101 corridor 09
DESCRIPTION
101 corridor architectural materialsTRANSCRIPT
CORRIDOR TRANSFORMATION
Andy Goldsworthy, Storm King Stone Wall
"… the sensation of being surrounded is primary and universal: the maternal womb, the room, the house, the canyon of the street, the final enclosure of the horizon and the hemisphere of the sky – they all belong to us. The primary awareness of being
inside is directly reflected in the house as a surrounding shelter… and is supplemented secondarily by the experience of being outside to other things."
Rudolph Arnheim, The Split and the Structure
STACKING BUNDLING DENSITY
Kruunun Van der Erve Architecten
Laminata, House of Glass
Atelier Kempe Thill Light Buildingtranslucent plastic crates
STACKING BUNDLING TRANSLUCENCY
OPENESS
DENSITY Student work, IIT2005 & 2006
Robert Irwin, Portal Park Slice
PLANEAPPERTURESPATIAL DEFINITIONWITHLIGHT AND SHADOW
Robert Irwin, Portal Park Slice
PLANEAPPERTURESPATIAL DEFINITIONWITHLIGHT AND SHADOW
HUAMN SCALE VANTAGE POINT
Michael Warren, with Scott Tallon Walker ArchitectsTulach A’Tsolais, “Mound of Light,” Oulart Hill, IRE
PLANESLICESPATIAL DEFINITIONWITHLIGHT AND SHADOW
Yoshijima House, Architect UnknownOVERLAP LAYER TRANSPARENCY
Andrea Zittel,A-Z Management & Maintenance Unit
Yoshijima House, Architect Unknown
Robert Rauschenberg, Minutiae
MODULAR PROPORTIONAL LAYERS
Donald JuddMarfa, Texas
Donald Judd, Untitled, 1968
REPETITIONRHYTHM
Christo and Jeanne-Claude, The Gates
SCALE COLOR MOVEMENT
Fushimi Inari Shrine, KyotoTunnels of the “thousand torii” (torii: traditional Japanese gate)
COLOR REPETITION DATUM
MATERIAL POROSITYFlexicomb: Flexible Polypropylene Honeycomb
Metal Frame with Translucent Polycarbonate SkinLounges of Red Polyester
SAAS Architects, Loungin’, Mobile Exhibition Space
SPATIAL POROSITY
Ronan + Erwan BouroullecClouds
Andrea ZittelA-Z Compartment Units
PerforatedStephen Holl Architects, BL Special Laminated PanelsWood veneer, Paper and fabric: cut with laser, water jet and CNC
ENCLOSURE POROSITY
Toyo ItoSerpentine PavilionLondon
Jeannie Thib, Blind
Ronan + Erwan Bouroullec, Ideal Houses
STRUCTURAL FABRIC HANGING FABRIC
STRUCTURAL FOLDING Franz Zeier, Paper Constructions
Charles Ginnever, Prospect Mountain
Coggan + Crawford, Becoming Wall Becoming Bench
BENDING TWISTING PULLING
John Chamberlain, The Privet
Richard+Bauer, Desert Broom Library, Phoenix AZ
Richard Serra, Torqued Ellipses, Cor-ten steel
BENDING TWISTING PULLING
Roto Architects, Texas A&M, Art & Architecture Building
Moshe Safdie, Yad Vashem Holocaust Museum, Israel
BENDING TWISTING PULLING
ORGANIC (biomorphic) ASSEMBLYExhibition at SCI_Arc, 2007Andy Ku, Marcos Sanchez & Jenny Wu
ORGANIC ASSEMBLY
Massimilano Fuksas,Milan Fiera, New Trade Fair, 2005
VANTAGE POINT
Massimilano Fuksas,Milan Fiera
TRANSPARENCY OPACITYORGANIC ASSEMBLY
Massimilano Fuksas,Milan Fiera, New Trade Fair, 2005
VANTAGE POINT
Monika Sosnowska 1:1 2007 Steel installation The Schaulager, Basel
ASSEMBLY (out of) SCALE RESPONSE TO SITE
ASSEMBLY (out of) SCALE RESPONSE TO SITEMonika Sosnowska 1:1 2007 Steel installation The Schaulager, Basel
SCALE
Monika Sosnowska Untitled, 2003
SCALE “TOUCH THE GROUND”
Monika SosnowskaHandrail 2008
SCALE GEOMETRYHerzog & De Meuron, 2002 / 2003Schaulager Museum, Basel Switzerland
Casting
Rachel Whiteread, LibraryPlaster casts of shelves
Rachel Whiteread, Embankment14,000 plaster and polyethelenecasts of old boxesTurbine Hall of the Tate Modern
SURFACERELIEFSCALE
Thomas Heatherwick,Rolling Bridge acrossPaddington BasinADAPTABLE SYSTEM
ORGANIC FORMNucleo Design, Terra: Grass Armchair
Rough-hewn stair in Canyon, CA
Wharton Esherick, House and Studio Museum, Oak Stair
RELATION TO CONTEXT
Gordon Matta-Clark, Bingo, Niagara Falls
Building Fragments Installed at the Museum for Art and Cultural History, Germany
FABRICMATERIAL TRANSFORMATIONEl Anatsui (Ghana)“Duvor,” 2007: Aluminum liquor bottle tabs, wire
FABRICMATERIAL TRANSFORMATION
Lee Bontecou“Untitled” 1959Canvas, leather, wire
Lee Bontecou“Untitled” 1961Canvas, wire, black fabric, expoxy
ASSEMBLY MATERIAL TRANSFORMATION
Sam Mockbee, Rural StudioLiving Pods: License Plates
Masons Bend Community Center: Windshields
Sam Mockbee, Rural Studio
Living Pods: Cardboard Bales
ASSEMBLY
MATERIALTRANSFORMATIONNewbern Baseball Field:
Chain-link fence
Student work, IIT2005 & 2006
ASSEMBLYMATERIAL TRANSFORMATION
“All architecture functions as a
potential stimulus for movement, real
or imagined.
A building is an incitement to
action, a stage for movement and
interaction.
It is one partner in a dialogue
with the body.”
Robert J. Yudell, “Body Movement”, from Body, Memory
and Architecture
Andy GoldsworthyJapanese Maple Leaves
1987
SCALETEMPORAL ASSEMBLY MATERIAL TRANSFORMATION
TEMPORAL ASSEMBLY MATERIAL TRANSFORMATION SCALE
Andy GoldsworthyLeaves
date unknown