15 th century european art chapter 18. fully identify
TRANSCRIPT
15TH C
ENTURY
EUROPE
AN
ARTC
HA
PT
ER
18
FULLY IDENTIFY
FULLY IDENTIFY
FULLY IDENTIFY
A. B.
FULLY IDENTIFY
FULLY IDENTIFY
FULLY IDENTIFY
EARLY RENAISSANCE
• John the Good, Philip the Bold, John the Fearless, Philip the Good, Charles the Bold
• Duke of Burgundy – Mixing alliances with England and France
• Roger van der Weyden, Jan van Eyck, and Robert Campin
MERODE ALTARPIECE (OPEN)
Robert Campin (Master of Flemalle) Center panel 2’1”x 3’
1425-1428 Metropolitan Museum of Art
Oil on Wood
MER
OD
E A
LTA
RPIE
CE (
AN
NU
NC
IATIO
N)
Rob
ert
Cam
pin
(M
aste
r of
Fle
malle)
LEFT AND RIGHT PANELS, MERODE ALTARPIECE
MARGERETE SCRYNMAKERS AND PETER INGELBRECHT
DETAIL OF MERODE ALTARPIECE
ST. VERONICA DISPLAYING THE SUDARIUMRobert Campin
1430
Oil on wood
GHENT ALTARPIECE (OPEN)Jan van Eyck
11’5” x 15’
Oil on Panel
Ghent
Court Painter of
Philip the Good
GHENT ALTARPIECE (CLOSED)
Jan van Eyck
11’5” x 7.5’
ARNOLFINI PORTRAIT
Oil on wood
2’9”x 1’10”
Oil on Wood
National Gallery, London
CLO
SE-U
P O
F TH
E A
RN
OLF
INI PO
RTR
AIT
GIOVANNI ARNOLFINI
MAN IN A RED TURBAN
Jan van Eyck
1433
Oil on Wood
1’1” x 10”
Jan van Eyck,The Annunciation,
1434.
“Hail, full of grace…”
“Behold the handmaiden of the Lord.”
DEPOSITION (NOTRE-DAME HORS-LES-MURS)
Roger van der Weyden
Center Panel
DEPOSITION DETAIL
Roger van der Weyden
ANNUNCIATION
Roger van der Weyden
ST. COLUMBA ALTARPIECE
Roger van der Weyden
3’ x 9’
1455
Oil on Panel
DETAIL OF ST. COLUMBA ALTARPIECE
PORTRAIT OF A LADY
Roger van der Weyden