* color theory

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Welcome Art 8! Please Pick up a 1 copy from each stack from the circle table. Put your name and class color on each. Show me what I expect to see of

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* Color Theory. The art and science of color interaction and effects. RGB ADDITIVE COLOR Color created from beams of light. R G B Red Green Blue ADDITIVE COLOR. R G B Red Green Blue ADDITIVE COLOR Color created from beams of light. R G B Red Green Blue ADDITIVE COLOR - PowerPoint PPT Presentation

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Page 1: * Color Theory

Welcome Art 8!

Please Pick up a

1 copy from each stack

from the circle table.

Put your name and class color on each.

Show me what I expect to see of you for the

start of class.

Page 2: * Color Theory

Color Theory

The art and science of color interaction and effects.

SYSTEMS

Page 3: * Color Theory

RGBRed Green Blue

ADDITIVE COLOR WE ADD COLORS IN ORDER TO GET WHITE

Color created from beams of light.

This system applies only to devices employing light

computer monitors:

television sets

theater stage lighting

Page 4: * Color Theory

Primary Color – ADDITIVE RGBLight!

This is how a computer translates color to a monitor.

Page 5: * Color Theory

RGBLIGHT

RED + GREEN = YELLOW

BLUE + GREEN = CYAN

RED + BLUE = MAGENTA

RED + GREEN + BLUE = WHITE

Page 6: * Color Theory

RGBLIGHT

FINAL QUESTION:

HOW DO YOU GET BLACK?

In LIGHTblack is the absence of color!

Page 7: * Color Theory

CMYKCyan Magenta Yellow Black

SUBTRACTIVE COLORWE SUBTRACT COLORS TO GET WHITE

Used in printing

Page 8: * Color Theory

CYAN + MAGENTA = BLUE

MAGENTA + YELLOW = RED

CYAN + YELLOW = GREEN

C+ Y+ M= BLACK

CMYKPRINTING

Page 9: * Color Theory

CMYKPRINTING

FINAL QUESTION:

HOW DO YOU GET WHITE?

In PRINTINGWhite is the absence of color!

Page 10: * Color Theory

The CMYK Color System

If you look at a printed page with a magnifying glass you might see something like the illustration. Our eye mixes the colors

Page 11: * Color Theory

RYBRed Yellow Blue

SUBTRACTIVE COLORWE SUBTRACT COLORS TO GET WHITE

This is what we do in the art room on a regular basis!

This is how we mix colors with pigments and dyes: Paint, crayons, colored pencils, pastels etc.

Page 12: * Color Theory

Primary Color – RYB

Color that all other colors can be made from.These 3 colors can not be made by mixing other colors from this system together.

Secondary Color – VGO

Color that is made by mixing 2 primary colors together.

Tertiary Color – RvRoYoYgBgBv

Color that is made by mixing 1 primary color with 1 of the secondary colors that is next to it.

Page 13: * Color Theory

Complete Munsen Color Wheel

Page 14: * Color Theory

Color Temperature

Page 15: * Color Theory

How many colors are there?

Older computer systems may be limited to 216

A high quality printer is only capable of producing thousands

A monitor can display millions

How many colors could you make in paint?

Page 16: * Color Theory

Color Wheel

* Hue – Is the name of a specific color.

The lightness or darkness of a hue.

Page 17: * Color Theory

Color Wheel

* Hue – Is the name of a specific color.

* Value – The lightness or darkness of a hue.

Page 18: * Color Theory

Color Wheel

* Hue – Is the name of a specific color.

* Value – The lightness or darkness of a hue.

Page 19: * Color Theory

A: COLOR MIXING & EXPERIMENTATION

Value

1.We add black and white to a color to get tints and shades.

Tone and Intensity

1.We add compliments to each other to get muddy colors

2. e can mix more and less of other colors to get millions of color variations.

Page 20: * Color Theory

A: COLOR MIXING & EXPERIMENTATION

Value

1.We add black and white to a color to get tints and shades.

Tone and Intensity

1.We add compliments to each other to get muddy colors

2. e can mix more and less of other colors to get millions of color variations.

Page 21: * Color Theory

* Tint – A hue that has been mixed with white.

* Shade – A hue that has been mixed with black.

Page 22: * Color Theory

Color Wheel

* Hue – Is the name of a specific color.

* Value – The lightness or darkness of a hue.

* Intensity – The brightness or dullness of a color.

Page 23: * Color Theory

Color Wheel

* Hue – Is the name of a specific color.

* Value – The lightness or darkness of a hue.

* Intensity – The brightness or dullness of a color.

Page 24: * Color Theory

A: COLOR MIXING & EXPERIMENTATION

Value

1.We add black and white to a color to get tints and shades.

Tone and Intensity

1.We add compliments to each other to get muddy colors

2. e can mix more and less of other colors to get millions of color variations.

Page 25: * Color Theory

From color mixing experimentation.

Value

1.We add black and white to a color to get tints and shades.

Tone and Intensity

1.We add complements to each other to get neutral tones.

2. We can mix more and less of other colors to get millions of color variations.

Page 26: * Color Theory

Mixing a color with its complement to creates different tones.

Page 27: * Color Theory

1.From color mixing experimentation.

Value

1.We add black and white to a color to get tints and shades.

Tone and Intensity •We add complements to each other to get

neutral tones.•We can mix more and less of other colors to

get millions of color variations.

Page 28: * Color Theory

Color Theory

The art and science of color interaction and effects.

SCHEMES

Page 29: * Color Theory

Achromatic – Color scheme based on white, black and varying grays

Page 30: * Color Theory
Page 31: * Color Theory

Monochromatic – Color scheme based on variations of a single hue.

Page 32: * Color Theory
Page 33: * Color Theory

Analogous – A color scheme based on hues that are adjacent to each other on the color wheel.

Page 34: * Color Theory

Mark Ryden

Page 35: * Color Theory

Complementary – Two colors opposite each other on the color wheel.

Page 36: * Color Theory

Marshall Arisman Maxfield Parrish

Page 37: * Color Theory

Hello this is Mrs. Gordon“How do you like them Apples?”

Page 38: * Color Theory

Split Complementary – Using the hues next to a color’s complement in

a composition.

Page 39: * Color Theory

Split Complementary – Using split complements is easier on the eye

than complements while still being dramatically opposite in color.

Page 40: * Color Theory

Triadic harmony – A color scheme based on three colors which are equidistant on a color wheel.

Page 41: * Color Theory

Piet Mondrian