101 corridor 09

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CORRIDOR TRANSFORMATION

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101 corridor architectural materials

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Page 1: 101 Corridor 09

CORRIDOR TRANSFORMATION

Page 2: 101 Corridor 09

Andy Goldsworthy, Storm King Stone Wall

"… the sensation of being surrounded is primary and universal: the maternal womb, the room, the house, the canyon of the street, the final enclosure of the horizon and the hemisphere of the sky – they all belong to us. The primary awareness of being

inside is directly reflected in the house as a surrounding shelter… and is supplemented secondarily by the experience of being outside to other things."

Rudolph Arnheim, The Split and the Structure

Page 3: 101 Corridor 09

STACKING BUNDLING DENSITY

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Kruunun Van der Erve Architecten

Laminata, House of Glass

Atelier Kempe Thill Light Buildingtranslucent plastic crates

STACKING BUNDLING TRANSLUCENCY

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OPENESS

DENSITY Student work, IIT2005 & 2006

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Robert Irwin, Portal Park Slice

PLANEAPPERTURESPATIAL DEFINITIONWITHLIGHT AND SHADOW

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Robert Irwin, Portal Park Slice

PLANEAPPERTURESPATIAL DEFINITIONWITHLIGHT AND SHADOW

HUAMN SCALE VANTAGE POINT

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Michael Warren, with Scott Tallon Walker ArchitectsTulach A’Tsolais, “Mound of Light,” Oulart Hill, IRE

PLANESLICESPATIAL DEFINITIONWITHLIGHT AND SHADOW

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Yoshijima House, Architect UnknownOVERLAP LAYER TRANSPARENCY

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Andrea Zittel,A-Z Management & Maintenance Unit

Yoshijima House, Architect Unknown

Robert Rauschenberg, Minutiae

MODULAR PROPORTIONAL LAYERS

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Donald JuddMarfa, Texas

Donald Judd, Untitled, 1968

REPETITIONRHYTHM

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Christo and Jeanne-Claude, The Gates

SCALE COLOR MOVEMENT

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Fushimi Inari Shrine, KyotoTunnels of the “thousand torii” (torii: traditional Japanese gate)

COLOR REPETITION DATUM

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MATERIAL POROSITYFlexicomb: Flexible Polypropylene Honeycomb

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Metal Frame with Translucent Polycarbonate SkinLounges of Red Polyester

SAAS Architects, Loungin’, Mobile Exhibition Space

SPATIAL POROSITY

Ronan + Erwan BouroullecClouds

Andrea ZittelA-Z Compartment Units

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PerforatedStephen Holl Architects, BL Special Laminated PanelsWood veneer, Paper and fabric: cut with laser, water jet and CNC

ENCLOSURE POROSITY

Toyo ItoSerpentine PavilionLondon

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Jeannie Thib, Blind

Ronan + Erwan Bouroullec, Ideal Houses

STRUCTURAL FABRIC HANGING FABRIC

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STRUCTURAL FOLDING Franz Zeier, Paper Constructions

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Charles Ginnever, Prospect Mountain

Coggan + Crawford, Becoming Wall Becoming Bench

BENDING TWISTING PULLING

John Chamberlain, The Privet

Page 20: 101 Corridor 09

Richard+Bauer, Desert Broom Library, Phoenix AZ

Richard Serra, Torqued Ellipses, Cor-ten steel

BENDING TWISTING PULLING

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Roto Architects, Texas A&M, Art & Architecture Building

Moshe Safdie, Yad Vashem Holocaust Museum, Israel

BENDING TWISTING PULLING

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ORGANIC (biomorphic) ASSEMBLYExhibition at SCI_Arc, 2007Andy Ku, Marcos Sanchez & Jenny Wu

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ORGANIC ASSEMBLY

Massimilano Fuksas,Milan Fiera, New Trade Fair, 2005

VANTAGE POINT

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Massimilano Fuksas,Milan Fiera

TRANSPARENCY OPACITYORGANIC ASSEMBLY

Massimilano Fuksas,Milan Fiera, New Trade Fair, 2005

VANTAGE POINT

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Monika Sosnowska 1:1 2007 Steel installation The Schaulager, Basel

ASSEMBLY (out of) SCALE RESPONSE TO SITE

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ASSEMBLY (out of) SCALE RESPONSE TO SITEMonika Sosnowska 1:1 2007 Steel installation The Schaulager, Basel

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SCALE

Monika Sosnowska Untitled, 2003

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SCALE “TOUCH THE GROUND”

Monika SosnowskaHandrail 2008

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SCALE GEOMETRYHerzog & De Meuron, 2002 / 2003Schaulager Museum, Basel Switzerland

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Casting

Rachel Whiteread, LibraryPlaster casts of shelves

Rachel Whiteread, Embankment14,000 plaster and polyethelenecasts of old boxesTurbine Hall of the Tate Modern

SURFACERELIEFSCALE

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Thomas Heatherwick,Rolling Bridge acrossPaddington BasinADAPTABLE SYSTEM

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ORGANIC FORMNucleo Design, Terra: Grass Armchair

Rough-hewn stair in Canyon, CA

Wharton Esherick, House and Studio Museum, Oak Stair

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RELATION TO CONTEXT

Gordon Matta-Clark, Bingo, Niagara Falls

Building Fragments Installed at the Museum for Art and Cultural History, Germany

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FABRICMATERIAL TRANSFORMATIONEl Anatsui (Ghana)“Duvor,” 2007: Aluminum liquor bottle tabs, wire

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FABRICMATERIAL TRANSFORMATION

Lee Bontecou“Untitled” 1959Canvas, leather, wire

Lee Bontecou“Untitled” 1961Canvas, wire, black fabric, expoxy

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ASSEMBLY MATERIAL TRANSFORMATION

Sam Mockbee, Rural StudioLiving Pods: License Plates

Masons Bend Community Center: Windshields

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Sam Mockbee, Rural Studio

Living Pods: Cardboard Bales

ASSEMBLY

MATERIALTRANSFORMATIONNewbern Baseball Field:

Chain-link fence

Page 38: 101 Corridor 09

Student work, IIT2005 & 2006

ASSEMBLYMATERIAL TRANSFORMATION

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“All architecture functions as a

potential stimulus for movement, real

or imagined.

A building is an incitement to

action, a stage for movement and

interaction.

It is one partner in a dialogue

with the body.”

Robert J. Yudell, “Body Movement”, from Body, Memory

and Architecture

Andy GoldsworthyJapanese Maple Leaves

1987

SCALETEMPORAL ASSEMBLY MATERIAL TRANSFORMATION

Page 40: 101 Corridor 09

TEMPORAL ASSEMBLY MATERIAL TRANSFORMATION SCALE

Andy GoldsworthyLeaves

date unknown