2 perf 3perf - 2009 - thierry perronnet ok
TRANSCRIPT
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A "new" Format Trend
2-Perf and 3-Perf Shooting
§ Thierry Perronnet § EAMER MARKETING DIRECTOR § ([email protected])
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§ Make your images immortal
Camerimage 2009
2-Perf ?
" Already used in the past • "Techniscope" by Technicolor
Rome • Shooting with spherical lenses • Optical Intermediate step to
the anamorphic image
• Returned in 1999 as "Multivision 235"
• And today just "2-Perf"
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Camerimage 2009
Why 2-Perf / 3-Perf / 4-Perf ?
1,85 / 4Perf 1,85 / 3Perf 2,39 / 2Perf
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Camerimage 2009
Why 2-Perf / 3-Perf / 4-Perf ?
" 35 mm Motion Picture • 4-perf is the worldwide Standard for
Projection • Widescreen Shots don't need the
full 4-Perf frame ( unexposed areas between the frames)
• 2-Perf/3-Perf is using the available frame more effective ( saving $$ )
• longer running times / less mag changes • In the past an optical step was essential
to convert 2+3Perf to the 4-Perf standard • Digital Post Production (DI) can handle all
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Camerimage 2009
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2-Perf Cameras
" Aatons Penelope is designed for that purpose
" Worldwide Increase of 2Perf/3Perf Movements
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2-Perf Workflow
" Labs & Posthouses have to be prepared • Scanning / Telecine movement ( software based ) • Editing / Keykode
" Format is taking off / effordable format for low/mid budget
" Worldwide growing Availibility on Cameras / Movements " >100 projects in Europe in 2009
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Technical Specifications
" Super16 / 1:1,78 ( As Comparison only ! )
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Technical Specifications
" 2 Perf Frame / 1:1,78
1 2
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Technical Specifications
" 3 Perf Frame / 1:1,78
1 2 3
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Technical Specifications
" Frame Size Comparison 1:1,78
x 4,0
x 1,8 x 2,2 § 35 mm 3Perf 35 mm 2Perf S16
11,95 mm x 6,72 mm 16,10 mm x 9,10 mm 24 mm x 13,4 mm (S35)
80,3 mm² 146,51 mm² 321,60 mm²
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" JAMES CHRESSANTHIS, ASC
Director of Photography
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Shooting Location
" … on Set of the "Desperate Housewives"
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Screenshots
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Side by Side Shooting
Camera crew with side by side Panavision cameras
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Roll 3
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KODAK VISION3 500T
2-Perf Sample "Persecution"
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"Persecution"
" French Feature Film Production • Azor Films, Move Movie, Black Forest Films • arte France Cinéma, Canal+ • Centre National de la Cinématographie
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"Persecution"
" Director : Patrice Chereau " Director Of Photography :
Yves Capes
" Lab & Post @ ECLAIR • Production Manager : Didier Dekeyser • Color Grader DI : I. Julien & M. Lepoutre
" Workflow • 2K Scan / ARRIScan • DI Master / Color Grading Colorus • 2K Recording / Arri Laser
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"Persecution" " Shot on ARRI Cameras with 2-Perf Movement " Aspect Ratio 1:2,39 / no anamorphic lenses ! " extract of an original scene ( Indoor / Outdoor ) " Shot entirely on
KODAK Vision3 500T / 5219
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Camerimage 2009
Roll 4
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