1 live-motion capture in a performing arts environment oral : ming-fan wei 2005.02.23

15
1 Live-Motion Capture In a Performing Arts Environment Oral Ming-Fan Wei 2005.02.23

Upload: maud-knight

Post on 13-Dec-2015

221 views

Category:

Documents


4 download

TRANSCRIPT

Page 1: 1 Live-Motion Capture In a Performing Arts Environment Oral : Ming-Fan Wei 2005.02.23

1

Live-Motion Capture In a Performing Arts

Environment

Oral : Ming-Fan Wei2005.02.23

Page 2: 1 Live-Motion Capture In a Performing Arts Environment Oral : Ming-Fan Wei 2005.02.23

2

Outline• Introduction• Mocap and image pipeline.• Response from audience and

performers• Conclusion & Futureworks• Applications of Digital tech.• Operating processes• Examples

Page 3: 1 Live-Motion Capture In a Performing Arts Environment Oral : Ming-Fan Wei 2005.02.23

3

Introduction

An experimental dance performance featuring live-motion capture, real-time computer graphics, and multi-image projection was produced by a cross-departmental team of faculty and students at Purdue University.

Page 4: 1 Live-Motion Capture In a Performing Arts Environment Oral : Ming-Fan Wei 2005.02.23

4

History

• The first large-scale production by the Interactive Performance Laboratory was Shakespeare’s The Tempest.

• The Troika Ranch Dance theatre company was founded in 1993, and since 1994 has been working with motion-capture technology. Its first production using live-motion capture was The Plane.

Page 5: 1 Live-Motion Capture In a Performing Arts Environment Oral : Ming-Fan Wei 2005.02.23

5

History• Merce Cunningham is an innovator in dance

and technology. His collaboration with Paul Kaiser, Shelley Eshkar, and Unreal Pictures, called Hand-drawn Spaces, is a milestone in motion- capture for dance performance.

Page 6: 1 Live-Motion Capture In a Performing Arts Environment Oral : Ming-Fan Wei 2005.02.23

6

Mo-cap and image pipeline

Page 7: 1 Live-Motion Capture In a Performing Arts Environment Oral : Ming-Fan Wei 2005.02.23

7

Response from audience and performers

• Given the nontraditional format of the performance, it was important to get feedback from the audience and performers.

• Audience Response• A Dancer’s Experience

Page 8: 1 Live-Motion Capture In a Performing Arts Environment Oral : Ming-Fan Wei 2005.02.23

8

Conclusion & Futureworks

• With the developed story comes the necessity for a virtual environment. The production will have a fully-realized virtual environment along with a virtual character.

• Some of the new technology employed forthe spring 2004 show is a motion-capture system from Sim Techniques (STT), called the Motion Captor.

Page 9: 1 Live-Motion Capture In a Performing Arts Environment Oral : Ming-Fan Wei 2005.02.23

9

Thanks For Your Attention!

Q & A

Page 10: 1 Live-Motion Capture In a Performing Arts Environment Oral : Ming-Fan Wei 2005.02.23

10

Applications of Digital tech.

• Mechanical motion capture• Magnetic motion capture• Optical motion capture

Page 11: 1 Live-Motion Capture In a Performing Arts Environment Oral : Ming-Fan Wei 2005.02.23

11

Operating processes

• Model Build• Active Film Box / MOTIONBUILDER • After Effect

Page 12: 1 Live-Motion Capture In a Performing Arts Environment Oral : Ming-Fan Wei 2005.02.23

12

Examples

•Game•Movie•Other

Page 13: 1 Live-Motion Capture In a Performing Arts Environment Oral : Ming-Fan Wei 2005.02.23

13

Game

• Onimusha / Movie / Backstage• Metal Gear Solid• FINAL FANTASY XII • Tomb Raider

Page 14: 1 Live-Motion Capture In a Performing Arts Environment Oral : Ming-Fan Wei 2005.02.23

14

Movie

• The Load of The Ring

Page 15: 1 Live-Motion Capture In a Performing Arts Environment Oral : Ming-Fan Wei 2005.02.23

15

Other

• Animation company • News• Health• Advertisement• After Effect• Animation