047 - spring 2000drawings 1960 - 64 | robert kipniss may 2000 gerhard wurzer gallery 1217 s....
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C I T C H f l f S f i f e 4 < ) < ) < ) I 1 (I / I I' t)
A
ATRIUM ART
S I N U M I D - M A K I H , Orffjit Grinder, a large
scale, interactive installation, has bung in
the atrium of the University of I louston
College of Architecture. < hf>jn Grinder is
the work or Dwnyne llohuslav + parasite, a
collaborative of present and former students
led by llohuslav, a visitinj» architecture
professor at UH. The latest and largest of
llohuslav s projects exploring animated,
hio-rechnnlgical forms, Orf^tn Grinder
treats the college's formal atrium space as a
body cavity, within which a trio of capsules,
constructed t screen wire stretched over a
wood and metal frame, are suspended from
eight metal, rib-like- struts attached to third
floor columns. Inside the capsules, electro-
mechanical organs respond to ambient light,
movement, and sound, acting out metaphor-
ical interpretations of respiration, circula-
tion, and reproduction. Organ Grinder will
he on display at the College of Architecture
through Sunday, June 11. — Bruce C. Webb
3219 University Boulevard
Carol BarndoUar Greenwood K ing Properties • 713.524.0888
1201 Berthea
fW^&Ktf
Edie Archer Greenwood K ing Properties • 713.524.0888
«H*
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J p t i n g i ii ii ii f I f 4 7
A MOVING STAGE GROUND LIGHT WINS UH ARCSTAGE COMPETITION
A model of the proposed Ground Light stage: The panels can be rearranged lo hold art or to be a barkdrop
I N I H I M'KINU of 199X, I'ilippo Castore,
then ,i third year Student at the University
of I [ouston