958.PublisherSprightly, bouncy, lightly ornamented dance-like; Joyful mood. Brief Commentsart, trad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangef1-f2Tessitura

Spec. Appl.LNCEMSCall No.In CatalanTranslation

20th C.Hist. Per.

III. La dama d'AragóTitleA Aragó n'hi ha una dama que es bonica com un sol;First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1958.PublisherSlow, sustained, flowing. Plaintive love song in simple, attractive Commentsart, trad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-g2Rangea1-e2Tessitura


20th C.Hist. Per.

IV. El testament d'AmeliaTitleN'Amelia está malalta, la filla del bon rei,First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1958.PublisherSlow, sustained, gracefully flowing. Simple, haunting, well-known Commentsart, trad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-d2Rangee1-b1Tessitura


20th C.Hist. Per.

V. La Paula i en JordiTitleLa Paula i en Jordi es volen casar,First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1958.PublisherSprightly, dance-like, lightly ornamented. Playful, happy song about 2 Commentsart, trad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Ranged1-d2Tessitura


20th C.Hist. Per.

VI. L'hostal de la PeiraTitleA l'hostal de la Piera, olá!First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1958.PublisherLively, vigorous, "wordy". Brief simple melody. Ivocative setting.Commentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-f2Rangeg1-d2Tessitura


20th C.Hist. Per.

VII. Muntanyes regaladesTitleMuntanyes regalades son les del Canigó...First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1958.PublisherSlow, sustained, flowing, expansive melody. Lovely, gently lyrical songCommentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-f2Rangef1-c2Tessitura


20th C.Hist. Per.

VIII. Cançó de lladreTitleQuan jo n'era petitet, festejava i presumia,First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1958.PublisherSpirited, lightly ornamented. A lover's cheerful farewell. Well-known Commentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-g2Rangef1-f2Tessitura


20th C.Hist. Per.

IX. El pardal quan s'ajocavaTitleUna cançoneta nova, vos la diré,First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1958.PublisherSustained, flowing. Long phrases w. changing meters. Req. good breathCommentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-efl2Rangebfl1-d2Tessitura


20th C.Hist. Per.

X. La filla del marxantTitleLa filla del marzant diuen que es la més bella...First lineNin-Culmell, Joaquin, 1908Composer


Éditions Max Eschig, Paris, 1958.PublisherSustained, flowing, lightly lilting melody. Brief, simple song, delicately Commentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-d2Rangef1-c2Tessitura


20th C.Hist. Per.

XI. MariagnetaTitleAi adue Mariagneta, principi del meu sofrir,First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1958.PublisherSlow, sustained, expansive melody. A heartfelt, mournful, lover's Commentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2Tessitura


20th C.Hist. Per.

XII. Els fadrins de Sant BoiTitleEls fadrins de Sant Boi, molta fatzenda gasten...First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1958.PublisherLively, energetic; a march. Fanfare-like melody. Brief song simply set.Commentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-f2Rangea1-d2Tessitura


20th C.Hist. Per.

Mil Lamentos-Canción favorita de Carlos VTitleMil la mentos...de abandonaros...First lineDes Pres, Josquin, 1449-1521 & De Narbaez, Luys, 1538?Composer

Comp. Nat.Mil Lamentos-Canción favorita de Carlos VCollection

Unión Musical Española, Madrid, 1970. Real. by José de Azpiazu.PublisherA plaintive lament. Slow, sustained. Req. excellent breath control & Commentsart, trad.?Type?Mel. Source?Text SourcePiano (or Org., hrpschd., harp)InstrumentsMVoiceBeg.?Voc. LevelBasicAcc. Reqts.c1-e2Rangee1-d2Tessitura

Spec. Appl.LNCEMS qust.Call No.Fr. w. musicTranslation

Hist. Per.

Cómo quieres!TitleCómo quieres que te quiera si soy un pobre minero...First lineOtaño, Nemesio, S.J.Composer

Comp. Nat.Canciones MontañesasCollection

Unión Musical Española, Madrid, 1918. #4123PublisherBrief song w. long diff. piano intro. & postlude. For tenor.Commentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcePianoInstrumentsM; Ten.VoiceBeg.Voc. LevelDiff.Acc. Reqts.b1-fsh2Rangeb1-fsh2Tessitura


Translation

20th C.Hist. Per.

Son las once!TitleMe dijiste que á las diez, son las once...First lineOtaño, Nemesio, S.J.Composer


Unión Musical Española, Madrid, 1918. #4125PublisherBrief, simple song in a Schumannesque setting.Commentsart, trad.TypeTrad., Sp., Cantabria, SantanderMel. SourceTrad., Sp., Cantabria, SantanderText SourcePianoInstrumentsM; Sop.VoiceBeg.Voc. LevelMod.Acc. Reqts.fsh1-d2Rangefsh1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Yo no va la niñaTitleYa no va la niña por agua a la fuente...First lineOtaño, Nemesio, S.J.Composer


Unión Musical Española, Madrid, 1918. #4127PublisherBrief, simple song. Acc. & dynamic level increases w. each of the 3 Commentsart, trad.TypeTrad., Sp., Cantabria, SantanderMel. SourceTrad., Sp., Cantabria, SantanderText SourcePianoInstrumentsHVoiceBeg.Voc. LevelMod.Acc. Reqts.bfl1-g2Rangebfl1-g2Tessitura


Translation

20th C.Hist. Per.

6. Hace ocho mesesTitleHace ocho meses Micaela hermosa que nos quisimos,First linePonce, Manuel, 1882-1948ComposerMex.Comp. Nat.Seis Canciones Populares Mexicanas (avail. sep.)Collection

Peer Int.'l Corp., New York, 1958.PublisherSimple, graceful melody. Sweet tender song of unrequited love. NicelyCommentstrad.TypeTrad., Mex.Mel. SourceTrad., Mex.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-d2Tessituradct. exp.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.

"El Retrato de Rosa Maria"TitleLa figura lo más imponente y el paque de reina ofendia...First lineQuirogaComposer

Comp. Nat."El Retrato de Rosa Maria"Collection

Ediciones Quiroga, Madrid, 1953.PublisherSustained, lively,"wordy", rhythmic; Pasacalle. 2 verses w. refrain. *Commentspop., trad.TypeQuirogaMel. SourceQuintero y LeónText SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-dfl2Rangec1-bfl1Tessitura


Translation

20th C.Hist. Per.

La rosa de Punta UmbríaTitleLa rosa de Punta Umbría cantaba al anochesé:First lineQuirogaComposer

Comp. Nat.La rosa de Punta UmbríaCollection

Ediciones Quiroga, Madrid, 1955.PublisherSustained, lightly ornamented. Lively, dance-like; a Bulerías. 2 versesCommentspop., trad.?TypeQuirogaMel. SourceQuintero y LeónText SourcePianoInstrumentsM Beg.VoiceBeg.Voc. LevelBasicAcc. Reqts.c1-efl2Rangec1-c2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Reyes MonteroTitleQuién es esa mano ocurta que ampara a los bandoleros?First lineQuirogaComposer

Comp. Nat.Reyes MonteroCollection

Ediciones Quiroga, Madrid, 1947.PublisherSustained, lightly ornamented,"wordy". Lively, dance-like; Pasodoble. 2Commentspop., trad.?TypeQuirogaMel. SourceQuintero y LeónText SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-c2Ranged1-a2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Mañana sale!TitleTiene el color del semblante de una virgen de marfil;First lineQuirogaComposer

Comp. Nat.Mañana sale!Collection

Ediciones Quiroga, Madrid, 1958.PublisherSustained, "wordy", dance-like; Habanera. 2 verses w. refrain. *Commentspop., trad.?TypeQuirogaMel. SourceQuintero y LeónText SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.bfl-b1Rangec1-g1Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Paca RuedaTitleBien conose Paca Rueda lo que obliga el apellido;First lineQuirogaComposer

Comp. Nat.Paca RuedaCollection

Ediciones Quiroga, Madrid, 1955.PublisherSusatined,"wordy", dance-like; a Mazurka. 2 verses w. refrain. *Commentspop., trad.?TypeQuirogaMel. SourceQuintero y LeónText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.bfl-d2Ranged1-c2Tessitura


Translation

20th C.Hist. Per.

Castigo Dios no te mandeTitleHiciste con tu nombre banderas de esquinas querias ...First lineQuirogaComposer

Comp. Nat.Castigo Dios no te mandeCollection

Ediciones Quiroga, Madrid, 1952PublisherSustained, "wordy", lightly ornamented, dance-like; Zambra. 2 versesCommentspop., trad.TypeQuirogaMel. SourceQuintero y LeónText SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.bfl1-dfl2Rangebfl1-dfl2Tessitura


Translation

20th C.Hist. Per.

Chuflillas del CostillaresTitleSevilla tiene un torero de los de "Viva su mare"...First lineQuirogaComposer

Comp. Nat.Chuflillas del CostillaresCollection

Ediciones Quiroga, Madrid, 1958.PublisherSustained,"wordy", lightly ornamented, dance-like; a Bulerías. 2 versesCommentspop., trad.TypeQuirogaMel. SourceQuintero y LeónText SourcePianoInstrumentsµVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangec1-c2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Cabellos negrosTitleComo soy chiquetita, mare del arma, no voy segura.First lineQuirogaComposer

Comp. Nat.Cabellos negrosCollection

Ediciones Quiroga, Madrid, 1957.PublisherSustained, flowing, lightly ornamented, dance-like; Bulerías. 3 verses.Commentspop., trad.TypeQuirogaMel. SourceQuintero y LeónText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-bfl1Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Con mis propios ojosTitleYo estaba entre mis rosales mi patio y mi reja viviendo un querer.First lineQuirogaComposer

Comp. Nat.Con mis proprios ojosCollection

Ediciones Quiroga, Madrid, 1952.PublisherSlow, sustained, "wordy", dance-like; Tientos. 2 verses w. refrain. *Commentspop., trad.TypeQuirogaMel. SourceQuintero y LeónText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.bfl-efl2Ranged1-bfl1Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Doña PasiónTitleDoña Pasión va a los toros y que reguapa que val torea Pepe del OroFirst lineQuirogaComposer

Comp. Nat.Doña PasiónCollection

Ediciones Quiroga, Madrid, 1955.PublisherSustained, "wordy", dance-like; Pasodoble. 2 verses w. refrain. *Commentspop., trad.TypeQuirogaMel. SourceQuintero y LeónText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangec1-d2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Duérmete lunita claraTitleYo se donde vas ahora y no lo quiero sabé,First lineQuirogaComposer

Comp. Nat.Duérmete lunita claraCollection

Ediciones Quiroga, Madrid, 1956.PublisherSlow, sustained, gently flowing, lightly ornamented; a lullaby in Commentspop., trad.TypeQuirogaMel. SourceQuintero y LeónText SourcePianoInstrumentsLVoice Beg.Voc. LevelBasicAcc. Reqts.bfl1-c2Ranged1-c2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Tanguillo del "Aliquindoy"TitleLa gente de mi linaje te van a poner espías,First lineQuirogaComposer

Comp. Nat.Tanguillo del "Aliquindoy"Collection

Ediciones Quiroga, Madrid, 1954.PublisherSustained, "wordy", dance-like; Tanguillo. 2 verses w. refrain. Light, Commentspop., trad.?TypeQuirogaMel. SourceQuintero y LeónText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Ranged1-c2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

VerbenaTitleVerbena bajò hasta el rio la vispera de San Juan...First lineQuirogaComposer

Comp. Nat.VerbenaCollection

Ediciones Quiroga, Madrid, 1955.PublisherSustained, flowing, lughtly ornamented, dance-like; Bulerías. 2 versesCommentspop.,trad.?TypeQuirogaMel. SourceQuintero y LeónText SourcePianoInstrumentsMVoice Beg.Voc. LevelBasicAcc. Reqts.c1-d2Rangee1-c2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Virgencita del RocíoTitleTenia Maria Dolores sus ojos negros de par en pà ya su barcón,First lineQuirogaComposer

Comp. Nat.Virgencita del RocíoCollection

Ediciones Quiroga, Madrid, 1955.PublisherSustained, "wordy"; a lively march. 2 verses. 8Commentspop., trad.?TypeQuiroga,Mel. SourceQuintero y LeónText SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.bfl1-dfl2Rangee1-c2Tessitura


Translation

20th C.Hist. Per.

Vaya por tiTitleLe brindo un toro a La Mazzantini,First lineMari, EnriqueComposer

Comp. Nat.Vaya por tiCollection

Ediciones Quiroga, Madrid, 1958.PublisherSustained, lightly ornamented, dance-like; Pasodoble. Text concerns Commentspop., trad.?TypeMari, EnriqueMel. SourceCariñana, Tolosa de laText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.a-d2Ranged1-c2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

ValenciaTitleValencia! Terre exquise...First linePadilla, JoseComposer

Comp. Nat.ValenciaCollection

Harms, New York, 1926.PublisherSustained, lightly ornamented, lilting. Lively, well-known melody. Req. Commentspop., trad.?TypePadilla, JoseMel. SourceBoyer, Lucien & Charles, JacquesText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-d2Tessitura

Spec. Appl.LNCEMSCall No.In Eng.; Fr. w. musicTranslation

20th C.Hist. Per.

La VioleteraTitleComo aves precursoras de Primavera...First linePadilla, JoseComposer

Comp. Nat.La VioleteraCollection

Union Musical Española, Madrid, 1918. #3780PublisherGraceful, flowing, lightly ornamented melody. 3 verses. Req. good Commentspop., trad.TypePadilla, JoseMel. SourceMontesinos, EduardoText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2Tessitura


Translation

20th C.Hist. Per.

"El Relicario"TitleUn dia de San eugenio...First linePadilla, JoseComposer

Comp. Nat."El Relicario"Collection

Union Musical Española, Madrid, 1918. #3416PublisherSustained, lightly ornamented. Lively, rousing song about a bull Commentstrad.TypePadilla, JoseMel. SourceOliveros y CastellviText SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.dsh1-e2Rangee1-e2Tessitura


Translation

20th C.Hist. Per.

La de ojos azules!TitlePrincesita...la de ojos azules y labios de grana...First linePadilla, JoseComposer

Comp. Nat.La de ojos azules!Collection

Union Musical Española, Madrid, 1922. #3775PublisherGraceful, sustained, expansive melody. Lightly ornamented w. turns, Commentsart, trad.TypePadilla, JoseMel. SourcePalomero, M. F.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.e1-a2Rangee1-e2Tessitura


Translation

20th C.Hist. Per.

Eres tuTitleHay en el mundo muy lindos ojos...First lineSandoval, Miguel,1903-1953ComposerGuat.Comp. Nat.Eres TuCollection

Peer Int'l. Corp., New York, 1932.PublisherLively, exuberant, dance-like; Bolero. Sustained, lightly ornamented, Commentspop., trad.?TypeSandoval, MiguelMel. SourceSandoval, MiguelText SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.f1-g2Rangef1-f2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

The Three Kings (Cançò de Nadal,a.k.a. Cansó de Nadal)TitleEl (Lo) Desembre congelat confús se retira,First lineKurt Schindler, arr. from harmonization by Rev. Lluis Romeu.Composer

Comp. Nat.The Three Kings (Cançò de Nadal,a.k.a. Cansó de Nadal)Collection

Oliver Ditson Co., Boston, ?PublisherSustained, gently flowing, expansive melody. A charming, joyful Commentstrad.TypeTrad, Cat.Mel. SourceTrad, Cat.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangef1-f2Tessiturasac.Spec. Appl.LNCEMSCall No.In Cat., Eng. w. musicTranslation

Hist. Per.

The Shepherdess ( La pastoreta )TitleQue li donarém á la pastoreta?First lineSchindler, Kurt, arr.Composer

Comp. Nat.The Shepherdess ( La pastoreta )Collection

Oliver Ditson Co., Boston, ?PublisherLightly sustained, sprightly, graceful, lilting melody. Sweet charming Commentstrad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-fsh2Ranged1-d2Tessitura

Spec. Appl.LNCEMSCall No.In Cat., Eng. w. musicTranslation

Hist. Per.

Basque love song (Nik baditut)TitleNik baditut mor' tuetan ardial artzainarekin,First lineSan Sebastian, Padre José Snyonio de, arr. ( Padre Donostia ). Kurt Composer

Comp. Nat.Basque love songCollection

Oliver Ditson Co., Boston, 1922.PublisherSlow, sustained melody w. beautiful arching phrases. Sad, forlorn moodCommentsart, trad.TypeTrad., Bsq.Mel. SourceTrad., Bsq.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.dfl1-f1Rangedfl1-dfl2Tessituraexp.Spec. Appl.LNCEMSCall No.In Bsq.: Eng. w. musicTranslation

Hist. Per.

MalagueñaTitleEl amor me lleva hacia ti con impulso arrebata...First lineLecuona, Ernesto, 1896-1963ComposerCub.Comp. Nat.MalagueñaCollection

Edward B. Marks Music Corp., New York, 1956. 12656-9PublisherSustained, melismatic, dramatic, declamatory; in folk vein. Extended Commentsart, trad.?TypeLecuona, ErnestoMel. SourceLecuona, ErnestoText SourcePianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.d1-bfl2Ranged1-a2Tessitura


20th C.Hist. Per.

La CumparsitaTitleLa cumparsa de miserias sinfin desfila;First lineRodriguez, G. H. MatosComposer

Comp. Nat.La CumparsitaCollection

Century Music Publ. Co., New York,1943. Walter Rolfe, arr.PublisherSustained, "wordy" melody. A well known Tango. Arr. may be playedCommentspop., trad.TypeRodriguez, G. H. MatosMel. Source?Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.c1-gsh2Rangee1-e2Tessituradnce.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th c.Hist. Per.

La CumparsitaTitleLa cumparsa de miserias sinfin desfila;First lineRodriguez, G. H. MatosComposer

Comp. Nat.La CumparsitaCollection

G. Ricordi & Co., Milano, 1944.PublisherSustained, "wordy" melody. A well known Tango. *Commentspop.,trad.TypeRodriguez, G. H. MatosMel. Source?Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelMod.Acc. Reqts.c1-a2Ranged1-g2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

20th c.Hist. Per.

Como Una Margarita (Like a little daisy)TitleEres tan chiquita, eres tan bonita,First lineLongas, FedericoComposer

Comp. Nat.Como una margaritaCollection

Edward B. Marks Music Corp., 1937.PublisherLightly lilting, gracefully flowing melody. Req. vocal finesse & good Commentspop., trad.TypeLongas, FedericoMel. SourceLongas, FedericoText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-g2Rangeg1-efl2Tessituraexp.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.

Farewell Granada (Granadinas)TitleAdio Granada Granada mia...First lineBarrera y Calleja; J. Rosamond Johnson, arr.Composer

Comp. Nat.Farewell GranadaCollection

Edward B. Marks Music Corp., 1932. Arr. by J. Rosamond Johnson.PublisherSustained, melismatic. In folk vein. Req. good control of breath, Commentspop., trad.TypeBarrera y CallejaMel. SourceCases, PabloText SourcePianoInstrumentsHVoice

Voc. LevelAcc. Reqts.

g1-afl2Rangeg1-f2Tessitura


20th C.Hist. Per.

Hablame de Amores TonadillaTitleCuando en mi calesa vamos a la plaza;First lineFusté, EstebanComposerRioja, Franco deComp. Nat.Hablame de AmoresCollection

Ediciones Armónico, BarcelonaPublisherAllegretto in 3/8. "Wordy", lightly ornamented cadences; piano Commentspop.,trad.?TypeFusté, EstebanMel. SourceRioja, Franca deText SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.e1-gsh2Rangegsh1-dsh2Tessituradct., rhy.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

Cielito Lindo (Beautiful Heaven)TitlePorque yo quieroáu no De Coahuila...First lineChester Wallis, arr.Composer

Comp. Nat.Cielito LindoCollection

The Boston Music Co., 1930.PublisherModerato in 3/4. Wide-ranging, familiar melody req. vocal substance Commentstrad.Type?Mel. Source?Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.c1-f2Rangec1-f2Tessitura


Hist. Per.

I Don't Wish to Marry (No quiero casarme)TitleNo,no,no,no quiero casarme,First lineF. Campbell-Watson, arr.Composer

Comp. Nat.I Don't Wish to MarryCollection

M Witmark & Sons, New York, 1938.PublisherPoco allegro in 6/8. Brief, lively song. 2 verses. *Commentstrad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-c2Rangec1-c2Tessitura


Hist. Per.

O Ask of the Stars Beloved (Pregúntales á las estrellas)TitlePregúntale á las estrllas Si por la noche me ven llorar,First lineLa Forge, Frank, arr.Composer

Comp. Nat.O Ask of the Stars BelovedCollection

G. Ricordi & Co. Inc., 1922. Frank La Forge, editor & transPublisherModerato in 2/4. Spanish text on separate sheet. 2 verses. *Commentsart, trad.TypeTrad.; Mex.Mel. SourceTrad.; Mex.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-g2Rangec1-f2Tessitura


Hist. Per.

El Café de ChinitasTitleEn el cafe de Chinitas dijo Paquiero a su hermano...First line

ComposerComp. Nat.

El Café de ChinitasCollection

In manuscriptPublisher *Commentstrad.TypeTrad.Mel. SourceTrad.Text SourcePianoInstruments

VoiceVoc. LevelAcc. Reqts.

e1-d2Rangee1-d2Tessitura


Translation

Hist. Per.

El MarabúTitleTienes unos ojitos de picaporte con el ay!First lineOcón, E., arr.Composer

Comp. Nat.Cantos EspañolesCollection

Unión Musical Española, Madrid, ?. #15854PublisherSprightly, flowing; simple,"wordy" melody. Req. facile articulation of Commentstrad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.bfl1-f2Rangebfl1-f2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

18th & ?Hist. Per.

La flor de la canelaTitleSi me pierdo, que me busquen hacia el sol del medio día...First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSlow, sustained, dance-like. Flowing, expansive, lightly ornamented Commentstrad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-f2Ranged1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

19th & ?Hist. Per.

Seguidillas y BoleroTitleEn el mundo no hay ojos! ay!First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSprightly, dance-like; Bolero & Seguidillas. Flowing, lightly ornamentedCommentstrad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-f2Rangee1-f2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

18th & ?Hist. Per.

Tirana del CarambaTitleEl amor es como un niño, que cuanto ve se le antoja,First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSmooth, lightly ornamented melody. A charming piece in Ital. arietta Commentstrad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-g2Rangea1-d2Tessituratch.Spec. Appl.LNCEMS qust.Call No.

Translation

Hist. Per.

ZapateadoTitleEl gitano y la gitana tu vieron en qué entender,First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherLively, vigorous, dance-like; a Zapateado. Req. a good rhythmic senseCommentstrad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.d1-e2Ranged1-b2Tessituradnce., dct.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

Bolero a dos vocesTitleDile niña a tus ojos...ole ole que no me hablen...First lineMurguía, Dn. Joaquín Tadeo, 1758 - 1836; Ocón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherDuet w. smoothly flowing, expansive melodies. Graceful, dance-like; aCommentstrad., art?TypeMurguía, Dn. Joaquín TadeoMel. Source

Text SourcePianoInstrumentsH, MVoiceBeg.Voc. LevelBasicAcc. Reqts.H, fsh1-g2; M, csh1-fsh2RangeH, ash1-g2; M, d1-d2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

19th C.Hist. Per.

Bolero a tres vocesTitleYo sembré una mirada nació un deseo...First lineSors, D. Fernando, 1778 - 1839; Ocón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSprightly, elegant, dance-like; Bolero. A cheerful, appealing Trio.Commentstrad., art?TypeSors, D. FernandoMel. Source

Text SourcePianoInstrumentsM, M, H, (Sop., Mezzo, Ten.?)VoiceBeg.Voc. LevelBasicAcc. Reqts.M, g1-f2; M, d1-f2; H, c1-g2RangeM, b1-f2; M, e1-c2; H, e1-f2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

PoloTitleNo te canses en cantar pájaro enjaula enemiga...First lineBorja Tapia, Dn. Francisco de, d.1845; Ocón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSprightly, rhythmically accented, lightly ornamented. Vigorous, Commentstrad., art?TypeBorja Tapia, Dn. Francisco deMel. Source

Text SourcePianoInstrumentsHVoiceBeg.?Voc. LevelBasicAcc. Reqts.e1-g2Rangea1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

18th C.? & ?Hist. Per.

TiranaTitleA los hombres del día quererlos poco...ay!First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherGently lilting, lightly syncopated. 3 verses w. repetition of melodic & Commentstrad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-g1Rangee1-d2Tessituratch.Spec. Appl.LNCEMS qust.Call No.

Translation

Hist. Per.

Seguidillas MurcianasTitleNo quiero que me quieras ni yo quererteFirst lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSprightly; dance-like; Seguidillas. "Wordy", lightly ornamented. Req. Commentstrad.TypeTrad., Sp., MurciaMel. SourceTrad., Sp., MurciaText SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.g1-a2Rangeg1-f2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

18th C.Hist. Per.

BoleroTitlePajarillo amorosoque estás llamando...First lineSors or Murguía; Ocón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSprightly, dance-like; Bolero. A charming song w. gracefully curving, Commentstrad.TypeSors or MurguíaMel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-fsh2Rangee1-d2Tessituradnce., tch.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

Seguidillas SevillanasTitleViva Sevilla! ...Llevan las sevillanas en la mantilla...First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherAnimated, energetic, dance-like; Seguidillas. Lightly ornamented, Commentstrad.TypeTrad., Sp., Andalusia, SevilleMel. SourceTrad., Sp., Andalusia, SevilleText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-f2Rangec1-e2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

El ContrabandistaTitleYo soy el contrabandista y campo por mi respeto...First lineGarcia, Manuel, 1775 - 1832; Ocón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherVigorous, spirited; a distinctive piece w. measured trill passages. A Commentstrad., art?TypeGarcia, ManuelMel. Source

Text SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.d1-g2Ranged1-fsh2Tessitura


Translation

19thHist. Per.

ZapateadoTitleCuando me dan tus ojos una mirsada...First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSyncopated, accented, dance-like; Zapateado. Frequent vocalized Commentstrad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceBegVoc. LevelBasicAcc. Reqts.csh1-f2Rangef1-e2Tessituradnce., tch.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

CanciónTitleFuentes son de llanto los que fueron soles;First lineSors, Dn. Fernando, 1778 - 1839; Ocón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSmooth, lightly ornamented. An appealing piece in Ital. arietta style, Commentstrad., artTypeSors, Dn. FernandoMel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-f2Rangeg1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

Bolero del déjame.TitleYo me acuerdo del tiempo! ay!..de mi,First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSprightly, dance-like; a Bolero. Somewhat "chatty" piece w. Commentstrad.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-f2Rangeg1-e2Tessituradnce., tch.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

Polo, from "El criado fingido"TitleCuerpo bueno, alma divina!First lineGarcia, Manuel, 1775 - 1832; Ocón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherDance-like; a Polo. A short aria which req. flexibility, vocal substance &Commentstrad., artTypeGarcia, ManuelMel. SourceUnknownText SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.d1-g2Rangef1-e2Tessituradnce., thea.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

BoleroTitleEs el amor un bicho ... que cuando pica...First lineLeón, José; Ocón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSprightly, dance-like; a Bolero. Lightly ornamented throughout w. Commentstrad., art?TypeLeón, JoséMel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.fsh1-fsh2Rangeg1-e2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

19th C.Hist. Per.

Seguidillas ManchegasTitleAunque la Mancha tenga dos mil lugares...First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSpirited, energetic; a Sequidillas. Sustained, ornamented melody. Req.Commentstrad.TypeTrad., Sp., La ManchaMel. SourceTrad., Sp., La ManchaText SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.d1-fsh2Rangefsh1-fsh2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

La Malagueña TiranaTitleCanta porque me divierta, cántame tú vida mía.First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSustained, graceful, flowing , dance-like; a Malaqueña. Lightly Commentstrad.TypeTrad., Sp., Andalasia, MálagaMel. SourceTrad., Sp., Andalusia, MálagaText SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.d1-g2Ranged1-e2Tessituradnce.Spec. Appl.LNCEMS qust.Call No.

Translation

Hist. Per.

Fandango (Rasgueado)TitleCuando no lleva lucero qué trista que va la luna...First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSustained, melismatic; a Fandango. A dramatic, declamatory song. Commentstrad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourceGuitarInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.f1-g2Rangef1-f2Tessituradnce., exp.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

Rondeña o Malagueña (Rasgueada)Title(not indic.)First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherComments

trad.TypeTrad., Sp., MálagaMel. SourceTrad., Sp., MálagaText SourceGuitarInstrumentsnot indic.Voicenot indic.Voc. Level

Acc. Reqts.not indic.Rangenot indic.Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

MalagueñaTitleSi la madrecita mía...viera lo que estoy pasando.First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherFlowing, dance-like; a Malaqueña. A brief, lightly ornamented song.Commentstrad.TypeTrad., Sp., MálagaMel. SourceTrad., Sp., MálagaText SourcePiano or guitarInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-d2Rangee1-d2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

Murcianas ó GranadinasTitle(not indic.)First lineOcón, E.Composer


Unión Musical Española, Madrid, ?. #15854PublisherComments

trad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourceGuitarInstrumentsnot indic.Voice


not indic..Rangenot indic.Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

Fandango con RitornelloTitleEchame ninã bonita... lágrimas en un pañuelo...First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSprightly, dance-like; a Fandango. A brief song w. flowing, lightly Commentstrad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourcePiano or Ens.; Guitar, Vln.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangef1-f2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

SoledadTitleVestido de nazareno...y pegues las tres caidas...First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherLively, spirited, dance-like. Brief, lightly ornamented song w. extendedCommentstrad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourcePiano or guitarInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-c2Rangee1-c2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

Polo Gitano o FlamencoTitleAy!...Pensaba tu compañera...First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherSpirited, syncopated, melismatic melody. Somewhat extended piece.Commentstrad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourcePiano or guitarInstrumentsMVoiceAdv.Voc. LevelDiff.Acc. Reqts.e1-d2Rangee1-d2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

SaetasTitleCaminando el buen Jesus por la calle de amargura...First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ? #15854PublisherFlowing, lightly ornamented; a Saeta. Brief, chant-like melody. Unacc.Commentstrad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourceVoice onlyInstrumentsMVoiceBeg.Voc. Level

Acc. Reqts.f1-d2Rangef1-c2Tessitura sac. exp.Spec. Appl.LNCEMS qust.Call No.

Translation

Hist. Per.

La NanaTitleDuerme niño chiquito duerme, mi alma...First lineOcón, E., arr.Composer


Unión Musical Española, Madrid, ?. #15854PublisherBrief, chant-like melody. Flowing, lightly ornamented; a lullaby.Commentstrad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourceVoice onlyInstrumentsLVoiceBeg.Voc. Level

Acc. Reqts.d1-b1Rangee1-b1Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

1. Mariam matremTitleMariam matrem virginem, Attolite, Jesum Christum...First lineLamanã, José M., arr.Composer

Comp. Nat.Cinco Siglos de Canciones Españolas (1300-1800)Collection

Union Musical Española, Madrid, 1963, #20095. Introd. notes by JoséPublisherSustained, flowing, melismatic. Song in praise of Mary. Req. musicianlyCommentsart, trad.TypeUnknownMel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangec1-c2Tessiturasac.Spec. Appl.LNCEMSCall No.In Lat.Translation

GHist. Per.

2. Ay trista vida corporal, from "El Misterio de Elche"Title Ay trista vida corporal oh mon crudel tan desigual...First lineRoma, José M., arr.Composer


Union Musical Española, Madrid, 1963, #20095. Introd. notes by JoséPublisherSustained, flowing, declamatory; highly ornamented throughout. Commentsart, trad., thea.?TypeUnknownMel. Source

Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelBasicAcc. Reqts.g1-afl2Rangebfl1-efl2Tessiturasac., exp., thea.Spec. Appl.LNCEMSCall No.

Translation

GHist. Per.

3. Que es mi vida, preguntais?TitleQue es mi vida, preguntais? Nón vos la quiero negar...First lineCornago, Juan; Lamaña, José M., arr.Composer


Union Musical Española, Madrid, 1963, #20095. Introd. notes by JoséPublisherSustained, flowing, melismatic melody. Req. good control of breath.Commentsart, trad.TypeCornago, JuanMel. Source

Text SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.d1-g2Rangeg1-e2Tessitura


Translation

15th C.Hist. Per.

4. Pastorcico, non te aduermasTitlePastorcico, non te aduermas que mal se repastan tus ovejas.First lineLamaña, José M.; arr.Composer


Union Musical Española, Madrid, 1963. #20095. Introd. notes by JoséPublisherSprightly, graceful, dance-like. Brief, simple song w. 3 verses. A Commentsart, trad.TypeUnknownMel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-efl2Rangeg1-d2Tessitura


Translation

RHist. Per.

5. Porque es dama tanto quererosTitlePorque es dama tanto quereros Para que es dama tanto quereros...First linePisádor, Diego; Roma, José M.; arr.Composer


Union Musical Española, Madrid, 1963, #20095. Introd. notes by JoséPublisherSustained, flowing melody. Req. good control of breath. An appealing Commentsart, trad.TypePisádor, DiegoMel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangef1-efl2Tessitura


Translation

16th C.Hist. Per.

6. No me llames sega la herbaTitleNo me llames sega la herba si no morena...First lineVasquez, Juan; Roma, José M.; arr.Composer


Union Musical Española, Madrid, 1963, #20095. Introd. notes by JoséPublisherLively, sustained; A spirited straight forward song; Villancico. *Commentsart, trad.TypeVasquez, JuanMel. Source

Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.a1-g2Rangebfl-eflTessitura


Translation

16th C.Hist. Per.

7. Ay luna que relucesTitle Ay luna que reluces toda la noche m'alumbres...First lineLamaña, José M., arr.Composer


Union Musical Española, Madrid, 1963, #20095. Introd. notes by JoséPublisherSustained, graceful; a simple flowing melody simply set. *Commentsart, trad.TypeUnknownMel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-f2Rangea1-d2Tessitura


Translation

RHist. Per.

8. De donde venis, amore?TitleDe donde venis, amore bien se yo de donde...First lineValderrábano, Enriquez de, 1547; Tarragó, Graciano; arr.Composer


Union Musical Española, Madrid, 1963, #20095. Introd. notes by JoséPublisherSustained, lively; a simple straight forward love song; Villancico. *Commentsart, trad.TypeValderrábano, Enriquez de, 1547Mel. Source

Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-g2Rangeg1-e2Tessitura


Translation

16th C.Hist. Per.

9. En esta larga ausenciaTitleEn esta larga ausencia, donde mi desengaño y tu memoria...First lineLamaña, José M.; arr.Composer


Union Musical Española, Madrid, 1963, #20095. Introd. notes by JoséPublisherSustained, flowing. A plaintive love song. An attractive piece. *Commentsart, trad.TypeUnknownMel. Source

Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-g2Rangeg1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

17th C.Hist. Per.

10. Molinillo que moles amoresTitle Molinillo que moles amores, pues que mis ojos el agua te dan...First lineVado, Juan del; Roma, José M.; arr.Composer


Union Musical Española, Madrid, 1963, #20095. Introd. notes by JoséPublisherSustained, energetic; flowing melody. Restless, turbulent song of an Commentsart, trad.TypeVado, Juan delMel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.e1-fsh2Rangefsh-e2Tessitura


Translation

17th C.Hist. Per.

15. Cancion picaresca, from "El Canape" (1769)TitleUn canapé he comprado esta mañana...First linePalomino, José; Subirá, José; arr.Composer


Union Musical Española, Madrid, 1963, #20095. Introd. notes by JoséPublisherAllegretto in 6/8. Light, lilting, humorous w. short phrases & repeatedCommentsart, trad., aria?TypePalomino, JoséMel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.csh1-e2Ranged1-d2Tessituradct., thea.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

5. Tres moricas m'enamoranTitleTres moricas m'enamoran en Jaén Axa, Fátima y Marién...First lineUnknown; Lamaña, J.M., arr.Composer

Comp. Nat.Canciones de la Andalucia Medieval y Renacentista (Siglios XIII - XVI)Collection

Union Musical Española, Madrid, 1968, # 21222. Jose M. Lamaña, ed.PublisherSprightly, sustained. Simple, flowing recit-like melody. A playful Commentsart, trad.TypeUnknownMel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2Tessitura


Translation

15th C.Hist. Per.

6. Ay que non hay!TitleAy que non hay! Ay que non era...First lineUnknown; Lamaña, J.M., arr.Composer


Union Musical Española, Madrid, 1968, # 21222. Jose M. Lamaña, ed.PublisherLively, sustained. Flowing, playful melody; Villancico Morisco. A fun Commentsart, trad.TypeUnknownMel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-f2Rangef1-c2Tessitura


Translation

15th C.Hist. Per.

7. Paseábase el Rey moroTitlePaseábase el Rey moro por la ciudad de Granada...First lineNarvaez, Luys de ; Lamaña, J.M., arr.ComposerSp.Comp. Nat.Canciones de la Andalucia Medieval y Renacentista (Siglios XIII - XVI)Collection

Union Musical Española, Madrid, 1968, # 21222. Jose M. Lamaña, ed.PublisherSustianed, flowing, narrative lament. A Romance. Req. good breath Commentsart, trad.TypeTrad.?Mel. SourceTrad.?Text SourcePianoInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.d1-c2Ranged1-c2Tessitura


Translation

16th C.Hist. Per.

8. Dime a do tienes las mientesTitleDime a do tienes las mientes pastorcico descuydadoFirst lineMudarra, Alonso de; Lamaña, J.M., arr.ComposerSp.Comp. Nat.Canciones de la Andalucia Medieval y Renacentista (Siglios XIII - XVI)Collection

Union Musical Española, Madrid, 1968, # 21222. Jose M. Lamaña, ed.PublisherSustained; gracefully flowing melody. Req. good breath control. An Commentsart, trad.TypeTrad.?Mel. SourceTrad.?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2Tessitura


Translation

16th C.Hist. Per.

9. Si n'os huviera miradoTitleSi n'os huviera mirado... no penara...First lineMorales, Cristobal de; Lamaña, J.M., arr.ComposerSp.Comp. Nat.Canciones de la Andalucia Medieval y Renacentista (Siglios XIII - XVI)Collection

Union Musical Española, Madrid, 1968, # 21222. Jose M. Lamaña, ed.PublisherSlow, sustianed; Gracefu,l flowing melody. A tender love song. Commentsart, trad.TypeTrad.?Mel. SourceTrad.?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-efl2Rangeg1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

16th C.Hist. Per.

10. Dexó la venda, el arco y el aljavaTitleDexó la venda, el arco y el aljava...el lacivo rapazFirst lineGuerrero, Francisco; Lamaña, J.M., arr.ComposerSp.Comp. Nat.Canciones de la Andalucia Medieval y Renacentista (Siglios XIII - XVI)Collection

Union Musical Española, Madrid, 1968, # 21222. Jose M. Lamaña, ed.PublisherLively, decisive; Contrapuntal throughout, Madrigal Amoroso. MusicallyCommentsart, trad.TypeTrad.?Mel. SourceTrad.?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-d2Ranged1-d2Tessitura


Translation

16th C.Hist. Per.

11. Puse mis amoresTitlePuse mis amorese en Fernandillo...Ay! que era casado,First lineUnknown; Lamaña, J.M., arr.Composer


Union Musical Española, Madrid, 1968, # 21222. Jose M. Lamaña, ed.PublisherAnimated, lightly energetic; contrapuntal throughout. A roguish song.Commentsart, trad.TypeTrad.?Mel. SourceTrad.?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.fsh1-d2Rangefsh1-d2Tessitura


Translation

16th C.Hist. Per.

12. Aqui me declaroTitleAqui me declaró ...su pensamiento Oyle yo, cuitada,First lineMorata, Gines de; Lamaña, J.M., arr.Composer


Union Musical Española, Madrid, 1968, # 21222. Jose M. Lamaña, ed.PublisherMelody reflects sudden changes of mood throughout this passionate Commentsart, trad.TypeTrad.?Mel. SourceTrad.?Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.dsh1-g2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

16th C.Hist. Per.

13. Pues que me tienes, MiguelTitlePues que me tienes, Miguel, cómo soy hermosa, miramé, Miguel...First lineOrtega, Francisco; Lamaña, J.M., arr.ComposerSp.Comp. Nat.Canciones de la Andalucia Medieval y Renacentista (Siglios XIII - XVI)Collection

Union Musical Española, Madrid, 1968, # 21222. Jose M. Lamaña, ed.PublisherLively, graceful, "chatty". A playful love song, Villancico Popular. Commentsart, trad.TypeTrad.?Mel. SourceTrad.?Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-g2Rangef1-f2Tessitura


Translation

16th C.Hist. Per.

Cancion de MajaTitleDe que sirve á las Usias camelar á lo señorFirst lineReimann, Heinrich, ed.Composer

Comp. Nat.Internationales Volksliederbuch, vol.3Collection

N. Simrock, Berlin & Leipzig., H. Reimann, ed., Simrock Volks-Ausgabe PublisherComments

trad.TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourcePianoInstrumentsMVoice

Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2Tessitura

Spec. Appl.LNCEMSCall No.Ger. w. musicTranslation

Hist. Per.

Gentil dama, non se gana Canción amatoriaTitleGentil dama, non se ganaFirst lineCornago, Juan, 15th C.; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherAndantino in 2. 2 verses, Canción amatoria. Very sustained vocal Commentsart, trad.TypeCornago, Juan, 15th C.Mel. Source?Text SourcePianoInstrumentsMVoiceInt..Voc. LevelBasicAcc. Reqts.dsh1-e2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

15th - 16th C.Hist. Per.

Mi querer tanto vos quiere Canción amatoriaTitleMi querer tanto vos quiereFirst lineEnrique, 15th C.; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherMuy lento in 2/4 & 3/4. 2 verses, Canción amatoria. Flowing, Commentsart, trad.TypeEnrique, 15th C.Mel. Source?Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.e1-e2Rangeg1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


Si la noche se hace oscura Villancico amorosoTitleSi la noche se hace oscuraFirst lineUnknown; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherDesoacio y muy emotivo, in 2. 2 verses, Villancico amoroso. Flowing,Commentsart, trad.TypeAnon.Mel. Source?Text SourcePianoInstrumentsMVoiceInt.Voc. LevelB asicAcc. Reqts.e1-fsh2Rangefsh1-fsh2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


Pastorcico, non te aduermasTitlePastorcico, non te aduermasFirst lineUnknown; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherAllegretto (grazioso) Gently flowing melody. 3 verses *Commentsart, trad.TypeUnknownMel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-efl2Rangeg1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


Ay triste que vengo Villancico-PastoralTitleAy triste que vengoFirst lineEncina, Juan del, 1469 -1529; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherAllegro molto vivace in 3/4. 2 verses, "Chatty" Villancico pastoral *Commentsart, trad.TypeEncina, Juan del, 1469 - 1529Mel. Source?Text SourcePiano ( opt. Vihuela, Laud o Guitarra )InstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Rangee1-c2Tessituradct. rhy.Spec. Appl.LNCEMSCall No.

Translation


No soy yo quién la descubre Villancico cortesanoTitleNo soy yo quién la descubreFirst lineGabriel, 15th C.; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherAndantino in cut time. 2 verses, Villancico cortesano. Flowing, Commentsart, trad.TypeGabriel, 15th C.Mel. Source?Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


Pase el agua ma julieta Canción-danzaTitlePase el agua ma julietaFirst lineUnknown; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherVivace in 1 (3/4). Cancion - danza. Brief song. *Commentsart, trad.TypeUnknownMel. Source?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.g1-f2Rangeg1-d2Tessituradnce. rhy.Spec. Appl.LNCEMSCall No.

Translation


Aquel caballero, madre Villancico amorosoTitleAquel caballero, madreFirst lineMilan, Luis de, 1561; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherAllegro moderato in cut time. 2 verses, Long sustained phrases. Req.Commentsart, trad.TypeMilan, Luis de, 1561Mel. Source?Text SourcePiano or guitarInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.a1-f2Rangea1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


Duelete de mi, señora VillancicoTitleDuelete de mi, señoraFirst lineFuenllana, Miguel de, 1554; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherAndante in 2/4, Villancico "Chatty', shifting rhythms. *Commentsart, trad.TypeFuenllana, Miguel de, 1554Mel. Source?Text SourcePiano or guitarInstrumentsMVoiceInt..Voc. LevelMod.Acc. Reqts.dsh1-d2Rangee1-b1Tessiturarhy. dct.Spec. Appl.LNCEMSCall No.

Translation


De Antequera sale el moro RomanceTitleDe Antequera sale el moroFirst lineMorales - Fuenllana ?; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherAndante in 4/4. Romance. Flowing, ornamented melody. somewhat Commentsart, trad.TypeMorales - Fuenllana ?Mel. Source?Text SourcePiano or guitarInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.esh1-e2Rangef1-c2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


De los Alamos vengo, madre Villancico popularTitleDe los Alamos vengo, madreFirst lineFuenllana, Miguel de, 1554; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherMuy Allegro in 2/4. 2 verses. Villancico popular. Joyful mood. *Commentsart, trad.TypeFuenllana, Miguel de, 1554Mel. Source?Text SourcePiano or guitarInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.a1-e2Rangea1-e2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation


Enfermo estaba Antioco Romance viejoTitleEnfermo estaba AntiocoFirst lineDaza, Estaban, 16th C.; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherModerato in 2/4. Long, sustained phrases. Somewhat brief song. Commentsart, trad.TypeDaza, Estaban, 16th C.Mel. Source?Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Rangee1-c2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


Dame acogida en tu hato Villancico cortesanoTitleDame acogida en tu hatoFirst lineDaza, Estaban, 16th C.; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherAndantino in cut time "muy emotivo". Long sustained phrases. 2 Commentsart, trad.TypeDaza, Estaban, 16th C.Mel. Source?Text SourcePianoInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.e1-c2Rangee1-c2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


Morenica, dame un beso VillancicoTitleMorenica, dame un besoFirst lineVasquez, Juan, 16th C.; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherAllegro in cut time. Song sustained phrases. Villancico *Commentsart, trad.TypeVasquez, Juan, 16th C.Mel. Source?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-e2Rangeg1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


Señora, si te olvidare Canción amatoriaTitleSeñora, si te olvidareFirst lineValderrabano, Enriquez de,1547; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherBastante lento in cut time. Somewhat extended piece w/long Commentsart, trad.TypeValderrabano, Enriquez de, 1547Mel. Source?Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.fsh1-f2Rangea1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


De donde venis, amore? VillancicoTitleDe donde venis, amore?First lineValderrabano, Enriquez de, 1547; Tarragó, Graciano, arr.ComposerSp.Comp. Nat.Canciones Españolas del Renacimiento (1400-1600)Collection

Union Musical Española, Madrid, 1963. #20190PublisherVivace in 2/4. Joyful, dance-like. Villancico *Commentsart, trad.TypeValderrabano, Enriquez de, 1547Mel. Source?Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelMod.Acc. Reqts.g1-g2Rangeg1-e2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation


Con El PicotinTitleAl agudo al agudo y a lo ligero;First lineToldrá, Eduardo ,1895 - 1962ComposerSp.Comp. Nat.Doce Canciones Populares Españolas, #20649Collection

Union Musical Española, Madrid, 1965.PublisherSimple, brief "chatty" song. w. 2 verses & refrain. Nicely set.Commentsart, trad.TypeToldrá, Eduardo ,1895 - 1962Mel. SourceBurgosText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangec1-c2Tessitura

Spec. Appl.LNCEMS, 2 cps.Call No.

Translation


La PanaderitaTitleA la entrada del pueblo y a la salidaFirst lineToldrá, Eduardo ,1895 - 1962ComposerSp.Comp. Nat.Doce Canciones Populares Españolas, #20649Collection

Union Musical Española, Madrid, 1965.PublisherLively, energetic; brief simple song . 4 verses w. refrain. Nicely set.Commentsart, trad.TypeToldrá, Eduardo ,1895 - 1962Mel. SourceLeónText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-d2Rangef1-c2Tessitura


Translation


No Llores, NiñaTitleLa niña que vino de...First lineToldrá, Eduardo ,1895 - 1962ComposerSp.Comp. Nat.Doce Canciones Populares Españolas, #20649Collection

Union Musical Española, Madrid, 1965.PublisherSustained, rather slow; sweet, gently flowing melody. Brief simple Commentsart, trad.TypeToldrá, Eduardo,1895 - 1962Mel. SourceSevillaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-d2Rangef1-b1Tessitura


Translation


Rataplan!TitleCon aire triunfador desfilan tres tambores;First lineToldrá, Eduardo ,1895 - 1962ComposerSp.Comp. Nat.Doce Canciones Populares Españolas, #20649Collection

Union Musical Española, Madrid, 1965.PublisherLively, vigorous; brief simple melody. A march w. 4 verses. Nicely Commentsart, trad.TypeToldrá, Eduardo ,1895 - 1962Mel. SourceCataluñaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-c2Tessitura


Translation


La "Bamba"TitleLa niña que está en la bamba se parece a San Antonio,First lineToldrá, Eduardo ,1895 - 1962ComposerSp.Comp. Nat.Doce Canciones Populares Españolas, #20649Collection

Union Musical Española, Madrid, 1965.PublisherLilting, syncopated, dance-like; gracefully flowing melody . Brief songCommentsart, trad.TypeToldrá, Eduardo ,1895 - 1962Mel. SourceMálagaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangec1-c2Tessitura


Translation


La Perrita ChitaTitleLa perrita chita la perdiayer tarde...First lineToldrá, Eduardo ,1895 - 1962ComposerSp.Comp. Nat.Doce Canciones Populares Españolas, #20649Collection

Union Musical Española, Madrid, 1965.PublisherSustained, flowing; sweet, simple melody w. 2 verses & refraing. A Commentsart, trad.TypeToldrá, Eduardo ,1895 - 1962Mel. SourceAsturiasText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Rangee1-b1Tessitura


Translation


El Pájaro era VerdeTitleSi pasas por mi calle,First lineToldrá, Eduardo ,1895 - 1962ComposerSp.Comp. Nat.Doce Canciones Populares Españolas, #20649Collection

Union Musical Española, Madrid, 1965.PublisherSustained; flowing, modal melody. Simple song. 3 verses w. refrain.Commentsart, trad.TypeToldrá, Eduardo ,1895 - 1962Mel. SourceBurgosText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Rangeg1-d2Tessitura


Translation


El "Kire Eleison"TitleEs la noche Jesús Niño,First lineToldrá, Eduardo ,1895 - 1962ComposerSp.Comp. Nat.Doce Canciones Populares Españolas, #20649Collection

Union Musical Española, Madrid, 1965.PublisherSustained; gently flowing melody. Simple Christmas song w. 3 verses.Commentsart, trad.TypeToldrá, Eduardo ,1895 - 1962)Mel. SourceCataluñaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-d2Rangee1-b1Tessiturasac.Spec. Appl.LNCEMSCall No.

Translation


Lorenzo y CatalinaTitleEl sol se llama Lorenlerenzo...First lineToldrá, Eduardo ,1895 - 1962ComposerSp.Comp. Nat.Doce Canciones Populares Españolas, #20649Collection

Union Musical Española, Madrid, 1965.PublisherSprightly, lilting, dance-like. Brief simple song. 3 verses w. refrain. Commentsart, trad.TypeToldrá, Eduardo ,1895 - 1962Mel. SourceAsturiasText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-d2Rangeg1-d2Tessitura


Translation


Una vez en el MercadoTitleUna vez en el mercado,First lineToldrá, Eduardo ,1895 - 1962ComposerSp.Comp. Nat.Doce Canciones Populares Españolas, #20649Collection

Union Musical Española, Madrid, 1965.PublisherLively; "chatty, playful song. 3 verses.Commentsart, trad.TypeToldrá, Eduardo ,1895-1962Mel. SourceVascongadasText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation


Clo - CloTitleVecinos, los mios vecinos,First lineToldrá, Eduardo ,1895 - 1962ComposerSp.Comp. Nat.Doce Canciones Populares Españolas, #20649Collection

Union Musical Española, Madrid, 1965.PublisherSustained, lilting, dance-like. A simple, cheerful song. 3 verses w. Commentsart, trad.TypeToldrá, Eduardo ,1895-1962Mel. SourceAsturiasText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-d2Rangeg1-d2Tessitura


Translation


Tengo Un ArbolitoTitleTengo un arbolito que lo he de regar...First lineToldrá, Eduardo ,1895 - 1962ComposerSp.Comp. Nat.Doce Canciones Populares Españolas, #20649Collection

Union Musical Española, Madrid, 1965.PublisherLively, dance-like; "chatty" simple melody. 3 verses w. refrain. A funCommentsart, trad.TypeToldrá, Eduardo ,1895-1962Mel. SourceSantanderText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangec1-c2Tessitura


Translation


Ave MariaTitleAve Maria, gratia plena,First lineTurina, Joaquin, 1882-1949ComposerSp.Comp. Nat.Ave MariaCollection

Union Musical Española, Madrid, 1989, #22429PublisherSlow, sustained; flowing, expansive, soaring melody. Req. good Commentsart, trad.TypeTurina, Joaquin, 1882-1949Mel. Source

Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelBasicAcc. Reqts.fsh1-a2Rangeg1-fsh2Tessitura

Spec. Appl.LNCEMSCall No.In LatinTranslation

20th C.Hist. Per.

Pregária (Plegaria - Preghiera)TitleDéu vos salve, María,First lineAlvarez, F. M., 1898.ComposerSp.Comp. Nat.PregáriaCollection

Union Musical Española, Madrid, 1989. #3938PublisherAndante in 3/4, quarter =60 (intro, in 2/4). Fervent prayer to the Commentsart, trad.TypeAlvarez, F. M., 1898.Mel. SourceBalaguer, V.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.e1-gsh2Rangee1-e2Tessiturasac. exp.Spec. Appl.LNCEMSCall No.In Cat.; It. & Sp. w/ musicTranslation

20th C.Hist. Per.

Cancion de SiegaTitleBlanca me era yo cuando en tre en la siega...First lineBarrera, A.ComposerSp.Comp. Nat.Canciones Del Siglo De OroCollection

Real Musical, Madrid, 1986 R.M. 14 - 5.009Publisher4/4 & 3/4, quarter = 48. Declamatory, melismatic melody. *Commentsart, trad.?TypeBarrera, A.Mel. SourceVega, Lope de,Text SourcePianoInstrumentsMVoiceAdv.Voc. LevelMod.Acc. Reqts.c1-f2Ranged1-d2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

LeyendaTitleQue de noche le mataron al caballero...First lineBarrera, A.ComposerSp.Comp. Nat.Canciones Del Siglo De OroCollection

Real Musical, Madrid, 1986Publisher3/4, quarter = 78. Smoothly flowing melody; req. interpretative Commentsart, trad.?TypeBarrera, A.Mel. SourceVega, Lope de,Text SourcePianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.e1-e2Rangee1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

SeguidillasTitleQue no quiero bonetes...First lineBarrera, A.ComposerSp.Comp. Nat.Canciones Del Siglo De OroCollection

Real Musical, Madrid, 1986 R.M. 14 - 5.009Publisher3/4, quarter = 120. Dance-like, "wordy"; 3 verses. *Commentsart, trad.?TypeBarrera, A.Mel. SourceVega, Lope de,Text SourcePianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.e1-f2Rangea1-e2Tessituradnce. dct. rhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Madre, La Mi MadreTitleMadre la mi madre guardas me poneis...First lineBarrera, A.ComposerSp.Comp. Nat.Canciones Del Siglo De OroCollection

Real Musical, Madrid, 1986 R.M. 14 - 5.009Publisher3/4 & 2/4. Somewhat extended song; declamatory, req. Commentsart, trad.?TypeBarrera, A.Mel. SourceCervantes, M. deText SourcePianoInstrumentsMVoiceAdv.Voc. LevelMod.Acc. Reqts.f1-f2Rangeg1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

SentenciasTitleLa nobleza señores sale a plazaFirst lineBarrera, A.ComposerSp.Comp. Nat.Canciones Del Siglo De OroCollection

Real Musical, Madrid, 1986 R.M. 14 - 5.009Publisher4/4 quarter = 80. Req. vocal & interpretative finesse. *Commentsart, trad.?TypeBarrera, A.Mel. SourceCespedes, V.Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.e1-g2Rangef1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Cancion De AmorTitleSi os partiérades al alba quedito...First lineBarrera, A.ComposerSp.Comp. Nat.Canciones Del Siglo De OroCollection

Real Musical, Madrid, 1986 R.M. 14 - 5.009Publisher4/4 & 3/4, quarter = 40. Wide-ranging, highly expressive melody. *Commentsart, trad.?TypeBarrera, A.Mel. SourceVega, Lope de,Text SourcePianoInstrumentsMVoice


b-fsh2Rangec1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

DanzaTitleUna dama me mandó que sirvieseFirst lineBarrera, A.ComposerSp.Comp. Nat.Canciones Del Siglo De OroCollection

Real Musical, Madrid, 1986 R.M. 14 - 5.009Publisher3/8, dotted quarter = 64. Lively, syncopated, flowing melody. *Commentsart, trad.?TypeBarrera, A.Mel. SourceVega, Lope de,Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.d1-fsh2Rangefsh1-e2Tessiturarhy. dnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Por sobre o rosaleTitlePor sobre o rosale voa um paxariñoFirst lineAdrán, José, ManuelComposer

Comp. Nat.Canciones En GallegoCollection

? Depósito Legal: M - 35419-1982 Gráf. Salinero - Crisóbal Bordiu, PublisherAndante moderato in 2/4 & 9/8. Lightly ornamented, somewhat briefCommentsart, trad.TypeAdrán, José, ManuelMel. SourceInclan, R. Del ValleText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.bfl-c2Rangec1-c2Tessituraexp.Spec. Appl.LNCEMSCall No.in Gal.?Translation

20th C.Hist. Per.

O Que Lle Prega Unha Vella O NeniñoTitleNun berce de pallas naciche pa nos...First lineAdrán, José, ManuelComposer


? Depósito Legal: M - 35419-1982 Gráf. Salinero - Crisóbal Bordiu, PublisherAndante in 6/8.Commentsart, trad.TypeAdrán, José, ManuelMel. SourceJacome, José DiazText SourcePianoInstrumentsMVoice


b-e2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.in Gal.?Translation

20th C.Hist. Per.

O Neno De BelemTitleNeno de cabelos de ouro,First lineAdrán, José, ManuelComposer


? Depósito Legal: M - 35419-1982 Gráf. Salinero - Crisóbal Bordiu, PublisherAndante Moderato in 6/8. Simple, folk-like melody. Nativity theme *Commentsart, trad.TypeAdrán, José, ManuelMel. SourceGonzalez, M. LagoText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-d2Tessituraexp. sac.Spec. Appl.LNCEMSCall No.in Gal.?Translation

20th C.Hist. Per.

Imonos Xa Pra AldeaTitleImonos xa pra aldea porque ai qui n'e ben xogar...First lineAdrán, José, ManuelComposer


? Depósito Legal: M - 35419-1982 Gráf. Salinero - Crisóbal Bordiu, PublisherVerse in 6/8, refain in 2/4. 3 part harmony indicated for refrain.2 Commentsart, trad.TypeAdrán, José, ManuelMel. SourceAnónimoText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-f2Rangec1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.in Gal.?Translation

20th C.Hist. Per.

A raya do sol (Canción popular gallega)TitleA raya do sol neniña a tua cama vai dar...First lineMoreno - Buendia, ManuelComposerSp.Comp. Nat.Canciones Populares GallegasCollection

Real Musical, Madrid, 1981PublisherAndante in 6/8. w/3 contrasting sections. Attractive piece. *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-e2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.in Gal.?Translation

20th C.Hist. Per.

Non me mires d'ese modo (Canción popular gallega)TitleNon me mires d'ese modo que me vas a dormentareFirst lineMoreno - Buendia, ManuelComposerSp.Comp. Nat.Canciones Populares GallegasCollection

Real Musical, Madrid, 1981PublisherAndante in changing meter, declamatory style; brief Allegro refrain. AnCommentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.f1-e2Rangef1-c2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.in Gal.?Translation

20th C.Hist. Per.

Páxaro que vas voando (Canción popular gallega)TitlePáxaro que vas voandao e levas fio no pico...First lineMoreno - Buendia, ManuelComposerSp.Comp. Nat.Canciones Populares GallegasCollection

Real Musical, Madrid, 1981PublisherLentamente in 2/4, "delicatissimo". Beautiful setting . *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Rangeg1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.in Gal.?Translation

20th C.Hist. Per.

Maruxiña (Canción popular gallega)TitleMaruxiña o teu refaixo...First lineMoreno - Buendia, ManuelComposerSp.Comp. Nat.Canciones Populares GallegasCollection

Real Musical, Madrid, 1981PublisherAllegro molto in 3/8. Dance-like, "chatty", attractive piece. *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.f1-f2Rangef1-d2Tessiturarhy. dct.Spec. Appl.LNCEMSCall No.in Gal.?Translation

20th C.Hist. Per.

6. RomancilloTitlePor mayo, era por mayo, Cuando hace la calor,First lineRodrigo, Joaquin, 1902 - ?ComposerSp.Comp. Nat.CancionesCollection

Edicion Del Autor, Madrid, 1966PublisherSustained; expansive, lightly ornamented melody. Dramatic, intense Commentsart, trad.TypeRodrigo, Joaquin, 1902 - ?Mel. SourceUnknownText SourcePianoInstrumentsHVoiceAdv.Voc. LevelMod.Acc. Reqts.e1-a2Rangee1-fsh2Tessituraexp.Spec. Appl.LNCEMSCall No.Fr. & Ger. sep. from musicTranslation

20th C.Hist. Per.

13. Canço Del TeuladíTitleJoyos cassador, passa;First lineRodrigo, Joaquin, 1902 - ?ComposerSp.Comp. Nat.CancionesCollection

Edicion Del Autor, Madrid, 1966PublisherAllegro in 2/4 (quarter =132) 3 verses. Spirited, lively, dance-like; Commentsart, trad.TypeRodrigo, Joaquin, 1902 - ?Mel. SourceLlorente, TeodoroText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.efl1-f2Rangeafl1-f2Tessituradct.Spec. Appl.LNCEMSCall No.In Cat.; Sp. & Ger. sep. from musicTranslation

20th C.Hist. Per.

II. CasaditaTitleSe la lleva ya de España...First lineHalffter, Rodolfo, 1900 -ComposerSp.Comp. Nat.Marinero en tierra, op.27Collection

Real Musical, Madrid, 1985 ISBN 84-387-0145-0PublisherChanging meter, quarter = 88. Sustained, freely flowing; lightly Commentsart, trad.TypeHalffter, Rodolfo, 1900 -Mel. SourceAlberti, RafaelText SourcePianoInstrumentsHVoiceInt..Voc. LevelMod.Acc. Reqts.d1-g2Rangefd1-g2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

III. Siempre Que Sueño Las Playas...TitleSiempre que sueño las playas,First lineHalffter, Rodolfo, 1900 -ComposerSp.Comp. Nat.Marinero en tierra, op.27Collection

Real Musical, Madrid, 1985 ISBN 84-387-0145-0Publisher6/8 & 3/4, dotted quarter = 80. Lilting, dance-like; simple folk like Commentsart, trad.TypeHalffter, Rodolfo, 1900 -Mel. SourceAlberti, RafaelText SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod./Diff..Acc. Reqts.fsh1-fsh2Rangefsh1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

IV. VeranoTitleDel cimena al aire libra vengo,First lineHalffter, Rodolfo, 1900 -ComposerSp.Comp. Nat.Marinero en tierra, op.27Collection

Real Musical, Madrid, 1985 ISBN 84-387-0145-0Publisher3/8 & 2/8, eighth = 176. Sustained; sweet, simple melody w. Commentsart, trad.TypeHalffter, Rodolfo, 1900 -Mel. SourceAlberti, RafaelText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-fsh2Rangee1-e2Tessiturarhy. dct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

V. Gimiendo Por Ver El Mar...TitleGimiendo por ver el mar, un marinerito en tierra...First lineHalffter, Rodolfo, 1900 -ComposerSp.Comp. Nat.Marinero en tierra, op.27Collection

Real Musical, Madrid, 1985 ISBN 84-387-0145-0Publisher6/8 & 3/4, dotted quarter = 96. Spirited, dance-like, in folk vein; Commentsart, trad.TypeHalffter, Rodolfo, 1900 -Mel. SourceAlberti, RafaelText SourcePianoInstrumentsHVoiceBeg.Voc. LevelMod./Diff.Acc. Reqts.a1-g2Rangea1-g2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Tirana del TrípiliTitleDel tripili la tirana,First lineLaserna, Blas de, 1751 - 1816; Lavilla, Felix, arr.Composer

Comp. Nat.Tirana del TrípiliCollection

Real Musical, Madrid, 1988. I.S.B.N. : 84 -387 - 0252 -XPublisherAllegro in 3/8, dotted quarter + 72. "A Fernando Turina". *Commentsart, trad.TypeLaserna, Blas de, 1751 - 1816Mel. Source?Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod./Diff.Acc. Reqts.e1-gsh2Rangee1-fsh2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

18th C. & 20th C.Hist. Per.

Ay, amargas soledades, sobre una melodia anónimaTitleAy, amargas soledades de mi bellísima Filis,First lineLavilla, FelixComposer

Comp. Nat.Musica Española Del S. XVIII; Ay, amargas soledades, sobre una Collection

Real Musical, Madrid, 1988PublisherAndantino & Allegretto, in 3/4 & 2/4. Gently flowing melody req. Commentsart, trad.TypeLavilla, FelixMel. SourceVega, Lope deText SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.csh1-e2Rangefsh1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

AsturianaTitleFuistia la siega y golviesti...First lineNin, Joaquin, l878-1949ComposerSp., Cub.?Comp. Nat.Vingt Chants Populaires Espagnols, Vol.2Collection

Editions Max Eschig, Paris, 1923.PublisherTranquillo in 3/4, quarter = 60. Slow, sustained, lightly ornamented. Commentsart, trad.TypeTrad., AsturiasMel. SourceTrad., AsturiasText SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.efl1-g2Rangeafl1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.In Austurian dial.; Fr. w. musicTranslation

20th C.Hist. Per.

Paño MurcianoTitleDiga usted señor platero cuánta plata es menester...First lineNin, Joaquin, l878-1949ComposerSp., Cub.?Comp. Nat.Vingt Chants Populaires Espagnols, Vol.2Collection

Editions Max Eschig, Paris, 1923.PublisherQuasi allegro in 6/8, dotted quarter = 112. Lively, dance-like w. Commentsart, trad.TypeTrad., MurciaMel. SourceTrad., MurciaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.csh1-f2Rangef1-e2Tessiturarhy.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

PoloTitleCuerpo bueno, alma divina,First lineNin, Joaquin, l878-1949ComposerSp., Cub.?Comp. Nat.Vingt Chants Populaires Espagnols, Vol.2Collection

Editions Max Eschig, Paris, 1923.PublisherAllegretto in 3/8, dotted quarter = 72, Molto ritmico. Spirited, Commentsart, trad.TypeGarcia, Manuel, 1775 - 1832Mel. SourceUnknownText SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.e1-a2Rangeg1-f2Tessituradnce., thea. rhy.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

I. Paseábase el rey moro.TitlePaseábase el rey moro por la ciudad de Granada,First lineRodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Cantos de Amor y de GuerraCollection

Union Musical Española, Madrid, 1969. #21286; Reduction for voicePublisherSlow, sustained; brief, simple melody; highly ornamented. Req. goodCommentsart; trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelMod.Acc. Reqts.g1-g2Rangeg1-g2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

II. A las armas, moriscotes!TitleA las armas, moriscotes, si lo has devolumtad,First lineRodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Cantos de Amor y de GuerraCollection

Union Musical Española, Madrid, 1969. #21286; Reduction for voicePublisherSustained, energetic; declamatory melody. Decisive ,martial mood Commentsart; trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.a1-g2Rangea1-g2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

III. Ay, luna que reluces!TitleAy, luna que reluces, toda la noche me alumbres,First lineRodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Cantos de Amor y de GuerraCollection

Union Musical Española, Madrid, 1969. #21286; Reduction for voicePublisherGracefully flowing; sweet, gently mood. Unacc. melodic phrases are Commentsart; trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-f2Rangea1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

IV. Sobre Baza estaba el ReyTitleSobre Baza estaba el Rey, lunes, despues de yantar;First lineRodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Cantos de Amor y de GuerraCollection

Union Musical Española, Madrid, 1969. #21286; Reduction for voicePublisherSlow, sustained; Narrative, declamatory melody. Simple chordal acc.Commentsart; trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.d1-g2Rangeg1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

V. Pastorcico, tú que has vueltoTitlePastorcico, tú que has vuelto de lo alto de esa montaña,First lineRodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Cantos de Amor y de GuerraCollection

Union Musical Española, Madrid, 1969. #21286; Reduction for voicePublisherLively, rhythmic, dance-like. Brief simple melody, lightly ornamented.Commentsart; trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.e1-g2Rangee1-g2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

PeregrinoTitlePeregrino peregrino que no sabes el camino donde vas...First lineChumillas, M. Martinez, arr.ComposerSp.Comp. Nat.Cuatro Canciones Populares EspañolasCollection

Editorial alpuerto, s.a., Madrid, 1979PublisherLento. Text oriented, brief song. Req. interpretative finesse. *Commentsart, trad.TypeMachado, Manuel?Mel. Source?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-f2Rangeg1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

A la Orilla del marTitleA la orilla del mar buscoun pez colorado...First lineChumillas, M. Martinez, arr.ComposerSp.Comp. Nat.Cuatro Canciones Populares EspañolasCollection

Editorial alpuerto, s.a., Madrid, 1979PublisherAllegretto. Dance-like in 3/8. "Chatty". *Commentsart, trad.TypeVivanco, Luis Felipe?Mel. Source?Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.d1-e2Rangee1-e2Tessituradct. rhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Cancion de MariposaTitlePor la vega de los mimbres donde se ilumina el campo...First lineChumillas, M. Martinez, arr.ComposerSp.Comp. Nat.Cuatro Canciones Populares EspañolasCollection

Editorial alpuerto, s.a., Madrid, 1979PublisherLento in 3/8. "Chatty" Req. interpretative finesse. *Commentsart, trad.TypeVivanco, Luis Felipe?Mel. Source?Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.c1-f2Rangec1-d2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Como el viento en el aireTitleComo el viento en el aire como en el mar la ola...First lineChumillas, M. Martinez, arr.ComposerSp.Comp. Nat.Cuatro Canciones Populares EspañolasCollection

Editorial alpuerto, s.a., Madrid, 1979PublisherAllegretto in 3/8. Dance-like, "chatty". *Commentsart, trad.TypeDiego, Gerárdo?Mel. Source?Text SourcePianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.d1-fsh2Rangee1-e2Tessiturarhy. dct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

I. El Carbonero (for soprano)TitleEl carbonero por las esquinas va pregonando o...First lineHalffter, C.ComposerSp.Comp. Nat.Cuatro Canciones LeonesasCollection

Union Musical Ediciones, S.L.,Madrid, 1957PublisherAllegro vivo in 3/8. Lively, dance-like, melismatic, in folk vein. (A mi Commentsart, trad.?Typetrad.?, Halffter, C.?Mel. Sourcetrad.?Text SourcePianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.fsh1-fsh2Rangeg1-fsh2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Canto De La TrillaTitleDos soles son los ojos...First lineInzenga, J. Almagro, D. A. Lopez, transc.ComposerSp.Comp. Nat.Cantos y bailes populares de España. 3373 MurciaCollection

Union Musical Española, Madrid. #3373 MurciaPublisherSlow sustained, in 6/8, quarter = 60; lightly ornamented chant-like Comments trad.Typetrad.Mel. Sourcetrad.Text Source

InstrumentsMVoiceInt.Voc. Level

Acc. Reqts.e1-f2Rangee1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

19th C.?Hist. Per.

I. bis Canto De La Trilla # 2TitleDos soles son los ojos...First lineInzenga, J. Almagro, D. A. Lopez, trnsc.ComposerSp.Comp. Nat.Cantos y bailes populares de España.Collection

Union Musical Española, Madrid. #3373 MurciaPublisherIn 6/8. Slow, sustained; lightly ornamented, chant-like melody. Req.Commentsart, trad. (Murcia)Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.e1-f2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

19th C.?Hist. Per.

II. Canto Que Entonan Los Labradores De La Huerta Cuando Cojen La TitleNo me diga usted morena...First lineInzenga, J.; Calvo, D. Julian, trnsc.ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid. #3373 MurciaPublisherUnmetered. Sustained; simple, lightly ornamented melody. A song ofCommentstrad.Typetrad.Mel. Sourcetrad.Text Source

InstrumentsMVoiceBeg.Voc. Level

Acc. Reqts.f1-d2Rangefsh1? (f) -d2Tessitura


Translation

19th C.?Hist. Per.

III. Canto De CunaTitleDuermete niño mio...First lineInzenga, J.; Almagro, D. A. Lopez, ( trnsc.)ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid. #3373 MurciaPublisherIn 3/4, quarter = 168. Sustained, free flowing; brief, simple song. A Commentstrad.Typetrad.Mel. Sourcetrad.Text Source

InstrumentsLVoiceBeg.Voc. Level

Acc. Reqts.d1-d2Ranged1-c1Tessitura


Translation

19th C.?Hist. Per.

IV. Canto De La LabranzaTitlePor mas que reine el cariñoFirst lineInzenga, J.; Calvo, D. Julian (trnsc.)ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherUnmetered. Sustained, lightly ornamented; simple, free flowing Commentstrad.Typetrad.Mel. Sourcetrad.Text Source

InstrumentsMVoiceBeg.Voc. Level

Acc. Reqts.g1-d2Ranged1-c2Tessitura


Translation

19th C.?Hist. Per.

V. Parrando Del TresTitleEn la huerta de Murcia por un chaviquio...First lineInzenga, J.; Almagro, D. A. Lopez (trnsc.)ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherAllegro non troppo in 3/4, quarter = 144. Sprightly, dance-like; Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Ranged1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

19th C.?Hist. Per.

VI. Parrandas, Llamadas Del UnoTitleA bailar an saligo los cuatro solesFirst lineInzenga, J.; Calvo, D. Julian (trnsc.)ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherAllegro in 3/4. Lively, dance-like; "chatty". *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.gsh1-fsh2Rangea1-e2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

19th C.?Hist. Per.

VII. Parranda Del Campo De LorcaTitleParece que me miras...First lineInzenga, J.ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherAllegro in 3/4. Sustained, lively, spirited; syncopated, lightly Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.f1-a2Rangebfl1-f2Tessituradct. rhy.Spec. Appl.LNCEMSCall No.

Translation

19h C.?Hist. Per.

VIII. Las TorrásTitleVoy á cantar las coplas que me han mandaoFirst lineInzenga, J.; Caballero, D. M. F., trnsc.ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherAllegro in 3/4. Lively, dance-like; simple, straight forward, lightly Commentsart, trad.Typeart, trad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.a1-fsh1Rangea1-fsh2Tessitura


Translation

19h C.?Hist. Per.

IX. Seguidillas Del Jó Y JáTitleNo te fies de los hombres aún que te o frezcan...First lineInzenga, J.ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherAnimado in 3/8. Sustained, lively, strongly accented; Sequidilla. Commentsart, trad.Typeart, trad.Mel. Sourcetrad.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-g2Rangef1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

19th C.?Hist. Per.

X. Aguinaldo Del PuebloTitleEs ta noche es noche buena y noces...First lineInzenga, J.ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherAndante in 3/4, quarter = 108. Sustained, spirited, dance-like; brief Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-g2Rangeg1-g2Tessitura


Translation

19th C.?Hist. Per.

XI. Aguinaldo De La Huerta Y El CampoTitleA esta puerta hemos llegado...First lineInzenga, J.ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherAndante mosso in 3/4. .Sustained, dance-like; brief, simple melody w.Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.dsh2-f2Rangedsh2-f2Tessitura


Translation

19th C.?Hist. Per.

XII. Aguinaldo Del Campo De MulaTitleMetió Marco en el caldero tan terrible cucaron...First lineInzenga, J.ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherAndante in 3/4. Sustained, dance-like; brief, simple melody. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-g2Rangeb1-e2Tessitura


Translation

19th C.?Hist. Per.

XIII. PasionTitleUn veirnes que el Redentor...First lineInzenga, J.ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherQuarter = 60, in 3/4. Slow, sustained, chant-like; melody for the Commentstrad.Typetrad.Mel. Sourcetrad.Text SourceCampanaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-d2Rangee1-d2Tessiturasac.Spec. Appl.LNCEMSCall No.

Translation

19th C.?Hist. Per.

XIV. Canto De La AuroraTitleSalve Reina de los...First lineInzenga, J.ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherAndantino in 2/4, quarter = 108. A 4-part choral arrangement w/aCommentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsM (solo section)VoiceBeg.Voc. LevelBasicAcc. Reqts.e1-d2Rangee1-d2Tessiturasac.Spec. Appl.LNCEMSCall No.

Translation

19th C.?Hist. Per.

XV. Rosario De La AuroraTitleUn devoto por ir al rosarie...First lineInzenga, J.ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherModerato in 3/4. A song in 2 part harmony. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsM. MVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-f2, dsh1-d2Rangee1-f2, dsh1-d2Tessiturasac.Spec. Appl.LNCEMSCall No.

Translation

19th C.?Hist. Per.

XVI. El PañoTitleDiga usted señor platero cuanta...First lineInzenga, J.ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherAllegro mosso in 3/8; syncopated, spirited, dance-like; Paño. Req. Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-f2Rangee1-d2Tessiturarhy. dct.Spec. Appl.LNCEMSCall No.

Translation

19th C.?Hist. Per.

XVII. El PañoTitleAl paño fino en la tienda...First lineInzenga, J.ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherAllegretto in 3/8. Sustained, dance-like, strongly accented; lightly Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.a1-g2Rangea1-f2Tessitura


Translation

19th C.?Hist. Per.

XVIII. Pajarito TrigueroTitlePajarito triquero ven que ya es hora...First lineInzenga, J.ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherModerato. Sprightly, dance-like; brief, simple 8-bar dialogue in 3/4. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.b1-d2Rangeb1-d2Tessitura


Translation

19th C.?Hist. Per.

XIX. El CarboneroTitleYa viene mi carbonero...First lineInzenga, J.ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherModerato in 3/4. Sprightly, dance-like, "chatty"; brief, simple song. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Ranged1-d2Tessitura


Translation

19th C.?Hist. Per.

XX. Atajad La CalleTitleAtajad la calle que no pase nadie...First lineInzenga, J.ComposerSp.Comp. Nat.Cantos y bailes populares de EspañaCollection

Union Musical Española, Madrid, #3373PublisherUnmetered. Sustained; simple, chant-like melody. *Comments trad.Typetrad.Mel. Sourcetrad.Text SourceVoice onlyInstrumentsMVoiceBeg.Voc. Level

Acc. Reqts.a1-d2Rangea1-c2Tessitura


Translation

19th C.?Hist. Per.

Estrella guiadoraTitleEls Reis savis promptement moguts del Sant Esperit,First linePujol, Francisco, arr.ComposerSp.Comp. Nat.Canciones Populares CatalanasCollection

Union Musical Española, Madrid, 1956, #4321PublisherDolçament gronxat in 6/8 & 3/4, dotted quarter = 80. 7 verses *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-d2Rangefsh1-b1Tessitura

Spec. Appl.LNCEMSCall No.In Cat. onlyTranslation

20th C.Hist. Per.

MariannaTitleEl mal de l'amor n'és mal de migranya,First linePujol, Francisco, arr.ComposerSp.Comp. Nat.Canciones Populares CatalanasCollection

Union Musical Española, Madrid, 1956, #4321PublisherModerat in 2/4 & 3/4, quarter = 56. 5 verses. *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-f2Rangea1-e2Tessituradct. exp.Spec. Appl.LNCEMSCall No.In Cat. onlyTranslation

20th C.Hist. Per.

Els tres dallairesTitleSi n'eren tres dallaires que'n dallaven un prat.First linePujol, Francisco, arr.ComposerSp.Comp. Nat.Canciones Populares CatalanasCollection

Union Musical Española, Madrid, 1956, #4321PublisherViu in 6/8, dotted quarter = 112. Many verses. *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-b1Tessituradct. exp.Spec. Appl.LNCEMSCall No.In Cat. onlyTranslation

20th C.Hist. Per.

Joan de la PoblaTitleOn teniu l'amor que se'n diu Antonia?First linePujol, Francisco, arr.ComposerSp.Comp. Nat.Canciones Populares CatalanasCollection

Union Musical Española, Madrid, 1956, #4321PublisherPoc a poc, in 6/8, dotted quarter = 48. 13 verses *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-csh1Rangee1-b1Tessituradct. exp.Spec. Appl.LNCEMSCall No.In Cat. onlyTranslation

20th C.Hist. Per.

L'enamoratTitleFadrins que festejeu daume l'enhora bona...First linePujol, Francisco, arr.ComposerSp.Comp. Nat.Canciones Populares CatalanasCollection

Union Musical Española, Madrid, 1956, #4321PublisherAndantino un poco mosso, in 2/4, quarter = 84. 8 verses? *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangef1-c2Tessituradct. exp.Spec. Appl.LNCEMSCall No.In Cat. onlyTranslation

20th C.Hist. Per.

Oh serena de la mar!TitleOh serena de la mar! Ara que la gent reposen, no ho fan,First linePujol, Francisco, arr.ComposerSp.Comp. Nat.Canciones Populares CatalanasCollection

Union Musical Española, Madrid, 1956, #4321PublisherPoc a poc in 2/4, quarter= 54. 4 verses *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-e2Rangeg1-d2TessituradctSpec. Appl.LNCEMSCall No.In Cat. onlyTranslation

20th C.Hist. Per.

Els presos de VallcebreTitleEls presos de Vallcebre canten una cançó...First linePujol, Francisco, arr.ComposerSp.Comp. Nat.Canciones Populares CatalanasCollection

Union Musical Española, Madrid, 1956, #4321PublisherPoc a poc in 2/2 & 3/2, half = 44. 11 verses *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-fsh2Rangea1-d2Tessituradct. exp.Spec. Appl.LNCEMSCall No.In Cat. onlyTranslation

20th C.Hist. Per.

Margarida de CastelltersolTitleUna cançoneta nova cantaré si...First linePujol, Francisco, arr.ComposerSp.Comp. Nat.Canciones Populares CatalanasCollection

Union Musical Española, Madrid, 1956, #4321PublisherAlegre in 2/3, quarter = 104. 8 verses *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-d2Ranged1-c2Tessituradct. exp.Spec. Appl.LNCEMSCall No.In Cat. onlyTranslation

20th C.Hist. Per.

La Dama d'AragóTitleA Aragó n'hi hauna dama...First linePujol, Francisco, arr.ComposerSp.Comp. Nat.Canciones Populares CatalanasCollection

Union Musical Española, Madrid, 1956, #4321PublisherPoc a poc in 2/4 & 3/4, quarter = 56. 12 verses *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. Level

Acc. Reqts.e1-e2Rangegsh1-e2Tessituradct. exp.Spec. Appl.LNCEMSCall No.In Cat. onlyTranslation

20th C.Hist. Per.

Rosa del FollóTitleRosa del Folló, per qué estau plorosa?First linePujol, Francisco, arr.ComposerSp.Comp. Nat.Canciones Populares CatalanasCollection

Union Musical Española, Madrid, 1956, #4321PublisherMolt moderat in 3/4 & 2/4, quarter = 60. 3 verses *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2Tessituradct. exp.Spec. Appl.LNCEMSCall No.In Cat. onlyTranslation

20th C.Hist. Per.

El sastreTitleAci n'hi havia un sastre...First linePujol, Francisco, arr.ComposerSp.Comp. Nat.Canciones Populares CatalanasCollection

Union Musical Española, Madrid, 1956, #4321PublisherModerat, Gracíós, in 9/8, dotted quarter = 76. 8 verses *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.f1-d2Rangef1-d2Tessituradct. rhy. exp.Spec. Appl.LNCEMSCall No.In Cat. onlyTranslation

20th C.Hist. Per.

Cançó de l'Infant (Nadala)TitleQué li darem a l'Infant nat tot mort de fret i tot gelat?First linePujol, Francisco, arr.ComposerSp.Comp. Nat.Canciones Populares CatalanasCollection

Union Musical Española, Madrid, 1956, #4321PublisherBreçolant in 6/8, 3/4 & 9/8, dotted quarter = 52. 4 verses *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.e1-e2Rangegsh1-e2Tessituradct. exp.Spec. Appl.LNCEMSCall No.In Cat. onlyTranslation

20th C.Hist. Per.

I. Cancion Callejera ( de ciego postulante)TitleMirala bien! Mirala bien! Qué hasta bonitos tien los piés...First linePedrell, FelipeComposerSp.Comp. Nat.Canciones ArabescasCollection

Union Musical Española, Madrid, 1966, #21007-1PublisherAllegro un poco vivace in 6/8. Rhythmically exciting piece. 2 verses *Commentsart, trad.Typetrad.?Mel. Sourcetrad.?Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.a1-g2Rangeb1-g2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

1. AldapekoTitleAldapeko saga rra ren ada rra ren puntan...First lineTorroba, F. M.ComposerSp.Comp. Nat.Canciones EspañolasCollection

Union Musical Española, Madrid, 1956, #19093-1PublisherSprightly, dance-like; simple, straightforward melody. Vigorous Commentsart trad.?TypeTorroba, F. M.Mel. Sourcetrad.?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.c1-f2Rangef1-f2Tessitura

Spec. Appl.LNCEMSCall No.In Bsq.Translation

20th C.Hist. Per.

2. Ron, ronTitleRita encende catro pallas E corramos a Belen...First lineTorroba, F. M.ComposerSp.Comp. Nat.Canciones EspañolasCollection

Union Musical Española, Madrid, 1956, #19093-2PublisherSustained, modal; gracefully flowing melody. A Christmas song nicelyCommentsart trad.?TypeTorroba, F. M.Mel. Sourcetrad.?Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-g2Rangef1-efl2Tessiturasac.Spec. Appl.LNCEMSCall No.In Cat.Translation

20th C.Hist. Per.

3. Fandango castellanoTitleAhi tienes mi corazón...First lineTorroba, F. M.ComposerSp.Comp. Nat.Canciones EspañolasCollection

Union Musical Española, Madrid, 1956, #19093-PublisherLively, dance-like; A Fandango. Sustained, lightly ornamented melody.Commentsart trad.?TypeTorroba, F. M.Mel. Sourcetrad.?Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.g1-g2Rangeg1-f2Tessituradnce. dct. rhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

4. Aurtxo txikiaTitleAurtxo txikia negarrez dago...First lineTorroba, F. M.ComposerSp.Comp. Nat.Canciones EspañolasCollection

Union Musical Española, Madrid, 1956, #19093-4PublisherSlow, sustained; gently flowing, haunting melody in a highly effective Commentsart trad.?TypeTorroba, F. M.Mel. Sourcetrad.?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.e1-e2Rangee1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.In Bsq.Translation

20th C.Hist. Per.

5. Ay, que te quiero!TitleAy! que te auiero niña...First lineTorroba, F. M.ComposerSp.Comp. Nat.Canciones EspañolasCollection

Union Musical Española, Madrid, 1956, #19093-5PublisherLively, syncopated, dance-like; sustained, lightly ornamented melody.Commentsart trad.?TypeTorroba, F. M.Mel. Sourcetrad.?Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.fsh1-g2Rangeg1-e2Tessitura


Translation

20th C.Hist. Per.

6. AlaláTitleEu caseime con un vello...First lineTorroba, F. M.ComposerSp.Comp. Nat.Canciones EspañolasCollection

Union Musical Española, Madrid, 1956, #19093-6PublisherSustained; wide-ranging, lightly ornamented melody. Brief song in a Commentsart trad.?TypeTorroba, F. M.Mel. Sourcetrad.?Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.g1-g2Rangeg1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.In Cat.Translation

20th C.Hist. Per.

7. Bolero de ValldemosaTitleSes atlotes nom volen per que son pillo...First lineTorroba, F. M. , arr.ComposerSp.Comp. Nat.Canciones EspañolasCollection

Union Musical Española, Madrid, 1956, #19093-7PublisherSpirited, dance-like; a Bolero. Acc. orchestral in style. Req. vocal Commentsart, trad.?TypeTorroba, F. M. arr.Mel. Sourcetrad.?Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelDiff.Acc. Reqts.g1-g2Rangeg1-g2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Cançó del Teuladí (w/Trovadoresca)TitleJoyós cassador, passa;First lineRodrigo, Joaquín, 1902 -ComposerSp.Comp. Nat.Cançó del Teuladí (w/Trovadoresca)Collection

Propiedad del autorPublisherAllegro in 2/4 (quarter =132) 3 verses. Spirited, lively, dance-like; Commentsart? trad.?TypeRodrigo, JoaquínMel. SourceLlorente, T.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.efl1-f2Rangeefl1-f2Tessituradct.Spec. Appl.LNCEMSCall No.In Sp. & Cat.Translation

20th C.Hist. Per.

I. Viva la novia y el novio!TitleViva la novia y el novio y el cura que los casó,First linearr. by Rodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Twelve Spanish FolksongsCollection

Masters Music Publications, Inc. FloridaPublisherAllegro moderato in 3/4. Brief song, lightly ornmented. *Commentsart trad.TypePuerto Lápice (León)Mel. SourcePuerto Lápice (León)Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangec1-c2Tessituraexp. dct.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

II. De rondaTitleManzanita colorada, como no te caes al suelo?First linearr. by Rodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Twelve Spanish FolksongsCollection

Masters Music Publications, Inc. FloridaPublisherVivo in 3/8. Brief song , lightly ornamented. 2 verses *Commentsart trad.TypePalazuelo de Orbigo (León)Mel. SourcePalazuelo de Orbigo (León)Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.g1-e2Rangea1-e2Tessiturarhy.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

III. Una Palomita blancaTitleUna palomita blanca como la nieve,First linearr. by Rodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Twelve Spanish FolksongsCollection

Masters Music Publications, Inc. FloridaPublisherAndante moderato in 6/8 & 9/8. Long, gently flowing phrases. *Commentsart trad.TypeLeónMel. SourceLeónText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-efl2Rangef1-efl2Tessituraexp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

IV. Canción de baile con panderoTitleEn el mar, hay un pescado,First linearr. by Rodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Twelve Spanish FolksongsCollection

Masters Music Publications, Inc. FloridaPublisherVivo in 3/8. Dance-like, brief song. 2 verses *Commentsart trad.TypePalazuelo de Orbigo (León)Mel. SourcePalazuelo de Orbigo (León)Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-d2Ranged1-d2Tessiturarhy. dct.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

V. Porque toco el panderoTitlePorque toco el pandero,First linearr. by Rodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Twelve Spanish FolksongsCollection

Masters Music Publications, Inc. FloridaPublisherAllegro in 2/4. Brief song w/only 2 repeated phrases, forte Commentsart trad.TypePalazuelo de Orbigo (León)Mel. SourcePalazuelo de Orbigo (León)Text SourcePianoInstrumentsMVoiceBasicVoc. LevelMod.Acc. Reqts.fsh1-efl2Rangefsh1-efl2Tessituradct.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

VI. TararánTitleTararán, si viés a la una,First linearr. by Rodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Twelve Spanish FolksongsCollection

Masters Music Publications, Inc. FloridaPublisherAllegretto in 6/8. Villancico. Brief song w/12 verses. *Commentsart trad.TypeCuencaMel. SourceCuencaText SourcePianoInstrumentsLVoiceBasicVoc. LevelMod.Acc. Reqts.e1-c2Rangee1-b1Tessiturasac. dct.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

VII. En las montañas de Asturias RomanceTitleEn las montañas de Asturias una asturiana ví,First linearr. by Rodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Twelve Spanish FolksongsCollection

Masters Music Publications, Inc. Florida,?PublisherAllegro in 2/4. Brief song w/10 verses. Romance. *Commentsart trad.TypePuyatos de la Sierra (Cuenca)Mel. SourcePuyatos de la Sierra (Cuenca)Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-csh2Tessituradct.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

VIII. Estando yo en mi majadaTitleEstando yo en mi majada,First linearr. by Rodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Twelve Spanish FolksongsCollection

Masters Music Publications, Inc. Florida,?PublisherAllegretto in 3/4 "molto ritmico'. *Commentsart trad.TypeMontánchez (Cáceres)Mel. SourceMontánchez (Cáceres)Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.e1-f2Rangee1-f2Tessiturarhy.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

IX. AdelaTitleUna muchacha guapa,First linearr. by Rodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Twelve Spanish FolksongsCollection

Masters Music Publications, Inc. Florida,?PublisherAndantino in 3/4, "sempre tranquillo". *Commentsart trad.TypeLoja (Granada)Mel. SourceLoja (Granada)Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-e2Rangeesh1-csh2Tessituraexp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

X. En Jerez de la FronteraTitleEn Jerez de la FronteraFirst linearr. by Rodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Twelve Spanish FolksongsCollection

Masters Music Publications, Inc. Florida,?PublisherAllegretto in 3/4. Spritely, dance-like, lightly ornamented; accomp. Commentsart trad.TypeCiudad RealMel. SourceCiudad RealText SourcePianoInstrumentsMVoiceBeg./Int.Voc. LevelMod.Acc. Reqts.afl1-gfl2Rangeafl1-f2Tessiturarhy. dct.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

XI. San José y MariaTitleSan José y Maria van por Tierra Santa,First linearr. by Rodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Twelve Spanish FolksongsCollection

Masters Music Publications, Inc. Florida,?PublisherAndante moderato in 2/4. Simple, straightforward melody. *Commentsart trad.TypeBadajozMel. SourceBadajozText SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasic/Mod.Acc. Reqts.c1-c2Rangec1-c2Tessiturasac.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

XII. Canción de cunaTitleEn tu puerta, Teresa,First linearr. by Rodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Twelve Spanish FolksongsCollection

Masters Music Publications, Inc. Florida,?PublisherAndante molto tranquillo in 2/4. Charming cradle song. *Commentsart trad.TypeLa Puebla del Principe (Ciudad Real)Mel. SourceLa Puebla del Principe (Ciudad Real)Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-dfl2Rangef1-c2Tessituraexp. dct.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

1. Cuando el rey Nimrod (melodia sefardí)TitleCuando rey Nimrod al campo salía, miraba en el cielo...First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndante mosso, in 4/4 & 3/4, quarter = 88. 2 verses w/refrain. *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod./Diff.Acc. Reqts.e1-f2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

2. Hija mía, mi querida (melodia sefardí)TitleHija mía mi querida amán...First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAllegretto , half = 58. Brief song w/2 verses. *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-d2Rangefsh1-d2Tessituraexp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

3. Ven querida (melodia sefardí)TitleVen querida, ven amada,First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAdagio in 2/4, Melismatic, declamatory, brief song w/ only 2 phrases.Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-b1Rangedsh1-ash1Tessituraexp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

4. Una matica de ruda (melodia sefardí)TitleUna matica de ruda. Una matica de flor.First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndante in 2/4 quarter = 84. Well ornamented, dance-like melody, 3Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangeg1-efl2Tessituraexp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

5. Avrix mi galanica (melodia sefardí)TitleAvrix mi galanica. Que ya va manecer.First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAllegretto in 2/4. Graceful, flowing melody. 3 verses *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.e1-e2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

6. Una tadre fresquita de Mayo (melodia sefardí)TitleUna tadre fresquita de mayo al campo salí a caminar.First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAllegretto scherzando in 6/8, 5/8 7 7/8, dotted quarter = 80. Brief Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.b-e2Rangee1-e2Tessituraexp. rhy.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

7. Nani, nani (melodia sefardí)TitleNani, nani, nani, quere el hijo,First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherLento e libero quarter = 50. Declamatory, highly melismatic melody. 3Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.f1-f2Rangef1-efl2Tessitura

Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

8. Noches, noches, buenas noches (melodia sefardí)TitleNoches, noches, buenas noches. Noches son d'enamorar.First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherLento espressivo in changing meter, quarter = 50. Gracefully flowing,Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-f2Rangeg1-f2Tessituraexp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

9. Pregoneros van y vienen (melodia sefardí)TitlePregoneros van y vienen por la ciudad...First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherModerato in 2/4 quarter = 54. Declamatory style; melismatic. *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.a1-f2Rangea1-f2Tessituraexp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

10. Ya salió de la mar la galana (melodia sefardí)TitleYa salió de la mar la galana,First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndante Tranquillo, quarter = 72. Ornamented cadences. 3 verses *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.fsh1-fsh2Rangefsh1-e2Tessitura


Translation

20th C.Hist. Per.

11. Caminí por altas torres (melodia sefardí)TitleCaminí por altas torres, naviguí por las fortunas,First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndantino in 3/8, dotted quarter = 50. Gently flowing melody with Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-f2Rangee1-csh2Tessitura


Translation

20th C.Hist. Per.

12. Mi suegra la negra (melodia sefardí)TitleMi suegra la negra con mi se daquileya,First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAllegro in 2/4, quarter = 116. Somewhat extended piece. Req. vocal Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.gsh1-gsh2Rangegsh1-fsh2Tessitura


Translation

20th C.Hist. Per.

13. Yo m'enamorí d'un aire (melodia sefardí)TitleYo m'enamorí d'un aire, d'un aire d'una mujer,First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndantino libero in 3/8, eighth = 104. Declamatory, melismatic. 2 Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-gfl2Rangef1-gfl2Tessituradct. exp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

14.. Yo m'enamorí d'un aire (2nd version) (melodia sefardí)TitleYo m'enamorí d'un aire...d'un aire d'una mujer,First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndante in 3/4, quarter = 84. Straightforward, smoothly flowing Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-gfl2Rangef-f2Tessitura


Translation

20th C.Hist. Per.

16. Morena me llaman (melodia sefardí)Title"Morena" me llaman, yo blanca nicí,First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAllegretto moderato in 4/4 cut time, half = 76. Straightforward, Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-efl2Rangeefl1-efl2Tessituradct.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

17. Yo me levantara un lunes (melodia sefardí)TitleYo me levantara un lunes, un lunes, antes de alborFirst lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAllegro in 2/4 half = 68. Dnace-like, "chatty". 3 verses *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Rangee1-e2Tessituradct.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

18. Descanso de mi vida (melodia sefardí)TitleDescanso de mi vida l'amor que me hazen, tra la la la ...First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndante moderato in 6/8, dotted quarter = 42. Flowing, somewhat Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-d2Tessitura


Translation

20th C.Hist. Per.

19. Secretos quero descuvrir (melodia sefardí)TitleSecretos quero descuvrir, secretos de mi vida.First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndantino, unmetered, half = 76. Brief song w/long, sustained Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.d1-f2Rangee1-e2Tessitura


Translation

20th C.Hist. Per.

20. Una pastora yo amí (melodia sefardí)TitleUna pastora yo amí, una hija hermoza.First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndante mosso in 3/4 dotted half = 46. Gracfully flowing melody. 2 Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-e2Rangefsh1-e2Tessitura


Translation

20th C.Hist. Per.

21. Ya viene el cativo (melodia sefardí)TitleYa viene el cativo. Con todas las cativas.First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndante in 2/4 quarter = 76. Flowing, modal melody. 3 verses *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.gsh1-f2Rangea1-d2Tessitura


Translation

20th C.Hist. Per.

22 Por que llorax blanca niña (melodia sefardí)TitlePorqué llorax blanca niña. Porqué llorax blanca flor.First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndante molto in 2/4, half = 66. Gently flowing , straightforward Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-c2Tessitura


Translation

20th C.Hist. Per.

23. Yo bolí (melodia sefardí)TitleYo bolí de foja en foja,First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherModerato mostly in 2/4. Declamatory, melismatic. 2 verses *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-g2Rangea1-f2Tessituraexp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

24. Paxarico tú te llamas (melodia sefardí)TitlePaxarico tú te llamas, paxarico de bolar.First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndantino in 7/4, quarter = 84 Gently flowing phrases, brief song. *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.b-fsh2Rangee1-c1Tessituraexp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

25. Durme, durme hermozo hijico (melodia sefardí)TitleDurme, durme 'rmozo hijico durme, durme con savor...First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAdagio in 2/4, quarter = 48. Gentle lullaby *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBasicVoc. LevelBasicAcc. Reqts.g1-f2Rangeg1-d2Tessituraexp. dct.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

26. De las altas mares (melodia sefardí)TitleDe las altas mares traena la niña...First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndantino agitato in 4/4 cut time, half = 44. Flowing, lightly Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.fsh1-e2Rangeg1-c2Tessituraexp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

27 Durme, durme (melodia sefardí)TitleDurme, durme mi alma donzella.First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndante moderato in 3/4, quarter = 69. Simple melody , only 3 Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-c2Tessitura


Translation

20th C.Hist. Per.

28. No vo comer ni vo beber (melodia sefardí)TitleNo vo comer ni vo beber; hasta que yo me muero...First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherModerato in 4/4, quarter = 66. Brief song, gently flowing melody. *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.b-fsh2Rangee1-c2Tessitura


Translation

20th C.Hist. Per.

29. Nacimiento de Moxé (melodia sefardí)TitleUn pregón pregonó el rey por to do su reinado:First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAllegro moderato, quarter = 92, Brief song w/only 2 phrases. 3 Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.fsh1-fsh2Rangefsh1-fsh2Tessitura


Translation

20th C.Hist. Per.

30. Tres hijas tiene'l buen rey (melodia sefardí)TitleTres hijas tiene el buen rey, tres hijas caras de luna...First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndante ma non troppo, quarter = 50. Gracefully ornamented melody,Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-dsh2Tessituradsh1-dsh2Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

31. Aquel conde (melodia sefardí)TitleAquel conde y aquel conde que en la mar sea...First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndante in changing meter, eighth = 52. Heavily ornamented, Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.a1-fsh2Rangeb1-e2Tessituraexp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

32. A la una nací yo (melodia sefardí)TitleA la una nací yo a las dos m'engrandecí.First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAllegretto moderato in 6/8, dotted quarter = 108. Dance-like, simple,Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod./Diff.Acc. Reqts.fsh1-e2Rangefsh1-e2Tessitura


Translation

20th C.Hist. Per.

33. Lavava y suspirava (melodia sefardí)TitleLavava y suspirava. Ví a venir cavalleroFirst lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherModerato in changing meter, quarter = 48. Declamatory, melismatic Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-g2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

35. Esta montaña d'enfrente (melodia sefardí)TitleEsta montaña d'enfrente, s'aciende y va quemando,First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherLentamente, eighth = 104. Dance-like, lightly ornamented melody. 2Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-fsh2Rangecsh1-csh2Tessitura


Translation

20th C.Hist. Per.

36. En la mar (melodia sefardí)TitleEn la mar ay una tore,First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndante calmo in 4/4 7 3/4, quarter = 72. Declamatory, Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBegVoc. LevelBasicAcc. Reqts.d1-f2Ranged1-f2Tessitura


Translation

20th C.Hist. Per.

37. Don Amadí (melodia sefardí)TitleArvolera, arvolera...tan fér til,First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAllegro in 2/4& 4/4. Joyful, energetic mood. 3 verses *Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-e2Ranged1-d2Tessituraexp. dct.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

38. Para qué quero yo más bivir (melodia sefardí)TitlePara qué quero yo más bivir En este mundo,First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAdagio , mainly 2/4, quarter = 50. Lightly decorated,melody, a Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.dsh1-e2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

39. Adío querida (melodia sefardí)TitleTu madre cuando te parió...First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndante mesto in 4/4 cut time, half = 46. Straightforward, somewhatCommentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.dsh1-fsh2Rangedsh1-e2Tessitura


Translation

20th C.Hist. Per.

40. Cuatro años de amor (melodia sefardí)TitleCuatro años de amor cortezimos los dos,First lineMorante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherAndante molto moderato refrain in 6/8, dotted quarter = 50; Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-e2Rangefsh1-csh2Tessituradct.Spec. Appl.LNCEMS CB 93 -Call No.

Translation

20th C.Hist. Per.

Palomita que vienes heridaTitlePalomita que vienes herida de las ma nos de un buen tirador,First lineRobb, John Donald, trnsc. & arr.Composer

Comp. Nat.Hispanic folk songs of New MexicoCollection

The University of New Mexico Press, Albuquerque, New Mexico, 1954.PublisherSustained; sorrowful mood. Text recalls a lost love. Appealing melody.Commentstrad.(New Mex., USA)TypeTrad., New Mex., USAMel. SourceTrad., New Mex., USAText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-d2Tessituraexp.Spec. Appl.M1629 .R666H5Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

AradaTitleLevantáivos, gañanes para la arada;First lineGrau, Eduardo, arr. and ed. 1919-?ComposerSp. Arg.?Comp. Nat.30 Canciones Populares EspañolasCollection

Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSlow, sustained. Melody consists of 2 phrases. 3 verses. *Commentstrad.(Salamanca, Sp.)TypeTrad., Salamanca, Sp.Mel. SourceTrad., Salamanca, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-f2Rangea1-f2Tessitura


Translation

Hist. Per.

Rio de AvenidaTitleRio de avenida, déjame pasar, A mi palomita la quieren matar...First lineUnknownComposer

Comp. Nat.Folk Songs of the WorldCollection

The John Day Company, New York,1966. Selected and ed. by CharlesPublisherHaunting, primitive melody. Rhythmically somewhat complex.Commentstrad.(Peru, Lat. Amer.)TypeTrad., Peru, Lat. Amer.Mel. SourceTrad., Peru, Lat. Amer.Text SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-d2Tessiturarhy.Spec. Appl.M1627 .H3F6Call No.Eng. w. the musicTranslation

Hist. Per.

Villancico; Gentil caballeroTitleGentil cavallero dadme agora un beso...First linePisador, Diego, 1508-1557ComposerSp.Comp. Nat.The Solo Song Outside German Speaking CountriesCollection

Arno Volk Verlag, Köln, Germany, 1958, after the German edition "DasPublisherGraceful, sustained; a Villancico. Gentle, elegant love song. Req. goodCommentsart, trad.(Sp.)Type


VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-f2Rangeg1-f2Tessitura

Spec. Appl.M2 .M94512 Vol. 16Call No.Eng. sep. from musicTranslation

16th C.Hist. Per.

Indita de Amarante MartínezTitleAño de milnueve cientos...First lineRobb, John Donald, trnsc. & arr.Composer


The University of New Mexico Press, Albuquerque, New Mexico,1954.PublisherVigorous. Long, tragic narrative Indita. 34 verses w. refrain. Melodic Commentstrad.(New Mex., USA)TypeTrad., New Mex., USAMel. SourceTrad., New Mex., USAText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Ranged1-bfl1Tessituraexp.Spec. Appl.M1629 .R666H5Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

Cuando por el Oriente Sale la AuroraTitleCuando por el oriente sale la aurora, caminaba la Virgen,First lineRobb, John Donald, trnsc. & arr.Composer

Comp. Nat.Hispanic folk songs of New Mexico.Collection

The University of New Mexico Press, Albuquerque, New Mexico,1954.PublisherSlow, sustained. Haunting melody. From a Nativity folk play. 4 verses.Commentstrad.(New Mex., USA)TypeTrad., New Mex., USAMel. SourceTrad. from Los Pastores de Los Griegos, New Mex., USAText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-e2Rangeg1-e2Tessiturasac.Spec. Appl.M1629 .R666H5Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

De la real JerusalénTitleDe la real Jerusalén salió una estrella brillando...First lineRobb, John Donald, trnsc. & arr..Composer


The University of New Mexico Press, Albuquerque, New Mexico,1954.PublisherA processional for the shepherds w. a steadily moving acc. figure. FromCommentstrad.(New Mex., USA)TypeTrad., New Mex., USAMel. SourceTrad. from Los Pastores de Los Griego, New Mex., USAText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.gsh1-e2Rangea1-d2Tessiturasac.Spec. Appl.M1629 .R666H5Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

El muchacho alegreTitleYo soy el muchacho alegre que me divierto cantando,First lineRobb, John Donald, trnsc. & arr.Composer


The University of New Mexico Press, Albuquerque, New Mexico,1954.PublisherSpirited, lighthearted Canción of a footloose, fancy free man. 6 verses.Commentstrad.(New Mex., USA)TypeTrad., New Mex., USAMel. SourceTrad., New Mex., USAText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-efl2Rangef1-d2Tessitura

Spec. Appl.M1629 .R666H5Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

Cancion de MajaTitleDe que sirve à las Usias Camelar...First lineBantock, Granville, arr. 1868-1946ComposerEng.Comp. Nat.100 Folksongs of All Nations.Collection

Oliver Ditson Co., Boston, 1911. Ed. by Granville Bantock.PublisherAnimated, lilting, dancelike. Req. facile articulation of text & of Commentstrad.(Andalusia, Sp.)TypeTrad., Andalusia, Sp.Mel. SourceTrad., Andalusia, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2Tessituratch.,dct.,Spec. Appl.M1627 .B3O52Call No.Eng. w. musicTranslation

Hist. Per.

Pedimento de las PosadasTitleQuien les da posada...First lineRobb, John Donald, trnsc.& arr.Composer


The University of New Mexico Press, Albuquerque, New Mexico,1954.PublisherSustained. 19 verses. Rhythmically simple. From a Nativity folk play; Commentstrad.(New Mex., USA)TypeTrad., New Mex., USAMel. SourceTrad. from Los Pastores de Los Griegos, New Mex., USAText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.efl1-efl2Rangeefl1-d2Tessiturasac.Spec. Appl.M1629 .R666H5Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

A la Puerta del CieloTitleA la puerta del cielo venden zapatos...First lineStewart, Naomi, arr.Composer

Comp. Nat.Songs That Children Sing.Collection

Oak Publications, New York; Music Sales Limited, London, 1970. Cmpl.,PublisherAppealing melody. A lullaby. Easy 2-part harmony given. Good Commentstrad.(Sp.)TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePiano; Chords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangef1-c2Tessituraclss.Spec. Appl.M1997 .C56S6Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

El Niño LindoTitleEste niño lino que nació de dia...First lineJohnson, Venona, arr.Composer

Comp. Nat.Songs That Children SingCollection

Oak Publications, New York; Music Sales Ltd. London, 1970. Cmpl. PublisherSlow, dreamy lullaby. 2 verses.Commentstrad.(Mex.)TypeTrad., Mex.Mel. SourceTrad., Mex.Text SourcePiano; Chords indic.InstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-bfl1Rangef1-a1Tessitura

Spec. Appl.M1997 .C56S6Call No.Eng. w. musicTranslation

20th C.Hist. Per.

La MuñecaTitleTengo una muñeca vestido de azúl...First lineJohnson, Venona, arr.Composer


Oak Publications, New York; Music Sales Ltd., London, 1970. Cmpl. PublisherSpirited. Introd. notes give background for unusual verses about a Commentstrad.(Mex.)TypeTrad., Mex.Mel. SourceTrad., Mex.Text SourcePiano; Chords indic.InstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-c2Rangec1-c2Tessituraclss.Spec. Appl.M1997 .C56S6Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

Matemos Al GalloTitleMatemos al gallo...Nunca más hára, kikiriki, kokoroko,First lineStewart, Naomi, arr.Composer


Oak Publications, New York; Music Sales Ltd., London, 1970. Cmpl. PublisherA round w. sounds of a rooster crowing. Good classroom song.Commentstrad.(Lat. Am.)TypeTrad., Lat. Am.Mel. SourceTrad., Lat. Am.Text SourcePiano; Chords indic.InstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.b-a1Rangec1-g1Tessituraclss.Spec. Appl.M1997 .C56S6Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

Mi ChacraTitleVengan a ver mi chacra que es hermosa...First lineStewart, Naomi, arr.Composer


Oak Publications, New York; Music Sales Ltd., London, 1970. Cmpl. PublisherLively. Song w. sounds of farm animals. 6 verses. Easy 2-part Commentstrad.(Sp.)TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePiano; Chords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Rangeg1-d2Tessituraclss.Spec. Appl.M1997 .C56S6Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

San SereniTitleSan Sereni de la buena buena vida, Hacen así...First lineJohnson, Venona, arr.Composer


Oak Publications, New York, Music Sales Ltd., London, 1970. Cmpl. PublisherDance-like, w. a pantomime game described in introd. notes. Good Commentstrad.(PR)TypeTrad., PRMel. SourceTrad., PRText SourcePiano; Chords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-e2Rangea1-d2Tessituraclss.Spec. Appl.M1997 .C56S6Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

Ya Vienen los IndiosTitleYa vienen los indios Vienen de Tepic,First lineJohnson, Venona, arr.Composer


Oak Publications, New York, Music Sales Ltd., London, 1970. Cmpl. PublisherShort, simple song for young children.Commentstrad.(Mex.)TypeTrad., Mex.Mel. SourceTrad., Mex.Text SourcePiano; Chords indic.InstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-c2Rangec1-c2Tessitura

Spec. Appl.M1997 .C56S6Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

Aguinaldo No. 1TitleDe tierra lejana venimos a verte,First linePedreira, José Enrique, arr. 1904-ComposerPRComp. Nat.Puerto Rico Sings, An Album of its Best-Loved Songs.Collection

Edward B. Marks Music Corp., New York, 1957. Cmpl. by José Enrique PublisherChristmas song about the three kings & their gifts. A narrative.Commentstrad.(PR)TypeTrad., PRMel. SourceTrad., PRText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-fsh2Rangeg1-e2Tessiturasac.Spec. Appl.M1681 .P618P4Call No.Eng. w. musicTranslation

20th C.Hist. Per.

Aguinaldo No. 2TitleA la media noche al rigor de hielo Nace Jesucristo...First linePedreira, José Enrique, arr. 1904-ComposerPRComp. Nat.Puerto Rico Sings, An Album of its Best-Loved Songs.Collection

Edward B. Marks Music Company, New York, 1957. Cmpl. by José PublisherChristmas song tells of Christ in the manger & the adoration of the Commentstrad.(PR)TypeTrad., PRMel. SourceTrad., PRText SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-g2Rangea1-d2Tessiturasac.Spec. Appl.M1681 .P618P4Call No.Eng. w. musicTranslation

20th CHist. Per.

AlegríaTitleHacia Belén se encaminan María con suamante esposo...First linePedreira, José Enrique, arr. 1904-ComposerPRComp. Nat.Puerto Rico Sings, An Album of its Best-Loved Songs.Collection

Edward B. Marks Music Corp., New York, 1957. Cmpl., by José EnriquePublisherAnimated, joyous; a Villancico. A story of Mary & Joseph.Commentstrad.(PR)TypeTrad., PRMel. SourceTrad., PRText SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-g2Rangeg1-e2Tessiturasac.Spec. Appl.M1681 .P618P4Call No.Eng. w. musicTranslation

20th C.Hist. Per.

Me gustan todasTitleMe gustan todas...en general, pero esa rubia,First lineMiddlemore, S.G.C., Mrs., arr.Composer

Comp. Nat.Seven Centuries of Solo Song (13th-20th Cent.) with an HistoricalCollection

Boston Music Co., Boston Mass. Cmpl., trnsl., & arr. by James PublisherSimple melody, dance-like; Habanera. Good rhy. & dct. study for Beg.Commentstrad.(Pyrenees, Sp.)TypeTrad., Pyrenees, Sp.Mel. SourceTrad., Pyrenees, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-fsh2; dsh1-dsh2Rangefsh1-e2; dsh1-csh2Tessiturarhy., dct., dnce.Spec. Appl.M1619 .W87S3 vol.4Call No.Eng. w. musicTranslation

20th C. arr.Hist. Per.

AlboradaTitleA la llum matidinal vinch a cantar al amor...First lineGrau, Eduardo, arr. and ed.Composer

Comp. Nat.30 Canciones Populares Españolas.Collection

Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherCharming, modal melody. A love song. *Commentstrad.(Valencia, Sp.)TypeTrad., Valencia, Sp.Mel. SourceTrad., Valencia, Sp.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Rangee1-c2Tessitura

Spec. Appl.LNCEMSCall No.In Val. dial.; Sp. sep. from musicTranslation

Hist. Per.

Amores me dio la niñaTitleAmores me dió la niña a la orilla de la fuente;First lineGrau, Eduardo, arr and ed.Composer

Comp. Nat.30 Canciones Populares EspañolasCollection

Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherLively, dance-like. Simply set. 2 verses. *Commentstrad.(Salamanca, Sp.)TypeTrad., Salamanca, Sp.Mel. SourceTrad., Salamanca, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-dfl2Rangegfl1-dfl2Tessitura


Translation

Hist. Per.

Ay! de la labradoraTitleAy! de la labradora, la labradora, que coge poco trigo,First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSlow, sustained. Simple melody , nicely set. 2 verses. *Commentstrad.(Valladolid, Sp.)TypeTrad., Valladolid, Sp.Mel. SourceTrad., Valladolid, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.efl1-efl2Rangef1-dfl2Tessitura


Translation

Hist. Per.

Ay! linda amigaTitleAy! linda amiga, que no vuelo a verte;First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSimple, lyrical, modal melody. A plaintive love song. Nicely set. *Commentstrad.(Santander, Sp.)TypeTrad., Santander, Sp.Mel. SourceTrad., Santander, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-d2Rangefsh1-d2Tessitura


Translation

Hist. Per.

Baile del panderoTitleEste pandero que toco retumba con alegría...First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSpirited, dance-like. Acc. imitative of primitive folk instruments. 3 Commentstrad.(León, Sp.)TypeTrad., León, Sp.Mel. SourceTrad., León, Sp.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-c2Rangee1-c2Tessitura


Translation

Hist. Per.

Bi eta iru biderTitleBi eta iru bider Joxepek jotzen du ...First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSlow, simple modal melody, simply set; Villancico. Text describes Commentstrad.(Vascongadas, Sp.)TypeTrad., Vascongadas, Sp.Mel. SourceTrad., Vascongadas, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-f2Rangeg1-d2Tessitura

Spec. Appl.LNCEMSCall No.In Bsq.; Sp. sep. from music.Translation

Hist. Per.

Canto de segadoresTitleYa se va poniendo el sol, ya se va por los rincones;First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherLively, sustained, w. lightly ornamented phrase endings. Short song. 2Commentstrad.(Aragon, Sp.)TypeTrad., Aragon, Sp.Mel. SourceTrad., Aragon, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Rangeg1-c2Tessitura


Translation

Hist. Per.

ChinchirinchinTitleSi es cierto lo que me dices, chinchirinchin...First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial. Buenos PublisherSpirited, vigorous, dance-like. 4 verses. An appealing song. *Commentstrad.(Asturias, Sp.)TypeTrad., Asturias, Sp.Mel. SourceTrad., Asturias, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Rangeg1-d2Tessitura


Translation

Hist. Per.

Al salir el sol doradoTitleAl salir el sol dorado esta mañana te vi cogiendo,First lineGrau, Edurado, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherLight, animated, dance-like. 3 verses. *Commentstrad.(Estremadura, Sp.)TypeTrad., Estremadura, Sp.Mel. SourceTrad., Estremadura, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangefsh1-d2Tessitura


Translation

Hist. Per.

Cuando sales al campoTitleCuando sales al campo, morena mía,First lineGrau, Eduardo, arr. and ed.Composer

Comp. Nat.30 Canciones Populares EspañolasCollection

Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSimple, modal melody nicely set. 2 verses. *Commentstrad.(Burgos, Sp.)TypeTrad., Burgos, Sp.Mel. SourceTrad., Burgos, Sp.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-c2Rangee1-c2Tessitura


Translation

Hist. Per.

Despedida del soldadoTitleAdiós ríos, adiós fuentes, adiós la plaza del pueblo,First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSimple melody. A soldier's farewell to his home & town. 2 verses. *Commentstrad.(Cuenca, Sp.)TypeTrad., Cuenca, Sp.Mel. SourceTrad., Cuenca, Sp.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.dsh1-csh2Rangee1-b1Tessitura


Translation

Hist. Per.

Donde va de mañanaTitleDonde va de mañana la niña blanca,First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherLilting, dance-like. Appealing melody. 3 verses. *Commentstrad.(Santander, Sp.)TypeTrad., Santander, Sp.Mel. SourceTrad., Santander, Sp.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.dsh1-c2Rangeg1-b1Tessitura


Translation

Hist. Per.

Gasta la molineraTitleGasta la molinera ricos corales...First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSimple, attractive melody. Nicely set. *Commentstrad.(Burgos, Sp.)TypeTrad., Burgos, Sp.Mel. SourceTrad., Burgos, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-fsh2Rangefsh1-d2Tessitura


Translation

Hist. Per.

Héri huntan; a.k.a. Hay en este puebloTitleHéri huntan badire be mutil gazte adiskide...First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSustained, graceful, flowing melody. 2 verses. *Commentstrad.(Vascongadas, Sp.)TypeTrad., Vascongadas, Sp.Mel. SourceTrad., Vascongadas, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.dsh1-d2Rangee1-c2Tessitura

Spec. Appl.LNCEMSCall No.In Bsq. w. Sp. sep. from music.Translation

Hist. Per.

La enamoradaTitleEn lo alto el puertu Ventana tengo el amor;First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSustained, ornamented melody req. flexibility. Nicely set. 2 verses. *Commentstrad.(Asturias, Sp.)TypeTrad., Asturias, Sp.Mel. SourceTrad., Asturias, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Rangeg1-d2Tessituratch.Spec. Appl.LNCEMSCall No.In Ast. dialectTranslation

Hist. Per.

La filadoraTitleUn pobre pagés, tenia una filla;First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSustained, graceful, flowing. An appealing narrative. *Commentstrad.(Cataluña, Sp.)TypeTrad., Cataluña, Sp.Mel. SourceTrad., Cataluña, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-f2Rangef1-d2Tessitura

Spec. Appl.LNCEMSCall No.In Cat. w. Sp. sep. from music.Translation

Hist. Per.

SaetaTitleCaminando el buen Jesús por la calle de Amargura...First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherChant-like, declamatory. Ecstatic religious mood. Nicely set. 2 Commentstrad.(Andalucia, Sp.)TypeTrad., Andalucia, Sp.Mel. SourceTrad., Andalucia, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-d2Rangeg1-c2Tessiturasac.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

La pastoretaTitleQue li donarém á la pastoreta?First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSpirited, light. An appealing song. *Commentstrad.(Catalonia, Sp.)TypeTrad., Catalonia, Sp.Mel. SourceTrad., Catalonia, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.efl1-f2Rangef1-efl2Tessitura

Spec. Appl.Call No.

In Cat. w. Sp. sep. from music.Translation

Hist. Per.

De laurel es la ramaTitleDe laurel es la rama de verde laurel,First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSustained, spirited, strongly accented. Modal melody. Nicely set. *Commentstrad.(La Mancha, Sp.)TypeTrad., La Mancha, Sp.Mel. SourceTrad., La Mancha, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Rangeg1-d2Tessitura


Translation

Hist. Per.

SeguidillasTitleY de alelíes... De rosas y claveles...First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherGraceful, sustained, dance-like; Seguidilla. 3 verses. Appealing song. *Commentstrad.(Madrid, Sp.)TypeTrad., Madrid, Sp.Mel. SourceTrad., Madrid, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-fsh2Rangee1-e2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

SoleáTitleTienes unos ojos, niña, tan hechos a la humildad,First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherExpressive, declamatory. Sparse acc. An ardent love song. 2 verses. *Commentstrad.(Andalusia, Sp.)TypeTrad., Andalusia, Sp.Mel. SourceTrad., Andalusia, Sp.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-c2Rangee1-c2Tessitura


Translation

Hist. Per.

RondaTitleA luna vai indo alta, os pinares ya fan sombra;First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSlow, sustained, haunting melody. Nicely set. A lover's farewell. 2 Commentstrad.(Galicia, Sp.)TypeTrad., Galicia, Sp.Mel. SourceTrad., Galicia, Sp.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Rangefsh1-bfl1Tessitura

Spec. Appl.LNCEMSCall No.In Gal. dialect w. Sp. sep. from music.Translation

Hist. Per.

RomanceTitleLa mañana de San Juan, tres horas antes del día.First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherLovely, lilting melody. Light joyous mood. 6 verses. *Commentstrad.(Aragon, Sp.)TypeTrad., Aragon, Sp.Mel. SourceTrad., Aragon, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-e2Rangeg1-d2Tessitura


Translation

Hist. Per.

En lo alto de aquella montañaTitleEn ol alto de aquella montaña yo corté una caña...First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherLight, animated. Req. facile articulation of text. Sparse acc. *Commentstrad.(Avila, Sp.)TypeTrad., Avila, Sp.Mel. SourceTrad., Avila, Sp.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-csh2Rangee1-csh2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

En la raya del monteTitleEn la raya del monte de Palomares...First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSustained, slow, dance-like. Mood of grave dignity. *Commentstrad.(Zamora, Sp.)TypeTrad., Zamora, Sp.Mel. SourceTrad., Zamora, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-dsh2Rangee1-csh2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

MuiñeiraTitleHas de cantar a veira d'o rio ô son d'as folliñas d'o campo frorido.First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherLilting, rhythmic, somewhat slow. A miller maid's song. Nicely set. *Commentstrad.(Galicia, Sp.)TypeTrad., Galicia, Sp.Mel. SourceTrad., Galicia, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.dsh1-e2Rangee1-csh2Tessiturarhy.Spec. Appl.LNCEMSCall No.In Gal. dialect w. Sp. sep. from music.Translation

Hist. Per.

Montanyes de CanigóTitleMontanyes de Canigó fresques son i regalades,First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherSustained, flowing melody. Plaintive love song. Nicely set. 4 verses. *Commentstrad.(Catalonia, Sp.)TypeTrad., Catalonia, Sp.Mel. SourceTrad., Catalonia, Sp.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-g2Rangea1-e2Tessitura

Spec. Appl.LNCEMSCall No.In Cat. w. Sp. sep. from music.Translation

Hist. Per.

MalagueñaTitleAdiós, castillo de flores,First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherDeclamatory, sustained. A fervent farewell to a beloved city. 2 Commentstrad.(Andalusia, Sp.)TypeTrad., Andalusia, Sp.Mel. SourceTrad., Andalusia, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangea1-e2Tessitura


Translation

Hist. Per.

Los mayosTitleYa estamos a treinta de este abril florido;First lineGrau, Eduardo, arr. and ed.Composer


Ricordi Americana, Sociedad Anónima Editorial Y Comercial, Buenos PublisherDelicately expressive, chant-like. Describes the coming of May. SparseCommentstrad.(Murcia, Sp.)TypeTrad., Murcia, Sp.Mel. SourceTrad., Murcia, Sp.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-csh2Rangefsh1-b1Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

A monte sale el amorTitleA monte sale el amor De la isla muy nombrada,First lineValderrabano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSustained, expansive, wide-ranging melody; a Soneto.Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-f2Rangef1-d2Tessitura

Spec. Appl.M2 .M4845 vol.22Call No.

Translation

16th C., Valladolid, 1547Hist. Per.

Adormido se á el buen viejoTitleAdormido se á el buen viejo Del cansancio que traya,First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intitulado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSlow, sustained; a Romance. Extended form.Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-a1Ranged1-a1Tessitura

Spec. Appl.M2 .M4845 vol .22Call No.

Translation


Anchelina, vel' anchelinaTitleAnchelina, vel' anchelina, Tu que say del bel cantar,First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intitulado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherWide-ranging melody; a Soneto.Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.bfl1-f2Ranged1-d2Tessitura

Spec. Appl.M2 .M4845 vol. 22Call No.

Translation


Argimina nombre le dioTitleArgimina nombre le dió, La loba santos exemplos,First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSustained; a Canción. A lovely song. Harmonic & melodic movement Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.a-c2Ranged1-a1Tessitura


Translation


Ay de mí, dize el buen padreTitleAy de mi, dize el buen padre. A cinco hijos que tenia...First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de Vihuela, intitulado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSlow, sustained; a Romance. Not difficult musically.Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangef1-d2Tessitura


Translation


Cómo puedo yo bivirTitleCómo puedo yo bivir, Que el remedio tras que ando...First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherHomophonic piece; a Villancico.Commentsart, trad.(Sp)Type


Guitar trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangeg1-e2Tessitura


Translation


Con qué la lavaréTitleCon qué la lavaré? la flor de la mi cara?First lineValderrabano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutitlado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherMainly a vihuela solo w. only 2 sung phrases; a Villancico.Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-d2Rangef1-d2Tessitura


Translation


Corona de más hermosasTitleCorona de más hermosas, Ya quien mas le pertenesce,First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intitulado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherBrief, simple song based on melody of "De dónde venís amore"; a Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-f2Rangea1-d2Tessitura


Translation


Desposósete tu amigaTitleDesposósete tu amiga, Juan pastor. Ay que si, por mi dolor!First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Cientificas Instituto Espanol de PublisherBrief, simple song w. flowing, expansive melody; a Villancico.Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-e2Rangef1-d2Tessitura


Translation


Dónde son estas serranasTitleDónde son estas serranas? Del Pinar de Avila son.First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSpirited. Short, simple song; a Villancico.Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-d2Rangeg1-d2Tessitura


Translation


En la ciudad de BetuliaTitleEn la ciudad de Betulia, De Betulia, La Judich quiso dexar...First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intitulado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSlow, sustained; a Romance. Many long tones.Commentsart, trad.(Sp.)Type




Translation


Eulalia borgonelaTitleEulalia borgonela, vernán, Eulalia borgonela,First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intitulado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherLively; a Soneto. Melodically & rhythmically simple.Commentsart, trad.(Sp.)Type




Translation


Jamás cosa que quisieseTitleJamás cosa que quisiese Nunca la vi ni halléFirst lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSustained, flowing, expansive melody; a Canción.Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.c1-c2Rangef1-b1Tessitura


Translation


La bella mal maridadaTitleLa bella mal maridada, De las más lindas que vi,First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSustained; a Villancico. Harmonic & melodic movement mostly in Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-c2Ranged1-a1Tessitura


Translation


Las tristes lágrimas míasTitleLas tristes lágrimas mías...En piedras hazen señal,First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSlow, sustained; a Canción. Flowing, expansive melody.Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-g2Rangeg1-d2Tessitura


Translation


De hazer lo que juréTitleDe hazer lo que juré Que jamás no lo haría,First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherGraceful, curving melody; a Proverbio.Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-efl2Ranged1-bfl1Tessitura


Translation


Corten espadas afiladasTitleCorten espadas afiladas Lenguas malas.First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherRousing, energetic, sustained; a Soneto. An appealing piece.Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-f2Rangef1-d2Tessitura


Translation


De dónde venís, amoreTitle¿De dónde venís, amore? Bien sé yo de dónde,First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherGraceful, charming melody; a Villancico. Somewhat extended form.Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangef1-d2Tessitura


Translation


Ya cavalga CalaynosTitleYa cavalga Calaynos A la sombra de una verde oliva...First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Inestigaciones Científicas Instituto Español de PublisherGently flowing; a Romance. Simple, straightforward song.Commentsart, trad.( Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.a-c2Ranged1-a1Tessitura


Translation


Y arded, coraçón, ardedTitleY arded, coraçón, arded, Que non vos puedo yo valerFirst lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherBrief, simple piece; a Villancico. Harmonically interesting.Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-dfl2Rangef1-c2Tessitura


Translation


Sea, quando recordaresTitleSea, quando recordares, Lo que pensares primero...First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherLilting, attractive melody; a Proverbio.Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangef1-f2Tessitura


Translation


Señora, si te olvidareTitleSeñora, si te olvidare, la mi diestra olvide a mí,First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSlow, sustained; a Canción. Most harmonic & melodic movement in Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.b-bfl1Ranged1-a1Tessitura


Translation


Quién me otorgase, señoraTitleQuién me otorgase, señora, que en el infierno ascondiesses...First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSlow, sustained; a Canción. Somewhat extended form. Req. good Commentsart, trad.(Sp.)Type

Mel. SourceVázquez, JuanText SourceGuitar trnsc., orig. for VihuelaInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.c1-e2Rangeg1-d2Tessitura


Translation


O, que en la cumbreTitle¡O, que en la cumbre...Es ya el pecado De uso y costumbre!First lineValderrabano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intitulado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSimple, appealing melody; a Villancico.Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsMVoiceBegVoc. LevelMod.Acc. Reqts.d1-d2Rangef1-c2Tessitura


Translation


Los braços traygo cansadosTitleLos braços traygo cansados, cansados, De los muertos rodear.First lineValderrábano, Enriquez deComposerSp.Comp. Nat.Libro de música de vihuela, intutilado Silva de Sirenas, Vol.1.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSustained, slow moving melody; a Romance. Melodic & harmonic Commentsart, trad.(Sp.)Type


Guitar trnsc., orig. for VihuelaInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.g1-d2Rangea1-d2Tessitura


Translation


Yo te Amo, IdolatroTitleYo te amo, idolatro, ambiciono tu beldad,First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherSimple love song. Changing meter adds interest. (4/4 & 6/4)Commentstrad.(CR)TypeTrad., CRMel. SourceTrad., CRText SourceChords indic.InstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-csh2Ranged1-csh2Tessiturarhy.Spec. Appl.M1627 .H3F6Call No.Eng. w. musicTranslation

Hist. Per.

La Tejedora de ÑandutiTitleAquí bien lejos, Aquí bien lejos denuestra patria,First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherGraceful, lilting, dance-like. Lace makers' song.Commentstrad.(Par.)TypeTrad., Par.Mel. SourceTrad., Par.Text SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangee1-c2Tessitura

Spec. Appl.M1627 .H3F6Call No.Eng. w. musicTranslation

Hist. Per.

Por Un Beso de Tu BocaTitlePor un beso de tu boca, Yo no sé lo que daría,First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherLilting dance-song, a Bambuco. Alternates 6/8 & 3/4 time. An Commentstrad.(Col.)TypeTrad., Col.Mel. SourceTrad., Col.Text SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-efl2Rangef1-d2Tessiturarhy., dnce.Spec. Appl.M1627 .H3F6Call No.Eng. w. musicTranslation

Hist. Per.

No Puedo, Tengo Otro DueñoTitleNiña vamos al campo y cortaremos una flor,First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherGood classroom song. Alternates duple & triple rhythm.Commentstrad.(Nic.)TypeTrad., Nic.Mel. SourceTrad., Nic.Text SourceChords indic.InstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-c2Rangef1-c2Tessituraclss., rhy.Spec. Appl.M1627 .H3F6Call No.Eng. w. musicTranslation

Hist. Per.

Nina, NanaTitleA la nanita, nanita, a la nanita de aquel...First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherSlow, plaintive lullaby. Modal & melismatic.Commentstrad., Sp.(Andalusia)TypeTrad., Sp., AndalusiaMel. SourceTrad., Sp., AndalusiaText SourceChords indic.InstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-c2Rangec1-bfl1Tessitura


Hist. Per.

Nací en La CumbreTitleNací en la cumbre de una montaña Librando el rayo desbastador;First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherGraceful melody expresses a lover's yearning. A narrative; Romance.Commentstrad.(Guat.)TypeTrad., Guat.Mel. SourceTrad., Guat.Text SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-c2Tessitura


Hist. Per.

La ChaparrerasTitleLas muchachas de mi tierra, ésas sí saben querer,First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherRather somber text is set to cheerful music. A ballad; Corrido.Commentstrad.(Mex.)TypeTrad., Mex.Mel. SourceTrad., Mex.Text SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-e2Rangefsh1-d2Tessitura


Hist. Per.

La PanaderitaTitleA la entrada del pueblo ya la salida,First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherAnimated, exuberant. 2 verses. Ardent declaration of love for a bakerCommentstrad.(Sp.)TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-d2Rangefsh1-d2Tessitura


Hist. Per.

La Paloma AzulTitleDe tus encantos, celestial Paloma Azul,First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherSustained, graceful love song. Occasional cross rhythms of 2 against Commentstrad.(Mex., Jalisco)TypeTrad., Mex., JaliscoMel. SourceTrad., Mex., JaliscoText SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.a-e2Ranged1-d2Tessiturarhy.Spec. Appl.M1627 .H3F6Call No.Eng. w. musicTranslation

Hist. Per.

La GuajiraTitleYo soy guajira Nací en Melena, En el ingenio de Curujey.First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherLilting, dancelike. An attractive song.Commentstrad.(Cub.)TypeTrad., Cub.Mel. SourceTrad., Cub.Text SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-f2Rangef1-d2Tessitura


Hist. Per.

Jeu! Jeu!TitlePor aquí pasó una pava, Chiquitita y voladora,First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherGood for classroom of young children. A jolly tune.Commentstrad.(ES)TypeTrad., ESMel. SourceTrad., ESText SourceChords indic.InstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-b1Rangefsh1-b1Tessituraclss.Spec. Appl.M1627 .H3F6Call No.Eng. w. musicTranslation

Hist. Per.

EstiloTitleLa aurora empieza a brillar y alumbrar el sol de mayo,First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherAlternates slow & fast sections. A Ballad in decima structure which Commentstrad.(Ur.)TypeTrad., Ur.Mel. SourceTrad., Ur.Text SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Rangef1-c2Tessiturarhy.Spec. Appl.M1627 .H3F6Call No.Eng. w. musicTranslation

Hist. Per.

Era Una Vez; a.k.a. Le petit navire (Fr.)& Il piccolo naviglio (Ital.)TitleEra una vez un barco chiquitito...que no podia caminar.First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherA fun song. Good for classroom.Commentstrad.(PR)TypeTrad., PRMel. SourceTrad., PRText SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Rangee1-d2Tessituraclss.Spec. Appl.M1627 .H3F6Call No.Eng. w. musicTranslation

Hist. Per.

El TortilleroTitleNoche oscura, nada veo Pero llevo mi farol,First lineUnknownComposer

Comp. Nat.Folk Songs of the World.Collection

The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherLilting, dance-like. A well-known melody. 3 verses.Commentstrad.(Chile)TypeTrad., ChileMel. SourceTrad., ChileText SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-d2Rangee1-d2Tessitura


Hist. Per.

El Marido y La PiedraTitleSeñores, vengo a contarles lo que a mí me ha sucedido;First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherWide-ranging, somewhat angular melody; Tamborito. An odd text.Commentstrad.(Pan.)TypeTrad., Pan.Mel. SourceTrad., Pan.Text SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-f2Rangef1-f2Tessitura


Hist. Per.

De Blanca TierraTitleDe blanca tierra hemos venido, De nuestra tierra hemos venido,First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherPlaintive song w. distinctive mood in music & text; Yaravi. Expresses Commentstrad.(Bol.)TypeTrad., Bol.Mel. SourceTrad., Bol.Text SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Rangee1-e2Tessiturasac.Spec. Appl.M1627 .H3F6Call No.Eng. w. musicTranslation

Hist. Per.

Cançó de's BatreTitleAh! si no fos p'es carretó Que vá darrera,First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherSlow, chantlike, melismatic. Primitive threshing song expresses wearyCommentstrad.(Mallorca, Sp.)TypeTrad., Mallorca, Sp.Mel. SourceTrad., Mallorca, Sp.Text SourceChords indic.InstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-b1Ranged1-b1Tessiturarhy.Spec. Appl.M1627 .H3F6Call No.Eng. w. musicTranslation

Hist. Per.

Canción del Marinero HondureñoTitleMarinero hondureño que ya te vas a la mar,First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherStraightforward, rather angular melody.Commentstrad.(Hond.)TypeTrad., Hond.Mel. SourceTrad., Hond.Text SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangee1-c2Tessitura


Hist. Per.

Bogando á La Luz del SolTitleSoplan la brisas de la mañana, Rizando el lago murmurador,First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherLilting, dance-like, lyrical; Llanero. Gracefully flowing expressive Commentstrad.(Ven.)TypeTrad., Ven.Mel. SourceTrad., Ven.Text SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.b-e2Rangee1-d2Tessituradnce.Spec. Appl.M1627 .H3F6Call No.Eng. w. musicTranslation

Hist. Per.

Baile de NadalTitleA vinticinc de Desembre, fum, fum, fum,First lineUnknownComposer

Comp. Nat.Folk Songs of the World.Collection

The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherLively, vigorous. A Christmas song from the Middle Ages. 2 verses. Commentstrad.(Sp.)TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-d2Rangee1-c2Tessituraclss., sac.Spec. Appl.M1627 .H3F6Call No.Eng. w. musicTranslation

Hist. Per.

Bailando el GatoTitleCuando los San Juaninos bajan el agua,First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherDancelike; Gato. Shifting rhythmic emphasis (6/8 & 3/4). Appealing Commentstrad.(Arg.)TypeTrad., Arg.Mel. SourceTrad., Arg.Text SourceChords indic.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-efl2Rangeafl1-d2Tessiturarhy., dnce.Spec. Appl.M1627 .H3F6Call No.Eng. w. musicTranslation

Hist. Per.

Canto a la MadreTitleYo quiero mucho a la luna...First lineJimenez, Manuel, "Canario"; Pedreira, José, arr.ComposerPRComp. Nat.Puerto Rico Sings, An album of its Best-Loved Songs.Collection

Edward B Marks Music Corporation, New York, 1957. Cmpl. and arr. PublisherGently spirited. Simple, straightforward melody w. lilting acc. A Commentspop.(trad., PR)TypeJimenez, Manuel, "Canario",Mel. SourceJimenez, Manuel, "Canario",Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.a1-g2Rangebfl1-f2Tessituraexp.Spec. Appl.M1681 .P618P4Call No.Eng. w. musicTranslation

19th-20th C.Hist. Per.

Himno Nacional de Costa RicaTitleNoble patria, tu hermosa bandera expresión de tu vida nos da;First lineGutierrez, Manuel MariaComposer

Comp. Nat.National Anthems of the American Republics.Collection

Pan American Union, 1949, facsimile edition, official version.PublisherA lively march. National Anthem (Costa Rica)Commentstrad.(CR)TypeGutierrez, Manuel MariaMel. SourceZeledon, Jose MariaText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.bfl-efl2Rangebfl-efl2Tessitura

Spec. Appl.M1697 .P3N3Call No.

Translation

20th C.Hist. Per.

La Levantada de BartoloTitleEn belén está la gloria, don Bartolo,First lineRobb, John Donald, trnsc. & arr.Composer


The University of New Mexico Press, Albuquerque, New Mexico,1954.PublisherJoyful, dance-like. Lively dialogue between the shepherds & Bartolo, Commentstrad.(New Mex.)TypeTrad., New Mex.Mel. SourceTrad. from Los Pastores de Los GriegosText SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Ranged1-c2Tessiturasac.Spec. Appl.M1629 .R666H5Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

Mi carro FordTitleTengo mi carro paseado;First lineRobb, John Donald, trnsc. & arr.Composer


The University of New Mexico Press, Albuquerque, New Mexico, 1954.PublisherSpirited, humorous song about an old, banged-up Ford; a Relación. 5 Commentstrad.(New Mex.)TypeTrad., New Mex.Mel. SourceTrad., New Mex.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelMod.Acc. Reqts.e1-g2Rangeg1-g2Tessituraclss.Spec. Appl.M1629 .R666H5Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

SandovalitoTitleSabdovalito, toda tu gente ya acabó,First lineRobb, John Donald, trnsc. & arr.Composer


The University of New Mexico Press, Albuquerque, New Mexico, 1954.PublisherSolemn lament; Indita. 4 verses.Commentstrad.(New Mex.)TypeTrad., New Mex.Mel. SourceTrad., New Mex.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-d2Ranged1-d2Tessitura


20th C.Hist. Per.

Sierra NevadaTitleA orillas de una laguna...First lineRobb, John Donald, trnsc.& arr.Composer


The University of New Mexico Press, Albuquerque, New Mexico, 1954.PublisherVigorous. A philosophical Canción about love & adversity. Primitive Commentstrad.(New Mex.)TypeTrad., New Mex.Mel. SourceTrad., New Mex.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangef1-c2Tessitura


20th C.Hist. Per.

Vamos todos a BelénTitleVamos todos a Belén; con amor y gozo...First lineRobb, John Donald, trnsc. & arr.Composer


The University of New Mexico Press, Albuquerque, New Mexico,1954.PublisherSimple appealing melody w. gently rocking rhythm; Christmas Carol. 7Commentstrad.(New Mex.)TypeTrad., New Mex.Mel. SourceTrad., New Mex.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-b1Ranged1-b1Tessituraclss.Spec. Appl.M1629 .R666H5Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

A la ruTitleDuérmete, Niño lindo, en los brazos del amor...First lineRobb, John Donald, trnsc. & arr.Composer


The University of New Mexico Press, Albuquerque, New Mexico, 1954.PublisherAppealing melody. A Christmas lullaby for the Holy Baby. 2 verses w.Commentstrad.(New Mex.)TypeTrad., New Mex.Mel. SourceTrad., New Mex.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.efl1-efl2Rangeefl1-efl2Tessituraclss., sac.Spec. Appl.M1629 .R666H5Call No.Eng. sep. from musicTranslation

20th C.Hist. Per.

Corrido de ElenaTitleElena, querida mía, y una cosa has de eschuchar,First lineRobb, John Donald, trnsc. & arr.Composer


The University of New Mexico Press, Albuquerque, New Mexico,1954.PublisherSpirited narrative which evolved from a 16th C. romance (see pg.15);Commentstrad.(New Mex.)TypeTrad., New Mex.Mel. SourceTrad., New Mex.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-d2Rangeg1-c2Tessitura



Corrido de la Muerte de Antonio MestasTitleAño de mil ochocientos ochenta y nueve pasó,First lineRobb, John Donald, trnsc. & arr.Composer


The University of New Mexico Press, Albuquerque, New Mexico,1954.PublisherA long, tragic, commemorative narrative; Corrido. Fermatas & Commentstrad.(New Mex.)TypeTrad., New Mex.Mel. SourceTrad., New Mex.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Ranged1-d2Tessituraexp.Spec. Appl.M1629 .R666H5Call No.Eng. sep. from musicTranslation


Felices DiasTitleNo volverán jamás Felices días de amor...First lineCampos, Juan Morel; Pedreira, José, arr.ComposerPRComp. Nat.Puerto Rico Sings, An Album of its Best-Loved Songs.Collection

Edward B. Marks Music Corporation, New York, 1957. Cmpl. and arr. PublisherSustained, dance-like; Danza. Wide-ranging expansive melody. ArdentCommentspop., trad.(PR)TypeCampos, Juan MorelMel. SourceArce, SicilaText SourcePianoInstrumentsHVoiceAdv.Voc. LevelMod.Acc. Reqts.b-b2Rangee1-fsh2Tessituraexp., tch., dnce.Spec. Appl.M1681 .P618P4Call No.Eng. w. musicTranslation


Nimno Nacional de ColombiaTitleOh gloria inmarcesible! Oh júbilo inmortal!First lineSindici, OrtestesComposer

Comp. Nat.National Anthems of the American Republics.Collection

Pan American Union, 1949, facsimile edition, official versions.PublisherSustained. A march. National Anthem (Columbia)Commentstrad.(Col.)TypeSindici, OrestesMel. SourceNúñez, RafaelText SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.efl1-g2Rangef1-efl2Tessitura

Spec. Appl.M1697 .P3N3Call No.

Translation

Hist. Per.

Al milagro de la encarnaciónTitleSin dudar...Nunca en gota cupomar,First lineMudarra, AlfonsoComposerSp.Comp. Nat.Tres libros de música en cifra para vihuela, Sevilla, 1546.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSustained; a Canción. Extended form. Religious text. Musically not easy.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.c1-f2Rangeg1-e2Tessiturasac.Spec. Appl.M2 .M4845 vol. 7Call No.

Translation

16th C.Hist. Per.

Dime a do tienes las mientasTitleDime a do tienes las mientas, Pastorcico descuydado,First lineMudarra, AlonsoComposerSp.Comp. Nat.Tres libros de música en cifra para vihuela, Sevilla, 1556.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSustained; a Villancico. Beautiful love song.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.a-a1Rangea-a1Tessitura


Translation

16th C.Hist. Per.

Israel, mira tus montesTitleIsrael, mira tus montes como están ensangrentados...First lineMudarra, AlonsoComposerSp.Comp. Nat.Tres libros de música en cifra para vihuela, Sevilla, 1546.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSlow, sustained; A Romance. Religious text.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.g1-f2Rangea1-e2Tessiturasac.Spec. Appl.M2 .M4845 vol. 7Call No.

Translation

16th C.Hist. Per.

Por ásperos caminosTitlePor ásperos caminos soy llevado;First lineMudarra, AlonsoComposerSp.Comp. Nat.Tres libros de música en cifra para vihuela, Sevilla, 1546.Collection

Consejo Superior de Investigacíones Cientificas Instituto Español de PublisherSustained; a Soneto. Long phrases require good breath control.Commentsart, trad.(Sp.)Type

Mel. SourceGarcilasoText SourceKybd. trnsc., orig. for VihuelaInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.bfl1-c2Ranged1-bfl1Tessitura


Translation

16th C.Hist. Per.

Qué llantos son aquestos?TitleQué llantos son aquestos? qué fatigas Es esta?First lineMudarra, AlonsoComposerSp.Comp. Nat.Tres libros de música en cifra para vihuela, Sevilla, 1546.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSlow, sustained. A dialogue. Concerns the death of a princess.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.e1-g2Rangeg1-f2Tessitura


Translation

16th C.Hist. Per.

Recuerde el alma dormidaTitleRecuerde el alma dormida, Abive el seso despierte...First lineMudarra, AlonsoComposerSp.Comp. Nat.Tres libros de música en cifra para vihuela, Sevilla, 1546.Collection

Consejo Superior de Investigaciones Cietíficas Instituto Español de PublisherSlow & sustained; a Canción. Serious text.Commentsart, trad.(Sp.)Type

Mel. SourceManrique, JorgeText SourceKybd. trnsc., orig. for VihuelaInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.f1-g2Rangef1-f2Tessitura


Translation

16th C.Hist. Per.

Triste estava el rey DavidTitleTrisre estava el rey David; Triste y con gran passion,First lineMudarra, AlonsoComposerSp.Comp. Nat.Tres libros de música en cifra para vihuela, Sevilla, 1546.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSlow, sustained; a Romance. Portrays David's lament for Absalon. Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.g1-f2Rangeg1-e2Tessiturasac., exp.Spec. Appl.M2 .M4845 vol.7Call No.

Translation

16th C.Hist. Per.

AdoraciónTitleEn silencio te estoy adorando,First lineUnknownComposer


The John Day Company, New York, 1966. Selected and ed. by CharlesPublisherGraceful, sustained, lyrical. A tender love song. Syncopated Commentstrad.(Dom.)TypeTrad., Dom.Mel. SourceTrad., Dom.Text SourceChord indicationsInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.b-fsh2Rangecsh2-e2Tessiturarhy.Spec. Appl.M1627 .H3F6Call No.Eng. with musicTranslation

Hist. Per.

En tu SantoTitlePor ser hoy día de tu santo te vengo a felicitar...First lineJimenez, Manuel, "Canario"; Pedreira, José, arr.ComposerPRComp. Nat.Puerto Rico Sings, An Album of its Best-Loved Songs.Collection

Edward B. Marks Music Corporation, New York, 1957. Cmpl. and arr.PublisherLively, sustained, dance-like; a Criolla. A happy birthday song.Commentspop., trad.(PR)TypeJimenez, Manuel; "Canario",Mel. SourceJimenez, Manuel; "Canario",Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.c1-fsh2Rangee1-e2Tessitura

Spec. Appl.M1681 .P618P4Call No.Eng. w. musicTranslation


Sospiro una señora que yo viTitleSospiro una señora que yo vi...Oxalla fuesse por mi.First lineMilán, Luis de, c.1500-c.1562ComposerSp.Comp. Nat.El MaestroCollection

The Pennsylvania State University Press, University Park, PA, 1971.PublisherSlow, sustained. A love song; Villancico. 2 settings; 2nd setting w. Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2; csh1-b1Rangee1-b1; d1-b1Tessitura

Spec. Appl.M2 .M36M3Call No.Eng. sep. from musicTranslation

16th C.Hist. Per.

Sospirastes BaldovinosTitleSospirastes Baldovinos las cosas que yo mas queria...First lineMilán, Luis de, c.1500-c.1562ComposerSp.Comp. Nat.El MaestroCollection

The Pennsylvania State Univerisity Press, University Park, PA, 1971.PublisherSustained; slow moving melody. A dialogue, part of a narrative; Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelMod.Acc. Reqts.csh1-b1Ranged1-a1Tessituraexp.Spec. Appl.M2 .M36M3Call No.Eng. sep. from musicTranslation

16th C.Hist. Per.

Aquel cavalleroTitleAquel cavallero, madre, que de mi se enamoro.First lineMilán, Luis de, c.1500-c.1562ComposerSp.Comp. Nat.El MaestroCollection

The Pennsylvania State University Press, University Park, PA, 1971.PublisherGraceful, flowing, expressive. A young woman's love song; Villancico.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasic, Diff.Acc. Reqts.d1-bfl1Ranged1-a1Tessituraexp.Spec. Appl.M2 .M36M3Call No.Eng. sep. from musicTranslation

16th C.Hist. Per.

Amor que tan bien sirviendoTitleAmor que tan bien sirviendo lo haze tan mal conmigo.First lineMilán, Luis de, c.1500-c.1562ComposerSp.Comp. Nat.El MaestroCollection

The Pennsylvania State University Press, University Pard, PA, 1971.PublisherSimple, straightforward love song; Villancico. 2 settings; 2nd setting Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasic, Diff.Acc. Reqts.c1-afl1Rangec1-afl1Tessitura


16th C.Hist. Per.

Si por amar, el hombreTitleSi por amar, el hombre ser amado Merece y por querer bien,First lineMudarra, AlonsoComposerSp.Comp. Nat.Tres libros de música en cifra para vihuela, Sevilla, 1546.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSustained.; Soneto. A beautiful love song. Interpretatively not easy.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-bfl1Ranged1-bfl1Tessitura


Translation

16th C.Hist. Per.

Durmiendo iba el SeñorTitleDurmiendo iba el Señor, en una nave en la mar;First lineMudarra, AlonsoComposerSp.Comp. Nat.Tres libros de música en cifra para vihuela, Sevilla, 1546.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSlow, sustained; a Romance. Religious text. Interpretatively & Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.csh1-a1Rangecsh1-a1Tessiturasac., exp.Spec. Appl.M2 .M4845 vol.7Call No.

Translation

16th C.Hist. Per.

Si viesse e me levasseTitleSi viesse e me levasse por miña vida por miña vida, que no gridase...First lineMudarra, AlonsoComposerSp.Comp. Nat.Tres libros de música en cifra para vihuela, Sevilla, 1546.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherA brief, simple song; a Villancico.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-a1Ranged1-a1Tessitura


Translation

16th C.Hist. Per.

Si me llaman a miTitleSi me llaman, a mí llaman, Que cuido, que me llaman a mí,First lineMudarra, AlonsoComposerSp.Comp. Nat.Tres libros de música en cifra para vihuela, Sevilla, 1546.Collection

Consejo Superior de Investigaciones Científicas Instituto Espagñol de PublisherSustained w. flowing, graceful melody; a Villancico. Attractive song.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-a1Tessitura


Translation

16th C.Hist. Per.

Con qué la lavaréTitleCon qué la lavaré la tez de la mi cara,First lineNarvaez, Luys de (Luis)ComposerSp.Comp. Nat.Los seys libros de Delphin de música de cifra para tañer vihuela.Collection

Consejo Superior de Investigaciones Cientificas Instituto Español de PublisherSlow, sustained; Villancico. Graceful, haunting melody w. flowing Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-f2Ranged1-c2Tessitura


Translation

16th C.Hist. Per.

Arded, corazón, ardedTitleArded, coraçón, arded, que no os puedo yo valer,First lineNarvaez, Luys de (Luis)ComposerSp.Comp. Nat.Los seys libros de Delphin de música de cifra para tañer vihuela.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherGraceful, flowing melody; a Villancico. An attractive piece.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Rangee1-c2Tessitura


Translation

16th C.Hist. Per.

Y la mi cinta doradaTitleY la mi cinta dorada, por qué me la tomó,First lineNarvaez, Luys de (Luis)ComposerSp.Comp. Nat.Los seys libros de Delphin de música de cifra para tañer vihuela.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherBrief, simple song; a Villancico. 6 different settings. The melody & Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsL, MVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-bfl1; f1-d2Rangef1-a1; f1-d2Tessitura


Translation

16th C.Hist. Per.

Ya se asienta el rey RamiroTitleYa se asienta el rey Ramiro, ya se asienta a su yantar,First lineNarvaez, Luys de (Luis)ComposerSp.Comp. Nat.Los seys libros de Delphin de música de cifra para tañer vihuela.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSustained, flowing; a Romance. Req. good breath control.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangef1-f2Tessitura


Translation

16th C.Hist. Per.

Si tantos halconesTitleSi tantos halcones la garça combaten, por Dios,First lineNarvaez, Luys de (Luis)ComposerSp.Comp. Nat.Los seys libros de Delphin de música de cifra para tañer vihuela.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherFlowing, sustained; a Villancico. Brief straightforward song. 3 settings.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg., Int.Voc. LevelBasicAcc. Reqts.c1-bfl1Ranged1-bfl1Tessitura


Translation

16th C.Hist. Per.

Paseábase el rey moroTitlePaseábase el Rey moro por la ciudad de Granada,First lineNarvaez, Luys de (Luis)ComposerSp.Comp. Nat.Los seys libros de Delphin de música de cifra para tañer vihuela.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSustained, flowing; Romance. A lament. Req. good breath control.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Ranged1-c2Tessitura


Translation

16th C.Hist. Per.

La bella mal maridadaTitleLa bella mal maridada de las lindas que yo vi,First lineNarvaez, Luys de (Luis)ComposerSp.Comp. Nat.Los seys libros de Delphin de música de cifra para tañer vihuela.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSustained, w. graceful flowing acc.; a Villancico. Req. good breath Commentsart, trad.(Sp.)Type




Translation

16th C.Hist. Per.

La PalomaTitleCuando sali de la Habana, Valgame Dios!First lineYradier, S., 1809-1865ComposerSp.Comp. Nat.Fifty-six songs you like to sing.Collection

G. Schirmer, Inc. New York, 1937.PublisherSustained, lilting, dancelike; Habanera.Commentstrad.(Sp.)TypeYradier, S.Mel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.bfl-efl2Ranged1-d2Tessituradnce.Spec. Appl.M1495 .F46Call No.Eng. w. musicTranslation

19th C.Hist. Per.

Yo m'alegro de habèr sidoTitleYo m'alegro de habèr sido, Por quererte des dechado;First lineBantock, Granville, arr. 1868-1946ComposerEng.Comp. Nat.100 Folksongs of All Nations.Collection

Oliver Ditson Co., Boston, 1911. Ed. by Granville Bantock.PublisherSustained, gently plaintive, dance-like; Seguidilla. Either for one voice Commentstrad.(Sp.)TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.a1-g2Rangea1-f2Tessituradnce.Spec. Appl.M1627 .B3O52Call No.Eng. w. musicTranslation

Hist. Per.

La Roca de la LagunaTitleEmpieza con le lo le, Termina con le lo la,First lineJimenez, Manuel, "Canario"; Pedreira, José, arr.ComposerPRComp. Nat.Puerto Rico Sings, An Album of its Best-Loved Songs.Collection

Edward B. Marks Music Corporation, New York, 1957. Cmpl. and arr.PublisherSpritely, dancelike w. repeated syncopated pattern; a Plena. Playful, Commentspop., trad.(PR)TypeJimenez, Manuel; "Canario"Mel. SourceJimenez, Manuel; "Canario"Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-e2Rangeg1-e2Tessitura



Mi CampesinaTitleLas jibaras de mi tierra esas,First lineJimenez, Manuel, "Canario"; Pedreira, José, arr.ComposerPRComp. Nat.Puerto Rico Sings, An Album of its Best-Loved Songs.Collection

Edward B. Marks Music Corporation, New York, 1957. Cmpl. and arr.PublisherLively, syncopated, sustained; a Plena. Extended form. Singer praises Commentspop., trad.(PR)TypeJimenez, Manuel; "Canario",Mel. SourceJimenez, Manuel; "Canario",Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d-f2Rangebfl1-efl2Tessitura



Al amor quiero vencerTitleAl amor quiero vencer mas quien podra.First lineMilan, Luis de; Woodside, James; arr.Composer1500-1561Comp. Nat.Seven Centuries of Solo Song (13th-20th Cent.) with an HistoricalCollection

Boston Music Co., Boston, MA. Cmpl., trnsl. & arr. by James Woodside.PublisherSimple melody; a Villancico. Contrasts very quick tempo of refrain in Commentsart, trad.(Sp.)TypeMilan, Luis de,Mel. Source

Text SourcePiano; orig. for vihuela.InstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2, L; c1-d2Rangee1-d2, L; d1-c2Tessitura

Spec. Appl.M1619 .W87S3 vol.1Call No.Eng. w. musicTranslation


Agora viniesse un vientoTitleAgora viniesse un viento. Que me echasse aculla dentro.First lineMilán, Luis de, c.1500-c.1562ComposerSp.Comp. Nat.El MaestroCollection

The Pennsylvania State University Press, University Park, PublisherA simple, slightly ribald love song; Villancico.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for Vihuela .InstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Rangee1-b1Tessitura

Spec. Appl.M2 .M36M3Call No.Eng. sep. from music.Translation

16th C.Hist. Per.

Triste estava, muy quexosa, la triste reyna troyana...TitleTriste estava, muy quexosa, la triste reyna troyana...First lineMilán, Luis de, c.1500-c.1562ComposerSp.Comp. Nat.El MaestroCollection

The Pennsylvania State University Press, University Park, PA,1971. PublisherSlow, sustained. Text is taken from a tragic narrative; Romance.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-b1Rangec1-b1Tessituraexp.Spec. Appl.M2 .M36M3Call No.Eng. sep. from musicTranslation

16th C.Hist. Per.

El Rancho GrandeTitleAllá en El Rancho Grande, Allá donde vivía,First lineRamos, Silivano R.Composer

Comp. Nat.The New York Times Great Latin SongsCollection

Quadrangle/The New York Times Book Co., New York, 1974. Ed. byPublisherLively, appealing cowboy song. 5 verses. Good for classroom, 2-part Commentspop., trad.TypeRamos, Silvano R.Mel. SourceRamos, Silvano R.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.a-e2Rangec1-c2Tessituraclss.Spec. Appl.M1680 .18 .B76N5Call No.Eng. w. musicTranslation

20th C.Hist. Per.

La CucarachaTitleLa Cucaracha, Ya no puede caminar, Porque no tiene...First lineHill, Paul; arr.Composer


Quadrangle/The New York Times Book Co., New York, 1974. Ed. byPublisherModerately, in 3/4. Lighthearted, "wordy", appealing. Humorous Commentstrad.Type


PianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Ranged1-e2Tessituraclss., dct.Spec. Appl.M1680 .18 B76N5Call No.Eng. w. musicTranslation

Hist. Per.

Secretos quero descuvrirTitleSecretos quero descuvrir, secretos de mi vida.First lineNin-Culmell, Joaquin, 1908-Composer

Comp. Nat.Six chansons populaires sèphardiquesCollection

Max Eschig, 48 Rue de Rome, Paris, 1986.PublisherSlow, sustained. Modal, melismatic song. Req. good control of breathCommentsart, trad.(Balcanes)TypeTrad., BalcanesMel. SourceTrad., BalcanesText SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.efl1-afl2Rangeafl1-f2Tessitura

Spec. Appl.M1621 .4 .N55C2 1986Call No.In Cat.; Fr. sep. from musicTranslation

20th C.Hist. Per.

Ya bolì de foja en foja.TitleYa bolì de foja en foja, para al canzar anesta linda novia.First lineNin-Culmell, Joaquin, 1908-Composer

Comp. Nat.Six chansons populaires SephardiquesCollection

Max Eschig, 48 Rue de Rome, Paris, 1986.PublisherGraceful, flowing, melismatic melody. Modal. Musically not easy.Commentsart, trad.(Salònica)TypeTrad., SalònicaMel. SourceTrad., SalònicaText SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-a2Rangea1-e2Tessitura


20th C.Hist. Per.

La rosa enfloreceTitleLa rosa enflorece, en el mez de Mai,First lineNin-Culmell, Joaquin, 1908-Composer

Comp. Nat.Six chansons populaires séphardiquesCollection

Max Eschig, 48 Rue de Rome, Paris, 1986.PublisherSustained, lyrical, flowing. Mournful love song.Commentsart, trad.(Balcanes)TypeTrad., BalcanesMel. SourceTrad., BalcanesText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-gfl2Rangeg1-f2Tessituraexp.Spec. Appl.M1621 .4 .N55C2 1986Call No.In Cat.; Fr. sep. from musicTranslation

20th C.Hist. Per.

Adonenu, ElohenuTitleAdonenu, Elohenu, barà et Moxè rabbenu,First lineNin-Culmell, Joaquin, 1908-Composer

Comp. Nat.Six chansons populaires sephardiquesCollection

Max Eschig, 48 Rue de Rome, Paris, 1986.PublisherLightly ornamented, modal melody. Strong, straightforward mood. Commentsart, trad.(Tetuan)TypeTrad., TetuanMel. SourceTrad., TetuanText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-f2Rangebfl1-f2Tessiturasac.Spec. Appl.M1621 .4 .N55C2 1986Call No.In Cata.; Fr. sep. from musicTranslation

20th C.Hist. Per.

Ya saliò de la mar!TitleYa saliò de la mar la galana!...con un vestido rosal blanco.First lineNin-Culmell, Joaquin, 1908-Composer

Comp. Nat.Six chansons populaires séphardiquesCollection

Max Eschig, 48 Rue de Rome, Paris, 1986.PublisherStraightforward, cheerful song w. lightly ornamented melody. ConsistsCommentsart, trad.(Salònica)TypeTrad., SalònicaMel. SourceTrad., SalònicaText SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.efl1-g2Rangeg1-f2Tessitura


20th C.Hist. Per.

Mi suegra la negraTitleMi suegra la negra con mì se daquileya.First lineNin-Culmell, Joaquin, 1908-Composer

Comp. Nat.Six chansons populaires sèphardiquesCollection

Max Eschig, 48 Rue de Rome, Paris, 1986.PublisherSpirited, dance-like, modal. Humorous text concerns a difficult mother-Commentsart, trad.( Filipopoli)TypeTrad., FilipopoliMel. SourceTrad., FilipopoliText SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.gsh1-gsh2Rangegsh1-fsh2Tessitura


20th C.Hist. Per.

Albuquerque, AlbuquerqueTitleAlbuquerque, Albuquerque, merecía ser honrado;First lineUnknownComposer

Comp. Nat.Four Centuries of Song from the Troubadour to the Elizabethan Collection

Associated Music Publishers, Inc., New York, 1974. Trnsc., arr., ed., PublisherPlain, straightforward melody. Gently flowing, graceful.Commentsart, trad.(Sp.?)Type


GuitarInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2Tessitura

Spec. Appl.M1623 .F73Call No.Eng. w. musicTranslation

Late 15th C.Hist. Per.

Ay! luna que relucesTitleAy! luna que reluces, toda la noche m'alumbres,First lineUnknownComposer


Associated Music Publishers, Inc., New York, 1974. Trnsc., arr., by PublisherGracefully flowing, simple melody. Consists of 2 phrases which Commentsart, trad.(Sp.)Type


GuitarInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Rangee1-a2Tessitura


Mid-16th C.Hist. Per.

De Antequera sale el moroTitleDe Antequera sale el moro...Cartas llevaba en su mano,First lineMorales, Cristóbal, c.1500-1553; Fuenllana, Miguel, fl., mid-16th c.ComposerSp.Comp. Nat.Four Centuries of Song from the Troubadour to the Elizabethan Collection

Associated Music Publishers, Inc., New York, 1974. Trnsc., arr., ed.,PublisherSustained. Gently flowing melody. Elegant, charming piece.Commentsart, trad.(Sp.)TypeMorales, CristóbalMel. Source

Text SourceGuitarInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.ash-a1Rangeb-fsh1Tessitura


16th C.Hist. Per.

Dime, robadoraTitleDime, robadora, que te merecí?First lineUnknownComposer


Associated Music Publishers, Inc., New York, 1974. Trnsc., arr., ed., PublisherSpirited, lively, dance-like; a playful love song. Req. rhythmic sense. Commentsart, trad.(Sp.)Type


GuitarInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.b-c2Rangec1-a2Tessiturarhy.Spec. Appl.M1623 .F73Call No.Eng. w. musicTranslation

Mid-16th C.Hist. Per.

No so yo quien la descubreTitleNo so yo quien la descubre Esta pena que me dais,First lineGabriel, fl. early 16th c.Composer


Associated Music Publishers, Inc., New York, 1974. Trnsc., arr., ed., PublisherFlowing, lightly ornamented melody. Graceful, charming love song w.Commentsart, trad.(Sp.)Type


GuitarInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2Tessiturarhy.Spec. Appl.M1623 .F73Call No.Eng. w. musicTranslation

16th C.Hist. Per.

Paseábase el Rey MoroTitlePaseábase el Rey Moro por la ciudad de Granada,First lineFuenllana, Miguel, fl., mid-16th c.ComposerSp.Comp. Nat.Four Centuries of Song from the Troubadour to the Elizabethan Collection

Associated Music Publishers, Inc., New York, 1974. Trnsc., arr., ed., PublisherSustained, flowing. A lament. Req. good breath control.Commentsart, trad.(Sp.)Type


GuitarInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.a-g1Rangeb-g1Tessitura


16th C.Hist. Per.

Si la nocheTitleSi la noche haze escura...y tan corto es el camino,First lineUnknownComposer


Associated Music Publishers, Inc., New York, 1974. Trnsc., arr., ed., PublisherSustained. Gently flowing melody. Deeply mournful.Commentsart, trad.(Sp.)Type


GuitarInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Rangee1-e2Tessitura


16th C.Hist. Per.

Sospirastes BaldovinosTitleSospirastes Baldovinos las cosas que yo mas queria...First lineMilan, Luis, c. 1500-1562ComposerSp.Comp. Nat.Four Centuries of Song from the Troubadour to the Elizabethan Collection

Associated Music Publishers, Inc., New York, 1974. Trnsc., arr., ed., PublisherSustained. Slow moving melody. A dialogue, part of a narrative.Commentsart, trad.(Sp.)Type


GuitarInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.g1-fsh2Rangea1-e2Tessitura


16th C.Hist. Per.

Soy contento y vos servidaTitleSoy contento y vos servida, Ser penado de tal suerte,First lineEncina, Juan del, 1468-1529ComposerSp.Comp. Nat.Four Centuries of Song from the Troubadour to the Elizabethan Collection

Associated Music Publishers, Inc., New York, 1974. Trnsc., arr., ed.,PublisherSlow, sustained. Flowing, lightly ornamented melody.Commentsart, trad.(Sp.)Type


GuitarInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangea1-e2Tessitura



Tan hermosa y claraTitleTan hermosa y clara...nunca vi mañana,First lineUnknownComposer


Associated Music Publishers, Inc., New York, 1974. Trnsc., arr., ed., PublisherSpirited, joyful, lilting, dancelike. A charming piece.Commentsart, trad.(Sp.)Type


GuitarInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-a1Tessitura


16th C.Hist. Per.

Ofrecimiento de los PastoresTitleVoy para Belén a ver a mi amada,First lineRobb, John Donald, trnsc. & arr.Composer


The University of New Mexico Press, Albuquerque, New Mexico,1954.PublisherSimple straightforward melody. 9 verses alternate solo & unison Commentstrad.(New Mex.)TypeTrad., New Mex.Mel. SourceTrad. from Los Pastores de Los GriegosText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Rangegsh1-d2Tessitura


20th C.Hist. Per.

A un niño ciegocitoTitleA un niño ciegocito Le diò acogida, le diò acogida;First lineBantock, Granville, arr. 1868-1946ComposerEng.Comp. Nat.100 Folksongs of All NationsCollection

Oliver Ditson Co., Boston, 1911. Ed. by Granville Bantock.PublisherLively, dance-like; Bolero. Req. vocal facility. A good study.Commentstrad.(Sp.)TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.d1-e2Rangeg1-e2Tessituratch., dnce.Spec. Appl.M1627 .B3O52Call No.Eng. w. musicTranslation

Hist. Per.

Quien te hizo Juan pastorTitleQuien te hizo Juan pastor, sin gasajo y sin plazer?First lineDaza, EstebanComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherLilting, dance-like; a Villancico. A cheerful, charming piece.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Rangeg1-d2Tessitura

Spec. Appl.M2 .M52L8 1967 vol.1-2Call No.

Translation

16th C.Hist. Per.

Dame acojida en tu hatoTitleDama acojida en tu hato...Buen pastor que Dios te duela!First lineDaza, EstebanComposerSpComp. Nat.Les Luthistes Espagnols, vol.2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSlow, sustained; a Villancico. Simple piece, yet musically not easy. Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.e1-c2Rangee1-c2Tessituraexp.Spec. Appl.M2 .M52L8 1967 vol.1-2Call No.

Translation

16th C.Hist. Per.

Gritos daba la morenica so el olivarTitleGritos daba la morenica so el olivar...Que las ramas haze temblar.First lineDaza, EstebanComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSimple, straightforward song; a Villancico. Somber, mournful text.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Rangee1-a1Tessitura


Translation

16th C.Hist. Per.

Serrana donde dormistisTitleSerrana donde dormistis? Que mala noche me distis!First lineDaza, EstebanComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherStraightforward melody; a Villancico. Acc. awkward in places. Some Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-e2Rangee1-csh2Tessitura


Translation

16th C.Hist. Per.

Mira Juan lo que te dijeTitleMira Juan lo que to dije, No se to olvide...First lineDaza, EstebanComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSimple, straightforward song; a Villancico.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-d2Rangea1-d2Tessitura


Translation

16th C.Hist. Per.

Prado verde y floridoTitlePrado verde y florido...Fuente clara,First lineDaza, EstebanComposerSp.Comp. Nat.Les Luthistes Espagnols, vol.2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSlow, sustained; Villanesca. A lover's lament. Req. good breath control.Commentsart, trad.(Sp.)Type

Mel. SourceGuerrero, FranciscoText SourceKybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Rangefsh1-b1Tessitura


Translation

16th C.Hist. Per.

Dime manso vientoTitleDime manso viento Si viste a mi pastora,First lineDaza, EstebanComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherA Villanesca. Melody contains large skips.Commentsart, trad.(Sp.)Type

Mel. SourceCaballosText SourceKybd. trnsc., orig. for VihuelaInstrumentsM; Bar.VoiceBeg.Voc. LevelBasicAcc. Reqts.d-f1Rangee-d1Tessitura


Translation

16th C.Hist. Per.

Adios, adios, verde riberaTitleAdios, Adios, verde ribera...y praderia...First lineDaza, EstebanComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained; a Villanesca. Gently flowing melody, contains skips of 4thsCommentsart, trad.(Sp.)Type

Mel. SourceGuerrero, FranciscoText SourceKybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-e2Rangefsh1-d2Tessitura


Translation

16th C.Hist. Per.

Ay! de mi! Ay! de mi sin ventura!TitleAy! de mi! Ay! de mi sin ventura! Amor, quien me ha metido...First lineDaza, EstebanComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherGently flowing; a Villanesca. Passionate love lament.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-e2Rangefsh1-d2Tessitura


Translation

16th C.Hist. Per.

Pues ya las claras fuentesTitlePues ya las claras fuentes...Los caudalosos rios...First lineDaza, EstebanComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherLyrical, gently flowing; a Villanesca. A lover's lament. Appealing song.Commentsart, trad.(Sp.)Type

Mel. SourceZaballosText SourceKybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Rangefsh1-d2Tessitura


Translation

16th C.Hist. Per.

De Antequera sale el moroTitleDe Antequera sale el moro...De Antequera se salia;First lineMorales, Cristóbal, c.1500-1553; Fuenllana, Miguel deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, gently flowing melody; a Romance. Elegant, charming piece.Commentsart, trad.(Sp.)TypeMorales, CristóbalMel. Source

Text SourceKybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.dsh1-d2Rangee1-b1Tessitura


Translation

16th C.Hist. Per.

A las armas moriscoteTitleA las armas moriscote Si las has de voluntad.First lineFuenllana, Miguel de,ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherBrief, straightforward song; a Romance. Simple homophonic setting.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for Vihuela .InstrumentsMVoiceBegVoc. LevelBasicAcc. Reqts.fsh1-f2Rangeg1-c2Tessitura


Translation

16th C.Hist. Per.

Paseábase el Rey moroTitlePaseábase el Rey moro Por la ciudad de Granada;First lineFuenllana, Miguel de,ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, flowing; Romance. A lament. Req. good breath control.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-bfl1Ranged1-a1Tessitura


Translation

16th C.Hist. Per.

Con que la lavarèTitleCon que la lavarè La flor de la mi cara?First lineFuenllana, Miguel deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherGently flowing melody; a Villancico. Simple setting.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-d2Ranged1-bfl1Tessitura


Translation

16th C.Hist. Per.

Como quereis madreTitleComo quereis madre que yo à Dios sirva...First lineFuenllana, Miguel deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherLively, straightforward, cheerful; a Villancico. Song consists of 2 Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Ranged1-c2Tessitura


Translation

16th C.Hist. Per.

Vos me matastes niña en cabelloTitleVos me matastes niña en cabello, Vos me habeis muerto...First lineFuenllana, Miguel deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherGently flowing, mournful song; a Villancico. Melody consists of 2 Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-b1Rangee1-b1Tessitura


Translation

16th C.Hist. Per.

Ay! que non oso mirar ni hacer del ojoTitleAy! que non oso mirar ni hacer del ojo...Ay! que no puedo deciros...First lineFuenllana, Miguel deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherGently flowing; Villancicos. Ardent love song. An attractive piece w. Commentsart, trad.(Sp.)Type

Mel. SourceVazquez, JuanText SourceKybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-a1Ranged1-a1Tessitura


Translation

16th C.Hist. Per.

Duélete de mi señoraTitleDuélete de mi señora...Señora duélete de mi duélete...First lineFuenllana, Miguel deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherGracefully flowing melody; Villancico. Ardent love song. An attractiveCommentsart, trad.(Sp.)Type

Mel. SourceVazquez, JuanText SourceKybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.dsh1-d2Rangee1-b1Tessitura


Translation

16th C.Hist. Per.

De los àlamos vengo madreTitleDe los àlamos vengo madre. Como los menea el aire!First lineFuenllana, Miguel deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherA joyful song; a Villancico. Rhythmic & melodic movement mostly in Commentsart, trad.(Sp.)Type

Mel. SourceVazquez, JuanText SourceKybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.a1-e2Rangea1-e2Tessitura


Translation

16th C.Hist. Per.

No me hableis Conde, de amor en la calleTitleNo me hableis Conde, de amor en la calle; Cata que os diran male...First lineFuenllana, Miguel deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherFlowing, lightly ornamented melody; a Villancico. Musically not diff. AnCommentsart, trad.(Sp.)Type

Mel. SourceVazquez, JuanText SourceKybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-b1Rangedsh1-b1Tessitura


Translation

16th C.Hist. Per.

Quiero dormir y no puedoTitleQuiero dormir y no puedo Que el amor me quita el sueño.First lineFuenllana, Miguel deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherGraceful, flowing song; a Villancico. Shifting meter adds rhythmic Commentsart, trad.(Sp.)Type

Mel. SourceVazquez, JuanText SourceKybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Ranged1-c2Tessitura


Translation

16th C.Hist. Per.

Puse mis amores en FernandicoTitlePuse mis amores en Fernandico. Ay! que era casado;First lineFuenllana, Miguel deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, straightforward, flowing melody; a Villancico. Somewhat Commentsart, trad.(Sp.)Type

Mel. SourceVazquez, JuanText SourceKybd. trnsc., orig. for VihuelaInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.b-e2Rangefsh1-b1Tessituraexp.Spec. Appl.M2 .M52L8 1967 vol.1-2Call No.

Translation

16th C.Hist. Per.

O mas dura que marmol à mis quejas.TitleO mas dura que marmol àmis quejas Y al encendido fuego...First lineFuenllana, Miguel deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, gently flowing melody; a Soneto. Musically not easy. Commentsart, trad.(Sp.)Type

Mel. SourceGuerrero, PedroText SourceKybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Rangee1-c2Tessitura


Translation

16th C.Hist. Per.

Quien hubiese tal venturaTitleQuien hubiese tal ventura Sobre lasaguas del mar,First linePisador, Diego, 1508-1557ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, gently flowing; a Romance. Req. good breath control.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-e2Rangeg1-d2Tessitura


Translation

16th C.Hist. Per.

La mañana de Sant JuanTitleLa mañana de Sant Juan, Al tiempo que alboreaba,First linePisador, Diego, 1508-1557ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. MorphyPublisherSpirited, springy mood; a Romance.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Rangee1-c2Tessitura


Translation

16th C.Hist. Per.

Paseábase el rey moroTitlePaseábase el rey moro por la ciudad de Granada,First linePisador, Diego, 1508-1557ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, flowing; a Romance. A lament. Req. good breath control.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Rangee1-c2Tessitura


Translation

16th C.Hist. Per.

Guarte, guarte el Rey Don Sancho.TitleGuarte, guarte el Rey Don Sancho. No digas que no te aviso...First linePisador, Diego, 1508-1557ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained w. slow moving melody; a Romance. Somber mood.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-c2Rangee1-a1Tessitura


Translation

16th C.Hist. Per.

A las armas moriscoteTitleA las armas moriscote Si las has en voluntad, Que si ten entran...First linePisador, Diego, 1508-1557ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherBrief, straightforward song; a Romance. More movement in acc.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-f2Rangeg1-f2Tessitura


Translation

16th C.Hist. Per.

Si la noche hace escuraTitleSi la noche hace escura y tan corto es el camino. Como no venis...First linePisador, Diego, 1508-1557ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, slow moving melody; a Villancico. Deeply mournful.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-c2Rangef1-c2Tessitura


Translation

16th C.Hist. Per.

Con que la lavarèTitleY con que la lavarè, La flor de la mi cara?First linePisador, Diego, 1508-1557ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol.2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, graceful haunting melody; a Villancico.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-d2Ranged1-bfl1Tessitura


Translation

16th C.Hist. Per.

Quien tuviese tal poderTitleQuien tuviese tal poder Que pudiese..First linePisador, Diego, 1508-1557ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained; Villancico. Haunting, mournful melody. Acc. often awkward.Commentsart, trad.(Sp.)Type




Translation

16th C.Hist. Per.

Pártense, partiendo yo mis entrañasTitlePártense, partiendo yo mis entrañas; y vanse a tierras extrañas...First linePisador, Diego, 1508-1557ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSimple melody. Straightforward song; Villancico. A soldier's farewell.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-c2Rangee1-a1Tessitura


Translation

16th C.Hist. Per.

Si te vas à bañar JuanicaTitleSi te vas à bañar Juanica Dime à cuales baños vas.First linePisador, Diego, 1508-1557ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSimple, straightforward song; a Villancico. Flowing, somewhat Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangebfl1-f2Tessitura


Translation

16th C.Hist. Per.

No me llames sega la herbaTitleNo me llames sega la herba, sino morena sino morena.First linePisador, Diego, 1508-1557ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, gently flowing melody; a Villancico. Acc. awkward in places.Commentsart, trad.(Sp.)Type

Mel. SourceVazquez, JuanText SourceKybd. trnsc., orig. for VihuelaInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.a1-g2Rangebfl1-f2Tessitura


Translation

16th C.Hist. Per.

Flerida para mi dulce y sabrosaTitleFlèrida para mi dulce y sabrosa...mas que la fruta...First linePisador, Diego, 1508-1557ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherShort, straightforward melody, simply set; an Elegy.Commentsart, trad.(Sp.)Type

Mel. SourceGarcilasoText SourceKybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-c2Rangef1-bfl1Tessitura


Translation

16th C.Hist. Per.

Porque es dama tanto quereros.TitlePorque es dama tanto quereros...Para perderme y à vos perderos.First linePisador, Diego, 1508-1557ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained; Elegy. Affectively moving piece. Req. good breath control.Commentsart, trad.(Sp.)Type

Mel. SourceCanarioText SourceKybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2Tessitura


Translation

16th C.Hist. Per.

La bella mal maridada.TitleLa bella mal maridada, De las mas lindas que vi.First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained; a Villancico. Harmonic & melodic movement mostly in Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.dsh1-d2Rangee1-b1Tessitura


Translation

16th C.Hist. Per.

Donde son estas serranas?TitleDonde son estas serranas? Del pinar de Avila son.First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSpirited; a Villancico. Short, simple song.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.a-e1Rangea-e1Tessitura


Translation

16th C.Hist. Per.

O! que en la cumbreTitleO! que en la cumbre...es el pecado de uso y costumbre.First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSimple, appealing melody; a Villancico.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceMod.Voc. LevelBasicAcc. Reqts.d1-d2Rangef1-c2Tessitura


Translation

16th C.Hist. Per.

De donde venís amore?TitleDe donde venís amore? Bien se yo de donde,First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherGraceful, charming melody; Villancico.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-g2Rangeg1-e2Tessitura


Translation

16th C.Hist. Per.

Corona de mas hermosas y á quien mas le pertenesceTitleCorona de mas hermosas y á quien mas la pertenesce,First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherBrief, simple song based on melody of "De donde venís amore"; a Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-g2Rangee1-g2Tessitura


Translation

16th C.Hist. Per.

Desposósete tu amigo Juan PastorTitleDesposósete tu amigo Juan Pastor, Ay! que si, por mi dolor;First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherBrief song w. flowing, expansive melody; a Villancico.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-f2Rangeg1-e2Tessitura


Translation

16th C.Hist. Per.

Con que lavarè, la flor de la mi cara?TitleCon que lavarè, la flor de la mi cara?First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherMainly a vihuela solo w. only 2 sung phrases; a Villancico.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-e2Rangeg1-e2Tessitura


Translation

16th C.Hist. Per.

Como puedo yo vivirTitleComo puedo yo vivir, que el remedio tras que ando...First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherHomophonic piece; a Villancico.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangea1-f2Tessitura


Translation

16th C.Hist. Per.

Arginima nõbre le dió.TitleArginima nõbre le diò. La loba santos exemplos,First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained; a Canción. Harmonic & melodic movement mostly in the Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.d1-f2Rangeg1-d2Tessitura


Translation

16th C.Hist. Per.

De hacer lo que jurèTitleDe hacer lo que jurè, Que jamàs no lo haria,First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. MorphyPublisherGraceful, curving melody; Proverbio. An attractive piece. 2 verses Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-efl2Ranged1-bfl1Tessitura


Translation

16th C.Hist. Per.

Eulalia Borgonela vernanTitleEulalia Borgonela vernan...Abunrro segar...First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherLively; a Soneto. Melodically & rythmically simple.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-d2Rangeg1-d2Tessitura


Translation

16th C.Hist. Per.

A monte sale el amorTitleA monte sale el amor de la Isla muy nombrada, donde Venus...First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, expansive w. wide ranging melody; a Soneto. 2nd setting Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-g2Rangeg1-e2Tessitura


Translation

16th C.Hist. Per.

Ya cavalga CalaynosTitleYa cavalga Calaynos á la sombra de una verde oliva...First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherGently flowing; a Romance. Simple, straightforward song.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.b-d2Rangee1-b1Tessitura


Translation

16th C.Hist. Per.

Los braços traygo cansadosTitleLos brazos traygo cansados...de los muertos rodear.First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, slow moving melody; a Romance. Melodic & harmonic Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.g1-g2Rangec2-g2Tessitura


Translation

16th C.Hist. Per.

Quien me otorgase, señoraTitleQuien me otorgase, señora, que en el infierno ascondieses...First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol .2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSlow sustained; a Canción. Somewhat extended form. Req. good Commentsart, trad.(Sp.)Type

Mel. SourceVazquez, JuanText SourceKybd. trnsc., orig. for VihuelaInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.d1-fsh2Rangea1-e2Tessitura


Translation

16th C.Hist. Per.

Corten espadas, afiladas lenguas malas;TitleCorten espadas, afiladas lenguas malas; Mañana de San Francisco,First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, rousing, energetic; Soneto. An appealing piece.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-g2Rangeg1-e2Tessitura


Translation

16th C.Hist. Per.

Sea cuando recordaresTitleSea cuando recordares lo que pensares primero,First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherLilting, attractive melody; a Proverbio.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.bfl-bfl1Rangebfl-bfl1Tessitura


Translation

16th C.Hist. Per.

Señora si te olvidareTitleSeñora si te olvidare, La mi diestra olvide à mi;First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSlow, sustained; a Canción. Long phrases req. good breath control.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.fsh1-f2Rangea1-e2Tessitura


Translation

16th C.Hist. Per.

Durmiendo iba el SeñorTitleDurmiendo iba el Señor en una nave en la mar.First lineMudarra, AlonsoComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. MorphyPublisherSlow, sustained; a Romance. Religious text. Interpretatively & Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.bfl-g1Rangebfl-g1Tessiturasac., exp.Spec. Appl.M2 .M52L8 1967 vol.1-2Call No.

Translation

16th C.Hist. Per.

Triste estabaTitleTriste estaba el rey DavidFirst lineMudarra, AlonsoComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSlow, sustained; a Romance. Portrays David's lament for Absalon. Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.bfl-afl1Rangebfl-g1Tessiturasac., exp.Spec. Appl.M2 .M52L8 1967 vol.1-2Call No.

Translation

16th C.Hist. Per.

Israel, mira tus montesTitleIsreal mira tus montes...First lineMudarra, AlonsoComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. MorphyPublisherSlow, sustained; a Romance. Religious text.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.csh1-bfl1Ranged1-a1Tessiturasac.Spec. Appl.M2 .M52L8 1967 vol.1-2Call No.

Translation

16th C.Hist. Per.

La mañana de Sant JuanTitleLa mañana de Sant Juan, Al tiempo que al boreaba...First lineMudarra, AlonsoComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSpirited, springy rhythmic feel; a Romance.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-f2Rangefsh1-e2Tessitura


Translation

16th C.Hist. Per.

Recuerde el alma dormida,TitleRecuerde el alma dormida, Avive el seso, despierte,First lineMudarra, AlonsoComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSlow, sustained; a Canción. Serious text. 2 verses.Commentsart, trad.(Sp.)Type

Mel. SourceManrique, Jorge,Text SourceKybd. trnsc., orig. for VihuelaInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.bfl-c2Rangebfl-bfl1Tessitura


Translation

16th C.Hist. Per.

Claros y frescos riosTitleClaros y frescos rios, que mansamente vays siguiendo...First lineMudarra, AlonsoComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSlow, sustained, flowing; Canción. A lament. Req. good breath control.Commentsart, trad.(Sp.)Type

Mel. SourceBoscánText SourceKybd. trnsc., orig. for VihuelaInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.c1-d2Rangec1-d2Tessitura


Translation

16th C.Hist. Per.

Si por amar el hombreTitleSi por amar el hombre, ser amado merece...First lineMudarra, AlonsoComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained; a Soneto. Beautiful love song. Interpretatively not easy.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.e1-c2Rangee1-c2Tessitura


Translation

16th C.Hist. Per.

Por ásperos caminos soy llevado,TitlePor ásperos caminos soy llavado, á parte que de miedo...First lineMudarra, AlonsoComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained; Soneto. Long phrases req. good breath control. Serious Commentsart, trad.(Sp.)Type

Mel. SourceGarcilasoText SourceKybd. trnsc., orig. for VihuelaInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.bfl-c2Ranged1-bfl1Tessitura


Translation

16th C.Hist. Per.

Dime á do tienes las mientes PastorcicoTitleDime á do tienes las mientes Pastorcico descuydado,First lineMudarra, AlonsoComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained; a Villancico. Beautiful love song. The Vihuela trnsc. differsCommentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.c1-c2Rangec1-c2Tessitura


Translation

16th C.Hist. Per.

Si me llamanTitleSi me llaman á mi, que cui do que me llaman á mi;First lineMudarra, AlonsoComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained w. flowing, graceful melody; a Villancico. Attractive song. Commentsart, trad.(Sp.)Type




Translation

16th C.Hist. Per.

Gentil caballeroTitleGentil caballero dedes me hora un beso..First lineMudarra, AlonsoComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherGraceful, sustained; a Villancico. Gentle, elegant love song. Req. Commentsart, trad.(Sp.)Type




Translation

16th C.Hist. Per.

IsabelTitleIsabel! Isabel! perdiste la tu faxa;First lineMudarra, AlonsoComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed by G. Morphy.PublisherGraceful, flowing, lightly moving; a Villancico. A love song. Vihuela Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.gsh1-e2Rangegsh1-e2Tessitura


Translation

16th C.Hist. Per.

Si vieseTitleSi viesse é me levasse,First lineMudarra, AlonsoComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherA brief, simple song; a Villancico.Commentsart, trad.(Sp.)Type




Translation

16th C.Hist. Per.

Ya se asienta el reyTitleYa se asienta el rey Ramiro ya se a sienta à su...First lineNarvaez, Luis deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, flowing; a Romance. Req. good breath control.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangef1-f2Tessitura


Translation

16th C.Hist. Per.

Paseábase el ReyTitlePaseábase el Rey moro por la cuidad de Granada,First lineNarvaez, Luis deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, flowing; a Romance. A lament. Req. good breath control.Commentsart, trad.(Sp.)Type




Translation

16th C.Hist. Per.

Si tantos halcones la garza combatenTitleSi tantos halcones la garza combaten, por Dios que la maten,First lineNarvaez, Luis deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherFlowing, sustained. Brief, straightforward song; a Villancico. The 1st Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c-bfl1Ranged1-bfl1Tessitura


Translation

16th C.Hist. Per.

Si tantos halcones la garza combatenTitleSi tanto halcones la garza combaten, por Dios que la maten,First lineNarvaez, Luis deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherThis 2nd of 3 settings is attractive w. expanded melody & florid acc.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c-bfl1Rangec-bfl1Tessitura


Translation

16th C.Hist. Per.

Si tantos halcones la garza combatenTitleSi tantos halcones la garza combaten, por Dios que la maten,First lineNarvaez, Luis deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherThis 3rd of 3 settings is slow & sustained w. somewhat extended formCommentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.c-bfl1Rangec-bfl1Tessitura


Translation

16th C.Hist. Per.

Y la mi cinta doradaTitleY la mi cinta dorada porque me la tomò,First lineNarvaez, Luis deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherBrief, simple song; a Villancico. 2 settings.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-bfl1Rangef1-bfl1Tessitura


Translation

16th C.Hist. Per.

Y la mi cinta doradaTitleY la mi cinta dorada porque me la quitò,First lineNarvaez, Luis deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherBrief, simple song; a Villancico. 2 settings.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-bfl1Rangef1-bfl1Tessitura


Translation

16th C.Hist. Per.

La bella mal maridadaTitleLa bella mal maridada De las lindas que yo vi,First lineNarvaez, Luis deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained. Brief, simple song; a Villancico.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-d2Tessitura


Translation

16th C.Hist. Per.

Con que la lavarèTitleCon que la lavarè la tez de la mi cara?First lineNarvaez, Luis deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSlow, sustained; Villancico. Graceful haunting melody w. flowing acc.Commentsart, trad. (Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.d1-a2Rangeg1-f2Tessitura


Translation

16th C.Hist. Per.

Arded, corazon, arded,TitleArded, corazon, arded...Quebrántase mi corazonFirst lineNarvaez, Luis deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherGraceful, flowing melody; a Villancico. An attractive piece.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-efl2Rangeg1-efl2Tessitura


Translation

16th C.Hist. Per.

Durandarte, Durandarte.TitleDurandarte, Durandarte, Buen caballero probado.First lineMilán, Luis, c. 1500-c. 1562ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, graceful, flowing. A Romance.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.a1-f2Rangea1-e2Tessitura


Translation

16th C.Hist. Per.

Con pavor recordó el moroTitleCon pavor recordó el moro Y empezó de gritos dar.First lineMilán, Luis, c. 1500-c. 1562ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained. Dramatic poem, part of a narrative; a Romance. Extended Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsHVoiceBegVoc. LevelMod.Acc. Reqts.g1-g2Rangea1-e2Tessitura


Translation

16th C.Hist. Per.

Sospirastes BaldovinosTitleSospirastes Baldovinos; Las cosas que yo mas queria.First lineMilán, Luis, c.1500- c.1562ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, slow moving melody; dialogue, part of a narrative; Romance.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.g1-fsh2Rangea1-e2Tessitura


Translation

16th C.Hist. Per.

Triste estabaTitleTriste estaba. Muy quejosa La triste reina troyana,First lineMilán, Luis, c.1500-c. 1562ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSlow, sustained; a Romance. Text is taken from a tragic narrative.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelMod.Acc. Reqts.c1-b1Rangec1-b1Tessitura


Translation

16th C.Hist. Per.

Al amor quiero vencerTitleAl amor quiero vencer, mas quien podrà?First lineMilán, Luis, c.1500-c. 1562ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G.Morphy.PublisherA love song; a Villancico. 2 settings; 2nd setting w. florid acc.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasic; Mod.Acc. Reqts.fsh1-e2Rangeg1-d2Tessitura


Translation

16th C.Hist. Per.

Agora viniese un vientoTitleAgora viniese un viento, que me echase aculla dentro.First lineMilán, Luis, c.1500-c. 1562ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherA simple, slightly ribald love song; a Villancico.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-f2Rangea1-e2Tessitura


Translation

16th C.Hist. Per.

Aquel caballero madreTitleAquel caballero madre, que de mi se enamorò,First lineMilán, Luis, c.1500-c. 1562ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherGraceful, flowing, expressive; Villancico. A young woman's love song.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasic; Diff.Acc. Reqts.d1-bfl1Rangea1-a1Tessitura


Translation

16th C.Hist. Per.

Amor, que tan bien sirviendoTitleAmor, que tan bien sirviendo lo hace tan mal con migo,First lineMilán, Luis, c.1500-c. 1562ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSimple, straightforward love song; Villancico. 2 settings; 2nd setting Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasic; Diff.Acc. Reqts.c1-afl1Rangec1-g1Tessitura


Translation

16th C.Hist. Per.

Toda mi vida os amé.TitleToda mi vida os amé. Si me amais, yo no lo se.First lineMilan, Luis, c.1500-c.1562ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherLove song; a Villancico. 2 settings; 2nd setting w. florid, diff. acc.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasic; Diff.Acc. Reqts.g1-f2Rangeafl1-efl2Tessitura


Translation

16th C.Hist. Per.

Sospiró una señora que yo vi,TitleSospiró una señora que yo vi, ojala fuese por mi!First lineMilán, Luis, c.1500-c.1562ComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 1Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherA simple love song; Villancico. 2 settings; 2nd setting w. more florid Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2; csh1-b1Ranged1-b2Tessitura


Translation

16th C.Hist. Per.

Naranja DulceTitleNaranja Dulce, limón partido,First lineOrtiz, Pedro A., arr.Composer

Comp. Nat.The Spanish-American Song and Game Book.Collection

A. S. Barnes & Co., New York, 1942. Sponsored by the Univ. of New PublisherDance-like, lilting. Simple melody consists of one phrase repeated 4 Commentstrad., Sp.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangef1-c2Tessituraclss.Spec. Appl.MT 948 .U5S63Call No.Eng. sep. from musicTranslation

Hist. Per.

La Rueda de San MiguelTitleRueda, rueda, de San MiguelFirst lineOrtiz, Pedro A., arr.Composer


A. S. Barnes & Co., New York, 1942. Sponsored by the Univ. of New PublisherShort, lively, bouncy. A fun song for a fun game. Described in Sp. & Commentstrad.(Sp.?)TypeTrad., Sp.?Mel. SourceTrad., Sp.?Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-a1Rangec1-g1Tessituraclss.Spec. Appl.MT 948 .U5S63Call No.Eng. sep. from musicTranslation

Hist. Per.

María BlancaTitleMaría Blanca está encerradaFirst lineOrtiz, Pedro A., arr.Composer


A. S. Barnes & Co., New York, 1942. Sponsored by the Univ. of New PublisherShort, simple song. One repeated phrase. Good classroom song for Commentstrad.(Sp.?)TypeTrad., Sp.?Mel. SourceTrad., Sp.?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangef1-d2Tessituraclss.Spec. Appl.MT 948 .U5S63Call No.Eng. sep. from musicTranslation

Hist. Per.

Juan Pirulero- (Juan Motinero)TitleÉste es al juego de Juan PiruleroFirst lineOrtiz, Pedro A., arr.Composer


A. S. Barnes & Co., New York, 1942. Sponsored by the Univ. of New PublisherShort, simple song in 3/8. Two 4-bar phrases. Good classroom song Commentstrad.(Sp.)TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-b1Ranged1-b1Tessituraclss.Spec. Appl.MT 948 .U5S63Call No.Eng. sep. from musicTranslation

Hist. Per.

VíboraTitleVíbora, vibora de la marFirst lineOrtiz, Pedro A., arr.Composer


A. S. Barnes & Co., New York, 1942. Sponsored by the Univ. of New PublisherSprightly tune. In 2/4. Two 2-bar phrases alternate throughout song.Commentstrad.(Sp.)TypeTrad., Sp.?Mel. SourceTrad., Sp.?Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-b1Ranged1-b1Tessituraclss.Spec. Appl.MT 948 .U5S63Call No.Eng. sep. from musicTranslation

Hist. Per.

Arre, Mi BurritoTitleArre, mi burrito que vamos a Belén.First lineOrtiz, Pedro A., arr.Composer


A. S. Barnes & Co., New York, 1942. Sponsored by the Univ. of New PublisherLively, animated. First phrase in A minor is repeated once. Second Commentstrad.(Sp.?)TypeTrad., Sp.?Mel. SourceTrad., Sp.?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-d2Rangeg1-d2Tessituraclss.Spec. Appl.MT 948 .U5S63Call No.Eng. sep. from musicTranslation

Hist. Per.

La TablaTitleYo tenía una muñequita de vestido azul...First lineOrtiz, Pedro A., arr.Composer


A. S. Barnes & Co., New York, 1942. Sponsored by the Univ. of New PublisherLight, cheerful melody contrasts w. somber mood of 1st verse. 2nd Commentstrad.(Sp.?)TypeTrad., Sp.?Mel. SourceTrad., Sp.?Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-c2Rangee1-a1Tessituraclss.Spec. Appl.MT 948 .U5S63Call No.Eng. sep. from musicTranslation

Hist. Per.

Ambo GatoTitleAmbo gato matarili rili ronFirst lineOrtiz, Pedro A., arr.Composer


A. S. Barnes & Co., New York, 1942. Sponsored by the Univ. of New PublisherShort chant w. a repeated syllabic refrain. Good classroom song for Commentstrad.(Sp.)TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-a1Rangee1-a1Tessituraclss.Spec. Appl.MT 948 .U5S63Call No.Eng. sep. from musicTranslation

Hist. Per.

La HuerfanitaTitlePobrecita huerfanita sin su padre y sin su madre,First lineOrtiz, Pedro A., arr.Composer


A. S. Barnes & Co., New York, 1942. Sponsored by the Univ. of New PublisherShort, simple, graceful melody in 3/4 time. Good classroom song for Commentstrad.(Sp.?)TypeTrad., Sp.?Mel. SourceTrad., Sp.?Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-c2Rangee1-c2Tessituraclss.Spec. Appl.MT 948 .U5S63Call No.Eng. sep. from musicTranslation

Hist. Per.

La Viudita de Santa IsabelTitleÉsta es la viudita de Santa IsabelFirst lineOrtiz, Pedro A., arr.Composer


A. S. Barnes & Co., New York, 1942. Sponsored by the Univ. of New PublisherSimple, short, lilting. Two 4-bar phrases. 4 verses. Good classroom Commentstrad.(Sp.?)TypeTrad., Sp.?Mel. SourceTrad., Sp.?Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Ranged1-c2Tessituraclss.Spec. Appl.MT 948 .U5S63Call No.Eng. sep. from musicTranslation

Hist. Per.

Hilitos de OroTitleHilitos, hilitos de oroFirst lineOrtiz, Pedro A., arr.Composer


A. S. Barnes & Co., New York, 1942. Sponsored by the Univ. of New PublisherShort, simple melody. 4 verses. Good classroom song for ages 8-10.Commentstrad.(Sp.)TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-a1Rangec1-g1Tessituraclss.Spec. Appl.MT 948 .U5S63Call No.Eng. sep. from musicTranslation

Hist. Per.

Doña Ana No Está AguíTitleDoña Ana no está aguí, Está en su vergel,First lineOrtiz, Pedro A., arr.Composer


A. S. Barnes & Co., New York, 1942. Sponsored by the Univ. of New PublisherSprightly, dance-like. 4 verses. The game is a dramatic enactment of Commentstrad.(Sp.?)TypeTrad., Sp.?Mel. SourceTrad., Sp.?Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Rangee1-c2Tessituraclss.Spec. Appl.MT 948 .U5S63Call No.Eng. sep. from musicTranslation

Hist. Per.

CañuteTitlePaloma Lucida, Lucido Palomar,First lineOrtiz, Pedro A., arr.Composer


A. S. Barnes & Co., New York, 1942. Sponsored by the Univ. of New PublisherSlow, sustained melody. Two phrases which repeat w. Indian chant Commentstrad.(Navaho, Sp.?)TypeTrad., NavahoMel. SourceTrad., Navaho? Sp.?Text SourceVoice onlyInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-c2Rangec1-c2Tessituraclss.Spec. Appl.MT 948 .U5S63Call No.Eng. sep. from musicTranslation

Hist. Per.

Al amor quiero vencerTitleAl amor quiero vencer mas quien podra.First lineMilán, Luis de, c.1500-c.1562ComposerSp.Comp. Nat.El MaestroCollection

The Pennsylvania State University Press, University Park, PA, 1971. PublisherA love song. 2 settings. 2nd setting w. florid acc.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasic, Mod.Acc. Reqts.fsh1-e2Rangeg1-d2Tessitura


16th C.Hist. Per.

Toda mi vida hos améTitleToda mi vida hos amé. Si mi amays yo no lo se.First lineMilán, Luis de, c.1500-c.1562ComposerSp.Comp. Nat.El MaestroCollection

The Pennsylvania State University Press, University Park, PA, 1971. PublisherLove song; Villancico. 2 settings; 2nd setting w. difficult acc.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasic, Diff.Acc. Reqts.e1-d2Rangef1-c2Tessitura


16th C.Hist. Per.

Con pavor recordo el moroTitleCon pavor recordo el moro y empeço de gritos dar.First lineMilán, Luis de, c.1500-c.1562ComposerSp.Comp. Nat.El MaestroCollection

The Pennsylvania State University Press, University Park, PA, 1971. PublisherDramatic poem, part of a narrative.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.g-g1Rangea-fsh1Tessitura


16th C.Hist. Per.

Claros y frescos ríosTitleClaros y frescos ríos Que mansamente vays...First lineMudarra, AlonsoComposerSp.Comp. Nat.Tres libros de música en cifra para vihuela, Sevilla, 1546.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherSlow, sustained, flowing; Canción. A lament. Req. good breath control.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.c1-d2Rangec1-d2Tessitura


Translation

16th C.Hist. Per.

Isabel, perdiste la tu faxa.TitleIsabel, perdiste la tu faxa; Héla, por do va,First lineMudarra, AlonsoComposerSp.Comp. Nat.Tres libros de música en cifra para vihuela, Sevilla, 1546.Collection

Consejo Superior de Investigaciones Científicas Instituto Español de PublisherGraceful, flowing, lightly moving; Villancico. A love song.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-d2Rangefsh1-d2Tessitura


Translation

16th C.Hist. Per.

Jamás, cosa que quisieseTitleJamás, cosa que quisiese, Nun ca la vi no hallo...First lineValderrábano, Anriquez deComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherSustained, flowing, expansive melody; a Canción.Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.gsh1-g2Rangec2-f2Tessitura


Translation

16th C.Hist. Per.

Cagaleja la de lo verdeTitleCagaleja la de lo verde...Gracio sica en el mirar...First lineDaza, EstebanComposerSp.Comp. Nat.Les Luthistes Espagnols, vol. 2Collection

Broude Brothers, New York, 1967. Trnsc. and ed. by G. Morphy.PublisherGently spirited; Villancico. An attractive piece w. melodic & rhythmic Commentsart, trad.(Sp.)Type


Kybd. trnsc., orig. for VihuelaInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.b1-d2Rangee1-c2Tessitura


Translation

16th C.Hist. Per.

Con amores , la mi madreTitleCon amores, la mi madre amores me dormi;First lineAnchieta, Juan de; Obradors; arr.ComposerSp.Comp. Nat.The Art Song; Volume 25, Music for Millions.Collection

Consolidated Music Publishers, Inc., New York, 1960. Cmpl. and ed. byPublisherSlow, sustained, plaintive. Rhythmically simple. Req. vocal strength &Commentsart, trad.(Sp.)Type


PianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.d1-fsh2Ranged1-a2Tessitura

Spec. Appl.M1 .M8772 vol.25Call No.Eng. sep. from musicTranslation


El BarqueroTitleManzanares, cuyas aguas, cristalinas mansas, puras,First lineLabastille, Irma, arr. & ed.Composer

Comp. Nat.Canciones TipicasCollection

Silver Burdett Company, 1941.PublisherSustained. Harmonically & rhythmically simple. Folk-like, patriotic. Commentstrad.(Ven., Lat. Amer.)TypeTrad., Ven., Lat. Amer.Mel. SourceTrad., Ven., Lat. Amer.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.b-e2Rangee1-dsh2Tessituraclss.Spec. Appl.M1680 .L12C2Call No.Eng. w. musicTranslation

Hist. Per.

Ya Chiquitita, Yo VengoTitleYa, Chiquitita, yo vengo, que me pagues la promesa.First lineLabastille, Irma, arr. & ed.Composer


Silver Burdett Company, 1941.PublisherBright, lively, dance-like; Bambuco. Shifting accents, simple harmonies.Commentstrad.(Col., Lat. Amer.)TypeTrad., Col., Lat. Amer.Mel. SourceTrad., Col., Lat. Amer.Text SourcePiano, MaracasInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-g2Rangebfl1-f2Tessituraclss., dct., dance.Spec. Appl.M1680 .L12C2Call No.Eng. w. musicTranslation

Hist. Per.

Todo Todo Por tu Hija!TitleAver el quid!...YUJA!First lineLabastille, Irma, arr. & ed.Composer


Silver Burdett Company, 1941.PublisherVigorous, dance-like, w. strong rhythmic acc; Cachulapí. Contains Commentstrad.(Ec., Lat. Amer.)TypeTrad., Ec., Lat. Amer.Mel. SourceTrad., Ec., Lat. Amer.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-g2Rangefsh1-e2Tessiturarhy., dnce.Spec. Appl.M1680 .L12C2Call No.Eng. w. musicTranslation

Hist. Per.

Adios Te DigoTitleAy, ay, ay...Toda la noche de pena lloré,First lineLabastille, Irma, arr. & ed.Composer


Silver Burdett Company, 1941.PublisherSimple, primitive melody. Somber, melancholy mood. Expressive & Commentstrad.(N. Arg., Lat. Amer.)TypeTrad., N. Arg., Lat. Amer.Mel. SourceTrad., N. Arg., Lat. Amer.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.a-c2Rangec1-a1Tessituraexp.Spec. Appl.M1680 .L12C2Call No.Eng. w. musicTranslation

Hist. Per.

PalapalaTitlePalapal pulpero...Chuña soltero...First lineLabastille, Irma, arr. & ed.Composer


Silver Burdett Company, 1941.PublisherCheerful, dance-like; Palapala. Cross rhythms throughout entire piece.Commentstrad.(Arg., Lat. Amer.)TypeTrad., Arg., Lat. Amer.Mel. SourceTrad., Arg., Lat. Amer.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.gsh1-fsh2Rangegsh1-d2Tessituraclss., dnce.Spec. Appl.M1680 .L12C2Call No.Eng. w. musicTranslation

Hist. Per.

La Tejedora de ÑandutiTitleAquí bien lejos...de nuestra patria,First lineLabastille, Irma, arr. & ed.Composer


Silver Burdett Company, 1941.PublisherGraceful, lilting, sustained; dance-like. Text concerns a lace maker. AnCommentstrad.(Par., Lat. Amer.)TypeTrad., Par., Lat. Amer.Mel. SourceTrad., Par., Lat. Amer.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.c1-d2Rangee1-c2Tessituraclss.Spec. Appl.M1680 .L12C2Call No.Eng. w. musicTranslation

Hist. Per.

Canción de CunaTitleDormite niñito, no llores, Chiquito,First lineLabastille, Irma, arr. & ed.Composer


Silver Burdett Company, 1941.PublisherTender lullaby; lovely melody. Easy rhythmically & harmonically. GoodCommentstrad.(ES, Lat. Amer.)TypeTrad., ES, Lat. Amer.Mel. SourceTrad., ES, Lat. Amer.Text SourcePianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.b-c2Ranged1-b1Tessituraclss.Spec. Appl.M1680 .L12C2Call No.Eng. w. musicTranslation

Hist. Per.

Cañas DulcesTitleYa yo me voy para cañas dulces...First lineLabastille, Irma, arr. & ed.Composer


Silver Burdett Company, 1941.PublisherLilting, dance-like w. simple harmony. Melody contains intervals (M2, Commentstrad.(CR, Lat. Amer.)TypeTrad., CR, Lat. Amer.Mel. SourceTrad., CR , Lat. Amer.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.csh1-d2Rangee1-d2Tessituraclss., tch., dct.Spec. Appl.M1680 .L12C2Call No.Eng. w. musicTranslation

Hist. Per.

Flor de ChangungaTitleAy, flor de changunga, Ay, que naranja de dulce,First lineLabastille, Irma, arr. & ed.Composer


Silver Burdett Company, 1941.PublisherSustained, sweetly plaintive, dance-like; Canacuas. Appealing, Commentstrad.(Mex., Lat. Amer.)TypeTrad., Mex., Lat. Amer.Mel. SourceTrad., Mex., Lat. Amer.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-f2Rangeg1-f2Tessituraclss., rhy., dnce.Spec. Appl.M1680 .L12C2Call No.Eng. w. musicTranslation

Hist. Per.

El paño morunoTitleAl paño fino, en la tienda,First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Siete Canciones Populares EspañolasCollection

Associated Music Pub., Inc. New York, 1949. (High & Med.)PublisherAllegretto vivace in 3/8. Graceful, light w. shifting rhythmic accents.Commentsart; trad.(Murcia, Sp.)TypeTrad., Murcia, Sp.Mel. SourceTrad., Murcia, Sp.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.fsh1-e2Rangefsh1-d2Tessitura

Spec. Appl.M1621 .F19C3 1949aCall No.Fr. w. music, Eng. sep. from musicTranslation

20th C.Hist. Per.

Seguidilla MuricianaTitleCualquiera que el tejado...First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Siete Canciones Populares EspañolasCollection

Associated Music Pub., Inc. New York, 1949. (High & Med.)PublisherAllegro spiritoso in 3/4. Spirited, sustained, declamatory, dance-like; Commentsart; trad.(Murcia, Sp.)TypeTrad., Murcia, Sp.Mel. SourceTrad., Murcia, Sp.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.f1-d2Rangea1-d2Tessituradct.Spec. Appl.M1621 .F19C3 1949aCall No.Fr. w. music, Eng. sep. from musicTranslation

20th C.Hist. Per.

AsturianaTitlePor ver se me consolabaFirst lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Siete Canciones Populares EspañolasCollection

Associated Music Pub., Inc. New York, 1949. (High & Med.)PublisherAndante tranquillo in 3/4. Sustained, slow, plaintive. Req. control of Commentsart; trad.(Asturias, Sp.)TypeTrad., Asturias, Sp.Mel. SourceTrad., Asturias, Sp.Text SourcePianoInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.e1-c2Rangef1-c2Tessituraexp.Spec. Appl.M1621 .F19C3 1949aCall No.Fr. w. music, Eng. sep. from musicTranslation

20th C.Hist. Per.

JotaTitleDicen que no nos queremos...First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Siete Canciones Populares EspañolasCollection

Associated Music Pub., Inc. New York, 1949. (High & Med.)PublisherSpirited, sustained, lightly ornamented. Req. good control of dynamics.Commentsart; trad.(Aragon, Sp.)TypeTrad., Aragon, Sp.Mel. SourceTrad., Aragon, Sp.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.fsh1-e2Rangefsh1-d2Tessituradnce.Spec. Appl.M1621 .F19C3 1949aCall No.Fr. w. music, Eng. sep from musicTranslation

20th C.Hist. Per.

NanaTitleDuérmete, niño duerme, Duerme, mi alma,First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Siete Canciones Populares EspañolasCollection

Associated Music Pub., Inc. New York, 1949. (High & Med.)PublisherSustained, slow, delicate. Lightly ornamented. Req. good control of Commentsart, trad.(Andalusia, Sp.)TypeTrad., Andalusia, Sp.Mel. SourceTrad., Andalusia, Sp.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.d1-e2Rangee1-e2Tessituraexp.Spec. Appl.M1621 .F19C3 1949aCall No.Fr. w. music, Eng. sep. from musicTranslation

20th C.Hist. Per.

CanciónTitlePor traidores, tus ojos, Voy á enterrarlos;First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Siete Canciones Populares EspañolasCollection

Associated Music Pub., Inc. New York, 1949. (High & Med.)PublisherAllegretto in 6/8, dotted quarter = 63. "con grazia'. Lilting, dance-like,Commentsart, trad.(Sp.)TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.d1-e2Ranged1-d2Tessituraexp.Spec. Appl.M1621 .F19C3 1949aCall No.Fr. w. music, Eng. sep. from musicTranslation

20th C.Hist. Per.

PoloTitleGuardo una " Ay"...Guardo un pena en mi pecho...First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Siete Canciones Populares EspañolasCollection

Associated Music Pub., Inc. New York, 1949. (High & Med.)PublisherVivo in 3/8. Spirited, sustained w. rapid melismatic passages. Commentsart, trad.(Andalusia, Sp.)TypeTrad., Andalusia, Sp.Mel. SourceTrad., Andalusia, Sp.Text SourcePianoInstrumentsMVoiceAdv.Voc. LevelDiff.Acc. Reqts.d1-f2Rangee1-e2Tessituradnce., rhy.Spec. Appl.M1621 .F19C3 1949aCall No.Fr. w. music, Eng. sep. from musicTranslation

20th C.Hist. Per.

I. Corazón que en prisiónTitleCorazón que en prisíon de respetos,First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol.1Collection

Max Eschig, Paris, 1926.PublisherSlow, sustained. Intensely dramatic. Req. good control of breath & Commentsart, trad.(Sp.)TypeMarín, José, 1619-1699Mel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.d1-f2Rangef1-f2Tessitura

Spec. Appl.Rest. Mat. M1619 .N6Q3Call No.Fr. w. musicTranslation


II. Desengañémonos ya...TitleDesengañémonos ya, mal pagado pensamiento...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol.1Collection

Max Eschig, Paris, 1926.PublisherSlow, sustained. A tender love song. Req. good control of breath & Commentsart, trad.(Sp.)TypeMarín, José, 1619-1699Mel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.d1-gfl2Rangef1-efl2Tessitura



III. Cloris HermosaTitleGraciosa moda esa que han dado en usar,First lineNin, Joaquin, 1878-1949ComposerSp., Cub..Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol.1Collection

Max Eschig, Paris, 1926.PublisherSustained, graceful, elegant. Req. good breath control. Musically Commentsart, trad.(Sp.)TypeDurón, Sebastián, 1645?-1716?Mel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.dsh1-fsh2Rangee1-e2Tessitura



IV. Minué cantadoTitleSi de Amarilis los ojos disparan flechas...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol. 1Collection

Max Eschig, Paris, 1926.PublisherSustained. A graceful, flowing Minuet. Musically not diff.Commentsart, trad.(Sp.)TypeBassa, José, 1670?-1730?Mel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-e2Rangeg1-e2Tessituradnce.Spec. Appl.Rest. Mat. M1619 .N6Q3Call No.Fr. w. musicTranslation


VI. Alma, sintamosTitleAlma, sintamos! Ojos, llorar!First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol. 1Collection

Max Eschig, Paris, 1926.PublisherSlow, sustained. Dramatically expressive. Req. good control of breathCommentsart, trad.(Sp.)TypeEsteve, Pablo, 1730?-1792?Mel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.a1-gfl2Rangea1-efl2Tessitura



I. El amor es como un niñoTitleEl amor es como un niño Que cuanto ve se le antoja,First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol. 2Collection

Max Eschig, Paris, 1927.PublisherSustained, lilting, dance-like. Graceful, lightly ornamented melody.Commentsart, trad.(Sp.)TypeUnknown, c.1786Mel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.gfl1-gfl2Rangeafl1-efl2Tessitura



II. TiranaTitleEl día que se casare el tío Manga ligera...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol. 2Collection

Max Eschig, Paris, 1927.PublisherAnimated, dance-like; Tirana. Graceful melody w. shifting accent. Commentsart, trad.(Sp.)TypeFerrer, Guillermo, 1730?-1790?Mel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelDiff.Acc. Reqts.fsh1-fsh2Rangegsh1-e2Tessituradnce.Spec. Appl.Rest. Mat. M1619 .N6Q3Call No.Fr. w. musicTranslation


III. A la JotaTitleA la Jota que hay muchas palomas...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol.2Collection

Max Eschig, Paris, 1927.PublisherSustained, animated, dance-like; Jota. Req. vocal flexibility. Happy, Commentsart, trad.(Sp.)TypeEsteve, Pablo, 1730?-1800?Mel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.efl1-f2Rangeg1-efl2Tessituradnce.Spec. Appl.Rest. Mat. M1619 .N6Q3Call No.Fr. w. musicTranslation


IV. TiranaTitleDel Trípili la tirana es la que más gusto da...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol. 2Collection

Max Eschig, Paris, 1927.PublisherLively, dance-like; Tirana. Req. good command of staccato & marcato.Commentsart, trad.(Sp.)TypeLaserna, Blas de, 1751-1816Mel. Source

Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.fsh1-a2Rangea1-gsh2Tessituradnce.Spec. Appl.Rest. Mat. M1619 .N6Q3 (Crane Library)Call No.Fr. w. musicTranslation


V. Por colación seis abatesTitlePor colación seis abates...Se comieron un canario...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol. 2Collection

Max Eschig, Paris, 1927.PublisherAnimated, graceful, lightly ornamented. A delightful little song.Commentsart, trad.(Sp.)TypeLaserna, Blas de, 1751-1816Mel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelDiff.Acc. Reqts.fsh1-f2Rangea1-d2Tessitura



VI. Las Majas de ParisTitlePara ver si acaso logro complacer á mis polacos...First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol. 2Collection

Max Eschig, Paris, 1927.PublisherRapid, "wordy". Req. facile articulation of text. Playful, humorous Commentsart, trad.(Sp.)TypeLaserna, Blas de, 1751-1816Mel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.f1-gfl2Rangegfl1-efl2Tessitura



VII. Las Majas MadrileñasTitleLas majas madrileñas son de tal casta,First lineNin, Joaquin, 1878-1949ComposerSp., Cub.Comp. Nat.Quatorze Airs Anciens d'Auteurs Espagnols, Vol. 2Collection

Max Eschig, Paris, 1927.PublisherSpirited, dance-like; Seguidilla. Req. flexibility, facile articultion of text,Commentsart, trad.(Sp.)TypeLaserna, Blas de, 1751-1816Mel. Source

Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.e1-g2Rangeg1-e2Tessituradnce.Spec. Appl.Rest. Mat. M1619 .N6Q3Call No.Fr. w. musicTranslation


Ay, ay, ayTitleAsómate a la ventana...First lineFreire, Osmán Pérez; Lloyd, Norman, arr. 1909-1980Composer

Comp. Nat.Fireside Book of Love SongsCollection

Simon & Schuster, New York, 1954.PublisherGracefully flowing, lilting melody. A love serenade. Nicely set.Commentspop., trad.(Sp.)TypeFreire, Osmán PérezMel. SourceFreire, Osmán PérezText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-e2Rangeg1-d2Tessitura

Spec. Appl.M1627 .B7F5 1954Call No.Eng. w. musicTranslation

Hist. Per.

Ah! Lovely Lady; a.k.a. Ay linda amigaTitleAy! linda amiga, que no vuelvo a verte:First lineLloyd, Norman, arr., 1909-1980ComposerU.S.A.Comp. Nat.Fireside Book of Love SongsCollection

Simon & Schuster, New York, 1954.PublisherSimple, lovely, modal melody. Nicely set.Commentstrad.(Santander, Sp.)TypeTrad., Santander, Sp.Mel. SourceTrad., Santander, Sp.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-d2Rangefsh1-d2Tessitura


Hist. Per.

Cielito LindoTitleDe la Sierra Morena, (v); Ay, ay, ay, ay, Canta y no llores, (c).First lineLloyd, Norman, arr., 1909-1980ComposerU.S.AComp. Nat.Fireside Book of Love SongsCollection

Simon & Schuster, New York, 1954.PublisherLight, cheerful, lilting melody. An appealing song.Commentstrad.(Mex., Lat. Amer.))TypeTrad., Mex., Lat. Amer.Mel. SourceTrad., Mex., Lat. Amer.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.b-d2Rangee1-a1Tessitura


Hist. Per.

CarmelaTitleAsí cual mueren en occidente, (v); Carmen, Carmela, (c).First lineLloyd, Norman, arr., 1909-1980ComposerU.S.A.Comp. Nat.Fireside Book of Love SongsCollection

Simon & Schuster, New York, 1954.PublisherSmooth, graceful melody w. gently swaying rhythm. Warm, tender loveCommentstrad.(Sp.-Amer.)TypeTrad., Sp.-Amer.Mel. SourceTrad., Sp.-Amer.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.bfl-d2Ranged1-bfl1Tessitura


Hist. Per.

CollectionTitleFirst line

Grau, Eduardo, ed. & arr.ComposerComp. Nat.

30 Canciones Populares Españolas.Collection

Selección y armonización de Eduardo Grau. Canto y piano. Ricordi PublisherPreliminary notes in Spanish describe the aesthetic values and the Commentstrad.(Sp.)TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsL, M, HVoiceBeg.Voc. LevelBasic, Mod.Acc. Reqts.

RangeTessitura

Spec. Appl. LNCEMS (also in SUNY Potsdam Crane Library, M1779 .G7T7)Call No.

Translation

Hist. Per.


Labastille, Irma, arr. & ed.ComposerComp. Nat.

1. Canciones TipicasCollection

Silver Burdette Company, 1941.Publisher19 songs w. bl. & wh. photos & informative notes. Piano acc.s could Commentstrad.(Lat.Amer.)TypeTrad., Lat. Amer.Mel. SourceTrad., Lat. Amer.Text SourcePianoInstrumentsL, M, HVoiceBeg.Voc. LevelBasic, Mod.Acc. Reqts.

RangeTessitura

clss.Spec. Appl.M1680 .L12C2Call No.

Translation

Hist. Per.


Robb, John Donald, trnsc. & arr.ComposerComp. Nat.

1. Hispanic Folk Songs of New MexicoCollection

The University of New Mexico Press, Albuquerque, New Mexico, 1954.Publisher8 secular songs & 7 songs from Los Pastores, a religious folk play. ACommentstrad.(New Mex.,USA)TypeTrad., New Mex., USAMel. SourceTrad., New Mex.,USAText SourcePianoInstrumentsL, M, HVoiceBeg.Voc. LevelBasic, Mod.Acc. Reqts.

RangeTessitura

Spec. Appl.Call No.

Translation

Hist. Per.


Ortiz, Pedro A., arr.ComposerComp. Nat.

1. The Spanish-American Song and Game BookCollection

A. S. Barnes & Co., New York, 1942. Sponsored by the Univ. of New PublisherForeward by Charles Ethrige Minton, State Supervisor of the New Mex.Commentstrad.(Sp.,USA)TypeTrad., Sp.,USAMel. SourceTrad., Sp.,USAText SourcePianoInstrumentsL, MVoiceBeg.Voc. LevelBasicAcc. Reqts.

RangeTessitura

clss.Spec. Appl.MT 948 .U5S63Call No.Eng. sep. from musicTranslation

Hist. Per.


Iadone, Joseph, trnsc. & arr.ComposerComp. Nat.

1. Four Centuries of Song from the Troubadour to the ElizabethanCollection

Associated Music Publ., New York/London. Trnsc., arr. & ed. by JosephPublisher31 pieces; 10? w. Sp. text. The guitar acc.s could be adapted for Commentsart, trad.(Sp.)Type


Guitar (orig. for Lute)InstrumentsL, MVoiceBeg.Voc. LevelBasic, Mod.Acc. Reqts.

RangeTessitura


Hist. Per.


Pedreira, José, cmpl. & arr.ComposerComp. Nat.

1. Puerto Rico SingsCollection

Edward B. Marks Corp., New York, 1957. Cmpl. & arr. by José EnriquePublisherPreface in Sp. & Eng. on Puerto Rico & Its Music; notes on Decimas y Commentstrad.(PR, Lat. Amer.)Type


PianoInstrumentsM, HVoiceBeg., Int., Adv.Voc. LevelBasic, Mod.Acc. Reqts.

RangeTessitura




Chroman, Eleanor; cmpl. & ed.ComposerComp. Nat.

1. Songs That Children SingCollection

Oak Publications, New York, 1970.Publisher"From 29 countries ...in 25 languages...w. singable Eng.translations... Commentstrad.Type


Piano; Chords indic.InstrumentsL, MVoiceBeg.Voc. LevelBasicAcc. Reqts.

RangeTessitura

clss.Spec. Appl.M1997 .C56S6Call No.

Translation

Hist. Per.


Haywood, Charles, cmpl. & ed.ComposerComp. Nat.

1. Folk Songs of the WorldCollection

The John Day Company, New York, 1966. Selected & ed. by Charles Publisher172 songs from 119 countries. Preface, Bibliography & Selected List Commentstrad.Type


Chords indic.InstrumentsL, MVoiceBeg., Int.Voc. LevelBasicAcc. Reqts.

RangeTessitura

Spec. Appl.Call No.

Translation

Hist. Per.


Lloyd, Norman, arr. 1909-1980ComposerComp. Nat.

1. Fireside book of love songsCollection

Simon & Schuster, New York, 1954. Sel. & ed by Margaret Bradford Publisher157 songs "from many countries (&)..from the great composers"; 4 Commentsart, aria, trad.Type


PianoInstrumentsL, M, HVoiceBeg.Voc. LevelBasicAcc. Reqts.

RangeTessitura

Spec. Appl.M1627 .B7 F5 1954Call No.Eng. w. musicTranslation

Hist. Per.


Bantock, Granville, arr. 1868-1946ComposerEng.Comp. Nat.1. 100 Folksongs of All NationsCollection

Oliver Ditson Co., Boston, 1911. Ed. by Granville Bantock.PublisherNotes & "Authorities" given for each song. Extensive Bibliography.Commentstrad.Type


PianoInstrumentsL, M, HVoiceBeg., Int.Voc. LevelBasic, Mod.Acc. Reqts.

RangeTessitura

Spec. Appl.M1627 .B3O52Call No.w. musicTranslation

Hist. Per.

Pregúntale a las estrellasTitlePregúntale a las estrellas, si no de noche me ven llorar,First lineKilenyi, Edward, arr.Composer

Comp. Nat.The First Book of Mezzo-Soprano SolosCollection

G. Schirmer, Inc., New York, 1991. Cmpl. by Joan Frey Boytim.PublisherModerato in 2/4. Gracefully flowing melody; Habañera rhythm. An Commentstrad.(Lat. Amer.)TypeTrad., Lat. Amer.Mel. SourceTrad., Lat. Amer.Text SourcePianoInstrumentsM; Mezzo-Sop.VoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Rangefsh1-d2Tessituradnce.Spec. Appl.M 1495 .F474 B69 1991Call No.Eng, w. musicTranslation

Hist. Per.

Noche SerenaTitleNoche serena de primavera, Blanca paloma del alma luz:First lineKilenyi, Edward, arr.Composer

Comp. Nat.The First Book of Tenor SolosCollection

G. Schirmer, Inc., New York, 1991. Cmpl. by Joan Frey Boytim.PublisherMolto moderato con sentimento in 4/4. Slow, sustained, lyrical; Commentstrad. (Lat. Amer.)TypeTrad., Lat. Amer.Mel. SourceTrad., Lat. Amer.Text SourcePianoInstrumentsM; Ten.VoiceBeg.Voc. LevelBasicAcc. Reqts.d1-f2Ranged1-efl2Tessituratch.Spec. Appl.M 1495 .F474 B69 1991Call No.Eng. w. musicTranslation

Hist. Per.

La Seña ( The Signal )TitleLa niña que a mi me quiera...Ha de ser con condición...First lineKilenyi, Edward, arr.Composer

Comp. Nat.The First Book of Tenor SolosCollection

G. Schirmer, Inc., New York, 1991. Cmpl. by Joan Frey Boytim.PublisherLeggiero in 3/4. Lightly animated. Melody has a variety of lyrical, Commentstrad.( Lat. Amer.)TypeTrad., Lat. Amer.Mel. SourceTrad., Lat. Amer.Text SourcePianoInstrumentsM; Ten.VoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangef1-f2Tessituraexp.Spec. Appl.M 1495 .F474 B69 1991Call No.Eng. w. musicTranslation

Hist. Per.

Encantadora Maria ( Maria Dear )TitleEncantadora Maria, yo te amo con ilusión,First lineKilenyi, Edward, arr.Composer

Comp. Nat.The First Book of Baritone/Bass SolosCollection

G. Schirmer, Inc., New York, 1991. Cmpl. by Joan Frey Boytim.PublisherModerato in 2/4. Sustained, flowing, graceful melody; Habañera Commentstrad.( Lat. Amer.)TypeTrad., Lat. Amer.MMel. SourceTrad., Lat. Amer.Text SourcePianoInstrumentsL; Bar., BassVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-c2Rangee1-c2Tessituradnce.Spec. Appl.M 1495 .F474 B69 1991Call No.Eng. w. musicTranslation

Hist. Per.

La Paloma Blanca ( The White Dove )TitleYo soy tu paloma blanca, Tu eres mi pichón azul,First lineKilenyi, Edward, arr.Composer

Comp. Nat.The First Book of Baritone/Bass SolosCollection

G. Schirmer, Inc., New York, 1991. Cmpl. by Joan Frey Boytim.PublisherCon spirito in 6/8. Spirited, lyrical verse & bouncy, dance-like refrain.Commentstrad.( Lat. Amer.)TypeTrad., Lat. Amer.Mel. SourceTrad., Lat. Amer.Text SourcePianoInstrumentsM; Bar., BassVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-d2Rangec1-bfl1Tessitura

Spec. Appl.M 1495 .F474 B69 1991Call No.Eng. w. musicTranslation

Hist. Per.


Rodrigo, JoaquinComposerComp. Nat.

Cuatro Canciones SefardíesCollection

Editions Max Eschig, 1968. M.E. 7810PublisherTraditional Sephardic Jewish songs.Commentsart; trad.(Sp.)TypeTrad., Sp.Mel. SourceTrad., Sp. anon.; adapted by Kamhi, VictoriaText SourcePianoInstrumentsL, M, HVoice


RangeTessitura


Hist. Per.


Ponce, Manuel, 1882-1948ComposerMex.Comp. Nat.Seis Canciones Populares MexicanasCollection

Peer Int.'l Corp., New York, 1958.PublisherComments

trad.TypeTrad., Mex.Mel. SourceTrad., Mex.Text SourcePianoInstruments

VoiceBeg.Voc. LevelBasicAcc. Reqts.

RangeTessitura

exp. dct.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.

1. Palomito (Come Away With Me, My Love)TitlePalomita vamos a mi tierra,First linePonce, Manuel, 1882-1948; arr.ComposerMex.Comp. Nat.Seis Canciones Populares MexicanasCollection

Peer Int.'l Corp., New York, 1958.PublisherAllegretto espressivo in 3/4. Straightforward love song. *Commentstrad.TypeTrad., Mex.Mel. SourceTrad., Mex.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-g2Ranged1-d2Tessituraexp. dctSpec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.

2. La Peña (The Guardian of My Love)TitlePeña de aquel alto cerro,First linePonce, Manuel, 1882-1948; arr.ComposerMex.Comp. Nat.Seis Canciones Populares MexicanasCollection

Peer Int.'l Corp., New York, 1958.PublisherAndante in 2/4. Heartfelt love plaint. *Commentstrad.TypeTrad., Mex.Mel. SourceTrad., Mex.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-efl2Rangef1-efl2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.

3. Joven divina (My Pretty Maiden)TitleJoven divina, tu me encantas con tus ojos,First linePonce, Manuel, 1882-1948; arr.ComposerMex.Comp. Nat.Seis Canciones Populares MexicanasCollection

Peer Int.'l Corp., New York, 1958.PublisherAndante in 2/4. Sustained, lilting, dance-like. Graceful, expansive Commentstrad.TypeTrad., Mex.Mel. SourceTrad., Mex.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.b1-e2Rangegsh1-dsh2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.

4. Qué pronto (Love's Short Memory)TitleQué pronto se te olvidó el falso juramento,First linePonce, Manuel, 1882-1948; arr.ComposerMex.Comp. Nat.Seis Canciones Populares MexicanasCollection

Peer Int.'l Corp., New York, 1958.PublisherAllegretto amabile in 6/8. Lilting, wide-ranging melody, somewhat Commentstrad.TypeTrad., Mex.Mel. SourceTrad., Mex.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.b1-fsh2Rangee1-fsh2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.

5. China del alma (O Sweetheart Mine)TitleChina del alma encanto de mi amor,First linePonce, Manuel, 1882-1948; arr.ComposerMex.Comp. Nat.Seis Canciones Populares MexicanasCollection

Peer Int.'l Corp., New York, 1958.PublisherAndante espressivo in 4/4. Lover's plea. *Commentstrad.TypeTrad., Mex.Mel. SourceTrad., Mex.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-f2Rangec1-c2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.

6. Hace ocho meses (Unrequited Love)TitleHace ocho meses Micaela hermosa que nos quisimos,First linePonce, Manuel, 1882-1948; arr.ComposerMex.Comp. Nat.Seis Canciones Populares MexicanasCollection

Peer Int.'l Corp., New York, 1958.PublisherCon moto in 3/4. Simple, graceful melody. Sweet tender song of Commentstrad.TypeTrad., Mex.Mel. SourceTrad., Mex.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-d2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.

Folias Canarias Song from the Canary IslandsTitleGran Canaria. . . se ha dormido con el arrullo. . .First lineRodrigo, Joaquin, 1902 - ?ComposerSp.Comp. Nat.Folias Canarias Song from the Canary IslandsCollection

Schott & Co., 1959. 10600PublisherAndante quarter = 80. Declamatory w/ornamented cadences ; Commentsart, trad.?TypeRodrigo, Joaquin, 1902 - ?Mel. Sourceanon. (Eng. transl. by Nigel Glendinning)Text SourceGuitarInstrumentsMVoiceInt.Voc. Level?Acc. Reqts.g1-e2Rangeg1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.


Guastavino, CarlosComposerArg.Comp. Nat.4 Canciones ArgentinasCollection

Ricordi Americana S.A.E.C. 1950 B.A. 10217PublisherMelodies of 1, 3 & 4 were collected in the city of Jujuy in August, Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstruments


RangeTessitura


Translation

20th C.Hist. Per.

I. Desde que te conociTitleDesde que te conoci Te hiciste dueña de mi. . .First lineGuastavino, CarlosComposerArg.Comp. Nat.4 Canciones ArgentinasCollection

Ricordi Americana S.A.E.C. 1950 B.A. 10217PublisherAllegretto ritmico in 2/4 & 3/4 (quarter = 84) "Chatty", dance-like, Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.f1-efl2Rangef1-efl2Tessituradct. rhy.,Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

II. Viniendo de Chilecito. . .TitleViniendo de Chilecito En el camino encontré. . .First lineGuastavino, CarlosComposerArg.Comp. Nat.4 Canciones ArgentinasCollection

Ricordi Americana S.A.E.C. 1950 B.A. 10217PublisherAllegretto in 6/8 (dotted quarter = 72-76) Dance-like; "chant-like" Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.a1-d2Rangea1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

III. En los surcos del amor. . .TitleEn los surcos del amor donde se siembran los celos. . .First lineGuastavino, CarlosComposerArg.Comp. Nat.4 Canciones ArgentinasCollection

Ricordi Americana S.A.E.C. 1950 B.A. 10217PublisherAndantino in 6/8 (dotted quarter = 56-58) "con languiez. pero Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-efl2Ranged1-efl2Tessitura


Translation

20th C.Hist. Per.

IV. Mi gargantaTitleMi garganta no es de palo Ay! pobre de mi de mi paloma. . .First lineGuastavino, CarlosComposerArg.Comp. Nat.4 Canciones ArgentinasCollection

Ricordi Americana S.A.E.C. 1950 B.A. 10217PublisherAllegretto ritmico in 2/4 (quarter = 84) Robust, syncopated melody. Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.d1-f2Ranged1-f2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Cançó del Teuladí Cancion de gorrriónTitleJoyós cassador, passa;First lineRodrigo, Joaquín, 1902 -ComposerSp.Comp. Nat.Two SongsCollection

Masters Music Publications Inc. M1746PublisherAllegro in 2/4 (quarter =132) 3 verses. Spirited, lively, dance-like; Commentsart trad. ?TypeRodrigo, JoaquínMel. SourceLlorente, T. ( Sp. transl. by José Subirá)Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.efl1-f2Rangeefl1-f2Tessituradct.Spec. Appl.LNCEMSCall No.In Sp. & Cat.Translation

20th C.Hist. Per.

Collection Colección Musica Hispana 3. Antología (siglo XIX) La TitleFirst line

ComposerComp. Nat.

Colección Musica Hispana 3. Antología (siglo XIX) La Cancion Collection

ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherIntroduction in Spanish by Celia Alonso González, and in Eng. transl. byCommentstrad.Type

Mel. SourceText SourceInstruments


RangeTessitura


Translation

Hist. Per.

1. Iba un triste calesero (Tirana)Title Iba un triste calesero. . .First lineMoral, Pablo delComposer

Comp. Nat.Colección Musica Hispana Antología (siglo XIX) 3. La Cancion Collection

ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherTirana, in 3/8. Lightly ornamented. *Commentsart, trad.TypeMoral, Pablo delMel. Source

Text SourceGuitarra o Piano o ArpaInstruments HVoiceBeg.Voc. LevelBasic?Acc. Reqts.e1-gsh2Rangee1-gsh2Tessitura


Translation

18th & 19th C. (1790-1835)Hist. Per.

2. No te aflijas corazón (Tirana)Title No te aflijas corazón. . .First lineHuertos, PabloComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherAllegro, in 3/8. Decorated cadences. *Commentsart, trad.TypeHuertos, PabloMel. Source

Text SourceGuitarra o Piano o ArpaInstruments HVoiceBeg.Voc. LevelBasic?Acc. Reqts.c1-g2Rangec1-e2Tessitura


Translation

18th & 19th C. (1790-1835)Hist. Per.

3. El Li lis (Tirana canción andaluza)TitleAl mirar esa sanduga. . .First lineHuertos, PabloComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherAndantino, in 3/8. eighth = 144. Decorated throughoutl *Commentsart, trad.TypeHuertos, PabloMel. Source

Text SourceGuitarra o PianoforteInstrumentsHVoiceInt.Voc. LevelBasic?Acc. Reqts.e1-g2Rangee1-f2Tessitura


Translation

18th & 19th C. (1790-1835)Hist. Per.

4. El bajelito nuevo ( Canción andaluza)TitleBajelito nuevoFirst lineGarcía, ManuelComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherAllegretto in 3/8 "Chatty", 3 verses. *Commentsart, trad.TypeGarcía, ManuelMel. Source

Text SourceGuitarra o PianoInstrumentsMVoiceInt.Voc. LevelBasic?Acc. Reqts.dsh1-fsh2Rangee1-e2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

18th & 19th C. (1790-1835)Hist. Per.

5. Cuerpo bueno, alma divina (Polo de "El criado fingido")TitleCuerpo bueno, alma divina. . .First lineGarcía, ManuelComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherIn 3/8. Highly ornamented final cadences. *Commentsart, trad.TypeGarcía, ManuelMel. Source

Text SourcePianoInstrumentsHVoiceInt.Voc. LevelBasic?Acc. Reqts.e1-a2Rangeg1-g2Tessiturathea.Spec. Appl.LNCEMSCall No.

Translation

18th & 19th C. (1790-1835)Hist. Per.

6. El marinero (Polo)TitleMarinero por la mar acompañado. . .First lineBorja Tapia, Francisco deComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherIn 3/8 w/measured trills, throughout, 3 verses. *Commentsart, trad.TypeBorja Tapia, Francisco deMel. Source

Text SourcePianoforteInstrumentsHVoiceInt.Voc. LevelBasic?Acc. Reqts.a1-a2Rangea1-a2Tessitura


Translation

18th & 19th C. (1790-1835)Hist. Per.

7. La soledad (Polo)TitleY adiós desdichada cárcel. . .First lineBorja Tapia, Francisco deComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherAndantino in 3/8. Melismatic cadences throughout. *Commentsart, trad.TypeBorja Tapia, Francisco deMel. Source

Text SourcePianoInstrumentsHVoiceInt.Voc. LevelBasic/Acc. Reqts.a1-a2Rangea1-a2Tessitura


Translation

18th & 19th C. (1790-1835)Hist. Per.

8. El Lelé (Canción andaluza)TitlePorque sabes que te quiero. . .First line(Vallejo)Composer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherAndantino in 3/8, eighth = 144. Lightly decorated melody. *Commentsart, trad.Type(Vallejo)Mel. Source

Text SourceGuitarra o PianoforteInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.d1-g2Rangefsh1-fsh2Tessitura


Translation

18th & 19th C. (1790-1835)Hist. Per.

9. El requiebro (Canción gitana)TitleQué quieres que te diga. . .First line(S. M.)Composer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherEighth = 123, in 3/8. Syncopated, lightly ornamented throughout. *Commentsart, trad.Type(S. M.)Mel. Source

Text SourceGuitarra o PianoforteInstrumentsMVoiceInt.Voc. LevelMod.?Acc. Reqts.a1-b2Rangea1-a2Tessitura


Translation

18th & 19th C. (1790-1835)Hist. Per.

10. El caramba (Canción andaluza)TitleMal haya la hora ay!First lineCarnicer, RamónComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherAndantino in 3/8, eighth = 96 4 verses. *Commentsart, trad.TypeCarnicer, RamónMel. Source

Text SourceGuitarra o PianoforteInstrumentsMVoiceBeg.Voc. LevelBasic?Acc. Reqts.e1-f2Rangea1-e2Tessitura


Translation

18th & 19th C. (1790-1835)Hist. Per.

11. El currillo (Canción andaluza)TitleQue me tengan mucha tirria. . .First lineCarnicer, RamónComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherIn 3/8. Sncopated, ornamented cadences. *Commentsart, trad.TypeCarnicer, RamónMel. Source

Text SourceGuitarra o PianoInstrumentsHVoiceInt.Voc. LevelMod.?Acc. Reqts.dsh1-g2Rangee1-e2Tessitura


Translation

18th & 19th C. (1790-1835)Hist. Per.

12. Los amores del gitano (Canción andaluza)TitleVaya negra de mi vida. . .First lineMoretti, FedericoComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherAndantino, in 3/8, eighth = 188. Syncopated, ornamented. *Commentsart, trad.TypeMoretti, FedericoMel. Source

Text SourceGuitarra o PianoInstrumentsHVoiceInt.Voc. LevelBasic?Acc. Reqts.e1-g2Rangef1-f2Tessitura


Translation

18th & 19th C. (1790-1835)Hist. Per.

13. El chacho moreno (Canción andaluza)TitleTengo yo un chacho moreno. . .First lineGomis, José MelchorComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherAndantino in 6/8, dotted quarter = 72. Ornamented cadences Commentsart, trad.TypeGomis, José MelchorMel. Source

Text SourceGuitarra o PianoInstrumentsMVoiceInt.Voc. LevelBasic/Acc. Reqts.csh1-f2Rangee1-e2Tessitura


Translation

18th & 19th C. (1790-1835)Hist. Per.

14. El corazón en venta (Canción andaluza)TitleQuién me compra que le vendo. . .First lineGomis, José MelchorComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherAllegretto in 6/8, Melismatic ornaments throughout. *Commentsart, trad.TypeGomis, José MelchorMel. Source

Text SourceGuitarra o PianoInstrumentsHVoiceInt.Voc. LevelMod.?Acc. Reqts.b-gsh2Rangee1-e2Tessitura


Translation

18th & 19th C. (1790-1835)Hist. Per.

15. El dolor de los celos (Canción andaluza)TitleTrájo me a la muerte madre. . .First lineGomis, José MelchorComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherAllegretto in 3/4 Melody decorated throughout *Commentsart, trad.TypeGomis, José MelchorMel. Source

Text SourceGuitarra o PianoInstrumentsMVoiceInt.Voc. LevelBasic/Acc. Reqts.b-fsh2Rangee1-e2Tessitura


Translation

18th & 19th C. (1790-1835)Hist. Per.

16. El morenillo (Canción andaluza)TitlePor buscarte morenillo esta tarde me perdí. . .First lineGomis, José MelchorComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherAllegretto in 6/8 Syncopated, florid melody. *Commentsart, trad.TypeGomis, José MelchorMel. Source

Text SourceGuitarra o PianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.b-g2Rangec1-e2Tessitura


Translation

18th & 19th C. (1790-1835)Hist. Per.

17. La caña (Canción andaluza)TitleNadie se fíe en tener. . .First lineGomis, José MelchorComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAndantino in 3/4 Flowing, lightly decorated. *Commentsart, trad.TypeGomis, José MelchorMel. Source

Text SourceGuitarra o PianoInstrumentsMVoiceBeg.Voc. LevelBasic?Acc. Reqts.e1-f2Rangee1-d2Tessitura


Translation

18th & 19th C. (1790-1835)Hist. Per.

18. La malgueña (Canción jocosa)TitleUna mujer malagueña tiene en sus ojos. . .First lineBonetti, VinzenzoComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegretto in 3/8. Well decorated cadences. 4 verses. *Commentsart, trad.TypeBonetti, VinzenzoMel. Source

Text SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.dsh1-a2Rangee1-g2Tessitura


Translation

19th C. (1840-1870)Hist. Per.

19. Los toros del puerto (Canción andaluza)TitleQue vivan los cuerpos guënos. . .First lineSalas, FranciscoComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherTiempo de Boleras in 3/4 *Commentsart, trad.TypeSalas, FranciscoMel. SourceRodriguez Rubí, T.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.g1-f2Rangeg1-f2Tessitura


Translation

19th C. (1840-1870)Hist. Per.

20. La bofetá, canción andaluza del Juguete "Mata muertos y el Cruel"TitleCon esta mantilla al cuello. . .First lineSalas, FranciscoComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherModerato in 6/8. 3 verses. *Commentsart, trad.TypeSalas, FranciscoMel. SourceAzcona, A.Text SourcePianoInstrumentsH ( M opt. )VoiceBeg.Voc. LevelMod.Acc. Reqts.d1-afl2 ( f2 opt.)Rangeefl1-f2Tessiturathea.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1840-1870)Hist. Per.

21. La vivandera andaluza (Canción española)TitleA cuarto la copa. . . de leche de anís. . .First lineBasili, BasilioComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAndante in 6/8, quarter = 76. Req. long trills and turns. *Commentsart, trad.TypeBasili, BasilioMel. SourceHerreros, M. Bretón deText SourcePianoInstrumentsHVoiceAdv.Voc. LevelMod.Acc. Reqts.d1-g2Rangeg1-f2Tessituratch.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1840-1870)Hist. Per.

22. El pelele (Canción andaluza)TitleBuscando a mi querido voy toda la mañana. . .First lineValero, JoséComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegretto Brillante in 3/8, eighth =176 and 208. 4 verses Commentsart, trad.TypeValero, JoséMel. SourceZarraga, J/ AntonioText SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.c1-g2Rangef1-c2Tessiturarhy. dct.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1840-1870)Hist. Per.

23. El gitano (Canción española)TitleCCuando llega la erachí. . .First lineGarcía, MarianoComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAndante in 3/4, quarter = 80, Allegro con spirito refrain. Lightly Commentsart, trad.TypeGarcia, MarianoMel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.f1-f2Rangef1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1840-1870)Hist. Per.

24. El torero Rozicler (Canción andaluza)TitleCuando un toro e pujanza. . .First lineOudrid, CristóbalComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherTiempo de vals in 3/8 *Straightforward melody. 3 verses. *Commentsart, trad.TypeOudrid, CristóbalMel. SourceValladares y Saavedra, R.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelMod.Acc. Reqts.b-f2Rangeg1-f2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1840-1870)Hist. Per.

25. Las ligas (d)é mi moreno (Canción española)TitleNo to pueo ecir. . .First lineFuertes, Mariano SorianoComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherIn 3/8. Some spoken lines. *Commentsart, trad.TypeFuertes, Mariano SorianoMel. SourceMaraver, LuisText SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.c1-g2Rangef1-f2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1840-1870)Hist. Per.

26. Joselito el cantaor (Canción española)TitleEn templando Joselito su sonora bajañíí. . .First lineFuertes, Mariano SorianoComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegro con brio in 3/8. "con gracia", "con alma". 3 verses. *Commentsart, trad.TypeFuertes, Mariano SorianoMel. Source

Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.d1-g2Rangee1-e2Tessitura


Translation

19th C. (1840-1870)Hist. Per.

27. La malagueña (Canción española)TitleMe puse a llorar mis penas. . .First lineFuertes, Mariano SorianoComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegretto in 3/8, eighth = 126. Flowing melody, lightly ornamented. *Commentsart, trad.TypeFuertes, Mariano SorianoMel. Source

Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.d1-g2Ranged1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1840-1870)Hist. Per.

28. La jerezana (Canción española)TitleQué dichapa un hombre tener una jembra. . .First lineFuertes, Mariano SorianoComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAndantino in 3/4, quarter = 100. Long melismatic passages. *Commentsart, trad.TypeFuertes, Mariano SorianoMel. Source

Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelBasicAcc. Reqts.g1-g2Rangeg1-efl2Tessitura


Translation

19th C. (1840-1870)Hist. Per.

29. El cantaor de sevilla (Canción española)TitleAy! El demonio son los hombres. . .First lineFuertes, Mariano SorianoComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegro brioso in 3/4. Flowing melody w/some melisma. 3 verses. *Commentsart, trad.TypeFuertes, Mariano SorianoMel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.b-e2Rangeb-e2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1840-1870)Hist. Per.

30. El sol de Triana (Canción andaluza)TitleHay una jembra en Triana. . .First lineIradier, Sebastián deComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherModerato in 6/8. Flowing melody throughout. "Molto expressivo" *Commentsart, trad.TypeIradier, Sebastián deMel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.b1-fsh2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1840-1870)Hist. Per.

31. La perla de Triana (Serenata andaluza)TitleNo hay cosa más preciosa ni más divina. . .First lineIradier, Sebastián deComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegro vivace in 3/4. Flowing, much decorated melody. *Commentsart, trad.TypeIradier, Sebastián deMel. Source

Text SourcePianoInstrumentsMVoiceAdv.Voc. LevelMod.Acc. Reqts.dfl1-gfl2Rangedfl1-dfl2Tessitura


Translation

19th C. (1840-1870)Hist. Per.

32. Aurora o la gitana de Sevilla (Canción morisca)TitleYo soy Aurora la gitanilla a quien adora. . .First lineIradier, Sebastián deComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegro in 3/8 & Moderato section. Lightly ornamented, somewhat Commentsart, trad.TypeIradier, Sebastián deMel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.d1-f2Ranged1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1840-1870)Hist. Per.

33. La soledad de los barquillos y la malagueña (Canción árabe)TitleAy!. . . Válgame Dios de los cielos. . .First lineIradier, Sebastián deComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegro vivace in 3/8. Extended piece with long melismatic passages. *Commentsart, trad.TypeIradier, Sebastián deMel. Source

Text SourcePianoInstrumentsH ( M tess. )VoiceAdv.Voc. LevelMod.Acc. Reqts.csh1-g2Rangee1-e2Tessitura


Translation

19th C. (1840-1870)Hist. Per.

34. La mala jembra (Canción andaluza)TitleA qué tienes esos clisos siempre . . .First lineSanz, ManuelComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegro in 3/8. Long trills, some melisma. 3 verses. *Commentsart, trad.TypeSanz, ManuelMel. SourceAlba, José Gutiérrez deText SourcePianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.dsh-fsh2Rangee1-e2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1840-1870)Hist. Per.

35. El baratero (Canción andaluza)TitleAr que me gruña lo mato . . .First lineSanz, ManuelComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherIn 3/8. Straightforward melody, 3 verses. *Commentsart, trad.TypeSanz, ManuelMel. SourceHerreros, M. Breton de losText SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-e2Ranged1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1840-1870)Hist. Per.

36. La higochumbera (Canción andaluza)TitleOigasté señó levita nenguna tiene en su chosa. . .First lineMercé, AntonioComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegro molto in 3/8. Lightly ornamented, spokien section. 3 verses. *Commentsart, trad.TypeMercé, AntonioMel. SourceFranquelo, RamónText SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.efl1-g2Rangeg1-g2Tessituradct. exp.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1840-1870)Hist. Per.

37. El cigarro (Canción andaluza)TitleCuando en Madrid y en Enero. . .First lineRobres, Lázaro NuñezComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegretto in 3/8. Straightforward, "chatty" song. 2 verses. *Commentsart, trad.TypeRobres, Lázaro NuñezMel. SourceFuentes, Eugenio Sánchez deText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBeg.Acc. Reqts.d1-fsh2Ranged1-fsh2Tessitura


Translation

19th C. (1840-1870)Hist. Per.

38. El cautivo (Canción árabe)TitleMundo halagüeño, mundo engañoso. . .First lineRobres, Lázaro NuñezComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAndante expresivo in 3/4. Long, flowing, lightly ornamented melody, 3Commentsart, trad.TypeRobres, Lázaro NuñezMel. SourceEguilaz, JulioText SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.e1-g2Rangee1-g2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1840-1870)Hist. Per.

39. La maja de Triana (Canción andaluza)TitleTengo un gitano que está perdío. . .First lineGuillén, Joaquín Espín yComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegro in 3/8. Flowing, lightly ornamented. 2 verses. *Commentsart, trad.TypeGuillén, Joaquín Espín yMel. SourceAlbo, B. MartínText SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.d1-a2Rangee1-e2Tessitura


Translation

19th C. (1840-1870)Hist. Per.

40. La sultana (Balada)TitleBello lucero de la mañana. . .First lineGuillén, Joaquín Espín yComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAndante in 6/8. Straightforward melody. *Commentsart, trad.TypeGuillén, Joaquín Espín yMel. SourceMobellán, A.Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-g2Rangefsh1-g2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1840-1870)Hist. Per.

41. No me mates! ay! (Seguilillas)TitleEr queré de los hombre serrana mia,First lineHernández, IsidoroComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherModerato in 3/4. Lightly ornamented. 2 verses. *Commentsart, trad.TypeHernández, IsidoroMel. SourceArcos, J.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.f1-g2Rangeg1-g2Tessitura


Translation

19th C. (1870-1890)Hist. Per.

42. Serenata morisca (Melodía)TitleSol hermoso, flor querida esperanza,First lineHernández, IsidoroComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegretto in 3/4. Ornamented throughout. 2 verses. *Commentsart, trad.TypeHernández, IsidoroMel. Source

Text SourcePianoInstrumentsMVoiceAdv.Voc. LevelDiff.Acc. Reqts.d1-fsh2Rangee1-e2Tessitura


Translation

19th C. (1870-1890)Hist. Per.

43. La circasiana (Melodía)TitleDe las esclavas de mi señor,First lineHernández, IsidoroComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherModerato in 3/4. Ornamented throughout. 2 verses. *Commentsart, trad.TypeHernández, IsidoroMel. Source

Text SourcePianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.c1-efl2Rangef1-efl2Tessitura


Translation

19th C. (1870-1890)Hist. Per.

44. Fátima (Melodía morisca)TitleDe la argentada luna al resplandor,First lineHernández, IsidoroComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAndantino in 3/8. Lightly ornamented melody. *Commentsart, trad.TypeHernández, IsidoroMel. SourceHernández, IsidoroText SourcePianoInstrumentsHVoiceBeg.Voc. LevelMod.Acc. Reqts.fsh1-g2Rangefsh1-e2Tessitura


Translation

19th C. (1870-1890)Hist. Per.

45. La cautiva (Melodía morisca)TitleLa brisa perfumada que juega en el jardin,First lineHernández, IsidoroComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherModerato in 3/4. Lightly ornamented throughout. *Commentsart, trad.TypeHernández, IsidoroMel. SourceHernández, IsidoroText SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.e1-g2Rangee1-e2Tessitura


Translation

19th C. (1870-1890)Hist. Per.

46. Paquita la gaditana (Canción flamenca)TitleAy! sueño de noche pienso de día. . .First lineHernández, IsidoroComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegretto in 3/8. Melismatic cadences throughout. *Commentsart, trad.TypeHernández, IsidoroMel. SourceEsrich, E. PérezText SourcePianoInstrumentsHVoiceInt.Voc. LevelBasicAcc. Reqts.efl1-afl2Rangeg1-g2Tessitura


Translation

19th C. (1870-1890)Hist. Per.

47. A ella Op. 76 (Serenata andaluza)TitleComo saludan los anchos mares del sol . . .First lineCruz, Antonio de laComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherModerato in 3/4, Allegretto in 3/8. Long, decorated cadences. *Commentsart, trad.TypeCruz, Antonio de laMel. SourceSolsona, ConradoText SourcePianoInstrumentsLVoiceInt.Voc. LevelMod.Acc. Reqts.a-csh2 ( e2 opt. )Rangea-a1Tessitura


Translation

19th C. (1870-1890)Hist. Per.

48. Sombra querida (Balada árabe)TitleSombra de mis amores que alzas tu vuelo al cielo azul,First lineToledo, NicolásComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherModerato in 3/4,quarter = 84; ornamented throughout. *Commentsart, trad.TypeToledo, NicolásMel. SourceBecerra, T. Luceño yText SourcePianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.c1-f2Rangec1-f2Tessitura


Translation

19th C. (1870-1890)Hist. Per.

49. Zuleima (Serenata morisca)TitleLejos de tí proscrita para siempre y el mar,First lineRodoreda, José deComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAndantino in 12/8 Somewhat extended piece; long, wide-ranging, Commentsart, trad.TypeRodoreda, José deMel. SourceMestres, ApelesText SourcePianoInstrumentsHVoiceAdv.Voc. LevelMod.Acc. Reqts.d1-a2fsh1Rangefsh1-a2Tessitura


Translation

19th C. (1870-1890)Hist. Per.

50. A mi nazarena (Balada árabe)TitleDueña de la negra toca la del morado monjil,First lineReparaz, AntonioComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegretto in 3/4 & Moderato sostenuto in 6/8. Somewhat extended Commentsart, trad.TypeReparaz, AntonioMel. SourceZorrilla, JoséText SourcePianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.csh1-f2Ranged1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1870-1890)Hist. Per.

51. La perla (Playera)TitleEn el fondo del mar. . .First lineGiro, ManuelComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegretto moderato in 6/8. Attractive piece 2 verses. *Commentsart, trad.TypeGiro, ManuelMel. Source

Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.gh1-fsh2Rangegh1-fh2Tessitura


Translation

19th C. (1870-1890)Hist. Per.

52. Canción árabe (Melodía española)TitleLejos está la hermosa de la gentil garganta. . .First lineGiro, ManuelComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllegro brillante in 2/4.. lively, nicely ornamented melody, 2 verses. *Commentsart, trad.TypeGiro, ManuelMel. SourceReina, ManuelText SourcePianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.f1-f2Rangef1-f2Tessiturarhy. dct.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1870-1890)Hist. Per.

53. Serenata moriscaTitleAzucena de Baena, abre tus hojas al sol del día;First lineAlvarez, Fermín Ma.Composer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAllo. deciso, in 3/8. "Chatty", lightly ornamented, somewhat extendedCommentstrad.TypeAlvarez, Fermín Ma.Mel. SourceZorrilla, JoséText SourcePianoInstrumentsHVoiceAdv.Voc. LevelMod.Acc. Reqts.csh1-g2Rangefsh1-g2Tessitura


Translation

19th C. (1870-1890)Hist. Per.

54. A Granada (Canción española)TitleAlhambra de mis sueños mi dulce nido,First lineAlvarez, Fermín Ma.Composer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherMvto. de Seguidillas in 3/4. Flowing melody, lightly ornamented. *Commentsart, trad.TypeAlvarez, Fermín Ma.Mel. SourceElías, Francisco Gras yText SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.f1-a2Rangef1-a2Tessitura


Translation

19th C. (1870-1890)Hist. Per.

55. Anhelos (Canción morisca)TitleCuán venturoso el árabe que habita el vasto desierto. . .First lineAlvarez, Fermín Ma.Composer


ICCMU ( Instituto Complentense de Ciencas Musicales) PublisherAndantino con moto in 3/8. "Chatty" lightl;y ornamented. *Commentsart, trad.TypeAlvarez, Fermín Ma.Mel. SourceElías, Francisco Gras yText SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.b-g2Rangecsh1-e2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

19th C. (1870-1890)Hist. Per.

(43) El vito (Aire popular andaluz) From "11 Canciones" 1866-1872TitleUna vieja vale un relo y una muchacha dos cuartos. . .First lineDamas, TomásComposer

Comp. Nat.Colección Musica Hispana 2. Antología (Siglo XIX) La Cancíon conCollection

ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherAllegro in 3/8. From "11 Canciones" 1866-1872 Traditional melody *Commentsart trad.TypeDamas, TomásMel. Sourcetrad.?Text SourceguitarInstrumentsMVoiceBeg.Voc. LevelBasic?Acc. Reqts.e1-e2Rangee1-e2Tessitura


Translation

19th C.Hist. Per.

(44) Malagueña (Aire popular andaluz) From "11 Canciones" 1866-TitleY al aura el gentil capullo busca al imán al acero. . .First lineDamas, TomásComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherIn 3/8. Somewhat extended piece, melismatic cadences. From "11 Commentsart, trad.TypeDamas, TomásMel. Sourcetrad.?Text SourceguitarInstrumentsHVoiceInt.Voc. Level?Acc. Reqts.e1-g2Rangee1-e2Tessitura


Translation

19th C.Hist. Per.

(47) Así son todos! (Contradanza popular americana) From "11 TitleEl novio que Dios me ha dado tiene genio tan maldito. . .First lineDamas, TomásComposer


ICCMU ( Instituto Complentense de Ciencas Musicales) Sociedad PublisherIn 2/4. Harmonized in thirds for 2 voices. Habañera rhythm. From Commentsart trad.?TypeDamas, TomásMel. Sourcetrad.?Text SourceguitarInstrumentsM, LVoiceBeg.Voc. Level?Acc. Reqts.e1-e2, csh1-b1Rangee1-d2, csh1-b1Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

19th C.Hist. Per.

1. Mira que soy niña, amor , déjame, from "Canciones Amatorias"Title Mira que soy niña, amor , déjame,First lineGranados, Enric (Enrique)aComposerSp.Comp. Nat.Collection "Enric Granados, Integral de l'obra per a veu i piano" Collection

Tritó Ediciones, S.L. , 1996. I.S.B.N. 84-88955-18-9PublisherAllegro in 6/8 & 2/4. Wide-ranging, rhapsodic melody. Ardent love Commentsart, trad.TypeGranados, EnriqueMel. SourceAnónimoText SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.csh1-a2Ranged1-g2Tessituraexp.Spec. Appl.LNCEMSCall No.Eng. sep. from musicTranslation

20th C.Hist. Per.

2. Mañanica era, from "Canciones Amatorias"Title Mañanica era, mañana de San Juan se decía al fin,First lineGranados, Enric (Enrique)ComposerSp.Comp. Nat.Collection "Enric Granados, Integral de l'obra per a veu i piano" Collection

Tritó Ediciones, S.L. , 1996. I.S.B.N. 84-88955-18-9PublisherAllegretto tranquillo in 3/8. Flowing, "wordy" melody. *Commentsart, trad.TypeGranados, EnriqueMel. SourceAnon.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.d1-a2Rangee1-e2Tessituradct.Spec. Appl.LNCEMSCall No.Eng. sep. from musicTranslation

20th C.Hist. Per.

3. Serranas de cuenca, from "Canciones Amatorias"TitleSerranas de cuenca iban al pinar,First lineGranados, Enric (Enrique)ComposerSp.Comp. Nat.Collection "Enric Granados, Integral de l'obra per a veu i piano" Collection

Tritó Ediciones, S.L. , 1996. I.S.B.N. 84-88955-18-9PublisherAllegretto grazioso in 3/4. Flowing, wide-ranging melody. *Commentsart trad.TypeGranados, Enrique, trad.Mel. SourceGóngora, Luis deText SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.f1-bfl2Rangebfl1-bfl2Tessitura

Spec. Appl.LNCEMSCall No.Eng. sep. from musicTranslation

20th C.Hist. Per.

Cantar I "A Emilio de Gogorza"TitleDía y noche Diego ronda por debajo la ventana de Juana,First lineGranados, EnricComposerSp.Comp. Nat.Collection "Enric Granados, Integral de l'obra per a veu i piano" Collection

Tritó Ediciones, S.L. , 1996. I.S.B.N. 84-88955-18-9PublisherAllegretto (ritmico e tranquillo) in 3/4. In bass clef. "Wordy", Commentsart, trad.TypeGranados, EnriqueMel. Source?Text SourcePianoInstrumentsM In bass clefVoiceInt.Voc. LevelDiff.Acc. Reqts.d - e1Rangee - e1Tessituradct. exp.Spec. Appl.LNCEMSCall No.Eng. sep. from musicTranslation

20th C.Hist. Per.

CanciónTitlePor agua a la fuente que extá fuera del lugar. . .First lineGranados, EnricComposerSp.Comp. Nat.Collection "Enric Granados, Integral de l'obra per a veu i piano" Collection

Tritó Ediciones, S.L. , 1996. I.S.B.N. 84-88955-18-9PublisherAndantino in 2/4. Simple, almost folk-like melody. 3 verses. *Commentsart, trad.TypeGranados, EnriqueMel. SourceCaballero, FernánText SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.dsh1-f2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.Eng. sep. from musicTranslation

20th C.Hist. Per.

Salutació al Sol (de Liliana)TitleSalut, oh Sol, que beses el cim de les muntanyes.First lineGranados, EnricComposerSp.Comp. Nat.Collection "Enric Granados, Integral de l'obra per a veu i piano" Collection

Tritó Ediciones, S.L. , 1996. I.S.B.N. 84-88955-18-9PublisherAndante quasi adagio Declamatory, unaccompanied ". . . fragment ofCommentsart, trad.?TypeGranados, EnricMel. SourceMestres, Apel-lesText Sourcemostly a capella w/obbligato instrument (?) at end of piece,InstrumentsHVoiceAdv.Voc. Levela capellaAcc. Reqts.dsh1-gsh2Rangefsh1-gsh2Tessiturathea., exp.dct.Spec. Appl.LNCEMSCall No.In Cat. Eng. sep. from musicTranslation

20th C.Hist. Per.

3 bis. Serranas de CuencaTitleSerranas de Cuenca iban al pinar,First lineGranados, EnricComposerSp.Comp. Nat.Collection "Enric Granados, Integral de l'obra per a veu i piano" Collection

Tritó Ediciones, S.L. , 1996. I.S.B.N. 84-88955-18-9PublisherAllegretto grazioso in 3/4. Lower by one tone (B flat to A flat), bothCommentsart, trad.TypeGranados, Enric , trad.Mel. SourceGóngora, Luis deText SourcepianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.efl1-afl2Rangeafl1-afl2Tessitura

Spec. Appl.LNCEMSCall No.Eng. sep. from musicTranslation

20th C.Hist. Per.

7 bis. No lloréis, ojuelosTitleNo lloréis, ojuelos, porque no es razón. . .First lineGranados, EnricComposerSp.Comp. Nat.Collection "Enric Granados, Integral de l'obra per a veu i piano" Collection

Tritó Ediciones, S.L. , 1996. I.S.B.N. 84-88955-18-9PublisherVivo in 3/4. Lower by one tone (F to E flat), both present in Commentsart, trad.?TypeGranados, EnricMel. SourceVega, Lope deText SourcepianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.efl1-bfl2Rangef1-f1Tessituratch.Spec. Appl.LNCEMSCall No.Eng. sep. from musicTranslation

20th C.Hist. Per.

4. Gracia mía from "Canciones Amatorias"TitleGracia mía, juro a Dios que sois tan bella criatura,First lineGranados, Enric (Enrique)ComposerSp.Comp. Nat.Collection "Enric Granados, Integral de l'obra per a veu i piano" Collection

Tritó Ediciones, S.L. , 1996. I.S.B.N. 84-88955-18-9PublisherAllegretto casi andantino in 6/8. Req. flexibility and facile articulation Commentsart trad.TypeGranados, EnriqueMel. SourceAnónimo ("romanç anònim")Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.csh1-a2Rangecsh1-a2Tessituradct. exp.Spec. Appl.LNCEMSCall No.Eng. sep. from musicTranslation

20th C.Hist. Per.

1. FandangoTitleCuando no lleva fucero. . .First lineMöller, Dr. Heinrich, ed.; from Eduardo Ocon "Cantos españoles", Composer

Comp. Nat.Das Lied der Völker, Band 6, Spanische, Katalanische, Collection

B. Schotts Sohne, edition 556, # 30885PublisherAllegretto in 3/4. Brief song. Fandango. Graceful, melismatic Commentstrad.Typetrad.Mel. Sourcetrad.Text SourceGuitar or pianoInstrumentsMVoiceBeg.Voc. LevelMod.?Acc. Reqts.d1-d2Ranged1-d2Tessituradnce.Spec. Appl.LNCEMSCall No.Ger. w/musicTranslation

Hist. Per.

2. MalagueñaTitleSi, la madrecita mia. . . viera lo que estoy pasando,First lineMöller, Dr. Heinrich, ed.; from Eduardo Ocon "Cantos españoles", Composer


B. Schotts Sohne, edition 556, #30885.PublisherAllegretto in 3/4. Brief song. Dance-like;lightly ornamented. *Commentstrad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.e1-d2Ranged1-d2Tessitura

Spec. Appl.LNCEMSCall No.Ger. w/musicTranslation

Hist. Per.

3. La CañaTitleNadie se fie en tener. . . Una sarten por el mango.First lineMöller, Dr. Heinrich, ed.;Composer


B. Schotts Sohne, edition 556, #30885.PublisherAllegretto in 3/4 & 3/8. Dance-like; melismatic cadences. *Commentstrad., AndalusianTypetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.e1-f2Rangee1-e2Tessiturarhy.Spec. Appl.LNCEMSCall No.Ger. w/musicTranslation

Hist. Per.

4. BoleroTitleA un niño ciequecito le diò acogida,First lineMöller, Dr. Heinrich, ed.;Composer


B. Schotts Sohne, edition 556, #30885.PublisherCon moto in 3/4. Bolero Dance-like; long melismatic cadences. *Commentstrad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.d1-e2Ranged1-e2Tessituradnce.Spec. Appl.LNCEMSCall No.Ger. w/musicTranslation

Hist. Per.

5. Nana ( copla de cuna )TitleA dormir va la rosa de los rosales,First lineMöller, Dr. Heinrich, ed.; verse 7 from Pedrell "Cancionero" and the Composer


B. Schotts Sohne, edition 556, #30885.PublisherPoce lento in 3/4. 16 bar lullaby with 9 verses. *Commentstrad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.gsh1-d2Rangegsh1-d2Tessituraexp., clss.Spec. Appl.LNCEMSCall No.Ger. w/musicTranslation

Hist. Per.

6. Cancion de cunaTitleQue lla Virxen mas galana ye que hay en esti pueblu. . .First lineMöller, Dr. Heinrich, ed.; from Pedrell "Cancionero mus. pop. esp."Composer


B. Schotts Sohne, edition 556, #30885.PublisherAndante in 4/4 & 3/4. Brief song. *Commentstrad., AsturianTypetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-d2Rangee1-b1Tessituraexp.Spec. Appl.LNCEMSCall No.In ? Ger. w/musicTranslation

Hist. Per.

7. AlaláTitleAi! la le lo Ai! la le lo. . . (repeated throughout)First lineMöller, Dr. Heinrich, ed.; from Pedrell "Cancionero mus. pop. esp."Composer


B. Schotts Sohne, edition 556, #30885.PublisherLento in 2/4. Brief song. A "vocalise" *Commentstrad., GalicianTypetrad.Mel. Sourcetrad. (a "vocalise")Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-d2Rangee1-d2Tessitura


Translation

Hist. Per.

8. La Virgen de CovadongaTitleLa Virgen de Covadonga es pequeñina y galana.First lineMöller, Dr. Heinrich, ed.; from Pedrell "Cancionero mus. pop. esp."Composer


B. Schotts Sohne, edition 556, #30885.PublisherAndantino in 6/8. *Commentstrad., GalicianTypetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-c2Rangec1-c2Tessiturasac.Spec. Appl.LNCEMSCall No.Ger. w/musicTranslation

Hist. Per.

9. Dime, artillerito, donde vas?TitleDime, artillerito, donde vas? Yo me voy al moro con mi capitan,First lineMöller, Dr. Heinrich, ed.; from Pedrell "Cancionero mus. pop. esp."Composer


B. Schotts Sohne, edition 556, #30885.PublisherModerato in 3/4. Brief song w/wide-ranging melody. 2 verses *Commentstrad., AsturianTypetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.b-fsh2Rangee1-fsh2Tessitura


Hist. Per.

10. Pasacalle o marcha-alboradaTitleUns corren para Castilla, Outros para Cáis se vanFirst lineMöller, Dr. Heinrich, ed.; from Pedrell "Cancionero mus. pop. esp."Composer


B. Schotts Sohne, edition 556, #30885.PublisherAllegro moderato in 2/4 Brief son w/2 verses. *Commentstrad., GalicianTypetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.gsh1-e2Rangegsh1-e2Tessitura


Hist. Per.

11. Canção do FigueiralTitleNo figueiral figueiredo, a no figueiral entrei,First lineMöller, Dr. Heinrich, ed.;Composer


B. Schotts Sohne, edition 556, #30885.PublisherAllegretto in 6/8. 28 bar piece with 4 verses. Graceful, dance-like. *Commentstrad., Ptg.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-d2Rangee1-c2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.In Ptg.: Ger. w/musicTranslation

Hist. Per.

12. A moda gallegaTitleTra balade rapaces e niñas, para vos o pro veito ha de ser,First lineMöller, Dr. Heinrich, ed.;Composer


B. Schotts Sohne, edition 556, #30885.PublisherAllegro moderato in 6/8. A folkdance. *Commentstrad., Ptg.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangef1-d2Tessituradnce.Spec. Appl.LNCEMSCall No.In Ptg.: Ger. w/musicTranslation

Hist. Per.

13. Lo mal de l'amorTitleLo mal de l'amor n'és mal de migranya,First lineMöller, Dr. Heinrich, ed.;Composer


B. Schotts Sohne, edition 556, #30885.PublisherAdagio in 3/8. Brief song with many verses. *Commentstrad., Cat..Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-efl2Rangeg1-d2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.In Cat.: Ger. w/musicTranslation

Hist. Per.

14. Cansó de segaTitleSabs es segadós que fan. . .First lineMöller, Dr. Heinrich, ed.; from A. Noguera's "Memoria sobre cantos, Composer


B. Schotts Sohne, edition 556, #30885.PublisherLento in 3/2& 4/2. Brief 9 bar song with only one verse. *Commentstrad., Cat., BalearicTypetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-efl2Rangef1-efl2Tessituraexp.Spec. Appl.LNCEMSCall No.In Cat.: Ger. w/musicTranslation

Hist. Per.

15. Cansó de segaTitleAh! Si no fos p'es carreto!First lineMöller, Dr. Heinrich, ed.; from A. Noguera's "Memoria sobre cantos, Composer


B. Schotts Sohne, edition 556, #30885.PublisherLento in 3/4 & 4/4. Brief 10 bar song with only one verse. *Commentstrad., Cat./MallorcaTypetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.a1-e2Rangea1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.In Cat.: Ger. w/musicTranslation

Hist. Per.

16. La ploma de perdiuTitleSi n'hi habian trés ninetas,First lineMöller, Dr. Heinrich, ed.; from Francisco Alió's "Cansons populars Composer


B. Schotts Sohne, edition 556, #30885.PublisherAndante grazioso in 6/8. 12 bar song with 9 verses. *Commentstrad., Cat.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-d2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.In Cat.: Ger. w/musicTranslation

Hist. Per.

17. Los estudiants de TolosaTitleA la vila de Tolosa, n'hi ha trés estudiants,First lineMöller, Dr. Heinrich, ed.; from Francisco Alió's "Cansons populars Composer


B. Schotts Sohne, edition 556, #30885.PublisherQuasi andante in 3/4. 10 bar song with many, many verses. *Commentstrad., Cat.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-efl2Rangeg1-d2Tessituraexp., dct.Spec. Appl.LNCEMSCall No.In Cat.: Ger. w/musicTranslation

Hist. Per.

18. La filadoraTitleUn pobre pagés tenia una filla,First lineMöller, Dr. Heinrich, ed.; from Francisco Alió's "Cansons populars Composer


B. Schotts Sohne, edition 556, #30885.PublisherAllegro ma non troppo in 3/4; 16 bars, w/ several (5?) verses. *Commentstrad., Cat.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-f2Rangef1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.In Cat.: Ger. w/musicTranslation

Hist. Per.

19. Lo mestreTitleLo pare y la mare no'm tenen sinó a mi,First lineMöller, Dr. Heinrich, ed.; from Francisco Alió's "Cansons populars Composer


B. Schotts Sohne, edition 556, #30885.PublisherAllegro moderato in 6/8 & 3/8. 18 bar song with many verses. *Commentstrad., Cat.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.efl1-efl2Rangeefl1-efl2Tessituraexp., dct.Spec. Appl.LNCEMSCall No.In Cat.: Ger. w/musicTranslation

Hist. Per.

20. La criada del hostalTitleAl hostal de la Peyra (oleta) tres niñas van ana,First lineMöller, Dr. Heinrich, ed.;Composer


B. Schotts Sohne, edition 556, #30885.PublisherPoco allegro in 2/4. 15 bars with many, many verses. *Commentstrad., Cat.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.dsh1-c2Rangee1-c2Tessituraexp., dct.Spec. Appl.LNCEMSCall No.In Cat.: Ger. w/musicTranslation

Hist. Per.

21. La niña desenvueltaTitleA; pla de Barcelona (Ay! viva l'amor). . .First lineMöller, Dr. Heinrich, ed.;Composer


B. Schotts Sohne, edition 556, #30885.PublisherAllegretto in 2/4 & 3/4. 13 bars with many verses. *Commentstrad., Cat.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-c2Rangec1-c2Tessituraexp., dct.Spec. Appl.LNCEMSCall No.In Cat.: Ger. w/musicTranslation

Hist. Per.

22. DesenganyTitleQuan un soldat ve de la guerra. . .First lineMöller, Dr. Heinrich, ed.; from Francisco Alió's "Cansons populars Composer


B. Schotts Sohne, edition 556, #30885.PublisherAndantino in 2/4 & 3/4. 15 bars with 7 verses. *Commentstrad., Cat.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2Tessituraexp., dct.Spec. Appl.LNCEMSCall No.In Cat.: Ger. w/musicTranslation

Hist. Per.

23. Aves, frutas y vientoTitlePer aquet torrent avall cante la griva,First lineMöller, Dr. Heinrich, ed.; from Pedrell "Cancionero mus. pop. esp."Composer


B. Schotts Sohne, edition 556, #30885.PublisherAllegretto in 2/4. 14 bars with 3 verses. *Commentstrad., Cat.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-d2Tessitura

Spec. Appl.LNCEMSCall No.In Cat.: Ger. w/musicTranslation

Hist. Per.

24. LayetaTitleSi fos ocellet 'niria volant, a casa Layeta 'niria a parlá.First lineMöller, Dr. Heinrich, ed.;Composer


B. Schotts Sohne, edition 556, #30885.PublisherGrazioso in 3/4. 16 bars with 2 verses. *Commentstrad., Cat.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-c2Ranged1-c2Tessitura


Hist. Per.

25. Villancico - Baile de NadalTitleA vinticinc de Desembre, fum, fum, fum,First lineMöller, Dr. Heinrich, ed.;Composer


B. Schotts Sohne, edition 556, #30885.PublisherAllegro in 2/4. 27 bars, 3 verses. *Commentstrad., Cat.Typetrad.Mel. Sourcetad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-d2Rangee1-c2Tessitura


Hist. Per.

26. Cansó de NadalTitleLo desembre congelat, confus se retira Abril de flors coronat,First lineMöller, Dr. Heinrich, ed.; from Francisco Alió's "Cansons populars Composer


B. Schotts Sohne, edition 556, #30885.PublisherQuasi allegretto in 3/4 & 2/4. 16 bars, 5 verses. *Commentstrad., Cat.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2Tessituraexp., dct.Spec. Appl.LNCEMSCall No.In Cat.: Ger. w/musicTranslation

Hist. Per.

27. Presents al niño JesúsTitleQue li darém a n'el noy de la mare,First lineMöller, Dr. Heinrich, ed.; from Francisco Alió's "Cansons populars Composer


B. Schotts Sohne, edition 556, #30885.PublisherAndante in 6/8. 14 bars, one verse. *Commentstrad., Cat.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.efl1-efl2Rangeefl1-efl2Tessitura


Hist. Per.

28. Ay au pena ren andiaTitleA au pena ren an dia neretzatchil . . .First lineMöller, Dr. Heinrich, ed.; from Pedrell "Cancionero mus. pop. esp."Composer


B. Schotts Sohne, edition 556, #30885.PublisherAllegretto in 5/4 & 3/4. One verse. *Commentstrad., Bsq..Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Ranged1-e2Tessiturarhy.Spec. Appl.LNCEMSCall No.In Bsq.: Ger. w/musicTranslation

Hist. Per.

29. AiñharaTitleGazte tarsunac bainarabila. . .First lineMöller, Dr. Heinrich, ed.; from Pedrell "Cancionero mus. pop. esp."Composer


B. Schotts Sohne, edition 556, #30885.PublisherAndantino in 3/8. 34 bars, 5 verses. *Commentstrad., Bsq..Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-efl2Rangec1-efl2Tessituraexp.Spec. Appl.LNCEMSCall No.In Bsq.: Ger. w/musicTranslation

Hist. Per.

30. Izar ederraTitleMendian zoinen eder epher zango gorri!First lineMöller, Dr. Heinrich, ed.; from Pedrell "Cancionero mus. pop. esp."Composer


B. Schotts Sohne, edition 556, #30885.PublisherAndante in 3/8. 36 bars, 2 verses. *Commentstrad., Bsq..Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-f2Rangef1-f2Tessitura

Spec. Appl.LNCEMSCall No.In Bsq.: Ger. w/musicTranslation

Hist. Per.

31. Choriñua kaiolanTitleChoriñua kaiolan, kaiolan, triste du bela kantatzen.First lineMöller, Dr. Heinrich, ed.;Composer


B. Schotts Sohne, edition 556, #30885.PublisherAllegretto in 2/4. 28 bars, 3 verses. *Commentstrad., Bsq..Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.g1-e2Rangeg1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.In Bsq.: Ger. w/musicTranslation

Hist. Per.

32. Argizagi ederraTitleArgizagi ederra, argi egidazuFirst lineMöller, Dr. Heinrich, ed.; from Charles Bordes "Douze chansons Composer


B. Schotts Sohne, edition 556, #30885.PublisherLangsam, sehr frei in 2/4. 27 bars, 5 verses. *Commentstrad., Bsq..Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-efl2Ranged1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.In Bsq.: Ger. w/musicTranslation

Hist. Per.

33. Adios, ene maitiaTitleAdios ene maitia, adio sekulako!First lineMöller, Dr. Heinrich, ed.; from Charles Bordes "Douze chansons Composer


B. Schotts Sohne, edition 556, #30885.PublisherMesto, Traurig, in 6/8. 16 bars, 2 verses. *Commentstrad., Bsq..Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.gsh1-e2Rangegsh1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.In Bsq.: Ger. w/musicTranslation

Hist. Per.

34. Chorietan buruzagiTitle Chorietan buruzagi erresiñoula khantari,First lineMöller, Dr. Heinrich, ed.; from Charles Bordes "Douze chansons Composer


B. Schotts Sohne, edition 556, #30885.PublisherAllegretto giocoso in 6/8. 14 bars, 3 verses *Commentstrad., Bsq..Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2TessituraDct.Spec. Appl.LNCEMSCall No.In Bsq.: Ger. w/musicTranslation

Hist. Per.

35. ErrefusaTitleChori errsiñoula, hots emak enekin,First lineMöller, Dr. Heinrich, ed.; from Charles Bordes "Douze chansons Composer


B. Schotts Sohne, edition 556, #30885.PublisherAllegretto quasi recitativo, in 8/8 (3/8,2/8,3/8). 8 bars of 8/8 with 4Commentstrad., Bsq..Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangeg1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.In Bsq.: Ger. w/musicTranslation

Hist. Per.

Collection: Das Lied der Völker, Band 6, Spanische, Katalanische, TitleFirst line

Möller, Dr. Heinrich, ed.;ComposerComp. Nat.

Das Lied der Völker, Band 6, Spanische, Katalanische, Collection

B. Schotts Sohne, edition 556, #30885.Publisher35 folksongs Intro. & notes in Ger. by Dr. Möller. *Commentstrad. Sp., Cat., Ptg. & Bsq.Type


piano, 1 for guitar or pianoInstrumentsM (31) & L (4 )Voice


e1-e2Rangeg1-d2Tessitura


Hist. Per.

Collection: Cancionero Musical Español, compiled by Eduardo M. TitleFirst line

Torner, Eduardo M., ed.ComposerComp. Nat.

Cancionero Musical Español, compiled by Eduardo M. Torner of Collection

George G. Harrap and Company, London. . . 1947.Publisher24 songs PREFACE; " This album is intended for teachers of the Commentstrad.Type



RangeTessitura

clss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

1. Embustes (Castilla)TitleQuién dirá que ha visto, lo que he visto yo:First lineTorner, Eduardo M., ed.Composer

Comp. Nat. Cancionero Musical Español, compiled by Eduardo M. Torner of Collection

George G. Harrap and Company, London. . . 1947.PublisherAllegro moderato in 2/4. 3 verses.Commentstrad. (Castilla)Type


pianoInstrumentsMVoice


d1-e2Ranged1-d2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

2. Donde va de mañana (Santander)TitleDónde va de mañana la blanca niña,First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherAllegretto in 3/8. 4 verses.Commentstrad. (Santander)Type


pianoInstrumentsLVoice


dsh1-c2Rangee1-c2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

3. Don Gato (Castilla)TitleEl señor don Gato estaba sentadito en el tejado. . .First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherModerato in 2/4. 6 verses.Commentstrad. (Castilla)Type




e1-d2Rangee1-d2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

4. ValencianaTitleEs la huerta valenciana.. . lo mejor del mundo entero;First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherAllegretto in 6/8. 3 verses.Commentstrad.Type


MVoiceVoc. LevelAcc. Reqts.

d1-e2Ranged1-d2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

5. De los álamos vengo (Antigua)TitleDe lo álamos vengo, madre. . .First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherAllegro moderato in 2/4. 3 verses. In 2 voice harmony.Commentstrad. (Antigua)Type


pianoInstrumentsL & LVoice


f1-c2 & a - a1Rangef1-c2 & a - a1Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

6. Ayer te he visto en el huerto (Andalucía)TitleAyer te he visto en el huerto . . .First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherAllegro moderato in 3/8. 2 verses.Commentstrad. (Andalucía)Type




e1-efl2Rangeg1-d2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

7. Les tres morillas (Antigua)TitleTres morillas me enamoran en Jaén;First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherAllegretto in 2/4. 4 verses.Commentstrad. (Antigua))Type




e1-e2Rangee1-e2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

8. El sol y la luna (Asturias)TitleEl sol se llama Lorenzo, tibitón,First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherAllegro moderato in 2/4. 3 verses.Commentstrad. (Asturias)Type




d1-d2Rangeg1-d2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

9. Bolero (Sevilla)TitleEl baile del bolero nació en Sevilla,First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherModrato e ritmico in 3/4. 3 verses.Commentstrad. (Sevilla)Type




c1-d2Rangec1-c2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

10. El retrato (Castilla)TitleTu retrato pinté con palabritas de amor;First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherModerato in 6/8. 4 verses.Commentstrad. (Castilla)Type




d1-c2Ranged1-b1Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

11. Como vienes del campo (Castilla)TitleComo vienes del campo, vienes airosa;First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherAllegret;to in 3/4. 2 verses.Commentstrad. (Castilla)Type




dsh1-e2Rangee1-e2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

12. La bola (Andalucía)TitleTodos los sabios del mundo no me podrán convencer. . .First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherAllegretto grazioso in 6/8 & 3/4. 3 verses.Commentstrad. (Andalucía)Type




csh1-dsh2Rangecsh1-csh2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

13. SevillanaTitleViva Sevilla, . . . Llevan las sevillanas. . .First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherModerato ma molto arioso in 3/4. 2 verses. Somewhat extended Commentstrad.Type




c1-c2Rangec1-c2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

14. HabaneraTitleHacia tus playas, Cuba florida, mi pensamiento volando va,First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherCon melanconia in 2/4. 3 verses.Commentstrad.Type




e1-e2Rangee1-e2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

15. El ole (Andalucía)TitleOle con ole. . . morenita, que así te quiero yo;First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherRitmico, no troppo allegro in 3/4. 2 verses.Commentstrad. (Andalucía)Type




d1-f2Ranged1-f2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

16. Jota (Aragón)TitleEl canto más popular, En Aragon es la jota. . .First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherAllegro non troppo in 3/4. 3 verses.Commentstrad. (Aragón)Type




e1-d2Rangefsh1-d2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

17. Caminito de Sevilla (Andalucía)TitleCaminito de Sevilla me encontré, madre, un gitano. . .First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherModerato in 3/4. 2 versesCommentstrad. (Andalucía)Type




d1-e2Ranged1-e2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

18. Rosalinda (Castilla)TitleA las puertas del palacio de una señora de bien. . .First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherAllegretto in 6/8. Many versesCommentstrad. (Castilla)Type




efl1-d2Rangedfl1-d2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

19. El conde Olinos (Castilla)TitleMadrugaba el conde Olinos la mañana de San Juán. . .First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherModerato in 3/4. Many verses.Commentstrad. (Castilla)Type




e1-fsh2Rangee1-d2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

20. Canto de boda (Salamanca)TitleEl novio le dió a la novia un anillo de oro fino;First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherAllegretto in 6/8. 3 verses.Commentstrad. (Salamanca)Type




e1-e2Rangefsh1-e2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

21. Malo es de guardar (Antigua) "para coro a dos voces"TitleRosa y viña, peral y habar, malo es de guardar.First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherModerato in 3/4. 4 verses.Commentstrad. (Antigua)Type


pianoInstrumentsM & LVoice


e1-d2 & csh1-a1Rangee1-d2 & csh1-a1Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

22. Baile de pandero (Galicia)TitleEste pandero que toco tiene lengua y sabe hablar,First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherModerato ma con energia in 5/4. 2 verses.Commentstrad. (Galicia)Type




d1-c2Ranged1-c2Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

23. Canto de Navidad (Santander) "para coro a dos voces y solo"TitleDinguilín, dinguilón, tocan las campanas. . .First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherModerato in 3/4. 2 verses.Commentstrad. (Santander))Type




e1-d2 & b-b1Rangefsh1-d2 & d1-g1Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

24. Baile de gaita (Asturias) "Para coro a dos voces y dos voces TitleNo quiero que me cortejes ni me saques a bailar,First lineTorner, Eduardo M., ed.Composer


George G. Harrap and Company, London. . . 1947.PublisherAllegro moderato in 3/8. 3(?) verses.Commentstrad. (Asturias)Type




c1-f2 & c1-bfl1Rangec1-f2 & c1-bfl1Tessituraclss.Spec. Appl.LNCEMSCall No.

Translation

Hist. Per.

La CucarachaTitleLa Cucaracha, Ya no puede caminar, Porque no tiene...First lineHill, Paul; arr.Composer


Quadrangle/The New York Times Book Co., New York, 1974. Ed. byPublisherModerately, in 3/4. Lighthearted, "wordy", appealing. Humorous Commentstrad.Type


PianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Ranged1-e2Tessituraclss., dct.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

Hist. Per.

Malagueña de "La Madrugá"TitleAntes de que rompa el día.First lineObradors, F.J., arr., 1897-1945ComposerSp.Comp. Nat.Canciones Clásicas Españolas, Vol. IVCollection

Union Musical Española, Madrid, 1941. #17434PublisherSustained, rather slow. Long, freely declaimed, melismatic phrases. Commentsart, trad.TypeMurciaMel. SourceMurciaText SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.efl1-f2Rangeg1-efl2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

?-20th C.Hist. Per.

El Rancho GrandeTitleAllá en El Rancho Grande, Allá donde vivía,First lineRamos, Silivano R.Composer


Quadrangle/The New York Times Book Co., New York, 1974. Ed. byPublisherLively, appealing cowboy song. 5 verses. Good for classroom, 2-part Commentspop., trad.TypeRamos, Silvano R.Mel. SourceRamos, Silvano R.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.a-e2Rangec1-c2Tessituraclss.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.

Collection La Música Folklorica de Puerto RicoTitleFirst line

López Cruz, Francisco, ed.; Prólogo: Walter F. Starkie, Litt. D. ComposerComp. Nat.

La Música Folklorica de Puerto Rico, número 5 de la serie Puerto Collection

Troutman Press, Sharon, CT, 1967.PublisherHarcover book format. Text in Spanish. *Commentstrad. (Puerto Rico)Typetrad. (Puerto Rico)Mel. Sourcetrad. (Puerto Rico)Text Source

InstrumentsVoice


RangeTessitura


Translation

Hist. Per.

II. Mañanica era, from "Canciones Amatorias"Title Mañanica era, mañana de San Juan se decía al fin,First lineGranados, EnriqueComposerSp.Comp. Nat.Canciones Amatorias, revision de Rafael FerrerCollection

Union Musical Española 1971. # 19807-2Publisher Flowing, "wordy" melody in 3/8 throughout. *Commentsart, trad.TypeGranados, EnriqueMel. SourceAnon.Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.d1-a2Rangee1-e2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

ClavelitosTitleClavelitos a quien le doy claveles!First lineValverde, J., 1846-1910ComposerSp.Comp. Nat.ClavelitosCollection

Union Musical Española, 1940. #15590PublisherLively, joyous, in 6/8. Req. facile articulation of text. The song of a Commentstrad.,TypeValverde, J.Mel. SourceValverde, J.?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Ranged1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

19th C.Hist. Per.

Los ZingarosTitleLos Zingaros quieren complir su misión,First lineValverde, J., 1846-1910ComposerSp.Comp. Nat.Los ZingarosCollection

in manuscript.PublisherModerato in 6/8 & 4/4.. Wide-ranging melody. Somewhat extended, Commentstrad.,TypeValverde, J.Mel. SourceValverde, J.?Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.d1-g2Ranged1-g2Tessituradct., exp.Spec. Appl.LNCEMSCall No.

Translation

19th C.Hist. Per.

Collection Seis canciones antiguas (siglo XVI)TitleFirst line

Luys de Milán, Juan Vasquez y Diego Pisador, Anchieta, Valderrábano;ComposerComp. Nat.

Seis canciones antiguas (siglo XVI)Collection

1965 Union Musical Ediciones S.L. Order No. UMG20638PublisherComments

art, trad.Typeart, trad.Mel. Source

Text SourceGuitarInstruments


RangeTessitura


Translation


I. Agora viniese un viento Villancico.Title Agora viniese un viento . . .First lineTarragó, G. arr.Composer

Comp. Nat.Seis canciones antiguas (siglo XVI)Collection

1965 Union Musical Ediciones S.L. Order No. UMG20638PublisherAndante mosso in 2/4. Quarter =64. Villancico *Commentsart, trad.TypeMilan, Luis deMel. Source?Text SourceGuitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.g1-f2Rangeg1=f2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


II. En la fuente del Rosel VillancicoTitleEn la fuente del Rosel . . .First lineTarragó, G. arr.Composer


1965 Union Musical Ediciones S.L. Order No. UMG20638PublisherMuy vivo, casi a uno in 2/4; quarter = 150. Villancico *Commentsart, trad.TypeVasquez, Juan y Pisador, DiegoMel. Source?Text SourceGuitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.a1-fsh2Rangeb1-fsh2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


III. Con amores la mi madre VillancicoTitleCon amores la mi madre. . .First lineTarragó, G. arr.Composer


1965 Union Musical Ediciones S.L. Order No. UMG20638PublisherAllegretto in 6/4, quarter = 112. Villancico *Commentsart, trad.TypeAnchietaMel. Source?Text SourceGuitarInstrumentsMVoiceBeg.Voc. Level

Acc. Reqts.d1-e2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


IV. Donde son estas serranas? VillancicoTitleDonde son estas serranas?First lineTarragó, G. arr.Composer


1965 Union Musical Ediciones S.L. Order No. UMG20638PublisherVivace in 2/4, quarter =176. Villancico *Commentsart, trad.TypeValderrabano, Enrique deMel. Source

Text SourceGuitarInstrumentsLVoiceBeg.Voc. Level?Acc. Reqts.e1-b1Rangee1-b1Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


V. Por que es, dama, tanto quereros? EndechaTitlePor que es, dama, tanto quereros?First lineTarragó, G. arr.Composer


1965 Union Musical Ediciones S.L. Order No. UMG20638PublisherDespacio in 2/4, quarter = 68. Endecha *Commentsart, trad.TypePisador, DiegoMel. Source

Text SourceGuitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-e2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


VI. Si te vas a bañar, Juanica VillancicoTitleSi te vas a bañar, JuanicaFirst lineTarragó, G., arr.Composer


1965 Union Musical Ediciones S.L. Order No. UMG20638PublisherAllegro in 2/4, quarter = 148. Villancico *Commentsart, trad.TypePisador, DiegoMel. Source

Text SourceGuitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.d1-d2Ranged1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


Maitechu mia! ZortzicoTitleBuscando hacer fortna como emigrante . . .First lineAlonso, FranciscoComposer

Comp. Nat.Maitechu mia! ZortzicoCollection

Union Musical Ediciones, S.L. Madrid, 1995. Order no. UMV 17614PublisherZortzico, in 5/4. "Chatty", dance-like. *Commentsart, trad.TypeAlonso, FranciscoMel. SourceCastillo, Emilio G. delText SourcepianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.c1-afl2Rangef1-f2Tessiturarhy. dct.Spec. Appl.LNCEMSCall No.

Translation

20th C.?Hist. Per.

V. Canto de trillaTitleComo las esperanzas. . . son los laureles. . .First lineRuiz-Pipó, AntonioComposer

Comp. Nat. Cinco Tonadas pour voix de femme & pianoCollection

1966 Max Eschig, M.E. 9145.PublisherMolto ritmico in 3/8, dotted quarter = 88; some recit. Lento e libero,Commentsart, trad.TypeRuiz-Pipó, AntonioMel. Sourcetrad.Text SourcePianoInstrumentsMVoiceInt..Voc. LevelDiff.Acc. Reqts.g1-efl2Rangeg1-efl2Tessituraexp. rhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Tonada de ValdovinosTitleSospiaste, Valdovinos, La cosa que más que ría. . .First lineNin, Joaquin, l878-1949ComposerSp., Cub.?Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 1Collection

Editions Max Eschig, Paris, 1923.PublisherModerato in 6/8. Lightly sustained, graceful, dance-like. Simple, Commentsart, trad. Castile, Sp.)Typeart, trad. (Castile, Sp.)Mel. Sourcetrad. (Castile, Sp.)Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.f1-f2Rangeg1-e2Tessitura


20th C.Hist. Per.

CantarTitleQuien amores ten affínquelos...First lineNin, Joaquin, l878-1949ComposerSp., Cub.?Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 1Collection

Editions Max Eschig, Paris, 1923.PublisherModerato in 2/4. Sustained, lyrical, plaintive. A simple modal 16th C.Commentsart, trad. Castile, Sp.)Typeart, trad. (Castile, Sp.)Mel. Sourcetrad. (Castile, Sp.)Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.b1-fsh2Rangeb1-fsh2Tessituraexp.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

Tonada de la niña perdidaTitleSo ell' encina encina...Yo me iba mi madre...First lineNin, Joaquin, l878-1949ComposerSp., Cub.?Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 1Collection

Editions Max Eschig, Paris, 1923.PublisherModerato in 2/4. Graceful, lilting, animated. Flowing, straightforwardCommentsart, trad. Castile, Sp.)Typeart, trad. (Castile, Sp.)Mel. Sourcetrad. (Castile, Sp.)Text SourcePianoInstrumentsHVoiceBeg.Voc. LevelMod.Acc. Reqts.g1-g2Rangea1-fsh2Tessitura


20th C.Hist. Per.

MontañesaTitleSegaba yo aquella tarde...First lineNin, Joaquin, l878-1949ComposerSp., Cub.?Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 1Collection

Editions Max Eschig, Paris, 1923.PublisherLento in 3/4 . Graceful, sustained, ornamented. Req. good control of Commentsart, trad. Castile, Sp.)Typeart, trad. (Castile, Sp.)Mel. Sourcetrad. (Castile, Sp.)Text SourcePianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.fsh1-g2Rangea1-fsh2Tessitura


20th C.Hist. Per.

Tonada de Conde SolTitleSegaba yo aquella tarde...First lineNin, Joaquin, l878-1949ComposerSp., Cub.?Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 1Collection

Editions Max Eschig, Paris, 1923.PublisherAllegro in 6/8 & 3/4. Bright, animated, sustained, dance-like w. Commentsart, trad. Murcia, Sp.)Typeart, trad. (Murcia, Sp.)Mel. Sourcetrad. (Murcia, Sp.)Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.d1-g2Rangeg1-f2Tessituradnce.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

MalagueñaTitleCuando salí de Marbella. . .First lineNin, Joaquin, l878-1949ComposerSp., Cub.?Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 1Collection

Editions Max Eschig, Paris, 1923.PublisherAllegro aperto in 3/4 . Spirited, sustained, lightly ornamented. Req. Commentsart, trad. Andalusia, Sp.)Typeart, trad. (Andalucia, Sp.)Mel. Sourcetrad. (Andalucia, Sp.)Text SourcePianoInstrumentsHVoiceInt..Voc. LevelDiff.Acc. Reqts.e1-g2Rangea1-f2Tessitura


20th C.Hist. Per.

SaetaTitleAllá arribita...Hácia el monte del Calvarío...First lineNin, Joaquin, l878-1949ComposerSp., Cub.?Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 1Collection

Editions Max Eschig, Paris, 1923.PublisherLento in 3/4. Slow, sustained. Fervent religious mood. Req. good Commentsart, trad. Andalusia, Sp.)Typeart, trad. (Andalucia, Sp.)Mel. Sourcetrad. (Andalucia, Sp.)Text SourcePianoInstrumentsHVoiceAdv.Voc. LevelBasicAcc. Reqts.c2-a2Rangec2-g2Tessiturasac.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

Jota TortosinaTitleAdios Tortosa famosa Rodeada de balcones...First lineNin, Joaquin, l878-1949ComposerSp., Cub.?Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 1Collection

Editions Max Eschig, Paris, 1923.PublisherQuasi presto in 3/4. Light, animated, dancelike; Jota. Req. facile Commentsart, trad. Tortosa, Sp.)Typeart, trad. (Tortosa, Sp.)Mel. Sourcetrad. (Tortosa, Sp.)Text SourcePianoInstrumentsHVoiceBeg..Voc. LevelDiff.Acc. Reqts.g1-g2Rangea1-fsh2Tessituradnce.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

Jota ValencianaTitleLos árboles de Aranjuez...Unidos de dos en dos...First lineNin, Joaquin, l878-1949ComposerSp., Cub.?Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 1Collection

Editions Max Eschig, Paris, 1923.PublisherAllegro in 3/4. Light, spirited, dance-like; Jota. Straightforward voc. Commentsart, trad. Valencia, Sp.)Typeart, trad. (Valencia, Sp.)Mel. Sourcetrad. (Valencia, Sp.)Text SourcePianoInstrumentsHVoiceBeg..Voc. LevelDiff.Acc. Reqts.f1-afl2Rangec2-gfl2Tessituradnce.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

GranadinaTitleLas fatigas del querer...Son las fatigas más grandes...First lineNin, Joaquin, l878-1949ComposerSp., Cub.?Comp. Nat.Vingt Chants Populaires Espagnols, Vol. 1Collection

Editions Max Eschig, Paris, 1923.PublisherAllegro in 3/8. Lively, dance-like; Granadina. Lightly ornamented, Commentsart, trad. Andalusia, Sp.)Typeart, trad. (Andalucia, Sp.)Mel. Sourcetrad. (Andalucia, Sp.)Text SourcePianoInstrumentsMVoiceInt..Voc. LevelDiff.Acc. Reqts.e1-f2Rangeg1-c2Tessituradnce.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

Collection Cantares de NochebuenaTitleFirst line

Falla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Cantares de NochebuenaCollection

Manuel de Falla Ediciones 1992.PublisherIntroducion (Prólogo) by Antonio Gallego. Published "Con la Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstruments

VoiceBeg.Voc. Level?Acc. Reqts.

RangeTessitura


Translation

20th C.Hist. Per.

1. Pastores venirTitlePastores venir, pastores llegar a adorar al Niño,First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Cantares de NochebuenaCollection

Manuel de Falla Ediciones 1992.PublisherModerato in 3/4, quarter = 104. Brief song. Villancico. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text Sourceguitar, chicharra o rabel, zambombaInstrumentsHVoiceBeg.Voc. Level?Acc. Reqts.gsh1-g2Rangea1-f2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

2. Maravilla nunca vistaTitleMaravilla nunca vista, cifra que nadie entendió,First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Cantares de NochebuenaCollection

Manuel de Falla Ediciones 1992.PublisherModerato in 6/8, dotted quarter = 68. Melody is two/part harmony inCommentsart, trad.Typetrad.Mel. Sourcetrad.Text Sourceguitar, chicharra o rabel, zambombaInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.b1-fsh2, gsh1-d2Rangeb1- fsh2, gsh1-d2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

3. Esta noche ha de nacerTitleEsta noche ha de nacer de Señor de los senores,First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Cantares de NochebuenaCollection

Manuel de Falla Ediciones 1992.PublisherAllegro in 3/8, eighth = 208. Brief song. Villancico. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.gsh1-fsh2Rangegsh1-fsh2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

4. Un pastor lleva un pavoTitleUn pastor lleva un pavo y otro un carnero,First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Cantares de NochebuenaCollection

Manuel de Falla Ediciones 1992.PublisherAllegro in 3/8, eight = 208. Brief song. Villancico. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-e2Rangee1-e2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

5. Venga la botaTitleVenga la bota. . . no te la doy, porque está rota.First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Cantares de NochebuenaCollection

Manuel de Falla Ediciones 1992.PublisherAllegro in 3/8, eighth = 208. Brief song Villancico. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.d1-fsh2Ranged1-fsh2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

6. En el portal de BelénTitleEn el portal de Belén hay estrella,First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Cantares de NochebuenaCollection

Manuel de Falla Ediciones 1992.PublisherAllegro in 3/8, eighth = 208. Brief song. Villancico *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-e2Rangee1-e2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

7. Por la calle abajitoTitlePor la calle abajito mira Pepe va quien yo quiero. . .First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Cantares de NochebuenaCollection

Manuel de Falla Ediciones 1992.PublisherModerato in 6/8, dotted quarter = 66. Brief song. Villancico *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-e2Rangee1-e2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

8. La leche de viejasTitleLa leche de viejas, esa es para mi,First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Cantares de NochebuenaCollection

Manuel de Falla Ediciones 1992.PublisherAllegro in 3/8, eighth = 208. Brief song. Villancico. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-e2Rangee1-e2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

9. Un zapatero aburríoTitleUn zapatero aburrío le decia a su mujer:First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Cantares de NochebuenaCollection

Manuel de Falla Ediciones 1992.PublisherNo tempo indicated, in 6/8. Brief song. Villancico. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.gsh1=fsh2Rangegsh1-fsh2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

IV. . Mira que soy niña, amor , déjame, from "Canciones Amatorias"Title Mira que soy niña, amor , déjame,First lineGranados, EnriqueComposerSp.Comp. Nat.Canciones Amatorias, revision de Rafael FerrerCollection

Union Musical Española 1971. # 19807-4PublisherAllegro ma non troppo in 6/8 & 2/4. Wide-ranging, rhapsodic melody.Commentsart, trad.TypeGranados, EnriqueMel. SourceAnónimoText SourcePianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.csh1-a2Ranged1-g2Tessituraexp.Spec. Appl.LNCEMSCall No.Eng. sep. from musicTranslation

20th C.Hist. Per.

ValenciaTitleValencia es la tierra de la flores de la luz. . .First linePadilla, JoseComposer

Comp. Nat.ValenciaCollection

Union Musical Española, Madrid, 1925 #19423PublisherAllegretto in 6/8. Well-known, attractive melody. *Commentsart, trad.TypePadilla, JoseMel. SourcePrada, Jose A.Text SourcePianoInstrumentsMVoiceInt..Voc. LevelMod.Acc. Reqts.

RangeTessitura

rhy. dct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Canciones Populares CatalanasTitleFirst line

Pujol, Francisco, arr.ComposerSp.Comp. Nat.Canciones Populares CatalanasCollection

Union Musical Española, Madrid, 1956, #4321Publisher12 traditional Catalan songs in settings by Pujol. All are rather brief Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstruments

VoiceBeg.Voc. LevelBasic & Mod.Acc. Reqts.

RangeTessitura

Spec. Appl.LNCEMSCall No.In Cat. onlyTranslation

20th C.Hist. Per.

Canciones EspañolasTitleFirst line

Torroba, F. M. , arr.ComposerSp.Comp. Nat.Canciones EspañolasCollection

Union Musical Española, Madrid, 1956, #19093Publisher *Commentsart, trad.?TypeTorroba, F. M. arr.Mel. Sourcetrad.?Text SourcePianoInstruments


RangeTessitura


Translation

20th C.Hist. Per.

Collection Canciones Del Siglo De OroTitleFirst line

Barrera, A.ComposerSp.Comp. Nat.Canciones Del Siglo De OroCollection

Real Musical, Madrid, 1986 R.M. 14 - 5.009PublisherComments

art, trad.?TypeBarrera, A.Mel. Source

Text SourcePianoInstruments


RangeTessitura


Translation

20th C.Hist. Per.

Collection Twelve Spanish FolksongsTitleFirst line

arr. by Rodrigo, Joaquin, 1902 -ComposerSp.Comp. Nat.Twelve Spanish FolksongsCollection

Masters Music Publications, Inc. Florida,?PublisherComments

art trad.TypeMel. SourceText Source

PianoInstrumentsVoice


RangeTessitura


Translation

20th C.Hist. Per.

Collection 40 Canciones SefardiesTitleFirst line

Morante, Manuel GarciaComposerSp.Comp. Nat.40 Canciones SefardiesCollection

Morante, Manuel Garcia, Barcelona, 1983.PublisherIntroduction in Sp. & Eng. by Francesc Bonastre, Director of the Commentsart trad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstruments


RangeTessitura


Translation

20th C.Hist. Per.

Collection CancioneroTitleFirst line

Gerhard, RobertoComposerComp. Nat.

CancioneroCollection

Keith Prowse Music Publishing Co. Ltd.1957; K.P. & Co. Ltd. 7451. PublisherComments

art trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstruments


RangeTessitura

exp. dct.Spec. Appl.LNCEMSCall No.In Cat.; Eng. sep. from musicTranslation

20th C.Hist. Per.

1. La ximbomba (Majorca)TitleSa ximbomba ja's passadaFirst lineGerhard, RobertoComposer

Comp. Nat.CancioneroCollection

Keith Prowse Music Publishing Co. Ltd.1957; K.P. & Co. Ltd. 7451. PublisherAllegro in 3/4 (quarter = ca 138) A young girl hears the pounding ofCommentsart trad. ; ( Majorca )Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsLVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-c2Ranged1-c2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.IEng. sep. from musicTranslation

20th C.Hist. Per.

2. La mal maridada (Catalonia)TitleRossinyol, bon rossiynol, tu vas llarga volada, . . .First lineGerhard, RobertoComposer


Keith Prowse Music Publishing Co. Ltd. 1957PublisherAllegretto in 3/4 (2/4); (quarter = ca 112-116) Unhappily married Commentsart trad. (Catalonia)Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.fsh1-fsh2Rangefsh1-fsh2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.I Eng. sep. from musicTranslation

20th C.Hist. Per.

3. Laieta (Catalonia)TitleSi fós ocellet 'niria volant,First lineGerhard, RobertoComposer


Keith Prowse Music Publishing Co. Ltd. 1957PublisherAllegretto con anima in 3/8(dotted quarter = ca 84) Laieta's Commentsart trad. (Catalonia)Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsHVoiceBeg.Voc. LevelMod.Acc. Reqts.gsh1-gsh2Rangegsh1-gsh2Tessituraexp. dct.Spec. Appl.LNCEMSCall No. Eng. sep. from musicTranslation

20th C.Hist. Per.

4. Soledad (Asturias)TitleSoledâ del alma mia. . .First lineGerhard, RobertoComposer


Keith Prowse Music Publishing Co. Ltd. 1957PublisherLarghetto in 6/8(dotted quarter = ca 52) "A lover plays here on the Commentsart trad. (Asturias)Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2Tessituraexp. dct.Spec. Appl.LNCEMSCall No. Eng. sep. from musicTranslation

20th C.Hist. Per.

5. Muera yo. . . (Asturias)TitleSi porque te quiero quieres que yo la muerte reciba. . .First lineGerhard, RobertoComposer


Keith Prowse Music Publishing Co. Ltd. 1957PublisherCon vivacità, in 3/4 (quarter = ca 114) A rejected lover's song yet Commentsart trad. (AsturiasTypetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelDiff.Acc. Reqts.a1-fsh2Rangea1-fsh2Tessituraexp. dct.Spec. Appl.LNCEMSCall No. Eng. sep. from musicTranslation

20th C.Hist. Per.

6. Farruquiño (Galicia)TitleFarruquiño, Farruquiño . . meu amorFirst lineGerhard, RobertoComposer


Keith Prowse Music Publishing Co. Ltd. 1957PublisherAllegretto in 3/4 (quarter = ca 108) A suitor is going to be a priest ,Commentsart trad. (Galicia)Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.g1-g2Rangeg1-g2Tessituraexp. dct.Spec. Appl.LNCEMSCall No. Eng. sep. from musicTranslation

20th C.Hist. Per.

7. Alalá (Galicia)TitleAy, lalelo, lalelo. . . Xanino traballador. . .First lineGerhard, RobertoComposer


Keith Prowse Music Publishing Co. Ltd. 1957PublisherAndante in 4/4 (quarter = ca 63) Song of a married woman on Commentsart trad. (Galicia)Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.b1-g2Rangeb1-fsh2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.Eng. sep. from musicTranslation

20th C.Hist. Per.

8. Corrandes (Valencia)TitleXiqueta recalcaeta per tu passaré la mar,First lineGerhard, RobertoComposer


Keith Prowse Music Publishing Co. Ltd. 1957PublisherGiocoso, in 6/8 (dotted quarter = ca 84) A girl contrasts complimentsCommentsart trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.e1-b2Rangee1-e2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.Eng. sep. from musicTranslation

20th C.Hist. Per.

Collection Dos CancionesTitleFirst line

Halffter, CristóbalComposerSp.Comp. Nat.Dos CancionesCollection

Union Musical Española, Madrid, 1952 #18734Publisher *Commentsart, trad.?TypeHalffter, C. ? Trad.?Mel. SourceHalffter, C. ? Trad./Text SourcePianoInstruments


RangeTessitura


Translation

20th C.Hist. Per.

Del rosal vengo, mi madreTitleDel rosal vengo, mi madre, vengo del rosaleFirst lineHalffter, CristóbalComposerSp.Comp. Nat.Dos CancionesCollection

Union Musical Española, Madrid, 1952 #18734PublisherLento in 2/4. Simple straightforward melody. *Commentsart, trad.?TypeHalffter, C.? trad.?Mel. SourceHalffter, C.? trad.?Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-f2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Que no quiero estar en casaTitleNo, no, no. . . que no quiero estar en casa:First lineHalffter, CristóbalComposerSp.Comp. Nat.Dos CancionesCollection

Union Musical Española, Madrid, 1952 #18734PublisherAllegro, in 6/8. Very high tessitura; otherwise simple, folk-like. . . Commentsart, trad.?TypeHalffter, C.? trad.?Mel. SourceHalffter, C.? trad.?Text SourcePianoInstrumentsMVoice


f1-c3Rangec2-c3Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Collection Canciones Españolas AntiguasTitleFirst line

recogidas & armonizadas por Lorca, F. Garcia; transcripcion para ComposerComp. Nat.

Canciones Españolas AntiguasCollection

Union Musical Española #21559Publisher *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsM, LVoice


RangeTessitura


Translation

Hist. Per.

I. Anda, jaleoTitleYo me alivié a un pino verdeFirst linerecogidas & armonizadas por Lorca, F. Garcia; transcripcion para Composer

Comp. Nat.Canciones Españolas AntiguasCollection

Union Musical Española #21559PublisherAllegretto in 3/8. 3 verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.d1-efl2Ranged1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

II. Los quatros mulerosTitleDe los quatro muleros,First linerecogidas & armonizadas por Lorca, F. Garcia; transcripcion para ComposerSp.Comp. Nat.Canciones Españolas AntiguasCollection

Union Musical Española #21559PublisherPoco allegro in 3/8. 5 verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-fsh2Rangea1-e2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

III. Las tres hojasTitleDebajo de la hoja de la verbena,First linerecogidas & armonizadas por Lorca, F. Garcia; transcripcion para ComposerSp.Comp. Nat.Canciones Españolas AntiguasCollection

Union Musical Española #21559PublisherAllegretto in 3/8. 3 verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-e2Rangee1-e2Tessituradct. rhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

!V. Los mozos de Monleón (Ledesma: Cancionero Salmantino)TitleLos mozos de Monleón se fueron a arar temprano,First linerecogidas & armonizadas por Lorca, F. Garcia; transcripcion para ComposerSp.Comp. Nat.Canciones Españolas AntiguasCollection

Union Musical Española #21559PublisherAndantino in 3/4. # verses sung w/2 recited verses in between. Brief,Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsLVoiceBeg.Voc. Level?Acc. Reqts.e1-b1Rangea1-b1Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

VI. Sevillanas del Siglo XVIIITitleViva Sevilla! (3x) Llevan las sevillanas en la mantilla. . .First linerecogidas & armonizadas por Lorca, F. Garcia; transcripcion para ComposerSp.Comp. Nat.Canciones Españolas AntiguasCollection

Union Musical Española #21559PublisherTiempo de Sevillanas in 3/4. 4 verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsM (L)VoiceBeg.Voc. Level?Acc. Reqts.a - d2Rangea -csh2Tessituradct. rhy. dnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

VIII. Nana de SevillaTitleEste galapaquito no tiene mare, a, a, a, a, . . .First linerecogidas & armonizadas por Lorca, F. Garcia; transcripcion para ComposerSp.Comp. Nat.Canciones Españolas AntiguasCollection

Union Musical Española #21559PublisherAndante in 3/8 & 2/8. Melismatic. 2 verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsLVoiceBeg./Int.Voc. Level?Acc. Reqts.d1-b1Rangee1-b1Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

IX. Los pelegrinitosTitleHacia Roma caminan dos pelegrinosFirst linerecogidas & armonizadas por Lorca, F. Garcia; transcripcion para ComposerSp.Comp. Nat.Canciones Españolas AntiguasCollection

Union Musical Española #21559PublisherAllegretto in 3/8. Somewhat extended piece. 11 verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.d1-e1Ranged1-d1Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

X. ZorongoTitleLas manos de mi cariño te están bordando una capa. . .First linerecogidas & armonizadas por Lorca, F. Garcia; transcripcion para ComposerSp.Comp. Nat.Canciones Españolas AntiguasCollection

Union Musical Española #21559PublisherGrazioso in 3/4. Alternates rhythmic feeling of 2 & 3. 4 (?) verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-d2Rangee1-d2Tessiturarhy. dct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

XI. Romance de Don BoysoTitleCamina Don Boyso mañanita fría a tierra de moros. . .First linerecogidas & armonizadas por Lorca, F. Garcia; transcripcion para ComposerSp.Comp. Nat.Canciones Españolas AntiguasCollection

Union Musical Española #21559PublisherAndante in 4/4. Declamatory. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.d1-d2Ranged1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

XII. Los reyes de la barajaTitleSi tu madre quiere un rey. ..First linerecogidas & armonizadas por Lorca, F. Garcia; transcripcion para ComposerSp.Comp. Nat.Canciones Españolas AntiguasCollection

Union Musical Española #21559PublisherAllegretto in 3/4. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-e2Rangee1-e2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

XIII. La TararaTitleLleve mi Tarara un vestido. . .First linerecogidas & armonizadas por Lorca, F. Garcia; transcripcion para ComposerSp.Comp. Nat.Canciones Españolas AntiguasCollection

Union Musical Española #21559PublisherAndantino in 2/4. 3 versesCommentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoice


d1-e2Ranged1-d2Tessitura


Translation

20th C.Hist. Per.

V. Las morillas de JaénTitleTres morillas me enamoran en Jaén:First linerecogidas & armonizadas por Lorca, F. Garcia; transcripcion para ComposerSp.Comp. Nat.Canciones Españolas AntiguasCollection

Union Musical Española #21559PublisherAllegro no mucho in changing meter & tempo. 2 verses *Commentsart, trad.Typetrad.Mel. Sourcetrad. (Canción popular del siglo XV)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.d1-d2Ranged1-d1Tessituraexp. dct.Spec. Appl.LNCEMSCall No.

Translation

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VII. El café de ChinitasTitleEl café de Chinitas dijo Paquiro a su hermano;First linerecogidas & armonizadas por Lorca, F. Garcia; transcripcion para ComposerSp.Comp. Nat.Canciones Españolas AntiguasCollection

Union Musical Española #21559PublisherTiempo de Petenera in 3/8 & 3/4. 4 verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-d2Rangee1-d2Tessiturarhy. dct. dnce,Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Collection Tres Canciones IndiosTitleFirst line

Aretz, Isabel (1913-?)ComposerArg.Comp. Nat.Tres Canciones Indios (Sobre series pentatónicas)Collection

Consejo Nacional de la Cultura, Fundación Vicente Emilio Sojo, EditorialPublisher *Commentsart trad.?TypeAretz, Isabel?trad.?Mel. Sourcetrad. (from "las sierras de Perú")Text SourcepianoInstruments


RangeTessitura


Translation

20th C.Hist. Per.

!. "Dime oh lluvia" from Tres Canciones IndiosTitleLluvia dime sise divisan. . . los cerros de mi pueblo. . .First lineAretz, Isabel (1913-?)ComposerArg.Comp. Nat.Tres Canciones Indios (Sobre series pentatónicas)Collection

Consejo Nacional de la Cultura, Fundación Vicente Emilio Sojo, EditorialPublisherIn 2/4; M.M. quarter = 92. Several unaccompanied phrases, Commentsart trad.?TypeAretz, Isabel?trad.?Mel. Sourcetrad. (from "las sierras de Perú")Text SourcepianoInstrumentsM (H)VoiceInt.Voc. LevelDiff.Acc. Reqts.b=fsh2 (optional dsh1-b2)Rangeb-fsh2Tessituradct. exp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

II. Rio de sángre (Canto de combate)TitleAunque en el rio de sangreFirst lineAretz, Isabel (1913-?)ComposerArg.Comp. Nat.Tres Canciones Indios (Sobre series pentatónicas)Collection

Consejo Nacional de la Cultura, Fundación Vicente Emilio Sojo, EditorialPublisherIn 2/4; M.M. quarter = 92. Highly dramatic, declamatory. *Commentsart trad.?TypeAretz, Isabel? trad.?Mel. Sourcetrad. (from "las sierras de Perú")Text SourcepianoInstrumentsMVoiceAdv.Voc. LevelDiff.Acc. Reqts.d1-fsh2Ranged1-fsh2Tessituradct. exp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

III. "En medio de las nubes"TitleEn medio de las nubes vamos cantaremos. ..First lineAretz, Isabel (1913-?)ComposerArg.Comp. Nat.Tres Canciones Indios (Sobre series pentatónicas)Collection

Consejo Nacional de la Cultura, Fundación Vicente Emilio Sojo, EditorialPublisherIn 6/8; M.M. dotted quarter = 66. Wide-ranging melody w/several Commentsart trad.?TypeAretz, Isabel? trad.?Mel. Sourcetrad. (from "las sierras de Perú")Text SourcepianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.d1-b2 (optional d1-efl3)Rangee1-gsh2 (optional e1-b2)Tessituradct. exp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Collection Ocho Canciones Vascas para soprano y pianoTitleFirst line

Arambarri, JesusComposerComp. Nat.

Ocho Canciones Vascas para soprano y pianoCollection

Union Musical Española 1961. 19669PublisherComments

art; trad. (Basque)Type trad. (Basque)Mel. Source trad. (Basque)Text Source

InstrumentsVoice


RangeAmak ezkondu ninduen amabost urtekin,Tessitura


Translation

20th C.Hist. Per.

1. Tsalopin txaioTitleTxalopin tsalo. . . Katutxoa mizpila ganean dago:First lineArambarri, JesusComposer

Comp. Nat.Ocho Canciones Vascas para soprano y pianoCollection

Union Musical Española 1961. 19669Publisherin 5/8 eighth = 138.Commentsart; trad. (Basque)Type trad. (Basque)Mel. Source trad. (Basque)Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.gsh1-e2Rangegsh1-e2Tessitura


Translation

20th C.Hist. Per.

II. Nere maitiaTitleNere maitia, nizure tzat. . ..First lineArambarri, JesusComposer


Union Musical Española 1961. 19669PublisheriAndante calmo in 2/4, quarter = 48.Commentsart; trad. (Basque)Type trad. (Basque)Mel. Source trad. (Basque)Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.fsh1-d2Rangefsh1-d2Tessitura


Translation

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III. Atea tan tanTitleAtea tan tan yoni zun eta. . .First lineArambarri, JesusComposer


Union Musical Española 1961. 19669PublisheriAllegro in 2/4, quarter = 112.Commentsart; trad. (Basque)Type trad. (Basque)Mel. Source trad. (Basque)Text SourcepianoInstrumentsHVoiceBeg.Voc. LevelMod./Diff.Acc. Reqts.f1-g2Rangef1-g2Tessitura


Translation

20th C.Hist. Per.

IV. Tun, kurrun, kutunTitleTun, kurrun, kutun. . .First lineArambarri, JesusComposer


Union Musical Española 1961. 19669PublisheriMolto calmo in 2/4, eighth = 72.Commentsart; trad. (Basque)Type trad. (Basque)Mel. Source trad. (Basque)Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.dfl1-dfl2Rangefdfl1=dfl2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

VI. Ainoarra ñimiñoTitleAinoarra ñimiño, ñimiño bainam agudo. . .First lineArambarri, JesusComposer


Union Musical Española 1961. 19669PublisheriAllegretto in 2/4, quarter = 92.Commentsart; trad. (Basque)Type trad. (Basque)Mel. Source trad. (Basque)Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.fsh1-d2Rangefsh1-csh2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

VII. AnderegeyaTitleAnderegeya zira garbia,First lineArambarri, JesusComposer


Union Musical Española 1961. 19669PublisheriCalmo in 2/4, quarter = 52.Commentsart; trad. (Basque)Type trad. (Basque)Mel. Source trad. (Basque)Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.e1-d2Rangee1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

VIII. Amak ezkondu ninduenTitleAmak ezkondu ninduen amabost urtekin,First lineArambarri, JesusComposer


Union Musical Española 1961. 19669PublisherAllegretto in 2/4, quarter = 92.Commentsart; trad. (Basque)Type trad. (Basque)Mel. Source trad. (Basque)Text SourcepianoInstrumentsHVoiceBeg.Voc. LevelMod.Acc. Reqts.g1-g2Rangeeg1-g2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

V. Arranoak bartuetanTitleArranoak bartuetan gora dabitzaFirst lineArambarri, JesusComposer


Union Musical Española 1961. 19669PublisherAndante, quarter = 56.Commentsart; trad. (Basque)Type trad. (Basque)Mel. Source trad. (Basque)Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-f2Rangee1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Collection Liricas castellanasTitleFirst line

Rodrigo, Joaquin (1901-?)ComposerComp. Nat.

Liricas castellanasCollection

Schott 1993; Score & parts ED 7597Publisher"A Su Majestad la Reina Sofia de España" Duration; approx, 10 Commentsart, trad./Typetrad.?Mel. Sourcetrad.; (anon. ed by Victoria Kamhi)Text Sourceflute, oboe, guitarInstruments


RangeTessitura


Translation

20th C.Hist. Per.

1. San Juan y PascuaTitleQue no cogeré verbena en la mañana de San Juan.First lineRodrigo, Joaquin (1901-?)Composer

Comp. Nat.Liricas castellanasCollection

Schott 1993; Score & parts ED 7597PublisherAndantino ( quarter = 56) Brief song, declamatory style. *Commentsart, trad./Typetrad.?Mel. Sourcetrad.; (anon. ed by Victoria Kamhi)Text Sourceflute, oboe, guitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.b-e2Rangee1-e2Tessituradct. exp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

2. Despedida y soledadTitleVanse mis amores, madre, luengas tierras ven morar. . .First lineRodrigo, Joaquin (1901-?)Composer


Schott 1993; Score & parts ED 7597PublisherAdagietto in 3/4, quarter = 58. Declamatory style. Req. interpretativeCommentsart, trad./Typetrad.?Mel. Sourcetrad.; (anon. ed by Victoria Kamhi)Text Sourceflute, oboe, guitarInstrumentsHVoiceBeg.Voc. Level?Acc. Reqts.d1-g2Rangee1-e2Tessituradct. exp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

3. Espera del amadoTitleAl alba venís, buen amigo,First lineRodrigo, Joaquin (1901-?)Composer


Schott 1993; Score & parts ED 7597PublisherAndante con moto in 12.8, dotted quarter = 58. 4 vocal phrases in Commentsart, trad./Typetrad.?Mel. Sourcetrad.; (anon. ed by Victoria Kamhi)Text Sourceflute, oboe, guitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.dsh1-d2Rangedsh1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

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1. El paño morunoTitleAl paño fino, en la tienda,First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Siete Canciones Populares Españolas Medium VoiceCollection

1991 Chester Music Ltd. London. CH 14151PublisherAllegretto vivace in 3/8. Graceful, light w. shifting rhythmic accents.Commentsart; trad.(Murcia, Sp.)TypeTrad., Murcia, Sp.Mel. SourceTrad., Murcia, Sp.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.fsh1-e2Rangefsh1-d2Tessiturarhy.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

2. Seguidilla MurcianaTitleCualquiera que el tejado. . .First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Siete Canciones Populares Españolas Medium VoiceCollection

1991 Chester Music Ltd. London. CH 14151PublisherAllegro spiritoso in 3/4. Spirited, sustained, declamatory, dance-like; Commentsart; trad.(Murcia, Sp.)TypeTrad., Murcia, Sp.Mel. SourceTrad., Murcia, Sp.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.f1-d2Rangea1-d2Tessituradct.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

3. AsturianaTitlePor ver si me consolaba. . .First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Siete Canciones Populares Españolas Medium VoiceCollection

1991 Chester Music Ltd. London. CH 14151PublisherAndante tranquillo in 3/4. Sustained, slow, plaintive. Req. control of Commentsart; trad.(Asturias, Sp.)TypeTrad., Asturias, Sp.Mel. SourceTrad., Asturias, Sp.Text SourcePianoInstrumentsLVoiceInt.Voc. LevelDiff.Acc. Reqts.e1-c2Rangef1-c2Tessituraexp.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

4. JotaTitleDicen que no nos queremos. . .First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Siete Canciones Populares Españolas Medium VoiceCollection

1991 Chester Music Ltd. London. CH 14151PublisherSpirited, sustained, lightly ornamented. Req. good control of dynamics.Commentsart; trad.(Aragon, Sp.)TypeTrad., Aragon, Sp.Mel. SourceTrad., Aragon, Sp.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelDiff.Acc. Reqts.fsh1-e2Rangefsh1-d2Tessituradnce.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

5. NanaTitleDuermete niño, duerme,First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Siete Canciones Populares Españolas Medium VoiceCollection

1991 Chester Music Ltd. London. CH 14151PublisherSustained, slow, delicate. Lightly ornamented. Req. good control of Commentsart; trad.(Anadalucia, Sp.)TypeTrad., Andalucia, Sp.Mel. SourceTrad., Andalucia, Sp.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.d1-e2Rangee1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

6. CanciónTitlePor traidores, tus ojos, Voy á enterarlos;First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Siete Canciones Populares Españolas Medium VoiceCollection

1991 Chester Music Ltd. London. CH 14151PublisherAllegretto in 6/8, dotted quarter = 63. "con grazia'. Lilting, dance-like,Commentsart; trad. Sp.TypeTrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.d1-e2Rangee1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

7. PoloTitleAy! Guardo una ___"Ay!". . . Guarda una pena en mi pecho. . .First lineFalla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Siete Canciones Populares Españolas Medium VoiceCollection

1991 Chester Music Ltd. London. CH 14151PublisherVivo in 3/8. Spirited, sustained w. rapid melismatic passages. Commentsart; trad.(Andalusia, Sp.)TypeTrad., Andalusia, Sp.Mel. SourceTrad., Andalusia, Sp.Text SourcePianoInstrumentsMVoiceAdv.Voc. LevelBasicAcc. Reqts.d1-f2Rangee1-e2Tessituradnce. rhy.Spec. Appl.LNCEMSCall No.Fr. w. musicTranslation

20th C.Hist. Per.

Collection Siete Canciones Populares Españolas Medium VoiceTitleFirst line

Falla, Manuel de, 1876-1946ComposerSp.Comp. Nat.Siete Canciones Populares Españolas Medium VoiceCollection

1991 Chester Music Ltd. London. CH 14151PublisherComments

art; trad.TypeTrad.Mel. SourceTrad.Text SourcePianoInstruments


RangeTessitura


20th C.Hist. Per.

I. La CalándriaTitleN'ot recordes amor meu d'aquella matinada....First lineGerhard, RobertoComposer

Comp. Nat.Six Catalan folksongsCollection

Copyright 1933 by Universal, assigned to Boosey & Hawkes PublishersPublisherLarghetto. 3 verses *Commentstrad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.gsh1-gsh2Rangegsh1-e2Tessitura

Spec. Appl.LNCEMSCall No.in Cat.; German & Eng. w/musicTranslation

20th C.Hist. Per.

II. La mort i la donzellaTitleDesperteuvos el meu pare,First lineGerhard, RobertoComposer


Copyright 1933 by Universal, assigned to Boosey & Hawkes PublishersPublisherLargo in 4/4.. Brief song. *Commentstrad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.gsh1-gsh2Rangegsh1-e2Tessitura


20th C.Hist. Per.

III. El petit vailetTitleEl peti vailet demati...First lineGerhard, RobertoComposer


Copyright 1933 by Universal, assigned to Boosey & Hawkes PublishersPublisherLargo. Intro in 6/8, melody in 2/4. Brief song. *Commentstrad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelDiff.Acc. Reqts.afl1-f2Rangeafl1-f2Tessitura


20th C.Hist. Per.

IV. El CotilóTitleSi'n sóc fill de Montagut....First lineGerhard, RobertoComposer


Copyright 1933 by Universal, assigned to Boosey & Hawkes PublishersPublisherAndantino molto espressivo in 3/4. Brief song. *Commentstrad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.afl1-gfl2Rangeafl1-gfl2Tessitura


20th C.Hist. Per.

V. Enemic de los donesTitleDe casarme, mare...First lineGerhard, RobertoComposer


Copyright 1933 by Universal, assigned to Boosey & Hawkes PublishersPublisherAllegretto grazioso in 2/8 & 3/8. 2 verses. *Commentstrad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.f1-e2Rangef1-e2Tessiturarhy.Spec. Appl.LNCEMSCall No.in Cat.; German & Eng. w/musicTranslation

20th C.Hist. Per.

VI. Els ballaires dins un sacTitleSi n'hi havia tres o quatre que'n ballaven dins un sac...First lineGerhard, RobertoComposer


Copyright 1933 by Universal, assigned to Boosey & Hawkes PublishersPublisherAllegro scherzoso in 2/4. "Chatty". *Commentstrad.Typetrad.Mel. Sourcetrad.Text SourcePianoInstrumentsMVoiceBeg.Voc. LevelDiff.Acc. Reqts.fafl1-f2Rangeafl1-f2Tessituradct.Spec. Appl.LNCEMSCall No.in Cat.; German & Eng. w/musicTranslation

20th C.Hist. Per.

Collection Six Catalan FolksongsTitleSi n'hi havia tres o quatre que'n ballaven dins un sac...First lineGerhard, RobertoComposer


Copyright 1933 by Universal, assigned to Boosey & Hawkes PublishersPublisherIncluded is part for voice only which gives all the verses in Cat., GermanCommentstrad., artTypetrad.Mel. Sourcetrad.Text SourcePianoInstruments

VoiceBeg.Voc. Level

Acc. Reqts.Range

TessituraSpec. Appl.

LNCEMSCall No.in Cat. ( German transl. by R. S. Hoffmann, Eng. by J. B. Trend )Translation

20th C.Hist. Per.

Seguililla CaleseraTitleA tomar la mañana van mis zagales...First lineHalffter, ErnestoComposer

Comp. Nat.Seguililla CaleseraCollection

Max Eschig 1994 M.E. 8929PublisherTempo de Seguidilla in 3/4. "Chatty"; melismatic cadences. 2 verses.*Commentsart trad.TypeHalffter, ErnestoMel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.efl1-f2Rangeefl1-efl2Tessituradnce. rhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Madrigal sobre un tema popular (El cant dels ocells)TitleEn veure despuntar el major lluminar...First lineMontsalvatge, XavierComposer

Comp. Nat.Madrigal sobre un tema popular (El cant dels ocells)Collection

Tritó, Barcelona 1997. ISBN 84-88955-25-1PublisherOne verse, Moderato in 4/4. Setting of the folksong "which Pau Commentsart, trad.Typetrad. (Montsalvatge, Xavier, arr.)Mel. Sourcetrad.Text Sourcepiano, cello (or violin)InstrumentsMVoiceBeg.Voc. LevelMod.?Acc. Reqts.c1-f2Rangef1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Canço de l'estrella (Cancion de la estrella)TitleEstich enamorada, pobre de mi!First linePedrell, Felipe (1841-1922)Composer Sp. Cat.Comp. Nat.Canço de l'estrella (Cancion de la estrella)Collection

Manuel de Falla Ediciones, Madrid. 1997. Versión para canto y piano PublisherAndantino tranquillo in 2/4. Wide-ranging, expansive melody. Req. Commentsart, trad.?Type trad.? Pedrell, Felipe (1841-1922)Mel. Sourcetrad.?Text Sourcepiano (orch. reduction)InstrumentsHVoiceAdv.Voc. LevelMod.Acc. Reqts.d1-a2Ranged1-a2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.

Translation

19th C.? 20th C.?Hist. Per.

Collection Quatre Chansons Populaires de Catalogne ( Cuatro TitleFirst line

Nin-Culmell, Joaquin, 1908-ComposerComp. Nat.

Quatre Chansons Populaires de Catalogne ( Cuatro Canciones Collection

Éditions Max Eschig, Paris, 1964. M. E. 7224Publisher *Commentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcepianoInstruments

VoiceBeg.Voc. LevelMod.Acc. Reqts.

RangeTessitura

Spec. Appl.LNCEMSCall No.IFr. sep. from musicTranslation

20th C.Hist. Per.

I. Rossinyol que vas a FrançaTitleRossinyol que vas a FrançaFirst lineNin-Culmell, Joaquin, 1908-Composer

Comp. Nat.Quatre Chansons Populaires de Catalogne ( Cuatro Canciones Collection

Éditions Max Eschig, Paris, 1964. M. E. 7224Publisher $.4, quarter = 54. Brief song. 3 verses. *Commentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.c1=f2Rangec1-f2Tessituradct.Spec. Appl.LNCEMSCall No.IFr. sep. from musicTranslation

20th C.Hist. Per.

II. L'hermosa AntoniaTitleN'he festejada una hermosa AntoniaFirst lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1964. M. E. 7224Publisher in 3/8, dotted quarter = 84. Spritely tune. *Commentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.c1-e2Ranged1-c2Tessiturarhy. dct.Spec. Appl.LNCEMSCall No.IFr. sep. from musicTranslation

20th C.Hist. Per.

III. El pobre alegreTitleSoc pobre i no envejo la vida del rio,First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1964. M. E. 7224Publisher 3/8, dotted quarter = 96. Brief song, 2 verses. *Commentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.fsh1-fsh2Rangefsh1-d2Tessituradct.Spec. Appl.LNCEMSCall No.IFr. sep. from musicTranslation

20th C.Hist. Per.

IV. La gata i el belitreTitleDe la gata i el belitre jo us diré lo que ha pasat,First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1964. M. E. 7224Publisher 2/4, quarter = 120. Brief song. "Chatty". *Commentsart, trad.TypeTrad., Cat.Mel. SourceTrad., Cat.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-e2Ranged1-e2Tessituradct.Spec. Appl.LNCEMSCall No.IFr. sep. from musicTranslation

20th C.Hist. Per.

El cant dels ocells (Canço popular catalana)TitleEn veure despuntar el major lluminar en la nit....First lineValero, Josep; harm. & arr.Composer

Comp. Nat.El cant dels ocells (Canço popular catalana)Collection

Tenoras Edicions Musicals, Barcelona. Dep. Legal B-8.009-1980PublisherLent in 2/4.Commentstrad., Cat.Typetrad., Cat.Mel. Sourcetrad., Cat.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.b-e2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Collection Cinco Canciones AntiguasTitleFirst line

Anon.; Tarragó, Graciano, arr.ComposerComp. Nat.

Cinco Canciones AntiguasCollection

Union Musical Española 1963, 20029. Depósito Legal M. 8801-1963Publisher *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text Sourceguitar or vihuelaInstruments


RangeTessitura


Translation

20th C.Hist. Per.

I. Aquel caballero, madre.TitleAquel caballero, madre que de mi se emamoróFirst lineAnon.; Tarragó, Graciano, arr.Composer

Comp. Nat.Cinco Canciones AntiguasCollection

Union Musical Española 1963, 20029-1. Depósito Legal M. 8801-1963PublisherAndante moderato in 4/4, quarter = 63. 2 verses *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text Sourceguitar or vihuelaInstrumentsMVoiceBeg.?Voc. Level?Acc. Reqts.a1-f2Rangea1-f2Tessitura


Translation

20th C.Hist. Per.

II. De Antequera sale el moro.... RomanceTitleDe Antequera sale el moro....First lineMoreles - Fuenllana; Tarragó, Graciano, arr.Composer


Union Musical Española 1963, 20029-2. Depósito Legal M. 8801-1963PublisherAndante in 4/4, quarter = 63. Brief song. Romance *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text Sourceguitar or vihuelaInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.esh1-e2Rangefsh1-csh2Tessitura


Translation

20th C.Hist. Per.

III. Perdida tengo la color... VillancicoTitlePerdida tengo la color...First lineMilan, Luis; Tarragó, Graciano, arr.Composer


Union Musical Española 1963, 20029-3. Depósito Legal M. 8801-1963PublisherAndante mosso, in 4/4, 3/2 & cut time; quarter =72. Villancico. 2 Commentsart, trad.Typetrad.Mel. Sourcetrad.Text Sourceguitar or vihuelaInstrumentsLVoiceBeg.Voc. Level?Acc. Reqts.e1-b1Rangee1-b1Tessitura


Translation

20th C.Hist. Per.

IV. Duelete de mi, Señora...VillancicoTitleDuelete de mi, Señora...First lineFuenllana, Miguel de (1554) ; Tarragó, Graciano, arr.Composer


Union Musical Española 1963, 20029-4. Depósito Legal M. 8801-1963PublisherAndante in 2/4, eighth = 100.Commentsart, trad.Typetrad.Mel. Sourcetrad.Text Sourceguitar or vihuelaInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.dsh1-d2Rangee1-c2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

V. De los alamos vengo madre...TitleDe los alamos vengo madre...First lineAnon.; Tarragó, Graciano, arr.Composer


Union Musical Española 1963, 20029-5. Depósito Legal M. 8801-1963PublisherMuy alegre in 2/4, eighth = 100.Commentsart, trad.Typetrad.Mel. Sourcetrad.Text Sourceguitar or vihuelaInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.a1-e2Rangea1-e2Tessitura


Translation

20th C.Hist. Per.

Collection Nueve Canciones Populares CatalanasTitleFirst line

Toldra, E.ComposerComp. Nat.

Nueve Canciones Populares CatalanasCollection

Union Musical Españolas 1964, 1992.Publisher *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstruments


RangeTessitura


Translation

20th C.Hist. Per.

I. Matinet m'en llevo jaTitleMatinet m'en llevo ja, matinet a punta d'albaFirst lineToldra, E.Composer

Comp. Nat. Nueve Canciones Populares CatalanasCollection

Union Musical Españolas 1964, 1992.PublisherAllegretto mosso in 3/4 & 2/4. "Chatty", brief song. 3 verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1=d2Rangee1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

II. El pardalTitleUna cançoneta, ai, vos la diré....First lineToldra, E.Composer


Union Musical Españolas 1964, 1992.PublisherAllegro non troppo, changing meter. Brief song, wide ranging melody.Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsHVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-g2Rangeg1-g2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

III. De Mataró varem venirTitleDe Mataró varem venirFirst lineToldra, E.Composer


Union Musical Españolas 1964, 1992.PublisherCalmo, changing meter. Brief song 2 verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.a1-e2Rangea1-d2Tessitura


Translation

20th C.Hist. Per.

IV. Flor d'olivarTitleLumlà qui ve de l'aiguaFirst lineToldra, E.Composer


Union Musical Españolas 1964, 1992.PublisherAllegretto, changing meter. Brief song. 3 verses.*Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-d2Rangef1-d2Tessitura


Translation

20th C.Hist. Per.

V. El rei n'ha fetes fer cridesTitleEl rei n'ha fetes fer crides per Espanya i Portugal,First lineToldra, E.Composer


Union Musical Españolas 1964, 1992.PublisherNon troppo lento, changing meter. Brief song, 2 verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.f1-f2Rangef1-f2Tessitura


Translation

20th C.Hist. Per.

VI. Ai, minyons que aneu pel monTitleAi, minyons que aneu pel mon cercant els amos.First lineToldra, E.Composer


Union Musical Españolas 1964, 1992.PublisherAllegro giusto in 2/4. Brief "chatty" song, 3 verses *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-csh2Rangefsh1-csh2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

VII. Sota el pont d'orTitleSi n'eren tres ninetes, més ai...First lineToldra, E.Composer


Union Musical Españolas 1964, 1992.PublisherAllegretto tranquillo. in 3/8. Brief song. 3 verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsmVoiceBeg.Voc. LevelBasicAcc. Reqts.f1-efl2Rangeg1-d2Tessitura


Translation

20th C.Hist. Per.

VIII. La quadrillaTitleUna cançoneta nova....minyons, vos la vull cantar.First lineToldra, E.Composer


Union Musical Españolas 1964, 1992.PublisherAllegro vivace in 2/4. Brief song. 3 verses *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.e1-d2Rangee1-d2Tessitura


Translation

20th C.Hist. Per.

IX. L'Alabau (No t'espantis, Alabau)TitleUna canço vull cantar.....First lineToldra, E.Composer


Union Musical Españolas 1964, 1992.PublisherAllegretto scherzoso, 3/8 & 4/8. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.g1-e2Rangeg1-e2Tessitura


Translation

20th C.Hist. Per.

I. Anda jaleoTitleYo me subia a un pino verde por ver si la divisaba ...First lineNin-Culmell, Joaquin, 1908-Composer

Comp. Nat.Quatre Chansons Populaires d'Andalousie ( Cuatro Canciones Collection

Éditions Max Eschig, Paris, 1964. M. E. 7223Publisher 3/8, dotted quarter = 88. Brief song. 2 versesCommentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-e2Ranged1-e2Tessituradct. rhy.Spec. Appl.LNCEMSCall No.IFr. sep. from musicTranslation

20th C.Hist. Per.

III. Debajo de la hojaTitleDebajo de la hoja de la verbenaFirst lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1964. M. E. 7223Publisher 3/8, dotted quarter = 92. Syncopated, dance-like. 2 verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoice.Beg.Voc. LevelMod.Acc. Reqts.f1-f2Rangef1-f2Tessituradct. rhy.Spec. Appl.LNCEMSCall No.IFr. sep. from musicTranslation

20th C.Hist. Per.

IV Seguilillas Sevillanas.TitleViva Sevilla...llevan las Sevillanas en la mantillasFirst lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1964. M. E. 7223Publisher 3/4, quarter = 144.. , Dance-like, light ornaments. 2 verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.fdfl1-gfl2Rangefdfl1-gfl2Tessituradnce.. rhy.Spec. Appl.LNCEMSCall No.IFr. sep. from musicTranslation

20th C.Hist. Per.

II. Los cuatros mulerosTitleDe los cuatro muleros ...mamita mia!First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1964. M. E. 7223Publisher 3/8 dotted quarter = 88. Dance-like, syncopated 2 verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.efl1-f2Rangeefl1-efl2Tessitura rhy.Spec. Appl.LNCEMSCall No.IFr. sep. from musicTranslation

20th C.Hist. Per.

Collection Quatre Chansons Populaires de Salamanque (Cuatro TitleFirst line

Nin-Culmell, Joaquin, 1908-ComposerComp. Nat.

Quatre Chansons Populaires de Salamanque ( Cuatro Canciones Collection

Éditions Max Eschig, Paris, 1964. M. E. 7225Publisher *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstruments


RangeTessitura


20th C.Hist. Per.

I. Les mozos de MonleoTitleLos mozos de Monleon se fueron arar templano.First lineNin-Culmell, Joaquin, 1908-Composer

Comp. Nat.Quatre Chansons Populaires de Salamanque ( Cuatro Canciones Collection

Éditions Max Eschig, Paris, 1964. M. E. 7225PublisherBrief song in 6/8, eighth = 104. Lightly ornamented. "A Conchita Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsLVoiceInt.Voc. LevelMod.Acc. Reqts.f1-c2Rangef1-c2Tessitura


20th C.Hist. Per.

II. Ya se muriu del burruTitleYa se muriu el burru que acarreaba la vinagre...First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1964. M. E. 7225Publisher Brief song in 2/4, quarter = 126. "Chatty" 2 verses. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasic?Acc. Reqts.a1-f2Rangea1-f2Tessitura dct.Spec. Appl.LNCEMSCall No.IFr. sep. from musicTranslation

20th C.Hist. Per.

III. Los ojos de mi morenaTitleLos ojos de mi morena ni son chicos ni son grandes...First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1964. M. E. 7225Publisher In 6/8, dotted quarter = 76. Dance-like, "chatty". *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.g1-e2Rangeg1-d2Tessitura dct.Spec. Appl.LNCEMSCall No.IFr. sep. from musicTranslation

20th C.Hist. Per.

IV. Ahi tienes mi corazónTitleAhi tienes mi corazón que si lo vieres ahora...First lineNin-Culmell, Joaquin, 1908-Composer


Éditions Max Eschig, Paris, 1964. M. E. 7225Publisher In 6/8, dotted quarter = 84. Strongly rhythmic w/ornamented Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.g1-afl2Rangeg1-afl2Tessitura rhy.Spec. Appl.LNCEMSCall No.IFr. sep. from musicTranslation

20th C.Hist. Per.

Collection Cinco canciones populares ArgentinasTitleFirst line

Ginastera, Alberto, 1916-ComposerArg.Comp. Nat.Cinco canciones populares ArgentinasCollection

Ricordi Americana, Buenos Aires, 1943. BA 8791Publisher *Commentsart, trad.TypeArg.Mel. SourceArg.Text SourcePianoInstruments


RangeTessitura


Translation

20th C.Hist. Per.

Collection Lirica Española, Tres Canciones; Op. 54,TitleSi ese sol que nos alumbra,First lineEsplá, Oscar,1886-1976ComposerSp.Comp. Nat.Lirica Española, Tres Canciones; Op. 54,Collection

Union Musical Española, Madrid, 1952. #18728Publisher *Commentsart, trad.Typetrad., Sp.Mel. SourceTrad., Sp.Text SourcePianoInstruments


RangeTessitura


Translation

20th C.Hist. Per.

EstrellitaTitleEstrellita del lejano cielo,First linePonce, Manuel, 1882-1948ComposerMex.Comp. Nat.EstrellitaCollection

Carl Fischer, New York. S5705 Low Voice. 24417-4PublisherSustained, sweeping, wide- ranging melody. Req. vocal & interpretativeCommentsart, trad.?TypePonce, ManuelMel. SourcePonce, ManuelText SourcePianoInstruments MVoiceInt.Voc. LevelBasicAcc. Reqts. afl-f;Rangedfl1-dfl2;Tessituraexp.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.

1. Mokoce ce - maká (Chanson Indienne)TitleEná mokece cemaka,First lineVilla-Lobos, H.ComposerBraz.Comp. Nat.Mokoce ce - maká (Chanson Indienne), from Chansons Typiques Collection

Max Eschig, 1929. M. E. 2216PublisherUn pouco amimado in 5/4. "Cançao para acalentar as criancinhas entreCommentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsHVoiceAdv..Voc. LevelMod.?Acc. Reqts.b-g2Rangeb-a1Tessituraexp. rhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

2. Nozani - ná (Chanson Indienne)TitleFirst line

Villa-Lobos, H.ComposerBraz,Comp. Nat.Nozani - ná (Chanson Indienne), from Chansons Typiques Collection

Max Eschig, 1929. M. E. 221?PublisherNOT FOUND *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstruments


RangeTessitura


Translation

20th C.Hist. Per.

3. Papae Curumiassú (Berceuse de Caboclo)TitlePapae Curumiasú, mamae Curumiary,First lineVilla-Lobos, H.ComposerBraz.Comp. Nat.Papae Curumiassú (Berceuse de Caboclo), from Chansons Collection

Max Eschig, 1929. M. E. 2217PublisherLento in 3/4 7 4/4, langoroso, quarter = 88. "Cançao de rede entreCommentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.c1-efl2Rangec1-c2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

4. Xango (Chants religieux de Makumba)TitleXango! Ole gondile. . .First lineVilla-Lobos, H.ComposerBraz.Comp. Nat.Xango (Chants religieux de Makumba), from Chansons Typiques Collection

Max Eschig, 1929. M. E. 2218. Paris, Imp. Pounot. Nov. 1957PublisherAnimado in 4, quarter = 120. A chant. "Canto fetiche de Makumba Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.g1-d2Rangeg1-d2Tessituraexp. rhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

5. Estrella é lua nova ( Fétichisme des nègres brésiliens)TitleEstrella do céo é lua nova cravejada. . .First lineVilla-Lobos, H.ComposerBraz.Comp. Nat. Estrella é lua nova ( Fétichisme des nègres brésiliens), from Collection

Max Eschig, 1929. M. E. 2219PublisherUn pouco animado in cut time, half equals 84. "Canto fetiche de Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.d1-e2Ranged1-d2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

6. Viola quebrada (Toada de caipira, chanson)TitleQuando da brisa no açoite . . .First lineVilla-Lobos, H.ComposerBraz.Comp. Nat.Viola quebrada (Toada de caipira, chanson), from Chansons Collection

Max Eschig, 1929. M. E. 2220PublisherChanging tempo & meter w/ harmonized chorus. "Modinha de M de A.Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.b-e2Rangee1-e2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

7. Adeus Ema (Desafio)TitleAdeus Ema . . . Dali cença eu vou fallá. . .First lineVilla-Lobos, H.ComposerBraz.Comp. Nat.Adeus Ema (Desafio), from Chansons Typiques Brésiliennes depuisCollection

Max Eschig, 1930. M. E. 2612PublisherUn peu moderé in 2/4. "Théma populaire du Nord de 'Minas Geraes'" Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangee1-e2Tessituradct. rhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

8. Palida madona ( Modinha antiga, vielle chanson)TitleO pallida Madona de meus sonhas,First lineVilla-Lobos, H.ComposerBraz.Comp. Nat.Palida madona ( Modinha antiga, vielle chanson), from Chansons Collection

Max Eschig, 1930. M. E. 2611PublisherAdagio in 4/4. Declamatory opening to song. 2 verses. "A Elsie Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.c1-d2Rangec1-d2Tessituraexp. rhy. dct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

9. Tu passaste por este jardim ( Modinha carioca, )Title Tu passaste por este jardim . . .First lineVilla-Lobos, H.ComposerBraz.Comp. Nat. Tu passaste por este jardim ( Modinha carioca, ), from ChansonsCollection

Max Eschig, 1930. M. E. 2610Publisher Moderé in 2/2. Somewhat extended piece. "A Elsie Houston *Commentsart, trad.TypeDutra, AlfredoMel. SourceCaerense, CatulloText SourcepianoInstrumentsMVoiceInt.Voc. LevelBasicAcc. Reqts.a-f2Rangeb-e2Tessituraexp. dcSpec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

10. Cabocla de Caxangá ( Embolada do Norte, Chanson dansée du TitleCabocla de Caxangá minha Caboca ven cá.First lineVilla-Lobos, H.ComposerBraz.Comp. Nat.Cabocla de Caxangá ( Embolada do Norte, Chanson dansée du Collection

Max Eschig, 1930. M. E. 2613Publisher"Pour chant à 4 Voix et Choeur Mixte'." "A Elsie Houston" *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstruments"Pour chant à 4 Voix et ChoeurVoice


RangeTessitura


Translation

20th C.Hist. Per.

Canção Do Poeta Do Século XVIII (Modinha)TitleSonhei que a noite era festiva. . .First lineVilla - Lobos, H.ComposerBraz.Comp. Nat.Canção Do Poeta Do Século XVIII (Modinha)Collection

Southern Music Publishing Co. 1953. 240-2PublisherAndantino moderato in 2/2. Lilting, dance-like. *Commentsart, trad.?TypeVilla - Lobos, H.? trad.?Mel. SourceFerreira, AlfredoText SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-f2Ranged1-f2Tessituradct. exp.Spec. Appl.LNCEMSCall No.Eng. w/musicTranslation

20th C.Hist. Per.

Pai - Do - Mato (Man of the forest, from Native Songs)TitleA moça Camalalo. . .First lineVilla - Lobos, H.ComposerBraz.Comp. Nat.Pai - Do - Mato (Man of the forest, from Native Songs)Collection

Southern Music Publishing Co. 1954. 292-8PublisherChanging meter & tempo. Dramatic song in evocative setting. *Commentsart, trad.?TypeVilla - Lobos, H.? trad.?Mel. SourceAndrade, Mario de (Poema Amerindio)Text SourcepianoInstrumentsMVoiceAdv.Voc. LevelDiff.Acc. Reqts.c1-f2Rangec1-f2Tessituradct. exp.Spec. Appl.LNCEMSCall No.Eng. w/musicTranslation

20th C.Hist. Per.

Collection Modinhas e Canções (Melodies et Chansons)TitleFirst line

Villa-Lobos, H.ComposerBraz.Comp. Nat. Modinhas e Canções (Mélodies et Chansons)Collection

Max Eschig, 1957. M. E. 6831Publisher *Commentsart, trad.TypeVilla-Lobos, H.Mel. Source

Text SourcepianoInstruments


RangeTessitura


Translation

20th C.Hist. Per.

Cancao do Marinheiro (Chanson du Matelot)TitleHunha monça namorada.. .First lineVilla-Lobos, H.ComposerBraz.Comp. Nat. Modinhas e Canções (Mélodies et Chansons)Collection

Max Eschig, 1957. M. E. 6831 1PublisherLento e vago in 6/8. "Mélodie à la manière du genre Ibérique de XSVI Commentsart, trad.TypeVilla-Lobos, H.Mel. SourceVicente, Gil (1470?-1536?)Text SourcepianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.efl1-g2 (Opt. bfl2)Rangeg1-g2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C. (Rio 1936)Hist. Per.

Lundú da Marqueza de Santos (Louanges pour la Marquise de Santos)TitleMinha flor idolatrada. . .First lineVilla-Lobos, H.ComposerBraz.Comp. Nat. Modinhas e Canções (Mélodies et Chansons)Collection

Max Eschig, 1957. M. E. 6831 2PublisherAllegretto in 4/4 "Evocation de l'époque de 1822" *Commentsart, trad.TypeVilla-Lobos, H. (Rio, 1940)Mel. Sourcetrad.Text SourceCorrea, ViriatoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.efl1-g2 (opt. bfl2)Rangef1-f2Tessituradct. exp.Spec. Appl.LNCEMSCall No.

Translation

20th C. (Rio, 1940)Hist. Per.

Cantilena (Cantilène)TitleO Rei mandou me chamá. . .First lineVilla-Lobos, H.ComposerBraz.Comp. Nat. Modinhas e Canções (Mélodies et Chansons)Collection

Max Eschig, 1957. M. E. 6831 3PublisherLento in 2/4. "Chant issu de la Maison des Esclaves. Motif des Noirs Commentsart, trad.TypeVilla-Lobos, H.Mel. Sourcetrad.Text SourcepianoInstrumentsLVoiceInt.Voc. LevelBasicAcc. Reqts.c1-c2Rangec1-c2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


Remeiro de Sao-Francisco (Le Pagayeur de Sao-Francisco)TitleOh! Lele dia!First lineVilla-Lobos, H.ComposerBraz.Comp. Nat. Modinhas e Canções (Mélodies et Chansons)Collection

Max Eschig, 1957. M. E. 6831 5PublisherAndante in 4/4 Brief song."Chant des Métis du fleuve Sao-Francisco Commentsart, trad.TypeVilla-Lobos, H.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.f1-f2Rangef1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


'Nhapopé (Mélodie Ancienne)TitleOuvi contar certa noite. . .First lineVilla-Lobos, H.ComposerBraz.Comp. Nat. Modinhas e Canções (Mélodies et Chansons)Collection

Max Eschig, 1957. M. E. 6831 6PublisherAnimato in changing meter. "Chatty'. *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsLVoiceAdv.Voc. LevelDiff.Acc. Reqts.csh1-b2Rangee1-b2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation


EvocaçaoTitleNuma noite estrelada de Maio. . .First lineVilla-Lobos, H.ComposerBraz.Comp. Nat. Modinhas e Canções (Mélodies et Chansons)Collection

Max Eschig, 1957. M. E. 6831 7PublisherIn 6/8, changing tempo. "Chatty" 2 verses w/ refrain. *Commentsart, trad.Typetrad.?, Villa-Lobos, H.Mel. SourceSalema, SylvioText SourcepianoInstrumentsHVoiceInt.Voc. LevelDiff.Acc. Reqts.d1-afl2Rangef1-f2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation


A Gatinha parda (La petite chatte grise)TitleMiáu! Miáu!First lineVilla-Lobos, H.ComposerBraz.Comp. Nat. Modinhas e Canções (Meéodies et Chansons)Collection

Max Eschig, 1957. M. E. 6831 4PublisherAllegretto in 4/4. "Chatty". Brief song. "Sur le theme d'une Commentsart, trad.TypeVilla-Lobos, H.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.efl1-d2Rangeefl1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation


Collection Tres Poemas Indigenas (Trois Poemes Indiens)TitleFirst line

Villa-Lobos, H.ComposerBraz.Comp. Nat. Tres Poemas Indigenas (Trois Poemes Indiens)Collection

Max Eschig, 1929. M. E. 2105Publisher *Commentsart, trad.Type


pianoInstrumentsVoice


RangeTessitura


Translation

20th C.Hist. Per.

I. Canide Ioune - Sabath (Ave Amarella.... Cançao Elegiaca )TitleCanide Ioune . . . heura uo ech!First lineVilla-Lobos, H.ComposerBraz.Comp. Nat. Tres Poemas Indigenas (Trois Poemes Indiens)Collection

Max Eschig, 1929. M. E. 2105PublisherMovimento de Marcha Lenta, changing meter. "á Roquette Pinto" *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsLVoiceBeg.Voc. LevelBasicAcc. Reqts.c1-a2Ranged1-a2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


II. TeirúTitleUaie aautiá harenze. . .First lineVilla-Lobos, H.ComposerBraz.Comp. Nat. Tres Poemas Indigenas (Trois Poemes Indiens)Collection

Max Eschig, 1929. M. E. 2104PublisherModerato in changing meter & tempo. "á Roquette Pinto" "D'après Commentsart, trad.Typetrad.Mel. Sourcetrad.Text SourcepianoInstrumentsMVoiceAdv.Voc. LevelMod.Acc. Reqts.b-f2Ranged-f2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation


III. IáraTitleDe primeiro o velhoque tinha visto. . .First lineVilla-Lobos, H.ComposerBraz.Comp. Nat. Tres Poemas Indigenas (Trois Poemes Indiens)Collection

Max Eschig, 1929. M. E. 2106Publisher Changing meter & tempo. "á Roquette Pinto" *Commentsart, trad.TypeVilla-Lobos, H.Mel. SourceAndrade, Mario deText SourcepianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.f1-g2Rangef1-g2Tessituradct. exp.Spec. Appl.LNCEMSCall No.

Translation


Collection Bachianas Brasileiras No. 5 for Piano & Orchestra, ReductionTitleFirst line

Villa-Lobos, H.ComposerComp. Nat.

Bachianas Brasileiras No. 5 for Piano & Orchestra, Reduction for Collection

Associated Music Publishers 1947, 1948. AMP 194547.PublisherComments

art, trad.TypeMel. SourceText Source



RangeTessitura


Translation

20th C.Hist. Per.

I. Aria (Cantilena)TitleFirst line

Villa-Lobos, H.ComposerBraz.Comp. Nat.Bachianas Brasileiras No. 5 for Piano & Orchestra, Reduction for Collection

Associated Music Publishers 1947, 1948. AMP 194547.Publisher"To Mindinha" *Commentsart, trad.TypeVilla-Lobos, H.Mel. SourceCorréa, Ruth (in Ptg.)Text SourcepianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.

RangeTessitura

exp.Spec. Appl.LNCEMSCall No.Eng. w/musicTranslation

20th C. (1938)Hist. Per.

II. Dansa (Martelo)TitleFirst line

Villa-Lobos, H.ComposerBraz.Comp. Nat.Bachianas Brasileiras No. 5 for Piano & Orchestra, Reduction for Collection

Associated Music Publishers 1947, 1948. AMP 194547.Publisher *Commentsart, trad.TypeVilla-Lobos, H.Mel. SourceBandeira, Manoel (in Ptg.)Text SourcepianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.

RangeTessitura

rhy. dct.Spec. Appl.LNCEMSCall No.Eng. w/musicTranslation


Collection Canciones Populares Españolas para canto y guitarra o TitleFirst line

Tarrago, Graciano; arr.ComposerComp. Nat.

Collection Canciones Populares Españolas para canto y guitarra oCollection

Union Musical Español # 19637Publisher *Commentsart, trad.Typetrad.Mel. Sourcetrad.Text Sourceguitar or pianoInstruments


RangeTessitura


Translation

20th C.Hist. Per.

Adios meu homiño, Antigua cantiga popular (Galicia)TitleAdios meu homiño. . .First lineTarrago, Graciano; arr.Composer

Comp. Nat.Collection Canciones Populares Españolas para canto y guitarra oCollection

Union Musical Español # 19637PublisherQuasi Andante in 6/8, eighth = 102. *Commentsart, trad.Typetrad. (Galicia)Mel. Sourcetrad. (Galicia)Text Sourceguitar or pianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-f2Ranged1-c2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Ahi tienes mi corazon (León-Salamanca)TitleFirst line

Tarrago, Graciano; arr.ComposerComp. Nat.

Collection Canciones Populares Españolas para canto y guitarra oCollection

Union Musical Español # 19637PublisherAllegro in 3/4., dotted half = 63. *Commentsart, trad. (León-Salamanca)Typetrad. (León-Salamanca)Mel. Sourcetrad. (León-Salamanca)Text Sourceguitar or pianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.g1-f2Rangeg1-f2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Andregaya (Vasconia)TitleGauerdida erico oro nean,First lineTarrago, Graciano; arr.Composer


Union Musical Español # 19637PublisherAllegro moderato in 2/4, quarter = 100. *Commentsart, trad. (Vasconia)Typetrad. (Vasconia)Mel. Sourcetrad. (Vasconia)Text Sourceguitar or pianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Campanas de Belen Villancico andaluz (Córdoba)TitleCampana sobre campana. . .First lineTarrago, Graciano; arr.Composer


Union Musical Español # 19637PublisherAllegro moderato in 2/4, quarter = 104. *Commentsart, trad. (Córdoba)Typetrad. (Córdoba)Mel. Sourcetrad. (Córdoba)Text Sourceguitar or pianoInstrumentsHVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-g2Ranged1-efl2Tessituradct. exp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Cancion de trilla (Mallorca)TitleAy!. . . Com mes va mes m'hi en fund. . .First lineTarrago, Graciano; arr.Composer


Union Musical Español # 19637PublisherMuy lento y libre in 2/4, eighth = 65. *Commentsart, trad. (Mallorca)Typetrad. (Mallorca)Mel. Sourcetrad. (Mallorca)Text Sourceguitar or pianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.f1-d2Rangef1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Jaeneras que yo canto Jaén (Andalucia)TitleJaeneras que yo canto. . .First lineTarrago, Graciano; arr.Composer


Union Musical Español # 19637PublisherAllegro in 3/4 & 2/4, quarter = 160. *Commentsart, trad. (Andalucia)Typetrad. (Andalucia)Mel. Sourcetrad. (Andalucia)Text Sourceguitar or pianoInstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.e1-g2Rangee1-e1-g2Tessiturarhy. dct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

La vi llorando (Castilla la Vieja)TitleLa vi llorando . . .First lineTarrago, Graciano; arr.Composer


Union Musical Español # 19637PublisherTranquillo in 3/4, quarter = 75. *Commentsart, trad. (Castilla la Vieja)Typetrad. (Castilla la Vieja)Mel. Sourcetrad. (Castilla la Vieja)Text Sourceguitar or pianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.gsh1-e2Rangea1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Miña nay por me casare Alalá (Galicia)TitleMiña nay por me casareFirst lineTarrago, Graciano; arr.Composer


Union Musical Español # 19637PublisherAlegre in 3/4, dotted half = 63. *Commentsart, trad. (Galicia)Typetrad. (Galicia)Mel. Sourcetrad. (Galicia)Text Sourceguitar or pianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.g1-efl2Rangeg1-d2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Nik Baditut (Vasconia)TitleNik Baditut mortuetan. . .First lineTarrago, Graciano; arr.Composer


Union Musical Español # 19637PublisherDespacio in 3/4 & 4/4, eighth = 90. *Commentsart, trad. (Vasconia)Typetrad. (Vasconia)Mel. Sourcetrad. (Vasconia)Text Sourceguitar or pianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.d1-f2Ranged1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Parado de Valldemosa (Mallorca)TitleLa, la, la, . . . Ses atlotes no'm volen per que . . . .First lineTarrago, Graciano; arr.Composer


Union Musical Español # 19637PublisherAndante in 3/4 & 4/4, quarter = 80. *Commentsart, trad. (Mallorca)Typetrad. (Mallorca)Mel. Sourcetrad. (Mallorca)Text Sourceguitar or pianoInstrumentsMVoiceInt.Voc. LevelMod.Acc. Reqts.dsh1-fsh2Rangee1-e2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Playera Granada (Andalucia)TitleAy! que ya viene Dios. . .First lineTarrago, Graciano; arr.Composer


Union Musical Español # 19637PublisherMuy despacio in 3/4. *Commentsart, trad. (Andalucia)Typetrad. (Andalucia)Mel. Sourcetrad. (Andalucia)Text Sourceguitar or pianoInstrumentsMVoiceAdv.Voc. LevelDiff.Acc. Reqts.d1-f2Rangee1-e2Tessituraexp. tch.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

El Rossinyol (Cataluña)TitleRossinyol que vas a França. . .First lineTarrago, Graciano; arr.AComposer


Union Musical Español # 19637PublisherLento in 2/4 & 3/4, quarter = 65. *Commentsart, trad. (Cataluña)Typetrad. (Cataluña)Mel. Sourcetrad. (Cataluña)Text Sourceguitar or pianoInstrumentsHVoiceBeg.Voc. LevelMod.Acc. Reqts.d1-g2Rangeg1-g2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Si quieres saber coplas Granadinas (Cataluña)TitleSi quieres saber coplasFirst lineTarrago, Graciano; arr.AComposer


Union Musical Español # 19637PublisherTiempo de Granadinas in 3/4 & 6/8. *Commentsart, trad. (Cataluña)Typetrad. (Cataluña)Mel. Sourcetrad. (Cataluña)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.c1-e2Rangec1-e2Tessituradct. rhy. exp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Tengo que subir (Asturias)TitleTengo que subir . . .First lineTarrago, Graciano; arr.AComposer


Union Musical Español # 19637PublisherMuy despacio (casi recitativo) eighth = 92. *Commentsart, trad. (Asturias)Typetrad. (Asturias)Mel. Sourcetrad. (Asturias)Text Sourceguitar or pianoInstrumentsHVoiceInt.Voc. LevelMod.Acc. Reqts.fsh1-g2Rangeg1-f2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Ya se van los pastores (Castilla la Vieja)TitleYa se van los pastoresFirst lineTarrago, Graciano; arr.AComposer


Union Musical Español # 19637PublisherAndante in 2/4, quarter = 78. *Commentsart, trad. (Castilla la Vieja)Typetrad. (Castilla la Vieja)Mel. Sourcetrad. (Castilla la Vieja)Text Sourceguitar or pianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-d2Ranged1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Collection Three Spanish Songs Tres Canciones EspañolasTitleFirst line

Rodrigo, Joaquin, 1902 - ?ComposerSp.Comp. Nat.Three Spanish Songs Tres Canciones EspañolasCollection

Schott & Co., 1960. 10601Publisher *Commentsart, trad.?TypeRodrigo, Joaquin, 1902 - ?Mel. Sourcetrad. ? (Eng. transl. by Nigel Glendinning)Text SourceGuitarInstrumentsMVoice


RangeTessitura


20th C.Hist. Per.

En Jerez de la Frontera The Miller's wifeTitleEn Jerez de la Frontera. . .First lineRodrigo, Joaquin, 1902 - ?ComposerSp.Comp. Nat.Three Spanish Songs Tres Canciones EspañolasCollection

Schott & Co., 1959. 10601 (S & Co. 6106)PublisherAllegro in 3/4, quarter = 100. Lightly ornamented. 2 verses. *Commentsart, trad.?TypeRodrigo, Joaquin, 1902 - ?Mel. Sourcetrad. ? (Eng. transl. by Nigel Glendinning)Text SourceGuitarInstrumentsMVoiceBeg.?Voc. Level?Acc. Reqts.fsh1-e2Rangefsh1-d2Tessiturarhy. dct.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.

Adela DeliaTitleUna muchacha guapa, llamada Adela,First lineRodrigo, Joaquin, 1902 - ?ComposerSp.Comp. Nat.Three Spanish Songs Tres Canciones EspañolasCollection

Schott & Co., 1959. 10601 (S & Co. 6106)PublisherAndantino in 3/4, quarter = 92 2 verses. Brief song. *Commentsart, trad.?TypeRodrigo, Joaquin, 1902 - ?Mel. Sourcetrad. ? (Eng. transl. by Nigel Glendinning)Text SourceGuitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.csh1-e2Rangecsh1-csh2Tessituradct. exp.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.

De ronda CourtingTitleManzanilla colorada, cómo no te caes al suelo?First lineRodrigo, Joaquin, 1902 - ?ComposerSp.Comp. Nat.Three Spanish Songs Tres Canciones EspañolasCollection

Schott & Co., 1959. 10601 (S & Co. 6106)PublisherVivo, dotted quareter = 76. 2 verses. Brief song. *Commentsart, trad.?TypeRodrigo, Joaquin, 1902 - ?Mel. Sourcetrad. ? (Eng. transl. by Nigel Glendinning)Text SourceGuitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.a1-e2Rangea1-e2Tessiturarhy. dct.Spec. Appl.LNCEMSCall No.Eng. w. musicTranslation

20th C.Hist. Per.

BolerasTitleTodo aquel que no sepa que cosa es amorFirst lineFerrandiere, F. (S. XVIII); Tarrago, Graciano, arr.Composer

Comp. Nat.PolerasCollection

Union Musical Española 1965. 20641PublisherTiempo de Boleras in 3/4. Brief song. *Commentsart, trad.TypeFerrandiere, F. (S. XVIII)Mel. Source?Text SourceguitarInstrumentsHVoiceInt.Voc. Level?Acc. Reqts.fsh1-g2Rangefsh1-fsh2Tessiturarhy. dct. exp.Spec. Appl.LNCEMSCall No.

Translation

18th. C., 20thC.Hist. Per.

CantaresTitleAy! _ _ _ más cerca de mi te siento.. .First lineTurina, J.; Arr. Azpiazu, José deComposerSp.Comp. Nat.CantaresCollection

Union Musical Española, 1953. 18854PublisherAllegro vivo in 3/8. "con sentimento popular" *Commentsart, trad.TypeTurina, J.Mel. SourceCampoamor, R. deText SourceguitarInstrumentsHVoice


d1-a2Rangea1-a2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

7. Era la noche ma friaTitleEra la noche ma fria que tuvo el lluvioso. . .First lineAnon.; Pujol, Emilio; arr.Composer

Comp. Nat.Chansons Profanes Espagnoles du XVIIe. SiècleCollection

Maxc eschig, 1972. M. E. 7990PublisherBrief song in 2. "Tirées de 'Musica barocca española' Vol. I. Miguel Commentsart, trad.TypeAnon.Mel. SourceAnon.Text SourceguitarInstrumentsHVoiceBeg.Voc. Level?Acc. Reqts.a1-g2Rangeb1-g2Tessitura


Translation

17th C., 20th C.?Hist. Per.

8. Soledades venturosasTitleSoledades venturosas, Aunque tarde. . .First lineRios, Alvaro de los; Pujol, Emilio; arr.Composer


Maxc Eschig, 1972. M. E. 7990PublisherBrief song in 4. High tessitura, "chatty" in places. *Commentsart, trad.TypeRios, Alvaro de los;Mel. SourceRios, Alvaro de los?Text SourceguitarInstrumentsHVoiceInt.Voc. Level?Acc. Reqts.f1-a2Rangea1-a2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation


10. Cancion del CiegoTitleOigan las habilidades de Marica la de Yepes. . .First lineEsteve, Pablo; Pujol, Emilio; arr.Composer


Maxc Eschig, 1972. M. E. 7990PublisherAllegretto in 3/8. Dance-like, "Tirée du 'Cancionero Musical Popular Commentsart, trad.TypeEsteve, PabloMel. SourceEsteve, Pablo?Text SourceguitarInstrumentsHVoice.Int.Voc. Level?Acc. Reqts.gsh1-a2Rangea1-a2Tessiturarhy. dct.Spec. Appl.LNCEMSCall No.

Translation


Collection Cinco Canciones Populares EspañolasTitleFirst line

Azpiazu, José de,ComposerSp.Comp. Nat.Cinco Canciones Populares EspañolasCollection

Union Musical Española 1958. 19403Publisher *Commentsart trad.Type Azpiazu, José de,Mel. SourcePetere, J. HerreraText SourceguitarInstruments


RangeTessitura


Translation

20th C.Hist. Per.

I. El Marabú (XVIII)TitleTienes unos ojitos de picaporte con el! ay!First line Azpiazu, José de, arr.ComposerSp.Comp. Nat.Cinco Canciones Populares EspañolasCollection

Union Musical Española 1958. 19403PublisherScherzando in 3/4. "Chatty", brief song, 2 verses. *Commentsart trad.Typetrad.; Azpiazu, José de, arr.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.?Voc. Level?Acc. Reqts.a1-e2Rangea1-e2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

II. El Pajarillo (XVIII)TitleSi de rama en rama si de flor en flor. . .First line Azpiazu, José de, arr.ComposerSp.Comp. Nat.Cinco Canciones Populares EspañolasCollection

Union Musical Española 1958. 19403Publisher Allegretto in 3/4. "espress.", brief song. *Commentsart trad.Typetrad.; Azpiazu, José de, arr.Mel. Sourcetrad.Text SourceguitarInstrumentsHVoiceBeg.?Voc. Level?Acc. Reqts.dsh1-g2Rangee1-g2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

III. Tirana del Zarandillo (XVIII)TitleZarandillo andillo y andillo. . .First line Azpiazu, José de, arr.ComposerSp.Comp. Nat.Cinco Canciones Populares EspañolasCollection

Union Musical Española 1958. 19403Publisher Tpo. de Tirana in 3/4, (Allegro). Req. interpretative finesse. *Commentsart trad.Typetrad.; Azpiazu, José de, arr.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceInt.Voc. Level?Acc. Reqts.d1-e2Rangee1-e2Tessituraexp. rhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

IV. El Paño MorunoTitleAl paño fino en la tienda. . .First line Azpiazu, José de, arr.ComposerSp.Comp. Nat.Cinco Canciones Populares EspañolasCollection

Union Musical Española 1958. 19403PublisherAllegro ma non troppo in 3/8. Graceful, light w. shifting rhythmic Commentsart trad.Typetrad.; Azpiazu, José de, arr.Mel. Sourcetrad.Text SourceguitarInstrumentsHVoiceInt.?Voc. Level?Acc. Reqts.a1-g2Rangea1-f2Tessitura


Translation

20th C.Hist. Per.

V. Los Pastores (Sierra de Cameros, Soria)TitleYa se van los pastoresFirst line Azpiazu, José de, arr.ComposerSp.Comp. Nat.Cinco Canciones Populares EspañolasCollection

Union Musical Española 1958. 19403PublisherAllegro in 2/4. Feeling of a march. Brief song, 3 verses. *Commentsart trad.Typetrad.; Azpiazu, José de, arr.Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.d1-d2Ranged1-b1Tessituradct. rhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Collection Canciones Populares Españolas para canto y guitarra TitleFirst line

Tarrago, G.ComposerComp. Nat.

Canciones Populares Españolas para canto y guitarra Cuarderno IICollection



guitarInstrumentsVoice


RangeTessitura


Translation

20th C.Hist. Per.

1. Arrorro Canción de cuna (Canarias)TitleArrorró mi niño duerme. . .First lineTarrago, G., arr.Composer

Comp. Nat.Canciones Populares Españolas para canto y guitarra Cuarderno IICollection

Union Musical Española 1973. 19739-1PublisherLento in 3/4 quarter = 56. Brief song, 2 verses. *Commentsart trad. (Canarias)Typetrad. (Canarias)Mel. Sourcetrad. (Canarias)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-e2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

2. Erico Festak (Vasconia)TitleErico festak ziran biramonian. . .First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19739-2PublisherAndante tranquillo quarter = 72. 2 verses. *Commentsart trad.Typetrad. (Vasconia)Mel. Sourcetrad. (Vasconia)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.b=e2Rangeg1=e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

3. La Fematera Jota (Aragón)TitleNinguna tan verdadera. . .First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19739-3PublisherTempo de Jopta in 3/4. Decorated cadences. 2 verses. *Commentsart trad. (Aragón)Typetrad. (Aragón)Mel. Sourcetrad. (Aragón)Text SourceguitarInstrumentsLVoiceBeg.Voc. Level?Acc. Reqts.b=c2Rangeb-c2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

4. El Marabu Canción andaluza del siglo XVIIITitleTienes unos ojilos de picaporte, con el ay!First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19739-4PublisherAndantino in 3/4, quarter = 68. 2 verses. "wordy' *Commentsart trad. (andaluza)Typetrad. (andaluza)Mel. Sourcetrad. (andaluza)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.a1-e2Rangea1-e2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C. (18th C,)Hist. Per.

5. Mariagneta (Cataluña)TitleAi, a de u Mariagneta, principi de mon sofrir;First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19739-5PublisherModerato casi lento in 2/4, quarter = 48. 3 verses *Commentsart trad. (Cataluña)Typetrad. (Cataluña)Mel. Sourcetrad. (Cataluña)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-e2Rangee1-e2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

6. Redoble (Extremadura)TitleLos del caminito llano. . .First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19739-6PublisherAllegretto in 3/4, quarter = 132. 2 verses w/refrain. Dance-like. *Commentsart trad. (Extremadura)Typetrad. (Extremadura)Mel. Sourcetrad. (Extremadura)Text SourceguitarInstrumentsMVoice

Voc. Level?Acc. Reqts.csh1- d2Rangecsh1-d2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

7. Serrana (Castilla)TitleLimpiate con mi pañuelo. . .First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19739-7PublisherAllegro in 3/4 quarter = 96. "Chatty" 3 verses. *Commentsart trad. (Castilla)Typetrad. (Castilla)Mel. Sourcetrad. (Castilla)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.d1-e2Ranged1-d2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

8. Sevillanas (Andalucia) "Todas las mañanitas"TitleTodas las mañanitas al aire canto. . .First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19739-8PublisherTempo de Sevillanas, Moderato , quarter = 104. 2 verses, decorated Commentsart trad. (Andalucia)Typetrad. (Andalucia)Mel. Sourcetrad. (Andalucia)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.d1-e2Ranged1-e2Tessituradnce.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

9. Si vas a San Benitiño Foliada (Galicia)TitleSi vas a San Benitiño non vayas a o de Parades,First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19739-9PublisherAllegro in 3/8, dotted quarter = 62, "con alegría". Dance-like, Commentsart trad. (Galicia)Typetrad. (Galicia)Mel. Sourcetrad. (Galicia)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.fsh1-d2Rangesh1-d2Tessiturarhy. dct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

10. Los Toritos de Calera (Castilla)TitleDicen que vienen que vienen. . .First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19739-10PublisherAllegro moderato in 3/4 & 2/4, quarter = 96. 2 verses w/refrain. *Commentsart trad. (Castilla)Typetrad. (Castilla)Mel. Sourcetrad. (Castilla)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-e2Rangee1-e2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

11. Y voy por la carretera Jota (Navarra)TitleY voy por la carretera Pamplona siete de Julio. . .First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19739PublisherTempo de Jota (Navarra) in 3/4, quarter = 152, "copla menos". Commentsart trad. (Navarra)Typetrad. (Navarra)Mel. Sourcetrad. (Navarra)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.d1-d2Ranged1-d2Tessitura


Translation

20th C.Hist. Per.

Collection Canciones Populares Españolas para canto y guitarra, TitleFirst line

Tarrago, G., arr.ComposerComp. Nat.

Canciones Populares Españolas para canto y guitarra, Cuarderno IIICollection



guitarInstrumentsVoice


RangeTessitura


Translation

20th C.Hist. Per.

1. La Ansotana Jota (Aragon)TitlePisando la nieve fria. . .First lineTarrago, G., arr.Composer

Comp. Nat.Canciones Populares Españolas para canto y guitarra, Cuarderno IIICollection

Union Musical Española 1973. 19740-1PublisherTiempo de Jota. Extended guitar intro. Flowing melody w/cadences Commentsart trad. (Aragon)Typetrad. (Aragon)Mel. Sourcetrad.Text SourceguitarInstrumentsMVoiceInt.Voc. Level?Acc. Reqts.e1-d2Rangee1-d2Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

2. Campanillas de plata (Santander)TitleCampanillas de plata bueyes rumbones,First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19740-2PublisherAdagio in 3/4 quarter = 62. *Commentsart trad. (Santander)Typetrad. (Santander)Mel. Sourcetrad. (Santander)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-f2Rangee1-e2Tessituraexp. dct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

3. Copeo de Muntanya (Mallorca)TitlePensa a dur paraigo, es dia que plou,First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19740-3PublisherAllegretto in 3/4, quarter = 120. Straightforward melody. *Commentsart trad. (Mallorca)Typetrad. (Mallorca)Mel. Sourcetrad. (Mallorca)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.csh1-e2Ranged1-d2Tessitura


Translation

20th C.Hist. Per.

4. Déjame subir (Zamora)TitleDéjame subir al carro carretero de mi vida. . .First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19740-4PublisherAndante in 2/4, quarter = 68. *Commentsart trad. (Zamora)Typetrad. (Zamora)Mel. Sourcetrad. (Zamora)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.d1-d2Ranged1-b1Tessituraexp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

5. Molinera, Molinera (León)TitleMolinera. . . de mi vida. . .First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19740-5PublisherVivo in 3/4, quarter = 160. 2 verses. *Commentsart trad. (León)Typetrad. (León)Mel. Sourcetrad. (León)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.csh1-e2Rangee1-e2Tessitura


Translation

20th C.Hist. Per.

6. No quiero que me cortejes (Asturias)Title No quiero que me cortejes ni me saques a bailar. . .First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19740-6PublisherAllegro moderato in 3/8, eighth = 133; "chatty', dance-like. *Commentsart trad. (Asturias)Typetrad. (Asturias)Mel. Sourcetrad. (Asturias)Text SourceguitarInstrumentsMVoiceInt.Voc. Level?Acc. Reqts.b-e2Rangeb-b2Tessituradct. rhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

7. Paloma revoladora (Andalucia)TitlePaloma blanca, revoladora, no vayas al monte sola. . .First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19740-7PublisherAllegro moderato in 3/8, quarter = 120. 2 verses. *Commentsart trad. (Andalucia)Typetrad. (Andalucia)Mel. Sourcetrad. (Andalucia)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-e2Rangee1-e2Tessituradct. exp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

8. Presents de Boda (Cataluña)TitleN;hi havia tres ninetes. . .First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19740-8PublisherAllegro in 2/4, quarter = 80. 'Chatty" 2 verses. *Commentsart trad. (Cataluña)Typetrad. (Cataluña)Mel. Sourcetrad. (Cataluña)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.fsh1-fsh2Rangefsh1-fsh2Tessituradct. exp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

9. Seguillas Manchegas "Aunque la Mancha tenga" (Castilla)TitleAunque la Mancha tenga dos mil lugares,First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19740-9PublisherAllegretto in 3/4, quarter = 108. Sweeping, lightly ornamented Commentsart trad. (Castilla)Typetrad. (Castilla)Mel. Sourcetrad. (Castilla)Text SourceguitarInstrumentsMVoiceInt..Voc. Level?Acc. Reqts.d1-fsh2Rangefsh1-fsh2Tessitura


Translation

20th C.Hist. Per.

10. El Zorongo (Andalucia)TitleBendiga Dios ese cuerpo tan llenísimo de gracia. . .First lineTarrago, G., arr.Composer


Union Musical Española 1973. 19740-10PublisherAllegretto in 3/8, dotted quarter = 56. Dance-like, syncopated. *Commentsart trad. (Andalucia)Typetrad. (Andalucia)Mel. Sourcetrad. (Andalucia)Text SourceguitarInstrumentsLVoiceBeg.Voc. Level?Acc. Reqts.b-b1Rangeb-b1Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Collection Cuatro canciones Populares Catalanes, version para canto yTitleFirst line


Cuatro canciones Populares Catalanes, version para canto y guitarraCollection

Union Musical Española 1963. 20181Publisher *Commentsart trad.Type


guitar or pianoInstrumentsVoice


RangeTessitura


Translation

20th C.Hist. Per.

I. La preso de LleidaTitleA la ciutat de Lleida n'hi ha una presó. . .First lineTarrago, G., arr.Composer

Comp. Nat.Cuatro canciones Populares Catalanes, version para canto y guitarraCollection

Union Musical Española 1963. 20181PublisherAllegro in 3/8, quarter = 138. Dance-like. Complete no. of verses onCommentsart trad. (Catalan)Typetrad. (Catalan)Mel. Sourcetrad. (Catalan)Text Sourceguitar or pianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.e1-e2Rangea1-e2Tessiturarhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

II. La Canco del LladreTitleQuan jo n'era petitet festejavai presumia. . .First lineTarrago, G., arr.Composer


Union Musical Española 1963. 20182PublisherAlegre in 2/4, quarter = 72. "Chatty". Complete no. of verses on backCommentsart trad. (Catalan)Typetrad. (Catalan)Mel. Sourcetrad. (Catalan)Text Sourceguitar or pianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.d1-e2Ranged1-e2Tessituradct.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

III. La calma de la marTitleQuan jo tenia pocs anys. . .First lineTarrago, G., arr.Composer


Union Musical Española 1963. 20183PublisherMuy tranquilo in 6/8, eighth = 110. Gently flowing melody. CompleteCommentsart trad. (Catalan)Typetrad. (Catalan)Mel. Sourcetrad. (Catalan)Text Sourceguitar or pianoInstrumentsMVoiceBeg.Voc. LevelBasicAcc. Reqts.csh1-e2Rangecsh1-e2Tessitura


Translation

20th C.Hist. Per.

IV. CorrandesTitleDonçelleta agraciada a qui os compararé. . .First lineTarrago, G., arr.Composer


Union Musical Española 1963. 20184PublisherAllegro in 3/8, eighth = 126. "Chatty", dance-like. Complete no. ofCommentsart trad. (Catalan)Typetrad.Mel. Sourcetrad. (Catalan)Text Sourceguitar or pianoInstrumentsMVoiceBeg.Voc. LevelMod.Acc. Reqts.a1-d2Rangea1-d2Tessituradct. rhy.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Collection Canciones Españolas de Renacimiento (1440-1600)TitleFirst line


Canciones Españolas de Renacimiento (1440-1600)Collection

Union Musical Española 1963. 20190Publisher *Commentsart trad.Type




RangeTessitura


Translation

20th C.Hist. Per.

Collection Fiesta Española Canciones Populares para guitarra clasica,Title Grecos, J. D., arr.First lineTarrago, G., arr.Composer

Comp. Nat. Fiesta Española Canciones Populares para guitarra clasica, "con Collection

Union Musical Española 1973. 21862Publisher "estas obras pueden ejecutarse con guitarra sola (o) con voz y Commentsart trad.Typetrad.Mel. Sourcetrad.Text Source guitarInstruments

VoiceBeg.Voc. Level?Acc. Reqts.

RangeTessitura


Translation

20th C.Hist. Per.

I. Desde Santurce a BilbaoTitleDesde Santurce a Bilbao vengo por toda la orilla. . .First lineGrecos, J. D., arr.Composer

Comp. Nat. Fiesta Española Canciones Populares para guitarra clasica, " con Collection

Union Musical Española 1973. 21862PublisherIn 3/4, 2 verses, brief song. "estas obras pueden ejecutarse con Commentsart trad.Typetrad.Mel. Sourcetrad.Text Source guitarInstrumentsHVoiceBeg.Voc. Level?Acc. Reqts.d1-g2Ranged1-d2Tessitura


Translation

20th C.Hist. Per.

II. El VitoTitle Con el vito, vito, vito. . .First lineGrecos, J. D., arr.Composer


Union Musical Española 1973. 21862PublisherIn 3/8, 4 verses. Brief song. "estas obras pueden ejecutarse con Commentsart trad.Typetrad.Mel. Sourcetrad.Text Source guitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-e2Rangee1-e2Tessitura


Translation

20th C.Hist. Per.

III. Boga, bogaTitle Boga, boga, marinero. . .First lineGrecos, J. D., arr.Composer


Union Musical Española 1973. 21862PublisherIn 4. Brief song. "estas obras pueden ejecutarse con guitarra sola (o)Commentsart trad.Typetrad.Mel. Sourcetrad.Text Source guitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.a-e2Rangefsh1-d2Tessitura


Translation

20th C.Hist. Per.

IV. Bolero BalearTitleToni Moreno, ses atlotes me dinen. . .First lineGrecos, J. D., arr.Composer


Union Musical Española 1973. 21862PublisherIn 3/4. Brief song. "estas obras pueden ejecutarse con guitarra sola Commentsart trad.Typetrad.Mel. Sourcetrad.Text Source guitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.a1-e2Rangea1-e2Tessitura


Translation

20th C.Hist. Per.

V. Los campanillerosTitleEn la noche de la Nochebuena bajo las estrellas. . .First lineGrecos, J. D., arr.Composer


Union Musical Española 1973. 21862PublisherIn 3/4. Brief song. "estas obras pueden ejecutarse con guitarra sola Commentsart trad.Typetrad.Mel. Sourcetrad.Text Source guitarInstrumentsHVoiceBeg.Voc. Level?Acc. Reqts.d1-g2Rangeg1-g2Tessiturasac. exp.Spec. Appl.LNCEMSCall No.

Translation

20th C.Hist. Per.

Vidalita (chant populaire Argentin)TitleEn mi podre Rancho Vidalita. . .First lineLavie, Fernandez, arr.Composer

Comp. Nat.Vidalita (chant populaire Argentin)Collection

Max Eschig, 1955. M. E. 6781PublisherAndantino in 3/4. 3 verses. Brief song. *Commentsart, trad. (Arg.)Typetrad. (Arg.)Mel. Sourcetrad. (Arg.)Text SourceguitarInstrumentsMVoiceBeg.Voc. Level?Acc. Reqts.e1-fsh2Rangee1-fsh2Tessituraexp.Spec. Appl.LNCEMSCall No.Fr. w/musicTranslation

20th C.Hist. Per.

I. Aria (Cantilena)TitleFirst line

Villa-Lobos, H.ComposerBraz.Comp. Nat.I. Aria (Cantilena) from Bachianas Brasileiras No. 5 for Piano & Collection

Associated Music Publishers 1947, 1954.Publisher"To Mindinha" *Commentsart, trad.TypeVilla-Lobos, H.Mel. SourceCorréa, Ruth (in Ptg.)Text SourceGuitar (fingering by Andrès Segóvia)InstrumentsHVoiceAdv.Voc. LevelDiff.Acc. Reqts.

RangeTessitura

exp.Spec. Appl.LNCEMSCall No.Eng. w/musicTranslation


Collection Escucha nuestros gritos en la nocheTitleFirst line

Espinosa, Juan AntonioComposerComp. Nat.

Escucha nuestros gritos en la noche (paperback book format)Collection

1974 EAPSA, Madrid. ISBN 84-213-0386-4Publisher *Commentstrad.Typetrad.Mel. Sourcetrad.Text Source

InstrumentsVoice


RangeTessitura


Translation

Hist. Per.

Collection Las Canciones del Pueblo EspañolTitleFirst line

" Ex Libris de Juan del Aguila"ComposerComp. Nat.

Las Canciones del Pueblo Español (paperback book format)Collection

1960 Union Musical Española, 22 edicion.Publisher" Ex Libris de Juan del Aguila" *Commentstrad.Typetrad.Mel. Sourcetrad.Text Source

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Hist. Per.

Collection Cancionero popular infantil españolTitleFirst line

Montoya, Juan Hidalgo; ed.ComposerComp. Nat.

Cancionero popular infantil español (paperback book format)Collection

1993 Editorial Musica Moderna, Madrid. Ed. Juan Hidalgo Montoya.PublisherPrólogo by Enrique González Gómez. Ilustraciones by Adán Ferrer. *Commentstrad.Typetrad.Mel. Sourcetrad.Text Source

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Collection Canciones de EspañaTitleFirst line

Martinez, Antonio, S.J.; ed.ComposerComp. Nat.

Canciones de EspañaCollection

1962, Ediciones STVDIVM, Bailen, 19 Madrid. 2nd edition.Publisherpages still uncut. . . * small paperback book format.Commentstrad.Typetrad.Mel. Sourcetrad.Text Source

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Hist. Per.

20th c. - brook centertitle i. allá arriba en aquella montaña first line allá arriba en aquella...

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