1865 foucher the beginnings of buddhist art

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The beginnings

of Buddhist art,

and other

3 1924 009 002 308

*....

/T/7

CORNELL

UNIVERSITYLIBRARY

THE WASONCHINESE COLLECTION

mCornell University Library

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THE GREAT MIRACLE OF CRAVASTI

PL.

XIX

oi

AT BENARES

PLATE XX^

Cf. pp. loO-I.

Pl:ue

XX wasat

made fromin

a

photograph takenin

as well as

we couldIt

manage

Ajand,

September 1897,left

the

gloom of Cave VII.

represents a portion of the

wall of the vestibule of the sanctuary.

We

may compare with

it

a

drawing published by Fergusson and Bur-

gess, Cave Temples of India , pi.

XXXI.a description

We

limit ourselves to

borrowing

from Dr. Burgess,:

Notes on the Bauddha Rock Temples of Ajanid (Bombay, 1879), p. 45 The sides of the antechamber are entirely covered with small Buddhas, sculptured in rows of five to seven each, sitting or standing

on

lotuses,

with lotus leaves between them.is

The

stalk of the lowest central lotus

the

upheld by two kneeling figures wi'h royal head-dresses canopied by many-headed ndga behind each; on the left are a kneeling figurea

and two standing Buddhas, and on the rightndga, and behind

Buddha

is

behind theit

him

are three worshippers with presents...

Theis

diversity

and alternation oft he mudrdsare

will be noticed; true,

on

this wall that the attitudes

the most varied,

which

is

not

saying much. For the identification of the two Ndga-rdjas with

Nanda

and Upananda

cf.

above, p. 161.

THE GREAT MIRACLE OF CRAVASTf

PL,

XX

AT AJANTA

PLATE XXICf. pp.

164-5, 166-7.

.

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THE SUCKLING MADONNA

PL,

XLVI

> oOh

o o

o wID

m w

a

o

PLATE XL VIICf. pp. 232-3..

c

o^

St:II

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THE BUDDHIST MADONNA

PL. XLVII

o

2til

o

K PcC

O O Q

PLATE

XLVIII

Cf. pp. 141-3, 261, 283-4.

I.

Group, consisting of P^ncika and Hiriti,aIt

now

in the

Museum, and reproduced fromVoGEL.

photograph kindly lent by Dr.B.

comes from the excavations made by Dr. D. Sahri-Bahlol, and has already been publi.-.hed by himIndia,

Peshawar J. Ph, Spooner atboth

in Arch. Surv.

Annual

Report,

1906-j,

pi.

XXXII,

c.

In

his

hands,

broken, the genius of riches must have held (right) his lance and (left)the purse

which

Hiriii, apparently,(cf.

gladdened tyes of the faithfulthe nursling of the goddess

we

see

was helping him to exhibit to the 141-3 and 283). In addition to also around them five other putti,pp.pedestal.

whilst sixteen

mare

play about

on the

II.

This photograph, taken by the author, represents only the with the image of the goddess(cf. pp.

central part of the panel,

264

and 284). For a complete picturetograph published by Dr.1904,p.J.

we may

have recourse to the pho-

Ph. Vogel in the B. E. F. E. O., IV,

727.

THE BUDDHIST MADONNA

PL, XLVIII

'IbKl?^

1.

HARITI AND HER PARTNER IN GANDHARA

2.

HARITI IN JAVA

PLATE XLIXCf. pp. 286-7.

o ^ Bo1) E>

J3

1)

>

falls

to

them

read

falls

to

them only

.

For For

these

read the above .

:

For " withDele comma.

read in .

1. 1.1.

21 8:

:

at read

from

.

P. 47,

22

:

Omit:

back

.

1-2 31. 1. 1. 1.

For comma read full

stop.

P. 48,

2612

:

Omit Omit

back ..

P. 49,P. 52,

:

Read marriageable:

2831: :

one

.

P. 56,

For Semiya For

read

Temiya.

. .

P. 58, n. P. 66, P. 68,P. 69,1. 1.

For:

Saddanta read Shaddanta coins read

162:

coigns

ForI

confreres read confreres .>>.

1.1.

25

For according to read from For

29:

:

only serve read serve onlyexplicitla

.

P. 70, n.

A

more

statement of the point here mooted will be found inI,

Les Im'iges indien'ies de 1913,p.

Fortune (Mimoires concernant I'Asie Orientale,

Paris,

131-4).1.

P. 74,

5

:

After school1.

insert in n

order

.

n. 2,

3

:

For

Saddanta

read

Shaddanta

.

ADDENDA AND CORRIGENDAP. 76,1.1.

315

262:

:

Read

explain each other by their propinquity ..

P. 77,n

Read in order to pay:

1.1.

18 23

ForFor

this read u the .

P. 87,

:

observe read

obverse

.>>.

P. 97, P. 98,

1.1. 1. 1.

3025 25

:

ForFor:

buffalos

read buffaloes

:

fagot read