· 2017-07-06 · i wandered lonely as a cloud by william wordsworth 1815 (revised version) i...
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EBPC-C029
I Wandered Lonely as a Cloud (Wordsworth’s Daffodils)
SSA Choir, Flute and Piano
by
Linda Tutas Haugen
ephraim bay publishing
I Wandered Lonely as a Cloud
(Wordsworth’s Daffodils)
SSA Choir, Flute and Piano
by
Linda Tutas Haugen
Commissioned by the American Choral Director’s Association (ACDA) of Minnesota for the 2012 State Girl’s Honor Choir, Karen Fulmer, guest conductor
The cover photo, Sunlight on Wordsworth's Daffodils, Glencoyne, was taken
by Sean McMahon, www.stridingedge.net, and is used with permission.
Copyright 2012, Linda Tutas Haugen. All rights reserved. Ephraim Bay Publishing Co. – www.ephraimbaypublishing.com Email: [email protected] Telephone: 612-454-7117
ephraim bay publishing
I Wandered Lonely as a Cloud
by William Wordsworth 1815 (revised version)
I wandered lonely as a cloud
That floats on high o'er vales and hills, When all at once I saw a crowd,
A host of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze.
Continuous as the stars that shine and twinkle on the Milky Way,
They stretched in never-ending line along the margin of a bay:
Ten thousand saw I at a glance, tossing their heads in sprightly dance.
The waves beside them danced; but they Out-did the sparkling waves in glee:
A poet could not but be gay, in such a *jocund company:
I gazed - and gazed - but little thought
what wealth the show to me had brought:
For oft, when on my couch I lie In vacant or in pensive mood,
They flash upon that inward eye Which is the bliss of solitude;
And then my heart with pleasure fills, And dances with the daffodils.
William Wordsworthʼs inspiration for this poem came from a walk he and his sister, Dorothy, took in 1802, around Glencoyne Bay, Ullswater, in Englandʼs Lake District. Dorothy described what they saw in her journal: When we were in the woods beyond Gowbarrow park we saw a few daffodils close to the water side, we fancied that the lake had floated the seed ashore & that the little colony had so sprung up -- But as we went along there were more & yet more & at last under the boughs of the trees, we saw that there was a long belt of them along the shore, about the breadth of a country turnpike road. I never saw daffodils so beautiful they grew among the mossy stones about & about them, some rested their heads upon these stones as on a pillow for weariness & the rest tossed and reeled and danced & seemed as if they verily laughed with the wind that blew upon them over the Lake, they looked so gay ever dancing ever changing. This wind blew directly over the lake to them. There was here & there a little knot & a few stragglers a few yards higher up but they were so few as not to disturb the simplicity & unity & life of that one busy highway -- We rested again & again. The Bays were stormy & we heard the waves at different distances & in the middle of the water like the Sea. —Dorothy Wordsworth, The Grasmere Journal Thursday, 15 April 1802 *The word “laughing” used in the original 1804 version is substituted for “jocund” in this setting of the text.
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Flute
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Pno.
Ó . Œ œ œ
∑
∑
Œ œ œ œ œ ˙Œ œ œ œ œ œ œœ œ
Andante Moderato q = 96
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∑
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Ó . ‰ Jœ œ
∑
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Œ œ œ œ œ ˙Œ œ œ œ œ œ œœ œ
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∑
˙ œwan dered
˙ œwan dered
Œ ˙̇.˙..˙̇
Modo Ordinare
∑
˙ œ œ œlone ly as a
˙ œ œ œlone ly as a
Œ ˙̇ œœ œœ.˙..˙̇ œœ œœ
Ó œ œ
.˙ œcloud that
.˙ œcloud that
œœ œ œ œœ œœ
œ œ
p.˙
˙ œ œfloats on
˙ œ œfloats on
œœ œ œ œœœœ œ œ œ
∑
˙ œ œ œhigh o'er vale and
˙ œ œ œhigh o'er vale and
..˙̇ œœ œœŒ ˙Œ ˙ Œ œ.˙ ˙
- -
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LINDA TUTAS HAUGENWILLIAM WORDSWORTH, 1815
I WANDERED LONELY AS A CLOUD (DAFFODILS)
© 2012, Linda Tutas Haugen. All Rights Reserved.Ephraim Bay Publishing Co. - ephraimbaypublishing.com
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.˙ ˙
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.˙ œ œcrowd, a
.˙ œcrowd, a
.˙ œœ œœ ˙ œŒ ˙̇ œ.˙
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˙ œhost of
˙ œhost of
˙ œœ˙ œŒ œœ œ˙ œ
∑
˙ œ œ œgold en daf fo
œ ˙# œ œgold en daf fo
˙ œ ˙œ ˙# œ œŒ ˙ Œ œœ.˙ ˙
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.˙ œ, œdils; Be
.˙N œ,
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..˙̇N œœ œœ
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˙ œside the
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cresc.
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20
.˙,
trees,
.˙,
trees,
..œœ jœ œ
œ œ œ œ œ œ
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LINDA TUTAS HAUGEN
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Fl.
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∑
.œ jœ œdanc ing
œ œ# œdanc ing
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∑
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P- -
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œ œ œ œ
Œ Œ œCon
œ> œ ˙danc ing
...˙̇̇
Œ ˙..˙̇
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...˙̇̇ ˙̇̇
Œ œ œ ˙..˙̇ ˙̇
p∑
˙ œstars that
œ œ œ œstars that
˙̇̇ œœŒ ˙..˙̇
∑
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.˙ œshine and
.˙ œœ œ œ œ œ
œ œ .˙P
∑
˙ œ œ œ œtwin kle on the
˙ œ œ œ œtwin kle on the
œ ˙ œ œœ œ ˙̇ œ œ œ
œ œ ˙ œœ œœ
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- - - -
--
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Fl.
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∑
˙ œMilk y
˙ œMilk y
˙ œœ˙ œ.œ̇ œ# œ
∑
.˙,
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œ ˙,
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.˙ œœ ˙ œ
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˙ œstretched in
œ œ œ œstretched in
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˙ œ œ œnev er end ing
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.˙ œ œline a
œ œ ˙ œline a
.˙ œœ œœœ ˙ œŒ ˙̇ œ.˙ œ
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œ .œ Jœ
˙ œlong the
˙ œlong the
˙ œœ˙ œŒ œœ œ˙ œ
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œ ˙# œ œmar gin of a
˙ œ ˙œ ˙# œ œŒ ˙ Œ œœ.˙ ˙
.˙ Œ
.˙ ,œ œbay: Ten
.˙N,
œ œbay: Ten
..˙̇N œœ œœ
.˙ œ œ.˙p
P∑
˙ œthou sand
˙ œthou sand
œœ œ œ œ œ œ
œ œ œ œ œ œ
∑
.œ Jœ œsaw
œ œ œsaw
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œ œ œ œ œ œ
∑
œ œ œI at a
œ .œ jœI at a
œ œ œ œ œ œœ œ œ œ# œ œ
poco cresc.
poco cresc.
poco cresc.
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Fl.
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A
∑
.˙,
glance
.˙,
glance
..œœ jœ œ
œ œ œ œ œ œ
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Œ Œ œ œ
œ> œ œ œtos sing their
Œ œ> œ œ œtos sing their
œ œ œœ> œœ œœœ> œ œ œ œ
F
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˙ œ œ
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œ œ# œheads in
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&
cresc.
cresc.
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.˙dance,
œ œ ˙dance,
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f
f
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.˙
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cresc.
cresc.
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Ÿ~~~~~~~ Ÿ~~~~~~~~œ œ œ
.˙dance.
˙b œdance.
œœ œœ œœœ œ œ
œb œ œ œ œ œ
piuf
piuf
˙̇È
..˙̇ œœ
œœ
˙ Ó .
˙ Ó .
œœœ œ œ œœ œœ ˙˙
œœ>œœ œœ ..˙̇
piuf
piuf>̇ .˙
∑
∑œœœ œ œ ..œœ Jœ œœ
œœ>œœ œœ ˙̇̇ œœ
&
f
f
(meno)
(meno)
œ œ œ œ œ œ
∑
∑
˙̇ œ
˙ œœ œ œ
œ œ ˙ ˙ œ>
Ó . Œ œThe
Ó . Œ œ
Ó . Œ œThe
.˙ ˙.˙ œ œœ
.˙ ˙.˙ ˙?
F
F
F
F
Allegro Moderato q = 116
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.˙ œ œ
œ œ œ œ œwaves be side them
œ œ œ œ œ
œ œ œ œ œwaves be side them
˙̇ œœ œœ œœœ œ œ.˙
>œ œw
P
P
.œ Jœb œ œ œ
.œ jœ .œ jœdanced but they out
.œ Jœb .œ Jœ
œ œ œ œ œdanced but they out
..œœ jœœb ˙̇˙ œ œ œww>
œ œ œ œ œ
œ œ œ œ œdid the spark ling
œ œ œ œ œ
œ œ œb œ œ œdid the spark ling
œœ œ œ œ œœœ œ œb œ œ œw
œ œ ˙ œ œ
œ œ ˙ , œ œwaves in glee; A
œ œ ˙ œ œ
œ œ ˙,
œwaves in glee; A
œœ œœ ˙̇ œœœ œ œ ‰
>jœ œ.˙ ˙
F
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œ œ œ œ œ
.œ jœ œ œ œpo et could not
œ œb œ œ œ
œ œ œ œ œpo et could not
˙ œ œœ œœœœ œœb œœ.˙
>œ œw
œ œ œ œ œ
œ œ .œ jœbut be gay, in
œ œb .œ Jœ
œ œ œ œ œbut be gay, in
œœ œœb ˙̇œ œ œ œ œww>
œ œ œ œ œ œ
œ œ œ œ œ œsuch a laugh ing
œ œ œ œ œ
œ œ œb œ œsuch a laugh ing
œ œ œ œ œœ œ œœ œ œb œ œ œw
œ œ œ œ œ œb
œ œb œ ˙ œ,
com pan y I
œ œ ˙ œb
œ œ œ œ >̇com pan y I
œ œb œ ˙ œœœ œ œ œ ˙œ œ œ ‰ jœ ˙œ œ œ .˙
>
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S
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˙ ˙ œ
.œ jœ ˙ œgazed and gazed but
.œ Jœ ˙ œ
œ œ œ ˙gazed and gazed
˙̇ ˙̇ œœœ œ œ ˙
œ œ œ œ œ ˙
œ œ .˙b
œ œ ˙ œ œlit tle thought what
œ œ ˙b œ
œ œ œ œ œ œlit tle thought what
œœ œœ œ œ œœb œœ œ ˙ œ œ
œœœœœœ ..˙̇bb
cresc.
cresc.
cresc.
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.œ Jœ ˙
.œ jœ .œ jœwealth the show to
.œ Jœ .œ Jœ
œ œ œ œwealth the show to
..œœ jœœ ˙̇œ œ œ œ œ˙ ˙
Ff
f
.œ Jœ ˙
œ œ ˙me had brought,
œ œ ˙
œ œ ˙me had brought,
œ œ ˙œ œ ˙œœ œœ ˙̇
˙ Ó
œ œ .œ jœto me had
œ œ .œ Jœ
œ œ .œ jœto me had
œ œ ˙œ œ œ œœ œ œ œœ œ œ œ œ
P
P
P
P
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Fl.
S
A
œ œ œ œ
˙ œcouch I
˙ œcouch I
œœœœœ œœ
˙̇ œœ
w
.˙ œlie In
.˙ œlie In
.˙ œœ œ œ œ œ
œ œ .˙
∑
˙ œ œ œ œva cant or in
˙ œ œ œ œva cant or in
œ ˙ œ œœ œ ˙̇ œ œ œ
œ œ ˙ œœ œœ
∑
˙ œpen sive
˙ œpen sive
˙ œœ˙ œ.œ̇ œ# œ
∑
.˙ œ,
mood, They
œ ˙ œ,
mood, They
.˙ œœ ˙ œœœ
..˙̇
p
p
Œ œ œ œ
˙ œflash up
œ œ œ œflash up
.œ̇ ˙˙Œ ˙̇.˙
P
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Fl.
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˙ œ œ œ
˙ œ œ œon that in ward
œ ˙ œ œon that in ward
.˙ œ œœ ˙ ˙Œ ˙̇ œ œ
.˙ ˙
.˙ Œ
.˙ œ œeye which
œ œ ˙ œeye which
.˙ œœ œœœ˙̇̇
œŒ ˙̇ œ.˙ œ
90
œ .œ Jœ
˙ œis the
˙ œis the
˙ œœ˙ œŒ œœ œ˙ œ
P.˙ Œ Œ
˙ œ œ œbliss of so li
œ ˙# œ œbliss of so li
˙ œ ˙œ ˙# œ œŒ ˙ Œ œœ.˙ ˙
.˙ Œ
.˙ œ, œtude; And
.˙n œ,
œtude; And
..˙̇n œœ œœ
..˙̇ œ œ
p
p( )
( )
p
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- -
--
10
For Perusal O
nly! Do Not U
se, Photocopy o
r Distr
ibute.
For Perusal O
nly! Do Not U
se, Photocopy o
r Distr
ibute.
LINDA TUTAS HAUGEN
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- -
- -
11
For Perusal O
nly! Do Not U
se, Photocopy o
r Distr
ibute.
For Perusal O
nly! Do Not U
se, Photocopy o
r Distr
ibute.
LINDA TUTAS HAUGEN
Selected Choral Music by Linda Tutas Haugen from Ephraim Bay Publishing Company
MIXED CHOIR Be Still and Know - SATB, cello, piano EBPC-C127 Breath of the Mountains: A Folk Suite - (24’) 4 movements, SATB, piano reduction EBPC-C120 Children of Light - from Songs of Hope and Promise, SATB, organ EBPC-C131 Domine Deus, Agnus Dei - from Gloria, SATB, piano EBPC-C126 Gloria - (40’) 12 movements, SATB, piano reduction EBPC-C123 In the Shadow, I Will Sing! - SATB, piano EBPC-C134 I Cannot Forget You - from Breath of the Mountains: A Folk Suite, SATB, 2 violins, piano EBPC-C121 I Lift Up My Eyes - SATB, Native American flute or alto flute, harp or piano, cello EBPC-C133 Laudamus Te - from Gloria, SATB, piano EBPC-C124 Lizzy Lindsay - from Breath of the Mountains: A Folk Suite, SATB, piano, opt. folk musicians EBPC-C122-1 Lizzy Lindsay - from Breath of the Mountains: A Folk Suite, SAB, piano, opt. folk musicians EBPC-C122-2 Songs of Hope and Promise - 3 anthems, SATB, organ EBPC-C128 A Quiet Place - from Songs of Hope and Promise, SATB, organ EBPC-C130 The Eternal God - from Songs of Hope and Promise, SATB, organ EBPC-C129 To Change the World - SATB, viola, piano EBPC-C135 We Come Only in Passing - from the opera, Pocahontas, Soprano soloist, SATB, piano, opt. violin EBPC-C132-1 We Come Only in Passing - from the opera, Pocahontas, Soprano soloist, SATB, chamber orchestra EBPC-C132-2 You Are Worthy, Our Lord and God - from Gloria, SATB, a cappella or with piano EBPC-C125
WOMEN'S/TREBLE CHORUS A Canticle of Blessing - SSAA, Tibetan singing bowls or bells/chimes, violin EBPC-C030-1 A Canticle of Blessing - SSAA, bells/chimes, piano EBPC-C030-2 Anne Frank: A Living Voice - (30’) 7 movements, SSAA, string quartet EBPC-C025-1 Anne Frank: A Living Voice - (30’) 7 movements, SSAA, piano EBPC-C025-2 Grandmother - from Breath of the Mountains: A Folk Suite, SSA, piano, opt. treble instr., cello, perc. EBPC-C021 Hinei Mah Tov: Two Brothers - children's choir, chamber ensemble EBPC-C027 Holy, Holy, Holy - from Gloria, SSA, piano, 2 flutes, 2 clarinets EBPC-C022 It is the Silence from Anne Frank: A Living Voice - SSAA, piano EBPC-C024 I Wandered Lonely as a Cloud - SSA, flute, piano EBPC-C029 Let Us Sing! - SSA, viola, bells EBPC-C028 Min Brollopsdag (My Wedding Day) - SSA, violin and cello, or piano EBPC-C031 Psalm 42 - SS or SA, harp, cello EBPC-C023 Sunshine and Cloudless Sky - from Anne Frank: A Living Voice, SSA, piano EBPC-C026 We Shall Never Say Goodbye - SSA, flute, cello, piano EBPC-C020
EXTENDED WORKS FOR CHORUS AND ORCHESTRA Breath of the Mountains: A Folk Suite - (24’) 4 movements, SATB, symphony/chamber orchestra EBPC-COR200 Gloria - (40’) 12 movements, SATB, symphony orchestra EBPC-COR201-1 Gloria - (40’) 12 movements, SATB, chamber orchestra EBPC-COR201-2 To order directly or for more information, visit www.lindatutashaugen.com or www.ephraimbaypublishing.com.
Linda Tutas Haugen Performed on four continents, Linda Tutas Haugen’s music has been critically acclaimed as “music of character and genuine beauty.” [Minneapolis Star Tribune.] Opera Today praised her opera, Pocahontas, as “superbly crafted,” “engaging,” and “beautiful and powerful.” She has written for instrumental and vocal chamber ensembles, symphony orchestra, wind ensemble, solo voice, chorus, and opera. She has received national awards, fellowships and commissions from ASCAP, American Composers Forum, American Guild of Organists, Meet The Composer, National Endowment for the Arts, National Kidney Foundation, San Francisco Girls Chorus, and Virginia Arts Festival and Virginia Opera. Her choral music has been performed by high school, university and adult choirs throughout the U.S., in Europe, Asia and Australia.