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Page 1: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film...INTRODUCTION Postmodern feminists and queer theorists have been interrogating bodies, desires, and genders,

Page 2: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film...INTRODUCTION Postmodern feminists and queer theorists have been interrogating bodies, desires, and genders,

Page 3: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film...INTRODUCTION Postmodern feminists and queer theorists have been interrogating bodies, desires, and genders,

Page 4: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film...INTRODUCTION Postmodern feminists and queer theorists have been interrogating bodies, desires, and genders,

Page 5: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film...INTRODUCTION Postmodern feminists and queer theorists have been interrogating bodies, desires, and genders,

Page 6: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film...INTRODUCTION Postmodern feminists and queer theorists have been interrogating bodies, desires, and genders,

Page 7: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film...INTRODUCTION Postmodern feminists and queer theorists have been interrogating bodies, desires, and genders,

Page 8: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film...INTRODUCTION Postmodern feminists and queer theorists have been interrogating bodies, desires, and genders,

Page 9: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film...INTRODUCTION Postmodern feminists and queer theorists have been interrogating bodies, desires, and genders,

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM20P.W11/readings/dancyger.rules.pdf · Commandments to the two film versions of the Story. Discovery and rever- conventional

macOS Serverartsites.ucsc.edu/faculty/gustafson/FILM 165A.W11/film... · 2011-01-03 · Like a number Of revenge-horror films, it owes a clear debt to Deliv- erance (the retarded

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM80A/chion.pdf · 144 Beyond Sounds and Images SOUND FILM—WORTHY OF THE NAME 145 subject, since culturally the best understood),

Notes&on&the&CV.jit&Objects& - artsites.ucsc.eduartsites.ucsc.edu › ems › ftp_files_ems › DANM 220-2013 › CV.jit.pdf · CV.jit’notes’ PeterElsea3/4/13’ 5’ Pattern&recognition.&

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film... · 2011-01-01 · Out publicizing the embarrassing facts. When she refused, the European press heard about

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM20P.W11/readings/dancyger... · 15 Dramatic Voice/ Narrative Voice One definition Of mainstream cinema is that it subordinates

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM20P.W11/readings/chion... · The Audiovisual Contract almost always voice recording—and it is the voice that is isolated

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM20P.W11/readings/chion.3modes.pdfthree modes of listening, each of which addresses different objects.l We shall call them causal

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM80A/Corrigan.pdf · TIMOTHY CORRIGAN, from A Short Guide to Writing About Film STYLE AND STRUCTURE ... focused topic—a thesis—that

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11...ically crossing over from a realm Of power into a realm Of powerless. ness. Just to 100k at the many negative ways

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · 6e nde,— L Teresa Caureös THE TECHNOLOGY OF GENDER In the feminist writings and cultural

artsites.ucsc.eduartsites.ucsc.edu/faculty/lord/scene001.pdf · a puzzle, there is no single, correct way to put together a film. The design of each film bears the mark of the filmmaker's

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM 161.F08/readings... · The newsreel is just a snip-snap utterly urúmportant ceremony. Its skill is in the speed with which

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 223/sontag.china.pdf · 274 SONTAG La Condition is caned Man's Fate in English. Not always liked eggs. (They're duck eggs,

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · Michael Jackson, megastar. His LP, Thriller, made in 1982, has sold over thirty-five million

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 175. f09/cole.intro.pdfat his eventual readers. "It seems to me curious, not ro say obscene and thoroughly terrifymg," he

„female masculinity“artsites.ucsc.edu/faculty/gustafson/FILM 165A.W11/film...from Female Masculinity by Judith Halberstam (1998, Duke University press) the use Of being a little

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/wollen... · The auteur theory does not limit itself to acclaiming the director as the main author of a

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM170B.W12/sound.pdf · Subject: Image Created Date: 1/5/2009 5:47:25 PM

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/LEIGH.naked.pdf · characters in Abigail's Party and Nuts in May, while actually I've moved on and on. So

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/hill... · The British Cinema and Thatcherism Defining the 1980s Despite the appeal of periodizing the past

artsites.ucsc.eduartsites.ucsc.edu › faculty › Gustafson › FILM 162.W10... · ise" (172). Without much strain, a certain common denominator may be invoked on this point to bring

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/LEIGH...Maurice tells their secret: after fifteen years Of trying, Monica is "physically incapable' of having

artsites.ucsc.eduartsites.ucsc.edu/sdaniel/230/Relational Aesthetics_entire.pdf · Created Date: 20100228223856Z

artsites.ucsc.eduartsites.ucsc.edu › faculty › gustafson › FILM 165A.W11... · surface of the film. Candace, having discovered Brandon's disguise, comes to confront Lana, Who

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 223/starfish.pdf · thwg gone adrift In t luough dedness specifK parti of th Dngo.ng refiguring; the world (and our) dynamic

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06/readings/vertov.pdf · name Kino-Eye, both in order to distinguish it the specihc productions and to Stress the continuity

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM170B.W12/bresson1.pdf · As will become clear, "cinematography" for Bresson has the special meaning of creative film-making

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM170B.W12/lightingascene.pdf · Subject: Image Created Date: 1/5/2009 5:45:27 PM

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM 161.F08/readings/arthurjargons.pdf · and cable TV and is contemporaneous with an onslaught Of "reality-based" programming

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · Team, and Frank Menll i 1928 and 1929) national gym champion. Weissmuller (twelve films between

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM 161.F08/readings/nichols.ch6.pdfCreated Date: 10/7/2008 3:30:48 PM

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings... · 2009-12-31 · Mike Leigh's Modernist Realism R Porton We Ot so isn't so monotonous We should t everyday

Traditional African Music - artsites.ucsc.eduartsites.ucsc.edu/igama/2 - Encyclopedia/e-LEGAM Content Files/C... · Traditional African Music ... mystery schools or simply filled