1869-1954 -one of the first “modern” artists -flat colors -structure: composition, positive and...

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1869-1954 - one of the first “modern” artists - Flat colors - Structure: composition, positive and negative space - Cut-outs - Fauves: “The Wild Ones”

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Page 1: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

1869-1954 - one of the first

“modern” artists- Flat colors- Structure:

composition, positive and negative space

- Cut-outs- Fauves: “The Wild

Ones”

Page 2: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

A Glimpse of Notre Dame in the Late Afternoon

1902Oil on paper mounted on canvas

Page 3: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Luxe, calm et volupte1904-05

Oil on canvas

Page 4: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Green Stripe (Madame Matisse)1905

Oil and tempera on canvas

Page 5: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Portrait of Andre Derain1905

Oil on canvas

Page 6: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

The Joy of Life1905-06

Oil on canvas

Page 7: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Self Portrait1906

Oil on canvas

Page 8: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Le Luxe1907

Oil on canvas

Page 9: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

The Red Madras Headress1907

Oil on canvas

Page 10: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

The Girl with Green Eyes1908

Oil on canvas

Page 11: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Harmony in Red1908

Oil on canvas

Page 12: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Bathers by a River1909, 1913, and 1916

Oil on canvas

Page 13: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

La Danse1909

Oil on canvas

Page 14: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Still Life with Blue Tablecloth1909

Oil on canvas

Page 15: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

La Musique1910

Oil on canvas

Page 16: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Conversation1910

Oil on canvas

Page 17: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Dance II1910

Oil on canvas

Page 18: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

The Painter’s Family1911

Oil on canvas

Page 19: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

The Red Studio1911

Oil on canvas

Page 20: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Seated Riffian1912-13

Oil on canvas

Page 21: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Bowl of Apples on a Table1916

Oil on canvas

Page 22: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

The Music Lesson1917

Oil on canvas

Page 23: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Odalisque with Red Culottes1921

Oil on canvas

Page 24: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Odalisque with Magnolias1923-24

Oil on canvas

Page 25: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Decorative Figure on an Ornamental Ground1925-26

Oil on canvas

Page 26: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Large Reclining Nude/The Pink Nude1935

Oil on canvas

Page 27: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Woman in a Purple Coat1937

Oil on canvas

Page 28: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Two Dancers1938

Paper, thumbtacks, and cutouts

Page 29: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

La Musique1939

Oil on canvas

Page 30: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

The Rumianian Blouse1940

Oil on canvas

Page 31: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

The Lute1943

Oil on canvas

Page 32: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Icarus1947

Collage (From “Jazz”)

Page 33: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

CircusPlate II from “Jazz”

Page 34: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

DestinyPlate XVI from “Jazz”

Page 35: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

The Knife ThrowerPlate XV from “Jazz”

Page 36: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Interior with Egyptian Curtain1948

Oil on canvas

Page 37: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

Blue Nude (IV)1952

Gouache on paper, cut and pasted, and charcoal on white paper

Page 38: 1869-1954 -one of the first “modern” artists -Flat colors -Structure: composition, positive and negative space -Cut-outs -Fauves: “The Wild Ones”

The Snail1952-1953

Gouache on paper, cut and pasted, and charcoal on white paper